Search Results

Creator:

Smithsonian Education  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2021-11-29T22:12:26.000Z

YouTube Category:

Entertainment  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_0-KCwiodyqA

Attribution:

William Matthew Prior, 16 May 1806 - 21 Jan 1873  Search this

Copy after:

Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this

Sitter:

George Washington, 22 Feb 1732 - 14 Dec 1799  Search this

Medium:

Oil on glass

Dimensions:

Sight: 60cm x 49.5cm (23 5/8" x 19 1/2"), Accurate

Type:

Painting

Place:

United States\Massachusetts\Suffolk\Boston

Date:

c. 1860s

Topic:

Reverse painting  Search this

George Washington: Male  Search this

George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

George Washington: Politics and Government\Statesman\Colonial statesman  Search this

George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this

George Washington: Military and Intelligence\Army\Officer\General  Search this

George Washington: Politics and Government\President of US  Search this

George Washington: Science and Technology\Surveyor  Search this

George Washington: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

Owner: American Folk Art Museum

Object number:

1985.18.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4151a3abf-c37d-463d-b024-bce1ee507093

EDAN-URL:

edanmdm:npg_1985.18.2

Attribution:

William Matthew Prior, 16 May 1806 - 21 Jan 1873  Search this

Copy after:

Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this

Sitter:

George Washington, 22 Feb 1732 - 14 Dec 1799  Search this

Medium:

Oil on glass

Dimensions:

Sight: 57.7cm x 43.6cm (22 11/16" x 17 3/16"), Accurate

Type:

Painting

Place:

United States\Massachusetts\Suffolk\Boston

Date:

c. 1860s

Topic:

Reverse painting  Search this

George Washington: Male  Search this

George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

George Washington: Politics and Government\Statesman\Colonial statesman  Search this

George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this

George Washington: Military and Intelligence\Army\Officer\General  Search this

George Washington: Politics and Government\President of US  Search this

George Washington: Science and Technology\Surveyor  Search this

George Washington: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

Owner: American Folk Art Museum

Object number:

1986.2.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm440ce9a45-d395-4469-b4dd-44c0d6e6a88a

EDAN-URL:

edanmdm:npg_1986.2.1

Artist:

Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this

Sitter:

George Washington, 22 Feb 1732 - 14 Dec 1799  Search this

Medium:

Oil on canvas

Dimensions:

Frame: 102.2 x 87.6cm (40 1/4 x 34 1/2")

Stretcher: 77 × 64.5cm (30 5/16 × 25 3/8")

Type:

Painting

Place:

United States\Massachusetts\Suffolk\Boston

Date:

1825

Topic:

George Washington: Male  Search this

George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

George Washington: Politics and Government\Statesman\Colonial statesman  Search this

George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this

George Washington: Military and Intelligence\Army\Officer\General  Search this

George Washington: Politics and Government\President of US  Search this

George Washington: Science and Technology\Surveyor  Search this

George Washington: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

Owner: Walters Art Museum

Object number:

37.171

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4d0a9aaf4-0915-4c0e-a854-c077841ed078

EDAN-URL:

edanmdm:npg_37.171

Artist:

William Baziotes, American, b. Pittsburgh, Pennsylvania, 1912–1963  Search this

Medium:

Oil on canvas

Dimensions:

36 1/8 X 48 1/8 IN. (91.7 X 122.2 CM.)

Type:

Painting

Date:

1957

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966

Accession Number:

66.406

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Abstract Expressionism (First Generation)

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2a2bf9428-d436-44d7-b9da-2218fb7bed04

EDAN-URL:

edanmdm:hmsg_66.406

Sculptor:

Thomas, Hank Willis 1976-  Search this

Founder:

Walla Walla Foundry  Search this

Medium:

Bronze

Culture:

African American  Search this

Type:

Sculptures

Sculptures-Outdoor Sculpture

Owner/Location:

Boston Common 1965 Freedom Plaza Boston Massachusetts

Date:

Dedicated January 16, 2023

Topic:

Homage--King, Martin Luther, Jr  Search this

Ethnic  Search this

History--United States--Black History  Search this

Figure--Fragment--Arm  Search this

Control number:

IAS 71501367

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_480062

Painter:

O'Keeffe, Georgia 1887-1986  Search this

Medium:

Pastel on peper mounted on board

Type:

Paintings

Owner/Location:

Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 1990.430

Date:

1922

Topic:

Waterscape--Weather--Storm  Search this

Waterscape--Weather--Lightning  Search this

Control number:

IAP 20492760

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_372553

Creator:

Hills, Patricia  Search this

Names:

Women's Caucus for Art  Search this

Lawrence, Jacob, 1917-2000  Search this

Neel, Alice, 1900-1984  Search this

Sargent, John Singer, 1856-1925  Search this

Stevens, May  Search this

Extent:

47.5 Linear feet

0.113 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Date:

circa 1900-2022

bulk 1968-2009

Summary:

The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.

Scope and Contents:

The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.

Arrangement:

The collection is arranged as 13 series.

Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25)

Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, OV24, 0.041 GB; ER01-ER02)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30)

Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31)

Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32)

Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32)

Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33)

Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05)

Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39)

Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 11: Subject Files, circa 1961-2007 (1.0 linear Feet; Box 22, 0.004 GB; ER04)

Series 12: Printed Material, circa 1970-2010 (1.0 linear Feet; Box 23)

Series 13: Unprocessed Addition, circa 1970-2022 (8.4 linear feet; Boxes 40-49)

Biographical / Historical:

Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.

Provenance:

Donated in 2006, 2018, 2019 and 2022 by Patricia Hills.

Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.

Occupation:

Educators -- Massachusetts -- Boston  Search this

Art historians -- Massachusetts -- Boston  Search this

Museum curators -- New York (State) -- New York  Search this

Topic:

African American artists  Search this

Art, American -- 19th century  Search this

Art -- Political aspects  Search this

Women artists  Search this

Women educators  Search this

Women art historians  Search this

Women museum curators  Search this

Citation:

Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.hillspat

See more items in:

Patricia Hills papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415

EDAN-URL:

ead_collection:sova-aaa-hillspat

Painter:

Demuth, Charles 1883-1935  Search this

Subject:

Demuth, Charles  Search this

Duchamp, Marcel  Search this

Medium:

Watercolor and pencil

Type:

Paintings

Owner/Location:

Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115

Date:

1918

Topic:

Abstract  Search this

Portrait male--Self Portrait  Search this

Portrait male  Search this

Architecture interior--Commercial--Restaurant  Search this

Control number:

IAP 8G280019

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_479998

Collection Creator:

Stable Gallery  Search this

Container:

Box 1, Folder 44

Type:

Archival materials

Date:

1962-1968

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Lichtenstein Foundation.

See more items in:

Stable Gallery records

Stable Gallery records / Series 2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93d23d06a-7f9e-4182-9f58-795961720f47

EDAN-URL:

ead_component:sova-aaa-stabgall-ref45

Collection Creator:

Stable Gallery  Search this

Container:

Box 2, Folder 9

Type:

Archival materials

Date:

1961-1965

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Lichtenstein Foundation.

See more items in:

Stable Gallery records

Stable Gallery records / Series 2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b90b509a-b41a-4774-895d-c05868156a96

EDAN-URL:

ead_component:sova-aaa-stabgall-ref51

Interviewee:

Chandler, Dana, 1941-  Search this

Interviewer:

Brown, Robert F.  Search this

Names:

African-American Master Artists in Residence Program  Search this

Massachusetts College of Art -- Students  Search this

Museum of Fine Arts, Boston  Search this

Northeastern University (Boston, Mass.) -- Faculty  Search this

Simmons College. Art and Music Dept. -- Faculty  Search this

Andrews, Benny, 1930-2006  Search this

Bearden, Romare, 1911-1988  Search this

Catlett, Elizabeth, 1915-2012  Search this

Mazur, Michael, 1935-2009  Search this

Tovish, Harold, 1921-2008  Search this

Extent:

89 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1993 March 11-May 5

Scope and Contents:

An interview of Dana Chandler conducted 1993 March 11-May 5, by Robert F. Brown, for the Archives of American Art.

Chandler remembers his childhood in the Black community of Roxbury, Massachussets, with numerous siblings, pugnacious, hard-drinking longshoreman father, and mother who was the linchpin of the family; precocity as a reader and child artist; attendance at Saturday morning children's art classes at Museum of Fine Arts, Boston, and at Boston Educational High School where needed discipline was instilled in him by its all-white faculty; and as an assistant at school after graduation (1959-61).

Chandler talks about his awareness of budding civil rights movement; his attendance (1962-67) at Massachusetts College of Art while supporting his new, young family and working for the Jamaica Plain Area Planning Action Council which was funded by the federal Model Cities program; his first exhibitions (1967), in a liberal local church and a black businessmen's club; the exhibition (1969) "Twelve Black Artists from Boston," at the Rose Art Museum, Brandeis University; and his involvement, along with Harold Tovish and Michael Mazur, in the group, Artists Against the War.

He recalls his initiation of the exhibition, "Afro-American Artists/New York and Boston," at the Museum of Fine Arts, Boston, 1970, for which he was given no credit; his position as an unpaid cultural commentator for a Black newspaper and radio station; his politically-charged paintings and prints from the late 1960s onward; his meetings with senior Black artists, such as Romare Bearden, Elizabeth Catlett Mora, and Benny Andrews; and his steady espousal of confrontation.

Chandler discusses teaching at Simmons College, Boston, 1971 to present; his creation in 1974 of the African-American Master Artists-in-Residence Program (AMARP), Northeastern University, Boston, and his direction of it until 1993, when he was relieved of the position by the University.

Chandler discusses his exhibition at Northeastern University in 1976, "If the Shoe Fits, Hear It!" under the name Akin Duro, and its evidence of the respect in which he was held; the loss of much of his work in a studio fire; and his current large-scale graphic work.

Biographical / Historical:

Dana Chandler (1941- ) is an African American painter, printmaker, and educator from Boston, Massachussets.

General:

Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 51 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Newland Foundation.

Occupation:

Painters -- Massachusetts -- Boston  Search this

Educators -- Massachusetts -- Boston  Search this

Printmakers -- Massachusetts -- Boston  Search this

Topic:

African American artists  Search this

African American painters  Search this

African American educators  Search this

African American printmakers  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.chandl93

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96808788d-bda2-48a7-a3c2-5372ecb30aed

EDAN-URL:

ead_collection:sova-aaa-chandl93

Collection Creator:

White, Charles, 1918-1979  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Date:

circa 1941-circa 1975

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

See more items in:

Charles W. White papers

Charles W. White papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93d341657-9dcb-4c11-98ea-f84e1e6f538a

EDAN-URL:

ead_component:sova-aaa-whitchar-ref20

Creator:

Matsukata, Miye, 1922-1981  Search this

Subject:

Hickey, Judy  Search this

Hubbard, James C.  Search this

Oka, Takashi  Search this

Art Asia Gallery  Search this

Fitchburg Art Museum  Search this

Haystack Mountain School of Crafts  Search this

Janiye (Firm)  Search this

Principia College  Search this

Type:

Scrapbooks

Photographs

Diaries

Sketchbooks

Sound recordings

Interviews

Citation:

Miye Matsukata papers, circa 1900-1982, bulk 1964-1981. Archives of American Art, Smithsonian Institution.

Topic:

Decorative arts  Search this

Jewelry making  Search this

Asian American art  Search this

Asian American artists  Search this

Asian American jewelers  Search this

Asian American metal-workers  Search this

Japanese American art  Search this

Japanese American artists  Search this

Women artists  Search this

Women designers  Search this

Women jewelers  Search this

Theme:

Women  Search this

Asian American  Search this

Craft  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8323

(DSI-AAA_SIRISBib)210495

AAA_collcode_matsmiye

Theme:

Women

Asian American

Craft

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210495

Creator:

Rathbone, Perry Townsend, 1911-2000  Search this

Subject:

Wittmann, Otto  Search this

Ritchie, Andrew Carnduff  Search this

Stout, George L. (George Leslie)  Search this

Faison, S. Lane (Samson Lane)  Search this

Howe, Thomas Carr  Search this

Valentiner, Wilhelm Reinhold  Search this

Gonzalez, Xavier  Search this

Willard, Marian  Search this

Swarzenski, Hanns  Search this

Valentin, Curt  Search this

Sabersky, Jane  Search this

Beckmann, Max  Search this

Moore, Lamont  Search this

Parkhurst, Charles  Search this

Museum of Fine Arts, Boston  Search this

Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this

Christie, Manson & Woods International Inc.  Search this

City Art Museum of St. Louis  Search this

Type:

Transcripts

Photographs

Interviews

Citation:

Perry Townsend Rathbone papers, 1929-1985. Archives of American Art, Smithsonian Institution.

Topic:

Museum directors -- Massachusetts -- Boston  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)8353

(DSI-AAA_SIRISBib)210525

AAA_collcode_rathperr

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210525

Creator:

Constable, W. G. (William George), 1887-1976  Search this

Subject:

Phillips, Duncan  Search this

Stout, George L. (George Leslie)  Search this

Canaletto  Search this

Perry, Ralph  Search this

Sachs, Paul J. (Paul Joseph)  Search this

Hencken, Hugh O'Neill  Search this

Vasalle, Rudolph  Search this

Brandt, Mortimer  Search this

Links, J. G.  Search this

Ivins, William Mills  Search this

Frick, Helen Clay  Search this

Gluck, Helen  Search this

National Gallery of Canada  Search this

Watts Gallery  Search this

Christie, Manson & Woods International Inc.  Search this

Fogg Art Museum  Search this

Museum of Fine Arts, Boston  Search this

American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas  Search this

Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone). Office of Military Government  Search this

Art Gallery of Toronto  Search this

United States. Internal Revenue Service  Search this

Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this

Place:

Germany (Territory under Allied occupation, 1945-1955)

Citation:

W.G. Constable papers, 1905-1983, bulk 1920-1976. Archives of American Art, Smithsonian Institution.

Topic:

Art, European  Search this

Art -- Study and teaching  Search this

Museum curators -- Massachusetts -- Boston  Search this

Art -- Collectors and collecting  Search this

Cultural property -- conservation and restoration -- Germany  Search this

Cultural property -- Conservation and restoration -- Italy  Search this

Art -- Conservation and restoration  Search this

Museum curators -- England  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)9387

(DSI-AAA_SIRISBib)211584

AAA_collcode_conswmgp

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211584

Creator:

Tyl, Cecile  Search this

Subject:

Cuming, Beatrice  Search this

Type:

Scrapbooks

Citation:

Cecile Tyl research material on Beatrice Cuming, [ca. 1913-1990]. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9935

(DSI-AAA_SIRISBib)212485

AAA_collcode_tylceci

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212485

Creator:

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

Wasserman, Jeanne L., 1915-2006  Search this

Wasserman, Max, 1913-1986  Search this

Subject:

180 Beacon Collection of Contemporary Art (Boston, Mass.)  Search this

Fogg Art Museum  Search this

Citation:

Jeanne and Max Wasserman papers, [ca. 1960-1975]. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Collectors and collecting -- Massachusetts -- Boston  Search this

Art, Modern -- 20th century -- United States  Search this

Outdoor sculpture -- Massachusetts  Search this

Art, American -- United States  Search this

Theme:

Patronage  Search this

Record number:

(DSI-AAA_CollID)6556

(DSI-AAA_SIRISBib)215832

AAA_collcode_wassjean

Theme:

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215832

Creator:

Pineda, Marianna, 1925-1996  Search this

Subject:

Tovish, Harold  Search this

Type:

Video recordings

Drawings

Citation:

Marianna Pineda papers, 1943-1998. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6145

(DSI-AAA_SIRISBib)216367

AAA_collcode_pinemari

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216367