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Art and war open mic

Collection Creator:
Artists Talk on Art  Search this
Extent:
1 Videocassettes (VHS) (duration 01:34:45)
Type:
Archival materials
Videocassettes (vhs)
Date:
1991 March 8
Scope and Contents:
Moderated by Amy Shapiro, with speakers Dew U. Care, David Channon, Gary Azon, Sarah Schulman, and Efrain Gonzalez. Original panel scheduled for this date, entitled "Slut Art," was canceled and replaced with open mic on the theme of "Art and War."
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Artists Talk on Art records
Artists Talk on Art records / Series 9: Video and Sound Recordings of Events
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ba1ba800-0340-42df-9295-6dae79e53136
EDAN-URL:
ead_component:sova-aaa-artitalk-ref1622

Art and War: Truth and Myth

Author:
Hart, Sidney  Search this
Penman, Rachael  Search this
Hart, Sidney  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2012
Topic:
Portraits  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_118663

The Gray Drape

Artist:
Martha Rosler, American, b. Brooklyn, New York, 1943  Search this
Medium:
Inkjet print on paper
Dimensions:
sheet: 39 1/2 x 29 1/2 in. (100.3 x 74.9 cm) image: 37 1/2 x 29 in. (95.3 x 73.7 cm)
Type:
Print
Date:
2008
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2009
Accession Number:
09.3
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2466b047b-7982-423e-aae3-565f01868209
EDAN-URL:
edanmdm:hmsg_09.3

Design for Dedication Page to Charles III of Spain and the Two Sicilies

Artist:
Giovanni Battista Tiepolo, Italian, 1692 - 1770  Search this
Medium:
Pen and brown ink, brush and wash, black chalk on white laid paper
Dimensions:
H x W x D: 35.4 x 24.5cm (13 15/16 x 9 5/8in.)
Mat: 55.9 x 40.6 cm (22 x 16 in.)
Frame H x W x D: 60.3 x 44.8 x 2.5 cm (23 3/4 in. x 17 5/8 in. x 1 in.)
Type:
figures
Drawing
Object Name:
Drawing
Made in:
Madrid, Spain
Date:
ca. 1762
Credit Line:
Bequest of Erskine Hewitt
Accession Number:
1938-57-219-a
Restrictions & Rights:
CC0
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq469b6ee2a-e68b-443b-ae80-8321c17ac13f
EDAN-URL:
edanmdm:chndm_1938-57-219-a
Online Media:

Die letzten Tage der Menschheit : Bilder des Ersten Weltkrieges : eine Ausstellung des Deutschen Historischen Museums, Berlin, der Barbican Art Gallery, London, und der Staatlichen Museen zu Berlin-Preussischer Kulturbesitz in Verbindung mit dem Imperial War Museum, London / herausgegeben von Rainer Rother

Author:
Rother, Rainer  Search this
Deutsches Historisches Museum  Search this
Barbican Art Gallery  Search this
Imperial War Museum (Great Britain)  Search this
Staatliche Museen zu Berlin--Preussischer Kulturbesitz  Search this
Altes Museum (Berlin, Germany)  Search this
Physical description:
523 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
1994
C1994
Topic:
World War, 1914-1918  Search this
Art and war  Search this
Call number:
D503 .L48 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_657300

Art and War

Collection Creator:
Ashton, Dore  Search this
Container:
Box 26, Folder 5
Type:
Archival materials
Date:
2003-2004
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b50322f5-ae66-4397-9553-35fc2b397bf0
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1281

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.

Missing Title

1882 -- born, Tarrytown, New York

1887 -- death of Rockwell Kent, Sr.

1894-1896 -- attended Cheshire Academy

1895 -- toured Europe with Aunt Jo

1896 -- attended Horace Mann School, New York City

1900-1902 -- studied architecture at Columbia University

1900-1902 -- attended William Merritt Chase's summer school, Shinnecock Hills, Long Island

1903 -- studied with William Merritt Chase, New York City

1904 -- first sale of a painting

1904 -- met Rufus Weeks and attended first Socialist meeting

1905 -- lived and worked with Abbott H. Thayer, Dublin, New Hampshire

1905 -- first painting trip to Monhegan Island, Maine

1907 -- first one-man show, Claussen Galleries, New York City

1908 -- marriage to Kathleen Whiting

1908 -- studied with Robert Henri

1908 -- joined Socialist Party

1909 -- birth of Rockwell, III

1910 -- ran Monhegan Summer School of Art

1910 -- first trip to Newfoundland

1910 -- helped to organize first Independent Exhibition

1911 -- birth of Kathleen

1912 -- moved to Winona, Minnesota

1913 -- birth of Clara

1914 -- settled in Newfoundland

1915 -- deported from Newfoundland

1915 -- birth of Barbara

1917 -- served as full-time organizer and administrator of Independent Exhibition

1918-1919 -- in Alaska with son Rocky

1919 -- purchased Egypt Farm, Arlington, Vermont

1919 -- incorporated self

1920 -- publication of Wilderness

1920 -- birth of Gordon

1922 -- traveled to Tierra del Fuego

1924 -- publication of Voyaging

1925 -- trip to France

1925 -- divorced from Kathleen

1926 -- marriage to Frances Lee

1926 -- traveled to Ireland

1927 -- purchased Asgaard Farm, AuSable, New York

1927 -- editor of Creative Art

1927 -- helped organize National Gallery of Contemporary Art, Washington, D.C.

1929 -- sailed to Greenland on Direction

1930 -- publication of N by E

1932-1933 -- returned to Greenland

1934-1935 -- final trip to Greenland

1935 -- publication of Salamina

1936 -- trip to Puerto Rico

1937 -- trip to Brazil

1937-1938 -- Post Office Department mural commission and controversy over Eskimo-language message interpreted as encouraging Puerto Rican independence

1939 -- divorced from Frances

1939 -- General Electric Co. mural commission for New York World's Fair

1940 -- publication of This Is My Own

1940 -- marriage to Shirley Johnstone (Sally)

1942 -- solo exhibition, Know and Defend America, at Wildenstein Galleries, New York City

1946 -- elected to Executive Committee of American Labor Party

1948 -- congressional candidate, American Labor Party

1948 -- transferred ownership of dairy to remaining employees after boycott resulting from support of Wallace for president

1949 -- attended World Congress for Peace, Paris

1950-1958 -- denied U.S. passport; lawsuit, appeals, and Supreme Court decision reinstating right to travel

1953 -- testified before House Un-American Activities Committee

1955 -- publication of It's Me, O Lord

1958 -- one-man show at Hermitage Museum, Leningrad

1959 -- publication of Of Men and Mountains

1960 -- gift of Kent Collection to Friendship House, Moscow

1960 -- exhibition at Pushkin Museum, Moscow

1963 -- publication of Greenland Journal

1966 -- elected to Academy of Arts of the USSR

1967 -- awarded Lenin Peace Prize, Moscow

1969 -- oral history interview, Archives of American Art

1969 -- home at Asgaard destroyed by fire; papers survived with some water and smoke damage

1969 -- first installment of Rockwell Kent Papers donated to Archives of American Art

1971 -- died, Plattsburgh, New York

1971 -- gift of additional Rockwell Kent Papers to Archives of American Art

1979 -- gift of textile samples to the Archives of American Art

1996 -- gift of additional Rockwell Kent Papers to Archives of American Art

2000 -- death of Sally [Shirley Johnstone] Kent Gorton

2000 -- previously sealed correspondence of wives Frances and Sally (Series 1) opened to researchers

2001 -- gift of additional Rockwell Kent papers to the Archives of American Art from the Estate of Sally Kent [Shirley Johnstone] Gorton
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock
Online Media:

Irving Petlin papers

Creator:
Petlin, Irving, 1934-2018  Search this
Names:
Golub, Leon, 1922-2004  Search this
Kitaj, R. B.  Search this
Selz, Peter Howard, 1919-2019  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1952-2014
bulk 1970-1990
Summary:
The papers of painter Irving Petlin measure 3.0 linear feet and date from 1952-2014. Materials include correspondence with other artists and collaborators, galleries, friends, and family; notes by Petlin related to his artistic process; exhibition and project files regarding the war in Vietnam and other projects; exhibition catalogs, announcements, and clippings related to Petlin's work and group and solo museum and gallery shows; periodicals related to the art world; books featuring Petlin as an illustrator or inscribed by author or editor friends of Petlin's; sketches by Petlin; an Italian contemporary art award; a piece of the Peace Tower collaboration with Mark di Suvero and other artists; and photographs of Petlin's works, installations, and Petlin in a studio.
Scope and Contents:
The papers of painter Irving Petlin measure 3.0 linear feet and date from 1952-2014. Materials include correspondence with other artists and collaborators, galleries, friends, and family; notes by Petlin related to his artistic process; exhibition and project files regarding the war in Vietnam and other projects; exhibition catalogs, announcements, and clippings related to Petlin's work and group and solo museum and gallery shows; periodicals related to the art world; books featuring Petlin as an illustrator or inscribed by author or editor friends of Petlin's; sketches by Petlin; an Italian contemporary art award; a piece of the Peace Tower collaboration with Mark di Suvero and other artists; and photographs of Petlin's works, installations, and Petlin in a studio.
Arrangement:
The collection is arranged as 7 series.

Series 1: Correspondence, 1968-2002 (0.25 linear feet, Box 1)

Series 2: Writings, 1952-1984 (0.18 linear feet) Box 1)

Series 3: Exhibition Files, 1974-1988 (0.20 linear feet, Box 1)

Series 4: Project Files, 1980-1984, 2007 (0.17 linear feet, Box 1)

Series 5: Printed Material, 1962-2014 (2.09 linear feet Box 1, 2, 3)

Series 6: Artwork, circa 1966-1974 (0.07 linear feet, box 3, 4)

Series 7: Photographic Material, circa 1970s-1978 (0.04 linear feet, Box 4)
Biographical / Historical:
Irving Petlin (1934-2018) was a painter in Paris, France; New York, New York; and Martha's Vineyard, Massachusetts. Petlin was born in Chicago to Polish Jewish immigrants, attended the Art Institute of Chicago, and earned a MFA from Yale University. Petlin specialized in the medium of pastel, first gaining recognition in Paris after his service in the United States army. From there he went to Los Angeles, where he was principal organizer of the "Artists Protest Movement Against the War in Vietnam," and the 1966 "Peace Tower," with Mark di Suvero and other artists. Petlin and his wife, Sarah, a poet, moved to New York City for 28 years before returning to Paris. Petlin was heavily influenced by the political landscape around him and was an active member of the Art Workers' Coalition. He used allegory, mythology, and symbolism to illustrate politics and the human condition. He often collaborated on projects with other artists and was inspired by writers and poets. In the last decades of his life, Petlin split his time between his studio in Paris and his family's 18th century farmhouse in Martha's Vineyard continuing his work as an artist and activist.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Irving Petlin conducted by James McElhinney September 13 and 15, 2016.
Provenance:
The collection was donated in 2019 by Sarah Petlin.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- France -- Paris  Search this
Painters -- Massachusettes -- Martha's Vineyard  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art and war  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Citation:
Irving Petlin papers, 1952-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.peltirvi
See more items in:
Irving Petlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9096058f3-4b7d-4759-ba0d-e212757f6c50
EDAN-URL:
ead_collection:sova-aaa-peltirvi

"Civilization Besieged: The Artist's Role in War"

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 2, Folder 43
Type:
Archival materials
Date:
circa 1942
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 3: Writings and Lectures
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90e985406-4fc2-46ad-b046-246164e274af
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref25
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U. S. Dept. of the Treasury, Section of Fine Arts and War Finance Division

Collection Creator:
Shahn, Ben, 1898-1969  Search this
Container:
Box 23, Folder 48
Type:
Archival materials
Date:
1933-1944
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ben Shahn papers, 1879-1990, bulk 1933-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Ben Shahn papers
Ben Shahn papers / Series 2: Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93efc27d0-0681-4421-9d5f-bb24e85e4e25
EDAN-URL:
ead_component:sova-aaa-shahben-ref907

Oral history interview with Ted Gilien, 1965 Mar. 3

Interviewee:
Gilien, Ted, 1914-1967  Search this
Gilien, Ted, 1914-1967  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Bocour, Leonard  Search this
Levine, Jack  Search this
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Art and war  Search this
Mural painting and decoration  Search this
Muralists -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12806
(DSI-AAA_SIRISBib)213487
AAA_collcode_gilien65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213487

Oral history interview with Reuben Kadish, 1992 Apr. 15

Interviewee:
Kadish, Reuben, 1913-1992  Search this
Kadish, Reuben, 1913-1992  Search this
Interviewer:
Polcari, Stephen  Search this
Subject:
Pollock, Jackson  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Art and war  Search this
Art and state  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12170
(DSI-AAA_SIRISBib)216469
AAA_collcode_kadish92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216469
Online Media:

WWI soldier facial reconstruction documentation photograph

Creator:
American Red Cross  Search this
American Red Cross  Search this
Subject:
Ladd, Anna Coleman Watts  Search this
Type:
Photographs
Date:
ca. 1920
Topic:
Art and war  Search this
Masks  Search this
Soldiers  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA)8369
See more items in:
Anna Coleman Ladd papers, 1881-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8369

Aristide Maillol sculpture recovery

Subject:
Maillol, Aristide  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
World War, 1939-1945  Search this
Type:
Photographs
Date:
1946 May 24
Topic:
Art and war  Search this
Record number:
(DSI-AAA)9946
See more items in:
James J. Rorimer papers, 1921-1982, bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9946
Online Media:

Oral history interview with S. Lane Faison, 1981 December 14

Interviewee:
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
College Art Association of America  Search this
Type:
Sound recordings
Interviews
Topic:
Art and war  Search this
World War, 1939-1945 -- Art and the war  Search this
Record number:
(DSI-AAA_CollID)12908
(DSI-AAA_SIRISBib)212323
AAA_collcode_faison81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212323
Online Media:

Art and war open mic

Creator:
Artists Talk on Art  Search this
Artists Talk on Art  Search this
Type:
Videorecording
Date:
1991 March 8
Record number:
(DSI-AAA)21632
See more items in:
Artists Talk on Art records, circa 1974-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21632

John Groth sketching at the Korean truce line

Subject:
Groth, John  Search this
Type:
Photographs
Place:
Korea
Date:
1957
Topic:
Art and war  Search this
Record number:
(DSI-AAA)12038
See more items in:
John Groth papers, 1930-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12038
Online Media:

Documentation of a World War I soldier's facial reconstruction

Creator:
American Red Cross  Search this
American Red Cross  Search this
Subject:
Ladd, Anna Coleman Watts  Search this
American Red Cross.Studio for Portrait Masks (Paris, France)  Search this
Type:
Photographs
Date:
ca. 1918
Topic:
Art and war  Search this
Masks  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA)12269
See more items in:
Anna Coleman Ladd papers, 1881-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12269
Online Media:

A World War I soldier before facial reconstruction

Creator:
American Red Cross  Search this
American Red Cross  Search this
Subject:
Ladd, Anna Coleman Watts  Search this
Type:
Photographs
Date:
ca. 1918
Topic:
Art and war  Search this
Masks  Search this
Soldiers  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA)12270
See more items in:
Anna Coleman Ladd papers, 1881-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12270
Online Media:

Henry Mosler letter to his parents, Gustave and Sophie Mosler

Creator:
Mosler, Henry, 1841-1920  Search this
Mosler, Gustave  Search this
Mosler, Henry, 1841-1920  Search this
Subject:
United States  Search this
Type:
Correspondence
Date:
1862 May 22
Topic:
Art and war  Search this
Record number:
(DSI-AAA)12780
See more items in:
Henry Mosler papers, 1856-1929
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12780
Online Media:

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