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John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Massachusetts  Search this
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

Charles Giuliano sound recordings

Creator:
Giuliano, Charles  Search this
Names:
Arthur, John, 1939-  Search this
Hyde, Andrew C. (Andrew Cornwall), 1941-  Search this
Moffett, Kenworth  Search this
Olitski, Jules, 1922-2007  Search this
Rosen, Phyllis  Search this
Siembab, Carl, 1926-  Search this
Westenberger, Theo  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1970-1977
Summary:
The sound recordings of art critic Charles Giuliano include 10 sound reels and date from 1970 to 1977. Within the collection are interviews and discussions conducted or taped by Giuliano relating to the Boston, Massachusetts art scene.
Scope and Contents:
The sound recordings of art critic Charles Giuliano measure 0.2 linear feet, include 10 sound reels, and date from 1970 to 1977. Within the collection are interviews and discussions conducted or taped by Giuliano relating to the Boston, Massachusetts art scene. Among the interviewees are John Arthur, Andrew C. Hyde, Kenworth Moffett, Carl Siembab, Phyllis Rosen, Theo Westenberger, and Jules Olitski. The John Arthur and Jules Olitski interviews are transcribed.
Arrangement:
The collection is arranged as 2 series.

Series 1: Interviews, 1970-1977 (Box 1; 8 sound tape reels)

Series 2: Lectures and Seminars, 1976 (Box 1; 2 sound tape reels)
Biographical / Historical:
Charles Giuliano (1940- ) is an art critic based in Boston, Massachusetts. He is a former teacher of art history and served as Director of Exhibitions for the New England School of Art and Design at Suffolk University, Boston.
Provenance:
Donated 1977-1984 by Charles Giuliano.
Restrictions:
John Arthur and Kenworth Moffett interviews are access restricted; written permission required. Contact References Services for more information.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
Baker, Belz, Chandler, Hyde interviews: Authorization to quote, reproduce or publish must be obtained from Charles Giuliano and interviewee.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Charles Giuliano sound recordings, 1970-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.giulchar
See more items in:
Charles Giuliano sound recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-giulchar

Oral history interview with William H. Pierson, 1981 Mar. 11-1982 Jan. 14

Interviewee:
Pierson, William Harvey, 1911-2008  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)12656
(DSI-AAA_SIRISBib)212305
AAA_collcode_pierso81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212305
Online Media:

Oral history interview with S. Lane Faison, 1981 December 14

Interviewee:
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
College Art Association of America  Search this
Type:
Sound recordings
Interviews
Topic:
Art and war  Search this
World War, 1939-1945 -- Art and the war  Search this
World War, 1939-1945 -- Confiscations and contributions -- Germany  Search this
Record number:
(DSI-AAA_CollID)12908
(DSI-AAA_SIRISBib)212323
AAA_collcode_faison81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212323
Online Media:

Oral history interview with John Davis Hatch, 1979 Aug. 30-1980 Nov. 7

Interviewee:
Hatch, John Davis, 1907-1996  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Bruce, Edward  Search this
Bluemner, Oscar  Search this
Callahan, Kenneth  Search this
Carr, Emily  Search this
De Creeft, José  Search this
De Forest, Lockwood  Search this
Du Pont, Henry Francis, 1880-1969  Search this
Durchanek, Ludvik  Search this
Fairbanks, Avard T. (Avard Tennyson)  Search this
Hills, Laura Coombs  Search this
Montgomery, Charles Franklin  Search this
Morris, Carl  Search this
Pratt, Dudley  Search this
Price, C. S. (Clayton S.)  Search this
Tobey, Mark  Search this
Varley, Frederick Horsman  Search this
Wharf, John  Search this
Woodbury, Charles H. (Charles Herbert)  Search this
Albany Institute of History and Art  Search this
American Artists Depository  Search this
American Federation of Arts  Search this
Berkshire Museum  Search this
Gallery of Fine Arts (Seattle, Wash.)  Search this
Isabella Stewart Gardner Museum  Search this
Association of Art Museum Directors  Search this
Norfolk Museum of Arts and Sciences (Va.)  Search this
Sterling and Francine Clark Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Interviews  Search this
Museum directors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12048
(DSI-AAA_SIRISBib)212722
AAA_collcode_hatch79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212722

Oral history interview with John Davis Hatch, 1964 June 8

Interviewee:
Hatch, John Davis, 1907-1996  Search this
Interviewer:
White, H. Wade  Search this
Subject:
Bloom, Hyman  Search this
Bluemner, Oscar  Search this
Bruce, Edward  Search this
Dows, Olin  Search this
Knaths, Karl  Search this
Levine, Jack  Search this
Federal Art Project  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- Interviews  Search this
Federal aid to the arts  Search this
Arts administrators -- Massachusetts -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12768
(DSI-AAA_SIRISBib)213549
AAA_collcode_hatch64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213549

John Davis Hatch papers, 1790-1995

Creator:
Hatch, John Davis, 1907-1996  Search this
Subject:
Peale, Rembrandt  Search this
Browne, Henry Kirke  Search this
Bluemner, Oscar  Search this
Clark, Ezra  Search this
Callahan, Kenneth  Search this
Cropsey, Jasper Francis  Search this
Cranch, John  Search this
Darley, Felix Octavius Carr  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Granger, C. H.  Search this
Guy, Seymour J.  Search this
Harvey, George W.  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson  Search this
Inman, Henry  Search this
McNeill, Lloyd  Search this
Scott, Julian  Search this
Trumbull, John  Search this
Vanderlyn, John  Search this
University of Massachusetts  Search this
University of Oregon  Search this
St. John's College (Annapolis, Md.)  Search this
Type:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)7681
(DSI-AAA_SIRISBib)209844
AAA_collcode_hatcjohn
Theme:
Sketches & Sketchbooks
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209844
Online Media:

Gabriella De Ferrari papers, 1931-2011, bulk 1975-2011

Creator:
De Ferrari, Gabriella, 1941-  Search this
New School University  Search this
Subject:
Katz, Ada  Search this
Katz, Alex  Search this
Gund, Agnes  Search this
Gray, Francine du Plessix  Search this
Cuno, James B.  Search this
Castelli, Leo  Search this
Michael, Brenson  Search this
Sischy, Ingrid  Search this
Segal, Martin  Search this
Seator, Glen  Search this
LeWitt, Carol  Search this
LeWitt, Sol  Search this
Pan-American Society of New England  Search this
Wadsworth Atheneum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Busch-Reisinger Museum  Search this
Type:
Diaries
Photographs
Interviews
Illustrated letters
Sound recordings
Video recordings
Scrapbooks
Topic:
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16023
(DSI-AAA_SIRISBib)306634
AAA_collcode_defemari
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_306634
Online Media:

Oral history interview with John Davis Hatch

Interviewee:
Hatch, John Davis  Search this
Interviewer:
White, H. Wade  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Bloom, Hyman, 1913-  Search this
Bluemner, Oscar, 1867-1938  Search this
Bruce, Edward, 1879-1943  Search this
Dows, Olin, 1904-1981  Search this
Knaths, Karl, 1891-1971  Search this
Levine, Jack, 1915-2010  Search this
Extent:
1 Sound tape reel (Sound recordings, 7 in.)
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 June 8
Scope and Contents:
An interview of John Davis Hatch conducted 1964 June 8, by H. Wade White for the Archives of American Art.
Hatch speaks of his work as the New England area director of the Federal Art Project; the early organization of the Public Works of Art Project in New England; some of the artists and administrators involved, including Olin Dows, Jack Levine, Hyman Bloom, Edward Bruce and Oscar Bluemner, and Karl Knaths.
Biographical / Historical:
Art historian, collector, art consultant, museum director; b. 1907; d. May 30, 1996.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art historians -- New England -- Interviews  Search this
Topic:
Art -- Collectors and collecting -- Interviews  Search this
Federal aid to the arts  Search this
Arts administrators -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hatch64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatch64

Oral history interview with William H. Pierson

Interviewee:
Pierson, William H. (William Harvey), 1911-2008  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
8 Items (sound files, digital, wav file)
128 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 Mar. 11-1982 Jan. 14
Scope and Contents:
An interview with William H. Pierson conducted 1981 Mar. 11-1982 Jan. 14, by Robert F. Brown, for the Archives of American Art.
Pierson speaks of his education at Yale Art School; becoming a drawing instructor at Yale; his graduate work at New York University; his World War II naval service in radar research; his doctoral studies at Yale on New England industrial architecture; teaching studio art and art history at William College, Williamstown, Mass.
Biographical / Historical:
William H. Pierson (1911-2008) was an art historian and educator from Williamstown, Mass.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 7 hr., 39 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Massachusetts -- Interviews  Search this
Art historians -- Massachusetts -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pierso81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pierso81

Oral history interview with John Davis Hatch

Interviewee:
Hatch, John Davis  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Albany Institute of History and Art  Search this
American Artists Depository  Search this
American Federation of Arts  Search this
Association of Art Museum Directors  Search this
Berkshire Museum  Search this
Gallery of Fine Arts (Seattle, Wash.)  Search this
Isabella Stewart Gardner Museum  Search this
Norfolk Museum of Arts and Sciences (Va.)  Search this
Sterling and Francine Clark Art Institute  Search this
Bluemner, Oscar, 1867-1938  Search this
Bruce, Edward, 1879-1943  Search this
Callahan, Kenneth, 1905-1986  Search this
Carr, Emily, 1871-1945  Search this
De Creeft, José, 1884-1982  Search this
De Forest, Lockwood, 1850-1932  Search this
Du Pont, Henry Francis, 1880-1969  Search this
Durchanek, Ludvik, 1902-  Search this
Fairbanks, Avard T. (Avard Tennyson), 1897-1987  Search this
Hills, Laura Coombs, 1859-1952  Search this
Montgomery, Charles Franklin, 1910-  Search this
Morris, Carl, 1911-1993  Search this
Pratt, Dudley, 1897-1975  Search this
Price, C. S. (Clayton S.), 1874-1950  Search this
Tobey, Mark  Search this
Varley, Frederick Horsman  Search this
Wharf, John  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Extent:
6 Sound tape reels (Sound recording, 5 in.)
307 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1979 Aug. 30-1980 Nov. 7
Scope and Contents:
An interview of John Davis Hatch conducted 1979 Aug. 30- 1980 Nov. 7, by Robert F. Brown for the Archives of American Art.
Hatch recalls his childhood in California and training as a landscape architect, including an apprenticeship with Lockwood de Forest. He discusses his appointment as director of the Gallery of Fine Arts in Seattle at age 21 and his efforts there to develop an Asian focus for the museum and cultivate artists of the region, including Mark Tobey, Dudley Pratt, Kenneth Callahan, Emily Carr, Jose de Creeft, Frederick Varley, and Avard Fairbanks. He describes his interest in studying museums across the country and abroad and the roles played in the museum scene by the American Federation of Arts and the Museum Directors Association.
Hatch recalls his work as assistant director of the Isabella Stewart Gardner Museum and as director of government art projects in New England in the 1930s, when he worked with Edward Bruce, Oscar Bluemner, Charles Woodbury, John Wharf, and Laura Coombs Hills, among others. He describes an attempt to form the American Artists Depository, a precursor to the Archives of American Art, and his activities collecting American drawings, organizing travelling exhibitions, and promoting American art history as a discipline.
Hatch speaks of his tenure as director of the Albany Institute of History and Art and his efforts to advance an appreciation of local Dutch history and the work of Thomas Cole. He remembers encounters with Henry Francis Du Pont and Charles Franklin Montgomery. Hatch describes the start of his teaching career in Oregon and his involvement with local artists C.S. Price, Carl Morris, and Ludvik Durchanek. He talks about a stint as director of the Norfolk (Va.) Museum of Arts and Sciences and his work as a consultant to museums, especially as it pertained to the development of arts programs at black colleges in the South.
Hatch concludes with a discussion of museums near his home in Lenox, including the Sterling and Francine Clark Art Institute and the Berkshire Museum.
Biographical / Historical:
John Hatch (1907-1996) was an art historian, collector, art consultant, and museum director.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art historians -- Massachusetts -- Interviews  Search this
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Interviews  Search this
Museum directors -- Interviews  Search this
Function:
Museums -- United States
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hatch79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatch79

Oral history interview with S. Lane Faison

Interviewee:
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
College Art Association of America  Search this
Extent:
4 Items (Audio excerpts: 4 sound files (3 min., 46 sec.), digital)
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 December 14
Scope and Contents:
An interview of S. Lane Faison conducted 1981 December 14, by Robert F. Brown, for the Archives of American Art.
Faison discusses his activities during World War II teaching aircraft and ship recognition, gathering information related to art looted by the Nazis, preparing a report that described how Hitler's art collection was formed, and the distribution of unclaimed furniture; the role of the College Art Association during the 1950s-1960s; and his guide to art museums in New England.
Biographical / Historical:
S. Lane Faison (1907-2006) was an art historian in Williamstown, Massachusetts.
General:
Originally recorded on 1 sound tape reel and 1 sound cassette. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art historians -- Massachusetts -- Interviews  Search this
Topic:
Art and war  Search this
World War, 1939-1945 -- Art and the war  Search this
World War, 1939-1945 -- Confiscations and contributions -- Germany  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.faison81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faison81

Gabriella De Ferrari papers

Creator:
De Ferrari, Gabriella  Search this
Source:
New School University  Search this
Names:
Busch-Reisinger Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Pan-American Society of New England  Search this
Wadsworth Atheneum  Search this
Castelli, Leo  Search this
Cuno, James B.  Search this
Gray, Francine du Plessix  Search this
Gund, Agnes  Search this
Katz, Ada, 1928-  Search this
Katz, Alex, 1927-  Search this
LeWitt, Carol  Search this
LeWitt, Sol, 1928-2007  Search this
Michael, Brenson  Search this
Seator, Glen  Search this
Segal, Martin  Search this
Sischy, Ingrid  Search this
Former owner:
New School University  Search this
Extent:
7.7 Linear feet
0.012 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Diaries
Photographs
Interviews
Illustrated letters
Sound recordings
Video recordings
Scrapbooks
Date:
1931-2011
bulk 1975-2011
Summary:
The papers of art historian Gabriella De Ferrari measure 7.7 linear feet and 0.012 GB and date from 1931-2011, with the bulk of the collection dating from 1975-2011. The collection provides an overview of her activities as an arts administrator, writer, and philanthropist through biographical materials, correspondence, interviews, extensive writings and notes, subject files, printed and digital material, scrapbooks, and photographs.
Scope and Contents note:
The papers of art historian Gabriella De Ferrari measure 7.7 linear feet and 0.012 GB and date from 1931-2011, with the bulk of the collection dating from 1975-2011. The collection provides an overview of her activities as an arts administrator, writer, and a philanthropist through biographical materials, correspondence, interviews, extensive writings and notes, subject files, printed and digital material, scrapbooks, and photographs.

Correspondence with artists, academic administrators, museum directors, curators, literary agents, editors, and publishers is primarily of a social nature, e.g., thank you notes, invitations, and congratulatory letters. Letters include references to De Ferrari's professional activities from circa 1975-circa 2006. There are illustrated letters and handmade birthday cards by De Ferrari, family, and friends. Among the correspondents are Michael Brenson, James Cuno, Francine Du Plessix Gray, Agnes Gund, Alex and Ada Katz, Sol and Carol Lewitt, and Glen Seator.

Writings and notes primarily document Gabriella De Ferrari's career as an author and include numerous drafts and annotated versions of her novels, short stories, memoir, and articles. Subject files include materials chronicling De Ferrari's activities at the Busch-Reisinger Museum, the Institute of Contemporary Art in Boston, and the Pan-American Society of New England. Also documented is her service as a Board of Trustees member, consultant, and advisor to major educational, corporate, and cultural institutions, including the New School University, United Technologies, Inc., and the Wadsworth Atheneum, among others. Interviews of De Ferrari are found on six sound cassettes. Additional audio cassettes and one videocassette are found within her writings.

Photographs are of Gabriella De Ferrari, family members, friends, and colleagues, including Michael Brenson, Leo Castelli, Agnes Gund, Martin Segal, Ingrid Sischy, Sol Lewitt, among others.
Arrangement note:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1947-2003 (Boxes 1, 9; 0.3 linear feet, ER01; 0.001 GB)

Series 2: Correspondence, 1964-2011 (Boxes 1-2; 1.3 linear feet, ER02; 0.001 GB)

Series 3: Interviews, 1990-1996 (Box 2; 3 folders)

Series 4: Writings and Notes, 1950-2010 (Boxes 3-6; 3.6 linear feet, ER03-ER10; 0.011 GB)

Series 5: Subject Files, 1953-2008 (Boxes 6-7; 1 linear feet, ER11; 0.001 GB)

Series 6: Printed Material, 1961-2011 (Box 7; 0.8 linear feet)

Series 7: Scrapbooks, 1974-1981 (Box 9; 0.3 linear feet)

Series 8: Photographs, 1931-circa 2010 (Box 8, 0.4 linear feet)
Biographical/Historical note:
Art historian Gabriella De Ferrari (1941-) has lived and worked in Boston, Massachusetts and New York City.

Born in Tacna, Peru to Italian parents, De Ferrari graduated with a Bachelor of Arts from Saint Louis University in Missouri in 1963. She went on to receive a Master of Arts from the Fletcher School of Law and Diplomacy, Tufts University in 1966, and in 1981, she earned a Masters of Art in Fine Arts from Harvard University. De Ferrari has held administrative and curatorial positions at major museums and art organizations. At the Institute of Contemporary Art, Boston, she was curator of exhibitions before becoming the Director of the Institute in 1975. From 1978-1982, De Ferrari was Assistant Director of Curatorial Affairs and Programs at the Fogg Museum and the Busch-Reisinger Museum, where her responsibilities included exhibition programs for twentieth century art and coordinating programs for corporate and public fundraising. In 1989, De Ferrari moved to New York City, where she established herself as a freelance writer. In 1990, her novel, A Cloud on Sand received a Barnes and Noble Discover Award. Gringa Latina, De Ferrari's memoir about her experience living in two cultures was published in 1994.

She has served on the Boards of Trustees and on the advisory committees of many leading institutions, including Colby College, City University Graduate Center Foundation, Harvard University Museum, the New School, and the Wadsworth Atheneum. From 2000-2006, she was the philanthropic advisor to the chairman and CEO of United Technologies Corporation. In 1996, De Ferrari was awarded the New School Medal for Distinguished Service, and in 2008, she received an Honorary Doctorate in Letters from Colby College.

Gabriella De Ferrari continues to reside in New York City.
Provenance:
The papers were donated to the Archives of American Art by Gabriella De Ferrari, in 2011.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Gabriella De Ferrari papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Arts administrators -- Massachusetts -- Boston  Search this
Arts administrators -- New York (State) -- New York  Search this
Art historians -- Massachusetts -- Boston  Search this
Art historians -- New York (State) -- New York  Search this
Philanthropists -- Massachusetts -- Boston  Search this
Philanthropists -- New York (State) -- New York  Search this
Topic:
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Photographs
Interviews
Illustrated letters
Sound recordings
Video recordings
Scrapbooks
Citation:
Gabriella De Ferrari papers, 1931-2011, bulk 1975-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.defemari
See more items in:
Gabriella De Ferrari papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-defemari

Oral history interview with Winslow Ames, 1987 April 29-June 2

Interviewee:
Ames, Winslow, 1907-1990  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Forbes, Edward Waldo  Search this
Kirstein, Lincoln  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Warburg, Edward M. M.  Search this
Lyman Allyn Museum  Search this
Type:
Sound recordings
Interviews
Topic:
Museum directors -- Connecticut -- Interviews  Search this
Museum directors -- Missouri -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12047
(DSI-AAA_SIRISBib)212300
AAA_collcode_ames87
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212300
Online Media:

Oral history interview with Winslow Ames

Interviewee:
Ames, Winslow  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Lyman Allyn Museum  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Kirstein, Lincoln, 1907-  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Warburg, Edward M. M.  Search this
Extent:
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1987 April 29-June 2
Scope and Contents:
An interview of Winslow Ames conducted 1987 April 29-June 2, by Robert F. Brown, for the Archives of American Art.
Ames speaks of his childhood in New York, his family's early New England and New York antecedents, his education at Columbia College, and studying fine arts at Harvard under Paul Sachs and Edward Waldo Forbes. He reminisces about his friendship with Edward M.M. Warburg and Lincoln Kirstein and their involvement in his purchase of Gaston Lachaise's "Standing Woman"; his work as the first director of the Lyman Allyn Museum, New London, Connecticut; service as a conscientious objector with the Civilian Public Service Corps during World War II; and assisting in the resettlement of European refugees with the American Friends Service Committee. He discusses directing a museum in Springfield, Missouri, researching and writing his, "Prince Albert and Public Taste," and teaching connoisseurship and museum practices at the University of Rhode Island and Brown University.
Biographical / Historical:
Winslow Ames (1907-1990) was a museum director, art historian, collector, conoisseur of drawings, and authority on Victorian art.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 18 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Rhode Island -- Interviews  Search this
Art teachers -- Rhode Island -- Interviews  Search this
Topic:
Museum directors -- Connecticut -- Interviews  Search this
Museum directors -- Missouri -- Interviews  Search this
Function:
Art museums -- Connecticut -- New London
Art museums -- Missouri -- Springfield
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ames87
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ames87

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