An interview of Theodore Roszak conducted in 1963, by Harlan Phillips, for the Archives of American Art.
Roszak speaks of his childhood in Chicago as the son of Polish immigrants; factors that influenced his development; his early interest in art; his education at the Art Institute of Chicago; studying under Charles W. Hawthorne; meeting George Bellows and George Luks; going to Europe on a fellowship; his experiences in Czechoslovakia; social realism in painting; government support of the arts during the Depression; the influence of politics upon art; commercialism and art; the development of his interest in sculpture; the U.S. State Department's Cultural Exchange Program; and the American Exhibition in Moscow.
Biographical / Historical:
Theodore Roszak (1907-1981) was a painter and sculptor from Chicago, Illinois, and New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Correspondence; slides and photographs of art work; catalogs and clippings; photographs, watercolor studies, and a detailed listing of mural projects in civic buildings and schools done by Pollock and other artists, including Mitchell Siporin, for the Illinois Federal Art Project; clippings and photocopied correspondence concerning the portrait of Lt. Commander Waldron painted by Pollock; Syracuse University School of Art annual reports; lithographs; and watercolors.
Biographical / Historical:
Painter, educator; Chicago, Ill. and Syracuse, N.Y. Teaches at Syracuse University School of Art. Was a muralist as well as supervisor of the Chicago Federal Art Project.
Provenance:
Donated 1979-1983 by Merlin F. Pollock.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Correspondence; notes and lectures on art; biographical data; clippings; and photographs of his murals and other works of art. All materials relate to Millman's work for the Federal Art Project in Illinois and Missouri.
Biographical / Historical:
Mural painter; Chicago, Illinois. Painted murals for the Federal Art Project in Chicago, Illinois.
Related Materials:
Edward Millman papers also at Syracuse University.
Provenance:
Lent for microfilming 1965 by Mrs. Harry Millman, the sister-in-law of Edward Millman.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The papers of Martyl Langsdorf, professionally known by just her first name, Martyl, date from 1918 to 1977 and measure 2.6 linear feet. Included within the collection is correspondence; subject files; biographical data; writings and notes; sketches; photographs; exhibition catalogs and announcements; guest books; price lists; receipts; reproductions; clippings; and printed materials.
Sketches, 1936-1975, made in the United States, Mexico, Europe, and Japan. In addition there is a 1929 newspaper clipping.
Biographical data; letters, 1936-1937, to her mother Aimee Schweig from Thomas Hart Benton, John Steuart Curry, Joe Jones and Grant Wood; files of letters from Carl Holty, Horst W. Janson and Lancelot Law Whyte; a file on Charles Hawthorne containing his painting notes and a photo; subject files on the ACA Gallery, Bulletin of Atomic Scientists, Art Institute of Chicago, Feingarten Gallery, Kovlar Gallery, Oriental Institute, the Renaissance Society, and the Unitarian Church of Evanston, Illinois, containing correspondence and financial material; writings and notes; sketches of Langsdorf by friends; exhibition catalogs and announcements; guest books; price lists; receipts for sales and rentals of her paintings; printed material on the St. Genevieve School of art; and photographs, ca. 1935-1970, of Langsdorf, her family, her paintings, exhibition installations, Langsdorf at work on a mural for the Unitarian Church of Evanston, Illinois, and artists Thomas Hart Benton, Arnold Blanch, Adolf Dehn, Doris Lee, Boardman Robinson, Sequieros, and others, and a photograph by Fritz Henle, 1940, of a picnic at the Colorado Springs Fine Arts Center.
Correspondence with Edward Rowan of the Public Buidlings Administration, Section of Fine Arts, and contracts, 1940-1944, concerning Langsdorf's watercolors for the Carville, La. Marine Hospital, murals for post offices in Russell, Kansas and St. Genevieve, Missouri, and for the Recorder of Deeds Building in Washington, D.C., and for related exhibitions; a photocopy of a letter from collector Joseph Hirshhorn, Jan. 18, 1943, regarding his purchases of Langsdorf's work; general correspondence, 1958-1972; price lists; and printed material, 1937-1976, including press releases, archaelogical newsletters, exhibition announcements and clippings.
Biographical / Historical:
Martyl (1917-2013) was a painter in Chicago, Illinois. Full name is Martyl Schweig Langsdorf.
Provenance:
Material on reels 2992-2994 donated 1977 by Martyl S. Langsdorf. Material on reel 1364 lent for microfilming 1977 by Langsdorf. Unmicrofilmed material is a combination of the unfilmed portion of the 1977 gift and the 1990 transferred material from General Services Administration. The GSA received the material originally from Martyl Langsdorf for their files on New Deal art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
United States. Work Projects Administration Search this
United States. Works Progress Administration Search this
Extent:
1 Linear foot ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1909-1961
Scope and Contents:
Correspondence, New Deal materials, exhibition and financial records.
Two brief biographies by Frances Foy for "Leading American Women"; Illinois Academy of Fine Arts membership cards for Foy and Dalstrom; correspondence, with the Art Institute of Chicago and other museums, local galleries, dealers, and arts organizations such as the Renaissance Society, American Federation of Arts, and Chicago Society of Etchers; a letter of 3/26/34 from fellow artist Rifka Angel regarding selection of artists for Public Works of Art Projects; New Deal art project materials, including correspondence about a mural commemorating Marian Anderson's 1939 concert at Lincoln Memorial and with federal agencies,concerning commissions, contracts, vouchers, drawings and blueprints for projects, announcements, speeches, and articles on the government art programs.
Exhibition records include receipts, loan agreements, checklists, and shipping forms. Financial records include invoices, pricelists, purchase orders, receipts, remittances, and vouchers from private customers. Printed materials include news clippings, brochures, advertisements from art supply companies; articles on exhibitions, newsletters from arts organizations, announcements and catalogs of exhibitions, and a copy of Dali's "Declaration of the Independence of the Imagination and the Rights of Man to His Own Madness" 1939.
Arrangement:
I. Biographical. II. Correspondence. III. New Deal materials. IV. Exhibitions. V. Financial. VI. Printed matter. VII. Lists and notes.
Biographical / Historical:
Muralists and painters; Chicago, Ill. Married in 1923. Worked on the Public Works of Art Project and Federal Art Project. Painted several post office murals. Belonged to local arts organizations such as the Renaissance Society and the No-Jury Society of Artists. Foy, who used her maiden name professionally, gained recognition locally for her paintings of flowers.
Provenance:
Donated 1987 by Lars M. Dalstrom, son of Frances Foy and Gustaf O. Dalstrom.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
