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Edward H. Dwight Papers

Creator:
Dwight, Edward H., 1919-1981  Search this
Names:
American Museum of Natural History  Search this
Cincinnati Historical Society  Search this
Louisiana State Museum  Search this
Mohammed Center for Restricted Communications  Search this
National Audubon Society  Search this
R. Havell & Son  Search this
Peale family  Search this
Audubon, John James, 1785-1851  Search this
Audubon, Maria R. (Maria Rebecca), 1843-1925  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Bachman, John  Search this
Bakewell, Benjamin  Search this
Bell, John G.  Search this
Coffin, Annie R.  Search this
Corwine, Aaron H.  Search this
Duncanson, Robert S., 1821-1872  Search this
Fries, Waldemar H., 1889-  Search this
Gifford, George Edmund  Search this
Held, John, 1947-  Search this
Laning, Paul F.  Search this
Lichtner, Ruth  Search this
Lichtner, Schomer, 1905-2006  Search this
Martin, Maria  Search this
McDermott, John Francis, 1902-  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, James, 1789-1876  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Tyler, Morris F.  Search this
Extent:
18.6 Linear feet
Type:
Collection descriptions
Archival materials
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Date:
1821-2001
bulk 1950-1979
Summary:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.
Scope and Contents:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still life painting.

Dwight's biographical material includes two address books, a calendar, a small amount of personal correspondence including letters and postcards from Schomer and Ruth Lichtner, and printed material documenting his work as a museum curator and director.

Writings and notes include correspondence about Dwight's writings, drafts and typescripts of articles on Audubon and other artists, and lecture notes.

The bulk of the collection comprises Dwight's research material on Audubon and includes correspondence related to his research with scholars, collectors, publications, museums, and libraries, including: the American Museum of Natural History, the Audubon Society, the Cincinnati Historical Society, the Louisiana State Museum, Annie R. coffin, Waldemar H. Fries, John Francis McDermott, and the collections of G. Edmund Gifford, Jr., Paul F. Laning, and Morris Tyler.

Copies of Audubon's correspondence, including letters from Audubon's father-in-law, Benjamin Bakewell, son Victor G. Audubon, and grandchildren, form a substantial portion of Dwight's research files. Notes and card files reflecting Dwight's research by categories such as life event, activity, geographical area, and subject of study, further illuminate his research and provide cross references to the Audubon letters and other material.

Data compiled and supplemented with reproductions of Audubon's artwork forms another substantial portion of Dwight's research, and provides detailed information about individual Audubon works and works attributed to him.

Dwight's subject files on Audubon house collated research on individuals, subjects, and events that intersected with Audubon's life and work, as well as Audubon research from other sources and scholars. They include copies of documents, such as the journal of Audubon collaborator John G Bell, and a scrapbook of granddaughter, Maria Audubon; documents relating to Audubon collaborators such as John Bachman and Maria Martin; material related to collections of Audubon's work; and information concerning editions of his prints, such as the Havell Edition, engraved and hand-colored by the firm of Robert Havell Sr. and Jr. in the 1830s.

Printed material used by Dwight in his research includes original American newspapers, from states including New England, New York, and Pennsylvania, dating from 1821 to the 1870s, which include articles on Audubon, as well as later magazines, journals, catalogs, and news clippings on Audubon. A small number of photographs, slide transparencies, and negatives of Audubon's artwork can be found at the end of the series.

Dwight's research material on Raphaelle Peale, Charles Willson Peale, Rembrandt Peale, James Peale, and other Peale family members, includes correspondence requesting and responding to requests for information; material collated by subject on Peale collectors, family history, miniatures, portraits, silhouettes, still lifes, and other subjects; and photographs of artwork.

Other research files document Dwight's interest in other artists such as Aaron H. Corwine, Robert S. Duncanson, and artists from the Cincinnati area in general. They include catalogs of data compiled on individual works of art, subject files, notes and index card files, printed material, and photographs of artwork. Of special note are eleven issues of John Held, Jr.'s, mail art correspondence sent to Dwight by the Mohammed Center for Restricted Communications.
Arrangement:
This collection is arranged as five series.

Missing Title

Series 1: Biographical Material, 1944-1980 (8 folders; Box 1, OV 20)

Series 2: Writings and Notes, 1954-circa 1979 (0.9 linear feet; Box 1)

Series 3: Audubon Research Material, 1821-circa 1979 (13 linear feet; Boxes 1-14, OVs 20-23)

Series 4: Peale Research Material, circa 1930-2001 (1.9 linear feet; Boxes 14-16)

Series 5: Other Research, 1881-1980 (2.7 linear feet; Boxes 16-19)
Biographical / Historical:
Cincinnati art historian and museum director, Edward H. Dwight (1919-1981), conducted extensive research on American painting, in particular the works of John James Audubon, Charles Willson Peale, and Raphaelle Peale. He was also credited with rediscovering the Cincinnati artist, Aaron H. Corwine.

Dwight attended Yale and Cornell Universities, and studied art at the Cincinnati Art Academy and the School of Fine Arts of Washington University, St. Louis. From 1946 he held posts, including curator of American Art, at the Cincinnati Art Museum, until becoming director of the Milwaukee Art Center in 1955. In 1962 he left Milwaukee to direct the Munson-Williams-Proctor Art Institute Museum of Art, where he remained until the end of his career. He was the author of numerous articles for publications including Antiques, Audubon, Art in America, The Art Gallery, The Art Quarterly, and Canadian Art, and lectured widely on contemporary art, Spanish painting, and American painting.

In 1955 Dwight published the article "Aaron Houghton Corwine: Cincinnati Artist" in Antiques magazine. With this, and the exhibition, Rediscoveries in American Painting (1955), which he launched at the Cincinnati Art Museum, Dwight revived interest in this all but forgotten painter.

Dwight wrote many scholarly articles on Audubon's life and work throughout his career, in addition to writing catalogs for, and curating, exhibitions of Audubon's work. In 1960 he was awarded a $7,500 fellowship from the Ford foundation to pursue a reevaluation of Audubon, and to reexamine some long-held assumptions and exagerrations about Audubon's life and personality. He focused primarily on the artist-naturalist's original drawings and paintings, especially portraits and pictures of birds, animal life, and insects. Dwight was awarded an additional fellowship by the National Endowment for the Arts in 1973, to continue his research on Audubon.

Dwight's scholarly interest also extended to Raphaelle Peale and the Peale family of artists. In the 1960s and 1970s he wrote and published several articles about Raphaelle Peale, his father, Charles Willson Peale, and his brothers, Rembrandt and James. Dwight was working on a book about the family, and a catalog raisonné of Raphaelle Peale, when he died.

Dwight was an accomplished photographer and his work was included in at least eight exhibitions from 1951 to 1972, including two one-man exhibitions at Louisiana State University (1952), and Weyhe Gallery (1972).
Provenance:
The Audubon materials were donated to the Archives of American Art by Dwight's widow, Ruth R. White, in 1982-1983. The Peale material was donated in 2002 by the Barra Foundation, Inc., which had received them from Ruth R. Dwight as they relate to the Foundation's mission to support scholarship in cultural history in the Philadelphia area. In 1983, the Barra Foundation loaned the documents to Dr. William H. Gerdts, an art historian, who was to continue Dwight's work on a catalog raisonné of Raphaelle Peale. Dr. Gerdts made limited use of the materials and the Barra Foundation then transferred them to the Archives of American Art in 2002.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Museum curators -- Ohio -- Cincinnati  Search this
Artists -- Ohio -- Cincinnati  Search this
Art historians -- Ohio -- Cincinnati  Search this
Painters  Search this
Museum directors -- Ohio -- Cincinnati  Search this
Topic:
Still-life painting  Search this
Mail art  Search this
Art, American  Search this
Painting, American  Search this
Portrait painting  Search this
Genre/Form:
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwigedwa
See more items in:
Edward H. Dwight Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98efa0eea-a8f2-4b13-a7cc-32c48cd081a9
EDAN-URL:
ead_collection:sova-aaa-dwigedwa
Online Media:

William P. Daley papers

Creator:
Daley, William, 1925-2002  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Philadelphia College of Art -- Faculty  Search this
Chihuly, Dale, 1941-  Search this
Howard, Robert Boardman, 1896-1983  Search this
Schreckengost, Viktor, 1906-  Search this
Extent:
15.2 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Drawings
Photographs
Interviews
Date:
1905-2004
bulk 1951-2001
Summary:
The papers of ceramist William P. Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.
Scope and Content Note:
The papers of ceramist William Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.

Biographical files encompass items from Daley's early life including family, education, and military materials, as well as files on awards he has earned, and interviews he has given during his career. Correspondence includes general correspondence with family, friends, artists, colleagues, and schools, as well as named files on correspondence with galleries, organizations, and individuals. The largest series in the collection, Exhibition Files, spanning a fifty year period, contain materials on group and solo exhibitions in which Daley participated, and also includes Auction Files and Exhibition Juror Files. Project Files contain materials related to public and private commissions.

Workshops, Seminars, and Lectures, documents the numerous events at which Daley taught or spoke on topics of art, ceramics, and/or education. Many of these topics are also found in Writings, which include drafts of writings by Daley and others. Within this series Daley's personal address lists and calendars are also found. The Teaching Files provide insight into Daley's teaching methods, primarily at the Philadelphia College of Art, from materials such as curriculum plans, lesson notes, and assignments. Also within this series are general teaching notes which contain many hand drawn diagrams. The Artist Files that Daley created house materials concerning artists who were friends, former students, co-workers, and colleagues. Daley also compiled Reference Files containing materials on various topics for use in teaching and projects. Topics include the art of various countries, formulas and tables for ceramics, essays on art and education, and other general subjects. Printed Material provides information, primarily on ceramics, through press clippings, exhibit announcements, catalogs and journals, as well as other miscellaneous materials. Also found are reviews of Daley's work. While photographs are included throughout the collection, the Photographs series contains additional photographs of Daley in the studio or in the classroom, as well as photographs of artwork by others. Also found in the collection are copies of drawings Daley completed throughout his career.
Arrangement:
The collection is arranged into thirteen series. Each series is arranged either in rough chronological or alphabetical order.

Missing Title

Series 1: Biographical Files, 1905-2003 (Box 1; 0.5 linear feet)

Series 2: Correspondence, 1957-2001, undated (Boxes 1-2; 1.5 linear feet)

Series 3: Exhibition Files, 1949-1999, undated (Boxes 3-5; 2.7 linear feet)

Series 4: Project Files, 1956-2000 (Boxes 5-6; 1.0 linear foot)

Series 5: Workshops, Seminars, and Lectures, 1958-1998, undated, (Boxes 6-8; 2.3 linear feet)

Series 6: Writings, 1951-2003, undated (Box 9; 0.6 linear feet)

Series 7: Teaching Files, 1951-1998, undated (Boxes 9-10; 1.3 linear feet)

Series 8: Artist Files, 1938-2001, undated (Boxes 10-12; 2.1 linear feet)

Series 9: Reference Files, 1951-2001, undated (Box 13; 1.0 linear foot)

Series 10: Printed Material, 1936-2004 (Boxes 14-15; 1.9 linear feet)

Series 11: Photographs, 1953-2001, undated (Box 15; 5 folders)

Series 12: Financial Files, 1962-1997, undated (Box 16; 4 folders)

Series 13: Artwork, 1954-2003, undated (Boxes 15-16; 3 folders)
Biographical Note:
Born in Hastings-on-Hudson, New York, in 1925, William P. Daley developed an interest in art at an early age, and was encouraged by his parents William and Alice. In 1943 Daley finished high school and enlisted in the Army Air Corps. When the war ended, he returned home, and with the help of the G.I. Bill, completed a B.S. in Art Education from Massachusetts College of Art, and a M.A. from the Teachers College at Columbia University. While at the Massachusetts College of Art he met and married fellow student Catherine Stennes. They had three children together, Barbara, Charlotte, and Thomas.

Originally intending to focus on painting, Daley discovered his love for ceramics while in art school. Much of his early work after graduation consisted of architectural and sculptural commissions. From 1961 to 1965 he held teaching positions as a ceramics instructor at the University of Northern Iowa, State University of New York at New Paltz, Philadelphia College of Art and Design, and the State University of New York at Fredonia. In 1965 he settled in Elkins Park, Pennsylvania and returned to the Philadelphia College of Art and Design, University of the Arts. There he taught in both the Industrial Design and Craft Department until his retirement from the college in 1990. When not teaching in the classroom, and even after retirement, Daley traveled extensively giving workshops and lectures at art centers, high schools, colleges, and universities. He has won several awards for teaching in the arts, including the College Art Association of America Distinguished Teaching of Art Award in 1991.

Daley became an active member of the crafts movement in Philadelphia, co-founding the Philadelphia Council of Professional Craftsmen. The Helen Drutt Gallery opened in Philadelphia in 1974 and gave Daley his first one man show there. Later, the gallery would become Daley's primary dealer. A self-proclaimed "mud man" and maker of "cosmic pots," Daley has focused throughout his career on the issues of the ceramic vessel, using drawings to explore his ideas. In 1994 the Renwick Gallery held a retrospective entitled, "William Daley: Ceramic Works and Drawings" which featured thirty years of his work. William Daley is still producing new work today.
Provenance:
The William P. Daley papers were donated by Daley in 2003.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists  Search this
Topic:
Potters  Search this
Pottery -- Study and teaching -- Pennsylvania  Search this
Art -- Study and teaching  Search this
Sculptors -- Pennsylvania  Search this
Glazes -- Formulae  Search this
Pottery  Search this
Genre/Form:
Transcripts
Drawings
Photographs
Interviews
Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dalewill
See more items in:
William P. Daley papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5ae17b1-d9ff-41d6-81ec-fd4137cbdf42
EDAN-URL:
ead_collection:sova-aaa-dalewill

Peppino Mangravite papers

Creator:
Mangravite, Peppino, 1896-  Search this
Names:
Dudensing Galleries  Search this
Frank K. M. Rehn Galleries  Search this
Braque, Georges, 1882-1963  Search this
Chagall, Marc, 1887-1985  Search this
De Chirico, Giorgio, 1888-  Search this
Marini, Marino, 1901-  Search this
Moore, Henry, 1898-1986  Search this
Morandi, Giorgio, 1890-1964  Search this
Rouault, Georges, 1871-1958  Search this
Sutherland, Graham Vivian, 1903-  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
6.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Date:
1918-1982
Summary:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, recorded interviews with significant artists and transcripts, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.
Scope and Content Note:
The Peppino Mangravite papers measure 6.2 linear feet and are dated 1918-1982. They consist of correspondence, subject files, interviews with artists, writings and notes, miscellaneous records, printed matter, and photographs documenting Mangravite's career as a painter and educator.

Series 1: Correspondence includes chronological correspondence documenting Mangravite's career as a painter and educator. Correspondence is with employers, dealers, museums, galleries, collectors, clients, arts and educational organizations, publishers, and other artists. Much of the correspondence is between Mangravite and his dealers, the Dudensing Gallery and the Rehn Galleries, and with other galleries and museums where his paintings were exhibited. Mangravite's mural commissions are also discussed. Additional events documented include Mangravite's two Guggenheim Fellowships and his trip to Europe in 1955 to interview famous artists.

Mangravite's long teaching career is also documented in correspondence with Columbia University, Sarah Lawrence College, Avon School, Fieldston School of the Ethical Culture Schools, Potomac School, Dana Hall School, and the Colorado Springs Fine Art Center. Other topics covered in the correspondence concern Mangravite's published or proposed writings, particularly articles and books reviews, most notably for the Saturday Review of Literature and American Magazine of Art. Mangravite's membership activities in a variety of artists' organizations, such as the College Art Association, the American Society of Painters, Sculptors and Gravers; the American Artists' Congress, and the American Federation of Arts is well-represented in the correspondence.

A list of major correspondents can be found in the series description for Series 1: Correspondence.

Series 3: Interviews with Artists includes audio recordings, transcripts, photographs, notes and reports. During the summer of 1955, Mangravite traveled to England, France, and Italy where he conducted interviews with eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland - recording their ideas about art, life, and education. In 1972, Mangravite recorded an interview with Rufino Tamayo in Mexico City, and the two artists were photographed together on that occasion.

Series 4: Writings, Notes, and Lectures consists of articles, papers, talks, lectures, miscellaneous writings, and notes by Mangravite, and a small number of items by other writers. Series 5: Miscellaneous Records includes art work by Mangravite and others, audiovisual records, biographical information, and financial records. Among the printed matter in Series 6 are articles, exhibition announcements, invitations, catalogs, and miscellaneous printed items by and about Mangravite, art-related topics, and other subjects. In Series 7: Photographs, photos of people include Mangravite, students, and other artists. Photos of works of art are of murals and paintings by Mangravite and sculpture by Edgar Britton.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Correspondence, 1918-1977 (Boxes 1-2; 1.75 linear ft.; Reels 5878-5880)

Series 2: Subject Files, 1940-1960 (Box 2; 0.25 linear ft.; Reel 5880-5881)

Series 3: Interviews with Artists, 1955, 1972 (Boxes 3, 8; 0.65 linear ft.; Reel 5881)

Series 4: Writings, Notes and Lectures, 1928-1965 (Box 3; 0.35 linear ft.; Reel 5881)

Series 5: Miscellaneous Records, 1926-1974 (Boxes 4, 8, FC9; 10 folders; Reel 5881)

Series 6: Printed Matter, 1918-1982 (Boxes 4-6; 2.65 linear ft.; Reels 5881-5882)

Series 7: Photographs, circa 1926-circa 1970 (Boxes 7-8; 0.4 linear ft.; Reel 5882)
Biographical Note:
In 1914, at the age of eighteen, Peppino Gino Mangravite (1896-1978) settled in New York City with his father. The young man had already completed six years of study at the Scuole Techiniche Belle Arti in his native Italy, where coursework included the study of anatomy and Renaissance fresco techniques. Upon arrival in New York, he enrolled at Cooper Union, and by 1917 was studying under Robert Henri at the Art Students League.

Mangravite began his teaching career - one that lasted half a century - as assistant to Hans Peter Hansen at the Hansen School of Fine Arts in New York during the academic year 1918/19. He was an involved and committed teacher who worked equally well with young children and college students. For several summers in the 1920s, he ran summer art camps in the Adirondacks for children and adults. From 1926-1928 Mangravite lived in Washington D.C., where he taught at the Potomac School. The majority of his life was spent in New York where he served on the faculties of Sarah Lawrence College, Cooper Union, the Art Students League, and, most notably, Columbia University. In addition, he spent 1937-38 as head of the art department of Colorado Springs Fine Arts Center, and from 1940-1942 taught at the Art Institute of Chicago. Mangravite was active in professional arts and education organizations. He wrote a number of articles about art education and served as chairman of the College Art Association's Committee for the Study of the Practice of Art Courses, 1943-1944.

In addition to teaching studio courses, Mangravite was a working artist. Represented by Dudensing Gallery, and later Rehn Galleries, he exhibited widely throughout the United States, and, occasionally, abroad. He won a number of awards, including a gold medal for mural painting at the Philadelphia Sesquicentennial Exhibition, 1926; the American Gold Medal Purchase Prize, Golden Gate Exposition, San Francisco, 1939; Alice McFadden Eyre Medal for best print, Pennsylvania Academy of the Fine Arts, 1946; and a silver medal for mosaic design, Architectural League of New York, 1955. Mangravite was awarded Guggenheim Fellowships in 1932 and 1935, and during that same period was commissioned by the U.S. Treasury Department to paint murals for post offices in Hempstead, N.Y. and Atlantic City, N.J. Other commissions of note include a mural for the Governor's Mansion in the Virgin Islands, and a mosaic mural for the main altar of the Workers' Chapel, St. Anthony's Shrine, Boston, Mass.

Sponsored by Columbia University and with the assistance of the United States Information Agency, Mangravite met with art department heads of several European universities in 1955 to discuss Columbia University's plans for a new arts center. He also interviewed eight artists - Georges Braque, Marc Chagall, Giorgio De Chirico, Marino Marini, Henry Moore, Giorgio Morandi, Georges Rouault, and Graham Southerland -recording their ideas about art, life, and education.

Peppino Mangravite died in 1978.
Provenance:
Most of the collection was donated by Peppino Mangravite in 1977. Additional papers were donated in 2003 by his daughter Denise Mangravite Scheinberg that include records documenting Mangravite's 1955 interviews with European artists, a sound recording and photographs of his meeting with Rufino Tamayo in 1972, a motion picture film of Mangravite's painting class at the Potomac School, and a small number of printed items.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Art -- Economic aspects  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909f49d94-cbdd-4f88-8a7f-99c10e1d5c94
EDAN-URL:
ead_collection:sova-aaa-mangpepp
Online Media:

Coulton Waugh and Waugh Family papers

Creator:
Waugh, Coulton, 1896-1973  Search this
Names:
Storm King Art Center  Search this
Waugh, Elizabeth, d.1944  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Waugh, Gwyneth  Search this
Waugh, Ida, d. 1919  Search this
Waugh, Odin  Search this
Waugh, Samuel Bell, 1814-1885  Search this
Extent:
27 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Diaries
Date:
1751-1974
bulk 1838-1974
Summary:
The Coulton Waugh and Waugh Family papers measure 27 linear feet and date from 1751-1974 with the bulk of material dating from 1838 to 1974. The collection contains material from this family of artists living and working in Provincetown, Cape Cod, New York City, and England, including Coulton Waugh, Frederick Judd Waugh, Samuel Bell Waugh, and scattered material from Elizabeth Waugh, Ida Waugh, and Odin Waugh. Biographical materials, correspondence, diaries, writings, book project files, teaching files, business records, printed material, scrapbooks, photographs, and artwork are found.
Scope and Contents:
Coulton Waugh and Waugh Family papers measure 27 linear feet and date from 1751-1974 with the bulk of material dating from 1838 to 1974. The collection contains material from this family of artists living and working in Provincetown, Cape Cod, New York City, and England, including Coulton Waugh, Frederick Judd Waugh, Samuel Bell Waugh, and scattered material from Elizabeth Waugh, Ida Waugh, and Odin Waugh. Biographical materials, correspondence, diaries, writings, book project files, teaching files, business records, printed material, scrapbooks, photographs, and artwork are found.

The Coulton Waugh papers comprise the bulk of this collection and include scattered biographical material; professional and personal correspondence concerning family, friends, arts organizations, and comics; a diary, notebooks, drafts of short stories, and other writings; book project files relating to three publications by Coulton Waugh: The Comics (1947), "Junior Editors" series, and How to Paint With a Knife (1971); teaching files from Waugh's painting classes; business records regarding the Hooked Rug and Ship Model Shop, Storm King Art Center, Hudson River Prints company, and scattered sales lists, receipts, insurance records, and leases; clippings, exhibition announcements and catalogs relating to Waugh and reproductions of works of art; twenty-three daily comics scrapbooks containing clippings; scattered photographs including portraits and snapshots of Coulton Waugh, photos of buildings, and of works of art; and extensive sketchbooks as well as comic mock-ups and other original artwork by Waugh.

The Frederick Judd Waugh papers include scattered biographical materials; personal and professional correspondence, much of which relates to exhibitions, and sales; business records; drafts of Waugh's Patch Pocket Stories, and other short stories and notes; printed material relating to Waugh's career as well as souvenirs; photo albums, potraits and snapshots of Frederick Judd Waugh, and photos of works of art; and original sketches and drawings.

The Samuel Bell Waugh papers include scattered biographical materials; correspondence containing letters from artists, family and arts organizations; a 1838 diary with a transcript and writings about Waugh by others; business records; printed materials; photographs including portraits of Samuel Bell Waugh and photos of works of art; and a sketchbook, sketches and drawings, and a self-portrait.

Assorted Waugh family papers include papers of Clara Waugh, Elizabeth Waugh, Gwen Waugh, Ida Waugh, and Odin Waugh. There are also biographical sketches and genealogical writings for the Waugh family. There is correspondence of Elizabeth, Gwen and Ida Waugh; writings and notes by Elizabeth Waugh, Clara Waugh, and by others regarding the Waugh family; business records for the Waugh family and Elizabeth Waugh; printed material relating to the Waugh family; scrapbooks compiled by Elizabeth Jenkinson (mother of Elizabeth Waugh), and a travel scrapbook; photograph portraits of family members and group photos, snapshots of groups of family members, photos of Waugh family homes, exhibitions, works of art, and a photo album of works of art; artwork and artifacts including sketches by Elizabeth Waugh, Ida Waugh, Odin Waugh, and unsigned sketches.
Arrangement:
This collection is arranged as 4 series.

Missing Title

Series 1: Coulton Waugh papers, circa 1896-1974 (Box 1-13, 20-28, 31, 33-34, 35-53, 55-56; 20 linear feet)

Series 2: Frederick Judd Waugh papers, circa 1870-1966 (Box 13-17, 28, 30, 32; 4.3 linear feet)

Series 3: Samuel Bell Waugh papers, 1838-1910 (Box 17, 26-27, 29, 54; 1.0 linear feet)

Series 4: Assorted Waugh Family papers, 1751-1974 (Box 18-19, 30-32, 46, 49; 1.5 linear feet)
Biographical / Historical:
The Waugh family consists of three generations of artists including portraitist Samuel Bell Waugh (1814-1885), landscape artist Frederick Judd Waugh (1861-1940), and cartoonist, painter, and writer Coulton Waugh (1896-1973). The family lived and worked in Provincetown, New York City, Cape Cod, and England.

Born in Pennsylvania in 1814, Samuel Bell Waugh's developed a reputation for being a portraitist in Philadelphia. He travelled to Italy in the 1840s where he spent seven years painting large panoramas. Samuel and his wife Ida had one daughter, also named Ida. Waugh's second wife Eliza studied art under her husband and produced miniture portraits. In 1861, Eliza and Samuel had one son named Frederick Judd. Samuel Bell Waugh died in 1885.

Frederick Judd Waugh attended military school but ultimately enrolled in to the Pennsylvania Academy of Fine Arts. With his wife Eugenie (Gene), Frederick went to Europe where he settled on Sark in the Channel Islands. He painted landscape and marine scenes during his time in England. Eugenie and Frederick's son Frederick Coulton was born in Cornwall, England in 1896. Also, the couple had a daughter named Gwenyth. The family returned to the United States and settled in Cape Cod, the Maine coast, and New Jersey.

Coulton Waugh studied at the Art Students League in New York City where he sketched portraits of people he encountered on the streets. Ultimately, Coulton settled in Cape Cod with his first wife Elizabeth Jenkinson who was a writer and artist. Together, they owned a shop for model ships and hooked rugs. In the 1940s, Coulton wrote daily comic strips and in 1947 wrote a history of the medium entitled The Comics. He wrote and illustrated Dickie Dare, Hank, and Sam of the Seven C's, among others. Coulton Waugh's second wife, Odin, was an artist who illustrated some of her husband's comic strips.
Provenance:
The collection was donated in several installments from 1977-1983 by Odin Waugh Buchanan, Coulton Waugh's widow.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Study and teaching  Search this
Caricatures and cartoons  Search this
Artists -- United States  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Diaries
Citation:
Coulton Waugh and Waugh Family papers, 1751-1974, bulk 1838-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waugwaug
See more items in:
Coulton Waugh and Waugh Family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9155f2c52-9039-4ec3-be2f-a46e1dafa81f
EDAN-URL:
ead_collection:sova-aaa-waugwaug
Online Media:

Biographical Summaries and Resumes

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1990s-circa 2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Jeff Donaldson papers
Jeff Donaldson papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c690233e-0988-4d6c-8143-c8701b6e3aee
EDAN-URL:
ead_component:sova-aaa-donajeff-ref956
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Correspondence Files

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Extent:
1.5 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1922-1979, 1993
Scope and Contents note:
This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in folk and Asian art, and his work as an art critic.

There is significant correspondence with the artist Stanton MacDonald Wright between 1936 and 1950, and with the artist Irene Pereira between 1950 and 1953. The series also documents research which Cahill conducted in the late 1940s on the development of the Index of American Design for his introduction to a book on the Index by the National Gallery of Art, published by the Macmillan Company. Correspondence from 1949 provides another angle on the historical details of the FAP through lengthy correspondence documenting Cahill's criticism of William Francis McDonald's book Federal Relief Administration and the Arts (Ohio State University Press, 1969).

There is a large amount of correspondence from July 1960 comprising sympathy letters to Dorothy C. Miller following Cahill's death. Correspondence from 1977 encloses a catalog of an exhibition organized by New York WPA Artists, Inc., at the Parsons School of Design in November 1977. The exhibition, New York City WPA Art, was dedicated to the memory of Holger Cahill.

See Appendix for a list of correspondents (with the exception of those microfilmed on reel 1105) in Series 2
Appendix: Correspondents in Series 2:
Abbott, Berenice: 1944 (letter to the Editor)

Abbott, John: [1946]

Abell, Walter ( -- Canadian Art): -- 1943-1944 (2 letters)

Adams, Charles C.: 1940

Alcopley, Mr.: [1952] (including typescript "Pictures of Alcopley" by Saburo Hasegawa); 1953-1960 (4 letters)

Alsberg, Henry G. (Director, Federal Writers' Projects): 1936 (4 letters)

American Council of Learned Societies: 1949

American Federation of Arts: 1949-1952 (3 letters)

American Folk Art Gallery: 1941

American Heritage: 1954

American Swedish Historical Foundation: 1949

Andrews, Robert Armstrong and Eleanor: [1960], undated

Art in America: 1953

Artists For Victory: [1942]

Artists League of America: 1945

Artists Union of Massachusetts: 1936 (telegram to President Roosevelt)

Arts Council of Japanese Americans for Democracy: 1944

Ashton, Dore: [1960]

Bach, Richard F. (Metropolitan Museum): 1924 and 1950

Bailey, Herbert: 1972 (letter from Naomi Bliven)

Baker, Donald: [1936]

Baker, Jacob (WPA): 1935-1960, undated (10 letters)

Barach, Frederica (Writers' War Board): 1944

Barker, Virgil and Ida: 1945-1960 (4 letters)

Barnard College: 1951 (2 letters)

Barr, Alfred H., Jr. (Museum of Modern Art): 1935-1960 (16 letters)

Barr, Tony: 1960

Batten, Barton, Durstine & Osborn, Inc.: 1950

Baur, John (Brooklyn Museum): 1946-1960 (6 letters)

Baylinson, Ada: 1950

Bear, Donald J. (Denver Art Museum): 1939

Beckmann, Mrs. Max: 1960

Bennington College: 1950

Benson, Emanuel M. (FAP): 1936-1940 (7 letters)

Berlandina, Jane: 1960

Bessinger, Frederic (artist): 1933

Biddle, George: 1936-1940

Biesel, Fred and Frances: 1941-1955 (13 letters)

Bird, Elzy: [1949]

Bittermann, Eleanor: 1951

Black, Mary: [1960]

Bliven, Naomi: 1972 (letter to Herbert Bailey)

Block, Edgar S.: 1950

Block, Lou: 1949

Bluemner, Oscar: 1934-1937 (3 letters)

Blue Ribbon Books: 1935

Blume, Peter: 1944 and 1950

Blumenfeld, Willow (Cahill's granddaughter): [1960]

Blumenschein, Ernest L.: 1936

Blumenthal, Joseph: [1960]

Bolotowsky, Ilya: 1960

Borgenicht, Grace (art dealer): [1960]

Boston Marine Museum: 1949

Boston: Museum of Fine Arts: 1950

Boulton, Margaret: 1936

Bragozzi, Tony and Olive (curator of David Rockefeller's collection): 1960

Breck, George and Ruth: [1960]

Brennan, Francis: 1960

Brook, Alex: 1959 (2 letters)

Brook, Gina (wife of artist Alexander Brook): 1960

Brooks, James and Charlotte: [1960]

Brown, Clara D. (antiques dealer): [1935]

Brown, Yaeger: 1943 (2 letters)

Bruce, Edward: 1937

Bucks County Historical Society: 1950

Bufano, Beniamino: [1940-1942], undated (3 letters)

Bulau, Alwin E.: 1952

Burnham, Ralph Warren (antiques dealer): 1933

Byron, Evelyn S.: 1942 (memo from Wilda Sawyer)

Bywaters, Jerry: 1960

Calder, Alexander: 1956 (photocopy) and 1960

Calkins, K: 1936 (2 letters to Constance Rourke)

Campbell, Robert B.: 1960

Carolina Art Association: 1935-1950 (5 letters)

Carroll, Bob: 1960

Carroll, Eleanor: 1936

Castelli, Leo: 1960

Catlin, Tod: 1960

Cavanna, Elise: 1960

Chamberlain, Betty: 1960

Chanin, Abraham and Maralt (Museum of Modern Art): [1960]

Chapin, Lucy Stock: 1932-1933 (2 letters)

Chapman, Suzanne: 1946-1949 (2 letters)

Charm -- (Barbara Lee Johnson): 1929

Chermayeff, Serge (Institute of Design): 1948

Chichester, Jim Hinchman (college friend of Elizabeth Holt): 1960

Church, Elizabeth D. (antiques dealer): 1935 (including 10 photographs of folk art)

Citizens Committee for Support of WPA: 1937

Claflin, Agnes: 1960

Clark, Stephen C.: 1939

Cleveland Institute of Art: 1950 (letter from Alfred Barr)

Coffey, Katherine: 1960

Coggeshall, Calvert and Suzanne: 1956-1960 (2 letters)

Cole, Mrs. Charley Tidd (Friends of the FAP): 1940 (letter from Martha Davidson)

Colie, Annetta (Elizabeth Holt's sister): 1960

Colin, Georgia and Ralph: 1960

Collier, Nina (Index of American Design): 1936 (6 letters)

Collins, Lloyd and Lib: 1960

Colman, Anne (FAP, Michigan): 1937 (2 letters)

Colonial Williamsburg, Incorporated: 1935-1960 (13 letters)

Colorado Springs Fine Arts Center: 1939-1960 (3 letters)

Columbia Broadcasting System, Inc.: 1939 (contract for Cahill to broadcast "What's Art to Me" program)

Columbia University: [1939]

Conklin, Franklin (Newark Museum): 1944

Connolly, Elizabeth (FAP, Southern California): 1940

Cooper, Charlotte Gowing (FAP, Ohio): 1937-1937 (4 letters)

Cooper, Samuel C.: 1941 (including certificate of dissolution for the American Folk Art Gallery); 1951 (3 letters)

Corcoran Gallery of Art: 1950 (3 letters)

Cornelius, Charles: 1936 (2 memoranda from others)

Cosmopolitan Fire Insurance: 1931

Coussirat, Elizabeth (Index of American Design): 1936 (6 letters)

Crampton, Rollin: 1960

Craven, Thomas: 1944 (2 letters)

Crawford, Phyllis: 1945-1960 (4 letters)

Crofut, Edward F. (WPA and Museum of Modern Art): 1936-1938 (3 letters)

Cronin, Agnes S.: 1939-1944 (2 letters)

Crosby, Hildegard (FAP, Illinois): 1937-1949 (8 letters)

Culler, Julia Abbott: 1935

Cummin, Hazel (Index of American Design): 1937 (5 letters)

Curran, Mary (FAP, Pennsylvania): 1937 (2 letters)

Daly, Matthew A. (WPA): 1936 (2 letters)

Dana, John Cotton (Newark Museum): 1924-1925 (4 letters)

Daugherty, D. H. (American Council of Learned Societies): 1949 (11 letters)

Davidson, Jo: 1944 (letter to the Editor)

Davidson, Martha (Friends of the FAP): 1939-1940 (3 letters)

Davies, Terry: 1960 (2 letters)

Davis, Charles (artist): mentioned in invitation dated [1938]

Davis, D. and Phyllis: 1960

Davis, George Earl: 1952

Davis, Lew and Mathilde: 1960

Davis, Stuart: 1936-1960 (5 letters)

Dehner, Dorothy: [1960]

Delson, Sidney: 1958-1959 (2 letters)

de Nagy, Tibor: 1960

Dentsch, Hilda: [1941-1960] (2 letters)

DeVoto, Bernard: 1949 (4 letters)

De Young Memorial Museum: 1939

d'Harnoncourt, Rene: 1944-1960 (5 letters)

Dickinson, Edwin: 1960

Dienes, Sari (artist): 1960

Don, Michael: 1939-1940 (2 letters)

Donati, Enric: 1960

Douglas, Eric: 1949

Downtown Gallery: 1935

Dows, Olin (Treasury Relief Art Project): 1935-1960 (5 letters)

Dunbar, Anna: 1960

Duntley, Seibert Q.: 1941

du Pont, H. F.: 1950 (2 letters)

Durieux, Caroline: 1943

Durham, Mr.: 1936

Dutt, Alska: 1956

du Von, Jay: 1941

East Liverpool, Ohio, Chamber of Commerce: 1939

Eaton, Allen: 1938 and 1945

Edwards, Paul (WPA, Washington, D.C.): 1941

Eglington, Laurie (Index of American Design): 1936 (2 letters)

Eilshemius, Louis M.: 1931-1939 (2 letters)

Emery, Humphrey J. (American Handicraft Council): 1939

Emil, Allan and Kate (art collectors): 1960

Emmerich, Andre: 1960

Engineer Replacement Center, Fort Belvoir: 1941 (2 letters)

Essex Institute: 1950

Evans, Ernestine: 1947 (2 letters)

Evergood, Philip: 1944 (letter to the Editor)

Fairweather, Sally: [1960]

Feininger, Julia: 1960, undated

Feitelson, Lorser and Helen: 1943-1960 (3 letters)

Ferber, Herbert and Lisi: 1960 (2 letters)

Ferren, John: 1949 (2 letters)

Field, George H. (Federal Works Agency): 1943 (2 letters)

Flanagan, Hallie: 1949 (3 letters)

Fleming, Philip B.: [1943]

Fogel, Barbara: 1960

Follmer, Frank J.: 1942

Force, Juliana: 1946

'47 -- Magazine: 1946

Frankenberg, Lloyd: 1937 and 1960

French, Helen: [1960]

Frick Art Reference Library: 1946

Fried: Rose Fried Gallery: 1953

Friends of the FAP: 1939 (13 letters)

Fuller, Buckminster: 1942-1949 (including a brochure about the Dymaxion House)

Fultz, Harry T.: 1942 (memo from Fred Biesel)

Gaskin, William: 1940-1961 (12 letters)

Gates, Marguerite (Public Library of Newark, N.J.): 1929-1935 (3 letters)

Gavert, Olive Lyford (Alfred Barr's secretary): 1960

General Services Administration: 1950

Gershoy, Toni: [1960]

Gibbs, Peggy (widow of artist Howard Gibbs): [1960]

Giedion, Siegfried: mentioned in letter dated Oct 07, 1951

Glarner, Fritz: 1949 and 1960

Glassgold, Cook Adolph: 1936-1940 (43 letters)

Goldberg, Albert L. (Illinois Music Project): 1940

Goldberg, Mike: [1960]

Goldwater, Louise and Robert: 1960

Goodall, Donald B.: 1960

Goodchild, Donald: 1939

Goodrich, Lloyd (Whitney Museum of American Art): 1948-1960 (7 letters)

Goodyear, A. Conger: 1935-1960 (5 letters)

Gordon, Jack (Whitney Museum of American Art): [1960]

Gorsline, Douglas W.: 1950 (2 letters)

Gowing, Lawrence: 1960

Graham, Ralph (FAP, Illinois): 1941-1942 (3 letters)

Graves, Morris: 1946

Green, Wilder: 1960

Greenberg, Clement: 1960

Greenwell, Darrell J. ( -- Ogden Standard Examiner): -- 1949

Griffis, Toni (Mrs. Hughes Griffis): 1960

Griffith, E. J. (FAP, Oregon): 1938 and 1960

Grossman, Mrs. I. Donald: [1960]

Guerrero, Jose and Roxane: [1960]

Guggenheim, Olga: 1960

Gwathmey, Robert: 1944 (letter to the Editor)

Hale, Bob (Metropolitan Museum of Art): 1960

Hall, Edward T. (Universal School of Handicrafts): 1939

Halpert, Edith: 1930-1960, undated (20 letters)

Hardin, Shirley: [1960]

Hare, Michael M.: 1948

Harper's Magazine: 1943-1944 (2 letters)

Harrison, Preston: 1934

Hart, "Pop": 1930-1932 (2 letters)

Hartigan, Grace: 1960

Hasegawa, Saburo: 1952 (letter to Franz Kline, including typescript "Pictures of Alcopley")

Hatch, John Davis: 1960

Hatcher, Harry and Doris: 1960 (3 letters)

Haupers, Clement (FAP, Minnesota): 1937-1949 (5 letters)

Haydon, Hal: 1955

Henley, Helen B. (Wadsworth Atheneum): 1937 (2 letters)

Herbert, David: 1960

Hess, Thomas: 1960

Hinckley, Robert H. (American Broadcasting Co.): 1960

Hirsch, Joseph: 1960

Hofmann, Hans and Maria: 1960 (2 letters)

Holt, Elizabeth (art historian): 1960

Holzhauer, Mildred: 1937-1940 (4 letters)

Hope, Henry R. (Indiana Univ.): 1948-1949 (2 letters)

Hopkins, Harry L.: 1936-1943 (13 letters)

Horr, Axel (artist): mentioned in invitation dated [1938]

House Beautiful: 1950

Houston: Museum of Fine Arts of Houston: 1955

Hunter, Howard O.: 1941

Hunter, Virginia and Russell Vernon Hunter: 1951-1960, undated (4 letters)

Huxley, Julia S.: 1942

Illinois Art Project: 1941-1942 (6 letters)

Index of American Design: 1936 (form letter)

Interior: Department of the Interior: 1950 (3 letters)

Inverarity, Robert Bruce (FAP State Dir., Washington): 1937-1950 (5 letters)

Isaacs, Betty and Julius: 1960

Jackson, Martha: [1960]

Jerry, Sylvester (FAP, Michigan): 1939 (3 letters)

Johns, Jasper: 1960

Johnson, Anna: 1952

Johnson, Buffie: 1960

Johnson, Irene Edith: 1960

Johnson, Philip C.: 1960

Jones, Anne (Mrs. E. Powis Jones): 1960

Kallen, Horace (publisher): 1960

Karpel, Ray and Bernard (Museum of Modern Art): [1960]

Kavanaugh, George R. (Berea College): 1936

Kaye, Harold: 1958

Kayser, Dr.: 1954

Keck, Caroline and Sheldon (art conservators): 1960

Kellogg, Elizabeth R.: 1949 (2 letters)

Kent, Rockwell: 1944

Kerr, Florence (Work Projects Administration): 1940-1942 (4 letters)

Keyes, Homer Eaton ( -- Antiques -- Magazine): 1936

Kiesler, Frederick J.: 1960

Kiplinger, Walter M.: 1941 (4 letters)

Kipper, Katrina (antiques dealer): 1935 (3 letters)

Kirby, Mr. O. A.: 1941

Kleinholz, Frank: 1944 (letter to the Editor)

Kline, Franz: 1952 (letter from Saburo Hasegawa, including typescript "Pictures of Alcopley") and 1960

Knight, Frederic (Artists' Coordination Committee): Nov 1936 (5 letters)

Knight, Harry: 1960

Knittle, Rhea Mansfield: 1936-1937 (2 letters)

Kokoschka, Oskar: 1944

Kootz, Jane and Sam: 1960

Kroll, Eleanor: 1937 (2 letters)

Kuniyoshi, Yasuo: 1944 (2 letters)

Labaudt, Lucien: 1943 (4 letters)

Lane, Harry: [1960]

Laning, Clair: 1960

Leech, Nancy T.: 1949

Leeds, Harold Eliot (architect): 1960

Legg, Alicia (Museum of Modern Art curator): 1960

Leggett, Eugene S. (National Emergency Council): 1936 (letter from Harry Hopkins)

Leicester, Louise B. (American Handicraft Council): [1940]

Lekakis, Michael: 1960

Lemmon, Warren W.: mentioned in letter dated Mar 08, 1940

Levine, Jack: 1960

Levy, Julian: 1944 and [1960]

Lewis and Clark High School: 1939

Lewis, Elizabeth Ray: 1943

Life -- Magazine: 1944 (4 letters)

Lipman, Jean and Howard: [1960]

Lipscomb, Isabel (Work Projects Admin.): 1941 (3 letters)

Lipton, Seymour: [1960]

Litchfield, Elizabeth (Museum of Modern Art): 1941 - [1960] (3 letters)

Lowenthal, Edith and Milton: 1960

Lundy, Margaret: 1938

Lunsford, Bascom Lamar: 1936

Lyles, Mary E.: 1935

Mabry, Tom and Ethel: 1960 (2 letters)

Macdonald-Wright, Stanton: 1936-1955, undated (60 letters)

Macdowell Colony: 1960

MacLeish, Archibald: [1943] (letter from Philip B. Fleming)

Macmillan Company: 1946-1959 (24 letters)

Magazine of Art: 1948-1951 (10 letters)

Mapes, Col. Milton C. (Civilian Camouflage): 1941

March, Frank A. (Project Control Division): 1941

Marcus, Marcia: 1960

Marg -- Magazine: 1956 (6 letters)

Marx, Ione F.: 1942

Maryland Historical Society: 1950 (2 letters)

Matisse, Patricia (Pierre Matisse Gallery Corp.): [1960]

Mattis, Astria: 1960

Maverick Maury (Congressman, Texas): 1936 (3 letters)

Mayor, A. Hyatt (Metropolitan Museum): 1960

Mazo, Sara (widow of Yasuo Kuniyoshi): 1960

McAndrew, Betty and John: 1960

McCormick, M. R.: 1938

McCrady, John: 1943

McCray, Porter (Museum of Modern Art): 1960

McDonald, W. F. (American Council of Learned Societies): 1944-1949 (3 letters)

McKeague, Robert I. (Community Service Projects Section): 1937-1940 (8 letters)

McMahon, Audrey (WPA): 1936-1941 (7 letters)

McPharlin, Paul (Michigan WPA): 1937 (7 letters)

Metropolitan Museum of Art: 1953

Miller, Dorothy C. (Museum of Modern Art): 1936-1956 (27 letters)

Miller, Emma Guffey: 1938

Minnesota Historical Society: 1952

Morgan, Anne: 1938-1939 (5 letters)

Morley, Grace: 1960

Morris, Lawrence: 1937-1939 (2 letters)

Morris, Suzy (Mrs. George L. K. Morris): 1960

Morrison, Richard: 1936-1949 (6 letters)

Morsell, Miss: 1938

Motherwell, Robert: 1960

Museum of Modern Art: 1936-[1960] (4 letters)

Myers, Bernard: 1948

Myers, John (art dealer): 1960

Nakian, Reuben: 1960

Nash, Susan Higginson: 1934 (2 letters)

Nathan, Reuben S.: 1949 (3 letters)

National Gallery of Art: 1943-1993 (27 letters)

National Institute on Education and the War: 1943

Navy: Department of the Navy: 1941

Neuberger, Roy: 1960

Neumeyer, Alfred (Mills College): 1944

Nevelson, Louise: 1960

Newhall, Beaumont: 1941

New Hampshire: University of New Hampshire: 1939

Newman, Barnett: 1960

Newmeyer, S.: [1936]

New Republic: 1949 (letter from Lloyd Goodrich)

New York WPA Artists, Inc.: 1977 (including exhibition catalog "Then and Now")

New Yorker: 1948 and 1952

New York Herald Tribune: 1948-1952 (3 letters)

New York Public Library: 1949 (including copies of Index of American Design correspondence dated 1935-1936)

New York State Historical Association: 1949-1951 (4 letters)

[New York Times]: 1944

Neyland, Harry: 1935 (letter to Mrs. Rockefeller with 13 photographs of folk art)

Norman, Charles: 1960

Norman, Dorothy (Stieglitz protegee): 1960

Norman, Geoffrey (Works Projects Administration): 1941 (3 letters)

North Texas Agricultural College: 1939

Northrop, F. S. C.: 1947

Northwest Missouri State Teachers College: 1939

Norton, Ann: [1960]

Norwegian Folk Art Museum: 1949 (2 letters)

Odegaard, Charles E. (American Council of Learned Societies): 1949 (3 letters)

O'Hara, Frank (poet and art critic): 1960

Okada, Kimi and Keryo: 1960

Olmsted, Harold S.: 1954

Olsen, Catharine M.: 1941, undated (3 letters)

O'Neill, John P. (Historic American Buildings Survey, Department of the Interior): 1936 (5 letters)

Organ, Violet: 1949

Ormsbee, Thomas H. (editor, -- American Collector): -- 1936 (letter to Ruth Reeves)

Osborn, Elodie: 1960

O'Steen, Alton (Alabama Dept. of Education): 1943

Pach, Walter: 1939 (photograph of letter to Friends of the FAP)

Parker, Margaret: [1960]

Parker, Thomas C. (Federal Art Proj.): 1936-1940 (14 letters)

Parkinson, Eliza (Museum of Modern Art trustee): 1960

Parr, Russell C.: 1936

Parsons, Betty: 1960

Pedlar, Sylvia: 1960

Pedro, Luis Martinez: 1947

Peixotto, Ernest: 1936

P.E.N. Club, The: 1948

People's Art Center Association, St. Louis: 1952 (5 letters)

Pereira, Irene Rice and George Reavey: 1950-1953 (21 letters)

Perry, Beatrice (Gres Gallery): 1960

Philadelphia Museum of Art: 1950

Pickens, Alton: 1955

Pietan, Norman: 1948 and [1949]

Pilgrim Society: 1949 (2 letters)

Pollack, Peter: 1960

Pollak, Frances M. (WPA): 1936-1949 (7 letters)

Pollet, Elizabeth (widow of artist Joseph Pollet): [1960]

Pollock, Jackson: 1952 (photocopy)

Price, R. Moore: 1945

Public Use of Arts Committee: 1939

Purcell, Ralph: 1949 (4 letters)

Pyle, Edward Frederick: 1939

Ramsay, John: mentioned in memo dated Mar 31, 1936

Reeves, Ruth: 1936-1949 (55 letters including field reports)letters)

Reines, Harriet: 1938

Reinhart, Ad: 1952-1959 (3 letters)

Reynal and Hitchcock, Inc.: 1937

Richardson, E. P. (Detroit Institute of Arts; Archives of American Art): 1951-1960 (7 letters)

Riefstahl, Elizabeth: 1936

Ritchie, Andrew C.: 1944 (2 letters)

Rivers, Larry: 1960

Robinson, Boardman: 1936 and 1960

Rockefeller Center, Inc.: 1934 (contract for the First Municipal Art Exhibition)

Rockefeller Foundation: 1949

Rockefeller, David: 1960

Rockefeller, John D., Jr., and Abby A.: 1934-1940 (4 letters)

Rockefeller, John III, and Blanchette: 1951-1960 (3 letters)

Rockefeller, Nelson A.: 1934-1960 (6 letters)

Rockefeller, Peggy: 1960

Roesen, Severin: mentioned in letter dated Mar 02, 1938

Roosevelt, Franklin D.: 1936-1940 (3 letters)

Rosenbaum, Belle ( -- New York Herald Tribune): -- 1949-1960 (4 letters)

Rosenwald, Janet: 1937 and 1960

Rothko, Mark: 1960

Rourke, Constance: 1935-1938 (57 letters)

Rowan, Edward B. (Treasury Department, Section of Painting and Sculpture): 1936-1943 (5 letters)

Rubenstein, Erica B.: 1945 (3 letters)

Rubenstein, Sarah (Museum of Modern Art): 1960

Russell, Morgan: 1950-1951 (2 letters)

St. Petersburg Federal Galleries: 1939

Sandoz, Mari (writer): 1960

Sawitzky, William (painting researcher): 1935 (2 letters)

Sawyer, Wilda A.: 1942

Saxon, Lyle: 1943

Schaefer, Bertha: [1960]

Scharf, Bill: [1960]

Scheidt, Melvin E. (War Relocation Authority): 1943

Schmidt, Katherine: 1944 and 1960

Schnitzer, Robert C.: 1949

Schwabacher, Ethel: 1960 (2 letters)

Scott, Cecil: 1960 (2 letters)

Scott, Phyllis C.: 1936-1937 (2 letters)

Scull, Ethel and Bob (art collectors): [1960]

Seckar, Alvena V.: 1946

Seeger, Charles: 1936

Selz, Peter and Thalia: 1960

Shaw, Charles: 1960

Simms, Agnes (artist): 1960

Siporin, Mitchell: 1943-1960 (4 letters)

Sloan, Helen (Mrs. John Sloan): 1951 and 1960

Sloane, William: 1945

Smedley, Agnes: 1947 (letter from Ernestine Evans)

Smith College: 1944-1950 (6 letters)

Smith, Ferdinand: 1952

Smith, Geneva: 1942 (memo from Frank J. Follmer)

Smith, Gordon M. (Index of American Design): 1936-1937 (8 letters)

Smith, Holly and Sam: [1960]

Smith, Joseph Lindon: mentioned in letter dated Mar 28, 1950

Smith, Laura: 1938-1939 (5 letters)

Smith, Louise: 1960

Smith, Margery Hoffman (FAP, Oregon): 1938

Soby, James Thrall: 1948-1960 (5 letters)

Soderblom, Nathan: 1922 (in Swedish)

Solomon, Saul (Cahill's doctor): 1960

Soyer, Moses: 1944 (letter to the Editor)

Spark, Mrs. Victor: 1960

Speck, Walter: 1939 (2 letters)

Spencer, Betty (Niles Spencer's first wife): 1960

Spencer, Catherine (Mrs. Niles Spencer): 1952-1960 (8 letters)

Stamos, Theodoros: 1960

Standards: National Bureau of Standards: 1941

State: Department of State: 1939 (3 letters)

Stavenitz, Alexander: 1937

Steegmuller, Francis: 1960

Stella, Joseph: 1936 (2 letters)

Sterner, Albert: 1935

Stieglitz, Alfred: 1932 and 1934

Stier, W. (Project Review Section): 1941

Still, Clyfford: 1953-1956 (4 letters)

Stix, Hugh: 1960

Stock, Joseph (artist): mentioned in letters dated 1932 and 1933

Stout, Rex: 1944

Strickland, Sidney: 1949 (2 letters)

Studio Publications, Inc.: 1951

Sunami, Soichi: 1960

Swasey, Jeannette: [1935]

Sweeney, Jim: [1960]

Tabak, Maynatalie (colleague of Jackson Pollock): [1960]

Taub, Alex: 1942 (memo from Buckminster Fuller)

Taylor, Francis Henry: 1939 and 1952

Taylor, Miss: 1936

Thomas, Yvonne (artist): 1960

Thomley, John: 1949

Thoms, Mr.: 1936 (letter from Matthew Daly)

Thorgurson, Nina: [1960]

Tobey, Mark: 1954 and 1960

Tobey, Judith (Resettlement Administration): 1936

Townsend, Gertrude: [1937]

Townsend, Mr.: 1938

Tranum, Carl K.: 1949 (2 letters)

Triggs, Clayton E.: 1940 (4 letters)

Turner, Katherine: [1935]

Tworkov, Jack and Wally: 1960

Uht, Charles (photographer of Nelson Rockefeller's collection): 1960

United American Artists: 1940

Valentin, Curt: 1954

Valentine, Chapin: 1932

Valentiner, W. R. (Detroit Institute of Arts): 1933

Varian, Dorothy: 1960

Viviano, Catherine (art dealer): [1960]

Volkmer, Jean (Museum of Modern Art conservator): [1960]

von Wiegand, Charmion (artist): 1960

Walker, Hudson D.: 1960

Walley, Jano and John: 1949 and 1960

Ward: 1925 and 1960 (3 letters)

War Department: 1938-1941 (5 letters)

Warren, William (FAP, Connecticut): 1937

Wasey, Jane: 1960

Washburn College: 1939

Washburn, Gordon (Albright Art Gallery): 1960

Washington: The State College of Washington: 1939

Watrous, Harry W.: 1936

Watson, Forbes: 1949

Webb, Aileen (American Handicraft Council): 1938 (4 letters)

Weber, Max: 1922-1960 (6 letters)

Weisenborn, Fritzi (Mrs. Rudolph Weisenborn): 1950

Wendt, Gerald (Time, Inc.): 1944 (2 letters)

Weston, Edward: 1936

Wharton, Frances L.: 1935 (2 letters)

Wheeler, Monroe (Museum of Modern Art): 1960

White, Francis Robert: 1944

White, Jim: 1960

Whitelaw, Robert N. S.: 1960

Whitney Museum of American Art: 1949 and 1979

Whyte, James C.: 1942

Wilfred, Thomas: 1960

Williams, Aubrey (WPA): 1936

Williamsburg Restoration, Incorporated: 1935 (4 letters)

Winchester, Alice ( -- Antiques -- Magazine): 1950-1951 (6 letters)

Winser, Beatrice: 1924-1944 (6 letters)

Winter, Anna K. (antiques dealer): 1935

Wisconsin: State Historical Society of Wisconsin: 1939

Woodstock Artists Association: 1960

Woodward, Ellen S.: 1936-1938 (3 letters)

Worcester, Wakefield (architect): 1936

Wright, Russell (industrial designer): [1960]

Wyn: A. A. Wyn, Inc.: 1951

Youngerman, Jack: 1960

Zegri, Armando (Galeria Sudamericana): 1960

Zimmerman, Fred and Dorothy: [1960]

Zorach, William: 1936-1960 (3 letters)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg, Series 2
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bfd0f186-dabc-4de0-b3c7-0556a4b4fab6
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref23

P-R

Collection Creator:
Dehn, Adolf, 1895-1968  Search this
Container:
Box 4, Folder 16
Type:
Archival materials
Date:
1934-1974
Scope and Contents note:
Pepsi-Cola

Palm Springs Desert Museum

Pennsylvania Academy of the Fine Arts

Peter M. David Gallery

Philadelphia Art Alliance

Philadelphia Museum of Art

Pratt Center for Contemporary Printmaking

Prentice-Hall

Print Club of Rochester

Rochester Art Center

Rockefeller University

Rosenwald, Lessing J.

Roth and Riseman

Rudolph Galleries
Collection Restrictions:
Use of originals requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Adolf Dehn papers
Adolf Dehn papers / Series 2: Correspondence / 2.2: Business Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3e3313a-cd6a-4c2d-b220-da16f7d2e463
EDAN-URL:
ead_component:sova-aaa-dehnadop-ref163

Skull of Zurbarán

Artist:
Salvador Dalí, Spanish, b. Figueras, 1904–1989  Search this
Medium:
Oil on canvas
Dimensions:
39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)
Type:
Painting
Date:
1956
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1027
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Surrealism (European)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2e2f8412e-2ad4-42e6-bdf0-f02f290e71db
EDAN-URL:
edanmdm:hmsg_66.1027

The Terminal

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
30 1/8 x 40 1/8in. (76.5 x 101.9cm)
Type:
Painting
Date:
1937
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1163
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29e6c3e56-53d4-4409-a603-e06026ce0d2e
EDAN-URL:
edanmdm:hmsg_66.1163

Tropes de Teens

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
45 1/4 X 60 1/4 IN. (114.8 X 153.0 CM.)
Type:
Painting
Date:
(1956)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1164
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ddedc8b7-345f-4b23-96d2-77ce205b4c51
EDAN-URL:
edanmdm:hmsg_66.1164

Rapt at Rappaport's

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
52 x 40 in. (132.8 x 101.4 cm)
Type:
Painting
Date:
1952
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1165
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2250a1435-9d26-4445-a63f-af94692812da
EDAN-URL:
edanmdm:hmsg_66.1165

Quarry, Riverdale

Artist:
Edwin Dickinson, American, b. Seneca Falls, New York, 1891–1978  Search this
Medium:
Oil on canvas
Dimensions:
16 1/8 X 21 3/8 IN. (41.0 X 54.3 CM.)
Type:
Painting
Date:
1953
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1350
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22c0e2b77-f928-47d2-bcd4-279349bf3036
EDAN-URL:
edanmdm:hmsg_66.1350

Pat's Studio, Provincetown

Artist:
Edwin Dickinson, American, b. Seneca Falls, New York, 1891–1978  Search this
Medium:
Pencil on paper
Dimensions:
7 1/16 X 4 11/16 IN. (17.9 X 11.9 CM.)
Type:
Drawing
Date:
1933
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1351
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22c8c0122-4cd8-470f-8b3a-a6cc73c2ed70
EDAN-URL:
edanmdm:hmsg_66.1351

Self-Portrait

Artist:
Edwin Dickinson, American, b. Seneca Falls, New York, 1891–1978  Search this
Medium:
Oil on canvas
Dimensions:
26 1/4 X 24 3/8 IN. (66.6 X 61.8 CM.)
Type:
Painting
Date:
1954
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1359
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a4cba008-36af-4003-a7d8-a9ddbdd49d6f
EDAN-URL:
edanmdm:hmsg_66.1359

Nude with Pine Cone (Marie)

Artist:
Edwin Dickinson, American, b. Seneca Falls, New York, 1891–1978  Search this
Medium:
Oil on canvas
Dimensions:
29 × 21 in. (73.7 × 53.4 cm)
Type:
Painting
Date:
1939
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1363
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py229b08223-001b-485f-9ce6-8e31259c713a
EDAN-URL:
edanmdm:hmsg_66.1363

Study for "Portrait of Van Gogh" V

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil and sand on canvas
Dimensions:
78 1/8 × 54 1/8 in. (198.7 × 137.5 cm)
Type:
Painting
Date:
(1957)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.187
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a19d4ea5-a698-41f8-844b-99e187c82c3c
EDAN-URL:
edanmdm:hmsg_66.187

Beware-Danger American Dream #4

Artist:
Robert Indiana, American, b. New Castle, Indiana, 1928–2018  Search this
Medium:
Oil on canvas
Dimensions:
four panels, each: 36 1/8 × 36 in. (91.6 × 91.5 cm); overall, diagonal: 102 1/4 in. (259.5 cm)
Type:
Painting
Date:
1963
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.2540
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Art (American)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28e3ec392-151d-469b-b137-0e95fa2e0d8c
EDAN-URL:
edanmdm:hmsg_66.2540

Composition (Marchand de Couleurs)

Artist:
Man Ray, American, b. Philadelphia, Pennsylvania, 1890–1976  Search this
Medium:
Oil and pencil on linen
Dimensions:
22 X 28 7/8 IN. (54.3 X 73.3 CM.)
Type:
Painting
Date:
1929
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3232
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Dada/Fluxus
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py25fdedda7-e26d-4c2a-bdab-c11445ac598b
EDAN-URL:
edanmdm:hmsg_66.3232

Dogfight Over the Trenches

Artist:
Horace Pippin, American, b. West Chester, Pennsylvania, 1888–1946  Search this
Medium:
Oil on canvas
Dimensions:
18 x 33 1/8 in. (45.6 x 84.2 cm)
Type:
Painting
Date:
(c, 1939)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4071
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Outsider Art
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py203a2af7d-fd7e-4394-bf75-5528cbadde07
EDAN-URL:
edanmdm:hmsg_66.4071

Beach at Gloucester

Artist:
Maurice Prendergast, American, b. St. John's, Newfoundland, Canada, 1858–1924  Search this
Medium:
Oil on canvas
Dimensions:
30 5/8 X 43 1/8 IN. (77.9 X 109.3 CM.)
Type:
Painting
Date:
(c. 1918-1921)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.4130
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Impressionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py25babace8-cc10-48bc-bf98-e3d7f6c51c50
EDAN-URL:
edanmdm:hmsg_66.4130

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