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The Grand Republican

Artist:
Bernard Brussel-Smith  Search this
Medium:
Print, Wood Engraving on Paper
Dimensions:
2-D - Unframed (H x W): 43.2 × 31.9cm (1 ft. 5 in. × 1 ft. 9/16 in.)
Type:
ART-Prints, Original
Country of Origin:
United States of America
Credit Line:
Donated by Bernard Brussel-Smith
Inventory Number:
A19690354006
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9e813246f-b3cd-4fdb-8178-da858b5ff4ca
EDAN-URL:
edanmdm:nasm_A19690354006
Online Media:

The Chinese Pagoda and Bridge

Publisher:
James Whittle  Search this
Richard Holmes  Search this
Medium:
Print, Engraving on Paper, Colored
Dimensions:
2-D - Unframed (H x W): 31.1 × 45.7cm (1 ft. 1/4 in. × 1 ft. 6 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Gift of the Estate of Constance Morss Fiske in memory of Gardiner H. Fiske
Inventory Number:
A19930211000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv91f4b072a-c48a-4a04-bbaf-e0edba3cc656
EDAN-URL:
edanmdm:nasm_A19930211000
Online Media:

Fete du 14 Juillet an IX

Medium:
Print, on Paper, Colored
Dimensions:
2-D - Unframed (H x W): 26 × 41.3cm (10 1/4 in. × 1 ft. 4 1/4 in.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Gift of the Estate of Constance Morss Fiske in memory of Gardiner H. Fiske
Inventory Number:
A19930234000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96ba57077-e1e4-44bf-8055-cb5d07590ebc
EDAN-URL:
edanmdm:nasm_A19930234000
Online Media:

The Ariel

Publisher:
Ackermann & Co.  Search this
Artist:
W. L. Walton  Search this
Medium:
Print, Lithograph on Paper, Colored
Dimensions:
2-D - Unframed (H x W): 33.3 × 39.8cm (1 ft. 1 1/8 in. × 1 ft. 3 11/16 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Donor: Unknown
Inventory Number:
A19780293000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9c574bf6b-42bf-4b5f-a7ec-0d72ee264602
EDAN-URL:
edanmdm:nasm_A19780293000
Online Media:

The Great Balloon, or Whig Aerostation

Publisher:
E. Lloyd  Search this
Medium:
Print, Wood Engraving on Paper, Colored
Dimensions:
2-D - Unframed (H x W): 43.2 x 22.9cm (17 x 9 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Gift of Harry F. Guggenheim
Inventory Number:
A19680054000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv910b97ced-9931-470b-b962-1efc490c2e15
EDAN-URL:
edanmdm:nasm_A19680054000
Online Media:

Un Train de Plaisir Aérien

Artist:
Honoré Daumier  Search this
Publisher:
Maison Martinet  Search this
Medium:
Print, Lithograph on Newsprint
Dimensions:
2-D - Unframed (H x W) (Print): 36.5 × 24.1cm (1 ft. 2 3/8 in. × 9 1/2 in.)
2-D - Unframed (H x W) (Matted): 40.6 × 30.5cm (1 ft. 4 in. × 1 ft.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Gift of Harry F. Guggenheim
Inventory Number:
A19680068000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv94be27f75-1303-4b00-bfc0-7b21266f758f
EDAN-URL:
edanmdm:nasm_A19680068000
Online Media:

Keystone-Underwood Stereographs

Collector:
National Museum of African Art (U.S.)  Search this
National Museum of African Art (U.S.)  Search this
Creator:
Keystone View Company  Search this
Underwood & Underwood  Search this
Extent:
240 Stereographs (black and white, 9 x 22 cm.)
Container:
Box 1
Box 2
Culture:
Bangi  Search this
Kongo (African people)  Search this
Bangala (African people)  Search this
Zulu (African people)  Search this
Swahili-speaking peoples  Search this
Kikuyu (African people)  Search this
Maasai (African people)  Search this
Type:
Collection descriptions
Archival materials
Stereographs
Place:
Zimbabwe
South Africa
Congo (Democratic Republic)
Africa
Tanzania
Kenya
Date:
1882-1930
Summary:
The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.
Scope and Contents:
The photographs document African businesses, cities, industry, landscapes, peoples and resources. Place documented include Moshi Province, Mount Kilimanjaro, Mount Meru, the Serengeti Plain (Kenya), and Zanzibar in German East Africa (now Tanzania); Victoria Falls and the Zambezi River in Rhodesia (now Zimbabwe); Cape Town, Devil's Peak, Johannesburg, Kimberly, Natal Province, and Port Elizabeth in South Africa; the waterfront of Dar es Salaam, Tanzania; and Soko, Boma, Leopoldville (now Kinshasa), and Stanley Falls (now Boyoma Falls). There are also photographs of the Nile during a flood.

People portrayed include a Kikuyu man paying brideprice for a wife; Kikuyu women carrying water vessels and planting beans; Maasai women building houses; Swahili people dancing; Swahili women using a power figure to ward off evil; and Zulu men training for war. Other peoples portrayed include Bangala, Bangi, Chagga, Kongo, Ndombe and Poto.

Activities documented include buying ivory, carrying rubber, clearing the ground for a coffee plantation, fishing, gambling, grinding corn, hunting zebra, making pottery, mining diamonds and gold, peeling bark for bark cloth, picking coffee, preparing food, smoking meat, threshing beans, and tying house poles. There are also images of church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances.

Businesses and industries shown include coffee plantations in Rhodesia; the DeBeers Diamond Mine in South Africa; a diamond mine compound and crushing mill; fishing boats off Cape Town; a hemp plantation in Uganda; ivory trade in Mombasa, Kenya; a market; and the stock market in Johannesburg.
Biographical / Historical:
In 1882 the Underwood and Underwood Company began operations in Kansas. Founded by brothers Bert Elias (1862-1943) and Elmer (1860-1947) Underwood, the company pioneered the technique of selling stereographs door-to-door. By 1884, Underwood and Underwood's operations had expanded to the West Coast, and the company soon opened offices throughout the world. In the 1890s, the firm began selling images to publications such as Illustrated London News and Harper's Weekly. At its peak in the early 19th century, the company produced 25,000 images per day.

In the late 1910s, Underwood and Underwood was purchased by a competing stereograph company, the Keystone View Company.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Marketplaces  Search this
Cultural landscapes  Search this
Agriculture  Search this
Industry  Search this
Genre/Form:
Stereographs
Identifier:
EEPA.1986-022
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1986-022

Russell E. Train Africana collection

Creator:
Train, Russell E., 1920-2012  Search this
Russell E. Train Africana Collection (Smithsonian. Libraries)  Search this
Names:
Emin Pasha Relief Expedition (1887-1889)  Search this
Akeley, Carl Ethan, 1864-1926  Search this
Baines, Thomas, 1820-1875  Search this
Baker, Samuel White, Sir, 1821-1893  Search this
Burton, Richard Francis, Sir, 1821-1890  Search this
Du Chaillu, Paul B. (Paul Belloni), 1835-1903  Search this
Dugmore, A. Radclyffe (Arthur Radclyffe), 1870-1955  Search this
Glave, E. J. (Edward James)  Search this
Heller, Edmund, 1875-1939  Search this
Livingstone, David, 1813-1873.  Search this
Nelson, Robert Henry, 1853-1892  Search this
Roosevelt, Theodore, 1858-1919  Search this
Selous, Frederick Courteney, 1851-1917  Search this
Stanley, Henry M. (Henry Morton), 1841-1904.  Search this
Train, Russell E., 1920-2012  Search this
Windsor, Edward, Duke of, 1894-1972  Search this
Extent:
6,500 Items (estimated)
Type:
Collection descriptions
Archival materials
Place:
Africa -- Maps
Africa -- description and travel
Africa -- Discovery and exploration
Africa -- In art
Date:
1663-2004
Summary:
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa.
Scope and Contents note:
Manuscript and printed textual material, photographic prints and negatives, slides, audio tapes, film, original and reproduction artwork, maps, scrapbooks, and historical and natural artifacts related to the history of African exploration and natural history, dating primarily from the nineteenth and twentieth centuries. Includes correspondence, drafts of publications, diaries, account books, ephemera, posters, newsclippings, biographies, memoirs, portraits, and the former personal property of selected explorers, big game hunters, missionaries, pioneers, and naturalists in Africa. The Train Collection is particularly strong in archival materials on the following topics: the search for the source of the Nile and the progress of other exploring expeditions in Africa; the collecting of specimens of African animals, plants, and ethnological materials for zoos and museums (including a significant body of correspondence and photographs from the Smithsonian African Expedition in 1909-1910, led by President Theodore Roosevelt); and the growth of the African wildlife conservation movement. Besides Roosevelt, the major persons represented in the Collection include the journalist and explorer Henry Morton Stanley and members of his Emin Pasha Relief Expedition (Thomas Heazle Parke, Robert H. Nelson, James S. Jameson, John Rose Troup, William Bonny, William G. Stairs, Edmund Barttelot, and Arthur J. M. Jephson); the medical missionary Dr. David Livingstone and his father-in-law Robert Moffat; taxidermist Carl Akeley; zoologist Edmund Heller; hunter Frederick Courtenay Selous; artist and adventure writer A. Radclyffe Dugmore; explorers Samuel White Baker, Thomas Baines, Richard Francis Burton and E.J. Glave; anthropologist Paul Belloni du Chaillu; and royal traveler Edward VIII (later Duke of Windsor). Consult the finding aid for more specific information on materials relating to these persons and other people and organizations represented in the Collection.
Arrangement note:
Organized into ten series, primarily based on format or creator: I. Artifacts, 1663-1999; II. Works of Art, 1663-1999; III. Books, 1900-1986; IV. Edmund Heller personal papers, 1875-1939; V. Manuscripts, 1663-1992; VI. Maps, 1878; VII. Newspapers, 1888-1987; VIII. Robert Henry Nelson personal papers, 1795-1912; VIII. Photographs, 1874-1963; IX. Posters and broadsides, 1814-1955; X. Russell E. Train personal papers, 1956-2004.
Separated Materials note:
In addition to these archival and non-book materials, the Smithsonian Institution Libraries acquired more than 1500 printed books as part of the Russell E. Train Collection; these books are listed individually in the SIRIS (Smithsonian Institution Research Information System) online catalog.
Provenance:
Originally assembled by the Honorable Russell E. Train, a former judge, top administrator of the Environmental Protection Agency, and a past president of the World Wildlife Fund, this collection was acquired by the Smithsonian Institution Libraries in 2004.
Rights:
The collection is housed in the Joseph F. Cullman 3rd Library of Natural History, which is open to researchers Monday through Friday in the afternoons, from 1:30 to 5:00 p.m.; morning visits are by appointment only. Please call (202) 633-1184 or email AskaLibrarian@si.edu for an appointment.
Topic:
Zoological specimens -- Collection and preservation -- Africa  Search this
Wildlife conservation -- Africa  Search this
Natural history -- Technique  Search this
Natural history -- Africa  Search this
Hunting -- Africa  Search this
Explorers -- Africa  Search this
Identifier:
SIL-CL.XXXX-0014
See more items in:
Russell E. Train Africana collection
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-cl-xxxx-0014
Online Media:

A. Contini & Son records

Creator:
A. Contini & Son  Search this
Names:
Baker, Bryant, 1881-1970  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Contini, Attilio J., 1884-1960  Search this
Contini, Cesare, 1907-  Search this
Evans, Rudulph, 1878-1960  Search this
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Gregory, John, 1879-1958  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Lachaise, Gaston, 1882-1935  Search this
Moore, Bruce, 1905-1980  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Recchia, Richard, 1885-1983  Search this
Rubins, David K.  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Extent:
1.1 Linear feet ((partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Date:
1916-1981
Scope and Contents:
Correspondence (1916-1981); business records (1922-1971); notes (undated and 1929); interview transcript (1978); printed material (1929-1981); and photographs (1920-1945).
REELS 3612-3613: Correspondence concerning work done by the Continis for sculptors, including letters from Bryant Baker, A. Stirling Calder, Rudolph Evans, James Earle Fraser, John Gregory, Walker Hancock, Anna Hyatt Huntington, Gaston Lachaise, Bruce Moore, A. Phimister Proctor, Richard Recchia, David Rubins, and Adolph Weinman; photographs of the Contini family and of works of art, including "End of the Trail" by James Earle Fraser and works by Rudolph Evans, Anna Hyatt Huntington, and Richard Recchia (1920-1945); Attilio Contini's address book; and a notebook listing works of art.
Also, receipts and invoices addressed to various sculptors (1922-1971) and a contract for work on Frederic Remington's sculpture "Coming Through the Rye" for the National Cowboy Hall of Fame; a transcript of an interview with Cesare Contini conducted by George Gurney on August 26, 1978; clippings (1950-1981), exhibition catalogs (1929-1939), and 2 programs for the unveiling of the Martin Luther monument in Baltimore, Maryland (1936) and the Bing Crosby statue in Spokane, Washington (1981).
UNMICROFILMED: Three undated photographs mounted on board of historical panels at the West Point Library executed by Laura Gardin Fraser.
Biographical / Historical:
Plaster casting firm; New York, N.Y. Following training in Italy, Attilio (1884-1960) and his son Cesare (b. 1907) came to America and operated A. Contini and Son, New York, N.Y, making plaster molds for sculptures by wide group of artists, including James Earle Fraser, Ivan Mestrovic, Herbert Haseltine, A. Stirling Calder, Adolph Weinman, Gaston Lachaise, and Gertrude Vanderbilt Whitney.
Provenance:
Donated 1984 by Cesare Contini.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Plaster casts  Search this
Sculpture -- Technique  Search this
Genre/Form:
Drawings
Interviews
Identifier:
AAA.acontson
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-acontson

Bibliographies and Other Resources, Stitchery, Dyes, and Techniques

Collection Creator:
Hassinger, Maren  Search this
Container:
Box 6, Folder 22
Type:
Archival materials
Date:
circa 1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Maren Hassinger papers
Maren Hassinger papers / Series 6: Professional Activities / Teaching Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hassmare-ref180

Study Techniques for Academic Subjects

Collection Creator:
Hassinger, Maren  Search this
Container:
Box 6, Folder 39
Type:
Archival materials
Date:
1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Maren Hassinger papers
Maren Hassinger papers / Series 7: Printed Material / Books
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hassmare-ref198

Slides, CSULA Precious Objects (Various Techniques) Fall

Collection Creator:
Hassinger, Maren  Search this
Container:
Box 10, Folder 16
Type:
Archival materials
Date:
1975
Series Restrictions:
Box 16 is closed due to condition concerns.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Maren Hassinger papers
Maren Hassinger papers / Series 8: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hassmare-ref258

Slides, CSULA Precious Objects + Finals (Various Techniques) Finals

Collection Creator:
Hassinger, Maren  Search this
Container:
Box 10, Folder 17
Type:
Archival materials
Date:
1975
Series Restrictions:
Box 16 is closed due to condition concerns.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Maren Hassinger papers
Maren Hassinger papers / Series 8: Photographic Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hassmare-ref259

Fenollosa, Ernest Francisco. Notes taken before Mr. Freer's Collection in Detroit.

Creator:
Fenollosa, Ernest Francisco, 1853-1908  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
196 Pages (19.5 x 13 cm.)
Container:
Box 56, Folder 2
Type:
Archival materials
Pages
Notebooks
Place:
USA -- Michigan -- Detroit
Date:
November 4-11, 1907
Scope and Contents:
One journal-style volume, quarter-bound black pebble-grained cloth with brown marbled paper boards. Approximately 200 pages, mostly filled with handwritten notes. Paper onlay on the front cover bears the handwritten inscription "Notes taken before Mr. Freer's collection in Detroit -- some amount is [?] -- mostly [?] lantern slides." Inside front cover has the bookplate of Ernest K. Fenollosa; the bookplate also bears the ink signature "Mary McNeil Fenollosa (Sidney McCall)" and the ink stamp of the Freer Gallery of Art, Washington D.C. Loosely inserted at the beginning of the journal is an undated receipt for the purchase of several items from the Walpole Galleries in New York City.
The first part of the journal, dated November 1907, contains approximately 104 pages of notes, presumably written in Fenollosa's hand. On the back cover, another paper slip bears the inscription "This end of the note book to be used for a list of Illustrations from Stokes' prints to be sent Mr. Heinemann -- begun March 16th 1911." From this point, a new set of notes begins, written after Fenollosa's death and consisting of approximately 34 pages.
Notes taken before Mr. Freer's collection in Detroit
Arrangement:
Organized in one flat box.
Biographical / Historical:
Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (2d ed. 1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).
Local Numbers:
FSA A.01 04.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian  Search this
Art -- Private collections  Search this
Genre/Form:
Notebooks
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 04.02
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 4: Freer Colleague Materials / 4.1: Ernest Fenollosa Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref2477
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Fenollosa, Ernest Francisco. Notes taken before Mr. Freer's Collection in Detroit. digital asset number 1
  • View Fenollosa, Ernest Francisco. Notes taken before Mr. Freer's Collection in Detroit. digital asset number 2

Inventory of Charles Lang Freer's library

Creator:
Freer, Charles Lang, 1856-1919  Search this
Names:
Freer Gallery of Art  Search this
Freer, Charles Lang, 1856-1919  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
1 Item (typed, with handwritten edits)
Type:
Archival materials
Inventories
Date:
undated
Scope and Contents:
Comprehensive index of Charles Lang Freer's library, mostly relating to art and Asian culture. Headings include authors, countries, and topical subjects. Sections include locations in Freer's original Detroit home; an index of all books transferred to the Smithsonian; a list of collections and collectors catalogues of American and Near and Far Eastern art; sales catalogues, and books in Chinese language.
Arrangement:
Organized in the original manner by the creator.
Local Numbers:
FSA A.01 05.22
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Book collecting  Search this
Function:
Libraries
Genre/Form:
Inventories
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 05.22
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 5: Art Inventories / 5.22: Printed Books [Library]
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref3332
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Inventory of Charles Lang Freer's library digital asset number 1
  • View Inventory of Charles Lang Freer's library digital asset number 2
  • View Inventory of Charles Lang Freer's library digital asset number 3

Pang, Yuan-chi (Pang Yuanji; 龐元濟)

Creator:
Freer, Charles Lang, 1856-1919  Search this
Pang Yuanji, 1864-1949  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
12 Items (letters including envelopes and business card)
Container:
Box 25, Folder 15
Type:
Archival materials
Letters (correspondence)
Date:
1912
1912-1919
Scope and Contents:
Letters dated between 1912 and 1919, discussing Chinese political conditions and the Chinese art market. Pang also introduces Freer to the dealer You Xiaoxi (Yue Seaouke) who frequently acted as intermediary.
庞元济 游篠溪 庞莱臣 弗利尔
Freer collection numbers: F1904.61
Letters between Charles Lang Freer and Pang Yuanji
Arrangement:
Organized chronologically under correspondent.
Biographical / Historical:
Charles Lang Freer first visited the Shanghai collector and connoisseur Pang Yuanji in 1911. In subsequent years, Freer purchased some of his finest early Chinese paintings from Pang through intermediary dealers traveling in the US.
Local Numbers:
FSA A.01 02.1PangYuanchi
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Chinese  Search this
Genre/Form:
Letters (correspondence)
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, File FSA A.01 02.1PangYuanchi
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 2: Correspondence / 2.1: Charles Lang Freer Correspondence
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref455
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  • View Pang, Yuan-chi (Pang Yuanji; 龐元濟) digital asset number 1
Online Media:

An Athlete of the Gold Coast

Creator:
Raphael Tuck & Sons  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (collotype., b&w, 14 x 9 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Ghana
Date:
[ca. 1920]
Scope and Contents:
Postcard image of a male (shot-put) athlete. Caption on verso reads: "Un Athlete de la Cote d'Or; Le Gouvernement de la Cote d'Or encourage l'education physique comme faisant partie de l'education de la jeunesse. Cette photographie represente un etudiant de l'Ecole Technique du Gouvernement sise a Accra, la capitale de la cote d'Or."
Additional printed text on verso reads: "'Printed in England. Copyright Gold Coast Government; Raphael Tuck& Sons, Ltd., London; Art publishers to Their Majesties The King and Queen and to H.R.H. the Prince of Wales." Publisher's logos on verso.
Local Numbers:
EEPA GH-21-02
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Recreation -- Africa  Search this
Portrait photography -- Africa  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA GH 1985-140344
See more items in:
African Postcard Collection
African Postcard Collection / Series 20: Ghana (GH)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4560

Edward J. Orth Memorial Archives of the World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 23 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Date:
1835-1992
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes materials on other world's fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and Disney.
Scope and Contents:
The collection contains the archival materials collected by Edward Orth including postcards, newspaper clippings, exhibitor's literature, photographs, scrapbooks, tickets, pamphlets, brochures, magazines, books, and motion picture film.
Arrangement:
The collection is arranged into ten series.

Series 1, Edward J. Orth Personal Papers, 1939-1989

Subseries 1.1: Correspondence, 1939-1989

Subseries 1.2: Other Materials, 1915-1989

Series 2, Exhibition Collectors Historical Organization Records, 1942-1990

Subseries 2.1, Organizational History, 1960-1988

Subseries 2.2: Correspondence, 1942-1990

Subseries 2.3: Classified Ads, 1956-1988

Subseries 2.4: Financial Records, 1976-1989

Subseries 2.5: Newsletters, 1969-1988

Subseries 2.6: Membership applications, renewal notices and cancellations, 1977-1987

Series 3, New York World's Fair, Inc. Records, 1900-1988

Subseries 3.1: Administrative Files, 1900-1971

Subseries 3.2: Amusement Zone, 1937-1940

Subseries 3.3: Communications and Business Systems Zone, 1939-1965

Subseries 3.4: Community Interest Zone, 1939-1940

Subseries 3.5: Food Zone, 1939-1975

Subseries 3.6: Government Zone, 1939-1940

Subseries 3.7: Production and Distribution Zone, 1939-1940

Subseries 3.8: Transportation Zone, 1939-1940

Subseries 3.9: Ephemera, 1939-1988

Series 4, Photographic Materials, 1876-1969

Subseries 4.1: General

Subseries 4.2: Amusement Zone

Subseries 4.3: Business Systems Zone

Subseries 4.4: Communications Zone

Subseries 4.5: Community Interest Zone

Subseries 4.6: Food Zone

Subseries 4.7: Government Zone

Subseries 4.8: Production and Distribution Zone

Subseries 4.9: Transportation Zone

Subseries 4.20: Miscellaneous

Subseries 4.21: Oversize

Subseries 4.22: Color Slides

Subseries 4.23: Color Transparencies

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985

Series 7: Publications Related to World's Fairs, 1922-1989

Subseries 7.1: Magazines, 1922-1988

Subseries 7.2: Newspaper Articles, 1935-1989

Subseries 7.3: Other Publications, 1939-1973

Subseries 7.4: Other Subjects, 1962-1989

Series 8: Materials Relating to Other Fairs, 1951-1988

Subseries 8.1: Great Exhibition of the Works of Industry of All Nations/Crystal Palace Exhibition

Subseries 8.2: New York Crystal Palace Exhibition

Subseries 8.3: Centennial Exposition

Subseries 8.4: World's Columbian Exposition

Subseries 8.5: Exposition Internationale D'Anvers (Antwerp, Belgium)

Subseries 8.6: Tennessee Centennial and International Exposition

Subseries 8.7: Trans-Mississippi Exposition

Subseries 8.8: South Carolina Inter-State and West Indian Exposition/Pan-American Exposition

Subseries 8.9: Louisiana Purchase Exposition

Subseries 8.10: Jamestown Tercentennial Exposition

Subseries 8.11: Alaska, Yukon, Pacific Exposition

Subseries 8.12: Panama-California Exposition

Subseries 8.13: Bronx International Exposition of Science, Arts and Industries

Subseries 8.14: Sesquicentennial Exposition

Subseries 8.15: Barcelona International Exposition Subseries 8.16: L'Exposition Coloniale, Paris

Subseries 8.17: Olympics

Subseries 8.18: Century of Progress

Subseries 8.19: California Pacific International Exposition (San Diego)/Brussels International Exposition

Subseries 8.20: Great Lakes Exposition/Texas Centennial Central Exposition

Subseries 8.21: Exposition Internationale des Arts et Techniques dans la Vie Moderne

Subseries 8.22: Golden Gate International Exposition

Subseries 8.23: Festival of Britain

Subseries 8.24: Milan Fair

Subseries 8.25: Exposition Universelle et venti Internationale de Bruxelles

Subseries 8.26: Moscow

Subseries 8.27: Century 21 Exhibition

Subseries 8.28: Expo 67

Subseries 8.29: Long Beach, California (cancelled)

Subseries 8.30: HemisFair 68

Subseries 8.31: Expo 70

Subseries 8.32: Expo 74

Subseries 8.33: Expo 75

Subseries 8.34: American Revolution Bicentennial, 1776-1976

Subseries 8.35: Queens Bicentennial Festival

Subseries 8.36: Expo 81, (cancelled)

Subseries 8.37: Portopia 81

Subseries 8.38: 1982 World's Fair

Subseries 8.39: Louisiana World Exposition

Subseries 8.40: Olympic Games

Subseries 8.41: Expo 85

Subseries 8.42: Queens Festival

Subseries 8.43: Expo 86

Subseries 8.44: World Expo 88

Subseries 8.45: Expo 92

Subseries 8.46: Expo 2000

Subseries 8.47: Combined Fairs

Subseries 8.48: General information about world's fairs

Series 9: Ephemera, 1934-1987

Subseries 9.1: New York (arranged first by subject and then general materials)

Subseries 9.2: Other States and Countries (alphabetical by location)

Subseries 9.3: Disney and Wizard of OZ Materials (chronological order)

Series 10: Audio Visual Materials, 1939, 1964-1965

Subseries 10.1: Moving Images, 1939; 1964-1965

Subseries 10.2: Sound Recordings

Series 11: Oversize, 1835-1992
Biographical / Historical:
Edward J. Orth grew up relishing history, particularly the history of the New York World's Fair. His experience of visiting the fair as a twelve year old boy led to a life long passion of collecting. At the time of his death, he had amassed a collection that filled two houses in California. The collection not only included materials of the 1939 New York World's Fair but also documented events before and after the fair. He also collected materials from a number of other fairs. Edward Orth was also instrumental in creating an organization for people who wanted to collect information and trade artifacts and relating to world's fairs materials.

Mr. Orth was born April 19, 1927 to Andrew Joseph Orth and Florence Minnie Gordon Orth in New York. The family would later include another son George, some six or seven years younger than Edward. In the 1930's, the Orth family lived in a number of locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. In 1935, the family eventually moved to St. Albans, Queens, New York where Orth lived seven miles from Flushing Meadow Park, future site of the New York World's fair.

The year 1939 was a particularly painful one for the family due to a number of deaths. Edward Orth's paternal grandmother died on April 22nd. His grandfather, Michael Orth, also passed away in April. Three months later his grandmother Gordon died on July 22th. The severe losses to the Orth-Gordon families limited many social activities; however, the family did drive by the grounds of the future site of the world's fair. For the first time Edward Orth glimpsed the Trylon and Perisphere. Later, Orth would remark that the sight appeared to be magic.

In the summer of 1939, Edward Orth went to the fair with his class at Public School 136. The next summer Edward and his father walked over to an elementary school in Hollis, Queens, New York and purchased a 10 admission ticket for elementary school students. Edward Orth saved every souvenir and every bit of information he could find about the fair. He filled scrapbooks with photographs from newspapers and the 1939 Curt Teich and Manhattan PC Company postcards that were on sale at the corner candy store. When his family moved from an apartment to a house he acquired an old world's fair bench which he kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a special college preparatory technical course which involved heavy emphasis on mathematics, science, mechanical drawing and workshop courses. Such educational pursues coupled with the motion picture films which he saw at the fair, including Thomas Edison's "The City of Light", Ford Motor Company's "Road of Tomorrow", "Democracy" and General Motors' "Futurama" inspired Orth's interest in architecture and landscaping. This inspiration formed the basis of his decision to become a city planner for California.

By 1943, Orth began to explore used magazine and book stores in New York City to continue his collecting of world's fairs materials. Two days after graduation in 1945 he was enlisted in the army. Upon his discharge he resumed buying and trading worlds' fairs' postcards. From 1948-1953, Orth continued his education at the University of California and the University of Connecticut where he studied architecture and landscape design. Between these years he posted advertisements in various postcard collector clubs publications in his continued pursue of world's fairs materials. In March 1953, Mr. Orth moved to Los Angeles, California. It was during his time in Los Angeles that he really began to make contact with other World's fairs buffs and formed lasting friendships based on this common interest. By 1967, Orth and a number of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a world's fair collector's society. By the summer of 1968 this group had formally created the Exhibition Collectors Historical Organization (ECHO).

Edward Orth was always concerned about the welfare of his collection and did not want the materials to be broken into parts and sold. Instead he wanted it to go to a museum. Mr. Orth stipulated in his will that the collection would be given to the Smithsonian Institution upon his death. In 19??, Jon Zackman, former Smithsonian employee, conducted two interviews on micro cassettes. One interview was conducted with George Orth, brother of the collector. The other interview is with Peter Warner, another world's fairs collector. Orth and Warner had corresponded extensively and had traded objects. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (AC0060)

Larry Zim Collection (AC0519)

Materials at Other Organizations

New York Public Library

The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the World's Fair
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

Exposition Internationale des Arts et Techniques dans la Vie Moderne

Collection Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Type:
Archival materials
Date:
1937 - 1937
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560, Subseries 8.21
See more items in:
Edward J. Orth Memorial Archives of the World's Fair
Edward J. Orth Memorial Archives of the World's Fair / Series 8: Materials Relating to Other Fairs, Celebrations and Events
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0560-ref3941

Exposition Internationale des Arts et Techniques

Collection Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Container:
Box 354, Folder 10-11
Box 396, Folder 4-7
Box 397, Folder 1
Type:
Archival materials
Date:
1937 - 1937
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
See more items in:
Edward J. Orth Memorial Archives of the World's Fair
Edward J. Orth Memorial Archives of the World's Fair / Series 8: Materials Relating to Other Fairs, Celebrations and Events / 8.21: Exposition Internationale des Arts et Techniques dans la Vie Moderne
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0560-ref3942

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