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Connecting through Family Stories | Cultivating Learning

Creator:
Smithsonian Education  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2021-11-29T22:12:26.000Z
YouTube Category:
Entertainment  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_0-KCwiodyqA

George Washington (Athenaeum type)

Attribution:
William Matthew Prior, 16 May 1806 - 21 Jan 1873  Search this
Copy after:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Oil on glass
Dimensions:
Sight: 60cm x 49.5cm (23 5/8" x 19 1/2"), Accurate
Type:
Painting
Place:
United States\Massachusetts\Suffolk\Boston
Date:
c. 1860s
Topic:
Reverse painting  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: American Folk Art Museum
Object number:
1985.18.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4151a3abf-c37d-463d-b024-bce1ee507093
EDAN-URL:
edanmdm:npg_1985.18.2

George Washington (Athenaeum type)

Attribution:
William Matthew Prior, 16 May 1806 - 21 Jan 1873  Search this
Copy after:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Oil on glass
Dimensions:
Sight: 57.7cm x 43.6cm (22 11/16" x 17 3/16"), Accurate
Type:
Painting
Place:
United States\Massachusetts\Suffolk\Boston
Date:
c. 1860s
Topic:
Reverse painting  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: American Folk Art Museum
Object number:
1986.2.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm440ce9a45-d395-4469-b4dd-44c0d6e6a88a
EDAN-URL:
edanmdm:npg_1986.2.1

George Washington (Athenaeum type)

Artist:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Oil on canvas
Dimensions:
Frame: 102.2 x 87.6cm (40 1/4 x 34 1/2")
Stretcher: 77 × 64.5cm (30 5/16 × 25 3/8")
Type:
Painting
Place:
United States\Massachusetts\Suffolk\Boston
Date:
1825
Topic:
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Walters Art Museum
Object number:
37.171
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4d0a9aaf4-0915-4c0e-a854-c077841ed078
EDAN-URL:
edanmdm:npg_37.171

Green Night

Artist:
William Baziotes, American, b. Pittsburgh, Pennsylvania, 1912–1963  Search this
Medium:
Oil on canvas
Dimensions:
36 1/8 X 48 1/8 IN. (91.7 X 122.2 CM.)
Type:
Painting
Date:
1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.406
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a2bf9428-d436-44d7-b9da-2218fb7bed04
EDAN-URL:
edanmdm:hmsg_66.406

The Embrace, (sculpture)

Sculptor:
Thomas, Hank Willis 1976-  Search this
Founder:
Walla Walla Foundry  Search this
Medium:
Bronze
Culture:
African American  Search this
Type:
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
Boston Common 1965 Freedom Plaza Boston Massachusetts
Date:
Dedicated January 16, 2023
Topic:
Homage--King, Martin Luther, Jr  Search this
Ethnic  Search this
History--United States--Black History  Search this
Figure--Fragment--Arm  Search this
Control number:
IAS 71501367
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_480062

Lightning at Sea, (painting)

Painter:
O'Keeffe, Georgia 1887-1986  Search this
Medium:
Pastel on peper mounted on board
Type:
Paintings
Owner/Location:
Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 1990.430
Date:
1922
Topic:
Waterscape--Weather--Storm  Search this
Waterscape--Weather--Lightning  Search this
Control number:
IAP 20492760
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_372553

Patricia Hills papers

Creator:
Hills, Patricia  Search this
Names:
Women's Caucus for Art  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Sargent, John Singer, 1856-1925  Search this
Stevens, May  Search this
Extent:
47.5 Linear feet
0.113 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
circa 1900-2022
bulk 1968-2009
Summary:
The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.
Scope and Contents:
The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.
Arrangement:
The collection is arranged as 13 series.

Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25)

Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, OV24, 0.041 GB; ER01-ER02)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30)

Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31)

Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32)

Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32)

Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33)

Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05)

Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39)

Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 11: Subject Files, circa 1961-2007 (1.0 linear Feet; Box 22, 0.004 GB; ER04)

Series 12: Printed Material, circa 1970-2010 (1.0 linear Feet; Box 23)

Series 13: Unprocessed Addition, circa 1970-2022 (8.4 linear feet; Boxes 40-49)
Biographical / Historical:
Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.
Provenance:
Donated in 2006, 2018, 2019 and 2022 by Patricia Hills.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Occupation:
Educators -- Massachusetts -- Boston  Search this
Art historians -- Massachusetts -- Boston  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Art, American -- 19th century  Search this
Art -- Political aspects  Search this
Women artists  Search this
Women educators  Search this
Women art historians  Search this
Women museum curators  Search this
Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hillspat
See more items in:
Patricia Hills papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415
EDAN-URL:
ead_collection:sova-aaa-hillspat

The Purple Pup (Cafe Interior: Self Portrait with Marcel Duchamp), (painting)

Painter:
Demuth, Charles 1883-1935  Search this
Subject:
Demuth, Charles  Search this
Duchamp, Marcel  Search this
Medium:
Watercolor and pencil
Type:
Paintings
Owner/Location:
Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115
Date:
1918
Topic:
Abstract  Search this
Portrait male--Self Portrait  Search this
Portrait male  Search this
Architecture interior--Commercial--Restaurant  Search this
Control number:
IAP 8G280019
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_479998

Indiana, Robert (biographical materials)

Collection Creator:
Stable Gallery  Search this
Container:
Box 1, Folder 44
Type:
Archival materials
Date:
1962-1968
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d23d06a-7f9e-4182-9f58-795961720f47
EDAN-URL:
ead_component:sova-aaa-stabgall-ref45
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Marisol

Collection Creator:
Stable Gallery  Search this
Container:
Box 2, Folder 9
Type:
Archival materials
Date:
1961-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b90b509a-b41a-4774-895d-c05868156a96
EDAN-URL:
ead_component:sova-aaa-stabgall-ref51
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Oral history interview with Dana Chandler

Interviewee:
Chandler, Dana, 1941-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
African-American Master Artists in Residence Program  Search this
Massachusetts College of Art -- Students  Search this
Museum of Fine Arts, Boston  Search this
Northeastern University (Boston, Mass.) -- Faculty  Search this
Simmons College. Art and Music Dept. -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Catlett, Elizabeth, 1915-2012  Search this
Mazur, Michael, 1935-2009  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-May 5
Scope and Contents:
An interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art.
Chandler remembers his childhood in the Black community of Roxbury, Massachussets, with numerous siblings, pugnacious, hard-drinking longshoreman father, and mother who was the linchpin of the family; precocity as a reader and child artist; attendance at Saturday morning children's art classes at Museum of Fine Arts, Boston, and at Boston Educational High School where needed discipline was instilled in him by its all-white faculty; and as an assistant at school after graduation (1959-61).
Chandler talks about his awareness of budding civil rights movement; his attendance (1962-67) at Massachusetts College of Art while supporting his new, young family and working for the Jamaica Plain Area Planning Action Council which was funded by the federal Model Cities program; his first exhibitions (1967), in a liberal local church and a black businessmen's club; the exhibition (1969) "Twelve Black Artists from Boston," at the Rose Art Museum, Brandeis University; and his involvement, along with Harold Tovish and Michael Mazur, in the group, Artists Against the War.
He recalls his initiation of the exhibition, "Afro-American Artists/New York and Boston," at the Museum of Fine Arts, Boston, 1970, for which he was given no credit; his position as an unpaid cultural commentator for a Black newspaper and radio station; his politically-charged paintings and prints from the late 1960s onward; his meetings with senior Black artists, such as Romare Bearden, Elizabeth Catlett Mora, and Benny Andrews; and his steady espousal of confrontation.
Chandler discusses teaching at Simmons College, Boston, 1971 to present; his creation in 1974 of the African-American Master Artists-in-Residence Program (AMARP), Northeastern University, Boston, and his direction of it until 1993, when he was relieved of the position by the University.
Chandler discusses his exhibition at Northeastern University in 1976, "If the Shoe Fits, Hear It!" under the name Akin Duro, and its evidence of the respect in which he was held; the loss of much of his work in a studio fire; and his current large-scale graphic work.
Biographical / Historical:
Dana Chandler (1941- ) is an African American painter, printmaker, and educator from Boston, Massachussets.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 51 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
African American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chandl93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96808788d-bda2-48a7-a3c2-5372ecb30aed
EDAN-URL:
ead_collection:sova-aaa-chandl93
Online Media:

Bibliographies, Biographies, and Resumes

Collection Creator:
White, Charles, 1918-1979  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
circa 1941-circa 1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
See more items in:
Charles W. White papers
Charles W. White papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d341657-9dcb-4c11-98ea-f84e1e6f538a
EDAN-URL:
ead_component:sova-aaa-whitchar-ref20
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Miye Matsukata papers, circa 1900-1982, bulk 1964-1981

Creator:
Matsukata, Miye, 1922-1981  Search this
Subject:
Hickey, Judy  Search this
Hubbard, James C.  Search this
Oka, Takashi  Search this
Art Asia Gallery  Search this
Fitchburg Art Museum  Search this
Haystack Mountain School of Crafts  Search this
Janiye (Firm)  Search this
Principia College  Search this
Type:
Scrapbooks
Photographs
Diaries
Sketchbooks
Sound recordings
Interviews
Citation:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Jewelry making  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women designers  Search this
Women jewelers  Search this
Theme:
Women  Search this
Asian American  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8323
(DSI-AAA_SIRISBib)210495
AAA_collcode_matsmiye
Theme:
Women
Asian American
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210495
Online Media:

Perry Townsend Rathbone papers, 1929-1985

Creator:
Rathbone, Perry Townsend, 1911-2000  Search this
Subject:
Wittmann, Otto  Search this
Ritchie, Andrew Carnduff  Search this
Stout, George L. (George Leslie)  Search this
Faison, S. Lane (Samson Lane)  Search this
Howe, Thomas Carr  Search this
Valentiner, Wilhelm Reinhold  Search this
Gonzalez, Xavier  Search this
Willard, Marian  Search this
Swarzenski, Hanns  Search this
Valentin, Curt  Search this
Sabersky, Jane  Search this
Beckmann, Max  Search this
Moore, Lamont  Search this
Parkhurst, Charles  Search this
Museum of Fine Arts, Boston  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Christie, Manson & Woods International Inc.  Search this
City Art Museum of St. Louis  Search this
Type:
Transcripts
Photographs
Interviews
Citation:
Perry Townsend Rathbone papers, 1929-1985. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- Massachusetts -- Boston  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8353
(DSI-AAA_SIRISBib)210525
AAA_collcode_rathperr
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210525
Online Media:

W.G. Constable papers, 1905-1983, bulk 1920-1976

Creator:
Constable, W. G. (William George), 1887-1976  Search this
Subject:
Phillips, Duncan  Search this
Stout, George L. (George Leslie)  Search this
Canaletto  Search this
Perry, Ralph  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Hencken, Hugh O'Neill  Search this
Vasalle, Rudolph  Search this
Brandt, Mortimer  Search this
Links, J. G.  Search this
Ivins, William Mills  Search this
Frick, Helen Clay  Search this
Gluck, Helen  Search this
National Gallery of Canada  Search this
Watts Gallery  Search this
Christie, Manson & Woods International Inc.  Search this
Fogg Art Museum  Search this
Museum of Fine Arts, Boston  Search this
American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas  Search this
Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government  Search this
Art Gallery of Toronto  Search this
United States. Internal Revenue Service  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Place:
Germany (Territory under Allied occupation, 1945-1955)
Citation:
W.G. Constable papers, 1905-1983, bulk 1920-1976. Archives of American Art, Smithsonian Institution.
Topic:
Art, European  Search this
Art -- Study and teaching  Search this
Museum curators -- Massachusetts -- Boston  Search this
Art -- Collectors and collecting  Search this
Cultural property -- conservation and restoration -- Germany  Search this
Cultural property -- Conservation and restoration -- Italy  Search this
Art -- Conservation and restoration  Search this
Museum curators -- England  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9387
(DSI-AAA_SIRISBib)211584
AAA_collcode_conswmgp
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211584
Online Media:

Cecile Tyl research material on Beatrice Cuming, [ca. 1913-1990]

Creator:
Tyl, Cecile  Search this
Subject:
Cuming, Beatrice  Search this
Type:
Scrapbooks
Citation:
Cecile Tyl research material on Beatrice Cuming, [ca. 1913-1990]. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9935
(DSI-AAA_SIRISBib)212485
AAA_collcode_tylceci
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212485

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 2
Online Media:

Jeanne and Max Wasserman papers, [ca. 1960-1975]

Creator:
Wasserman, Jeanne L., 1915-2006  Search this
Wasserman, Max, 1913-1986  Search this
Subject:
180 Beacon Collection of Contemporary Art (Boston, Mass.)  Search this
Fogg Art Museum  Search this
Citation:
Jeanne and Max Wasserman papers, [ca. 1960-1975]. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- United States  Search this
Outdoor sculpture -- Massachusetts  Search this
Art, American -- United States  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)6556
(DSI-AAA_SIRISBib)215832
AAA_collcode_wassjean
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215832

Marianna Pineda papers, 1943-1998

Creator:
Pineda, Marianna, 1925-1996  Search this
Subject:
Tovish, Harold  Search this
Type:
Video recordings
Drawings
Citation:
Marianna Pineda papers, 1943-1998. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women sculptors  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6145
(DSI-AAA_SIRISBib)216367
AAA_collcode_pinemari
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216367

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