Search Results

Sculptor:

Singer, Michael 1945-2024  Search this

Type:

Sculptures

Owner/Location:

Administered by City and County of Denver Aviation Department Denver Colorado

Located Denver International Airport Denver Colorado

Date:

1994

Topic:

Abstract  Search this

Landscape--Garden  Search this

Control number:

IAS 66240033

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_365446

Donor Name:

Rev. David Thompson  Search this

Object Type:

Pipe Tomahawk

Place:

Milnersville, Guernsey County, Ohio, United States, North America

Accession Date:

1868

Topic:

Ethnology  Search this

Accession Number:

001438

USNM Number:

E7339-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3c6817519-9067-478e-91f5-99ee6a6e57f9

EDAN-URL:

edanmdm:nmnhanthropology_8477165

Collector:

J. H. Turner  Search this

Donor Name:

U.S. Coast Survey  Search this

Culture:

Eskimo, Yup'ik, Unaligmiut (Unalirmiut)  Search this

Object Type:

Kayak Paddle

Place:

St. Michael, Norton Sound, Alaska, United States, North America

Accession Date:

8 Apr 1893

Collection Date:

1888

Topic:

Ethnology  Search this

Accession Number:

026892

USNM Number:

E166932-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3c1ac735e-9fb1-4728-a614-4a1aec2339bb

EDAN-URL:

edanmdm:nmnhanthropology_8347481

Donor Name:

Accession Number Unknown  Search this

Object Type:

Sherd

Place:

Graham County, North Carolina, United States, North America

Topic:

Archaeology  Search this

Accession Number:

000000

USNM Number:

A132766-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3469cd679-f14e-4767-aff0-5395fdc6a3a7

EDAN-URL:

edanmdm:nmnhanthropology_8012344

Donor Name:

Bureau Of American Ethnology  Search this

Object Type:

Sherd

Place:

Beaufort County, South Carolina, United States, North America

Accession Date:

1892

Topic:

Archaeology  Search this

Accession Number:

92A00013

USNM Number:

A155061-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/31e3a5ba5-3f2c-4bf4-b8c7-4ddc72c0a6f9

EDAN-URL:

edanmdm:nmnhanthropology_8026650

Collector:

Dr. J. H. Mccormick  Search this

Donor Name:

J. S. Gaines  Search this

Object Type:

Sherd

Place:

Mobile Near, Mobile County, Alabama, United States, North America

Accession Date:

1877

Topic:

Archaeology  Search this

Accession Number:

006209

USNM Number:

A30898-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3062bbe81-a841-422b-9b88-e792c0121d46

EDAN-URL:

edanmdm:nmnhanthropology_8079926

Painter:

Wood, Grant 1892-1942  Search this

Medium:

Gouache on board

Type:

Paintings

Owner/Location:

Museum of Western Art 1727 Tremont Place Denver Colorado 80202

Topic:

Animal--Cattle  Search this

Figure male--Child  Search this

State of Being--Other--Accident  Search this

Object--Foodstuff--Beverage  Search this

Control number:

IAP 65560115

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_425996

Sculptor:

Samaras, Lucas 1936-2024  Search this

Medium:

Mirrored panels on wood frame

Type:

Sculptures

Owner/Location:

Denver Art Museum 100 West 14th Avenue Parkway Denver Colorado 80204 Accession Number: 1989.238

Date:

1970

Topic:

Abstract  Search this

Control number:

IAS 05520025

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_375091

Sculptor:

Samaras, Lucas 1936-2024  Search this

Medium:

Fabric

Type:

Sculptures

Owner/Location:

Denver Art Museum 100 West 14th Avenue Parkway Denver Colorado 80204 Accession Number: 1979.1

Date:

1977

Topic:

Abstract  Search this

Control number:

IAS 05520027

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_375108

Sculptor:

de Creeft, Jose 1884-1982  Search this

Fabricator:

IAE  Search this

Medium:

Statue: ceramic with pale pink glaze; Base: marble

Type:

Sculptures

Owner/Location:

Denver Art Museum 100 West 14th Avenue Parkway Denver Colorado 80204

Date:

1932

Topic:

Figure female--Head  Search this

Control number:

IAS 05520011

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_27817

Creator:

Blanc, Giulio V.  Search this

Names:

Cuban Museum of Arts and Culture (Miami, Fla.)  Search this

Brito, María (1947-)  Search this

Cano, Margarita, 1932-  Search this

Cano, Pablo  Search this

Carreño, Mario  Search this

Carulla, Ramón, 1938-  Search this

Demi, 1955-  Search this

Garcia, Hernan, 1935-  Search this

Gattorno, Antonio  Search this

Gaztelu, A. (Angel)  Search this

Goldman, Shifra M., 1926-2011  Search this

Gómez-Peña, Guillermo  Search this

Lam, Wifredo  Search this

Larraz, Julio  Search this

Libin, Victoria  Search this

Macia, Carlos A., 1951-1994  Search this

Martínez-Cañas, María  Search this

Riverón, Enrique  Search this

Rodríguez, Arturo, 1956-  Search this

Sánchez, Juan, 1954-  Search this

Sí, Juan  Search this

Trasobares, César  Search this

Vater, Regina  Search this

Vázquez Lucio, Oscar E. (Oscar Edgardo), 1932-  Search this

Interviewee:

Cabrera, Lydia  Search this

Gómez Sicre, José  Search this

Extent:

11 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Date:

1920-1995

Summary:

The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.

Scope and Content Note:

The Giulio V. Blanc papers measure approximately 11 linear feet and 0.001 GB and date from 1920 to 1995. Compiled by Blanc since the beginning of his curatorial, writing, and research career in the 1980s, the papers consist primarily of artist files on Cuban, Cuban-American, and Latin American artists (1920-1995 and undated). Also found is biographical information (1994-1995), interviews by Blanc (1984-1987, 1994) and miscellaneous letters from artists and friends (1983-1995 and undated).

The first series, Biographical Files, 1994-1995 includes information about Blanc's career. Series 2: Miscellaneous Letters, 1983-1995, undated, consists of letters from artists and friends on various topics. Series 3: Artist Files, 1920-1995, undated, represents the bulk of the collection (approximately 300 artists in all, 6 linear feet), and contain materials either collected by Blanc or received by Blanc from the artists themselves. These consist of biographical material about the artist, usually two or three paragraphs written by Blanc, scattered resumes and copies of fellowship applications. Also found are newspaper clippings, exhibition announcements and catalogs, and letters or correspondence between Blanc and the artists. Of special interest in this series are numerous taped interviews with celebrated Cuban artists and art historians such as José Gómez Sícre, founder and first director of the Art Museum of the Americas, Organization of American States. Gómez-Sícre describes his early career and involvement with acquisitions for the museum's permanent collection as well as his working relationship with Alfred H. Barr, first director of the Museum of Modern Art in New York. Gómez-Sícre's notable book, Pintura Cubana de Hoy, published in Havana in 1944 is included in the files.

Elena Peláez de Medero, another interviewee, discusses her sister, Cuban painter Amelia Peláez (1896-1968). Blanc interviewed Elena Peláez in Miami for his 1988 exhibition Amelia Peláez: A Retrospective. The Peláez file includes Blanc's correspondence with her as well as copies of rare 1930s and 1940s exhibition catalogs from Amelia Peláez's early career. Among the catalogs is a copy of Modern Cuban Painters from the 1944 exhibition held at the Museum of Modern Art in New York. Also found are rare French, German and Spanish newspaper clippings on Peláez dating back to the 1920s. Of interest is a copy of Amado Blanco's 1937 poetry book, Poema desesperado. Published in Havana, the book is dedicated to the memory of Federico García Lorca and includes illustrations by Peláez.

Another prominent artist whom Blanc interviewed was Enrique Riverón (b. 1901) leader of the Cuban vanguardia. He was a member of El Grupo de Montparnasse, a talented group of painters and writers living in the southern district of Paris in the late 1920s, an area noted for its boisterous after-hour activities. The interview was published in the Journal of Decorative and Propaganda Arts in 1997. Also found in the papers are illustrated letters and greeting cards addressed to Blanc and his parents, Baron Lodovico Blanc and María V. Blanc.

Series 4: Exhibition Files, 1977-1995, undated, consists primarily of material Blanc compiled for exhibitions he curated. Found here are letters from museum directors, artists and colleagues, drafts and finished essays for exhibition catalogs, and printed material such as newspaper clippings of art reviews. This series also includes files on exhibitions Blanc did not curate.

Series 5: Subject Files, 1933-1995, undated, are files relating to Cuban art, culture, and society, the Cuban revolution, book projects, Biennials in Havana and São Paulo, the 1988 controversy surrounding the Cuban Museum of Arts and Culture (Miami, FL) and other topics. Found are letters, drafts of writings, notes, printed material such as newspaper clippings and magazine articles, press releases, and exhibition announcements.

Particularly extensive is the documentation about the 1980s conflict at the Cuban Museum of Arts and Culture. In April 1988, a fund-raising auction at the 24-year-old 'little Havana' institution resulted in heated disputes that escalated to violence. The works auctioned were by Cuban artists still living on the island. Many in Miami's Cuban community considered these artists to be supporters of the Communist regime and were outraged. One of the disputed works purchased the night of the auction, a drawing by Manuel Mendive, was taken across the street by its successful bidder and burned. In addition, the museum building was damaged by a pipe bomb shortly after the sale. In the National Public Radio news story (available in Blanc's papers on audio cassette) Helen Kohen, critic for the Miami Herald commented, "We're not talking about paintings. We're talking about `my brother's in jail'. That's what we're talking about." The situation intensified quickly; transcending local politics and involving the Treasury and Justice Departments, the American Civil Liberties Union, the Federal Bureau of Investigation, and Sotheby's and Christie's auction houses. Ramón Cernuda, the museum vice-president who organized the auction also had his personal collection of Cuban art impounded by the FBI. A second bombing took place in 1989 to protest an exhibition of Cuban artists who came to the U. S. during the early 1980s Mariel boatlift.

The seriousness of the conflicts in the Miami museum prompted the Museum of Modern Art in New York to withdraw an offer to lend three paintings to the Cuban museum for the 1988 exhibition Amelia Peláez: A Retrospective scheduled to open later that year. Curated by Giulio Blanc, it was the first U.S. retrospective of this important Cuban artist and the exhibition helped situate her work. The Cuban Museum of Art in Daytona Beach, an institution that helped start the Miami museum, also withdrew an offer to lend "Amelias". The result was an exhibition devoid of works owned by the Museum of Modern Art, important paintings created after 1963, the year President Kennedy imposed economic sanctions on Cuba.

To publicize the Peláez exhibition and boost attendance, the museum placed a public invitation in the Spanish section of the Miami Herald. The half page ad, also found in the Blanc papers, lists more than 100 intellectuals and professionals who supported the exhibition. Blanc stated in a letter to the Miami Herald, "It is horrifying to think there are those in Miami who would burn a painting for the sake of politics. This was the same reasoning utilized by Joseph Goebbels when he made bonfires of books and paintings by anti-Nazi and `degenerate' artists and writers in 1930s Germany... One can only pity the ignorance of those who play into the hands of the Castro regime by resorting to uncivilized tactics that can only hurt the image of the Cuban-exile community and of Miami in general."

The files concerning the Cuban Museum of Arts and Culture contain exhibition announcements, copies of court orders, press releases and correspondence between Blanc and the Museum of Modern Art in New York regarding the museum and the Peláez exhibition. Also included are a great number of newspaper articles printed in two of Miami's major newspapers, the Miami Herald and El Nuevo Herald which covered the story until it was resolved in the early 1990s. Offering additional information on the controversy are a number of letters addressed to either Blanc or his parents from artists and friends expressing either discontent with the museum's state of affairs or gratitude for the Blanc's financial support during the museum's reconstruction. These provide remarkable insight into a relatively heterogeneous Cuban community.

Series 6: Sound Recordings, 1992, 1994 consists of two untranscribed audio cassette tapes. One is of the 1992 College Art Association's session: Artistic Voices of Latin America: The Aesthetics of Anti-Colonialism held in Chicago, Illinois in which Giulio V. Blanc was a panelist. The other is a rare 1994 interview conducted by Blanc with poet-priest Monseñor Angel Gaztelu, a friend of many Cuban writers and artists, and who presided over Peláez's funeral service in 1968.

The last series, Series 7: Photographs, 1981-1993, undated, includes black and whiteportraits of artists, group shots of Blanc with "Miami Generation" artists María Brito, Pablo Cano, María Martínez-Cañas, Carlos Macía, Arturo Rodríguez, and César Trasobares, and photos of other artists.

Arrangement:

The Giulio V. Blanc papers are arranged into seven series primarily according to type of material. Within each series, materials are arranged chronologically, except for Artist Files and Subject Files which are arranged alphabetically by either name or subject.

Missing Title

Series 1: Biographical Files, 1994-1995, undated (box 1; 3 folders)

Series 2: Miscellaneous Letters, 1983-1995, undated (box 1; 3 folders)

Series 3: Artist Files, 1920-1995, undated (boxes 1-8, ER01; 6 linear ft., 0.001 GB)

Series 4: Exhibition Files, 1977-1995, undated (box 8; 1 linear foot)

Series 5: Subject Files, 1933-1995, undated (boxes 8-12; 2.5 linear feet)

Series 6: Untranscribed Sound Recordings, 1992-1994 (box 12; 2 folders)

Series 7: Photographs, 1981, 1993, undated (box 12; 2 folders)

Biographical Note:

Cuban born independent curator, critic, art historian and consultant Giulio V. Blanc (1955-1995) specialized in Cuban and Latin American art history and in his lifetime collected a wealth of material on the subject. Through his numerous exhibitions and keen articles appearing in national and international art journals, Blanc became a leading authority on Latin American art and successfully established himself as a link between Cuban and Cuban-American artists and US galleries and museums. The Miami Generation (1983) and Amelia Peláez: A Retrospective (1988) are two significant exhibitions Blanc curated for Miami's Cuban Museum of Arts and Culture in addition to the celebrated Wifredo Lam and His Contemporaries, 1938-1952 (1992) for New York's Studio Museum in Harlem. Giulio V. Blanc was among the key figures that catapulted Latin American art onto the mainstream in the early 1980s.

Giulio V. Blanc was born in Havana in 1955 to Baron Lodovico Blanc and María V. Blanc. The Blanc name hails from Italy and the title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, while he was Secretary of State in 1873 under Victor Emmanuel II of Italy. As young advocates of Cuban culture, the Blanc's collected a number of paintings by Cuban artists but were forced to leave behind the works of Cuban masters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others to facilitate an uncomplicated exodus from the country during the revolution. Lodovico and María were in their thirties and Giulio was five years old when the family settled in Miami.

Giulio Blanc completed his undergraduate education at Harvard and proceeded to Brown University and the Institute of Fine Arts in New York for graduate work (1979-1980). During his career, he served as an independent curator and consultant to The Cuban Museum of Arts and Culture (Miami), The Metropolitan Museum (Miami), and The Museum of Contemporary Hispanic Art (New York) among others. He also lectured on Latin American art history at the Art Museum of the Americas, OAS (Organization of American States), Washington, DC, The University of Miami, and El Museo Nacional de Arte in La Paz, Bolivia. In addition, he worked as a consultant in the Latin American Paintings Department at Sotheby's auction house in New York and served on the editorial board of the magazine Art Nexus. Blanc was pursuing a doctoral degree in art history at the City University of New York before his premature death in 1995 at the age of thirty-nine.

Missing Title

1955 -- Born November 1 in Havana, Cuba to Baron Lodovico and Baroness María V. Blanc, young collectors of Cuban art. The title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, in 1873 while Alberto was Secretary of State under Victor Emmanuel II of Italy.

1960 -- The Blanc family migrates to the United States because of the escalating revolution. Lodovico and Maria V. Blanc are in their thirties when they flee the island. The works of Cuban painters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others were left behind to facilitate an uncomplicated exodus.

1976 -- Giulio V. Blanc serves as research assistant for one year at the Tozzer Library, Peabody Museum, Harvard University.

1977 -- Graduates cum laude from Harvard College with a B.A. in Archeology.

1979 -- Graduates from Brown University with a M.A. in Archeology. Was a research assistant until 1980 at the Gallery of the Center for Inter-American Relations, New York city.

1980 -- Receives a certificate in Museum Studies from the Graduate School of Arts and Science, New York University. Curates Emilio Sánchez: Lithographs which opens at the Pagoda, Ransom-Everglades School, Coconut Grove, Florida. Co-curates Cuba in the Nineteenth Century for Miami's Miami-Dade Public Library.

1981 -- Joins the Latin American Paintings Department, Sotheby's Auction House, New York and serves for two years.

1982 -- Co-curates Young Hispanics, USA which opens at the Lehigh University Museum, Bethlehem, Pennsylvania and curates Ten Out of Cuba for INTAR Latin American Gallery in New York.

1983 -- Curates Cuban Fantasies at the Kouros Gallery in New York and Pablo Cano en Paris for the 4 Place de Saussaies in Paris, France. Also curates The Miami Generation: Nine Cuban-American Artists for the Cuban Museum of Arts and Culture in Miami and the Meridian House in Washington, DC.

1984 -- Serves as independent curator and consultant to Miami's Metropolitan Museum and Art Center and The Cuban Museum of Arts and Culture; The Museum of Contemporary Hispanic Art in New York and other institutions. Lectures at the Art Museum of the Americas (Organization of American States) in Washington, DC; The University of Miami; The Cuban Museum of Arts and Culture (Miami); The Center for the Fine Arts (Miami); Rockland Center for the Arts (West Nyack, NY); and the National Museum of Art, La Paz, Bolivia. Curates Young Collector's of Latin American Art which opened at Miami's Metropolitan Museum and Art Center.

1985 -- Curates Dancing Faces: An Exhibition of Mexican Masks for the Metropolitan Museum and Art Center in Miami and Nuevas Vistas: Latin American Paintings which opens at the Wistariahurst, Holyoke, Massachusetts. Curates Architecture in Cuban Painting, for the Miami Dade Public Library.

1986 -- Receives and M.A. in Art History at New York University's Institute of Fine Arts. Curates Carlos Enríquez for the Cuban Museum of Arts and Culture, Miami, Florida and Into the Mainstream: Ten Latin American Artists Working in New York for the Jersey City Museum in Jersey City, New Jersey.

1987 -- The exhibition Aurelia Muñoz: Selections, curated by Blanc, opens at the Metropolitan Museum of Art in Miami, Florida. Serves as juror for Expresiones Hispanas: Coors National Hispanic Art Exhibition, Denver, Colorado. Curates Visions of Self: The American Latin Artist for the Miami-Dade Community College gallery.

1988 -- Receives a grant from the NY State Council on the Arts for research on Cuban artist Wifredo Lam for the exhibition at the Studio Museum in Harlem, New York. Enrolls in the art history Ph.D. program at the City University Graduate Center, New York city. First bombing of the Cuban Museum of Arts and Culture in Miami takes place. Blanc's Amelia Peláez: A Retrospective successfully opens at the Cuban Museum of Arts and Culture despite much controversy.

1989 -- Curates Urgent Dream: New Work by Mario Bencomo at the Museum of Contemporary Hispanic Art (MoCHA), New York. Second bombing of the Cuban Museum of Arts and Culture, Miami FL.

1990 -- New York correspondent for Arte en Colombia, Bogota. Serves as adjunct lecturer at Queens College (CUNY) for the Fall semester. Curates the exhibition, The Post-Miami Generation for the Inter-American Gallery in Miami, Florida. Co-curates Figurative Perspectives: Six Artists of Latin American Background for the Rockland Center for the Arts, West Nyack, NY.

1991 -- Visiting scholar at University of Massachusetts at Amherst. Writes a small play, Tía Carmela: A Cuban Tragicomedy, illustrated by Cuban artist and friend Pablo Cano.

1995 -- Dies at the age of forty of AIDS related complications.

Related Materials:

Papers of Giulio V. Blanc, 1930-1982, are also located at the University of Miami Archival Collections.

Provenance:

Margherite Blanc, sister of Giulio V. Blanc, donated her brother's papers in 1998 to the Archives of American Art, Smithsonian Institution. This collection, along with numerous other Latino collections, was acquired through the 1996 Latino Art Documentation Project in South Florida. Initiated to chronicle the thriving art scene so apparent in the city's galleries, museums, and private collections, the project resulted in numerous acquisitions described in the revised edition of the Papers of Latino and Latin American Artists. Both the project and the publication were made possible, in part, with funding provided by the Smithsonian Institution's Center for Latino Initiatives.

Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- Florida -- Miami  Search this

Topic:

Cuban American art  Search this

Art, Latin American  Search this

Artists -- Cuba  Search this

Cuban American artists  Search this

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Citation:

Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.

Identifier:

AAA.blangiul

See more items in:

Giulio V. Blanc papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d3c414b1-dc78-4f66-889d-963690fe0282

EDAN-URL:

ead_collection:sova-aaa-blangiul

Artist:

Carlos Santistevan, born Denver, CO 1938  Search this

Sitter:

Santo Nino de Atocha  Search this

Medium:

welded steel

Dimensions:

15 1/2 x 10 1/8 x 6 1/2 in. (39.4 x 25.7 x 16.5 cm.)

Type:

Sculpture

Date:

1979

Topic:

Abstract  Search this

Portrait male\child  Search this

Religion\saint  Search this

Credit Line:

Smithsonian American Art Museum, Gift of the Honorable Patricia Schroeder on behalf of the People of Colorado

Object number:

1992.75

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk77447ca0a-e7c9-42f8-b3c2-0edae4f0c97b

EDAN-URL:

edanmdm:saam_1992.75

Painter:

Bierstadt, Albert 1830-1902  Search this

Medium:

Oil on paper mounted on canvas

Type:

Paintings

Owner/Location:

Colorado Springs Fine Arts Center 30 W. Dale Street Colorado Springs Colorado 80903

Topic:

Landscape--Wyoming  Search this

Landscape--Mountain--Teton Mountains  Search this

Animal--Deer  Search this

Control number:

IAP 82980081

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_202274

Sculptor:

Kola, Peter  Search this

Type:

Sculptures

Owner/Location:

Administered by City and County of Denver Commission on Cultural Affairs Ste. 1600, 1st Western Plaza, 303 W. Colfax Avenue Denver Colorado 80204

Located Denver Police Department Denver Colorado

Topic:

Animal--Deer  Search this

Control number:

IAS 66240060

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_365510

Painter:

Rungius, Carl 1869-1959  Search this

Type:

Paintings

Owner/Location:

Museum of Western Art 1727 Tremont Place Denver Colorado 80202

Topic:

Landscape--Mountain  Search this

Animal--Deer  Search this

Control number:

IAP 65560056

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_425720

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Amos T. Hall, American, 1896 - 1971  Search this

Subject of:

New York Giants, American, founded 1925  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

Prince Hall Freemasonry, founded 1784  Search this

Dr. Ralph Bunche, American, 1903 - 1971  Search this

Southern Christian Leadership Conference, American, founded 1957  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Adam Clayton Powell Jr., American, 1908 - 1972  Search this

National Black Political Convention, 1971 - 1972  Search this

Logan H. Westbrook, American  Search this

Roy Wilkins, American, 1901 - 1981  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Tufts University, American, founded 1852  Search this

Democratic Party, American, founded 1828  Search this

National Insurance Association, American, founded 1921  Search this

National Urban League, American, founded 1910  Search this

National Council of Negro Women, founded 1935  Search this

Republican Party, American, founded 1854  Search this

American Bridge Association, American, founded 1932  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

The Drifters, Inc., American, founded 1957  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Patti Austin, American, born 1950  Search this

National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this

National Dental Association, American, founded 1913  Search this

George Leslie Brown, American, 1926 - 2006  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Otha N. Brown Jr., American, 1931 - 2009  Search this

Shriners International, American, founded 1870  Search this

Gladys W. Dixon, American, born 1901  Search this

Daughters of Isis, American, founded 1910  Search this

National Medical Association, American, founded 1895  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Shirley Anita Chisholm, American, 1924 - 2005  Search this

National Alliance of Postal and Federal Employees, American, founded 1913  Search this

369th Veterans Association, American  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 11 × 8 7/16 × 3/8 in. (28 × 21.5 × 0.9 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Miami, Dade County, Florida, United States, North and Central America

Detroit, Wayne County, Michigan, United States, North and Central America

California, United States, North and Central America

Colorado, United States, North and Central America

Connecticut, United States, North and Central America

Saint Louis, Missouri, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1972

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Funeral customs and rites  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.6

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Exhibition:

A Changing America: 1968 and Beyond

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd57be2842a-c611-469d-b78d-3ea1f77c7055

EDAN-URL:

edanmdm:nmaahc_2012.167.6

Medium:

paper; ink (multicolored)/ lithographed

Type:

Postage Stamps

Place:

United States of America

Date:

October 5, 2006

Topic:

Contemporary (1990-present)  Search this

Holidays & Celebrations  Search this

U.S. Stamps  Search this

Credit line:

Copyright United States Postal Service. All rights reserved.

Object number:

2006.2042.100

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm806f3332d-dfb7-4c73-81bc-5049f492c25d

EDAN-URL:

edanmdm:npm_2006.2042.100

Medium:

paper; ink (multicolored)/ lithographed

Type:

Postage Stamps

Place:

United States of America

Date:

October 5, 2006

Topic:

Contemporary (1990-present)  Search this

Holidays & Celebrations  Search this

U.S. Stamps  Search this

Credit line:

Copyright United States Postal Service. All rights reserved.

Object number:

2006.2042.101

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm81aeb8445-7b62-43cf-9fa2-99a6dbb7f809

EDAN-URL:

edanmdm:npm_2006.2042.101

Medium:

paper; ink (multicolored)/ lithographed

Type:

Postage Stamps

Place:

United States of America

Date:

October 5, 2006

Topic:

Contemporary (1990-present)  Search this

Holidays & Celebrations  Search this

U.S. Stamps  Search this

Credit line:

Copyright United States Postal Service. All rights reserved.

Object number:

2006.2042.102

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8fc930ee8-a4ca-443e-b589-efafad8a87df

EDAN-URL:

edanmdm:npm_2006.2042.102

Medium:

paper; ink (multicolored)/ lithographed

Type:

Postage Stamps

Place:

United States of America

Date:

October 5, 2006

Topic:

Contemporary (1990-present)  Search this

Holidays & Celebrations  Search this

U.S. Stamps  Search this

Credit line:

Copyright United States Postal Service. All rights reserved.

Object number:

2006.2042.103

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8498107f6-a4af-4933-a23c-a6b756376238

EDAN-URL:

edanmdm:npm_2006.2042.103