1.7 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1960-1981
Scope and Contents:
Correspondence, photographs, slides, sketches and sketchbooks, printed material, journals, and motion picture films.
REEL 2879: Two journals containing daily entries concerning Staley's work and family; ink sketches; photographs of his family, friends, and art work; clippings; and exhibition announcements.
REELS 2880-2882: Correspondence with Jack Boynton, Bob Camblin, and Dick Wray; exhibitions list, announcements, invitations, catalogs, and clippings; lecture notes; "B & E Productions" file; sketches and 9 sketchbooks; and ca. 75 photographs.
UNMICROFILMED: Ca. 300 slides of drawings, prints, paintings, ceramics, belts, planters, and weather vanes by Staley, Bob Camblin, and Joe Tate; films by Staley, "Smoked Links," "All the Signs from Houston to Galveston and Back," and "Staley Draws"; films by Roy Fridge, "Student Film," and "Cube Art"; films by Staley, Camblin and Tate, "BEJ I" and "Holding Firm II"; and unidentified film and tapes.
Biographical / Historical:
Painter, craftsman, and filmmaker; Houston, Tex.
Provenance:
Material on reels 2879-2882 lent for microfilming by Staley, 1981, as part of the Archives of American Art's Texas project. Unmicrofilmed material donated by Staley, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
An interview conducted by Stan and Irene Poon Andersen on July 3-4, 1996, New York City, with Dong Kingman. Accompanying the interview are a few newspaper and magazine articles, and a photograph of Kingman, taken by Irene Poon Andersen, 1996. The material was compiled following the 1995 exhibition "With New Eyes: Toward An Asian American Art History in the West," for which Poon Andersen was a curator and exhibitor.
Kingman discusses his early years and education in Oakland, Calif. and Hong Kong; teaching at Mills College, Oakland, University of Wyoming, Laramie and the San Diego Museum; working on the WPA art project; military service with the US Army OSS art department; leaving the Bay Area when he was drafted, moving first to Washington, D.C. and later to New York City where has remained; and work on movies including "Flower Drum Song," "55 Days to Peking," and "Virgin Soldier."
Biographical / Historical:
Dong Kingman (1911-2000) was a Chinese American painter and illustrator based in the San Francisco Bay Area and New York City. Kingman taught at Columbia University and Hunter College. He worked for the Works Progress Administration.
Provenance:
Donated 1997 by Stan Andersen and Irene Poon Andersen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- New York (State) -- New York Search this
Artists -- California -- San Francisco Bay Area Search this
REELS 1443-1445 & 3368-3369: A 26 volume journal, 1959-1985, including lists of art work, illustrated ideas for sculpture, scenarios for films, plans for sailboats, a studio and houses, teaching notes, and brief essays; a souvenir book published by Fridge in 1972 containing a chronology of his life and work with photographs and drawings of his sculpture, boats, houses and films; and printed material.
REEL 1915: Clippings, invitations, exhibition catalogs and announcements; sketches for a set design; an essay "Film in Art... A Philosophy," written for the University of Oklahoma; film awards; correspondence relating to films; and photographs.
Biographical / Historical:
Sculptor and filmmaker; Port Aransas, Tex.
Provenance:
Lent for microfilming by Fridge as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
An interview of Martha Jackson conducted 1969 May 23, by Paul Cummings, for the Archives of American Art. Jackson speaks of becoming interested in art while living in Baltimore; buying her first painting, a gouache by Marc Chagall; moving to New York City and getting active in collecting art; going to Hans Hofmann's school; opening her gallery in New York in 1953; art as an investment; early shows at her gallery; struggling financially; books and film and their relationship to art; politics and art and their relationship; the psychology of art buying and collecting; the European art market for American art; and her goals for her gallery.
Biographical / Historical:
Martha Kellogg Jackson (1907-1969) was an art dealer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art dealers -- New York (State) -- New York Search this
Biographical material, 1940-1942, including insurance information and an application for a dorm in the Navy; correspondence, 1928-1959, including drafts of letters, letters to his friend Tom Scott (2 are illustrated), correspondence with family, including his brother, publisher Jack Werner Stauffacher, and letters regarding the San Francisco International Film Festival and The San Francisco Museum of Art's film series "Art in Cinema"; art works, including 8 sketches and 4 paintings; short stories, one with illustrations, and writings on film; minutes of the San Francisco Film Festival; printed material, 1946-1962; 3 photographs of Stauffacher; and correspondence and writings relating to a Frank Stauffacher memorial organized by Tom Scott and Jack Stauffacher.
Biographical / Historical:
Filmmaker; San Francisco, California.
Provenance:
Donated 1987 by Jack Stauffacher, brother of Frank Stauffacher.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Filmmakers -- California -- San Francisco Search this
Seven letters from Ivan Albright to Irene McCabe (Cantine), 1942-1944, describing his painting the portrait of Dorian Gray for MGM for use in the film of the same name; clippings, about Ivan and Malvin Albright, undated and 1978-1983.
Biographical / Historical:
In 1942, at the age of 14, Helen McCabe (Cantine) by chance wandered into Ivan Le Lorraine Albright's studio in Warrenville, Illinois. He sketched her portrait and asked her to pose again for him. In 1943 Albright went to Hollywood to work on the "Portrait of Dorian Gray" for the MGM film of the same title, and continued to correspond with McCabe (Cantine). He died in 1983.
Provenance:
Donated 1986 by Irene Helen McCabe Cantine.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Biographical material, professional and personal correspondence, subject files, financial records, artwork, printed material and an audio cassette.
Biographical information includes a résumé and award. Business correspondence, 1964-1984, regards the opening of The Hirshhorn Museum and Sculpture Garden and Block's teaching position at California State University, Northridge, and personal correspondence includes 5 illustrated letters by Block to his wife and two printed cards from Fritz Faiss. Subject files regard the WPA, 1938-1983, film animation, 1957-1976, and book illustration, 1978-1984. Financial records relate to Block's association with the Ankrum Gallery, 1936-1981. Photographs are of Block, his friends, family and works of art.
Artwork includes 2 sketches, 1962, and approximately 60 pencil figurative drawings and studies done during weekly life drawing sessions established by Block and Hans Burkhardt at the Studio Club on the MGM lot from the 1950s to mid-1970s (among them is a pastel by Burkhardt of Block drawing the nude model); and 16 drawings and one print and one poster, most of which were executed by Irving Block for Santa Susana Press, California State University, Northridge's 1986 broadside of John Updike's poem, A Pear Like a Potato. Printed material, 1941-1982, includes exhibition catalogs and clippings. An audio cassette contains Block's reminiscences of his friendship with Burkhardt and a recording of Block delivering a lecture to a senior seminar class on Walt Whitman.
Biographical / Historical:
Irving Block (1910-1986) was a painter and educator in Los Angeles, California. Block was born in New York City. He was involved in the Works Projects Administration's Federal Art Project in the 1930s, and worked as a matte shot artist at 20th Century Fox during the 1940s and 50s. He taught for many years at California State University, Northridge (1963-1980). Block co-authored with Alan Adler the original story for the science fiction film Forbidden Planet, for which he designed Robbie the Robot.
Provenance:
Donated 1984 by Block and in 1996 by Jill Block, the widow of Irving Block. Additional drawings, print and poster donated 2015 by Virginia Elwood-Akers, a former librarian at California State University, Northbridge who received the drawings from colleague Dean Norman Tanis, head of the Santa Susana Press.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art teachers -- California -- Los Angeles Search this
Saul Bass and Edward Biberman. Interview with Saul Bass, episode 20 of the Dialogues in art television series, 1967 or 1968. Edward Biberman papers, 1939-1985. Archives of American Art, Smithsonian Institution.
Woodstock Artists Association. First Art Film Festival in America symposium, 1951 September. First Art Film Festival in America sound recordings, 1951 Sept. Archives of American Art, Smithsonian Institution.
Quotes and excerpts must be cited as follows: Oral history interview with Martha Jackson, 1969 May 23. Archives of American Art, Smithsonian Institution.
