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Notes, Art and Society (course)

Collection Creator:
Berkowitz, Leon, 1919-1987  Search this
Container:
Box 3, Folder 10
Type:
Archival materials
Date:
1942
Collection Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leon Berkowitz and Ida Fox Berkowitz papers, circa 1900-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Leon Berkowitz and Ida Fox Berkowitz papers
Leon Berkowitz and Ida Fox Berkowitz papers / Series 7: Notes and Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-berkleon-ref60

(AT HOME) ON ART AND REPRESENTATION: ARTIST TALK WITH RIVA LEHRER

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-04-08T00:16:02.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_sjX4Il5UfLo

Fantastic! the limited edition MASS MoCA exhibition catalogue : voyages into the fantastic! curator and editor: Nato Thompson

Title:
Limited edition MASS MoCA exhibition catalogue
Voyages into the fantastic!
Artist:
Angelo prisoner  Search this
Calderón, Miguel 1971-  Search this
Crewdson, Gregory  Search this
Framis, Alicia 1967-  Search this
Norman, Nils 1966-  Search this
Temporary Services (Group of artists),)  Search this
Curator:
Thompson, Nato  Search this
Publisher:
Massachusetts Museum of Contemporary Art  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
31 pages illustrations (chiefly color) 29 cm
Type:
Exhibitions
Visual analysis
Artists' books (books).)
Artists' books (books)
Artists' books
Binding
Exhibition catalogs
Printing/production method
Production format
Publication format
Date:
2003
21st century
Topic:
Art and religion  Search this
Art and science  Search this
Art and society  Search this
Art, Modern  Search this
Art, Modern--Themes, motives  Search this
Fantasy in art  Search this
Artists' books  Search this
Photographic  Search this
Visual  Search this
Saddle stitching  Search this
Offset printing  Search this
Books  Search this
Monographs  Search this
Colors  Search this
Illustrations  Search this
Call number:
N8217.F28 F28 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_764601

Us an' dem a critical look at relationships between the police, the judiciary and the Black Community [exhibition] curated by Eddie Chambers

Author:
Abdu'Allah, Faisal 1969-  Search this
Author:
Chambers, Eddie  Search this
Forrester, Denzil 1956-  Search this
Joseph, Tam 1947-  Search this
Lancashire Probation Service  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Abdu'Allah, Faisal 1969-  Search this
Forrester, Denzil 1956-  Search this
Joseph, Tam 1947-  Search this
Physical description:
[20] pages 21 cm + 15 post cards (color ; 10 x 15 cm. to 15 x 20 cm)
Type:
Exhibitions
Exhibition catalogues
Artists' books (books).)
Artists' books (books)
Artists' books
Exhibition catalogs
Postcards
Place:
Great Britain
England
Date:
1994
20th century
Topic:
Art and society  Search this
Art--Political aspects  Search this
Art, Modern  Search this
Artists, Black  Search this
Police in art  Search this
Police-community relations  Search this
Race relations in art  Search this
Call number:
N40.1.A1353 U8 1994
N72.P6 A23 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_517969

Intervention and alchemy a public art primer by Richard Posner

Author:
Posner, Richard 1948-  Search this
Author:
First Bank System, Inc Division of Visual Arts  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
60 leaves illustrations 22 cm
Type:
Books
Artists' books (books).)
Artists' books
Specimens
Place:
United States
Minnesota
Date:
1990
20th century
Topic:
Art and society  Search this
Art, American  Search this
Public art  Search this
Artists' books  Search this
Call number:
N7433.4.P68 A4 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640641

Discours sur les avantages des sciences et des arts prononcé dans l'assemblée publique de l'Académie des sciences & belles-lettres de Lyon, le 22 juin 1751 : avec la réponse de Jean J. Rousseau, citoyen de Geneve

Author:
Bordes, Charles 1711-1781  Search this
Author:
Rousseau, Jean-Jacques 1712-1778 Derniere résponse  Search this
Académie des sciences, belles-lettres et arts de Lyon  Search this
Donor:
Burndy Library DSI  Search this
Subject:
Bordes, Charles 1711-1781 Discours sur les avantages des sciences et des arts  Search this
Rousseau, Jean-Jacques 1712-1778 Discours qui a remporté le prix à l'Académie de Dijon  Search this
Physical description:
[2], 130 pages 21 cm. (8vo)
Type:
Early works to 1800
Early works
Date:
1752
Topic:
Arts and society--Early works to 1800  Search this
Education--Aims and objectives--Early works to 1800  Search this
Science  Search this
Arts and society  Search this
Education--Aims and objectives  Search this
Call number:
Q157 .B72 1752
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_272585

Irma Jaffe moderating a panel discussion, "Alienation or Commitment," recorded for the Art news and interviews radio series

Creator:
Jaffe, Irma B.  Search this
Subject:
Hinman, Charles B.  Search this
Indiana, Robert  Search this
Pearson, Henry Charles  Search this
Spector, Robert Donald  Search this
Tucker, Martin  Search this
Type:
Sound Recording
Date:
196-
Topic:
Art and society  Search this
Record number:
(DSI-AAA)11938
See more items in:
Irma Jaffe interviews, 1965-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11938

The influence of Jack Kerouac and the Beat generation on contemporary art and society

Creator:
Artists Talk on Art  Search this
Type:
Videorecording
Date:
2000 October 13
Record number:
(DSI-AAA)21686
See more items in:
Artists Talk on Art records, circa 1974-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_21686

The fall and rise of the stately home / Peter Mandler

Author:
Mandler, Peter  Search this
Physical description:
viii, 523 pages : illustrations, maps ; 25 cm
Type:
Books
History
Place:
England
Great Britain
Großbritannien
Date:
1997
©1997
Topic:
Historic buildings--Conservation and restoration--History  Search this
Architecture, Domestic--Conservation and restoration--History  Search this
Country homes--Conservation and restoration--History  Search this
Dwellings--Conservation and restoration--History  Search this
Manors--Conservation and restoration--History  Search this
Cultural property--Protection--History  Search this
Aristocracy (Social class)--History  Search this
Architecture and society--History  Search this
Heritage tourism--History  Search this
Art and society--History  Search this
Country life--History  Search this
Social change--History  Search this
Architecture and society  Search this
Architecture, Domestic--Conservation and restoration  Search this
Aristocracy (Social class)  Search this
Art and society  Search this
Country homes--Conservation and restoration  Search this
Country life  Search this
Cultural property--Protection  Search this
Dwellings--Conservation and restoration  Search this
Heritage tourism  Search this
Historic buildings--Conservation and restoration  Search this
Manors--Conservation and restoration  Search this
Social change  Search this
Adelshaus  Search this
Architektur  Search this
Baudenkmal  Search this
Gentry  Search this
Herrenhaus  Search this
Soziologie  Search this
Landhuizen  Search this
Conservatie  Search this
Restauratie  Search this
Tourism--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_529547

Oscariana : epigrams, 1895

Creator:
Wilde, Oscar, 1854-1900  Search this
Subject:
Wilde, Constance  Search this
Topic:
Art and society  Search this
Record number:
(DSI-AAA_CollID)21783
(DSI-AAA_SIRISBib)305668
AAA_collcode_wildosca
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305668

Art and democracy, [1910]

Creator:
Scott, Dixon, 1881-1915  Search this
Topic:
Art and society  Search this
Record number:
(DSI-AAA_CollID)21785
(DSI-AAA_SIRISBib)305684
AAA_collcode_dixoscot
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305684

Appeal for the fine arts in the republic : an address, delivered at the artists' reception, Crosby's Opera House, Chicago, Illinois, 26th March, 1866 / by Amasa McCoy, 1866

Creator:
McCoy, Amasa  Search this
Subject:
Crosby's Opera House  Search this
Topic:
Art and society  Search this
Record number:
(DSI-AAA_CollID)21782
(DSI-AAA_SIRISBib)305667
AAA_collcode_amasmcco
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305667

Billy Morrow Jackson prints

Creator:
Jackson, Billy Morrow  Search this
Extent:
8 Items
Type:
Collection descriptions
Archival materials
Date:
[ca. 1965]
Scope and Contents:
Eight poster prints of "Protest Drawings" by Jackson, notes on the prints; and a resume. The prints were made as a fundraising project for civil rights organizations.
Biographical / Historical:
Painter and educator; Illinois. Born 1926.
Provenance:
Donated 1966 by Billy Morrow Jackson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers -- Illinois  Search this
Painters -- Illinois  Search this
Topic:
Art and society -- Pictorial works  Search this
Civil rights -- Pictorial works  Search this
Identifier:
AAA.jackbill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jackbill

Oscariana : epigrams

Creator:
Wilde, Oscar, 1854-1900  Search this
Compiler:
Wilde, Constance, 1858-1898  Search this
Extent:
88 Pages (19 cm.)
Type:
Collection descriptions
Archival materials
Pages
Date:
1895
Scope and Contents:
Epigrams, many of which pertain to art, culled from Wilde's plays, novels and essays.
Publication, Distribution, Etc. (Imprint):
London : priv. print., 1895.
General:
Compiled by Mrs. Oscar Wilde. See: Millard, C.S. Bibliography of Oscar Wilde, 1914, p. 555.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art and society  Search this
Identifier:
AAA.wildosca
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wildosca

The artist as social designer

Creator:
Tuchman, Maurice  Search this
Names:
Armajani, Siah, 1939-  Search this
Burton, Scott, 1939-1989  Search this
De Herrera, Maria  Search this
Holt, Nancy, 1938-  Search this
Miss, Mary, 1944-  Search this
Sonfist, Alan  Search this
Tomkins, Calvin, 1925-  Search this
Zimmerman, Elyn, 1945-  Search this
Extent:
11 Items (sound cassettes (270 p. transcript) + 1 cassette edited for educational tours)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1985
Scope and Contents:
Tape recording of a discussion on "The Artist as Social Designer" held at the Los Angeles County Museum of Art. Participants include Maurice Tuchman (moderator), Maria de Herrera, Scott Burton, Siah Armajani, Nancy Holt, Mary Miss, Elyn Zimmerman, Alan Sonfist, and Calvin Tomkins.
Biographical / Historical:
Curator; Los Angeles, Calif. Born 1936. Tuchman, Curator of Modern and Contemporary Art at the Los Angeles County Museum of Art, and his fellow curator, Maria de Herrera, arranged the closed discussion in preparation for an exhibition on public art and the contemporary artist's impulse toward functionalism.
Provenance:
Donated 1985 by Maurice Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Environmental artists -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
Art and society  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.tuchmaur2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmaur2

Linda Nochlin papers

Creator:
Nochlin, Linda  Search this
Names:
Courbet, Gustave, 1819-1877  Search this
Lajer-Burcharth, Ewa  Search this
Mitchell, Joan, 1926-1992  Search this
Pearlstein, Philip, 1924-  Search this
Zuka  Search this
Extent:
31.2 Linear feet
3.9 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Date:
circa 1876
1937-2017
Summary:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.
Scope and Contents:
The papers of feminist art historian and educator Linda Nochlin measure 31.2 linear feet and 3.9 gigabytes and date from circa 1876, 1937 to 2017. The collection is comprised of biographical materials; date books and notebooks; correspondence; writing project files that include material on Gustave Courbet and realism, bathers and the body, essays and lectures on 19th century art among other topics, artists, and smaller writing projects; professional files containing material on conferences and fellowships; teaching files detailing courses taught by Nochlin at New York University Institute of Fine Arts and other institutions; printed materials; artwork; and photographic materials that document Nochlin and her relationships with family, colleagues and friends, and artists.

Biographical materials include two address books; awards and prizes; certificates and diplomas; childhood writings and notes, assignments, and school newsletters; course work at Vassar College and NYU's Institute of Fine Arts; honors; and one sound recording and three transcripts of Nochlin interviews with Alain Veinstein, Dan Karlholm, Jon Weiner, and Moira Roth.

Over 150 date books and notebooks spanning nearly 60 years contain appointments, reminders, travel plans, thoughts on art, journal entries, daily activities, to-do lists, contact information, fiction writing, and other small notations. Correspondence is with family; close colleagues and artists Ewa Lajer-Burcharth, Zuka Mitelberg, Joan Mitchell, and Philip Pearlstein; and professional contacts regarding speaking engagements, publishing projects, exhibitions, artists' work, conferences, and events.

The bulk of the collection documents Nochlin's prolific writing career that includes her lifelong research and work on Gustave Courbet, realism, bathers and the body, as well as numerous essays and lectures, research and writings on artists, and various other writing projects.

Files for professional activities contain material for conferences and symposiums that include 11 sound and video recordings, grants, fellowships, and travel arrangements and expenses. Teaching files consist of documentation for courses taught by Nochlin at New York University Institute of Fine Arts, Vassar College, Yale University, and other academic institutions.

Publications and other printed materials include annotated books, booklets, clippings, exhibition catalogs, journals and magazines, newsletters, offprints, five video recordings of broadcasts and documentary material, flyers, invitations, posters, and postcards. Artwork includes sketches in ink, charcoal, paint, and pencil created during Nochlin's childhood into her early 20s, along with artwork by children, and one video art recording by Zoulikha Bouabdellah.

Photographs and negatives are of Nochlin with artists Nancy Graves, Sebastian Horsley, and Shirley Jaffe; childhood classmates; friends and colleagues; students; and travels to Europe. Also included are photographs of works of art, personal photographs of family members, and portraits and snapshots of Nochlin.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Materials, circa 1940-2012 (1.0 linear feet; Box 1, OV 35 / 0.003 GB; ER01-ER03)

Series 2: Datebooks and Notebooks, 1959-2017 (2.5 linear feet; Boxes 2-5, OV 35 / 0.001 GB; ER004)

Series 3: Correspondence, 1946-2014 (2.0 linear feet; Boxes 5-7, OV 35 / 0.158 GB; ER005-ER011)

Series 4: Writing Project Files, circa 1876, 1953-2016 (17.0 linear feet; Boxes 7-21, 30-31, 33-34, OVs 36-37 / 3.72 GB; ER012-ER102)

Series 5: Professional Files, 1957-2012 (1.0 linear feet; Boxes 22-23 / 0.001 GB; ER103)

Series 6: Teaching Files, 1953-2012 (2.5 linear feet; Boxes 23-25, OV 36 / 0.016 GB; ER104-ER119)

Series 7: Printed Materials, 1939-2017 (3.0 linear feet; Boxes 26-28, 32, 34, OVs 39-40)

Series 8: Artwork, circa 1940-2004 (1.0 linear feet; Boxes 28, 34, OV 38)

Series 9: Photographic Materials, circa 1935-circa 2010 (1.0 linear feet; Boxes 28-29, 34)
Biographical / Historical:
Linda Nochlin (1931-2017) was a feminist art historian and professor at New York University Institute of Fine Arts in New York, New York. She is widely known for her essay first published in 1971, "Why Have There Been No Great Women Artists?," that explored the institutional systems in place for analyzing art history and their impacts on women artists. In 1976, Nochlin co-curated Women Artists: 1550-1950 alongside Ann Sutherland Harris at the Los Angeles County Museum of Art, and in 2007 she co-curated with Maura Reilly the Global Feminisms Exhibition at the Brooklyn Museum. Both exhibitions are considered landmark exhibitions of women artists.

Nochlin was born in Brooklyn, New York. She attended the Brooklyn Ethical Culture School and Midwood High School before enrolling in Vassar College where she majored in philosophy with minors in Greek and art history. After graduating in 1951, she went on to earn a master's degree in English from Columbia University in 1952. In 1963, she earned her PhD in art history from the Institute of Fine Arts. Nochlin's PhD dissertation, "Gustave Courbet: A Study of Style and Society," marked the beginning of her lifelong study of the 19th-Century French artist Gustave Courbet.

Nochlin taught at Yale University, the Graduate Center at the City University of New York, and Vassar College. She was also a visiting professor at Columbia University, Hunter College, Stanford University, Williams College, and Yale University, and later became the Lila Acheson Wallace Professor Emerita of Modern Art at the Institute of Fine Arts.

Nochlin authored numerous art history books including Realism (1971), The Politics of Vision: Essays on Nineteenth-Century Art and Society (1989), Representing Women (1999), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), Bathers, Bodies, Beauty: The Visceral Eye (2006), Courbet (2007), and Misère: The Visual Representation of Misery in the 19th Century (2018).
Related Materials:
Also found at the Archives of American Art is an oral history interview of Linda Nochlin conducted on June 9-30, 2010 by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.
Provenance:
The collection was donated in 2018 by Daisy Pommer, Linda Nochlin's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Feminists  Search this
Women art historians  Search this
Realism  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Diaries
Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nochlind
See more items in:
Linda Nochlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nochlind
Online Media:

Art and democracy

Creator:
Scott, Dixon, 1881-1915  Search this
Extent:
[32] p. (ill., 18 cm.)
Type:
Collection descriptions
Archival materials
Date:
[1910]
Publication, Distribution, Etc. (Imprint):
London : Adam & Charles Black, [1910]
General:
Cover title.
Archives of American Art copy is stamped in several places: W. Wesley and Son booksellers and publishers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art and society  Search this
Identifier:
AAA.dixoscot
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dixoscot

Advertising Campaign

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 7, Folder 2
Type:
Archival materials
Date:
1979
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 1: Administrative Files / 1.4: Publicity and Outreach
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref291
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Advertising Campaign digital asset number 1

Outreach

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 12, Folder 15
Type:
Archival materials
Date:
circa 1975-1978
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 2: Education Programs / 2.2: Feminist Studio Workshop
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref557
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Outreach digital asset number 1

Appeal for the fine arts in the republic : an address, delivered at the artists' reception, Crosby's Opera House, Chicago, Illinois, 26th March, 1866 / by Amasa McCoy

Creator:
McCoy, Amasa  Search this
Names:
Crosby's Opera House  Search this
Extent:
28 Pages (23 cm.)
Type:
Collection descriptions
Archival materials
Pages
Date:
1866
Scope and Contents:
Transcript of a speech by McCoy appealing to patrons to fund the arts, and in particular to fund the endeavors of Crosby's Opera House.
Publication, Distribution, Etc. (Imprint):
Chicago : Printed at the Tribune Company's book and job office, 1866.
General:
Cover features an engraved illustration of the exterior of Crosby's Opera House (signed within engraving: Baker, Chicago).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art and society  Search this
Identifier:
AAA.amasmcco
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-amasmcco

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