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Colin de Land collection, 1968-2008, bulk 1980-2003

Creator:
de Land, Colin, 1955-2003  Search this
Subject:
Waters, John  Search this
Fraser, Andrea  Search this
Dion, Mark  Search this
Marks, Matthew  Search this
Morris, Paul  Search this
Balk, Dennis  Search this
Davey, Moyra  Search this
Pierson, Jack  Search this
Fend, Peter  Search this
Heilmann, Mary  Search this
Greene, Carol  Search this
Wadlin, Craig  Search this
Beckwith, Patterson  Search this
McDonald, Daniel  Search this
Art Forum Berlin  Search this
International Art Fair  Search this
American Fine Arts, Co.  Search this
Biennale di Venezia  Search this
Documenta  Search this
Art Cologne  Search this
Armory Show  Search this
Type:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Record number:
(DSI-AAA_CollID)13702
(DSI-AAA_SIRISBib)279482
AAA_collcode_delacoli
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279482
Online Media:

Palace door

Object Name:
ilekun aafin
Maker:
Olowe of Ise, ca. 1875-ca. 1938  Search this
Yoruba artist  Search this
Medium:
Wood, traces of pigment
Dimensions:
H x W x D: 207 x 88 x 15.9 cm (81 1/2 x 34 5/8 x 6 1/4 in.)
Type:
Architectural Element
Geography:
Ise, Ekiti region, Nigeria
Date:
ca. 1904-1910
Topic:
Commemorative  Search this
Leadership  Search this
equestrian  Search this
mother and child  Search this
musical instrument  Search this
weapon  Search this
horse  Search this
male  Search this
female  Search this
Credit Line:
Gift of Dr. and Mrs. Robert Kuhn
Object number:
88-13-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
Visionary: Viewpoints on Africa's Arts
On View:
NMAfA, Second Level Gallery (2193)
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7b1709d5d-ddec-45e8-a410-277449fed8f4
EDAN-URL:
edanmdm:nmafa_88-13-1

Weight

Object Name:
abrammuo
Maker:
Akan artist  Search this
Medium:
Copper alloy
Dimensions:
H x W x D: 8.8 x 8.2 x 2.8 cm (3 7/16 x 3 1/4 x 1 1/8 in.)
Type:
Sculpture
Geography:
Côte d'Ivoire
Ghana
Date:
18th-late 19th century
Topic:
weapon  Search this
male  Search this
Trade  Search this
Credit Line:
Gift of Ernst Anspach
Object number:
90-5-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
Visionary: Viewpoints on Africa's Arts
On View:
NMAfA, Second Level Gallery (2193)
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys70f119695-9713-4b27-96b9-663e2a1029f6
EDAN-URL:
edanmdm:nmafa_90-5-1

Colin de Land collection

Creator:
De Land, Colin, 1955-2003  Search this
Names:
American Fine Arts, Co.  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Cologne  Search this
Art Forum Berlin  Search this
Biennale di Venezia  Search this
Documenta  Search this
International Art Fair  Search this
Balk, Dennis  Search this
Beckwith, Patterson  Search this
Davey, Moyra  Search this
Dion, Mark, 1961-  Search this
Fend, Peter  Search this
Fraser, Andrea  Search this
Greene, Carol  Search this
Heilmann, Mary, 1940-  Search this
Marks, Matthew  Search this
McDonald, Daniel  Search this
Morris, Paul  Search this
Pierson, Jack, 1960-  Search this
Wadlin, Craig  Search this
Waters, John, 1946-  Search this
Extent:
15.15 Linear feet
0.901 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Date:
1968-2008, bulk 1980-2003
bulk 1980-2003
Summary:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.
Scope and Contents:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The bulk of the collection consists of snapshots, along with their negatives and the envelopes provided by commercial photographic printers. The envelopes are sometimes annotated. The photographs, not typically identified by photographer, were taken by de Land, Hearn, and gallery employees, artists, and visitors. Most of the snapshots provide a candid record of life within de Land's circle, and not formal documentation of gallery exhibitions.

The figures in this collection often occupied blurred boundaries between artist, gallery employee, critic, and friend. Many of the photographs include AFA staff, including Daniel McDonald, Patterson Beckwith, and Craig Wadlin. Also of note are photos showing AFA artists, including John Waters, Mark Dion, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, and Jack Pierson.

In addition to life within the gallery, de Land's cameras also documented a larger art world of the era, candidly showing openings at other galleries, art fairs such as Art Basel, Art Cologne, and the Berlin Artforum, as well as festivals including the Venice Biennale and Documenta, many of which included AFA artists. There is some documentation of the Gramercy International Contemporary Art Fair and The Armory Show. The photographs frequently include de Land and Hearn's friends and fellow art dealers Paul Morris, Matthew Marks, and Carol Greene. Some images include artists that showed at Pat Hearn Art Gallery, such as Mary Heilmann. Collectors, celebrity visitors to the gallery, and critics also occasionally appear in the photographs. There is one 1968 photograph of de Land's mother and a small number of 1970s images of both de Land and Hearn.

In addition to the snapshots, there are a variety of other photographic formats, including digital, in the collection. The contents of the slides are of similar nature to the snapshots. The contact sheet binders offer some formal exhibition installation documentation, but are not exhaustive.

The collection also includes film and video footage. Thirty-five reels of Super-8 motion picture film primarily documents frequent vacations to Cape Cod, as well as the final stages of Hearn's illness and subsequent death. The 31 DV-mini cassettes include similar content, and some footage of opening receptions and other art world events.

Most of the official gallery records are missing, most likely lost in the frequent floods in the gallery basement. Two scrapbooks include material that was often photographed on the walls surrounding de Land's desk at AFA. Additional artifacts include one small painting by artist Charles Clough, inscribed to Hearn, a baseball hat frequently worn by de Land and appearing in many of the snapshots, and one page of an autographed calendar.
Arrangement:
This collection is arranged in 4 series:

Series 1: Photographic Material, 1968-2003, bulk 1980-2003 (14 linear feet; Box 1-14, 0.901 GB; ER01)

Series 2: Scrapbooks, circa 1980s-2003 (0.2 linear feet; Box 19)

Series 3: Video and Film Recordings, circa 1980-2003 (1.1 linear feet; Box 15, 16, 18)

Series 4: Artifacts, 1988-2008 (0.3 linear feet; Box 14, 17, 19)
Biographical / Historical:
Colin de Land (1955-2003) was a gallery owner whose New York City spaces challenged traditional modes of exhibition and art dealing.

Raised in Union City, New Jersey, de Land came to the art world from an academic background, having studied philosophy and linguistics at New York University. In 1984, de Land opened Vox Populi, a largely unrenovated space in the East Village, at 511 East 6th Street. The gallery showed experimental work by emerging artists, including the enigmatic John Dogg, thought to be a collaboration between de Land and artist Richard Prince.

In 1986, De Land opened his longest standing gallery, American Fine Arts, Co. (AFA), in the same space previously occupied by Vox Populi. The gallery moved to SoHo in 1988, first to 40 Wooster Street then to 22 Wooster Street in 1993. During the late 1990s, as most SoHo galleries moved to Chelsea, AFA remained a mainstay of the downtown arts scene. De Land's wife, Pat Hearn, whom he married in 1999 after over a decade together, was also a well known art dealer. Her gallery, Pat Hearn Art Gallery, also moved from the East Village to SoHo, later becoming one of the first to set down roots in Chelsea.

Known for his eccentric fashion and unorthodox business style, de Land cultivated a culture of experimentation within the AFA community. He typically hired young art students or recent graduates, often nurturing their own artistic careers. Along with a group of Cooper Union graduates, many of whom worked at the gallery, he founded the artist collective Art Club 2000. De Land often showed artists working in hybrid media, for example film and photography or music and installation. He was especially interested in ecological and environmental art, as well as work that took as its subject exhibition practice and the act of creating art. He often staged large thematic group shows. Artists who showed at the gallery included Mark Dion, John Waters, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, Tom Burr, James Welling, Mariko Mori, Dan Graham, Jessica Stockholder, Alex Bag, Christian Philipp Muller, and Jack Pierson.

In 1994, de Land and Hearn, along with gallerists Matthew Marks and Paul Morris, established the Gramercy International Contemporary Art Fair. Fashioned after the tradition of inexpensive hotel art fairs, four galleries were invited to exhibit artwork in rooms of the Gramercy Park Hotel, to be sold in a cash and carry model. The fair became an annual event, branching out to other cities, including Miami and Los Angeles, and growing significantly in size in New York. It later became known as The Armory Show.

De Land often carried a point-and-shoot camera and kept several on hand in the gallery. He documented opening receptions, art world social gatherings, concerts, and day-to-day happenings and invited visitors to the gallery and employees to do the same.

After Hearn's death from liver cancer in 2000, de Land became involved with Kembra Pfahler, the performance artist and leader of the rock band The Voluptuous Horror of Karen Black. De Land took over Hearn's Chelsea gallery, operating it as a second location of AFA. Following his own struggle with cancer, de Land passed away in 2003. AFA remained open, closing at the end of 2004 with a tribute group exhibition to de Land.
Related Materials:
The archival gallery records of Colin de Land's art gallery American Fine Arts, Co. as well as the gallery records of the Pat Hearn Gallery are available at the Center for Curatorial Studies at Bard College in New York. The gallery records there also include a fair amount of de Land's personal papers. Bard also acquired de Land's and Hearn's personal library.
Provenance:
The Colin de Land papers were donated to the Archives of American Art in 2008 by Dennis Balk, an artist represented by American Fine Arts, Co. and a close friend of de Land.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli
See more items in:
Colin de Land collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delacoli
Online Media:

Snapshots

Collection Creator:
De Land, Colin, 1955-2003  Search this
Type:
Archival materials
Date:
1968-2003
bulk 1980-2003
Scope and Contents:
Although there are some early snapshots depicting Vox Populi and the 1980s New York City art scene, the majority of the snapshots document American Fine Arts, Co. in the 1990s. They candidly depict daily life in and around the gallery, opening receptions, and social gatherings. There are images of AFA staff, artists, and visitors, as well as figures from the larger art world, however most are not identified except for notations on the envelopes. There are also snapshots of the the Gramercy International Contemporary Art Fair and its successor, The Armory Show, vacations in Cape Cod, and trips to international art fairs and festivals such as Documenta, the Venice Biennale, and Art Cologne. De Land was interested in the confluence of art and commerce; many photographs include advertisements, television screens, and other signifiers of consumer culture. Some groups of photographs are identified as belonging to Pat Hearn.
Arrangement:
Snapshots are arranged in rough chronological order, one roll of film per folder, mostly according to the date of event or subject depicted in the image. Dates have been assigned to the closest approximation possible. In some cases, when no information could be drawn from the contents of the roll of film, folders were dated according to the printing stamp on the backs of the photographs.

Folder headings were derived from de Land's inscriptions on the envelopes where possible. Where notes did not exist, thematic headings have been assigned by the archivist. The heading "Various Subjects" is used to describe rolls of film that include several events or locations. "American Fine Arts" is used to describe rolls of film with various subjects, but all physically located at AFA. The gallery maintained a numbering system for the photographs, utilizing a combination of numbers and letters. These labels can be found on the commercial printing envelopes, which have been stored in each folder. The meaning of the code has not been identified.

At the end of the series, there are several folders of unsorted snapshots. These represent clusters or unlabeled envelopes of mosty unrelated photos found together.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli, Subseries 1.1
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref3

Europe

Collection Creator:
De Land, Colin, 1955-2003  Search this
Container:
Box 12, Folder 16
Type:
Archival materials
Photographs [31027000764908]
Date:
2002 June
Scope and Contents:
Includes photos of art fair, possibly Art Basel or Art Cologne, with Colin de Land, Kembra Pfahler, Christian Philipp Muller, Esther Friedman, Georg Kargl, Christian Nagel, and [Beatrice von Bismarck?].
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Colin de Land collection
Colin de Land collection / Series 1: Photographic Material / 1.1: Snapshots
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-delacoli-ref655

Meisterblätter aus der Sammlung Josef Haubrich : zum 100. Geburtstag : Museum Ludwig Köln, 21. April-2. Juli 1989 / [Ausstellung und Katalog, Alfred M. Fischer]

Author:
Haubrich, Josef 1889-1961  Search this
Fischer, Alfred M  Search this
Museum Ludwig  Search this
Subject:
Haubrich, Josef 1889-1961 Art collections  Search this
Haubrich, Josef (1889-1961) Collections d'art Expositions  Search this
Physical description:
343 pages : illustrations (chiefly color) ; 31 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Germany
Cologne
Allemagne
Date:
1989
20th century
20e siècle
Topic:
Art, European  Search this
Art--Private collections  Search this
Art--Catalogues d'exposition  Search this
Art--Exposition  Search this
Peinture--Catalogues d'exposition  Search this
Cologne, Museum Ludwig--Expositons  Search this
Cologne--Expositions  Search this
Call number:
N6758 .M387 1989X
N6758.M387 1989X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_412207

Full house : Diez office / published by Sandra Hofmeister and Petra Hesse ; authors, Stefan Diez [and seven others] ; translation, Kevin Kennedy

Title:
Diez office
Author:
Diez, Stefan 1971-  Search this
Editor:
Hofmeister, Sandra 1970-  Search this
Hesse-Mohr, Petra 1966-  Search this
Translator:
Kennedy, Kevin  Search this
Host institution:
Museum für Angewandte Kunst (Cologne, Germany)  Search this
Subject:
Diez, Stefan 1971-  Search this
Physical description:
336 pages : illustrations (chiefly color) ; 29 cm
Type:
Exhibitions
Place:
Germany
Date:
2017
21st century
Topic:
Design--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081720

2008 International Art Fairs

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 26 Nov 2007 05:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_b8674b58e0398d9cccb4e6241939a5d1

Aus den Bestanden der Galerie 1997 : einladung zur Kunstmesse : Art Cologne

Type:
Books
Date:
1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_806509

Aus den Bestanden der Galerie 1995 : einladung zur Kunstmesse Art Cologne..

Type:
Books
Date:
1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_806809

Galerie Haas Zürich : Art Cologne, 18.-22. April 2007 / [Gestaltung, Knut Bayer]

Title:
Galerie Haas AG
Author:
Galerie Haas  Search this
Bayer, Knut 1954-  Search this
Art Cologne (2007)  Search this
Subject:
Galerie Haas  Search this
Physical description:
[26] p. : chiefly col. ill. ; 28 cm
Type:
Exhibitions
Date:
2007
[2007]
20th century
21st century
Topic:
Art, Modern  Search this
Call number:
N6488.G3 C64165 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_816478

Art Cologne 2007

Type:
Books
Date:
2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_817459

Galerie Haas Zürich : Art Cologne, 16.-20. April 2008 / [Herausgeber, Erika Költzsch ; Gestaltung, Knut Bayer ; Fotos, Jochen Littkemann ... et al.]

Title:
Galerie Haas Zürich
Art Cologne
Author:
Galerie Haas  Search this
Bayer, Knut 1954-  Search this
Gemar-Koeltzsch, Erika 1956-  Search this
Art Cologne (2008)  Search this
Physical description:
1 v. (unpaged) : all col. ill. ; 27 cm
Type:
Exhibitions
Date:
2008
[2008]
20th century
21st century
Topic:
Art, Modern  Search this
Call number:
N6490 .G352 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_840533

Kerun Tȫyō Bijutsukan. Kōgei, chōkoku = Applied arts and sculpture in the Museum of East Asian Art, Cologne / [henshū Bunkazai Hozon Shūfuku Gakkai]

Title:
ケルン東洋美術館. 工芸・彫刻 = Applied arts and sculpture in the Museum of East Asian Art, Cologne / [編集文化財保存修復学会].
Applied arts and sculpture in the Museum of East Asian Art, Cologne
Author:
Museum für Ostasiatische Kunst der Stadt Köln  Search this
Bunkazai Hozon Shūfuku Gakkai  Search this
Subject:
Museum für Ostasiatische Kunst der Stadt Köln  Search this
Physical description:
199 p. : ill. ; 31 cm
Type:
Catalogs
Place:
Japan
Germany
Cologne
Date:
1999
Topic:
Decorative arts  Search this
Sculpture, Japanese  Search this
Art, Japanese  Search this
Call number:
N7352 .K33 v.7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_849038

Kerun Tōyō Bijutsukan. Kaiga = Painting in the Museum of East Asian Art, Cologne / [henshū Bunkazai Hozon Shūfuku Gakkai]

Title:
ケルン東洋美術館. 絵画 = Painting in the Museum of East Asian Art, Cologne / [編集文化財保存修復学会].
Painting in the Museum of East Asian Art, Cologne
Author:
Museum für Ostasiatische Kunst der Stadt Köln  Search this
Bunkazai Hozon Shūfuku Gakkai  Search this
Subject:
Museum für Ostasiatische Kunst der Stadt Köln  Search this
Physical description:
160 p. : ill. ; 31 cm
Type:
Catalogs
Place:
Germany
Cologne
Date:
1999
Topic:
Painting, Japanese  Search this
Art, Japanese  Search this
Call number:
N7352 .K33 v.8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_849039

The Splendour of urushi : the lacquer art collection at the Museum of East Asian Art, Cologne : inventory catalogue with reflexions on cultural history / Masako Shōno-Sládek

Title:
Lacquer art colletion at the Museum of East Asian Art, Cologne
Author:
Museum für Ostasiatische Kunst der Stät Köln  Search this
Shōno-Sládek, Masako  Search this
Subject:
Museum für Ostasiatische Kunst der Stät Köln  Search this
Physical description:
628 p. : ill. (some col.). maps ; 28 cm
Type:
Catalogs
Place:
Japan
Date:
1994
C1994
To 1600
Topic:
Lacquer and lacquering--History  Search this
Call number:
NK9900.7.J3 M8 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_887252

Eduard Bargheer zum 100. Geburtstag / [Katalog: Anke Beinert ; Fotografien: Claude Opprecht]

Author:
Bargheer, Eduard 1901-1979  Search this
Galerie Henze & Ketterer  Search this
Subject:
Bargheer, Eduard 1901-1979  Search this
Physical description:
72 p. : col. ill. ; 27 cm
Type:
Exhibitions
Place:
Germany
Date:
2002
Topic:
Painters  Search this
Call number:
ND588.B334 A4 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_703917

Joan Miró : Skulpturen aus den sechziger und siebziger Jahren : Open Art, 12. September-18. Oktober 2003, Art Cologne, Köln Skulptur, 29. Oktober-2. November 2003 / [Katalogbearbeitung, Heike Grossmann, Gabriele Schmid, Silke Thomas]

Title:
Skulpturen aus den sechziger und siebziger Jahren
Author:
Miró, Joan 1893-1983  Search this
Grossmann, Heike  Search this
Schmid, Gabriele  Search this
Thomas, Silke  Search this
Galerie Thomas  Search this
Open Art (2003 : Munich, Germany)  Search this
Art Cologne (2003)  Search this
Subject:
Miró, Joan 1893-1983  Search this
Physical description:
16 p. : ill. (chiefly col.) ; 30 cm
Type:
Books
Exhibitions
Date:
2003
C2003
Call number:
NB813.M5 A4 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_720076

Kleine Skulpturen

Author:
Galerie Thomas  Search this
Art Cologne  Search this
Kunst-Messe München  Search this
Physical description:
1 folded sheet ([6] p.) : ill. ; 15 x 30 cm
Type:
Books
Date:
1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_621143

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