Search Results

Possible attribution:

Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827  Search this

Assisted by:

James Peale, 1749 - 24 May 1831  Search this

Sitter:

George Washington, 22 Feb 1732 - 14 Dec 1799  Search this

Medium:

Oil on canvas

Dimensions:

Stretcher: 126.7 × 103.8 cm (49 7/8 × 40 7/8")

Type:

Painting

Place:

United States\Pennsylvania\Philadelphia\Philadelphia

Date:

c. 1779

Topic:

Costume\Headgear\Hat  Search this

Costume\Headgear\Military  Search this

Exterior  Search this

Nature & Environment\Clouds  Search this

Nature & Environment\Plant\Tree  Search this

Home Furnishings\Drape  Search this

Costume\Hair Accessory\Wig  Search this

Nature & Environment\Animal\Horse  Search this

Costume\Dress Accessory\Sash  Search this

Human Figures\Soldier  Search this

George Washington: Male  Search this

George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this

George Washington: Politics and Government\Statesman\Colonial statesman  Search this

George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this

George Washington: Military and Intelligence\Army\Officer\General  Search this

George Washington: Politics and Government\President of US  Search this

George Washington: Science and Technology\Surveyor  Search this

George Washington: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

Owner: Rago Arts & Auction Center

Object number:

DLR02266

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm453f2de5c-cb7f-4ccd-ab8d-a781f31fd255

EDAN-URL:

edanmdm:npg_DLR02266

Creator:

Kiesler, Lillian, 1910?-2001  Search this

Names:

Anthology Film Archives  Search this

Hans Hofmann School of Fine Arts  Search this

John Simon Guggenheim Memorial Foundation  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

University of Iowa, Museum of Art  Search this

Whitney Museum of American Art  Search this

Adnan, Etel  Search this

Andres, Jo  Search this

Arnaud, Leopold, 1895-1984  Search this

Bartos, Armand P., 1910-  Search this

Bultman, Fritz, 1919-1985  Search this

Buscemi, Steve, 1958-  Search this

Castelli, Leo  Search this

Copley, Alfred L.  Search this

Diller, Burgoyne, 1906-1965  Search this

Dlugoszewski, Lucia, 1931-2000  Search this

Dorazio, Piero, 1927-  Search this

Dorazio, Virginia Dortch  Search this

Dreier, Katherine Sophie, 1877-1952  Search this

Dubuffet, Jean, 1901-  Search this

Duchamp, Marcel, 1887-1968  Search this

Hawkins, Erick  Search this

Hodges, Alice  Search this

Hofmann, Hans, 1880-1966  Search this

Holtzman, Harry  Search this

Howe, George, 1886-1955  Search this

Kamler, Richard  Search this

Kiesler, Frederick  Search this

MacIver, Loren, 1909-  Search this

Meredith, Burgess, 1907-1997  Search this

Milius, Tom  Search this

Miller, Henry, 1891-  Search this

Mondrian, Piet, 1872-1944  Search this

Montgomery, Chandler  Search this

Owen, Jane Blaffer, 1915-2010  Search this

Purdy, James  Search this

Takaezu, Toshiko  Search this

Tawney, Lenore  Search this

Zogbaum, Wilfrid, 1915-1965  Search this

Extent:

49.1 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Scrapbooks

Sound recordings

Diaries

Interviews

Scripts (documents)

Motion pictures (visual works)

Date:

circa 1910s-2003

bulk 1958-2000

Summary:

The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

Scope and Content Note:

The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.

Arrangement:

The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)

Biographical Note:

Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.

Related Material:

The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.

Separated Material:

Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.

Provenance:

The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Set designers -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Performance artists -- New York (State) -- New York  Search this

Art patrons -- New York (State) -- New York  Search this

Topic:

Architects -- New York (State) -- New York  Search this

Exhibition designers  Search this

Women artists  Search this

Women educators  Search this

Women painters  Search this

Women performance artists  Search this

Function:

Art schools -- Massachusetts

Art Schools -- New York (State)

Genre/Form:

Scrapbooks

Sound recordings

Diaries

Interviews

Scripts (documents)

Motion pictures (visual works)

Citation:

Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kieslill

See more items in:

Lillian and Frederick Kiesler papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915

EDAN-URL:

ead_collection:sova-aaa-kieslill

Creator:

Warshaw, Isadore, 1900-1969  Search this

Names:

Tiffany and Company  Search this

Extent:

2.31 Cubic feet (consisting of 4.5 boxes, 1 folder, 4 oversize folders, 1 map case folder, 1 flat box (partial). )

Type:

Collection descriptions

Archival materials

Mail order catalogs

Catalogues

Commercial correspondence

Advertisements

Trade literature

Business records

Commercial catalogs

Exhibition catalogs

Ephemera

Invoices

Print advertising

Business cards

Auction catalogs

Trade catalogs

Manuals

Sales records

Manufacturers' catalogs

Sales letters

Business letters

Periodicals

Business ephemera

Trade cards

Illustrations

Sales catalogs

Correspondence

Receipts

Catalogs

Printed ephemera

Letterheads

Publications

Date:

1823-1947

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

Products represented are predominately household, personal item, and religious articles made from silver such as spoons, flatware, wedding silver, bridal sets, cutlery, utensils, drinking mugs, cups, serving ware, vases, center pieces, candle holders and candelabrums, award cups and trophies, coffee and tea sets, jewelry, watches, urns, chandeliers, lamps, other lighting instruments, communion sets, and Ecclesiastical works.

Includes sterling, standard, silver plated, hand wrought silver, silverette, electro plated, with also occasional information pieces on the manufacture, shaping, and care of silver such as melting, spinning, presses and rolls, repoussé work chasing and snarling, and polishing .

Businesses include general merchants, specialty dealers, auction houses, and silversmiths.

Materials represent a sampling of daily transactions such as receipts and invoices for purchases. No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry.

Arrangement:

Silver is arranged in four subseries.

Business Records and Marketing Material

Genre

Subject

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Silver is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Silversmiths  Search this

Topic:

Silver  Search this

advertising  Search this

Silverwork  Search this

Sales promotion  Search this

Urns  Search this

Vases  Search this

Kitchen utensils  Search this

advertising -- Business ephemera  Search this

Implements, utensils, etc.  Search this

Cutlery trade  Search this

Chandeliers  Search this

Candles  Search this

Consumer goods -- Catalogs  Search this

Tea  Search this

Plates (Tableware)  Search this

Gifts -- 1850-1860  Search this

Art auctions  Search this

Auctions  Search this

Genre/Form:

Mail order catalogs

Catalogues

Commercial correspondence

Advertisements

Trade literature

Business records

Commercial catalogs

Exhibition catalogs

Ephemera

Invoices

Print advertising

Business cards

Auction catalogs

Trade catalogs

Manuals

Sales records

Manufacturers' catalogs

Sales letters

Business letters

Periodicals

Business ephemera

Trade cards

Illustrations

Sales catalogs

Correspondence

Receipts

Catalogs

Printed ephemera

Letterheads

Publications -- Business

Citation:

Warshaw Collection of Business Americana Subject Categories: Silver, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Silver

See more items in:

Warshaw Collection of Business Americana Subject Categories: Silver

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8457a24d5-117f-426b-9a76-c1935ba391eb

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-silver

Medium:

High tin bronze

Dimensions:

H x W x D: 31.1 × 18 × 18.2 cm (12 1/4 × 7 1/16 × 7 3/16 in)

Type:

Sculpture

Origin:

Indonesia

Date:

8th-9th century

Topic:

Buddhism  Search this

Buddha  Search this

Indonesia  Search this

Southeast Asian Art  Search this

Credit Line:

Gift of Ann and Gilbert Kinney

Accession Number:

S2015.25

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

F|S Southeast Asia

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye32321aec8-f83a-4094-801d-7cbef1320af9

EDAN-URL:

edanmdm:fsg_S2015.25

Collection Creator:

Roser, Ce  Search this

Extent:

0.3 Linear feet (Box 1, OV 2)

Type:

Archival materials

Date:

1964-1979

Scope and Contents:

Biographical materials include a resume and two letters. Letters are from the Celebrate Women art auction and the Eman-El Midtown YW/YMCA. A typescript is of a lecture given at the 1972 Conference of Women in the Visual Arts at the Corcoran Gallery in Washington, D.C.. Also found are exhibition announcements, catalogs, and postcards.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Ce Roser papers, 1964-1979. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.rosece, Series 1

See more items in:

Ce Roser papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90689bc2a-f32f-4a71-afa8-7737b1726248

EDAN-URL:

ead_component:sova-aaa-rosece-ref4

Collection Creator:

Amos, Emma, 1937-2020  Search this

Container:

Box 26, Folder 14

Type:

Archival materials

Date:

2007-2014

Collection Restrictions:

Material regarding the Guerilla Girls is access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Emma Amos papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.

See more items in:

Emma Amos papers

Emma Amos papers / Series 9: Printed Materials

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a2104215-0d49-418c-88cb-c83187d4ad5a

EDAN-URL:

ead_component:sova-aaa-amosemma-ref500

Artist:

Donald Judd, American, b. Excelsior Springs, Missouri, 1928–1994  Search this

Medium:

Brass and red fluorescent Plexiglas

Dimensions:

10 units, each 6 1/8 × 24 × 27 in. (15.5 × 60.9 × 68.6 cm) with 6 in. (15.2 cm) intervals overall: 116 1/2 × 24 × 27 in. (295.9 × 61 × 68.6 cm)

Type:

Sculpture

Date:

(1969)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972

Accession Number:

72.154

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Minimalism

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py274f3b6d7-8301-4538-a5a0-c2e31994dd7a

EDAN-URL:

edanmdm:hmsg_72.154

Creator:

Hirst, Damien, 1965-  Search this

Kazanjian, Dodie, 1952-  Search this

Type:

Sound Recording

Date:

2007 September 9

Citation:

Damien Hirst and Dodie Kazanjian. Interview with Damien Hirst, 2007 September 9. Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)23951

See more items in:

Dodie Kazanjian papers, 1949-2017, bulk 1980-2017

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_23951

Container:

Box 4 of 31

Type:

Archival materials

Collection Restrictions:

Box 31 contains materials restricted indefinitely; see finding aid; Contact reference staff for details.

Collection Citation:

Smithsonian Institution Archives, Record Unit 7449, Joseph H. Hirshhorn Papers

See more items in:

Joseph H. Hirshhorn Papers

Joseph H. Hirshhorn Papers / Series 2: ARTIST'S CORRESPONDENCE. / Box 4

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru7449-refidd1e1532

Collection Creator:

Daley, William, 1925-2002  Search this

Type:

Archival materials

Date:

1979-1993, undated

Scope and Contents note:

Auction Files contain material relating to art auctions for which Daley donated a work of art. Found are correspondence, price lists, printed materials, including catalogs and announcements, and receipts. Files are arranged chronologically by year of auction.

Collection Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.

Identifier:

AAA.dalewill, Subseries 3.2

See more items in:

William P. Daley papers

William P. Daley papers / Series 3: Exhibition Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b82a0b79-7133-4ca2-9e5f-9214854b943f

EDAN-URL:

ead_component:sova-aaa-dalewill-ref211

Maker:

Luguru artist  Search this

Medium:

Wood

Dimensions:

H x W x D: 80 x 38.1 x 37.5 cm (31 1/2 x 15 x 14 3/4 in.)

Type:

Decorative Arts

Geography:

Morogoro Region, Tanzania

Date:

Early 20th century

Topic:

Leadership  Search this

Ancestral  Search this

Status  Search this

Male use  Search this

Female use  Search this

male  Search this

female  Search this

Credit Line:

Gift of Robert and Nancy Nooter

Object number:

89-10-1

Restrictions & Rights:

Usage conditions apply

See more items in:

National Museum of African Art Collection

On View:

NMAfA, Pavilion Gallery

Data Source:

National Museum of African Art

GUID:

http://n2t.net/ark:/65665/ys7d274bc43-3f01-44d0-9334-0ae1b3fd6d5e

EDAN-URL:

edanmdm:nmafa_89-10-1

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 1, Folder 7

Type:

Archival materials

Scope and Contents note:

Chicago, IL.

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Auctions, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Auctions

Warshaw Collection of Business Americana Subject Categories: Auctions / Business Records, Marketing Material, and Other

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8764a02d4-4e18-4b8d-b55a-53f7bce2e078

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-auctions-ref40

Creator:

O'Hara, Ruth  Search this

Plaza Art Auction Galleries  Search this

Subject:

Arms, John Taylor  Search this

Eby, Kerr  Search this

Lewis, Allen  Search this

Roth, Ernest David  Search this

Vonnoh, Robert William  Search this

Wickey, Harry  Search this

Rains Galleries  Search this

Walpole Galleries  Search this

Citation:

Ruth O'Hara papers relating to her print collection, 1912-1951. Archives of American Art, Smithsonian Institution.

Theme:

Patronage  Search this

Record number:

(DSI-AAA_CollID)6963

(DSI-AAA_SIRISBib)209092

AAA_collcode_oharruth

Theme:

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209092

Collection Creator:

Dempsey, Richard W., 1909-  Search this

Container:

Box 2, Folder 31

Type:

Archival materials

Date:

1981-1985

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Richard Dempsey papers, 1929-1989, bulk 1960s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Richard Dempsey papers

Richard Dempsey papers / Series 5: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92cffb603-5435-4d9d-abc0-41191c723a76

EDAN-URL:

ead_component:sova-aaa-demprich-ref46

Creator:

American Art Association  Search this

Subject:

Parsons, Alfred  Search this

Carnegie, Andrew  Search this

Crocker, William H.  Search this

Kirby, Thomas Ellis  Search this

Millet, Francis Davis  Search this

American Watercolor Society  Search this

Blakeslee Galleries (New York, N.Y.)  Search this

Type:

Sales records

Photographs

Drawings

Prints

Sketches

Citation:

American Art Association Records, circa 1853-1929, bulk 1885-1922. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Economic aspects  Search this

Art galleries, Commercial -- Economic aspects  Search this

Art, French  Search this

Art auctions  Search this

Art, American  Search this

Artists -- France -- Photographs  Search this

Artists -- United States  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)6973

(DSI-AAA_SIRISBib)209102

AAA_collcode_amerarta

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209102

Creator:

Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this

Subject:

Inness, George  Search this

Vereshchagin, Vasili Vasilevich  Search this

Smyth, Frederick  Search this

Barye, Antoine-Louis  Search this

Century Association (New York, N.Y.)  Search this

Lambs (New York, N.Y.)  Search this

World's Columbian Exposition (1893 : Chicago, Ill.)  Search this

National Academy of Design (U.S.)  Search this

Exposition universelle internationale de 1900 (Paris, France)  Search this

Union League Club (New York, N.Y.)  Search this

Lincoln Club (New York, N.Y.)  Search this

Merchants Club (New York, N.Y.)  Search this

Type:

Photographs

Scrapbooks

Citation:

Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.

Topic:

Collectors and collecting -- New York (State) -- New York  Search this

Theme:

Patronage  Search this

Record number:

(DSI-AAA_CollID)7030

(DSI-AAA_SIRISBib)209163

AAA_collcode_clarthom

Theme:

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209163

Creator:

Edward Eberstadt & Sons  Search this

Citation:

Our golden anniversary catalogue of American paintings, historical, genre, western, 1908-1958, offered for sale by Edward Eberstadt & Sons, 1958. Archives of American Art, Smithsonian Institution.

Topic:

Art auctions  Search this

Painting, American -- Catalogs  Search this

Theme:

Art Market  Search this

Record number:

(DSI-AAA_CollID)8499

(DSI-AAA_SIRISBib)210675

AAA_collcode_edwaeber

Theme:

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210675

Creator:

National Arts Club (New York, N.Y.)  Search this

Subject:

De Kay, Charles  Search this

Arts Realty  Search this

Type:

Scrapbooks

Citation:

National Arts Club records, 1898-1960. Archives of American Art, Smithsonian Institution.

Topic:

Photography -- Exhibitions  Search this

Bibliographical exhibitions -- New York (State) -- New York  Search this

Clubhouses -- New York (State) -- New York  Search this

Handicraft  Search this

Decorative arts  Search this

Theme:

Photography  Search this

Art organizations  Search this

Record number:

(DSI-AAA_CollID)9697

(DSI-AAA_SIRISBib)211920

AAA_collcode_natiartc

Theme:

Photography

Art organizations

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211920

Creator:

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

C.G. Sloan & Company  Search this

Type:

Auction catalogs

Citation:

C.G. Sloan & Co. auction catalogs, 1893-1963. Archives of American Art, Smithsonian Institution.

Topic:

Art auctions  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)10046

(DSI-AAA_SIRISBib)212893

AAA_collcode_cgsloa

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212893