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David S. Rubin papers

Creator:
Rubin, David S., 1949-  Search this
Names:
Alf, Martha, 1930-  Search this
Baziotes, William, 1912-1963  Search this
Lloyd, Gary, 1943-  Search this
Mesches, Arnold, 1923-  Search this
Thiebaud, Wayne  Search this
Extent:
23 Linear feet
57.68 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Video recordings
Date:
1960-2017
Summary:
The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.
Scope and Contents:
The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

Biographical materials include 16 appointment books, 2 guest books, identification cards, curriculum vitae, and student records from UCLA. Interviews are with Rubin regarding William Baziotes, Rubin with Gary Lloyd and Wayne Thiebaud, and an interview about the exhibition Chelsea Rising. Mixed personal and professional correspondence is with curators, colleagues, and friends regarding exhibitions, symposiums and panels, and Rubin's job searches.

Writing projects and notes consist of student work including Rubin's unfinished Ph.D. dissertation, class notes, and student papers; articles and essays; a book project; lists; and lectures. Artist files contain printed materials relating to the artists' careers, and notes regarding exhibitions and artist biographical information. Files for exhibitions contain records for It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (1995) and other major exhibitions curated by Rubin. Professional files consist of records for employment, committees, consulting, and other professional activities. Subject and research files contain research material and notes on topics of interest and exhibition themes.

Printed materials include clippings, flyers, exhibition announcements and catalogs, and other material relating to Rubin and exhibitions. Photographic materials consist of photographs and slides of Rubin by Martha Alf, Arnold Mesches, and Bruce Houston; photographs by Rubin of Alf and other artists; events; friends; and works of art.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Materials, 1969-2011 (Box 1; 0.7 linear feet)

Series 2: Interviews, 1982-circa 2001 (Boxes 1-2; 0.4 linear feet)

Series 3: Correspondence, 1971-2017 (Boxes 2-5, OV 28; 3.0 linear feet)

Series 4: Writing Projects and Notes, 1970-2010 (Boxes 5-6, 27; 1.0 linear feet)

Series 5: Artist Files, 1960-2015 (Boxes 6-20, 27, OV 28; 15.0 linear feet)

Series 6: Exhibition Files, 1980-2008 (Boxes 21-23, 27; 2.5 linear feet)

Series 7: Professional Files, 1976-2009 (Boxes 23-24; 1.0 linear feet)

Series 8: Subject and Research Files, 1980-2002 (Boxes 24-25; 0.8 linear feet)

Series 9: Printed Materials, circa 1975-circa 2008 (Boxes 25, 27; 0.4 linear feet)

Series 10: Photographic Materials, 1979-2010 (Boxes 25-26; 1.0 linear feet)
Biographical / Historical:
David S. Rubin (1949- ) is a curator and art critic in Los Angeles, California. Rubin has curated exhibitions throughout the United States, primarily in Southern California, New Orleans, Louisiana, Cleveland, Ohio, and San Antonio, Texas.

Rubin received his Bachelor of Arts degree in philosophy in 1972 from the University of California in Los Angeles. He went on to earn a Master of Arts in art history from Harvard University. He began researching automatism in New York for a doctorate degree at Harvard but did not complete his dissertation. Rubin also attended the Museum Management Institute in 1989. He has been a curator at the San Francisco Art Institute, Albright College's Freedman Gallery, Museum of Contemporary Art in Cleveland, Phoenix Art Museum, Contemporary Arts Center in New Orleans, and the San Antonio Museum of Art. He has curated exhibitions, including It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (1995) and the controversial Old Glory: The American Flag in Contemporary Art (1994), throughout the United States, primarily in California. Rubin is also a prolific essayist on contemporary art.
Provenance:
The papers were donated by David S. Rubin in 2016 and 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- California  Search this
Art critics -- California  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rubidavi
See more items in:
David S. Rubin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebfbca61-86e5-4216-bb64-c04769afda85
EDAN-URL:
ead_collection:sova-aaa-rubidavi
Online Media:

Sherman E. Lee papers

Creator:
Lee, Sherman E.  Search this
Names:
Case Western Reserve University -- Faculty  Search this
Cleveland Museum of Art  Search this
Harvard University -- Faculty  Search this
Rockefeller, John D., 1906-  Search this
Extent:
10.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Travel diaries
Photographs
Date:
1947-1997
Summary:
The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.
Scope and Contents:
The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.

Correspondence is with friends, scholars, editors, collectors, dealers, art societies and organizations, and other museums. Writings consist of articles, lectures, book reviews by Lee and scattered writings by others. Writing project files contain correspondence with publishers, contracts, and printed material relating to the publication of Lee's writings. Travel files document numerous trips to Asian and European countries and include travel diaries, photographs, and lists of works of art viewed. There are files concerning Lee's membership and involvement with various committees, museums, and arts organizations. Consulting files mostly focus on Lee's work advising John D. Rockefeller III on the purchase of art, and with the Permanent Public Areas Advisory Committee of Cleveland, Ohio. Teaching files document classes he taught at Case Western Reserve and Harvard. Personal business records mostly concern Lee's personal art collection. Also found among the papers are general clippings, photographs of Lee and of artwork, and one pencil drawing.
Arrangement:
The collection is arranged as 12 series.

Missing Title

Series 1: Biographical Material, 1947-circa 1983 (0.4 linear feet; Box 1, 11)

Series 2: Correspondence, 1953-1996 (1.5 linear feet; Box 1-2)

Series 3: Writings and Notes, 1962-1983 (1.7 linear feet; Box 2-4)

Series 4: Writing Project Files, 1958-1997 (1.0 linear feet; Box 4-5)

Series 5: Travel Files, 1959-1994 (1.8 linear feet; Box 5-7)

Series 6: Committees and Organization Files, 1971-1997 (1.8 linear feet; Box 7-8)

Series 7: Consulting Files, 1960-1993 (1.1 linear feet; Box 8-9)

Series 8: Teaching Files, 1963-1977 (0.1 linear feet; Box 9)

Series 9: Personal Business Records, 1958-1995 (0.3 linear feet; Box 9)

Series 10: Printed Material, 1962-1987 (0.9 linear feet; Box 10-11)

Series 11: Photographs, circa 1952-1993 (0.2 linear feet; Box 10-11)

Series 12: Artwork, circa 1960s (1 folder; Box 10)
Biographical / Historical:
Sherman Emery Lee (1918-2008) was an recognized expert on Asian art and director of the Cleveland Museum of Art from 1958-1983.

Born in Seattle, Washington in 1918, Sherman E. Lee grew up in New York and received degrees from American University and a Ph.D. from Case Western Reserve University in Cleveland, Ohio. Lee began his art career as a curator at the Detroit Institute of Art and Seattle Art Museum. During World War II, he served with the U. S. Navy and was transferred to the Monuments, Fine Arts and Archives Section in Japan. After the war he continued working as a civilian advisor on the preservation of Japanese artworks.

Sherman Lee accepted a position as curator of Oriental art at the Cleveland Museum of Art in 1952 and became director in 1958, where he remained until 1983. During his long tenure there, he built one of this country's most remarkable collections of Asian art, transforming the museum from a regional presence to one of national significance. In 1973 Lee was chosen as Chairman of the Art and Archeology Delegation to the People's Republic of China, jointly sponsored by the Committee on Scholarly Communication of the People's Republic of China and the Scientific and Technical Association of the People's Republic of China.

Lee wrote or co-wrote a number of books including A History of Far Eastern Art (1964) and numerous articles for journals, magazines, and newspapers. He was the recipient of many honorary degrees, awards, and honors including the Order of the Sacred Treasure from Japan and Chevalier of the Legion d'Honneur. He taught art history courses at the Case Western Reserve University and Harvard and was consultant to John D. Rockefeller III and the Cleveland Permanent Public Advisory Committee. He retired to North Carolina where he taught at the University of North Carolina and was advisor to the University's Ackland Art Museum.

Lee was married to his wife Ruth for sixty-nine years. The two met in college and had three daughters and one son. Lee died July 9, 2008 at Chapel Hill, North Carolina.
Provenance:
Sherman E. Lee donated his papers to the Archives of American Art in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Conract Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Ohio -- Cleveland  Search this
Art museum curators -- Ohio -- Cleveland  Search this
Museum directors -- Ohio -- Cleveland  Search this
Educators -- Ohio -- Cleveland  Search this
Topic:
Art, Chinese  Search this
Art, East Asian  Search this
Art, Asian  Search this
Painting, Chinese  Search this
Art, Japanese  Search this
Art -- Study and teaching  Search this
Genre/Form:
Drawings
Travel diaries
Photographs
Citation:
Sherman E. Lee papers, 1947-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leeshere
See more items in:
Sherman E. Lee papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94751114f-3ab9-47c5-9451-d6502f6c199b
EDAN-URL:
ead_collection:sova-aaa-leeshere
Online Media:

Henry Sayles Francis papers

Creator:
Francis, Henry Sayles, 1902-1994  Search this
Names:
Cleveland Museum of Art  Search this
Abbott, Jere  Search this
Berenson, Bernard, 1865-1959  Search this
Hitchcock, Henry-Russell, 1903-1987  Search this
Kates, George N. (George Norbert), 1895-  Search this
Lugt, Frits, 1884-1970  Search this
Maugham, W. Somerset (William Somerset), 1874-1965  Search this
Milliken, William Mathewson, 1889-1978  Search this
Mongan, Agnes  Search this
Parsons, Harold Woodbury, 1883-1967  Search this
Sheeler, Charles, 1883-1965  Search this
Sommer, William, 1867-1949  Search this
Tiepolo, Giovanni Domenico, 1726?-1804  Search this
Extent:
5 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1924-1983]
Scope and Contents:
Biographical information, correspondence, subject files, notebooks, photographs, clippings, price lists concern Francis' work at the Cleveland Museum of Art, his friendship with George Kates, and his interest in painter William Sommer.
REELS 881-882: Primarily research material compiled by Francis and his wife Frances Merriman Francis for the Ten Thirty Gallery Sommer retrospective in 1946 and the Cleveland Museum of Art's William Sommer Memorial Exhibition, held November 1-December 10, 1950. Included are biographical material; correspondence of Henry Sayles Francis and other museum staff regarding Sommer, and copies and transcripts of Sommer's correspondence (including a few letters from Hart Crane); reminiscences of Sommer from friends and colleagues; exhibition catalogs; notebooks of information on Sommer's works; and a bibliography.
REELS 3838-3841: Biographical information; correspondence, arranged chronologically, with colleagues, friends, dealers, collectors, and others; and subject/correspondence files, arranged alphabetically, on colleagues, dealers, exhibitions, and various art topics; photographs of Francis, juries (Charles Sheeler is in one), Matisse in his studio, Somerset Maugham, Frits Lugt, and his wife; and clippings relating chiefly to the Cleveland Museum of Art.
Subject/correspondence file titles include: Jere Abbott, Sir Geoffrey Agnew, Winslow Ames, Harry W. Anderson Collection, R. Kirk Askew, Bernard Berenson (ca. 50 letters received), John Bergschneider, Walter Blodgett, Rowland Burdon-Muller, David Carritt, Charles Chetham, Cleveland Museum of Art, John I. Coddington, Ralph Tracy Coe, Contini Collection, Cooper Union, Richard S. Davis, Robert Tyler Davis, Harold S. Ede, Ross Edman, Everett Fahy, Julia Feininger, Henry-Russell Hitchcock, Howard C. Hollis, Charles Hopkinson, Michael JaffeƩ, Harold Joachim, Lincoln Kirstein, Henry Adams LaFarge, Viktor Langen, Nicky Mariano, William Mathewson Milliken, Agnes Mongan, William Mostyn-Owen, Roger Hale Newton, Benedict Nicolson, Luisa Nicolson, Harold Woodbury Parsons, John Pope-Hennessy, Alan Priest, John Rewald, Marvin C. Ross, Henry Preston Rossiter, Paul Joseph Sachs, Meryle Secrest, Germain Seligman, Peter Shepherd, Theodore Sizer, William Sommer (exhibitions), Frederick A. Sweet, Daviel Varney Thompson, Giovanni Domenico Tiepolo, Gertrude Underhill, Peter Vanderbilt, Langdon Warner, Nancy and William Wixom, and Richard H. Zinser.
UNMICROFILMED: Primarily letters from and material on George Norbert Kates, an authority on pre-communist China and Francis's lifetime friend and additional material on William Sommer. Kates material consists of ca. 1000 letters to Francis, ca. 1924-1984, concerning personal affairs, financial ventures, their research efforts and careers, and Kates's research on the 15th century Duchess Eleanor of Scotland. A significant number of letters from 1953 refer to Bernard Berenson and his art research and collection. Also included are a subject file on Kates' interest in Herman Hesse; and a file of Kates' research material on Duchess Eleanor of Scotland.
Unmicrofilmed Sommer material includes a letter from Sommer to C.P. Marsh, 1931; a Christmas card from Josephine and Theodor Braasch to Sommer; a page of writings by Sommer; photographs of Sommer and of a studio; several sketches and drawings; and printed material.
REEL 440 AND SCANNED One photograph of Sommer, microfilmed under Photos of Artists I, and scanned.
The remaining unfilmed material consists of Francis's notebooks (4 v.) primarily about the history of European paintings, drawings and prints, including notes about individual works of art; financial records, including price lists of European works of art, ca. 1930-1969, price list, insurance values and appraisals of two collections from the Cleveland Museum of Art, ca. 1923-1957; and minutes from two accessioning meetings at the Museum, 1930 and 1931.
Biographical / Historical:
Art museum curator; Cleveland, Ohio. Francis worked at the Cleveland Museum of Art from 1927 to 1929, leaving for a position at the Fogg Museum as assistant to directors Edward Forbes and Paul Sachs. He returned to the Cleveland Museum in 1931, remaining there as Curator of Paintings and Prints until 1967.
Provenance:
Research material on William Sommer donated 1975 by Henry Sayles Francis; he donated the remainder in 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum curators -- Ohio -- Cleveland  Search this
Function:
Art museums -- Ohio -- Cleveland
Identifier:
AAA.franhenr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e9de6480-a3b2-4e0a-9322-f75a7474edcb
EDAN-URL:
ead_collection:sova-aaa-franhenr

Carolyn Kinder Carr papers, 1960-1980

Creator:
Carr, Carolyn Kinder  Search this
Citation:
Carolyn Kinder Carr papers, 1960-1980. Archives of American Art, Smithsonian Institution.
Topic:
Women museum curators  Search this
Women art critics  Search this
Art criticism  Search this
Theme:
Art Theory and Historiography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13358
(DSI-AAA_SIRISBib)254305
AAA_collcode_carrcaro
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_254305

Carolyn Kinder Carr papers

Creator:
Carr, Carolyn Kinder  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960-1980
Summary:
The papers of art critic and art museum curator Carolyn Kinder Carr measure 0.4 linear feet and date from 1967 to 1980. The scattered papers relate to Carr's career as an art critic for the Akron Beacon Journal in the late 1960s to the 1970s. Found are four dismantled scrapbooks containing clippings of Carr's column, letters in response to her critiques, and travel expense records.
Scope and Contents:
The papers of art critic and curator Carolyn Kinder Carr measure 0.4 linear feet and date from 1960 to 1980. Carr's scattered papers relate to her career as an art critic for the Akron Beacon Journal in the late 1960s to the 1970s. Found are four dismantled scrapbooks containing clippings of Carr's column, letters in response to her critiques, travel expense records.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Ohio and Washington, D.C. art museum curator and art critic Carolyn Kinder Carr spent her early career in Akron, Ohio as an art critic for the Akron Beacon Journal and as curator of the Akron Art Institute. She wrote extensively on the art scene in Northeast Ohio, including Akron, Kent, and Cleveland before moving to Washington, D.C. to become curator at the National Portrait Gallery. In 2008, she was named Deputy Director and Chief Curator of the Smithsonian's National Portrait Gallery.
Provenance:
Carolyn Carr donated her papers to the Archives of American Art in 2004.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- Ohio  Search this
Art museum curators -- Washington (D.C.)  Search this
Topic:
Women museum curators  Search this
Women art critics  Search this
Art criticism  Search this
Citation:
Carolyn Kinder Carr papers, 1960-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carrcaro
See more items in:
Carolyn Kinder Carr papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7e1ba84-fe64-4607-9eb5-157fb3d04b7c
EDAN-URL:
ead_collection:sova-aaa-carrcaro

Oral history interview with Henry Sayles Francis, 1974 Mar. 28-1975 July 11

Interviewee:
Francis, Henry Sayles, 1902-1994  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Sayles, Henry  Search this
Cleveland Museum of Art  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Henry Sayles Francis, 1974 Mar. 28-1975 July 11. Archives of American Art, Smithsonian Institution.
Topic:
Art museum curators -- Ohio -- Cleveland -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13137
(DSI-AAA_SIRISBib)215192
AAA_collcode_franci74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215192

Henry Sayles Francis papers, [ca. 1924-1983]

Creator:
Francis, Henry Sayles, 1902-1994  Search this
Subject:
Lugt, Frits  Search this
Maugham, W. Somerset (William Somerset)  Search this
Sheeler, Charles  Search this
Sommer, William  Search this
Tiepolo, Giovanni Domenico  Search this
Kates, George N. (George Norbert)  Search this
Abbott, Jere  Search this
Berenson, Bernard  Search this
Hitchcock, Henry-Russell  Search this
Milliken, William Mathewson  Search this
Mongan, Agnes  Search this
Parsons, Harold Woodbury  Search this
Cleveland Museum of Art  Search this
Citation:
Henry Sayles Francis papers, [ca. 1924-1983]. Archives of American Art, Smithsonian Institution.
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)8855
(DSI-AAA_SIRISBib)211040
AAA_collcode_franhenr
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211040

Oral history interview with Henry Sayles Francis

Interviewee:
Francis, Henry Sayles, 1902-1994  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Cleveland Museum of Art  Search this
Sayles, Henry  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hrs. 15 min.), digital, wav file)
130 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1974 Mar. 28-1975 July 11
Scope and Contents:
An interview of Henry Francis Sayles conducted 1974 Mar. 28-1975 July 11, by Robert Brown, for the Archives of American Art.
Francis discusses his childhood and education, attending college at Harvard; working at the Fogg Art Museum and at the Museum of Fine Arts, Boston; his career as curator of prints and paintings at Cleveland Museum of Art; his uncle Henry Sayles, a major collector of Barbizon School paintings; his relationships with dealers, and with the directors and trustees of Cleveland Museum of Art.
Biographical / Historical:
Henry Sayles Francis (1902-1994) was a curator and art historian at the Cleveland Museum of Art, Ohio.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Art historians -- Ohio -- Cleveland -- Interviews  Search this
Topic:
Art museum curators -- Ohio -- Cleveland -- Interviews  Search this
Function:
Art museums
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.franci74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97ced925e-f718-4f8a-b12c-7e2df15c8cfd
EDAN-URL:
ead_collection:sova-aaa-franci74
Online Media:

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