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The Texas art review / Les Krantz

Author:
Krantz, Les  Search this
Physical description:
192 p. : ill. (some col.) ; 29 cm
Type:
Directories
Place:
Texas
Date:
1982
C1982
Topic:
Art museums  Search this
Art galleries, Commercial  Search this
Call number:
N511.T4K72 1982X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_204650

Galerie Ravel records

Creator:
Galerie Ravel (Austin, Tex.)  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1976-1983
Scope and Contents:
An exhibition diary containing brief notes; 9 letters regarding the gallery; price lists; and printed material including invitations for exhibitions, press releases, clippings, brochures and newsletters.
Biographical / Historical:
Art gallery; Austin, Tex. Founded 1976. Speciality in prints of American and European artists and works of contemporary Latin American artists.
Provenance:
Lent for microfilming 1983 by Dana Ravel, the owner of Galerie Ravel.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
Patrons must use microfilm copy.
Topic:
Latino and Latin American artists  Search this
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.galerave
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e18652a7-8f55-4581-99ea-9aa820cb2ea2
EDAN-URL:
ead_collection:sova-aaa-galerave

Covo de Iongh Gallery scrapbook

Creator:
Covo de Iongh Gallery  Search this
Names:
Cundin, José María  Search this
Esqueda, Xavier  Search this
Friedeberg, Pedro, 1937-  Search this
Guzmán, Enrique, 1952-1986  Search this
Johnson, Lucas  Search this
Johnson, Patricia Covo  Search this
Toledo, Francisco, 1940-  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Scrapbooks
Date:
1975-1978
Scope and Contents:
A scrapbook compiled by Patricia Covo Johnson, containing clippings, exhibition announcements and catalogs, and letters regarding exhibitions by José María Cundin, Pedro Friedberg, EnriqueGuzman, Xavier Esqueda, Lucas Johnson, Francisco Toledo and other artists.
Artists represented include: Pedro Friedeberg, Lucas Johnson, Gerry Tindall, Jose Maria Cundin, Dee Wolff, Brian Mains, Enrique Guzman, Xavier Exqueda, Francisco Toledo, Cathy Kuntz, Milo Lazarevic, Bob Camblin, Bill Steffy, Fletcher Mackey and Don Snell.
Biographical / Historical:
Art gallery; Houston, Texas. Founded 1975 by Patricia Covo Johnson.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1983 by Patricia Covo Johnson.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Hispanic American artists  Search this
Latino and Latin American artists  Search this
Function:
Art galleries, Commercial -- Texas
Genre/Form:
Scrapbooks
Identifier:
AAA.covoiong
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee56b2ca-538b-4a4a-b37e-974d11eaf0a2
EDAN-URL:
ead_collection:sova-aaa-covoiong

Charlton Art Gallery records

Creator:
Charlton Art Gallery  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1977-1982
Scope and Contents:
Newspaper and magazine clippings relating to exhibitions at the Gallery; a press release for the exhibition SITE SPECIFIC: SAN ANTONIO, Charlton Gallery, 1982; and bulletins published by the Arts Council of San Antonio, 1978-1979.
Biographical / Historical:
Art gallery; San Antonio, Texas. Established 1977 by Anne Alexander, President of the gallery.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1982 by Anne Alexander.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.charart
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9581477e2-1780-4b61-babc-43f73781422f
EDAN-URL:
ead_collection:sova-aaa-charart

William Graham and Graham Gallery papers

Creator:
Graham Gallery  Search this
Names:
Graham, William Andrew, 1939-  Search this
Extent:
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1969-1984
Scope and Contents:
Correspondence; photographs; and scrapbooks.
REEL 3294: Two scrapbooks containing photographs of works of art, exhibition announcements and catalogs, and clippings about artists affiliated with the gallery.
REEL 3298: Letters to Graham from Robert Dash, Marilyn Fischbach, and others; and photographs, including pictures of Graham and some of the artists affiliated with the Graham Gallery; and photographs of works of art.
Biographical / Historical:
The Graham Gallery (est. 1981- closed 1992) was an art gallery in Houston, Texas owned by William A. Graham (1939-1992).
Related Materials:
The Graham Gallery/ William A. Graham Archives located at the Museum of Fine Arts, Houston Archives.
Provenance:
Lent for microfilming 1984 by William A. Graham, owner and founder of the Graham Gallery.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Reel 3298: ACCESS RESTRICTED: written permission required.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.grahgall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b4cae5d7-0796-45b4-b498-b95ec0c291f0
EDAN-URL:
ead_collection:sova-aaa-grahgall

Delahunty Gallery records

Creator:
Delahunty (Gallery)  Search this
Names:
Cranfill Gallery  Search this
Smither Gallery  Search this
Alexander, John Paul, 1945-  Search this
Berkowitz, Leon, 1919-1987  Search this
Fish, Janet, 1938-  Search this
Makanna, Philip, 1940-  Search this
McComas, Jan, 1947-  Search this
McManaway, David, 1927-  Search this
Scholder, Laurence, 1942-  Search this
Smither, Murray, 1937-  Search this
Tiemann, Robert, 1936-  Search this
Wade, Robert, 1943-  Search this
Extent:
1,500 Items ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1967-1980
Scope and Contents:
Artists' files containing: correspondence; resumes; photos; printed material; biographical data; and inventory lists. Also included are financial records and mailing lists.
REELS 1909-1910, 2003-2004: Files on 25 artists, including John Alexander, Terry Allen, Eugene Bavinger, Larry Bell, Leon Berkowitz, Peter Bodner, George Bogart, Barry Buxkamper, Jon Carsman, Nancy Chambers, Walter Cooper, Lee Baxter Davis, Warren Davis, George Dombek, Letitia Eldridge, Janet Fish, David Gilhooly, George Green, Richard Haas, James Havard, Tony La Selle,Stephen Lorber, Philip Makanna, Jim Malone, and Raffaele Martini; and printed material from Smither Gallery and Cranfill Gallery, predecessors of Delahunty Gallery.
REELS 2092-2093: Files on artists Jan McComas, David McManaway, Larry Scholder, Robert Tiemann, and Robert Wade.
Biographical / Historical:
Art gallery; Dallas, Tex.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent 1980 for microfilming by Murray Smithers.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.delagall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fe3f7cb-056f-48c7-ae64-70ef15f80604
EDAN-URL:
ead_collection:sova-aaa-delagall

Carlin Galleries records

Creator:
Carlin Galleries  Search this
Names:
Carlin, Electra  Search this
Hurd, Peter, 1904-1984  Search this
Extent:
4 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1942-1979
Scope and Contents:
Artists' files and 12 scrapbooks.
REELS 1835-1837: Artists' files containing correspondence, sales statements, price lists, exhibition catalogs and announcements, clippings, photos, and publicity material. Also included are 12 scrapbooks, 1959-1978, containing clippings, photos, guest lists, exhibition announcements, and invitations.
REEL 2057: A file on Peter Hurd, 1960-1967, containing correspondence between Electra Carlin and Hurd, and others; statements of Hurd's sales; consignment statements; and a receipt from Amon Carter Museum of Western Art.
Biographical / Historical:
Art gallery; Fort Worth, Tex. Originally named the gallery of Wonderful Things, 1957-1960.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1980 by Electra Carlin.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.carligall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b6a53c92-065d-4b91-8763-6e3d84a606c0
EDAN-URL:
ead_collection:sova-aaa-carligall

Cushing Galleries records

Creator:
Cushing Galleries (Dallas, Tex.)  Search this
Extent:
4 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1966-1979
Scope and Contents:
58 artists' files, containing announcements, biographies, catalogs, clippings, correspondence, price lists, receipts, invitations, invitation lists, photographs and press releases; 45 artists' financial files; correspondence; writings; photographs; clippings; Gallery invitations; and a history of the Cushing Galleries.
Biographical / Historical:
Art gallery; Dallas, Tex.
Provenance:
Lent for microfilming 1981 by Ann Cushing Gantz.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Exhibitions -- Texas -- Dallas  Search this
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.cushgall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920721b89-a4cd-42f8-b437-223f7f849c38
EDAN-URL:
ead_collection:sova-aaa-cushgall

Tibor de Nagy Gallery records

Creator:
Tibor de Nagy Gallery  Search this
Names:
Art Dealers Association of America  Search this
Art in America  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Institute of Arts and Letters (U.S.)  Search this
United States Information Agency  Search this
Castoro, Rosemarie  Search this
Ciarrocchi, Ray, 1933-  Search this
De Nagy, Tibor, 1908-1993  Search this
Goodnough, Robert, 1917-  Search this
Gregor, Harold, 1929-  Search this
Grooms, Red  Search this
Hirsch, Pauli  Search this
Kozloff, Joyce  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Penney, Charles Rand, 1923-2010  Search this
Reginato, Peter, 1945-  Search this
Robbin, Tony  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rose, Leatrice  Search this
Witteman-Widrig, Nancy  Search this
Extent:
43.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1941-2016
Summary:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.
Scope and Contents:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcements.

Business records include correspondence and administrative files. Business correspondence is with clients, curators, galleries, museums, colleges and universities, organizations, and publications, such as the Museum of Modern Art, Art Dealers Association, National Institute of Arts and Letters, United States Information Agency, The Hirshhorn Museum, Art News, Art in America, Pauli Hirsch, Jacqueline Kennedy, Charles Penney, Nelson Rockefeller, and many others. Correspondence concerns sales, purchases, shipping, loans, general exhibitions, publicity, events, publications and publishing, and other topics. Additional documents found within the correspondence files are purchase invoices, inquiries, shipping receipts, and photographs. Correspondence with artists is found in the Artist Files series. Administrative files concern day-to-day operations and include leases and construction documents, incorporation, insurance, art appraisals, art framing, and other general business affairs.

Exhibition files document many exhibitions held at the Gallery and include clippings and research materials, exhibition catalogs, exhibit and gallery plans, correspondence, and photographs. Some loan agreements and shipping receipts are also included.

Artist files document business affairs with individual artists and also contain collected information on artists. Typically, there are several files on each artist which may include printed materials, biographies, consignments, loans documentation, sales documentation, correspondence, photographic material, publicity, and reviews. Artists well represented among these files include Rosemarie Castoro, Ray Ciarrocchi, Robert Goodnough, Harold Gregor, Red Grooms (including a transcript of "A Conversation with Marison and Red Grooms"), Joyce Kozloff, Peter Reginato, Tony Robbin, Leatrice Rose, and Nancy Witteman-Widrig.

Financial records include incomplete runs of billing statements, expenses and cash disbursements, paid and unpaid invoices, and sales and shipping receipts. Inventory records consist primarily of index cards and/or sheets that document stock, consignments, loans, sales, and shipping.

A relatively small amount of Houston branch records include announcements, clippings, correspondence, financial information including consignments, income, invoices, and statements, photographs, publicity materials and a research file on Houston art museums.

Exhibition announcements promote the gallery's exhibitions for artists including Joe Brainard, Shirley Jaffe, Fairfield Porter, Rosemarie Castoro, Alfred Leslie, and many others.
Arrangement:
The Tibor de Nagy Gallery records are arranged into seven series.

Missing Title

Series 1: Business Records and Correpondence, 1950-1993 (10 linear feet; Boxes 1-10)

Series 2: Exhibition Files, 1941-1992 (2 linear feet; Boxes 11-12)

Series 3: Artist Files, 1956-1993 (18.6 linear feet; Boxes 13-31, 46)

Series 4: Financial and Legal Records, 1951-1984 (3.5 linear feet; Boxes 31-34)

Series 5: Inventory Records, 1952-1989 (9 linear feet; Boxes 34-43)

Series 6: Houston Branch Records, 1969-1984 (1.2 linear feet; Boxes 43-45)

Series 7: Exhibition Announcements, 1953-2016 (0.8 linear feet; Boxes 47-48)
Biographical / Historical:
One of the earliest modern art galleries in New York, Tibor de Nagy Gallery was founded in 1950 by Tibor de Nagy and John Bernard Myers. Initially the gallery featured the work of second generation Abstract Expressionists and continues to operate today with a focus on the Post War second generation New York School.

John B. Myers served as the gallery's first director and De Nagy was the business manager while continuing to work in the banking business. Early on, the gallery introduced and promoted second generation Abstract Expressionists such as Grace Hartigan and Alfred Leslie. The gallery quickly earned a reputation for promoting the work of emerging artists, including Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Fairfield Porter, and Larry Rivers, among others, giving many of them their first solo shows.

Later the gallery gained a reputation as a space for collaborative artistic ventures and organized exhibitions that combined visual imagery and poetry by several New York School poets. The gallery also published books by poets John Ashbery, Frank O'Hara, and James Schuyler, as well as a poetry newsletter entitled Semi-Colon.

In 1973 de Nagy teamed with Marvin Watson to open the Watson/deNagy Gallery in Houston, which closed in 1983. Tibor de Nagy retired from banking in 1970 and continued running the gallery until he died in 1993. The Tibor de Nagy gallery continues operating today at 724 Fifth Avenue under the direction of Andrew Arnot and Eric Brown. It also works with a number of estates, including those of Joe Brainard, Rudy Burckhardt, Donald Evans, and Jess.
Related Materials:
Among the holdings of the Archives of American Art are an oral history interview with Tibor de Nagy, March 29, 1976 conducted by Paul Cummings; the John Bernard Myers papers (which do not contain documentation of his work at the gallery); and the Watson/de Nagy Houston gallery records available only on microfilm, a small portion of which may also be duplicated in the original records described in this finding aid.
Provenance:
The records were donated by Tibor de Nagy Gallery in multiple accessions between 1993-1996 and in 2018. Additional material about the exhibition, Digital Explorations: Emerging Visions in art, 1988, donated in 2020 by one of the exhibition curators, Ligia Ercius-DiPaola.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern  Search this
Function:
Art galleries, Commercial -- New York (State)
Art galleries, Commercial -- Texas
Genre/Form:
Photographs
Citation:
Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tibode
See more items in:
Tibor de Nagy Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946ac8606-480f-4fee-ae39-03f1093720dc
EDAN-URL:
ead_collection:sova-aaa-tibode
Online Media:

David Gallery records

Creator:
David Gallery  Search this
Names:
Camblin, Bob Bilyeu, 1928-2010  Search this
David, Dianne, 1938 or 9-  Search this
Johnson, Lucas, 1940-2002  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1963-1982
Summary:
The David Gallery records measure 0.5 linear feet and date from 1963 to 1982. This small collection sheds light on the gallery's operations through correspondence, photographs, printed material, exhibition ephemera, and several price lists. The collection also includes an etching by artist Lucas Johnson.
Scope and Contents:
The David Gallery records measure 0.5 linear feet and date from 1963 to 1982. The collection consists of correspondence with museums, friends, and artists, including Seymour Leichman and illustrated letters by Donald Roller Wilson; an essay, posters, announcements, and catalogs from exhibitions held at David Gallery; an etching made by Lucas Wilson; newspaper clippings, advertisements, and articles; and the resumes of artists Bob Fowler and Bruce Kleinsmith, also known as Futzie Nutzle. Photographs in the collection include images of artists Lucas Johnson, Forest Moses, Bob Fowler, Paul Maxwell, Bob Camblin, and others; events and exhibitions held at David Gallery; the gallery's exterior; an exhibition installation; and of Dianne David, the gallery's founder.
Arrangement:
Due to the small size of this collection the records are arranged as one series.
Biographical / Historical:
The David Gallery was founded in Houston, Texas in 1963 by Dianne David. The gallery exhibited mostly local painters and sculptors, and had a large influence on the Houston contemporary art scene. David was known for representing and exhibiting artists whose work and personality she liked personally. Artists shown at the gallery include Bob Camblin, Lucas Johnson, Donald Roller Wilson, Seymour Leichmann, and Bob Fowler, all of whom she became friends with. David closed her gallery in 1982.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 3100 frames 1-138 consist of David Gallery exhibition announcements. Reel 3100 frames 143-583 consists of 14 artists' files compiled by Dianne David, which include correspondence, mostly letters received by Dianne David; printed material; sketches and 2 etchings by Bob Camblin; and photographs of artists, their works and 1 photo of the gallery. Artists' include: William C. Agee, Jack Boynton, Bob Camblin, Roy Fridge, James Kearns, Seymour Leichman, Jim Love, David McManaway, Robert Morris, Futzie Nutzle, Peter Paone, Mike Selig and Don Shaw. Materials were returned to the lenders after microfilming. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project, material on reel 3100, frames 1-138 were lent for microfilming 1983 by Lester Giese; and reel 3100 frames 143-583 were lent for microfilming in 1983 by Dianne David, owner of the gallery. The records were donated in 1981 by Dianne David.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American -- Texas -- Houston  Search this
Art -- Collectors and collecting -- Texas -- Houston  Search this
Function:
Art galleries, Commercial -- Texas
Citation:
David Gallery records, 1963-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davigall
See more items in:
David Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9506b82f8-044e-49ee-92e8-1d0830584381
EDAN-URL:
ead_collection:sova-aaa-davigall

Valley House Gallery records

Creator:
Valley House Gallery  Search this
Extent:
2 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1953-1979
Summary:
The records of the Valley House Gallery measure 0.6 linear feet and date from 1953 to 1979. The records document the history of the gallery through a biography on artist Donald Vogel, a series of interviews with Clara Williamson transcribed from audio reels onto seven audio cassettes, exhibition catalogs and exhibition announcements.
Scope and Contents:
The records of the Valley House Gallery measure 0.6 linear feet and date from 1953 to 1979. The records document the history of the gallery through a biography on artist Donald Vogel, a series of interviews with Clara Williamson transcribed from audio reels onto seven audio cassettes, exhibition catalogs and exhibition announcements.
REELS 1685-1686: Biographical information on Texas artists; financial records; notes for an article on primitive painter Clara McDonald Williamson, and notes of an interview with her by Donald S. Vogel; exhibition catalogs and clippings on Vogel; and correspondence with Robert DeBolli, Edith Halpert, Curt Valentin, E. Yamanouchi, Al Meadows, Wildenstein & Co., M. Knoedler, and others.
REEL 1799: A 17 page biographical sketch of Donald S. Vogel; and exhibition catalogs and invitations from the Valley House Gallery and other galleries.
Arrangement:
The collection is arranged into one series.

Series 1: Valley House Gallery Records, 1953-1979 (0.6 linear feet; Boxes 1-2)
Biographical / Historical:
Art gallery; Dallas, Tex. Founded in 1951 by painter Donald S. Vogel, who was also the gallery director. The gallery was originally named the Betty McLean Gallery (1951-1954) and subsequently renamed the Valley House Gallery. The gallery exhibited 20th century European and American art.
Provenance:
Material on reels 1685-1686 lent for microfilming by Donald S. Vogel, 1979. Material on reel 1799 donated by Vogel, 1979.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Texas
Genre/Form:
Interviews
Sound recordings
Citation:
Valley House Gallery records, 1953-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vallhous
See more items in:
Valley House Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b926f86d-c19c-4053-8318-d5e08d2e838a
EDAN-URL:
ead_collection:sova-aaa-vallhous

Objects Gallery records

Creator:
Objects Gallery (San Antonio, Tex.)  Search this
Names:
Bozzini, Caroline Lee  Search this
Extent:
1 Reel (ca. 220 items (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Scrapbooks
Date:
1979-1982
Scope and Contents:
A resume of the gallery director, Caroline Lee Bozzini; four letters received; photographs of Bozzini and the gallery; printed material, including clippings, exhibition invitations and catalogs; and three scrapbooks, containing catalogs, clippings and photographs.
Biographical / Historical:
Commercial art gallery; San Antonio, Tex. Under the directorship of Caroline Lee Bozzini, the gallery exhibited arts and crafts of the southwest, as well as Central America.
Provenance:
Lent for microfilming 1982 by Caroline Lee Bozzini.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Genre/Form:
Scrapbooks
Identifier:
AAA.objegall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c5d51af-134f-429f-b4a1-0b10c3c7be64
EDAN-URL:
ead_collection:sova-aaa-objegall

Pollock Galleries records

Creator:
Pollock Galleries  Search this
Names:
Southern Methodist University  Search this
Achepohl, Keith  Search this
Bywaters, Jerry  Search this
Dowell, James, 1949-  Search this
Fridge, Roy, 1927-  Search this
Jordan, William B., 1940-  Search this
Pauley, Hal  Search this
Extent:
3.2 Linear feet ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1958-1979
Scope and Contents:
Files on ca. 150 exhibitions held 1958-1979. Files contain correspondence, mainly with the directors William Jordan and Jerry Bywaters; bio. info on artists, photos, writings, price lists, bills, press releases, exhibition catalogs and announcements, clippings and printed material.
REELS 1680-1681: Exhibition files include Schedules for 1965-1966, SMU art rental, Prints by Masters, Oskar Kokoschka, Paul Flores Drawings, Eskimo Exhibition, Dan Wingren, University Collects, Edgar Tafur, Onda Exhibition, Old Master Prints, Museum of Modern Art Drawings, IBM: The Bold Tradition, Heritage of Edward Weston, French Museums Fortnight, Architect Chooses Art, The American Woman as Artist, Wingren: Art 26 Project '67, 20th Print National Exhibition, Student Art Shows, Mirror of the Artist, Kepes Exhibition, Jewish Exhibition, British Fortnight, American Watercolor Society, Schedule 1968-1969, Tobin Exhibition, Ten in Focus, Roten Sales, DeForrest Judd, Japan Art Festival, Italian Fortnight, Da Vinci Models, Baskin Prints, American Drawings, 10 Contemporary Figures, Student Art, 1969, 1970, S.W. Watercolors, Printmakers, People Figures, R. Kotoske, Jasper Johns, Faculty Exhibits, Michael Thomas, Asiatic Artists, Photography as Printmaking, Prints from the Dallas Museum of Fine Arts, North Texas Faculties, The Lakeside Studio Sales, Diane Hopkins, Graduate Student Exhibits, Drawings Exhibition, Contemporary Russian Painting, Contemporary American Masterpieces, Don Bradley, American Folk Art, Keith Achepohl, Possible Exhibits, 1970-1971, Howard Neufeld, Ex-students and activities file, Exhibitions completed-AFA, Exhibitions completed-Smithsonian, Exhibitions completed-Western Association of Art Museums, and Philbrook Art Center's Exhibition: Texas Collects 20th Century Art.
REEL 1908: Exhibition files include Recent Paintings by James Dowell, May 20-June 30 1979, Student Exhibition, MFA Qualifying Exhibition Schneider, Lovell, Peters, Bos, April 20-27 1979, MFA Qualifying Exhibition Hausman, Carlson, Jarzemsky, April 11-18 1979, Drawings: Matisse to Lichtenstein, February 20-April 8 1979, Drawings: Matisse to Lichtenstein Publicity and invitations, Egypt: Day and Night (Keith Achepohl), January 14-February 11 1979, Contemporary Paintings from the Meadows Collection, November 1-December 13 1978, Modern Sculpture from the Nasher Collection, September 17-October 22 1978, Faculty Show August-September 1978, Exhibition Committee, 1977-1978, and documentation from the 1971 "One i at a Time" exhibition, showing works by Charles Williams, Jim Love, Roy Fridge, David McManaway, Hal Pauley, and Roger Winter among others. Also included in addition to items mentioned previously is a catalogue with an introduction written by guest curator and former director of the Dallas Museum for Contemporary Arts, Douglas MacAgy.
Biographical / Historical:
Art gallery; Dallas, Tex.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1980 by University Gallery, Southern Methodist University.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.pollgall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed07ba21-be24-4e56-a40c-e78ef90ebe6b
EDAN-URL:
ead_collection:sova-aaa-pollgall

The New Arts records

Creator:
New Arts (Art gallery)  Search this
Names:
Bess, Forrest, 1911-1977  Search this
Boynton, Jack, 1928-2010  Search this
Calcagno, Lawrence, 1913-  Search this
Cornell, Joseph  Search this
Emmerich, André  Search this
Ernst, Max, 1891-1976  Search this
Kuhlman, Walter  Search this
Plagens, Peter  Search this
Smith, Hassel, 1915-2007  Search this
Steinberg, Richard  Search this
Varda, Jean  Search this
Extent:
1.4 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1952-1977
Scope and Contents:
Files on artists and people associated with the gallery, including: Forrest Bess, James Boynton, Lawrence Calcagno, Joseph Cornell, André Emmerich, Max Ernst, Walter Kuhlman, Peter Plagens, Hassel Smith, Richard Steinberg, Jean Varda, and others. The files usually contain correspondence, exhibition catalogs and announcements, clippings, and photographs. Also included are exhibition files, material on the Contemporary Arts Association in Houston, and miscellaneous catalogs and announcements.
Biographical / Historical:
Art gallery; Houston, Tex. Founded 1956, closed ca. 1974.
Provenance:
The donor, Kathryn Swenson, was the owner and director of the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.newarts
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a39948fd-d2c8-40d2-b43e-791a3938ecb6
EDAN-URL:
ead_collection:sova-aaa-newarts

Fifth Avenue Gallery records

Creator:
Fifth Avenue Gallery (Fort Worth, Tex.)  Search this
Names:
Laughlin, Clarence John  Search this
Extent:
18 Items ((on 1 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1962
Scope and Contents:
Fifteen photographs of the Fifth Avenue Gallery taken by Clarence John Laughlin; and exhibition announcements.
Biographical / Historical:
Art gallery; Fort Worth, Texas. Founded in 1960 by Pauline Evans and Bror Utter, it was the first Fort Worth gallery to represent primarily local artists. The gallery closed in 1966.
Provenance:
Lent for microfilming, 1979, by Pauline Evans, founder and director of the gallery.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Texas -- Fort Worth  Search this
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.fiftaven
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw902123187-8a56-42f9-b7eb-c7f621dc19c9
EDAN-URL:
ead_collection:sova-aaa-fiftaven

DuBose Gallery records

Creator:
DuBose Gallery (Houston, Tex.)  Search this
James Bute Gallery (Houston, Tex.)  Search this
Extent:
11 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1950-1979
Scope and Contents:
Artists' files, 1950-1979, including press releases, biographical material, catalogs, invitations, announcements, correspondence, clippings, and photographs. Also included are catalogs from the James Bute Gallery, which became the DuBose Gallery.
Biographical / Historical:
Art gallery; Houston, Tex.
Provenance:
Lent for microfilming 1979-1980 by Stanley McDonald, owner of the gallery.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Latino and Latin American artists  Search this
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.dubogall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bfad5aab-4ef8-4e18-b181-97da553fe38d
EDAN-URL:
ead_collection:sova-aaa-dubogall

D. W. Gallery records

Creator:
D.W. Gallery (Dallas, Tex.)  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1975-1981
Scope and Contents:
Business correspondence, 1977-1980; clippings; exhibition announcements; a scrapbook containing clippings, exhibition announcements, catalogs, invitations and photographs; price lists of works of art; and miscellany.
Biographical / Historical:
Art gallery; Dallas, Tex.
Provenance:
Lent for microfilming 1981 by Diana Block, director of D.W. Gallery.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.dwgalltx
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9588d2c6b-7e5e-4a9e-8d0f-3cf1197daf12
EDAN-URL:
ead_collection:sova-aaa-dwgalltx

Art Space records

Creator:
Adelman, Lucy  Search this
Names:
18th Street Gallery  Search this
Constitutional Rights Foundation (1963-)  Search this
Texas Commerce Bank  Search this
Venice Art Walk  Search this
Venice Family Clinic (Venice, Los Angeles, Calif.)  Search this
Works Gallery  Search this
Chaffee, Marta  Search this
Colvill, Tracy  Search this
Gabrielson, Walter, 1935-  Search this
Hines, David  Search this
Lowry, Janice Ann, 1946-2009  Search this
Lubner, Lorraine  Search this
Lubner, Robert  Search this
Miura, Shigeo  Search this
Rush, Kent  Search this
Schairer, Mary  Search this
Starbuck, Marjorie, 1921-  Search this
Tomlinson, Robert  Search this
Walding, Clark  Search this
Extent:
13 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
1971-1992
Summary:
The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.
Scope and Contents:
The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.

Most of the correspondence in the collection is from artists regarding exhibition opportunities, with other galleries and organizations about sales and collaborative exhibits and event, including with the 18th Street Gallery, the Constitutional Rights Foundation, Texas Commerce Bank, Venice Family Clinic regarding the Venice Art Walk, and The Works Gallery.

About two-thirds of the collection consists of extensive exhibition records for individual and group shows held at Art Space. Contents of files vary but may include correspondence, exhibition announcements and programs, price lists, sales records, loan agreements and other legal forms, artist resumes and statements, photographs and slides of artwork and exhibition installations, and other printed material. Particularly rich files exist for artists Marta Chaffee, David Hines, Walter Gabrielson, Janice Lowry, Lorraine Lubner, Robert Lubner, Kent Rush, Mary Schairer, Marg Starbuck, Robert Tomlinson, and Clark Walding.

Scattered financial and administrative files document the gallery's business dealings, and include price lists, a cost sharing agreement form, an inventory, business correspondence, invoices, and financial statements. Additionally, a substantial number of slides in this collection include images of artwork and of exhibitions held at Art Space. Artists Shigeo Miura and Tracy Colvill have particularly sizeable slide files. Most of the artists with slides are also represented in the exhibition files.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Correspondence, circa 1977-1991 (Box 1; 0.8 linear feet)

Series 2: Exhibition Files, 1972-1992 (Boxes 1-11; 9.45 linear feet)

Series 3: Financial and Administrative Records, circa 1977-1991 (Box 11; 0.35 linear feet)

Series 4: Slides, 1971-1992 (Boxes 11-13; 2.4 linear feet)
Biographical / Historical:
The Art Space gallery operated in Los Angeles from 1977 to 1991 and was owned by artist, philanthropist, and activist Lucy Adelman (1909-2007). Settling in Los Angeles in 1938, Adelman was also one of the founders of the Womanspace Gallery, a cooperative gallery for feminist activities established in 1972 in Los Angeles.

Located at 10550 Santa Monica Boulevard, Art Space's first show honored the work of women artists. Specializing in contemporary art, the gallery, according to Adelman, had two purposes: "[Art Space] is for artists, creative people who communicate through many different fields of expression...It will also be a meeting place for people who wish to acquaint themselves with different concepts and directions." The gallery held 118 exhibitions before closing its doors in 1991.

Adelman and her husband, Isadore, were involved in other activities and gave generously to the American Civil Liberties Union and the Venice Family Clinic, which honored them at its annual fund-raising Art Walk Festival in 1988. Lucy Adelman died in 1997.
Provenance:
The records were donated in 1992 by Lucy Adelman, the director of Art Space.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Slides (photographs)
Photographs
Citation:
Art Space records, 1971-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artspac
See more items in:
Art Space records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994f751a1-be7a-4f94-9a4e-f7092feccdb3
EDAN-URL:
ead_collection:sova-aaa-artspac
Online Media:

Watson/de Nagy & Company gallery records

Creator:
Watson/de Nagy & Company (Gallery: Houston, Tex.)  Search this
Names:
Tibor de Nagy Gallery Texas Inc  Search this
Boxer, Stanley  Search this
Caro, Anthony, 1924-  Search this
Darby, Walter  Search this
De Nagy, Tibor, 1908-1993  Search this
Dzubas, Friedel, 1915-1994  Search this
Goodnough, Robert, 1917-  Search this
Greenleaf, Kenneth Lee, 1945-  Search this
Hughto, Darryl, 1943-  Search this
Moses, Forrest, 1934-  Search this
Motherwell, Robert  Search this
Staley, Earl, 1938-  Search this
Watson, Marvin  Search this
Watson, Marvin  Search this
Willour, Clint  Search this
Extent:
14 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1972-1984
Scope and Contents:
Correspondence; business records; photographs; and gallery files.
REELS 1437-1442: Correspondence and business records include priced lists for works of art, and tax records, 1972-1979. Correspondents include: Ken Greenleaf, Walter Darby, Robert Goodnough, Anthony Caro, and Forrest Moses.
REELS 1484-1488: Artists' files, 1972-1979, containing biographical information; business correspondence; priced lists of works of art; and printed matter.
Artists include Jane Allensworth, John Altoon, Walter Bannard, Nell Blaine, David Bolduc, Frank Bowling, Ken Bowman, Stanley Boxer, Lawrence Brown, Anthony Caro, Dan Christensen, Robert Cole, Stephanie K. Cole, Pat Colville, Rochella Cooper, E. E. Cummings,Bruce Cunningham, Gene Davis, Thomas Downing, Friedel Dzubas, Frank Faulkner, Chuck Forsman, Paul Fournier, Sherron L. Francis, Jane Freilicher, Erik Gamble, Maurice Golubov, Robert Goodnough, K. M. Graham, Ken Greenleaf, Red Grooms, David Hare, Tom Holland, Sandria Hu, Andrew Hudson, Darryl Hughto, Richard Johnson, Otis Jones, Wayne Kimball, Joyce Kozloff, Leonard Lehrer, Robert Levers, Mary McLeary, Vincent Mariani, Forrest Moses, Robert Motherwell, Stephen Mueller, Lowell Nesbitt, Kenneth Noland, Jules Olitski, Basilios Poulos, Janis Provisor, Archie Rand, Harold Reddicliffe, Peter Reginato, Dan Rizzie, Tony Robbin, Reginald Rowe, Laura Russell, Tom Sayre, Sam Scott, Paul Sloggett, Daniel Solomon, Michael Steiner, Robert Tiemann, Sidney Tillum, Horatio Torres, Robert Utterback, Neil Welliver, Mark Williams, Dadi Wirz, and Ben Woitena. Also included are ex-artists Wayne Amedee,David Budd, Rosemarie Castoro, Robert Dash, Carl Gliko, Jacqueline Gourevitch, Gilah Hirsch, Ian Hornak, Rafael Mahdavi, and Larry Poons.
REEL 1489: Photographs of artists and art work from the artists' files, 1972-1979.
REELS 3366-3367: Gallery files on artist Earl Staley containing correspondence, 1980-1984, of Marvin Watson and Clint Willour of Watson/de Nagy & Company with Staley, the Contemporary Arts Museum, Houston, Western States Arts Foundation, Santa Fe, and others; illustrated postcards, 1981-1983, from Staley to Watson; a checklist of Staley's exhibition FIVE TEXANS IN VENICE, 1984; lists of Staley's paintings; clippings and magazine articles; exhibition announcements and photocopies of catalogs; and newsletters and press releases. [Microfilm label: Earl Staley papers.]
Biographical / Historical:
Art gallery; Houston, Tex. Prior to ca. 1976, Watson/de Nagy & Company was known as Tibor de Nagy Gallery Texas, Inc. - a branch of Tibor de Nagy Gallery, New York. After 1985 it was known as the Watson Gallery.
Provenance:
Lent for microfilming 1979 & 1984 by Marvin Watson, owner of the gallery. Microfilmed as part of Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, Commercial -- Texas
Identifier:
AAA.watsnagy
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb955b25-8804-4a12-a2ff-bc2e957d7a20
EDAN-URL:
ead_collection:sova-aaa-watsnagy

Joe Lopez papers and Gallista Gallery records

Creator:
Lopez, Joe, 1945-  Search this
Names:
Gallista Gallery  Search this
Extent:
1.7 Linear feet
32.93 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Scrapbooks
Date:
1966-2016
Summary:
The Joe Lopez papers and Gallista Gallery records measure 1.7 linear feet and 32.93 GB and date from 1966 to 2016. The collection is comprised of biographical records that include interviews with Lopez, autobiographical writings by Lopez and writings by others, printed and digital materials, artwork, and photographic and moving image materials. Records for the Gallista Gallery include trademark files and legal records pertaining to the lawsuit against Lopez by E and J Gallo Winery over the use of the word "gallo."
Scope and Contents:
The Joe Lopez papers and Gallista Gallery records measure 1.7 linear feet and 32.93 GB and date from 1966 to 2016. The collection is comprised of biographical records that include interviews with Lopez, autobiographical writings by Lopez and writings by others, printed and digital materials, artwork, and photographic and moving image materials. Records for the Gallista Gallery include trademark files and legal records pertaining to the lawsuit against Lopez by E and J Gallo Winery over the use of the word "gallo."
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Materials, 1966-2013 (Boxes 1, 3; 6 folders, ER01-ER06; 19.32 GB)

Series 2: Writings, circa 1997-2002 (Box 1; 6 folders)

Series 3: Gallista Gallery Records, 1990-2016 (Boxes 1, 3; 0.8 linear feet, ER07; 7.53 GB)

Series 4: Printed Materials, circa 1975-2015 (Boxes 1-3; 0.4 linear feet)

Series 5: Artwork, circa 1990-2008 (Boxes 2-3; 5 folders)

Series 6: Photographic and Moving Image Materials, circa 1985-circa 2010 (Box 2; 0.2 linear feet, ER08-10; 6.10 GB)
Biographical / Historical:
Joe Lopez (1945- ) is a painter and founder of the Gallista Gallery (1996-2016) in San Antonio, Texas.

Lopez grew up in El Barrio Escondido, a neighborhood in San Antonio. He was introduced to art through his Uncle Basilio, a folk artist. While a student at St. Anthony Shrine School, Lopez gained the attention of one of the nuns which led to a scholarship to attend the Witte Museum Art School. He also attended La Villita School of Art, the San Antonio School of Art, and was awarded a scholarship to McNay Art Museum school. Lopez trained with artists Warren Hunter, John Squire Adams, Finis Collins, and Jesus "Chista" Cantu. Because Lopez was born with one hand, artist Jesse Treviño was an inspiration to Lopez for his ability to paint with one hand.

Lopez's paintings often feature gallos, the Spanish word for roosters, because they symbolize strength and pride in Chicano and Mexican American culture. Lopez opened his own gallery in 1996 because he was having difficulty booking exhibitions at other galleries. The original name of the gallery was Puro Gallo, and he changed the name to Gallista Gallery in 1998. Gallista was coined by Lopez to describe those who supported him during a five year court battle with E and J Gallo Winery. The wine company initiated the lawsuit against Lopez over the use of the word "gallo." The gallery became a bedrock of the community, fostering the talents of local Latino artists long after the lawsuit ended.

Early in his career, Lopez worked in the art department for Dillard's and Centeno's supermarket before becoming employed in the graphics department at Fort Sam Houston, a U.S. Army post in San Antonio. He retired in 2007 from Fort Sam Houston after 22 years.

Lopez's work has been exhibited at the McNay Art Museum, Laguna Gloria Art Museum, and other museums throughout Texas. His paintings have been featured on posters and covers of music albums including Taquachito Nights: Conjunto Music from South Texas produced by Smithsonian Folkways Recordings and Puro Gallo by Los Padrinos.
Provenance:
The Joe Lopez papers and Gallista Gallery records were donated by Joe Lopez in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
The donor has retained all intellectual property rights, including copyright, that he or she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Texas -- San Antonio  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Function:
Art galleries, Commercial -- Texas
Genre/Form:
Interviews
Scrapbooks
Citation:
Joe Lopez papers and Gallista Gallery records, 1966-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lopejoe
See more items in:
Joe Lopez papers and Gallista Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b27a83f8-749a-43db-971a-00a527be04fd
EDAN-URL:
ead_collection:sova-aaa-lopejoe

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