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The coming of modernism to Chicago, 1910-1940

Creator:
Kruty, Paul Samuel  Search this
Morgan, Ann Lee  Search this
Moser, Charlotte, 1947-  Search this
Platt, Susan Noyes, 1945-  Search this
Prince, Sue Ann  Search this
Weininger, Susan  Search this
Weller, Allen S. (Allen Stuart), 1907-1997  Search this
Brettell, Richard R.  Search this
Engelbrecht, Lloyd C.  Search this
Germer, Stefan  Search this
Harris, Neil, 1938-  Search this
Berman, Avis  Search this
Coming of modernism to Chicago (1988 : Chicago, Ill.)  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Type:
Archival materials
Audio [31027000062212]
Audio [31027000062220]
Audio [31027000062238]
Audio [31027000062188]
Audio [31027000062196]
Audio [31027000062204]
Sound recordings
Date:
1988 March
Scope and Contents:
Recordings of a symposium on modernism in Chicago, sponsored by the Archives of American Art. Participants include Neil Harris, Charlotte Moser, Allen Weller, Stefan Germer, Ann Lee Morgan, Susan Platt, Susan Weininger, Paul Kruty, Lloyd Engelbrecht, Avis Berman, Sue Ann Kendall and Richard (Rick) Brettell.
The end of Susan Weininger's talk and the beginning of Paul Kruty's talk are missing due to technical difficulties at the time of recording.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hrs., 54 min.
Funding note:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Provenance:
These sound recordings are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art historians  Search this
Topic:
Art, Modern -- 20th century -- Illinois -- Chicago  Search this
Modernism (Art)  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f41c689e-7015-47ae-83a6-f1875aab3982
EDAN-URL:
ead_component:sova-aaa-archiv57-ref7

Correspondence

Collection Creator:
Barnard, George Grey, 1863-1938  Search this
Extent:
0.7 Linear feet (Box 1)
Type:
Archival materials
Date:
circa 1896-1965
Scope and Contents note:
This series contains the personal and business correspondence of George Grey Barnard until his death in 1938. Later correspondence consists of the incoming and outgoing correspondence of Barnard's son, Monroe Grey Barnard, mostly in connection with his father's estate and in letters to art historian and Barnard scholar, Harold E. Dickson.

Correspondents include art and antiques dealers, museum directors, curators, and galleries, as well as individuals whom Barnard identified as 'prospects' for either his own sculptural projects or medieval antiquities in his collection. Frequent correspondents include art and antiques dealers M. Dagras et Fils, C. Joret, Ste. Galleries Schutz, D.W. French and Co.; museum directors Edward Forbes (Fogg Art Museum, Harvard Univesity), Robert DeForest (Metropolitan Museum of Art), Fiske Kimball (Philadelphia Museum of Art); and art patrons Arthur M. Huntington and John Gellatly. Handwritten drafts and typed copies of Barnard's outgoing letters are scattered throughout.

Of particular interest are the letters from the early to mid-1920s, the period during which he was trying to sell the medieval art and architectural elements that made up the George Grey Barnard Cloisters. Individuals wrote with proposals, such as artist Calthea Vivian, who hoped to find a home for the collection in California. Museums that expressed interest include the Toledo Museum of Art. Ultimately the collection was purchased by the Metropolitan Museum of Art, with funds provided by John D. Rockefeller. The 1925 folder contains letters providing details concerning the sales agreement.

Correspondence that post-dates Barnard's death in 1938 includes his son's correspondence with various individuals and institutions concerning his father's estate and the remaining collection of medieval art and architectural elements, which was known as 'The Monastery' or 'The Abbaye.' There is significant correspondence with representatives of the National Cathedral regarding moving the collection to Washington, D.C. However, no correspondence was found relating to the Philadelphia Museum of Art's subsequent acquisition of the bulk of the collection. There is also significant personal correspondence between Monroe and his mother (Edna Monroe Barnard), primarily typed copies of his outgoing letters.

See Appendix for a list of notable correspondents from Series 2
Arrangement note:
Correspondence is arranged chronologically. A file of undated letters and another that contains a typed list of telegrams and telephone calls has been placed at the end.
Appendix: Notable Correspondents from Series 2:
A. Charnoz Antiquaire, 1925

Albert L. Morse and Sons Antiquities, 1925

Allen, Collens, and Willis Architects, 1934

American Museum of Natural History, 1918

Anderson Galleries, 1927

Andr Seligmann, 1929

Arnold Seligmann et Fils, 1927

Arthur S. Vernay, Inc., 1923

Bacri Frres, 1925

Ball, D.C., 1916

Barnard, Monroe, 1938, 1941-1942, 1953 and undated

Billikopf, Jacob, 1926

Bird, Hobart S, 1929

Bloomingdale, Hiram, 1924

Brooklyn Museum of Art, 1938

Buffalo Fine Arts Academy, 1937

C. Hendel and Sons, 1938

C. Joret Antiquities, 1925, 1938, 1939 and undated

C.M. Traver Co., 1925

Carnegie Institute, 1923

Charbon Anglais, 1914, 1916

Chicago Institute of Art, 1920

Cleveland Museum of Art, 1915, 1935

Columbia University, Teachers College, 1922

Commission of Fine Arts, Washington, D.C., 1956

Commissioner of Fairmont Park, Philadelphia, Penn., 1926

Conference on the Cause and Cure of War, 1925

Coolidge Shepley Bulfinch and Abbott Architects, 1926

Cram and Ferguson Architects, 1919, 1926

DeForest Bros., 1925

Denton, Christine, 1918, 1920-1921 and undated

Doll and Richards Fine Arts, 1920-1921

duPont, Pierre S., 1939

E and A Silberman, 1927

E. Larcade Objects d'Art Ancien, 1925

E. Simon, 1927, 1932

Elmer Grey Architect, 1931, 1937

Fine Arts Federation of New York, 1938, 1940

Ford Motor Company, 1938

Franklin Spier, 1925

Freeman, James E (Bishop of Washington D.C.), 1940

Frick, Mrs. Henry, 1923

Goodyear, Conger, 1939

Grand Central Art Gallery, 1939

Hammond, John Henry, 1939

Harold F. Strong Corporation, 1938

Harris, Victor, 1918

Harvard University, Fogg Art Museum, 1916-1917, 1920-1921, 1924-1929, 1931, 1937, 1939

Hartman, Atma, 1925

Huntington, Arthur M, 1937-1938, 1953

Jacques Seligmann and Co., 1924

Jenks, John S., 1927

John Gellatly, 1925, 1930

John H. Stanford Works of Art, 1927

John Monroe and Co, 1926

Kipling, Rudyard, 1899

Lee, Ann, 1938

M and R Stora, 1926-1927

M. Dragas et Fils, 1907, 1911-1913

Macmillan Company, 1938

McCay, Clarence, 1916

Metropolitan Museum of Art, 1912, 1924-1927, 1930, 1935, 1937, 1957

Midway Studio (Lorado Taft), 1924

Morris, Ruth, 1962-1964

Moss, Col. James A., 1920

Museum of Fine Arts (Boston, Mass.), 1919, 1921, 1927, 1935

Museum of Newark, New Jersey, 1928

Myers, Clarance J., 1938

Nelson Gallery of Art (William Rockhill), 1938

Norris, Gertrude, 1933

North Carolina Historical Society (R.D.W. Connor), 1911-1913

P. Jackson Works of Art, 1925

P.W. French and Co., 1928

Paris Singer, 1926

Parrot, William, 1936

Paul Gouvert, 1925

Pennsylvania Museum of Art (later Philadelphia Museum of Art), 1926-1930, 1937

Philadelphia Museum of Art, 1955-1956

Rockefeller Jr., John D, 1927-1928, 1938

S. Marchat, 1925

Saint-Georges Art Gallery, 1925

Simon and Co., 1929

Sparks, William Sheppard, 1938

Spreckels, Alma de Bretteville, 1920

Ste. Galeries Schutz, 1927-1929

Thaw, Elsa Dows, 1915-1916

Thomas, Joseph B., 1922

Thompson, A., 1899

Toledo Museum of Art, 1922

United States Department of the Interior, 1957-1958

United States Department of State, 1913-1914

University of Illinois, College of Fine and Applied Arts, 1937

Vivian, Calthea, 1922-1924

Wadsworth Atheneum , 1938

Washington National Cathedral (formerly Washington Cathedral), 1922

Waterman, F.D., 1923

Wildhaber, A. Paul, 1921-1922

Wilson, William H., 1922

Worcester Art Museum, 1927
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barngeor, Series 2
See more items in:
George Grey Barnard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barngeor-ref31

Oral history interview with Gerald Nordland, 2004 May 25-26

Interviewee:
Nordland, Gerald, 1927-  Search this
Interviewer:
Larsen, Susan C.  Search this
Subject:
Lachaise, Gaston  Search this
Gorky, Arshile  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
University of Southern California.  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- Interviews  Search this
Art, American -- California -- San Francisco  Search this
Art, American -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Art, American -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11679
(DSI-AAA_SIRISBib)249051
AAA_collcode_nordla04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249051
Online Media:

Avis Berman research material on Juliana Force

Creator:
Berman, Avis  Search this
Names:
Whitney Museum of American Art  Search this
Force, Juliana, 1876-1948  Search this
Extent:
12.3 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Sound recordings
Interviews
Date:
circa 1930-2020
Scope and Contents:
Avis Berman research material on Juliana Force measures 12.3 linear feet and dates from circa 1930-2020. The papers document Berman's research for her book Rebels on Eigth Street: Juliana Force and the Whitney Museum of American Art, 1990. Included is correspondence, writings, printed material, audio visual material, transcripts of interviews, administrative and sales records, and photographs. Photographs consist of 93 Rieser/Force family photographs, 45 photographs of Barley Sheaf Farm, Juliana Force's residence in Holicong, Pa., and a photograph album containing 23 images of "Cobweb," Force's cottage in Rosemary Lane, Haddenham, Bucks, England. Also included are 88 contemporary and reproduction photographs.
Biographical / Historical:
Avis Berman (1949- ) is a writer and art historian in New York, N.Y. Berman wrote the book Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art, 1990.
Provenance:
Donated in 2020 and 2021 by Avis Berman.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: all writings by Avis Berman.
Occupation:
Art dealers -- Illinois -- Chicago  Search this
Curators -- Illinois -- Chicago  Search this
Art historians -- Illinois -- Chicago  Search this
Art critics -- Illinois -- Chicago  Search this
Authors -- Illinois -- Chicago  Search this
Topic:
Women art dealers  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Identifier:
AAA.bermavis4
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fe24ce94-5c70-4ab0-adc9-0193e72014bd
EDAN-URL:
ead_collection:sova-aaa-bermavis4

Oral history interview with Anne Rorimer

Interviewee:
Rorimer, Anne  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Bryn Mawr College -- Students  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Victoria and Albert Museum  Search this
Acconci, Vito, 1940-  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne, 1943-2008  Search this
Geldzahler, Henry  Search this
Graham, Dan, 1942-  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hesse, Eva, 1936-1970  Search this
Kuh, Katharine  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Lowry, Bates, 1923-  Search this
Maxon, John, 1916-  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Smith, Tony, 1912-1980  Search this
Speyer, A. James  Search this
Stamos, Theodoros, 1922-1997  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Extent:
147 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 15-16
Scope and Contents:
An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.
Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago; memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D'Harnoncourt; how she left the AIC in 1984 to write, "New Art in the '60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers.
Biographical / Historical:
Anne Rorimer (1944-) is a curator and art historian in Chicago, Illinois. Judith Olch Richards (1947-) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Illinois -- Chicago -- Interviews  Search this
Authors -- Illinois -- Chicago  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rorime10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9377eddf5-b420-452e-8171-3b181c505e3d
EDAN-URL:
ead_collection:sova-aaa-rorime10
Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-1985  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-1997  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Illinois -- Chicago  Search this
Art historians -- Illinois -- Chicago  Search this
Art dealers -- Illinois -- Chicago  Search this
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Women art dealers  Search this
Women art historians  Search this
Women museum curators  Search this
Women authors  Search this
Women art critics  Search this
Function:
Art festivals
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a
EDAN-URL:
ead_collection:sova-aaa-kuhkath
Online Media:

Oral history interview with Frances Higgins, 2003 November 8

Interviewee:
Higgins, Frances Stewart, 1912-2004  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Decorative arts  Search this
Glass art  Search this
Theme:
Craft  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)12151
(DSI-AAA_SIRISBib)246706
AAA_collcode_higgin03
Theme:
Craft
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_246706
Online Media:

Oral history interview with Frances Higgins

Interviewee:
Higgins, Frances Stewart, 1912-2004  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
43 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 November 8
Scope and Contents:
An interview of Frances Higgins conducted 2003 November 8, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Riverside Illinois.
Higgins speaks of her education at the Georgia College for Women and the Chicago Institute of Design; her marriage to fellow artist Michael Higgins; and the development of her glass techniques such as fused glass and the slumped method. She discusses her work for the Dearborn Glass Company, Heager Potteries, and General Electric; and the significance of several of these designs and patterns, including the popularity of Rondelays. She also comments on the Midwest Designer-Craftsmen; the glass blowing movement; the studio in Riverside; and the book, "Higgins: Adventures in Glass." Higgins also recalls Harvey Littleton, Maurice Heaton, Earl McCutcheon, Charles and Ray Eames, and others.
Biographical / Historical:
Frances Stewart Higgins (1912-2004) was a glass artist of Riverside, Illinois. Glenn Adamson is an art historian.
General:
Originally recorded on 1 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Glass artists -- Illinois -- Chicago  Search this
Topic:
Women artists  Search this
Decorative arts  Search this
Glass art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.higgin03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994557768-b7c4-4adc-a6cb-19b838b53c35
EDAN-URL:
ead_collection:sova-aaa-higgin03
Online Media:

Whitney Halstead collection of photographs of indigenous art

Creator:
Halstead, Whitney (collector and photographer)  Search this
Names:
British Museum  Search this
Field Museum of Natural History  Search this
Laboratory of Anthropology (Museum of New Mexico)  Search this
Nampeyo, ca. 1856-1942  Search this
Pushruk, Anthony Eskimo  Search this
Extent:
27 Negatives (acetate)
140 Prints (silver gelatin (including proof sheets of contact prints))
1 Print (albumen)
11 Copy prints
Culture:
Peruvians  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Wichita  Search this
Seneca  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Northeast  Search this
Inunaina (Arapaho)  Search this
Indians of North America -- Great Plains  Search this
Tewa Pueblos  Search this
Indians of North America -- Subarctic  Search this
Pueblo  Search this
Arctic peoples  Search this
Type:
Collection descriptions
Archival materials
Negatives
Prints
Copy prints
Place:
Benin (Kingdom)
Date:
undated
Scope and Contents note:
Photographs documenting pottery and pottery designs from historic Pueblo groups and archeological sites, including pottery by Hopi potter Nampeyo and an image of Maria Martinez of San Ildefonso and examples of her pottery. There are also some photographs that depict a pueblo, Southwest landscapes, cliff dwellings, rock art, craftspeople, and dwellings, mostly relating to Southwest peoples, Peruvians, and Australian aborigines. The collection includes images of artifacts in the collections of the Chicago Natural History Museum, Field Museum, British Museum, University of Illinois, Santa Fe Laboratory of Anthropology, and Paul Pearson collection. Notes and notices relating to publication are also available with the collection.
Biographical/Historical note:
Whitney Halstead (1926-1979) was an art historian and artist. He acquired his BFA and MFA from the School of the Art Institute of Chicago, where he became Chairman of the Division of Fine Arts in 1967. He also worked as an assistant in the Field Museum's anthropology department and wrote art history publications.
Local Call Number(s):
NAA Photo Lot 89-43
Location of Other Archival Materials:
The Archives of American Art holds Whitney Halstead's papers.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Copy prints of photographs or photographs of objects held by Chicago Natural History Museum, Field Museum of Natural History, British Museum, University of Illinois, and Santa Fe Laboratory of Anthropology cannot be copied. Copies or permission must be obtained from these repositories.
Topic:
Pottery  Search this
Kachinas  Search this
Camps  Search this
Australian Aborigines  Search this
Cliff-dwellings  Search this
Sculpture  Search this
Baskets  Search this
Masks  Search this
Spinning  Search this
Dwellings  Search this
Citation:
Photo Lot 89-43, Whitney Halstead collection of photographs of indigenous art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-43
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3554c9cfe-804d-4487-ab61-580bfa359e89
EDAN-URL:
ead_collection:sova-naa-photolot-89-43

Leon Golub papers

Creator:
Golub, Leon, 1922-2004  Search this
Names:
Spero, Nancy, 1926-2009  Search this
Extent:
16.5 Linear feet
4.13 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Date:
1930s-2009
Summary:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet and 4.13 GB. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings by Golub and other authors, subject files, printed and digital material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and wife Nancy Spero. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.
Scope and Contents:
The papers of painter, political activist, and educator Leon Golub are dated 1930s-2009 and measure 16.5 linear feet and 4.13 GB. His career as a painter and educator – and, to a far lesser extent, his personal interests and activities – are documented by correspondence, interviews, writings, subject files, printed and digital material, and audiovisual recordings. Also included are biographical materials, personal business records, and photographs of Leon Golub and his art work. Posthumously dated items are mostly condolence letters, obituaries, printed material, and inventories of his work.

Biographical materials consist largely of video documentaries about Leon Golub and his work, obituaries, and information about his 2004 memorial service and a larger memorial tribute held later. Also found are educational records, passports, curricula vitae.

Correspondence is mostly of a professional nature, focusing on exhibitions, projects, collectors, articles submitted for publication, Golub's work, speaking engagements, awards, gifts of artwork, studio visits, and travel arrangements. Correspondents include dealers, curators, art historians, critics, collectors, writers, and editors. Scattered throughout are a small number of letters concerning personal business and politics.

Interviews with Leon Golub and joint interviews with Leon Golub and Nancy Spero were conducted for a variety of purposes. They are preserved as transcripts, video, and sound recordings. Writings by Golub include manuscripts and notes for articles, catalog essays, and miscellaneous writings. Notes and texts for talks, lectures, and panel discussions, include some transcripts and recordings. Among the writings by other authors are a dissertation, a thesis, academic papers, notes, texts of speeches, and a recording of a lecture by an unidentified speaker.

Subject files reflect Golub's professional and personal activities, interests and relationships. Of note are many files of "Images (source material)" used for a variety of artwork and projects. Personal business records documenting Golub's artistic output include many inventories and lists, and a comprehensive register of work, information about consignments, loans, photo permissions, and gifts or donations. Also found are extensive mailing lists.

Printed material includes clippings, exhibition catalogs and announcements, and a variety of miscellaneous printed items. Most material is about/mentions Golub, and/or includes reproductions of his work. Scattered throughout are items concerning topics of interest to Golub, and articles written by him.

The majority of the photographic materials are color digital prints of Golub's artwork. There are photographs of Leon Golub and Nancy Spero, family members, and friends and colleagues at exhibition events. Also found are a few photographs of Golub's plexibox sculptures.
Arrangement:
The collection is arranged in 8 series:

Missing Title

Series 1: Biographical Material, 1930s-2006 (Boxes 1-2; 1.4 linear feet, ER01-ER02; 3.82 GB)

Series 2: Correspondence, 1955-2004 (Boxes 2-3; 0.9 linear foot)

Series 3: Interviews, 1967-2004 (Boxes 3-4; 0.8 linear foot)

Series 4: Writings, 1948-2003 (Boxes 4-5, 21; 1.1 linear foot, ER03; 0.098 GB)

Series 5: Subject Files, 1959-2005 (Boxes 5-11, OV 18; 6.2 linear feet, ER04-ER06, 0.213 GB)

Series 6: Personal Business Records, 1965-2009 (Boxes 11-12; 1.4 linear feet)

Series 7: Printed Material, circa 1950s-2009 (Boxes 12-16, 21, OV 19; 3.9 linear feet)

Series 8: Photographs, 1940s-2004 (Boxes 16-17, OV 20; 0.6 linear foot)
Biographical / Historical:
Leon Golub (1922-2004) was a painter in New York City known for figurative work with political content, an anti-war activist, and professor of art at Rutgers University.

Chicago native Leon Golub studied art history at the University of Chicago (BA 1942) before serving as a cartographer with the U.S. Army Corps of Engineers in Europe during World War II. Upon returning home, Golub became identified with Monster Roster, a group of Chicago artists who believed art must be grounded in real events in order to be relevant to the viewer and society, an idea he held throughout his life. At the School of the Art Institute of Chicago, Golub pursued his interest in painting (BFA 1949, MFA 1950) and met fellow student Nancy Spero whom he married in 1951. After graduation he began teaching at local colleges, exhibited in Chicago and New York, and served as chair of "Exhibition Momentum" (1950). The couple and their two sons lived in Italy from 1956-1957. In 1959 they moved to Paris and, while there, a third son was born. Upon returning to New York City in 1964, Golub became actively involved with the Artists and Writers Protest Against the War in Vietnam, other anti-war groups, and civil liberties organizations. While his painting style changed with time, Golub continued to explore power, violence and conflict, often working in series with titles such as Combats, Napalm, Mercenaries, Interrogation, and Riot.

He first participated in a group show with other veterans at the School of the Art Institute of Chicago in 1947, and soon was included in group and solo exhibitions throughout the United States and in Europe, including the Guggenheim Museum's influential national traveling exhibition "Younger American Painters" (1954-1956). Golub and Spero exhibited their work in tandem and collaborated on installations. He continued to participate in group shows including "Documenta IX" (2002). Golub's work is included in the permanent collections of museums throughout the world.

Golub began his teaching career soon after graduation, first at a junior college in Chicago. In the later 1950s he served briefly on the faculties of Illinois Institute of Technology School of Design and Indiana University; in the 1960s at the Tyler School of Art in Philadelphia, and Fairleigh Dickinson University in New Jersey. He began a long tenure at Rutgers University, School of Visual Arts in 1970 and retired in 1991. In the early 1990s, both Golub and Spero were affiliated with Sommerakademie in Salzburg. Golub wrote and spoke on art, politics, and social issues; he also published many articles, statements, and book reviews, as well as contributing introductions and essays for exhibition catalogs.

Awards and honors included the Skowhegan Medal for Painting (1988), Chicago Committee to Defend the Bill of Rights Award (1989), Dickinson College Arts Award (1992), National Foundation of Jewish Culture Visual Arts Award (1995), and Hiroshima Art Prize shared with Nancy Spero (1996). Golub was awarded honorary doctorates of Fine Arts by the School of the Art Institute of Chicago (1982), Swarthmore College (1985), College of St. Rose (1995), Trinity College (1999), and Pratt Institute (2000). He was elected a member of the American Academy of Arts and Letters (2002).

Leon Golub died in New York City August 8, 2004 from complications following surgery.
Related Materials:
Also among the holdings of the Archives of American Art are oral history interviews with Leon Golub conducted for the Archives of American Art by Bruce Hooten 1965 and Irving Sandler 1968 October 28-November 18. The Nancy Spero papers, 1940s-2009, bulk 1970-2009, include documentation of many of the couple's collaborative projects, joint exhibitions, their family, and shared interests.
Provenance:
The Leon Golub papers were donated by Leon Golub in 1978; the majority of the papers were given in 2013 by The Nancy Spero and Leon Golub Foundation for the Arts via their sons Stephen, Philip and Paul Golub. Material loaned for microfilming in 1969 is included with the 2013 donation.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers  Search this
Art historians  Search this
Art museum curators  Search this
Art critics  Search this
Topic:
Art -- Collectors and collecting  Search this
Political activists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Transcripts
Video recordings
Citation:
Leon Golub papers, 1930s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goluleon
See more items in:
Leon Golub papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d2d712b7-3e5e-47e4-ba42-d8714f1bfbc6
EDAN-URL:
ead_collection:sova-aaa-goluleon
Online Media:

Marilyn Houlberg Nigeria collection

Photographer:
Houlberg, Marilyn  Search this
Extent:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Culture:
Yoruba (African people)  Search this
Nigerians  Search this
Tuaregs  Search this
Fulani  Search this
Nuba  Search this
Igbo (African people)  Search this
Turkana  Search this
Pokot  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Documents
Color slides
Photographic prints
Photographs
Place:
Nigeria
Africa
Lagos (Nigeria)
Date:
1961-circa 2005
Summary:
The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Artists  Search this
Topic:
Shrines  Search this
Masks  Search this
Domestic scenes  Search this
Egúngún (Cult)  Search this
Ethnology -- Nigeria  Search this
Gelede (Yoruba rite)  Search this
Hairstyles -- Africa  Search this
Rites and ceremonies -- Africa  Search this
Clothing and dress -- Africa  Search this
Marketplaces  Search this
Masquerades  Search this
Ere ibeji  Search this
Works of art in situ  Search this
Art, African  Search this
Vernacular architecture  Search this
Festivals  Search this
Genre/Form:
Color slides
Photographic prints
Photographs
Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002
See more items in:
Marilyn Houlberg Nigeria collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e
EDAN-URL:
ead_collection:sova-eepa-2005-002

Oral history interview with Helen Zell, 2016 December 5-6

Interviewee:
Zell, Helen, 1942-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Zell, Helen  Search this
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Interviews
Sound recordings
Topic:
Philanthropists -- Illinois -- Chicago -- Interviews  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)17404
(DSI-AAA_SIRISBib)384312
AAA_collcode_zellh16
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_384312

Oral history interview with Anne Rorimer, 2010 November 15-16

Interviewee:
Rorimer, Anne, 1944-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Acconci, Vito  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne  Search this
Geldzahler, Henry  Search this
Graham, Dan  Search this
Hesse, Eva  Search this
Hale, Robert Beverly  Search this
Kuh, Katharine  Search this
Lippard, Lucy R.  Search this
LeWitt, Sol  Search this
Lowry, Bates  Search this
Maxon, John  Search this
Morris, Robert  Search this
Nauman, Bruce  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph)  Search this
Smith, Tony  Search this
Speyer, A. James  Search this
Stamos, Theodoros  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Albright-Knox Art Gallery  Search this
Art Institute of Chicago  Search this
Bryn Mawr College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Victoria and Albert Museum  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Theme:
Women  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)15880
(DSI-AAA_SIRISBib)295421
AAA_collcode_rorime10
Theme:
Women
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_295421
Online Media:

Oral history interview with Franz Schulze, 2015 October 19-21

Interviewee:
Schulze, Franz, 1927-2019  Search this
Interviewer:
Silverman, Lanny, 1947-  Search this
Subject:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Chicago Art and Artists: Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American -- Illinois -- Chicago  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)17345
(DSI-AAA_SIRISBib)380478
AAA_collcode_schulz15
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_380478

J.W. Young letters, 1907-1944

Creator:
Young, J. W.  Search this
Subject:
Couse, E. Irving (Eanger Irving)  Search this
Hassam, Childe  Search this
Henri, Robert  Search this
Nichols, Hobart  Search this
Benson, Frank Weston  Search this
Church, Frederick S. (Frederick Stuart)  Search this
Topic:
Art, American  Search this
Theme:
Art Market  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)6895
(DSI-AAA_SIRISBib)209024
AAA_collcode_younj
Theme:
Art Market
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209024

Oral history interview with Dennis Adrian, 2015 October 8-9

Interviewee:
Adrian, Dennis, 1937-  Search this
Interviewer:
Silverman, Lanny, 1947-  Search this
Subject:
Acconci, Vito  Search this
Achilles, Rolf  Search this
Alloway, Lawrence  Search this
Anderson, Jeremy  Search this
Artner, Alan G.  Search this
Barnes, Robert  Search this
Baum, Don  Search this
Botticelli, Sandro  Search this
Brown, Roger  Search this
Carlson, Victor I.  Search this
Castelli, Leo  Search this
Conner, Bruce  Search this
Coplans, John  Search this
Cornell, Joseph  Search this
Dubuffet  Search this
Florsheim, Lillian H.  Search this
Frumkin, Allan  Search this
Garver, Thomas H.  Search this
Golub, Leon  Search this
Guston, Philip  Search this
Hanson, Philip  Search this
Hoffman, Rhona  Search this
Ito, Miyoko  Search this
Kind, Phyllis  Search this
Leaf, June  Search this
Lee, Sherman E.  Search this
Maxon, John  Search this
Mies van der Rohe, Ludwig  Search this
Newman, Muriel Kallis Steinberg  Search this
Nicholson, Natasha  Search this
Parker, Dorothy  Search this
Pearlstein, Philip  Search this
Petlin, Irving  Search this
Ramberg, Christina  Search this
Rossi, Barbara  Search this
Schulze, Franz  Search this
Sleigh, Sylvia  Search this
Spero, Nancy  Search this
Swinton, Tilda  Search this
Voulkos, Peter  Search this
Warhol, Andy  Search this
Westermann, H. C. (Horace Clifford)  Search this
Wilde, Oscar  Search this
Wiles, Bertha Harris  Search this
Akron Art Museum  Search this
Art Institute of Chicago  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Chicago Art and Artists: Oral History Project  Search this
Madison Art Center  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
New York University  Search this
Portland Art Museum (Or.)  Search this
University of Chicago  Search this
Type:
Interviews
Sound recordings
Topic:
Art, American -- Illinois -- Chicago  Search this
Art -- Collectors and collecting  Search this
Art -- History  Search this
Art -- Study and teaching  Search this
Art thefts -- Europe  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Educators -- Illinois -- Chicago -- Interviews  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)17346
(DSI-AAA_SIRISBib)380479
AAA_collcode_adrian15
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_380479
Online Media:

Joshua Charles Taylor papers, 1931-1982

Creator:
Taylor, Joshua C. (Joshua Charles),, 1917-1981  Search this
Subject:
National Collection of Fine Arts (U.S.)  Search this
National Museum of American Art (U.S.)  Search this
Topic:
Art, American -- Study and teaching -- Illinois -- Chicago  Search this
Theme:
Diaries  Search this
Record number:
(DSI-AAA_CollID)5876
(DSI-AAA_SIRISBib)208716
AAA_collcode_tayljosh
Theme:
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208716

Frederick A. Sweet research material on Mary Cassatt and James A. McNeill Whistler, 1872-1975

Creator:
Sweet, Frederick A. (Frederick Arnold), 1903-1984  Search this
Subject:
Cassatt, Mary  Search this
Whistler, James McNeill  Search this
Topic:
Impressionism (Art)  Search this
Women artists  Search this
Theme:
Art Theory and Historiography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)9505
(DSI-AAA_SIRISBib)211703
AAA_collcode_sweefred
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211703

Sue Taylor letters from Don Baum, circa 1990-2001

Creator:
Taylor, Sue, 1949-  Search this
Baum, Don, 1922-2008  Search this
Subject:
Baum, Don  Search this
Topic:
Curators -- Illinois -- Chicago  Search this
Record number:
(DSI-AAA_CollID)17495
(DSI-AAA_SIRISBib)389600
AAA_collcode_taylosue
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_389600

Peter Pollack papers, 1939-1979

Creator:
Pollack, Peter, 1909-1978  Search this
Subject:
Abrams, Harry N.  Search this
Adams, Ansel  Search this
Brassaï  Search this
Cole, Sylvan  Search this
De Diego, Julio  Search this
Florsheim, Richard A.  Search this
Gernsheim, Helmut  Search this
Halsman, Philippe  Search this
Harissiadis, Dimitrios  Search this
Karsh , Yousuf  Search this
Mayer, Grace M.  Search this
Newhall, Beaumont  Search this
Davis, Charles H. (Charles Harold)  Search this
Archives of American Art  Search this
Federal Art Project (Ill.)  Search this
United States. Works Progress Administration  Search this
South Side Community Art Center  Search this
Topic:
Photography  Search this
African American artists  Search this
Theme:
African American  Search this
Lives of American Artists  Search this
Photography  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)8941
(DSI-AAA_SIRISBib)211127
AAA_collcode_pollpete
Theme:
African American
Lives of American Artists
Photography
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211127

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