This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by Stephen Diamond, the Roy Lichtenstein Foundation, and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Found here is Andrew Dasburg's extensive correspondence which spans over seventy years, documenting both his personal and professional life. One third of the correspondence is between Dasburg and his first wife, Grace Mott Johnson. most of which was written during their marriage. These candid letters discuss daily activities, social events, travels, including Dasburg's time in Paris in 1910 and trip to Europe in 1914, news of mutual friends, artwork, and problems with their relationship.
Also found is Dasburg's correspondence with his second wife, Nancy Lane around the time of their marriage in 1928, and correspondence with his third wife, Marina Wister Dasburg during the periods that she visited her family in Pennsylvania; most of these letters are written by Marina. Dasburg's correspondence with his son, Alfred, consists of brief letters sharing news of their travels, family, and personal matters.
General correspondence primarily consists of Dasburg's correspondence with other family members, friends, colleagues, scholars, universities, and galleries. Where they exist, Dasburg's outgoing letters are interfiled with letters he received in a chronological arrangement. Dasburg was friends with many artists who, like him, were part of regional art colonies in Taos and Santa Fe, New Mexico, and Woodstock, New York. He also maintained friendships with artists he met in Europe and other travels and at the Art Students' League. Correspondents includes Kenneth Adams, Thomas Hart Benton, George Biddle, Dorothy Brett, Alexander Brook, Lucienne Chinard Clemens, Howard Cook, Russell Cowles, Vida Hunt Francis, Lewis Garrison, Marsden Hartley, Norbert Heerman, Richard Hollander, Lila Wheelock Howard, Charles Kassler, Mary Aubrey Keating, Carl Eric Lindin, Ward Lockwood, Erle Loran, Hayes Lyon, Henry Lee McFee, John Gaw Meem, Loren Mozley, Dickson Reeder, Louis Ribak, Paul Rohland, Alfred Stieglitz, Earl Stroh, Carl Van Vechten, Alice Morgan Wright, and Stanton Macdonald-Wright, among many others. Dasburg also corresponded with many former students including Edwin Gamble, Willard Nash, Alice Naylor, and Earl Stroh. Also found are letters from writers John Howard Griffin, Witter Bynner and Miriam Hapgood De Witt as well as art critics and historians such as Robert M. Coates, Oliver Larkin, and Stanley Lothrop. Dasburg maintained extensive correspondence with close friend, art patron and Taos resident, Mabel Dodge Luhan.
A small amount of correspondence with galleries, universities, museums, curators, and scholars concerns exhibitions, sales, or research. Additional topics found within his correspondence are American Indian rights in New Mexico and his medical treatment for Addison's disease.
See Appendix A for a list of correspondents from Series 1.2.
Appendix A: Correspondents from Series 1.2: Andrew Dasburg Papers, General Correspondence:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
The papers of Bill Barrett measure 8.9 linear feet and 2.70 GB and date from 1930-2013, with the bulk of the material dating from 1950-2013. The collection consists of biographical material, lectures, exhibition files, scrapbooks, printed and digital material, artwork, sketchbooks, and photographic materials that document Bill Barrett's career as a sculptor and painter.
Scope and Contents:
The papers of Bill Barrett measure 8.9 linear feet and 2.70 GB and date from 1930-2013, with the bulk of the material dating from 1950-2013. The collection consists of biographical material, lectures and a talk, exhibition files, scrapbooks, printed and digital material, artwork, sketchbooks, and photographic materials that document Bill Barrett's career as a sculptor and painter.
Biographical material documents Barrett's awards from Audubon Artists and the Hakone Open Air Museum. Also included is an interview with Bill Barrett. Lectures and a talk consist of recordings on five videocassettes. Four lectures by Barrett were presented in conjunction with exhibition installations featuring his work. There is also a talk about public art given to a local community board in Sarasota, Florida. Exhibition files record openings of installations at galleries and the homes of private collectors via nine video cassettes and one digital recording. Nineteen scrapbooks document Barrett's solo and group exhibitions, public and private commissions as well as teaching positions and speaking engagements from circa 1970-2013.
Printed material includes some laminated display cards advertising Barrett's sculptures, a few reproductions of sculptures, and a monograph on the artist's work. Artwork by Bill Barrett consists of five pencil sketches of sculptures and five drawings that were used as preliminary studies for Barrett's paintings. Thirteen sketchbooks mostly contain preliminary studies for Barrett's sculptures; a few of the sketchbooks are annotated. Photographic materials include slides of artwork from 1959-1979 and a portfolio of digital prints of Bill Barrett's sculptures and paintings.
Arrangement:
The collection is arranged as 8 series.
Missing Title
Series 1: Biographical Material, 1987-1994 (Boxes 1, 11; 0.1 linear ft.)
Series 2: Lectures and Talk, 1978-1987, 2000-2003 (Box 1; 0.3 linear ft.)
Series 3: Exhibition Files, 1978-2012 (Boxes 1-2; 0.8 linear ft., ER01; 1.08 GB)
Series 4: Scrapbooks, circa 1930-2013 (Boxes 2-7; 6.1 linear ft., ER02; 0.872 GB)
Series 5: Printed Material, circa 1990-2011 (Boxes 7-8, 11; 0.2 linear ft., ER03; 0.746 GB)
Series 6: Artwork, 1971, 1995-2002 (Boxes 8, 11; 0.2 linear ft.)
Series 7: Sketchbooks, circa 1950s-1995 (Boxes 8-9; 1.0 linear ft.)
Series 8: Photographic Materials, 1959-1979, circa 2012-2013 (Box 10; 0.2 linear ft.)
Biographical / Historical:
Bill Barrett (1934-) is a sculptor and painter in New York and New Mexico.
Harry Stanford Barrett IV, known as Bill Barrett was born in Los Angeles, California in 1934. His father, Stan Barrett was a painter and teacher; his mother, Theodora Barrett was a homemaker. Bill Barrett attended the University of Michigan from 1958-1960 receiving a Bachelor of Science in Design, a Master in Science, and a Master of Fine Arts in Sculpture. By the late 1950's, Barrett had gained recognition for his welded sculptural works. His work was included in group shows at the Indiana Art Center and the Detroit Institute of Arts; his sculptures were acquired by museums and universities for their collections. During this period, Barrett held teaching positions at the Cleveland Institute of Art (1963-1964), the University of Michigan (1960-1968), and City College of New York (1970).
Bill Barrett had his first exhibition in New York at the Jason Gallery in 1967. By the 1970's, Barrett had set up a studio in New York City's Tribeca neighborhood and his fabricated aluminum sculptures were featured in the 1970 Whitney Biennial as well as in group exhibitions at the 10 Downtown, Andre Emmerich Gallery, and the Benson Gallery. In the 1980s, Bill Barrett's style evolved from abstract, geometric shapes to more fluid, expressive designs. Also, the Shidoni Foundry in New Mexico was overseeing the fabrication of Barrett's larger sculptural works. He was invited by Debora Hicks, daughter of the Foundry's owner, Tom Hicks to show his work at the Shidoni Sculpture Gardens, and since then, he has been a regular exhibitor at Shidoni. In 1992, Bill Barrett and Debora Hicks married, setting up a home and studio in New Mexico. Influenced by the landscape of New Mexico, Bill Barrett returned to painting and he has had several exhibitions that featured both his paintings and sculptures. In recent years, Barrett also designs jewelry.
Bill Barrett has participated in over 100 exhibitions held at galleries, museums, and other arts venues in the United States, Europe, and Japan. He has received numerous commissions to design both indoor and outdoor sculptures from individuals, corporations, academic institutions, local and state governments. Barrett has served as the President of the Sculptors Guild and he is a member of the Century Club and the National Arts Club. He has been awarded the Audubon Artists Gold Medal of Honor in Sculpture, the Chaim Gross Foundation Award for Audubon Artists, the Hakone Open Air Museum Award in Tokyo, and the Reynolds Memorial Award for Sculpture.
Bill Barrett has two sons and a daughter from a previous marriage. He and Debora Hicks Barrett divide their time between New York and New Mexico.
Provenance:
The collection was donated in 2014 by Bill Barrett.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Valparaiso University, Sloan Galleries of American Paintings
Van Buren, Jessica T.
Van Evera, Caroline
E. H. Van Ingen and Co.
Van Pelt, Andrew
Van Veen, S.
Vander Poel, H. B.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
Federal Art Project. Photographic Division Search this
Container:
Box 25, Folder 10
Type:
Archival materials
Date:
circa 1935-circa 1942
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
Correspondence is with artists, museums, galleries, arts organizations, students, and family. Correspondents include Benny Andrews, Romare Bearden, Vivian Browne, Thomas Frey, Joseph Greenberg, Patrick King, Hughie Lee-Smith, Harvey Overton, Jonathan Wynberg, Harwood Arts Center, Howard University, LewAllen Gallery, Midtown Galleries, New Mexico African American Artists Guild, the Smithsonian Institution Anacostia Museum and several additional African American arts organizations, and many more. Topics range from personal daily life to lectures requests to exhibition solicitations. Of particular note is correspondence concerning Ida Y Vuelta, Gammon's only international exhibition in Rodez, France.
Arrangement:
This series is arranged alphabetically by correspondent.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
This subseries includes letters from Walter Annenberg, Julie Eisenhower, Alfred Eisenstaedt, Mrs. Douglas Fairbanks, and Prince Ranier of Monaco. Six letters from Pat Nixon include photographs of Henriette Wyeth Hurd finishing Mrs. Nixon's portrait.
See Appendix for a list of correspondents from Series 2.3.
Arrangement note:
Folders are arranged alphabetically by correspondent. Some of the folders contain letters from a single correspondent and some contain letters from a range of correspondents, all or whom are not listed in the folder title.
Appendix: Correspondents from Series 2:3:
Abell-Hanger Foundation, 1969-1970
Abilene Club, 1950
Abilene Fine Arts Museum, 1973-1974
Abrams: Harry N. Abrams, Inc., 1963-1971
Abrums, Mrs. John Denise, 1973
Academy Foundation, 1955-1971
Accademia Culturale Adriatica d'Italia, 1949
Achenbach, Col. H. F., 1967
Acosta, Manuel G., 1961-1971
Addison Gallery of American Art, 1968-1969
Addison-Wesley Publishing Company, 1968
Adkins, Eugene B., 1965-1975
Admirals Club, 1962-1972
Ainsworth, Mrs. Ed, 1967-1969
Air Force: see Academy Foundation; see Headquarters [U. S. Air Force] see Headquarters of Fifteenth Air Force
Albert, Harry B., 1954-1969
Albuquerque National Bank, 1963-1969
Alexander, George W., 1974
Alford, J. R. T., 1971
Allen, David, 1967-1968
Allen, Douglas, 1971-1972
Allen, Evelyn, 1967
Aller, Robert, 1974
Alley Book Stall, 1951-1968
Allred, Dr. E. C., 1974
Amarillo Art Center, 1973-1974
Amarillo Public Schools, 1951
America The Beautiful Fund, 1965-1973
American Artist, 1962-1974
American Artists Group, Inc., 1937-1946
American Association of Museums, 1969
American Broadcasting Company, 1966
American Embassy in Mexico, 1965-1966
American Factors, Limited: see AMFAC
American Federation of Arts, 1938-1947
American Heritage, 1964-1975
American Institute of Architects, 1959
American Medical Association, 1965
American Museum of Natural History, 1969-1970
American Orchid Society, Inc., 1951
American Watercolor Society, 1962-1973
AMFAC (American Factors, Ltd.), 1949-1969
Amick, L. D., 1960
Anderman, George G., 1970-1971
Anderson, Clinton P., 1941-1971
Anderson, Donald B., 1962-1967
Anderson, Donald James, undated
Anderson, Mildred K., 1968
Anderson, Robert O., 1954-1972
Andrews/Nelson/Whitehead, Inc., 1964
Annala, Ronald, 1969
Annenberg, Walter H., 1967-1973
Architectural Digest, 1973
Arizona: see Babbitt, Bruce
Arizona Bank, 1973
Arizona Highways, 1952-1974
Arizona State Fair, 1954
Arizona State University, 1965
Armstrong, 1963
Artesia: College of Artesia, 1967-1971
Arthur, Zinn, 1954
Art in America, 1963
Art Institute of Chicago, 1935-1941
Artists Equity Association, Inc., 1965-1974
Artists Showroom, 1973
Artists/USA, Inc., 1970
Ash, Frances and Bob, 1969
Asia Foundation, 1959
Aspen Institute for Humanistic Studies, 1962-1974
Associated American Artists, 1936-1975
Aston, Rogers, 1972-1973
Atlantic Monthly Press, 1955-1968
Atwood, Bob, 1967
Austin, Flavius, 1973-1974
Ayer: N. W. Ayer & Son, Inc., 1942-1950
Ayers, Thomas G., 1972-1973
Aylward, Nell, undated
Babbitt, Bruce, 1982
Bacon, Ernst, 1965-1969
Bailey, Kenneth, 1967-1974
Bailey, William S., 1963-1968
Baker Company, 1969
Baker, Frederick, 1970
Baker, Straus, 1964-1968
Bales, Bob, 1962-1966
Balis, C. Wanton, 1950-1951
Ball, Eve, 1966
Ball, Ralph, 1974
Ball, Robert L., 1947
Ballantine, Bill, 1969
Ballin, Hugo, 1937
Barbee Welding Supply Co., 1984
Barnard, Jacqueline, 1968
Barnes, Courtlandt D., 1968-1969
Barnes, Katrina M., undated
Barnes, W. U., 1966-1968
Barry, Claude and Dana, 1974
Bass, Perry, R., 1958-1978
Bates, Jack, 1951-
Beal, Carlton, 1968-1970
Beam: Jim Beam Bottle Project, 1969-1970
Beitz, Lester, 1946
Bell, Carol Ann, 1967
Bencsik Gallery, 1974
Bennett, Fred, 1967
Berger, Tom, 1974
Bergman, B., 1970
Betancourt, Romulo, 1964-1967
Biddle, Francis, 1966
Biddle, John H., 1971
Biggs, John, 1937-1981
Bishop, John, 1950-1951
Bishop Printing & Litho Co., 1971
Bissell, Mrs. Alfred, undated
Black, D. Eric, 1969
Black, Vance, 1972
Blair Galleries, 1966-1970
Blake, Dorothy, undated
Blakenship, W. B., 1968-1969
Blaustein, Julian, 1957-1958
Blue Lake Project, 1969-1972
Blumenstock, Mrs. George, 1972
Bockius, R. W., 1967
Bogle, Dorothy, 1951-1966
Bohemian Club, 1967-1969
Boise Art Association, 1964
Bolt, Reggie, 1966
Bonfoey, Kay, 1973
Bonney, Cecil, 1965
Bonney, William, 1976
Book of the Month Club, Inc., 1971-1972
Book Stall, 1969
Boren, James, 1968
Borton, Hugh, 1970-1980
Bouldin, Marshall, 1968
Bowden, A. J., 1971
Bowers: Charles W. Bowers Memorial Museum, 1964-1965
Bowlin's Mesilla Book Center, 1967
Bowman, Frank, 1950-1963
Bradford, Dewey C., 1961-1965
Bradley, Palmer, 1965
Branch, Hampton, 1964
Brandywine Galleries, Ltd., 1970-1973
Brandywine River Museum, 1979
Branham, Mary, 1961
Brantley, Alexandra, 1974
Brass Door Galleries, 1974
Breck, Louis W., 1960-1965
Breese, E. W., 1967
Breidster, W. Fritz, 1967
Brenton, Daniel, 1969
Brewer, Mike, 1961
Brice, Charles R., 1956
Briggs, James, 1961
Briggs, Randall W., 1960-1974
British Broadcasting Corp., 1942
Brook, A., 1965
Brown, Arthur, 1964
Brown, John F., 1969-1970
Brown, Raymond, 1969
Browne, Mrs. Spencer, 1961
Browser's Magazine, 1972
Brusher, Hal, 1973
Buckingham, L. J., 1969
Bunting, Mrs. Frederick W., 1965-1966
Bureau of Reclamation, 1969-1974
Burgess, Ryk, 1971
Burnham, Alice, 1971
Burress, Mary, 1972
Busch, Niven, 1946-1973
Business Men's Assurance, 1962-1972
Butcher, Mrs. Cary P., 1964-1965
Butler, Charles, 1969
Butler Institute of American Art, 1967
Butoler, Olivia, undated
Bynner, Witter, 1940-1975
Byrom, Gilliam, 1973
Cabell, Charles P., 1953-1967
California Institute of the Arts: see Bales, Bob
Carlin Galleries, 1981
Carroll, John M., 1969-1971
Carter, Jimmy, undated envelope fragment
Chester Art Guild: see Dawson, James
Chicago: see Art Institute of Chicago
Circle Gallery, Ltd., 1972-1974
Coe Kerr Gallery, Inc.: see Busch, Niven
Colorado: University of Colorado, undated
Copley, James S., 1967-1973
Cosmos Club, 1960-1967
Country Gentleman, 1941-1952
Coward-McCann, Inc., 1944-1957
Craver Farms, 1982
Daeuble: Carroll, Daeuble, Du Sang and Rand, 1967
Dahl, Bjarne B., 1973
Dailey, Fred, 1972
Dakota Artists Guild, 1969
Dale, Mrs. Chester, 1966
Dall Smith, Inc., 1963-1967
Dallas Museum of Fine Arts, 1937-1960
Dallas Terminal Annex, 1938-1978
Dalrymple, Mrs. Glen, 1965
Daniels, Charles E., undated
Darlington, Carol S., 1964
Darlington, Jack, 1967
Darnell, Casey and Blair, 1965
Dartmouth College, 1960-1961
Datsun endorsement, 1972-1979
Daughtery, Frank, 1959
Davenport, Mrs. O. H., undated
Davey, Danny, 1969-1971
Davidson, Barbara, 1968-1969
Davidson, Harry M., 1967
Davis, John, 1956
Davis, Larry, 1967-1968
Davis, Morgan J., 1961-1969
Davis, Mrs. Ray V., 1954-1966
Davis, W. B., 1967
Dawley, David G., 1967
Dawson, James, 1970
Day, Fred, 1951
Dean, Susan, 1965-1967
Deane, Martha, 1968
Decorators' Showcase, 1967
Deere & Company, 1972
Delaware: University of Delaware, 1978
Dena, Benito Palomino, 1967-1970
Denkhoff, Ray, 1967
Denman, Franklin & Denman, 1967
Dent: J. M. Dent & Sons, 1965
Dent, Mrs. John, 1966
Desert Magazine, undated
Desert Magazine Art Gallery, 1962-1963
Dietz, Mrs. Robert, 1965
Diggdon, Philip D., 1974
Dillon, Austin, H., 1969-1971
Dixon, Don, 1968
Dixon, George, 1959
Dobie-Paisano Project, 1965-1966
Dobson, B. C., 1967
Dodds, R. W., 1949
Dohanos, Stevan, 1963
Dolan, Eugene, 1969
Donald Art Company, Inc., 1964
Donti, Jerrold, 1968
Doornbos, E., 1966
Dougherty, Dudley T., 1967
Douglas Art Association, 1972
Dow, James, 1961-1968
Dow: Louis F. Dow Co., 1955-1956
Drake, Blaine, 1963-1967
Drankow, Mrs. Matty, 1966
Dressel & Altman, 1967
Driskell, Mrs. Joseph, 1967-1968
Dunn, Fern, 1968
Dunn, Helen, 1967
Dupre, Grace D., 1965-1972
Dysart, Cabot, 1963-1967
Easter, Sister Claretta, 1966-1967
Easterling, Ross, 1969
Eastern New Mexico University, 1963-1979
Eastern Washington State Historical Society, 1964
East Texas State University, 1961-1970
Eaton, Bonnie, 1968
Eaton, L.?, 1952
Eaton, Nan and Bob, 1965-1970
Eckman, Mary, 1966
Edinburgh Regional College, 1951-1952
Editions Press, 1973
Edwards, J. W., 1969
Egri, Ted, 1959
Ehrt, Herbert A., 1951
Eiseman, Douglass W., 1961
Eisenhower, Julie: see Nixon, Pat
Eisenstaedt, Alfred, 1968
Eliot, Alexander, 1970
Elliott, Ben, 1965
Elliott, George, 1951-1972
Elliott, Hazel, 1967
Elliott, Will, 1941
Elliston, Lura Duff, undated
Elms Gallery, 1964
El Paso Museum of Art, 1961-1978
Embry, W. Glenn, 1953-1966
Emmet, Barton, 1965-1966
Emmet, John, 1966-1967
Encyclopaedia Britannica, 1944-1977
English, Frances Bonnell, 1969
Ericson, Andrea, undated
Espinoza, Noel, 1969
Esty: William Esty Company, 1962
Evans, Annie Mae, 1962
Evans, Dorothy T., 1965-1973
Evans, Elinor, 1972
Evans, Ernestine, 1968
Evans, G. W., 1960-1961
Evans, Ira K., undated
Evans, Joe M., undated
Evans, Louise, 1955-1967
Evans, Truett, 1962-1970
Ewbank, H. R., 1954
Ezell, James Kerry, 1970
Fairbanks, Mrs. Douglas, 1971
Falkner, Mrs. Herbert, 1970
Fall, Hugh V., 1936
Faltermeier, Robert, 1973
Family Circle Magazine, 1954
Farm Journal, 1950-1970
Farnsworth Television & Radio Corp., 1942-1948
Farr, R., 1965
Farrar & Rinehart, 1940
Farrington, Mrs. L. H., 1946
Faude, Susan, 1967-1968
Faudree, William, 1977
Fauntleroy, O. W., 1959-1960
Faver, Robert M., 1974-1975
Feather, G. A., 1951
Fedway [Department Store], 1965
Feist, Herbert E., 1971
Felpes, undated
Ferargil, Inc., 1950
Ferguson, Tana, undated
Ferguson, Thomas, 1967
Fergusson, Erna, 1951
Ferroni, Brimo, 1947
Ferrucci, Mario, 1968
Fideler Company, 1952
Field Enterprises Corp., 1965-1975
Fielding, William, 1967
Film Enterprises, 1972-1973
Fine Arts Commission, 1959-1962
Finley, David Edward, 1965-1969
Fireman's Fund, 1967
First National Bank of Albuquerque, 1970
First National Bank of Chicago, 1962-1974
Flannery, Vaughan, undated
Flannery, W. E., 1954
Fleetwood, Charles, 1969
Fleischmann, Justin and Lillian, 1966-1971
Fleming, Joseph, 1970
Fleming, Pat, 1968
Flynn, J. Walter, 1960-1966
Fogg Art Museum, 1940-1971
Foote, Cone, & Belding, 1949-1955
Ford, Jesse Hill, 1965
Ford Motor Company, 1950-1969
Ford, Merrill, 1965-1968
Fort, Tomlinson, 1961-1973
Fortune, Cedric, 1973
Foster, Mrs. Maurice, 1969
Foster, Robert, 1971-1973
Foust, Chester, 1955-1961
Fowler, Frank N., 1973-1974
Fox, Chris, 1966-1967
Francis, Helen, 1974
Frank, Paul A., 1946
Franklin Mint, 1970-1973
Franklin Pierce College, 1968
Frauwirth, Sidney, 1964-1965
Friedberg, Opal, 1967
Friends Magazine, 1962-1964
Frison, Don, 1969-1970
Fuller, Charles D., 1968
Fulton, R. H., 1969
Fundingsland, Mrs. S. E., 1974
Georgia: University of Georgia, 1980
Goddard, Robert H., 1964-1971
Golden Anniversary Friendship Flight, 1962
Grant, W. D.: see Business Men's Assurance
Guelph: University of Guelph (Ontario, Canada), 1977
Hacker, George, 1951
Hackley Art Gallery, 1949-1954
Hadley, John M., 1970
Haeberle, Peter, 1970-1971
Hagberg, Peter, 1967
Hagerman First National Bank, 1962
Hale, Mrs. D. L., 1978
Hall Brothers, Inc., 1951
Hall, Walter B., 1969
Halliburton, Erle, 1968
Hallmark Cards, Inc., 1949-1962
Halsey, Admiral, 1945 (letter signed by secretary)
Halteman, Theodore, 1968
Hamilton, Donald W., 1969-1970
Hamilton, Jim, 1970
Hamilton, John, 1966
Hamilton, Minard, 1961
Hammer Galleries, 1962
Hammer, Mrs., 1964
Hamner, Laura, 1939-1965
Hanna, Mrs. Dan R., 1966
Hanrahan, James S., 1961
Hanes, Mabel, 1964
Hardcastle: George Hardcastle and Son, Inc., 1962
Hardy, Gladys E., 1970
Harman, Fred, 1969
Harmon, H. R., 1955-1956
Harper, Mrs. Gerald, 1973
Harris, Mrs. Charles Lee, 1971
Harris, Mrs. Henry B., 1975
Harris, W. T., 1965-1968
Harrison, John R., 1966-1970
Harrison, Milton, 1964-1967
Harvard Art Review, 1969
Haswell, Anthony, 1964
Hatch, Francis W., 1967-1970
Hathaway, C., 1966
Haverford College, 1951-1981
Hawkins, Gardiner, 1972-1974
Hawkins, H. H., 1967
Hawks, John, 1967
Haynsworth, Mrs. R. F., 1971
Headquarters [U. S. Air Force], 1942-1976
Headquarters of Fifteenth Air Force, 1955-1966
Healey, Giles Greville, 1964
Heard, John F., 1965
Heart Association of Broward County, 1966-1969
Heath, Robert and Jean, 1976-1980
Heckman: W. L. Heckman Co., 1967
Heineman, Ben W., 1966-1976
Helbis, John and Shirley, 1966
Hemmle, Agnes and Gene, 1967
Henderson, undated
Henderson, Charles, 1950-1965
Hensley, Gene, 1970
Hensley, Jackson, 1967-1968
Hercules Powder Company, 1953-1974
Hergesheimer, Joseph, 1925-1941
Heron, Clyde, 1969
Herrin, Lex, 1967
Heston, Loomis, 1969-1970
Hettinger: H. I. Hettinger & Co., 1953
Hevenor, Richard K., 1969
Heyser, Estill S., 1950
Heywood, Barrett H., 1975
Hickman, Charles S., 1973
High Mesa College, 1968
Hightower, Frank, 1971
Hildebrand, Ira, 1967-1971
Hilliard, H. T., 1966-1969
Hinkle, Clarence E., 1959-1972
Hirsch, Peter, 1966
Hirschi & Adler, 1967-1968
Hissom, R. J. 1967-1971
Hitch, Henry C., 1968-1970
Hoard, Mary C., 1973-1974
Hodson, R. J., 1968
Hoffer, Clarence W., 1961
Hogg, Eleanor H., 1963
Hogsett, Glade C., 1959
Holden, W. Curry, 1950-1977
Holle, Charles G., 1968-1969
Holliday: W. J. Holliday & co., 1951
Hollister, Paul, 1971
Holman, Herschel E., 1960
Holmes, Myrtle, 1972
Holt: Henry Holt and Company, Inc., 1956
Holt, Robert B., 1968-1971
Homer, Jack, 1951
Hondo Valley Traffic Safety, 1963
Honolulu Art Association, 1971
Hoopes, Clement R., 1971
Hoover, Mrs. Thomas B., 1964
Hopwell, Mrs., undated
Hopwood, Mrs. W. J., 1975
Horgan, Ed, 1950-
Horwitz, Mary Lou, undated
Horgan, Paul: see Correspondence, Letters to and from Paul Horgan
Hosford, Penny, 1965
Hotton, Esther H., 1964-1965
Houghton Mifflin Company, 1943-1972
House & Garden, 1955-1975
Houston Chronicle, 1966
Houston Post, 1954
Howard, Eldon B., 1967-1968
Howard Roy, 1963
Hubbard, Jere, 1967-1968
Hughes, Ruth, 1972
Huling, Ray G., 1974
Hulse, Max D., 1968-1970
Humble Oil & Refining Company, 1955-1961
Hunsaker, Joe Ben, 1968
Hunt, Robert N., 1948
Hunter Gallery, 1969
Hunter, Pamela, 1972
Hurley, Norma, 1971
Hurley, Wilson D., 1968
Hutchins, Susan, 1923-1928
Interior: Department of the Interior: see Bureau of Reclamation
MacNider, Jack, 1972
McKee, John J., 1971-1982
Mesilla Design Center: see Bowlin
Mexico: see American Embassy in Mexico
National Academy of Design, 1982-1989
New Mexico: Office of the Governor, 1981
New Mexico State University: see Anderson, Clinton P.
New Mexico: University of New Mexico, Albuquerque, 1975-1978
Nixon, Pat, 1978-1980
Oklahoma: University of Oklahoma Press, 1975-1977
Quivira Bookshop: see Dietz, Mrs. Robert
Rainier: Prince Rainier of Monaco, 1976
Reagan, President and Mrs., 1981 and 1984 (Christmas cards designed by Jamie Wyeth)
Rockefeller, Mrs. John D., III, 1978
Rummell, Mrs. W. B., 1983
St. John's College, 1963-1977
St. Vincent Hospital, 1979
Schumpert, Billy, 1968
Scripps College, 1977
Smithsonian Institution, 1978
Suzette International, 1981
Swallow Press, Inc., 1969-1977
Tankersley, Mrs. Garvin, 1975-1978
Taylor, Robert, 1976
Texaco, 1977-1982
Texas A&M University, 1980-1982
Texas Centennial Exposition, 1936
Texas-New Mexico Library Association, 1976-1977
Texas: University of Texas, Austin, 1964-1979
Thompson, Daniel V., 1975
Treidel, Mrs. Walter, 1974-1975
Trigg, Mrs., undated
Twaddell, Kristie, 1975
United States Information Agency, 1975-1976
Vance, Mrs, Alex, 1975-1978
Vance, "Monk", 1975
Vinson, Bailie, 1959-1978
Vollum, Orville, 1973-1975
Wagley, Philip F., 1977
Walbridge, Norton S., 1976
Walker Air Force Base, 1954-1967
Walters, Richard H., 1975
Waltrip, Rufus, 1972
Watson-Guptill Publications, 1969-1975
Watson, Jo Ann, 1974-1975
Waxman, Lilo, undated
Webster, Jack, 1976-1980
Weitzenhoffer, Mrs. Aaron M., 1976
West, W. F., 1979
Western Fine Arts Foundation, 1974-1977
Whetstone Fine Framing, 1980
Wiggins, Walt, 1978
Wilkerson, Tom, 1975-1977
Wilkinson, Kirk C., 1979
Willis, Ken, 1978-1979
Willner, Catherine, 1979
Wilmington Savings Fund, 1973-1975
Wilmot, Paul D., 1977
Wilson: Sandra Wilson Galleries, 1977
Wilson: Woodrow Wilson Fine Arts, 1980
Wood, Dennis, 1975
Woods, Carol R., 1980
Woodsmall, Warren O., 1976
Woodson, Weldon D., 1977
Woodward, Daniel E., 1975
Woodworth, Charlie H., 1978
Woolfitt, Adam, 1969
Woolley, Bennett L., 1972
Woolvin, Sam, 1976
Wyeth, Betsy, 1976
Wyeth: Nicholas Wyeth, Inc., 1978
Wyoming: University of Wyoming, 1976
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Hurd and Henrietta Wyeth Hurd papers, 1917-1993. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Lichtenstein Foundation.
Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.
See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)
Abingdon Square Painters: 1958 (1 letter)
Addison Gallery of American Art: 1958 (2 letters)
American Artists' Congress: 1938 (1 letter)
American Library of Color Slides: 1941 (1 letter)
Anderson, Claude J. K.: 1958 (1 letter)
Anderson, Wendell (poet): 1955-1956 (2 letters)
Archives of American Art: 1964 (4 letters)
Art Academy of Cincinnati: 1958-1959 (3 letters)
Art Association of Newport: 1958 (1 letter)
Art Career School: 1958 (1 letter)
Artists Equity Association: 1950 (1 letter)
Arts and Architecture: 1963 (1 letter)
Art Students League: 1958-1964 (2 letters)
Art Times: 1959 (1 letter)
Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)
Ashton, Dore: 1969 (1 letter)
Ayer, Phyllis: 1956 (1 letter)
Bachels, Andrew: 1969 (1 letter)
Barnett, Rici: 1973 (1 letter)
Barron, John N.: 1966 (1 letter)
Beasley, David and Viola: 1963-1978 (11 letters)
Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)
Bethers, Peggy: 1940 (1 letter)
Blesh, Rudi: 1960 (1 letter)
Board of Education, City of New York: 1958-1965 (2 letters)
Booth, James W. (family friend): 1943-1956 (7 letters)
Brooklyn Society for Ethical Culture: 1966 (1 letter)
Brown, Lesley: 1955 (1 letter)
Burke, Bob: 1971 (1 letter)
Burnham, Janet B.: 1950 (1 letter)
Bute, Janey: 1971 (1 letter)
Calcagno, Lawrence: 1969-1977 (5 letters)
Calder, Alexander: 1970-1972 (2 letters)
California Palace of the Legion of Honor: 1964 (1 letter)
California School of Fine Arts: 1955-1964 (2 letters)
California: University of California at Berkeley: 1940 (1 letter)
California: University of California at Santa Clara: 1975-1976 (2 letters)
Carewe, Sylvia: 1969 (1 letter)
Carr, James F.: 1967 (1 letter)
Chase Manhattan Bank: 1971 (2 letters)
Chisholm, Stuart (landscape architect): 1925 (1 letter)
Clayton, Janice: undated and 1965-1974 (6 letters)
Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)
College Art Association: 1949 (1 letter)
Colorado Springs Fine Arts Center: 1952-1970 (4 letters)
Cooke, Regina: 1955 (1 letter)
Cooley, Anne: 1941 (1 letter)
Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)
Craig, Jeanne: 1963 (2 letters)
Crawford, Jane and Ernie: 1958 (3 letters)
Crehan, Hub and Anne: 1960 (1 letter)
Crewe, Sylvia: 1969 (1 letter)
Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)
Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)
Cunningham, Ben: 1950 (1 letter)
D'Arcangelo, Allan and Sylvia: 1965 (1 letter)
Dasburg, Andrew: 1961 (1 letter)
DePuy, John: 1964 (1 letter)
Diebenkorn, Richard: 1951 (1 letter)
Dilexi Gallery (L. James Newman): 1965 (1 letter)
Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)
Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)
Garcia, Enos: 1954 (1 letter)
Georgiadis, Alex: 1951 (1 letter)
Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)
Gluck, Heidi: 1977 (1 letter)
Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)
Gomez, Joe: undated and 1971 (2 letters)
Grant, Bob: 1953-1972 (2 letters)
Grant, Carolyn: 1969 (1 letter)
Great Neck Board of Education: 1960 (1 letter)
Grimm, Marjorie: 1973 (1 letter)
Grossmann, Nancy: 1966 (1 letter)
Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)
Harwood Foundation: 1953-1956 (2 letters)
Harris, Roger: 1973 (1 letter)
Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")
Heischman, R. L.: undated (1 letter)
Hill, Dorothy: 1967 (2 letters)
Hocks, Fred: 1952 (1 letter)
Howard, Ellen and Galen: 1957 (1 letter)
Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)
Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)
Hultburg, John and Lynne: 1959-1974 (5 letters)
Huntsville Museum of Art: see Braunstein/Quay Gallery
Hurst, Tricia: 1977 (1 letter)
Hutchinson, Mrs. D. H.: 1925 (1 letter)
Illinois: University of Illinois at Urbana: 1952 (2 letters)
Jackson: Martha Jackson Gallery: 1965 (1 letter)
Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)
Jonson Gallery: 1969-1970 (2 letters)
Kadish, Reuben: 1958 (1 letter)
Kahl: Leone Kahl Gallery: 1964 (1 letter)
Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)
Keeney, James: 1963 (1 letter)
Kieve, Rudolph: 1971 (3 letters)
King, Vivie and Rufus: 1977 (1 letter)
Kingman, Dong: undated calling card
Kuhlman, Walt: 1957 (2 letters)
Kultberg, Lynne and John: 1965 (1 letter)
Labaudt, Lucien: 1943 (1 letter)
Labaudt, Marcelle: 1956 (1 letter)
Landgren, Paula: undated (1 letter)
Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962
LaPlante, John (Stanford University): 1949 (1 letter)
Lazarus, Rosalind: 1960 (1 letter)
LeBow-Gould Associates: 1958 (3 letters)
Lee, Martha: 1957 (1 letter)
Lehman, Margarett: 1957 (1 letter)
Letter Shop: 1956 (1 letter)
Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)
Lippincott, Janet (artist): 1955-1956 (5 letters)
Lockwood, Ward: 1952 (1 letter)
MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)
MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)
Macdowell Colony: 1975 (1 letter)
Machcinski, Barbara: 1971 (1 letter)
MacIntyre, Carlyle F.: 1945 (1 letter)
Maes, Virginia: 1941 (1 letter)
Mare, Doris and Emil: 1969 (1 letter)
Marse, John J.: 1962 (1 letter)
Marter, Joan: 1977 (3 letters)
Martin, Agnes: 1958-1975 (3 letters)
Massey, Ellen DeSelms: 1940 (2 letters)
McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)
McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)
McCormick, Herbert: 1951 (1 letter)
McDonald, Katharyn: 1963-1964 (2 letters)
Merlin Development Company: 1962 (1 letter)
Merrick, Barbara: 1975 (1 letter)
Meyer, Fleur Cowler: 1968 (1 letter)
Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)
Moore Dry Dock Company: 1942 (2 letters)
Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)
Mygatt, Tony: 1954 (1 letter)
National Collection of Fine Arts: 1977 (1 letter)
Neininger, Urban and Jeanne: 1950-1976 (48 letters)
New Mexico Highlands University: 1958-1969 (3 letters)
New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)
New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)
New York City Transit Authority: 1962-1963 (2 letters)
New York Saucer Information Bureau: 1962-1965 (2 letters)
New York University: 1958-1960 (3 letters)
Oakland Museum (Terry St. John): 1970-1977 (33 letters)
O'Connor, Francis V.: 1979 (1 letter)
Ohio State University: 1958 (1 letter)
Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)
Olmsted, Frederick: 1943 (1 letter)
Oregon: University of Oregon: 1974-1975 (2 letters)
Ortman, George: 1964 (2 letters)
Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)
Oxford University Press: 1949 (1 letter)
Parrett, Fred C.: undated and 1954 (2 letters)
Peale, Norman Vincent (office of): 1975 (1 letter)
Pepsi-Cola Annual Art Competition: 1947 (2 letters)
Peterson, Arline? and Pete: 1955-1957 (2 letters)
Petrovo, Miriam: 1961-1971 (11 letters)
Pitney, Peggy and Ed: 1948 (1 letter)
Queens College: 1958 (2 letters)
Ramsay, Anna R.: 1954 (1 letter)
Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)
Remington, Deborah: 1963 (1 letter)
Reminick, Harry: 1954 (1 letter)
Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)
Ribak, Louis and Bea: 1954-1976 (5 letters)
Richards, Tally: 1971-1980 (5 letters)
Ridiman, Bob: 1963-1970 (4 letters)
Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)
Rosebury, Amy and Ted: 1954 (1 letter)
Rosen, Michael: 1970-1974 (4 letters)
Roswell Museum and Art Center: 1977-1978 (6 letters)
Rothko Foundation: 1971-1975 (4 letters)
Rothko, Mark and Mell: 1946-1958 (8 letters)
Rusnell, Wesley: 1972-1979 (13 letters)
Sachs Gallery: undated and 1968 (2 letters)
St. John's College: 1969 (1 letter)
Salzer, Oscar: 1955 (1 letter)
Sanders, Una and John: 1975-1977 (6 letters)
Sands, Louis: 1948 (1 letter)
San Francisco Art Association: 1939-1955 (19 letters)
San Francisco Museum of Art: 1949-1977 (18 letters)
Saxe, Suzanne: 1972-1973 (2 letters)
Scarpitta, Pat and Sal: 1968 (1 letter)
Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)
School of Visual Arts: 1964-1970 (86 letters)
Schubart, Pauline: 1950 (1 letter)
Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)
Shiras, Mary: 1958-1965 (10 letters)
Sihvonen, Oli: 1953-1977 (66 letters)
Slivka, David: 1954 (1 letter)
Smith, Hassel: 1948 (1 letter)
Spoerri, John: 1965-1977 (10 letters)
Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)
Stanford University: 1946 (1 letter)
Stephens, Dick and Carolyn: 1960-1965 (3 letters)
Stevens: Arthur Stevens Book Club: 1968 (1 letter)
Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)
Strehler, Allen (Sociologist): 1954 (1 letter)
Summers, Al: 1952 (1 letter)
Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)
Sznajderman, Marius: 1967 (1 letter)
Taggart, Bill, Sandy, and Sean: 1968 (1 letter)
Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)
Taos Realty: 1968-1969 (3 letters)
Tatarsky, Hy and Muriel: 1952-1957 (2 letters)
Tatarsky, Stephanie: 1963-1964 (7 letters)
Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)
Temianka, Henri: 1941 (1 letter)
Tensan, Keith and Gene: 1957 (1 letter)
Terrain Gallery: 1960 (1 letter)
Terry Art Institute: 1951-1952 (7 letters)
Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)
Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)
Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters
Van Duren, Allan and Betsy: 1953 (1 letter)
Van Ingen, Pat: 1973 (2 letters)
Varda, Yantoo?: 1949 (1 letter)
Visual Arts Gallery: 1967 (2 letters)
Vollmer, George A.: 1945-1948 (3 letters)
Von Herberg, Charlotte: 1950-1958 (2 letters)
Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)
Wandell, Walt and Doreen: 1958 (1 letter)
Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)
Wehrer, Anne: 1974 (1 letter)
Whaley, Bill: 1974 (1 letter)
White, Minor: 1963 (1 letter)
Who's Who In American Art: 1952-1969 (5 letters)
Who's Who In The Midwest: 1959 (1 letter)
Who's Who In The West: 1959 (1 letter)
Willard, Charlotte: 1960-1967 (3 letters)
Williams, Matilda A.: 1958 (1 letter)
Wilmans, Margery and Steve: 1974 (1 letter)
Winston, James W.: 1941 (1 letter)
Wise: Howard Wise Gallery: 1962 (1 letter)
Woelffer, Emerson and Diana: 1955-1958 (5 letters)
Wood, Ralph: 1960-1970 (5 letters)
Wright, Dorothy: 1926 (1 letter)
Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)
Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Gerald and Bente Buck. Funding for the digitization of this collection was provided by Gloria Marchant.
Museum of the American Indian, Heye Foundation Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957 Search this
Container:
Box 262A, Folder 3
Type:
Archival materials
Date:
1928 - 1968
Restrictions:
Image number 011 "Holiday Handcraft" has been removed from the slideshow due to culutral sensitivity.
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This subseries primarily contains letters concerning McCoy's career in architectural history and criticism. Her career in fiction writing is covered to a lesser degree. Among the correspondents are researchers, writers, professors, architects, art professionals, publishers, and professional associations. Topics covered include research and writing projects, Los Angeles area preservation and restoration projects, and grant projects.
Major correspondents in this series include the American Institute of Architects, the Graham Foundation, City of Los Angeles Cultural Heritage Board, Domus Magazine, Los Angeles Times, editor Monica Pidgeon, architectural critics Reyner Banham, David Gebhard, William Jordy, Robin Middleton, Allan Temko, and Nathan Shapira, and architects J. R. Davidson, Craig Ellwood, Joseph Giovannini, Hans Hollein, A. Quincy Jones, and Bruno Zevi. Also found is extensive correspondence with the University of California, Berkeley, Santa Barbara, and Santa Cruz. Correspondence for 1959 contains a letter from Albert Camus requesting McCoy's assistance with helping Spanish refugees, and correspondence for 1989 contains photographs of Esther McCoy and others at the Athenaeum at Caltech for the third annual gala of the Historical Society of Southern California.
See Appendix for a list of selected correspondents from Series 2.3.
Arrangement note:
Material is arranged chronologically. The bulk of McCoy's correspondence with architects is arranged in Series 6: Architect Files. Additional correspondence pertaining to specific projects can be found in Series 4: Architectural Writings and in Series 5: Project Files. Correspondence in this series complements the files found in these other series and they should be consulted together for a better understanding of McCoy's career.
Appendix: Selected Correspondents from Series 2.3:
Abbot, Mary Squire (McIntosh and Otis, Inc.), 1949, 1950, 1953, 1957
Adahura, Yuki, 1942
Adams, Christopher, 1962
Albinson, Don, 1989
Alexander, Christopher, 1965
Allen, Albert, 1968
Amantea, Kirjah, 1982
Ambre, Reuth, 1986
American Academy in Rome, 1970
American Federation of Arts, 1966
American Film Institute, 1975
American Institute of Architects, 1959, 1967, 1968, 1969, 1972, 1973, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989
American Institute of Interior Designers, 1974
Anderson, Sherwood, undated
Andrews, Wayne, 1983
Architecture -- , 1985
Architecture in Australia, 1974
Architectural Forum -- , 1965, 1966, 1968
Architectural History Foundation, Inc., 1982, 1983, 1984
Architectural Publishing Co., 1967
Architectural Record -- , 1959
Archive of Women in Architecture, 1975
Archives of American Art, 1984, 1985, 1986, 1987, 1989
Graham Foundation for Studies in the Fine Arts (Carter Manny), 1964, 1965, 1966, 1968, 1969, 1970, 1971, 1974, 1975, 1978, 1979, 1981, 1983, 1984, 1985, 1986, 1987, undated
Granger, Kathleen, 1981
Gray, Paul, 1977
Greenbaum, Katherine, 1980
Greene, Herb, 1971, 1972, 1976, undated
Greenhill, Nigel, 1973
Gregory, Dan, 1982, 1984, 1986, 1987
Guss, Jack, 1961
Hall, Milly, 1970, 1976, 1977
Hanks, David, 1986
Harnish, John, 1960
Harper and Row, 1979
Harper's Bazaar -- , 1951, 1952, 1961
Harris, Robert, 1981, 1982
Harvard Architecture Review -- , 1977, 1979
Harvey, Harold E., 1972, 1973
Haupt, Peter, 1967
Hayden, Dolores, 1984, undated
Helene Wurlitzer Foundation of New Mexico, 1967, 1969
Hernandez, Diana, 1976, undated
Herron, Ron, 1969
Hess, Alan, 1985
Hillyer, Elinor, 1949
Hinerfeld, Susan and Robert, 1984
Hines, Tom, 1971, 1975
Historical Society of Southern California, 1988, 1989
University of California, Santa Barbara, 1966, 1969, 1972, 1982, 1987
University of California, Santa Cruz, 1972, 1973, 1974, 1978, 1979
University of Cambridge, Department of Architecture, 1975
University of Oklahoma, 1949, 1985
University of Pennsylvania, 1984
University of Southern California, 1970
University Press of Kentucky, 1974
University Prints, 1957
University Women's Club, 1972, 1975, 1983
Vaccarino, Donna, 1989
Van Doren, Phyllis, 1984
Veret, Jean-Louis, 1960
Ventre, Francis T., 1985
Veronesi, Giulia, 1966, 1974
Via -- , 1976
Victor Gruen Foundation for Environmental Planning, 1972
Victor, Michael, 1983
Voelcker, John, 1968
Von Breton, Harriette, 1969
Von Eckardt, Wolf, 1981, 1983, 1984
Vreeland, Thomas, 1965, 1969, 1974, 1984
W. W. Norton and Co., 1966
Walker Art Center, 1975
Walker, Derek, 1982
Walker, Sam, 1985
Walton, Billy, 1986
Ward, Robert and Sandra Williams Photography of Architecture, 1977, 1978
Ward, Robertson, 1981
Wasserman, Steve, 1984, 1985, 1986
Waugh, Arthur B., 1959
Wayne, June, 1981, 1985
Weirick, James, 1970, 1974
Weiss, Peggy, 1982, 1984
Wemple, Emmet L., 1974, undated
Western Association of Art Museums, 1967
Wicks, Ebba L., 1949
Wight, Frederick S., 1966
Wilk, Christopher, 1987
William Morris Agency, 1957
William Morrow and Company, Inc., 1950
Williams, Alexander Kruse, 1985
Williams, Wayne R., 1952, 1953, 1972
Wills, David, 1969
Wilson, Forrest, 1972, 1975, 1983,1987
Wilson, Richard Guy, 1981
Winslow, Carleton Monroe, 1969, undated
Winter, Bob, 1964, 1975, 1976, undated
Woman's Building, 1987
Woman's Day -- , 1957
Women's Architectural League, 1981
Wood, Donna, 1981
Woodbridge, Sally, 1977, 1982
Woollen, Evans, 1983, 1984
Wright, Eric Lloyd, 1984
Writers Guild of America, West, 1967, 1969
Wurster, William, 1964
Zevi, Bruno, 1959, 1960, 1963, 1965, 1974
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.