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Ankrum Gallery records

Creator:
Ankrum Gallery  Search this
Names:
Art Dealers Association of America  Search this
Black Arts Council (Washington, D.C.)  Search this
California Arts Council  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Krannert Art Museum  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Paramount Pictures  Search this
San Diego Museum of Art  Search this
Staempfli Gallery (New York, N.Y.)  Search this
Storm King Art Center  Search this
Almaraz, Carlos  Search this
Andrews, Benny, 1930-2006  Search this
Ankrum, Joan  Search this
Bauer, Richard, 1944-  Search this
Block, Irving  Search this
Broderson, Morris, 1928-2011  Search this
Caryl, Naomi  Search this
Casey, Bernie  Search this
Duveneck, Frank, 1848-1919  Search this
Feitelson, Lorser, 1898-1978  Search this
Groth, Bruno  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Herschler, David  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirshhorn, Olga  Search this
Homer, Jessie  Search this
Jackson, Suzanne, 1944-  Search this
Johnson, Buffie  Search this
Lundeberg, Helen, 1908-1999  Search this
Mesches, Arnold, 1923-  Search this
Miller, Henry, 1891-  Search this
Palm Springs Desert Museum  Search this
Schuler, Melvin  Search this
Secunda, Arthur  Search this
Shores, Kenneth, 1928-  Search this
Varda, Jean  Search this
Zev  Search this
Extent:
41.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1900-circa 1990s
bulk 1960-1990
Summary:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.
Scope and Contents:
The Ankrum Gallery records measure 41.5 linear feet and date from circa 1900 to circa 1990s, with the bulk of the records dating from 1960 to 1990. The papers include over 395 artists files, general gallery correspondence, project files, administrative records, exhibition files, collector and client files, financial material, printed material, 1 unbound scrapbook, and photographs. Also included are personal papers of gallery founder Joan Ankrum and her nephew, artist Morris Broderson.

General correspondence is with artists, museums, collectors, and clients, and generally concerns sales, exhibitions, and consignments. Correspondents include Irving Block, Morris Broderson, Naomi Caryl, Suzanne Jackson, Joseph and Olga Hirshhorn, among many others. Correspondence is also found in the artists files and the collector/client files.

Project files document various events, benefits, and projects undertaken by the gallery, including a UNICEF benefit, "Up Against Hunger," the Exceptional Children's foundation, and the Young Art Patrons.

Administrative files document many activities of the gallery, such as the gallery's and Joan Ankrum's membership in the Black Arts Council, the California Arts Council, and the Art Dealers Association of California of which Joan Ankrum was a primary organizer. Also found are publicity files, a file on the history of the gallery, leases, floor plans, insurance documents, lists of graphics for sale, and other miscellany.

Exhbition files appear to be incomplete, but do include files for Huichol Indian's art, "The Art of African Peoples" (1973), "Five Contemporary Mexican Painters" (1977), Ethiopian Folk Painting (1978), San Diego Museum of Art Artists Guild All Media Exhibition (1982), "25th Anniversary Exhibition" (1985), among several others.

Extensive artists' files include correspondence, price lists, photographs and slides,resumes and biographical material, and sales invoices. Files are found for Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev, among many others. The Pat Alexander and Andy Nelson files also contain motion picture film.

Collector and client files document the gallery's relationship with over 115 collectors, museums, and art centers. Files may include correspondence and sales records and are found for Edith Halpert, Olga and Joseph Hirshhorn and the Hirshhorn Museum and Sculpture Garden, the Krannert Art Museum, Laguna Art Museum, Palm Spring Desert Museum, Paramount Pictures, San Diego Museum of Art, Staempfli Gallery, and Storm King Art Center, among many others.

Financial material documents sales through numbered invoices, consignments, loans, and insurance valuations. Printed material consists of exhibition catalogs and announcements, bulletins, periodicals, and newspaper clippings. One unbound scrapbook contains clippings and exhibition materials.

Photographs are of artwork, artists, and gallery openings. Additional photographs are found in the artists' files.

Joan Wheeler Ankrum personal papers document her personal and professional relationship with family, artists, and collectors. They include correspondence, personal writings, personal financial materials, printed material and loose scrapbook materials, family photographs and photographs of her as an actress, and artwork from various artists.

The papers of artist Morris Broderson, nephew of Joan Ankrum, document his professional relationship with the gallery as his primary dealer. Included are biographical materials, correspondence, publicity files, travel files, projects, exhibitions, collector/client files, financial material, printed material, photographs, and artwork.
Arrangement:
This collection is arranged as 12 series.

Missing Title

Series 1: Correspondence, 1961-1994 (0.5 linear feet; Box 1)

Series 2: Project Files, 1965-1987 (0.25 linear feet; Box 1)

Series 3: Administrative Records, 1961- circa 1990s (1 linear foot; Boxes 1-2)

Series 4: Exhibition Files, 1961-1991 (1 linear foot; Boxes 2-3)

Series 5: Artists' Files, 1957-1994 (22.5 linear feet; Boxes 3-25, 41-42, FC 43-45)

Series 6: Collector and Client Files, 1960-1994 (3.2 linear feet; Boxes 25-28)

Series 7: Financial Material, 1962-1990 (1.5 linear feet; Boxes 28-30)

Series 8: Printed Material, 1957-1994 (2 linear feet; Boxes 30-32, 41)

Series 9: Scrapbook, 1960-1988 (3 folders; Box 32)

Series 10: Photographs, circa 1960s-circa 1990s (0.35 linear feet; Boxes 32, 42)

Series 11: Joan Ankrum Personal Papers, circa 1900-1993 (2 linear feet; Boxes 32-34, 41)

Series 12: Morris Broderson Papers, 1941-1989 (7.2 linear feet; Boxes 34-42)
Biographical / Historical:
The Ankrum Gallery was established 1960 in Los Angeles by American film actress Joan Wheeler Ankrum and William Chalee. The gallery closed in 1989.

Joan Wheeler Ankrum and William Challee opened Ankrum Gallery on La Cienega Boulevard in Los Angeles in 1960 with a one-man show of Ankrum's nephew Morris Broderson. With a focus on contemporary California artists, Ankrum Gallery represented over 395 artists during its 30 years in operation, including Benny Andrews, Carlos Almaraz, Richard Bauer, Irving Block, Naomi Caryl, Bernie Casey, Frank Duveneck, Lorser Feitelson, Bruno Groth, David Herschler, Jessie Homer, Suzanne Jackson, Buffie Johnson, Samella Lewis, Helen Lundeberg, Arnold Mesches, Henry Miller, Melvin Schuler, Arthur Secunda, Ken Shores, Jean Varda, and Zev. In addition, the gallery was among the earliest to exhibit the work of black artists. The gallery also held exhibitions of world artists, which included "Art of African Peoples" (1973), "Yarn Paintings of the Huichol Indians" (1973), "Five Contemporary Mexican Painters" (1977), and "Ethiopian Folk Painting" (1978). Ankrum Gallery closed in 1989.

Art dealer and gallery owner, Joan Wheeler Ankrum was an actress before establishing the Ankrum Gallery primarily to showcase the work of her deaf nephew, Morris Broderson. Born in 1913 in Palo Alto, California, she began acting at the Pasadena Playhouse where she met her first husband Morris Ankrum with whom she had two sons, David and Cary Ankrum. She married gallery co-owner and partner William Challee in 1984. She helped organize the Los Angeles Art Dealers Association and the Monday Night Art Walks on La Cienega Boulevard. She was a member of the relatively short-lived Black Arts Council. Joan Wheeler Ankrum died in 2001 at the age of 88.

Morris Broderson (1928-2011) was a deaf painter. His first one-man show was at the Stanford Museum in 1957, followed by the Santa Barbara Museum of Art. By 1959 he'd won two awards from the Los Angeles County Museum, and appeared in the Whitney Museum's "Young America" show in 1960. His travels influenced his work, including the hand gestures of Kabuki art in Japan. His work is in the collections of the Whitney Museum of American Art and the Hirshhorn Museum and Sculpture Garden, among others. Following Joan Ankrum's death in 2001, Broderson was represented by her son David Ankrum.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Joan Ankrum, one conducted by Betty Hoag, April 28, 1964, and a second by Paul Karlstrom, November 5, 1997-February 4, 1998. Additionally, there is an oral history interview with Morris Broderson conducted by Paul Karlstrom, March 11-13, 1998.
Provenance:
The Ankrum Gallery records were donated to the Archives of American Art by Joan Ankrum in 1995.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- California -- Los Angeles  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Scrapbooks
Photographs
Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ankrgall
See more items in:
Ankrum Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d89bb020-f420-4b01-9a0f-f1d5132866c4
EDAN-URL:
ead_collection:sova-aaa-ankrgall
Online Media:

Oral history interview with Stephen Hahn

Interviewee:
Hahn, Stephen, 1921-2011  Search this
Interviewer:
Morgan, Susan Ford  Search this
Creator:
Art Dealers Association of America  Search this
Extent:
2 Items (Sound recording, master: 2 sound discs (1 hr., 50 min.), digital, 2 5/8 in.)
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 Mar. 14
Scope and Contents:
An interview of Stephen Hahn conducted 2008 Mar. 14, by Susan Ford Morgan, for the Archives of American Art, at Hahn's home, in Montecito, Calif.
Hahn speaks of his early life in Hungary; moving to Paris when he was 12 years old, where his father was an Old Masters art dealer; working as a "runner" for art galleries in Paris; attending the École du Louvre in Paris; marrying an American woman, and moving to New York City in 1952; working as a craft dealer; living on Staten Island and taking the ferry to Manhattan every day; working as a private dealer for galleries in New York; working as an art advisor to Norton Simon; his own gallery shows in the early 1960s, including exhibitions of work by Gustave Courbet, Jean-Baptiste-Camille Corot, and Claude Monet; a recent Courbet show at the Metropolitan Museum of Art, New York City, and a Courbet exhibition at the Brooklyn Museum in the late 1980s; working with Eugene Thaw; working with Dr. Arthur Sackler; Hahn's private collection; opening his gallery in 1960 on Fifty-Eighth Street and Madison Avenue; moving to his second gallery space three years later on Seventy-Fifth Street and Madison Avenue; working as a partner at Niveau Gallery for six months before opening his gallery in the new space; other galleries in the area at the time, including Acquavella Gallery; his first exhibition in the new space, showing two-dimensional work by Henri de Toulouse-Lautrec, Edgar Degas, Pablo Picasso, and Henri Matisse; an exhibition of Karel Appel's work in his gallery in the early 1960s; involvement in the Art Dealers Association of America, beginning in the 1960s; serving as president of the organization in the early 1980s; his work appraising art; his observation that little changed for him in U.S. gallery scene over the years; Art Dealers Association shows at the Park Avenue Armory in New York, City; donating his collection to the National Gallery of Art in Washington, DC; working as a private dealer; a brief mention of a lawsuit involving a Picasso sold to Marilynn Alsdorf; the redesign of the Norton Simon museum by architect Frank Gehry; the Janice and Henry Lazaroff collection at the Los Angeles County Museum of Art, and general trends and quality in art collecting. He also recalls Michael Fitzgerald, Michael Finley, Paul Herring, Eugene Thaw, Jean Dubuffet, the CoBrA group, George Plimpton, John Rewald, Clement Greenberg, Pierre Matisse, Larry Gagosian, John Richardson, Michael Hurson, Pablo Picasso, Nicolas de Staël, Alexina "Teeny" Duchamp.
Biographical / Historical:
Stephen Hahn (1921-2011) was an art dealer in Santa Barbara, Calif. Hahn served as president of the Art Dealers Association of America.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Occupation:
Art dealers -- California  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hahn08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97afca7ce-ed61-4977-bb02-cf1d9688ed81
EDAN-URL:
ead_collection:sova-aaa-hahn08
Online Media:

Vincent Price

Artist:
Bob Willoughby, 30 Jun 1927 - 18 Dec 2009  Search this
Sitter:
Vincent Price, 27 May 1911 - 25 Oct 1993  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 34.1 × 22.9 cm (13 7/16 × 9")
Sheet: 40.7 × 30.4 cm (16 × 11 15/16")
Type:
Photograph
Place:
United States\California\Los Angeles\Beverly Hills
Date:
1958 (printed Nov 10, 1981)
Topic:
Nature & Environment\Plant  Search this
Architecture\Window  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Equipment\Smoking Implements\Cigarette  Search this
Interior\Domestic  Search this
Costume\Dress Accessory\Handkerchief  Search this
Home Furnishings\Lighting Devices\Lamp  Search this
Home Furnishings\Furniture\Seating\Sofa  Search this
Home Furnishings\Pillow  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Nature & Environment\Smoke  Search this
Vincent Price: Male  Search this
Vincent Price: Literature\Writer  Search this
Vincent Price: Performing Arts\Performer\Actor\Theater  Search this
Vincent Price: Business and Finance\Businessperson\Dealer\Art dealer  Search this
Vincent Price: Visual Arts\Art collector  Search this
Vincent Price: Journalism and Media\Journalist\Columnist  Search this
Vincent Price: Performing Arts\Performer\Actor\Movie  Search this
Vincent Price: Performing Arts\Performer\Actor\Television  Search this
Vincent Price: Education and Scholarship\Educator\Lecturer\Art  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Bob Willoughby
Object number:
NPG.97.86
Restrictions & Rights:
Usage conditions apply
Copyright:
© Bob Willoughby
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm445edc9b8-5ae7-4c23-8078-abd7969ea33f
EDAN-URL:
edanmdm:npg_NPG.97.86

Correspondence

Collection Creator:
Krasnow, Peter, 1886-1979  Search this
Extent:
(Box 1; 0.4 linear feet)
Type:
Archival materials
Date:
circa 1930-1984
Scope and Contents note:
This series contains the personal and professional correspondence of Peter and Rose Krasnow as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities deals with exhibitions, sales, loans, and donations of artwork. Correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. Also included are scattered letters from Harry N. Abrams, B'nai B'rith Hillel Foundations, California Palace of the Legion of Honor, Arnold Chanin, John D. Entenza, Lorser Feitelson, Estelle Getz, Sadakichi Hartmann, Hilaire Hiler, Judah L. Magnes Memorial Museum, Jules Langsner, Long Beach Museum of Art, Los Angeles County Museum of Art, Los Angeles Hillel Council, Dorothy C. Miller, National Endowment for the Arts, National Portrait Gallery, Frances V. O'Connor, Peter and Rose Krasnow Foundation, Hilla Rebay, San Francisco Museum of Art, Abigail von Schlegell, and Whitney Museum of American Art.
Arrangement note:
Correspondence is arranged alphabetically by surname of correspondent. Letters written by correspondents whose last name is unknown are filed alphabetically by first name of correspondent. Letters from unidentified correspondents are filed at the end of the series.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete, Series 2
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93a7b26cb-32fb-42f4-b20e-57a5f464bf0e
EDAN-URL:
ead_component:sova-aaa-kraspete-ref22

Adele Bednarz papers, 1962-1979

Creator:
Bednarz, Adele  Search this
Adele Bednarz Galleries  Search this
Citation:
Adele Bednarz papers, 1962-1979. Archives of American Art, Smithsonian Institution.
Topic:
Women art dealers  Search this
Theme:
Women  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)5888
(DSI-AAA_SIRISBib)208728
AAA_collcode_bednadel
Theme:
Women
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208728

John McLaughlin papers, 1922-1979, bulk 1936-1976

Creator:
McLaughlin, John, 1898-,  Search this
Subject:
Tamarind Lithography Workshop  Search this
Type:
Sketches
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7963
(DSI-AAA_SIRISBib)210131
AAA_collcode_mclajohn
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210131
Online Media:

Ed Moses papers, 1954-1980

Creator:
Moses, Ed, 1926-  Search this
Citation:
Ed Moses papers, 1954-1980. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8019
(DSI-AAA_SIRISBib)210189
AAA_collcode_moseed
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210189

Leonard Kaplan papers, 1939-1982

Creator:
Kaplan, Leonard, 1922-  Search this
Citation:
Leonard Kaplan papers, 1939-1982. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9437
(DSI-AAA_SIRISBib)211635
AAA_collcode_kaplleon
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211635

Mabel Alvarez papers, 1898-1987

Creator:
Alvarez, Mabel, 1891-1985  Search this
Subject:
Macdonald-Wright, Stanton  Search this
Honolulu Academy of Arts  Search this
Otis Art Institute  Search this
San Joaquin Pioneer Museum  Search this
Type:
Diaries
Photographs
Sketchbooks
Citation:
Mabel Alvarez papers, 1898-1987. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Art, Modern  Search this
Works of art  Search this
Theme:
Latino and Latin American  Search this
Sketches & Sketchbooks  Search this
Diaries  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5410
(DSI-AAA_SIRISBib)211786
AAA_collcode_alvamabe
Theme:
Latino and Latin American
Sketches & Sketchbooks
Diaries
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211786
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990

Creator:
Ankrum Gallery  Search this
Subject:
Casey, Bernie  Search this
Caryl, Naomi  Search this
Block, Irving  Search this
Bauer, Richard  Search this
Andrews, Benny  Search this
Almaraz, Carlos  Search this
Hirshhorn, Olga  Search this
Herschler, David  Search this
Hirsch, Joseph  Search this
Groth, Bruno  Search this
Halpert, Edith Gregor  Search this
Duveneck, Frank  Search this
Feitelson, Lorser  Search this
Palm Springs Desert Museum  Search this
Lundeberg, Helen  Search this
Johnson, Buffie  Search this
Miller, Henry  Search this
Mesches, Arnold  Search this
Zev  Search this
Jackson, Suzanne  Search this
Homer, Jessie  Search this
Broderson, Morris  Search this
Ankrum, Joan  Search this
Secunda, Arthur  Search this
Schuler, Melvin  Search this
Varda, Jean  Search this
Shores, Kenneth  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Storm King Art Center  Search this
Staempfli Gallery (New York, N.Y.)  Search this
California Arts Council  Search this
Black Arts Council (Washington, D.C.)  Search this
Krannert Art Museum  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
San Diego Museum of Art  Search this
Paramount Pictures  Search this
Art Dealers Association of America  Search this
Type:
Scrapbooks
Photographs
Citation:
Ankrum Gallery records, circa 1900-circa 1990s, bulk 1960-1990. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- Los Angeles  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6569
(DSI-AAA_SIRISBib)215861
AAA_collcode_ankrgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215861
Online Media:

Nicholas Wilder Gallery records, 1944-1984, bulk 1968-1979

Creator:
Nicholas Wilder Gallery  Search this
Subject:
Holland, Tom  Search this
Hockney, David  Search this
Hofmann, Hans  Search this
Moses, Ed  Search this
Frankenthaler, Helen  Search this
Nauman, Bruce  Search this
Martin, Agnes  Search this
McCracken, John  Search this
Olitski, Jules  Search this
Price, Kenneth  Search this
Noland, Kenneth  Search this
Yokomi, Richard  Search this
Twombly, Cy  Search this
Wilder, Nicholas  Search this
Francis, Sam  Search this
Graham, Robert  Search this
Goode, Joe  Search this
Avedisian, Edward  Search this
Altoon, John  Search this
Davis, Ron  Search this
Bengston, Billy Al  Search this
James Corcoran Gallery  Search this
Citation:
Nicholas Wilder Gallery records, 1944-1984, bulk 1968-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6190
(DSI-AAA_SIRISBib)216434
AAA_collcode_nichwild
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216434
Online Media:

Walter Houk letters from Stanton Macdonald-Wright, 1945-1955

Creator:
Houk, Walter  Search this
Subject:
Macdonald-Wright, Stanton  Search this
University of California, Los Angeles  Search this
Citation:
Walter Houk letters from Stanton Macdonald-Wright, 1945-1955. Archives of American Art, Smithsonian Institution.
Topic:
Painting  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)15720
(DSI-AAA_SIRISBib)283896
AAA_collcode_houkwalt
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_283896

Rosamund Felsen Gallery records, 1949-2014, bulk 1978-2014

Creator:
Rosamund Felsen Gallery  Search this
Subject:
Acerol, Ali  Search this
Ackerman, Robert E.  Search this
Beach, Alicia  Search this
Bengston, Billy Al  Search this
Boskovich, John  Search this
Cranston, Meg  Search this
Dowell, Roy  Search this
Gambrill, Jeff  Search this
Kabakov, Ilʹia︠ ︡Iosifovich  Search this
Kidon, Heidi  Search this
Jackson, Richard  Search this
Lodato, Peter  Search this
McCarthy, Paul  Search this
Oshiro, Kaz  Search this
Pittman, Lari  Search this
Rauschenberg, Robert  Search this
Rothenberg, Erika  Search this
Ruppersberg, Allen  Search this
Shaw, Jim  Search this
Smith, Alexis  Search this
Sonnier, Keith  Search this
Syrop, Mitchell  Search this
Vallance, Jeffrey  Search this
Weber, Marnie  Search this
Kelley, Mike  Search this
Burden, Chris  Search this
Jiménez, Cisco  Search this
Felsen, Rosamund  Search this
Type:
Scrapbooks
Citation:
Rosamund Felsen Gallery records, 1949-2014, bulk 1978-2014. Archives of American Art, Smithsonian Institution.
Topic:
Women art dealers  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)16203
(DSI-AAA_SIRISBib)368159
AAA_collcode_rosafelg
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368159
Online Media:

Takis Efstathiou papers regarding Ynez Johnston, 1954-2004

Creator:
Efstathiou, Takis, 1944-  Search this
Subject:
Johnston, Ynez  Search this
Ericson Gallery  Search this
Type:
Photographs
Citation:
Takis Efstathiou papers regarding Ynez Johnston, 1954-2004. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- New York (State) -- New York  Search this
Printmakers -- California -- Los Angeles  Search this
Women artists  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)16301
(DSI-AAA_SIRISBib)373788
AAA_collcode_efsttaki
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373788
Online Media:

Linda Farris Gallery records

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Names:
Barry, Lynda, 1956-  Search this
Bruskin, Grisha, 1945-  Search this
Clough, Charles, 1951-  Search this
Landfield, Ronnie, 1947-  Search this
Luce, Charles, 1947-  Search this
Lucero, Michael, 1953-  Search this
Markovitz, Sherry  Search this
Nevelson, Louise, 1899-1988  Search this
Noah, Barbara  Search this
Pepper, Beverly  Search this
Extent:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Date:
1969-1995
Summary:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
Scope and Contents:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials. Business correspondence is with galleries, dealers, publishers, museums, and other businesses. Administrative files are varied and include advertising and promotion materials, exhibition schedules, mailing lists, guest books, a scrapbook, and gallery history.

Artists' files are found for many contemporary American artists that interested Linda Farris or were represented by the gallery. The contents of each file vary but many include photographs and slides, writings, correspondence, and printed materials. Files for Lynda Barry, Grisha Brusking, Charles Clough, Ronnie Landfield, Charles Luce, Michael Lucerno, Sherry Markovitz, Louise Nevelson, Barbara Noah, and Beverly Pepper are particularly rich. Exhibition files are for Linda Farris Gallery exhibitions and include printed materials, correspondence, loan and consignment agreements, and photographs.

Event files cover anniversary celebrations, lectures, panel discussions, and receptions. There are 17 sound cassette recordings of "Art Now" lectures and "Focus" panel discussions. Scattered reference files contain collected materials on subjects of interest to the gallery. There are scattered financial, sales, and legal files. Sales records cover 1970-1979.

Linda Farris' personal papers contain printed materials about her and the gallery and other materials concerning her professional and curatorial work outside of the gallery. There is also a transcript of an oral history with Farris and a news interview.

Printed materials include published books and magazines, clippings and exhibition catalogs and announcements.

Photographs are scattered throughout adminstrative files, exhibition files, event files, and Linda Farris' personal papers.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Correspondence, 1975-1991, undated (Box 1; .7 linear feet)

Series 2: Administrative files, 1970-1995, undated (Box 1-2, 14; 1 linear feet)

Series 3: Artists and Exhibition files, 1969-1995, undated (Box 2-9, 15; 6.6 linear feet)

Series 4: Events files, 1971-1990, undated (Box 9, 14; 0.6 linear feet)

Series 5: Reference files, 1969-1994, undated (Box 9-10; 0.6 linear feet)

Series 6: Financial, Sales and Legal files, 1970-1995 (Box 10; 0.4 linear feet)

Series 7: Linda Farris Papers, 1972-1995 (Box 10-11; .9 linear feet)

Series 8: Printed Materials, 1970-1995 (Box 11-14; 2 linear feet)
Biographical / Historical:
The Linda Farris Gallery was Seattle's leading venue for contemporary art during its twenty-five years of operation.

Linda Farris opened Gallery East in Bellevue in 1970, and a year later moved to Pioneer Square in Seattle, changing the name to Linda Farris Gallery in 1973. The gallery continued to present contemporary art there until closing in December 1995. Art dealer Linda Farris began representing a group of promising artists, all graduates of the University of Washington. Greg Kucera of the Greg Kucera Gallery noted in an article for the Seattle Weekly, "Their work could be loosely seen as a movement, complete with aesthetic interrelationships, convenient marriages, an unintelligible manifesto in the form of Dennis Evans' quirky pronouncements…" From the same article he states, "Her avant-garde gallery changed forever the nature of being an art dealer in Seattle." It was among the three or four most influential galleries in the Pacific Northwest.

The gallery held exhibitions of many nationally known contemporary artists, including Sam Francis, Louise Nevelson, and Robert Rauschenberg, as well as Northwest artists Jeffrey Bishop, Dennis Evans, Sherry Markovitz, Nancy Mee, Norie Sato, and Patti Warashina. The latter group started with the gallery and remained loyal at the time of its closing in 1995.

Art dealer, collector and free-lance curator Linda B. Farris (1944-2005), a native of San Francisco and a graduate of the University of California, Berkeley (1966), was an active participant in and style setter for the Seattle art world for the twenty-five years she was in business. As a member of the art community she actively supported the Henry Art Gallery at the University of Washington, Pilchuck Glass School, and Seattle Art Museum's Contemporary Art Council, and served on the boards of directors of Henry Art Gallery and Factory Visual Arts. Farris curated "Eight Seattle Artists" in 1981 for the Los Angeles Institute of Contemporary Art and "Self Portraits" in 1983 for the Los Angeles Municipal Art Gallery. She also led the movement to keep Henry Moore's "Vertebrae" from leaving Seattle, and instituted a series of talks, panel discussions, performances, and tours in her gallery, and in and around Seattle.

This note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
An oral history interview with Linda Farris conducted in 1975 by Sally Swenson, is located in the University of Washington University Libraries Digital Collections.
Provenance:
The Linda Farris Gallery records were donated to the Archives of American Art by owner Linda Farris in 1995 at the time she closed the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Avant-garde (Aesthetics)  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Function:
Art galleries, Commercial -- Washington (State)
Genre/Form:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Citation:
Linda Farris Gallery records, 1969-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindfarr
See more items in:
Linda Farris Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a88eaff1-cd31-4f5b-a7bf-1e2648ae6b2d
EDAN-URL:
ead_collection:sova-aaa-lindfarr
Online Media:

Peter and Rose Krasnow papers

Creator:
Krasnow, Peter, 1886-1979  Search this
Names:
Peter Krasnow Arts Foundation  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Blades, Harriet  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Clements, Grace, 1905-1969  Search this
Cocker, Conrad  Search this
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Drake, Alfred S.  Search this
Howe, Dudley  Search this
Krasnow, Rose, 1885-1984  Search this
Morley, Grace, 1900-1985  Search this
Noer, Philip  Search this
Owen, Dale  Search this
Owen, Elaine  Search this
Price, Aimée Brown, 1939-  Search this
Raboff, Ernest Lloyd  Search this
Raboff, Ina  Search this
Stone, Irving, 1903-  Search this
Weston, Edward, 1886-1958  Search this
Weston, Edward, 1886-1958 -- Photographs  Search this
Weston, Flora -- Photographs  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Date:
1914-1984
Summary:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.

Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.

Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.

Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.

Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.

Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.

Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)

Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)

Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)

Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)

Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)

Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)

Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)

Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.

Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.

In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.

The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.

In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.

Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.

After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.

In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.

Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Wood-carvers -- California -- Los Angeles  Search this
Topic:
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed81e16a-9b16-46be-912e-4e7c0b6db0c6
EDAN-URL:
ead_collection:sova-aaa-kraspete
Online Media:

Oral history interview with Betty M. Asher, 1980 June 30 and 1980 July 7

Interviewee:
Asher, Betty M., 1914-1994  Search this
Interviewer:
Garver, Thomas H.  Search this
Subject:
Blum, Irving  Search this
Landau, Felix  Search this
Robles, Esther  Search this
Tuchman, Maurice  Search this
Asher & Faure  Search this
Los Angeles County Museum of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Betty M. Asher, 1980 June 30 and 1980 July 7. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Women art dealers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12547
(DSI-AAA_SIRISBib)211936
AAA_collcode_asher80
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211936
Online Media:

Oral history interview with Joan Ankrum, 1997 November 5-1998 February 4

Interviewee:
Ankrum, Joan, 1913-2001  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Ankrum, Morris  Search this
Broderson, Morris  Search this
Feitelson, Lorser  Search this
Lundeberg, Helen  Search this
Hirshhorn, Joseph H.  Search this
Jackson, Martha Kellogg  Search this
Zeitlin, Jake  Search this
Ankrum Gallery  Search this
Pasadena Playhouse  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joan Ankrum, 1997 November 5-1998 February 4. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women art dealers  Search this
Deaf artists  Search this
Hearing impaired  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12691
(DSI-AAA_SIRISBib)216355
AAA_collcode_ankrum97
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216355
Online Media:

Oral history interview with John Weber, 2006 March 21-April 4

Interviewee:
Weber, John, 1932-2008  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Weber, 2006 March 21-April 4. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)13562
(DSI-AAA_SIRISBib)257024
AAA_collcode_weber06
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_257024

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