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Oral history interview with Merle Armitage

Interviewee:
Armitage, Merle, 1893-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
Bruce, Edward, 1879-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Zornes, James Milford, 1908-2008  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 February 6
Scope and Contents:
An interview of Merle Armitage conducted 1964 February 6, by Sylvia Loomis, for the Archives of American Art.
Armitage speaks of his role as Public Works of Art Project regional chairman of Southern California, including his supervision of 126 artists involved in painting, drawing, sculpture, lithography and mural projects; experimental work in PWAP easel painting projects; censorship of subject matter in a mural for the Frank Wiggins Trade School; his opposition to government subsidized art programs; his impressions of Edward Bruce, Dalzell Hatfield, James Milford Zornes, and others associated with the PWAP. Armitage also speaks of the American Institute of Graphic Arts and contemporary book design.
Biographical / Historical:
Merle Armitage (1893-1975) was an art administrator and graphic artist of Santa Fe, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 48 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.armita64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-armita64

Photograph of woman working on a floor mosaic

Type:
Photographs
Date:
1940 November 30
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA)4946
See more items in:
Photographs relating to the WPA Southern California Art Project, circa 1937-1941
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_4946
Online Media:

Photograph of workers in a print shop for the WPA in Los Angeles

Subject:
Federal Art Project (Calif.)  Search this
Type:
Photographs
Place:
Los Angeles, Calif.
Date:
circa 1940
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA)4947
See more items in:
Photographs relating to the WPA Southern California Art Project, circa 1937-1941
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_4947
Online Media:

Photograph of a woman working on a floor mural

Subject:
Federal Art Project (Calif.)  Search this
Type:
Photographs
Place:
Los Angeles, Calif.
Date:
1940 November 30
Topic:
Art and state  Search this
Artists at or with their work  Search this
Federal aid to the arts  Search this
Record number:
(DSI-AAA)4950
See more items in:
Photographs relating to the WPA Southern California Art Project, circa 1937-1941
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_4950
Online Media:

Robert Bruce Inverarity papers

Creator:
Inverarity, Robert Bruce, 1909-1999  Search this
Names:
Federal Art Project (Calif.)  Search this
Federal Art Project (Ill.)  Search this
Federal Art Project (Iowa)  Search this
Federal Art Project (N.Y.)  Search this
Federal Art Project (Or.)  Search this
Federal Art Project (Utah)  Search this
Federal Art Project (Wash.)  Search this
Museum of International Folk Art (N.M.)  Search this
Deutsch, Hilda, 1911-  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Graves, Morris, 1910- -- Photographs  Search this
Morris, Carl, 1911-1993  Search this
Ray, Man, 1890-1976 -- Photographs  Search this
Tobey, Mark  Search this
Extent:
13.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Place:
United States -- Economic conditions, 1918-1945 -- Washington (State)
Date:
circa 1840s-1997
Summary:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.
Scope and Content Note:
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 13.8 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.

Among the biographical information are awards and certificates, biographical and genealogical notes, and educational records. Correspondence concerns Inverarity's activities as Director of the WPA Federal Arts Project in Washington State, 1936-1941. Additional personal and professional correspondence, 1929-1993, documents his activities as a museum director, consultant, collector, and writer. Among the friends and colleagues with whom he corresponded are: Max Ernst and Dorothea Tanning, Rockwell and Sally Kent, Stanton MacDonald-Wright, Wolfgang Palen, Juliet and Man Ray, Mark Tobey, Edward Weston, and various individuals associated with the WPA.

Manuscripts of a few of Inverarity's many articles on topics such as anthropology, museology, and information storage and retrieval are among his writings and notes. Also included are the manuscript of an unpublished book, Tobey Remembered, along with drafts, notes, correspondence, research materials, and photocopies of Tobey's letters to him and others. Other writings consist of book reviews, children's books, a catalog of the Inverarity Collection, and a copy of his 1946 master's thesis, "The Social-Economic Position of the American Artist." Several journals, 1928-1966, survive, including one that records his 1932 trip to study the Haida Indians of the Queen Charlotte Islands.

Subject files include general subjects such as "Folk Art" and "Preservation." Files on the museums where Inverarity was the director contain some official records as well as general information. Art work by Inverarity includes eight volumes of sketch books, 1928-1942, commercial work for Boeing, notes and drawings for book designs. Among the work by other artists are drawings, paintings and prints by friends. Of particular interest are display panels for a small exhibit on airbrush stencil prints produced by the Washington State WPA Federal Art Project. Other noteworthy items are pencil sketches and a watercolor by Mark Tobey, and prints by Hiroshige and Jan Matulka.

Five scrapbooks, 1928-1979, contain newspaper clippings, miscellaneous printed items, and a small number of photographs and letters. Three volumes document his career as an artist and museum director. One consists of biographical information and items designed by Inverarity, and another concerns publication and marketing of his monograph Art of the Northwest Coast Indians.

Sound recordings consist of interviews and conversations. An extensive interview with Inverarity about his life and career was conducted by Craig Gilborn in 1990. Bruce and Jane Inverarity in conversation with former colleague Ernie Johnson and his wife Helen about his departure from the Museum of International Folk Art were recorded in 1980. Also included is a 1981 conversation with Grace T. Stevenson containing references to Mark Tobey and Morris Graves.

Printed material includes many items about or produced by the WPA Federal Art Project. Among the items written by Inverarity are many articles on a wide variety of topics, his book Art of the Northwest Coast Indians, and two published portfolios. Printed material by other authors includes articles, books and reports about or mentioning Inverarity, and books designed or illustrated by him. Among the miscellaneous printed items are catalogs and brochures of the schools where Inverarity taught and studied, and a few ephemeral items designed by him.

Photographs are of art work, people, places, the Washington State WPA Federal Art Project, and miscellaneous subjects. All photographs known to be by Inverarity are clearly marked. Art work includes views of Inverarity's collection of his own work and that of other artists hanging in his home. Photographs of people include artists, friends, colleagues, and various groups. Of special interest are Inverarity's portraits of artists, among them Marcel Duchamp, Max Ernst, Morris Graves, Hilaire Hiler, Rico Le Brun, Stanton Macdonald-Wright, Man Ray, Dorothea Tanning, and Mark Tobey. Photographs of places include the museums where Inverarity was director, places in which he lived, and travel pictures. Of note are a large group of photographs (copy prints) taken in 1932 while studying the Haida Indians in British Columbia. Nineteenth century photographs of family homes, Europe, and South America may have been taken by his father. Photographs of the Washington State WPA Federal Arts Project are of individual works of art, exhibition installations, mosaic procedures and local art centers. Many, probably intended for display, are mounted in groups on large cardboard panels. Miscellaneous subjects include art photographs by Inverarity and the microreader he invented.
Arrangement:
The collection is arranged as nine series. Correspondence is in chronological order, Biographical Information and Subject Files are arranged alphabetically by folder title. Other series have been organized into subseries and arrangement is as described in the Series Descriptions/Container List below. Unless noted otherwise, material within folders is arranged chronologically.

Series 1: Biographical Information, 1934-1997, undated (Box 1, OV 18; 0.25 linear ft.)

Series 2: Correspondence, 1928-1993, undated (Box 1; 0.75 linear ft.)

Series 3: Writings and Notes, 1928-1993, undated, (Boxes 2-3; 1.5 linear ft.)

Series 4: Subject Files, 1938-1990, undated (Boxes 3-6, OV 19-20; 2.5 linear ft.)

Series 5: Art Work, circa 1840s-1969, undated (Boxes 6, 12, 16, OV 21; 1.3 linear ft.)

Series 6: Scrapbooks, 1928-1991, undated (Boxes 7-8; 1.1 linear ft.)

Series 7: Sound Recordings, 1980-1990 (Box 8; 3 folders)

Series 8: Printed Material, 1902-1995, undated (Boxes 8-13, OV 22; 3.4 linear ft.)

Series 9: Photographs, circa 1870s-1990, undated (Boxes 11, 14-17, OV 23; 3.0 linear ft.)
Biographical Note:
Robert Bruce Inverarity (1909-1999) showed artistic leanings as a boy, and from an early age was fascinated by puppetry and Northwest Coast native culture. During much of his youth, Inverarity's family lived in Canada, but returned to their native Seattle when he was a teenager. After graduating from high school, he made a 500 mile journey on foot along the coasts of the Vancouver Islands, collecting Indian artifacts and studying the area's tribal legends.

He studied briefly with Mark Tobey in Seattle, where the two shared a studio; when Tobey departed for Chicago, Inverarity succeeded him as an art teacher at the Cornish School. He spent the next few years in California working as an artist, exhibiting, and occasionally teaching. From there, he moved to Vancouver where he was Director of the School of Creative Art. In 1932, Inverarity made a three month trip to the Queen Charlotte Islands, British Columbia, for the purpose of studying the Haida Indians.

Upon his return to the United States in 1933, Inverarity joined the University of Washington Drama School as a puppetry instructor; in 1938 he published a highly regarded Manual of Puppetry. During 1936-37, he took a leave of absence from the university to assume the position of State Director of the Federal Art Project, where he remained until 1939. He then became State Director of the Art and Crafts Project (1939-1941). The U.S. Navy appointed Inverarity Chief of Design for Camouflage (1941-1943) and he later served as an Official Navy War Artist (1943-1945).

During his early years as a teacher and administrator, Inverarity continued making art and participated in a wide variety of exhibitions. He published a portfolio, 12 Photographs by R. B. Inverarity (1940). In the following year, Movable Masks and Figures of the North Pacific Coast Indians, a portfolio of his watercolors reproduced as silkscreen prints, appeared. Although Inverarity stopped exhibiting in 1941, he continued to produce art; notable work of this period includes photographic portraits of a number of artist friends (Max Ernst, Dorothea Tanning, Marcel Duchamp, and Man Ray).

After World War II, Inverarity completed his formal education. He earned a Bachelor's degree in art and anthropology from the University of Washington (1946), and then studied with Hilaire Hiler at Freemont University in Los Angeles, where he was awarded a Master's degree in fine arts (1947) and a Ph.D. (1948).

Inverarity began his museum career in 1949 when he was appointed the first director of the Museum of International Folk Art in Santa Fe, New Mexico, a position that combined his interest in, and knowledge of, anthropology and art. While in Santa Fe, he published Art of the North West Coast Indians (1950). During his five year tenure as director, the museum participated in a pilot study for coding visual files, a project of the anthropological group, Human Resources Area Files, Inc. When Inverarity was dismissed from the Museum of International Folk Art in 1954, most of the staff resigned in protest, and the American Association of Museums investigated the situation.

Inverarity then became the first director of the Adirondack Museum, Blue Mountain Lake, New York, where he remained for eleven years. In addition to planning the museum's building, and developing collections and programs, Inverarity continued his involvement with the visual files project of the Human Resources Area Files, Inc., studying information storage and retrieval, developing a "microreader," and publishing Visual Files Coding Index (1960). In addition, he published many articles on a variety of topics and was active in organizations for anthropologists and museum professionals.

After his 1965 departure from the Adirondack Museum, Inverarity went to California and worked as an illustrator and book designer at the University of California Press. He returned to the east coast in 1969 to assume the directorship of the Philadelphia Maritime Museum. During this period, he remained active in professional associations and traveled to study museums abroad. He retired in 1976 and moved to La Jolla, California.

Robert Bruce Inverarity died in 1999.
Separated Material:
Originals of most of the drawings and sketches loaned by Mr. Inverarity were returned to him after filming and were not subsequently donated. This material is available on 35 mm microfilm reel D/NDA/I, frames 392-409.
Provenance:
Robert Bruce Inverarity donated his papers to the Archives in several installments between 1965 and 1993. Additional papers were received from his estate in 1999. He also loaned a small number of additional drawings and sketches for microfilming which were returned to him. A few of these drawings were included with the papers he subsequently donated to the Archives of American Art.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators  Search this
Painters  Search this
Topic:
Puppet theater  Search this
New Deal, 1933-1939 -- Washington (State)  Search this
Works of art  Search this
Federal aid to the arts -- Washington (State)  Search this
Art and state -- Washington (State)  Search this
Genre/Form:
Scrapbooks
Sound recordings
Sketchbooks
Interviews
Photographs
Drawings
Citation:
Robert Bruce Inverarity papers, circa 1840s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.inverobe
See more items in:
Robert Bruce Inverarity papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-inverobe
Online Media:

The WPA Federal art project : its contribution to the American people / by Fanny Bowles Vanderkooi, 1940 May

Creator:
Vanderkooi, Fanny Bowles  Search this
Subject:
Federal Art Project  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California
United States -- Social conditions -- 1933-1945 -- California
Topic:
New Deal, 1933-1939 -- California  Search this
Federal aid to the arts -- California  Search this
Federal aid to the public welfare -- California  Search this
Art and state -- California  Search this
Record number:
(DSI-AAA_CollID)9829
(DSI-AAA_SIRISBib)212294
AAA_collcode_vandfann
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212294

David S. Osborn papers relating to the Federal art project in California, 1956

Creator:
Osborn, David S.  Search this
Subject:
Labaudt, Lucien  Search this
Federal Art Project (Calif.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Topic:
New Deal, 1933-1939 -- California -- San Francisco  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Mural painting and decoration, American -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)9819
(DSI-AAA_SIRISBib)212279
AAA_collcode_osbodavi
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212279

George Booth Post photographs and monograph, 1936-1937

Creator:
Post, George Booth, 1906-1997  Search this
Subject:
Federal Art Project (Calif.)  Search this
Topic:
Federal aid to the arts -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Watercolor painting -- California -- San Francisco  Search this
Muralists  Search this
Record number:
(DSI-AAA_CollID)9821
(DSI-AAA_SIRISBib)212281
AAA_collcode_postgeor
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212281

A survey of art work in the city and county of San Francisco, / by Martin Snipper for the art commission, city and county of San Francisco, 1950

Creator:
Snipper, Martin  Search this
Subject:
Federal Art Project (Calif.)  Search this
Public Works of Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Topic:
Federal aid to the arts -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Public sculpture -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)9831
(DSI-AAA_SIRISBib)212296
AAA_collcode_snipmart
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212296

Edith Hamlin photographs of murals, 1937

Creator:
Hamlin, Edith, 1902-1992  Search this
Subject:
Federal Art Project (Calif.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco -- Photographs
United States -- Social conditions -- 1933-1945 -- California -- San Francisco -- Photographs
Topic:
New Deal, 1933-1939 -- California -- San Francisco -- Photographs  Search this
Federal aid to the arts -- California -- San Francisco -- Photographs  Search this
Federal aid to the public welfare -- California -- San Francisco -- Photographs  Search this
Art and state -- California -- San Francisco -- Photographs  Search this
Mural painting and decoration, American -- Photographs  Search this
Muralists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9826
(DSI-AAA_SIRISBib)212288
AAA_collcode_hamledit
Theme:
Women
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212288

Charles Howard papers, [ca. 1940]

Creator:
Howard, Charles, 1899-1978  Search this
Subject:
Federal Art Project (Calif.)  Search this
Place:
United States -- Economic conditions -- 1918-1945 -- California
United States -- Social conditions -- 1933-1945 -- California
Topic:
New Deal, 1933-1939 -- California  Search this
Federal aid to the arts -- California  Search this
Federal aid to the public welfare -- California  Search this
Art and state -- California  Search this
Painting, American  Search this
Record number:
(DSI-AAA_CollID)9848
(DSI-AAA_SIRISBib)212343
AAA_collcode_howachar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212343

Sargent Johnson photographs of sculpture, circa 1937

Creator:
Johnson, Sargent, 1888-1967  Search this
Subject:
Federal Art Project (Calif.)  Search this
Topic:
Federal aid to the arts -- California -- Photographs  Search this
Federal aid to the public welfare -- California -- Photographs  Search this
Public sculpture -- California -- Photographs  Search this
Art and state -- California -- Photographs  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)9849
(DSI-AAA_SIRISBib)212344
AAA_collcode_johnsarg
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212344

California Federal Art Project papers, 1935-1964

Creator:
Federal Art Project (Calif.)  Search this
Subject:
McChesney, Mary Fuller  Search this
United States  Search this
Place:
United States -- Social conditions -- California
United States -- Economic conditions -- California
Topic:
New Deal, 1933-1939 -- California  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California  Search this
Art and state -- California  Search this
Mural painting and decoration -- 20th century -- California -- Fort Ord  Search this
Record number:
(DSI-AAA_CollID)9810
(DSI-AAA_SIRISBib)212252
AAA_collcode_fedeartp02
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212252

The WPA Federal art project : its contribution to the American people / by Fanny Bowles Vanderkooi

Creator:
Vanderkooi, Fanny Bowles  Search this
Names:
Federal Art Project  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Place:
United States -- Economic conditions -- 1918-1945 -- California
United States -- Social conditions -- 1933-1945 -- California
Date:
1940 May
Scope and Contents:
Thesis (M.A.)--University of Southern California, Los Angeles, California, May 1940, concerning the effect of the Federal Art Project on the American people.
Biographical / Historical:
Art historian, Los Angeles, California. Federal Art Project was a federally aided art project during the Depression initiated under Roosevelt's New Deal project.
Provenance:
Lent for microfilming 1965 by the University of Southern California, Los Angeles.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
New Deal, 1933-1939 -- California  Search this
Federal aid to the arts -- California  Search this
Federal aid to the public welfare -- California  Search this
Art and state -- California  Search this
Identifier:
AAA.vandfann
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vandfann

Oral history interview with Joseph A. Danysh

Interviewee:
Danysh, Joseph A., 1906-1982  Search this
Interviewer:
Ferbraché, Lewis  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
Group f.64  Search this
New Deal and the Arts Oral History Project  Search this
Adams, Ansel, 1902-1984  Search this
Bufano, Beniamino, 1898-1970  Search this
Cahill, Holger, 1887-1960  Search this
Gaskin, William, 1892-1968  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Zakheim, Bernard Baruch, 1898-1985  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 December 3
Scope and Contents:
An interview of Joseph A. Danysh conducted by Lewis Ferbraché on 1964 December 3 for the Archives of American Art.
Danysh speaks of his background and education at Columbia University; moving to California; starting a gallery in a store in San Francisco; critics' reaction to the art in the gallery; the beginning of the f64 photography group; opening a short lived gallery with Ansel Adams; writing an art column; starting out with the Federal Art Project, directing the project in Northern California; how the project was administered; particular projects he was involved in; his feelings about government support for the arts. He recalls Beniamino Bufano, Holger Cahill, William Gaskin, Stanton Macdonald-Wright, Bernard Zakheim.
Biographical / Historical:
Joseph A. Danysh (1906-1982) was an art administrator from Monterey, California.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 43 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Art criticism  Search this
Arts administrators -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.danysh64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-danysh64

Arthur Painter papers of the Federal Art Project

Creator:
Painter, Arthur  Search this
Names:
Federal Art Project (Calif.)  Search this
Federal Art Project. National Art Week  Search this
United States Information Service  Search this
Forbes, Helen, 1891-1945  Search this
Puccinelli, Dorothy Wagner, 1901-  Search this
Extent:
40 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Date:
1938-1941
Scope and Contents:
Publicity, correspondence, clippings, photographs, travel receipts, and telegrams relating to the dedication of the Noah's Ark murals by Dorothy Puccinelli and Helen Forbes at Fleishacker Mother's House in San Francisco Zoo; and correspondence, field reports, committee lists, publicity, photographs relating to National Art Week in Northern California.
Biographical / Historical:
Director of Information, Federal Art Project; Northern California.
Provenance:
The materials microfilmed are from the files of Arthur Painter, but were loaned to AAA through Lewis Ferbrache who was a collector for AAA's "New Deal and the Arts" project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Arts administrators  Search this
Public officers  Search this
Topic:
New Deal, 1933-1939 -- California -- San Francisco  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Mural painting and decoration -- 20th century -- California -- San Francisco  Search this
Identifier:
AAA.painarth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-painarth

Lucien and Marcelle Labaudt papers

Creator:
Labaudt, Lucien, 1880-1943  Search this
Labaudt, Marcelle, 1892-1987  Search this
Names:
California School of Design  Search this
Federal Art Project (Calif.)  Search this
Lucien Labaudt Art Gallery  Search this
San Francisco Women Artists  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Biberman, Edward  Search this
Feitelson, Lorser, 1898-1978  Search this
Ferier, André  Search this
Ford, C.  Search this
Gerstle, Wilhelm, 1879-1963  Search this
Kent, Adaline Dutton, 1900-1957  Search this
Kuhn, Walt, 1877-1949  Search this
London, Charmian  Search this
Léger, Fernand, 1881-1955  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Matisse, Henri, 1869-1954  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Ozenfant, Amédée, 1886-1966  Search this
Ozenfant, Marthe  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Rivera, Diego, 1886-1957  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Sotomayor, Antonio, 1904-  Search this
Extent:
8.5 Linear feet ((partially microfilmed on 11 reels))
Type:
Collection descriptions
Archival materials
Date:
1896-1987
Scope and Contents:
Correspondence, photographs, exhibition materials, scrapbooks, journals, printed matter, essays, gallery records and other business records, and miscellaneous papers.
REELS 3799-3806: A resume; a travel journal; an address book; appointment books; passports for Marcelle Labaudt; correspondence, including 3 illustrated Christmas cards from Walt Kuhn and letters from Edward Rowan about Lucien Labaudt's murals for the Los Angeles post office for the Section of Fine Arts; notes on costume design, geometry, and metric color scales; writings by Lucien Labaudt, including "Color Constructions--Opticolormetry", 1940; 4 sketchbooks and 70 sketches by Labaudt; prints and drawings by others; scrapbook on history of costume design; announcements; programs; reproductions; printed material concerning Labaudt's California School of Design; records of the San Francisco Women Artists organization; minutes of the Artists' Council kept by Marcelle Labaudt; artist files; guest registers; ledgers 1929 and 1939-1949, and financial records, 1943-1980, for the Lucien Labaudt Art Gallery; clippings; photographs of Labaudt's family, 1911-1981; of works of art, 1913-1968; and stage and costume design.
REEL 1052: Correspondence relating to the Lucien Labaudt Art Gallery and to Lucien and Marcelle; photographs (many undated and unidentified) of a gallery opening, 1950 of Max Hages, two paintings by Fred Martin, and two by R. Kaess; manuscript material; biographical material on artists who exhibited at the gallery; catalogs and announcements; printed material; and clippings.
REEL 1854: Photographs, 1920-1940 of: Labaudt; Labauadt working on Beach Chalet Murals; at the Bohemian Club Grove with C. Ford, Arnautoff, Otis Oldfield, Moya del Pino, Sotomayer, Timothy Pflueger, William Gerstle, and Diego Rivera; with Adeline Kent; with Marcelle and André Ferier; costumes and sets designed by Labaudt; and paintings and murals by Labaudt. Also included are 173 personal and business letters, 1923-1975; sketches; manuscripts, including essays about Labaudt by Stanton Macdonald-Wright and Lorser Feitelson; a scrapbook; business records; catalogs and announcements; clippings and other printed matter. Correspondents include: Edward Biberman, Lorser Feitelson, Walt Kuhn, Fernand Leger, Charmain London (Mrs. Jack), Henri Matisse, Marthe and Amedee Ozenfant, Timothy L. Pflueger and Edward Rowan.
UNMICROFILMED: Biographical material regarding Marcelle Labaudt's education; correspondence, 1901-1979, with friends and associates, including Alvyne Maisonneuve, Yliane Remy, Henry and Ann Varnum Poor, Charmian London, Millard Sheets and Richard Diebenkorn (1 letter, 1950); Marcelle Labaudt's travel diary kept on a trip to France, undated; art works, undated, including a sketchbook and illustrated letter by Lucien and an unsigned print; exhibition catalogs and clippings regarding the Lucien Labaudt Art Gallery; photographs, slides and negatives, 1896-1976, of friends, family and art works, and an album of photographs of Lucien's works of art.
Biographical / Historical:
Lucien Labaudt was a painter, muralist, costume and set designer. He also ran a commercial art school called the California School of Design. After his death in 1943, on assignment as a war artist correspondent, his wife, Marcelle Labaudt, established the Lucien Labaudt Art Gallery in San Francisco, California. She specialized in giving younger or relatively unknown artists their first exhibitions and operated the gallery until 1980.
Provenance:
Donated by Marcelle Labaudt 1974-1976, and after her death by her estate through her step-sister and executor, Simone M. Berges, 1984. After Berges' death in 1988, an additional installment was received via Berges' sister-in-law, Jill Alexander.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Costume designers  Search this
Painters  Search this
Topic:
Federal aid to the arts -- California -- San Francisco -- Exhibitions  Search this
Art and state -- California -- San Francisco -- Exhibitions  Search this
Mural painting and decoration -- 20th century -- California -- San Francisco  Search this
Costume -- California -- San Francisco  Search this
Muralists  Search this
Function:
Art galleries, Commercial -- California -- San Francisco
Identifier:
AAA.labaluci
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-labaluci

Oral history interview with Ben Cunningham

Interviewee:
Cunningham, Ben, 1904-1975  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
Index of American Design  Search this
New Deal and the Arts Oral History Project  Search this
Danysh, Joseph A., 1906-1982  Search this
Gaskin, William, 1892-1968  Search this
Hiler, Hilaire, 1898-1966  Search this
Extent:
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 October 24
Scope and Contents:
An interview of Ben Cunningham conducted 1964 October 24, by Harlan Phillips for the Archives of American Art.
Cunningham speaks of his early career in San Francisco during the Depression; the art market there; working as a muralist in the Federal Art Project; political and media problems encountered by the project, including strikes by workers; the work of the Index of American Design in California; working on naval architecture during Work War II; and his philosophies about painting. He recalls Joseph Danysh, William Gaskin, and Hilaire Hiler.
Biographical / Historical:
Ben Cunningham (1904-1975) was a painter, educator, and mural painter in New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 3 hr., 8 min.
Sound quality is poor.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Muralists -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cunnin64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnin64

Edward Bruce papers

Creator:
Bruce, Edward, 1879-1943  Search this
Names:
Public Works of Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Biddle, George, 1885-1973  Search this
Dornbush, Adrian, 1900-  Search this
Dows, Olin, 1904-1981  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Stein, Leo, 1872-1947  Search this
Sterne, Maurice, 1878-1957  Search this
Extent:
8.9 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Scrapbooks
Photographs
Place:
United States -- Politics and government -- 1933-1945
United States -- Social conditions -- 1933-1945
Date:
1902-1960
bulk 1932-1942
Summary:
The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.
Scope and Content Note:
The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with many notable artists and government officials. Also found is scattered biographical material, office diaries and speeches, personal financial material, printed material, four scrapbooks, and photographs.

A small amount of biographical material includes birth records and many awards and certificates. Bruce's correspondence files comprise over half of this collection, containing correspondence with family, friends, artists, art organizations, political figures, museums, art galleries, and government agencies. Found within the files is extensive correspondence with friend and art critic Leo Stein and artist friend Maurice Sterne. Additional artists Bruce corresponded with include George Biddle, Adrian Dornbush, and Olin Dows. Also included is correspondence documenting his career as Chief of the Treasury Department's Section of Fine Arts with government colleagues and officials, much of it concerning his role on various federal arts committees, including the Commission of Fine Arts. There is also extensive correspondence with Franklin and Eleanor Roosevelt concerning federal and public art projects.

Writings include office diaries and notebooks containing notes, addresses, lists of Section of Fine Arts projects, and dated work entries. There are copies of numerous written speeches given by Bruce on the importance of art, public art projects, and political issues. Financial material consists of a small number of items documenting Bruce's financial activity such as tax and insurance records, bills, a cash book, and house leases. Printed material documents Edward Bruce's career as an artist and federal arts projects and programs. Found are news clippings and magazine articles, exhibition catalogs, brochures, bulletins from the Section of Fine Arts, published speeches, and miscellaneous publications. Four scrapbooks contain news clippings, letters, photographs, and other printed material highlighting Bruce's career.

Extensive photographs include photographs of Bruce's artwork, portraits of Bruce, the Bruces with family and with friends and at many special events, including an NBC radio broadcast and at an exhibition with Eleanor Roosevelt. There are also photographs taken by Bruce during his travels and while living in Anticoli Carrado, Italy.
Arrangement:
The Edward Bruce collection is arranged into 7 series:

Series 1: Biographical Material, circa 1904-1938 (Box 1, OV 11; 3 folders)

Series 2: Correspondence, circa 1921-1957 (Boxes 1-6; 5.5 linear feet)

Series 3: Writings, circa 1931-1942 (Box 6; 0.3 linear feet)

Series 4: Financial Material, circa 1909-1913, circa 1928-1943(Box 6, 0.3 linear feet)

Series 5: Printed Material, circa 1919, circa 1926-1943, 1960 (Box 7, 0.5 linear feet)

Series 6: Scrapbooks, 1922-1941 (Box 7-8; 0.8 linear feet)

Series 7: Photographs, circa 1902-1943 (Box 7, 9-10; 1.0 linear foot)

Although the collection no longer matches the exact filmed order, large groups of materials have been maintained in film order, particularly the correspondence. Microfilm reel and frame number notations are provided at the folder level when known.
Biographical Note:
Edward Bruce was born in 1879 in Dover Plains, New York. Though he enjoyed painting at a young age, he pursued a career in law and graduated from Columbia Law School in 1904. He practiced law in New York and in Manila, Philippines and was actively involved in international issues. He became president of the Pacific Development Corporation of California, was a lobbyist for the Philippine Independence Bill, and, in 1933, attended the London Economic Conference as a silver expert.

In 1923 Bruce gave up his career in law and business and began to paint, particularly landscapes. He and his wife Peggy spent the next six years in Anticoli Carrado, Italy where he studied painting from his friend and fellow artist Maurice Sterne. Bruce returned to the United States in 1929 and settled in California, exhibiting his artwork to much public and critical praise. In addition, Bruce was an avid collector of Chinese art.

In 1933 Bruce was appointed Chief of the newly established Public Works of Art Project, a federal government New Deal program within the U.S. Treasury Department, that employed artists to decorate numerous public buildings and parks. Though this federal program lasted less than a year, Bruce worked with Secretary of the Treasury Henry Morgenthau, Jr., to establish the Treasury Department's Section of Painting and Sculpture in 1934 - later renamed the Section of Fine Arts in 1938. Bruce was appointed Director of the department and played a primary role in securing federal government support for American artists. In 1940 he was appointed to the Commission of Fine Arts by President Franklin Delano Roosevelt.

Bruce received many honors and awards during his lifetime both for his work as an artist and for his capable and dedicated administration of federal arts programs. Despite poor health, he continued his work for the Section of Fine Arts until shortly before his death in 1943.
Related Material:
Other resources in the Archives relating to Edward Bruce include an oral history interview with Margaret (Peggy) Bruce on October 11, 1963 conducted by Harlan Phillips. Miscellaneous Manuscript Collections include one file of material, 1933-1960, concerning Edward Bruce that was donated by the U.S. General Services Administration in 1986 and microfilmed on reel 3960.

Also available at the Archives are two collections of records loaned by the U.S. National Archives from their Public Buildings Administration records and the records of the Public Works of Art Project for microfilming by the Archives. Microfilm reels DC1-DC 13 and DC116-DC128 contain Edward Bruce's files and correspondence, respectively.
Separated Material:
A book Art in Federal Buildings by Forbes Watson and Edward Bruce was donated to AAA with Bruce's papers and microfilmed with the rest of collection on Microfilm Reel D91-D92, and then transferred to the Smithsonian American Art Museum Library.
Provenance:
The Edward Bruce papers were donated by Margaret (Peggy) Bruce, Edward Bruce's wife, in 1962. Additional printed material, financial records, and photographs of artwork were donated by Mrs. Bruce's niece, Maria Ealand in 1979.
Restrictions:
The collection is open for research. The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Arts administrators  Search this
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Art, American  Search this
Art and state  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Diaries
Scrapbooks
Photographs
Citation:
Edward Bruce papers, 1902-1960 (bulk 1932-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brucedwa
See more items in:
Edward Bruce papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brucedwa

California art research / Gene Hailey, editor

Creator:
California Art Research Project  Search this
Names:
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abdy, Rowena Meeks, b. 1887  Search this
Aitken, Robert, 1878-1949  Search this
Albright, Gertrude P., 1883-1959  Search this
Albright, Hermann Oliver, 1876-1944  Search this
Albro, Maxine, 1903-1966  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Atkins, Arthur, 1873-1899  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Bergman, Frank  Search this
Berlandina, Jane, 1898-1962  Search this
Bethers, Ray, 1902-  Search this
Bierstadt, Albert, 1830-1902  Search this
Boynton, Ray Scepter, 1883-1951  Search this
Bremer, Anne, 1872-1923  Search this
Breuer, Henry Joseph, 1860-1932  Search this
Bruton, Margaret, 1894-  Search this
Bufano, Beniamino, 1898-1970  Search this
Cadenasso, Giuseppe, 1858-1918  Search this
Carlsen, Emil, 1853-1932  Search this
Chin, Chee, b. 1896  Search this
Cravath, Ruth, 1902-1986  Search this
Cummings, M. Earl, b. 1876  Search this
Cuneo, Rinaldo, 1877-1939  Search this
Dickman, Charles John, 1863-1943  Search this
Dixon, Maynard, 1875-1946  Search this
Forbes, Helen, 1891-1945  Search this
Fortune, Ephemia Charlton, 1885-1969  Search this
Gaw, William A., 1891-1973  Search this
Grant, Charles Henry, 1866-1939  Search this
Hailey, Gene  Search this
Hamlin, Edith  Search this
Hansen, Armin C. (Armin-Carl), 1886-1957  Search this
Hansen, Herman W., 1854-1924  Search this
Hesthal, William, 1908-  Search this
Hill, Thomas, 1829-1908  Search this
Hobart, Clark, b. 1880?  Search this
Howard, Charles, 1899-1978  Search this
Howard, John Galen, 1864-1931  Search this
Howard, John Langley, 1902-  Search this
Howard, Robert Boardman, 1896-1983  Search this
Jorgensen, Christian, 1860-1935  Search this
Joullin, Amedee, 1862-1917  Search this
Keith, William, 1838-1911  Search this
Kent, Adaline Dutton, 1900-1957  Search this
Kingman, Dong, 1911-  Search this
Labaudt, Lucien, 1880-1943  Search this
Mackey, Spencer, 1880-1958  Search this
Macky, Constance L., b. 1883  Search this
Martinez, Xavier, 1869-1943  Search this
Mathews, Arthur Frank, 1860-1945  Search this
McComas, Francis John, 1874-1938  Search this
Mora, Joseph Jacinto, 1876-1947  Search this
Moya del Pino, Jose, 1891-1969  Search this
Nahl, Arthur Charles, b. 1878  Search this
Nahl, Charles Christian, 1818-1878  Search this
Nahl, Hugo Wilhelm Arthur, 1833-1889  Search this
Nahl, Perham Wilhelm, 1869-1935  Search this
Nahl, Virgil Theodore, 1876-1930  Search this
Obata, Chiura  Search this
Oldfield, Otis, 1890-1969  Search this
Peixotto, Ernest, b. 1869  Search this
Peters, Charles Rollo, 1862-1928  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Pommer, Julius, 1895?-1945  Search this
Poole, Horatio Nelson, b. 1883  Search this
Post, George, 1906-1997  Search this
Puccinelli, Dorothy Wagner, 1901-  Search this
Puccinelli, Raimondo, 1904-  Search this
Putnam, Arthur, 1873-1930  Search this
Randolph, Lee F., b. 1880  Search this
Raphael, Joseph, 1869-1950  Search this
Rexroth, André, Mrs., 1902-  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Rix, Julian  Search this
Robinson, Charles Dorman, 1847-1933  Search this
Rosenthal, Toby Edward, ca. 1848-1917  Search this
Sandona, Matteo, b. 1883  Search this
Sargeant, Geneve Rixford, 1868-1957  Search this
Scherbakoff, Sergey John, b. 1894  Search this
Schnier, Jacques, 1898-1988  Search this
Sekido, Yoshida, b. 1894  Search this
Sheridan, Joseph Marsh, b. 1897  Search this
Sparks, Will, 1862-1937  Search this
Stackpole, Ralph, 1885-1973  Search this
Tavernier, Jules, 1844-1889  Search this
Tilden, Douglas, 1860-1935  Search this
Tojetti, Domenico, 1807-1892  Search this
Van Sloun, Frank J., 1879-1938  Search this
Welch, Thaddeus, 1844-1919  Search this
Williams, Virgil Macey, 1830-1886  Search this
Withrow, Evelyn Almond, 1858-1928  Search this
Wores, Theodore, 1858-1939  Search this
Zakheim, Bernard Baruch, 1898-1985  Search this
Extent:
20 Volumes ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Volumes
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Date:
1936-1937
Scope and Contents:
Twenty volumes of the publication, CALIFORNIA ART RESEARCH, containing monographs on artists whose principal residence was San Francisco.
REEL NDA/Cal 1: Artists include Robert Aitken, Arthur Atkins, Albert Bierstadt, Ray Boynton, Anne Bremer, Henry J. Breuer, Giuseppe Cadenasso, Emil Carlsen, M. Earl Cummings, Rinaldo Cuneo, Charles Dickman, Maynard Dixon, Charles Grant, Armin Hansen, H. W. Hansen, Thomas Hill, Christian Jorgensen, Amedee Joullin, William Keith, Constance Macky, Xavier Martinez, Arthur Mathews, Francis McComas, Arthur C. Nahl, Charles C. Nahl, Hugo W. A. Nahl, Perham W. Nahl, Virgil T. Nahl, Ernest Peixotto, Charles R. Peters, Gottardo Piazzoni, Horatio Nelson Poole, Arthur Putnam, Joseph Raphael, Mary C. Richardson, Julian Rix, Charles D. Robinson, Toby Rosenthal, Will Sparks,Jules Tavernier, Douglas Tilden, Domenico Tojetti, Frank Van Sloun, Thaddeus Welch, Virgil Williams, Evelyn A. Withrow, and Theodore Wores.
REEL NDA/Cal 2: Artists include Rowena M. Abdy, Gertrude Albright, Hermann O. Albright, Maxine Albro, Victor Arnautoff, Matthew R. Barne s, Frank Bergman, Jane Berlandina, Ray Bethers, Beniamino Bufano, Margaret Bruton, Chee Chin, Ruth Cravath, Helen Forbes, Euphemia C. Fortune, William Gaw, Edith Hamlin, William Hesthal, Clark Hobart, Charles Howard, John G. Howard, John L. Howard, Robert Boardman Howard, Adaline Kent, Dong Kingman, Lucien Labaudt, Spencer Mackey, Jo Mora, Jose Moya del Pino, Chiura Obata, Otis Oldfield, Julius Pommer, George B. Post, Dorothy W. Puccinelli, Raimondo Puccinelli, Lee F. Randolph, Andree Rexroth, Matteo Sandona, Geneve R. Sargeant, Sergey J. Scherbakoff,Jacques Schnier, Yoshida Sekido, Joseph M. Sheridan,Ralph Stackpole, and Bernard Zakheim.
Biographical / Historical:
Publication of the Works Progress Administration; San Francisco, Calif. Sponsored by Dr. Walter Heil of the M.H. de Young Museum. Was originally a joint project of the WPA-Statistical projects division and the WPA-Federal Art Project in order to disseminate information about artists and art in the San Francisco region.
Publication, Distribution, Etc. (Imprint):
San Francisco, WPA Project 2874, 1936-1937.
Provenance:
Provenance unknown.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- California -- San Francisco  Search this
Topic:
New Deal, 1933-1939 -- California -- San Francisco  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Identifier:
AAA.caliarp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caliarp

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