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Oral history interview with Clark Richert, 2013 August 20-21

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Subject:
Bernofsky, Gene  Search this
Brown, Joan  Search this
Conner, Bruce  Search this
DeFeo, Jay  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert  Search this
Rothko, Mark  Search this
Sands, Nick  Search this
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas  Search this
Type:
Interviews
Sound recordings
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art teachers -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Painters -- Colorado -- Denver -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16129
(DSI-AAA_SIRISBib)363610
AAA_collcode_richer13
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_363610

Oral history interview with Boris Bally, 2009 May 26-27

Interviewee:
Bally, Boris, 1961-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Agro, Elisabeth R.  Search this
Ballay, Joe  Search this
Bonner, Jonathan  Search this
Cianci, Vincent Albert, Jr.  Search this
Dahm, Johanna  Search this
Ebendorf, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gialamas, Rosemary  Search this
Greenbaum, Toni  Search this
Holt, Steven  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent)  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto  Search this
Lechtzin, Stanley  Search this
Metcalf, Bruce  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania)  Search this
Snyderman Gallery  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Record number:
(DSI-AAA_CollID)15682
(DSI-AAA_SIRISBib)282774
AAA_collcode_bally09
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282774
Online Media:

Oral history interview with Clark Richert

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Creator:
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
Names:
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas -- Students  Search this
Bernofsky, Gene  Search this
Brown, Joan, 1938-1990  Search this
Conner, Bruce, 1933-2008  Search this
DeFeo, Jay, 1929-1989  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rothko, Mark, 1903-1970  Search this
Sands, Nick  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 55 min.), digital, wav)
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2013 August 20-21
Scope and Contents:
An interview with Clark Richert conducted 2013 August 20- 21, by Elissa Auther, for the Archives of American Art's, Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists, at the Museum of Contemporary Art in Denver, Colorado.
Richert speaks of deciding to become an artist; his influences; studying art at the University of Kansas; the Wichita Vortex; Droppings: working with geometric art; Drop City; geodesic domes; The Ultimate Painting; Zome Toy; Criss-Cross; using computers in art; being a teacher; the Armory Group; and A.R.E.A. Richert also recalls Bruce Conner, Richard Kallweit, Joan Brown, Gene Bernofsky, Buckminster Fuller, Michael McClure, Alan Kaprow, Nick Sands, Robert Rauschenberg, Mark Rothko, Jay Defeo, Dean Fleming, Linda Fleming, John Fudge, and others.
Biographical / Historical:
Clark Richert (1941- ) is a painter in Denver, Colorado and is head of the painting and drawing department at Rocky Mountain College of Art and Design. Elissa Auther (1966- ) is associate professor of contemporary art in the Department of Visual and Performing Arts at the University of Colorado, Colorado Springs, Colorado.
General:
Originally recorded as 4 sound files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Transcript available on the Archives of American Art website.
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art teachers -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Painters -- Colorado -- Denver -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.richer13
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richer13

Curating the digital : space for art and interaction David England, Thecla Schiphorst, Nick Bryan-Kinns, editors

Editor:
England, David  Search this
Schiphorst, Thecla  Search this
Bryan-Kinns, Nick  Search this
Author:
ProQuest (Firm)  Search this
Physical description:
1 online resource (207 pages) illustrations (some color), photographs, tables
Type:
Electronic resources
Date:
2016
Topic:
Art and computers  Search this
Call number:
N72.C63 .C873 2016 (Internet)
Restrictions & Rights:
1-user.
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1118371

Gretchen Bender papers, 1980-2004

Creator:
Bender, Gretchen, 1951-2004  Search this
Record number:
(DSI-AAA_CollID)13377
(DSI-AAA_SIRISBib)256159
AAA_collcode_bendgret
Theme:
Lives of American Artists
Audio - Visual
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_256159

Gretchen Bender papers

Creator:
Bender, Gretchen  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1980-2004
Summary:
The papers of Gretchen Bender measure 2.8 linear feet and date from 1980-2004. This material documents her career as a filmmaker and multimedia artist through biographical materials, correspondence, personal business records, writings, notebooks, printed material, photographs, slides and transparencies, and artwork. Also included are project files detailing Gretchen's collaborations with dancer/choreographer Bill T. Jones, as well as a handwritten transcription of a conversation between Bender and Cindy Sherman.
Scope and Contents:
The papers of Gretchen Bender measure 2.8 linear feet and date from 1980-2004. This material documents her career as a filmmaker and multimedia artist through biographical materials, correspondence, personal business records, writings, notebooks, printed material, photographs, slides and transparencies, and artwork. Also included are project files detailing Gretchen's collaborations with dancer/choreographer Bill T. Jones, as well as a handwritten transcription of a conversation between Bender and Cindy Sherman.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1996 (Box 1; 4 folders)

Series 2: Correspondence/Letters, 1985-2003 (Box 1; 4 folders)

Series 3: Personal Business Records, 1985-1990 (Box 1; 4 folders)

Series 4: Project Files, 1982-2002 (Boxes 1-2, 5; 0.9 Linear Feet)

Series 5: Writings, 1983-1988 (Box 2; 0.1 Linear Feet)

Series 6: Notebooks, 1980-2000 (Box 2; 0.6 Linear Feet)

Series 7: Printed Material, 1981-2004 (Boxes 3, 6; 0.3 Linear Feet)

Series 8: Photographs, 1984-1989 (Boxes 3-4, 0.3 Linear Feet)

Series 9: Artwork, 1984-1985 (Boxes 4, 5; 0.2 Linear Feet)
Biographical / Historical:
Gretchen Bender (1951-2004) was a New York City based filmmaker, multimedia, and conceptual artist. Bender borrowed from elements found in advertising, television, popular contemporary art, and computer graphics to explore issues of race, gender, politics, and culture in her work. During the 1990s, Bender worked with choreographer/dancer Bill T. Jones as a co-director, set designer, and filmmaker on a number of theater and television projects. Bender was a director, editor, and producer for television, primarily working on music videos. Bender participated in solo and group exhibitions at Metro Pictures and Nature Morte in New York.
Provenance:
Donated 2005 by Kate Bender, Gretchen Bender's sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Gretchen Bender papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Citation:
Gretchen Bender papers, 1980-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bendgret
See more items in:
Gretchen Bender papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bendgret
Online Media:

Oral history interview with Gyöngy Laky, 2007 December 11-12

Interviewee:
Laky, Gyöngy, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Branford, Joanne Segal  Search this
Christiansen, Brett  Search this
Dobras, Darryl  Search this
Dumas, Mary  Search this
Elliott, Lilian  Search this
Foosaner, Judith  Search this
Gablik, Suzi  Search this
Hamilton, Ann  Search this
Lahner, Émile  Search this
Larsen, Jack Lenor  Search this
Miller, Henry  Search this
Nevelson, Louise  Search this
Ocampo, Kim  Search this
Puryear, Martin  Search this
Rossbach, Ed  Search this
Sontag, Susan  Search this
Voulkos, Peter  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Topic:
Decorative arts  Search this
Computer Art  Search this
Painting -- China  Search this
Textile artists -- California -- San Francisco  Search this
Art and computers  Search this
Record number:
(DSI-AAA_CollID)13672
(DSI-AAA_SIRISBib)274523
AAA_collcode_laky07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_274523
Online Media:

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bally09

Oral history interview with Gyöngy Laky

Interviewee:
Laky, Gyöngy, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Branford, Joanne Segal, 1933-1994  Search this
Christiansen, Brett  Search this
Dobras, Darryl  Search this
Dumas, Mary  Search this
Elliott, Lilian, 1930-1994  Search this
Foosaner, Judith, 1940-  Search this
Gablik, Suzi, 1934-  Search this
Hamilton, Ann, 1956-  Search this
Lahner, Émile, 1893-1980  Search this
Larsen, Jack Lenor  Search this
Miller, Henry, 1891-1980  Search this
Nevelson, Louise, 1899-1988  Search this
Ocampo, Kim  Search this
Puryear, Martin, 1941-  Search this
Rossbach, Ed  Search this
Sontag, Susan, 1933-2004  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
11 Items (Sound recordings: 11 sound files (4 hr., 8 min.), digital, wav)
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 December 11-12
Scope and Contents:
An interview of Gyöngy Laky conducted 2007 December 11-12, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Laky's home and studio, in San Francisco, California.
Laky speaks of her recent exhibitions; leaving Hungary as a child; using words in art; learning languages; family influences in her art; the family art gallery and Chinese painting; changing majors in college; working with various materials; using recycled materials in her work; retirement; planning her works; working with assistants; working with a small community in Europe; construction of her works; using computers to create art; the craft "renaissance"; scale and outdoor projects; working with dealers and commissioned pieces; emphasis on negative space. Laky also recalls Emile Lahner, Mary Dumas, Ed Rossbach, Judy Foosaner, Peter Voulkos, Joanne Branford, Lillian Elliott, Henry Miller, Louise Nevelson, Darryl Dobras, Brett Christiansen, Kim Ocampo, Jack Lenor Larsen, Martin Puryear, Ann Hamilton, Suzi Gablik, Susan Sontag, and others.
Biographical / Historical:
Gyöngy Laky (1944- ) is a textile artist from San Francisco, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Computer Art  Search this
Painting -- China  Search this
Textile artists -- California -- San Francisco  Search this
Art and computers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.laky07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laky07

Art and Computers

Collection Creator:
Catlin, Stanton L. , 1915-1997  Search this
Container:
Box 29, Folder 3-4
Type:
Archival materials
Date:
1969-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Stanton L. Catlin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Stanton L. Catlin papers
Stanton L. Catlin papers / Series 7: Research and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-catlstan-ref1141

Matthew Weinstein

Artist:
Weinstein, Matthew 1964-  Search this
Writer of added commentary:
Gloede, Marc  Search this
Publisher:
Heland Wetterling Gallery  Search this
Wetterling Gallery (Göteborg, Sweden)  Search this
Subject:
Weinstein, Matthew 1964-  Search this
Physical description:
101 pages : color illustrations ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
2011
21st century
Topic:
Art, American--Themes, motives  Search this
Art and computers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1005243

A pioneer inspite of the odds : Gabre Kristos Desta : Ethiopia's painter and poet extraordinaire (1932-1981) / by Achamyeleh Debela, Professor of Art and Computer Graphics, North Carolina Central University

Title:
Pioneer in spite of the odds
Gabre Kristos Desta
Author:
Debela, Achamyeleh 1949-  Search this
Subject:
Gebre Kristos Desta 1932-1981  Search this
Physical description:
14 leaves ; 28 cm
Type:
Books
Place:
Ethiopia
Date:
1992
20th century
Topic:
Artists  Search this
Art, Ethiopian  Search this
Ethiopian poetry  Search this
Art teachers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1036731

New Works by Nam June Paik Are Discovered at the Smithsonian American Art Museum

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 23 Mar 2015 13:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_2669f5d4a8850862c83c399a28a7056f

Arte y computadoras en Latinoamérica = Art and computers in Latin America : [Conferencia Internacional sobre Computadoras y la Humanidad, julio 20, 21, 22, 1973]

Author:
International Conference on Computers in the Humanities (1973 : University of Minnesota)  Search this
Glusberg, Jorge  Search this
Centro de Arte y Communicación (Buenos Aires, Argentina)  Search this
Physical description:
[27] p. : ill. ; 23 cm
Type:
Books
Place:
Latin America
Date:
1973
[1973?]
Topic:
Art--Data processing--Congresses  Search this
Computer art  Search this
Call number:
N7433.8 .I615 1973
N7433.8.I615 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_305489

Mainframe experimentalism : early computing and the foundations of the digital arts / edited by Hannah B. Higgins and Douglas Kahn

Editor:
Higgins, Hannah 1964-  Search this
Kahn, Douglas 1951-  Search this
Physical description:
xiv, 362 pages ; 24 cm
Type:
Books
Date:
2012
[2012]
20th century
Topic:
Art and computers  Search this
Computer art  Search this
Arts, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1048395

What every artist needs to know about paints & colors / David Pyle

Title:
Paints & colors
Author:
Pyle, David  Search this
Physical description:
144 p. : ill. ; 29 cm
Type:
Books
Date:
2000
C2000
Topic:
Pigments  Search this
Color  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1062503

Tobias Putrih & MOS : without out / [curator Jane Farver ; essays by Svetlana Boym and Timothy Hyde ; and an interview by Svetlana Boym with Michael Merdith and Tobias Putrih]

Title:
Tobias Putrih and MOS
Without out
Author:
Putrih, Tobias 1972-  Search this
Meredith, Michael 1971-  Search this
Farver, Jane  Search this
Boym, Svetlana 1959-  Search this
Hyde, Timothy  Search this
MOS (Firm)  Search this
MIT List Visual Arts Center  Search this
Subject:
Putrih, Tobias 1972-  Search this
Putrih, Tobias 1972-  Search this
Meredith, Michael 1971-  Search this
Meredith, Michael 1971-  Search this
Physical description:
64 p. : ill. (some col.) ; 22 cm
Type:
Exhibitions
Interviews
Date:
2010
[2010]
Topic:
Installations (Art)  Search this
Art and computers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_939311

Guo qu wei lai = Passé future / [zhu bian Lin Zhiming]

Title:
過去未來 = Passé future / [主編林志明]
Passé-future
Author:
Zhongzheng guo ji ji chang  Search this
Subject:
Guo li gu gong bo wu yuan  Search this
Physical description:
199 p. : ill. (chiefly col. ) ; 33 cm
Type:
Exhibitions
Biography
Place:
Taiwan
Date:
2008
Topic:
Art and computers  Search this
Computer art  Search this
Art  Search this
Artists  Search this
Call number:
N7349.8 .G863 2008b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_951723

V&A pattern

Author:
Victoria and Albert Museum  Search this
Thomas, Abraham  Search this
Mendes, Valerie D  Search this
Jackson, Anna (Anna M. F.)  Search this
Brodie, Antonia  Search this
Subject:
Victoria and Albert Museum  Search this
Physical description:
4 v. : col. ill. ; 19 cm. + 4 CD-ROMs
Type:
Books
Archives
Date:
2010
C2010
20th century
Topic:
Decoration and ornament  Search this
Repetitive patterns (Decorative arts)  Search this
Design--History  Search this
Digital art  Search this
Art and computers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_957748

A little known story about a movement, a magazine and the computer's arrival in art : New Tendencies and Bit international, 1961-1973 / edited by Margit Rosen in collaboration with Peter Weibel, Darko Fritz, and Marija Gattin

Author:
Rosen, Margit 1974-  Search this
Weibel, Peter  Search this
Fritz, Darko 1966-  Search this
Gattin, Marija  Search this
Landesbildergalerie (Steiermärkisches Landesmuseum Joanneum)  Search this
Zentrum für Kunst und Medientechnologie Karlsruhe  Search this
Subject:
Nouvelle tendance (Exhibition)  Search this
Physical description:
576 p. : ill. (some col.) ; 27 cm
Type:
Exhibitions
Sources
Place:
Europe
Date:
2011
C2011
20th century
Topic:
Computer art  Search this
Arts--Experimental methods--History  Search this
Art--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_968222

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