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Oral history interview with Leo Holub

Interviewee:
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Adams, Ansel, 1902-1984  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Corbett, Edward, 1919-  Search this
Cunningham, Imogen, 1883-1976  Search this
Gaw, William A., 1891-1973  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer, 1880-1958  Search this
Mondale, Walter F., 1928-  Search this
Oldfield, Otis, 1890-1969  Search this
Packard, Emmy Lou, 1914-1998  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Sinel, Joseph Claude, 1889-1975  Search this
Smith, Hassel, 1915-2007  Search this
Sterne, Maurice, 1878-1957  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Wilson, Charis, 1914-2009  Search this
Extent:
2 Sound cassettes (Sound recording (90 min), analog)
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 July 3
Scope and Contents:
An interview of Leo Holub conducted 1997 July 3, by Paul Karlstrom, for the Archives of American Art, in San Francisco, Calif.
Holub discusses his background, being born in Arkansas, moving to New Mexico, and then to Oakland, Calif. (1923); early educational experiences in Oakland, and later at the Art Institute of Chicago; seeing Edward Weston's photographic work at an exhibition in Chicago, and admiring Weston's nude studies of Charis Wilson; his return to the Bay Area; his studio on Montgomery St. (Monkey Block); meeting painter Matthew Barnes, who had assisted Diego Rivera with his murals at the California School of Fine Arts (CSFA), 1931-1932; his experiences as a student at CSFA- its program and instructors which included Maurice Sterne, Gottardo Piazzoni, Lee Randolph, Dick Hackett, Otis Oldfield, William Gaw, Spencer Mackey, and Victor Arnautoff; fellow students including Hassel Smith, Ed Corbett, and Florence Michelson (his future wife); and his beginning awareness of modernism.
Holub discusses his involvement with the Golden Gate International Exposition (1939); apprenticeship with industrial designer Joe Sinel and the advent of the product design era; his founding of Design Development Associates, and staying only a year before moving to Grass Valley, Calif. for his son's health; his return to the Bay Area, succeeding Emmy Lou Packard at the San Francisco Planning Office graphic arts dept.; working at the housing agency and redevelopment agency and as chief designer for the Bay Area Rapid Transit report.
He recalls his encounter with Ansel Adams at the 1955 Yosemite workshop where Holub produced a pictorial map of Yosemite; Adam's "zone system" of exposing for shadows and developing for highlights; going on to teach at CSFA (1955-1957), where Imogen Cunningham was a guest instructor; Minor White replacing him; his ten years at Stanford University's planning office (1960-1970); his campus views "Stanford Scene" that were used by the university to appeal for more space for the art dept., and his shows at Stanford's art gallery in 1964 and at the Washington, D.C. home of Vice President Walter Mondale in 1980.
Biographical / Historical:
Leo Holub (1916-2010) was a photographer, lithographer, and teacher from San Francisco, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Function:
Art Schools -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holub97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holub97

E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance Coleman, 1905-2002  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Subject:
Rutledge, Anna Wells  Search this
Simper, Fred  Search this
McDermott, John Francis  Search this
Speck, Walter  Search this
Stevens, William B.  Search this
Fredericks, Marshall M.  Search this
Castano, Giovanni  Search this
Soria, Regina  Search this
Lynes, Russell  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Hardy, Jeremiah Pearson  Search this
Pleasants, J. Hall (Jacob Hall)  Search this
Garrison, Eve Josephson  Search this
Bishop, Isabel  Search this
Allston, Washington  Search this
Woolfenden, William E. (William Edward)  Search this
Ripley, Sidney Dillon  Search this
Morse, John D.  Search this
Watkins, Franklin Chenault  Search this
Lewis, W. S. (Wilmarth Sheldon)  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
Kuniyoshi, Yasuo  Search this
Bostick, William A.  Search this
Jungwirth, Irene G. (Irene Gayas)  Search this
Oliver, Andrew  Search this
Simpson, Corelli C. W.  Search this
Andrews, Wayne  Search this
Valentiner, Wilhelm Reinhold  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Sellers, Charles Coleman  Search this
Heil, Walter  Search this
Lee-Smith, Hughie  Search this
Bouché, Louis  Search this
Moser, Liselotte  Search this
Flexner, James Thomas  Search this
Vose, Robert C. (Robert Churchill)  Search this
Cohn, Harold  Search this
Aram, Siegfried F.  Search this
Mast, Gerald  Search this
Krentzin, Earl  Search this
Groce, George C.  Search this
Peale, Charles Willson  Search this
Culver, Charles B. (Charles Beach)  Search this
Wedda, John  Search this
Boyd, Julian P. (Julian Parks)  Search this
O'Keeffe, Georgia  Search this
Wyeth, Andrew  Search this
Hopper, Edward  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rockefeller, John D.  Search this
Copeland, Lammot du Pont  Search this
Freeman, Michael W.  Search this
Allen, Joseph  Search this
Peale family  Search this
Castano Galleries (Boston, Mass.)  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
Archives of American Art  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
White House (Washington, D.C.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Type:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Online Media:

Anna Walinska papers, 1927-2002, bulk 1935-1980 bulk 1935-1980

Creator:
Walinska, Anna, 1906-1997  Search this
Walinska, Anna, 1906-1997  Search this
Subject:
Avery, Milton  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace  Search this
Nevelson, Louise  Search this
Walinsky, Louis Joseph  Search this
Beata, Welsing  Search this
Guild Art Gallery  Search this
Type:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- description and travel
Topic:
Drawing--Study and teaching  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Women painters  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6942
(DSI-AAA_SIRISBib)209071
AAA_collcode_walianna
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209071
Online Media:

Alan R. Solomon papers, 1907-1970, bulk 1944-1970

Creator:
Solomon, Alan R.  Search this
Solomon, Alan R.  Search this
Subject:
Castelli, Leo  Search this
Louis, Morris  Search this
Segal, George  Search this
Fahlström, Öyvind  Search this
Poons, Larry  Search this
Duchamp, Marcel  Search this
Bontecou, Lee  Search this
Picasso, Pablo  Search this
Provinciali, Michele  Search this
Reed, Lou  Search this
Lichtenstein, Roy  Search this
Mulas, Ugo  Search this
Sonnabend, Ileana  Search this
Rosenquist, James  Search this
Sabol, Audrey  Search this
Grisi, Laura  Search this
Noland, Kenneth  Search this
Scull, Ethel  Search this
MacElroy, Robert R.  Search this
Namuth, Hans  Search this
Newman, Barnett  Search this
Finkelstein, Nat  Search this
Stella, Frank  Search this
Sisler, Mary  Search this
Greenberg, Jeanine  Search this
Oldenburg, Patty  Search this
Morris, Robert  Search this
Scull, Robert C.  Search this
Hay, Alex  Search this
Dine, Jim  Search this
Kron, Joan  Search this
Chamberlain, John  Search this
Greenberg, Clement  Search this
Oldenburg, Claes  Search this
Frankenthaler, Helen  Search this
Paxton, Steve  Search this
Moore, Peter  Search this
Whitman, Robert  Search this
Novick, Elizabeth  Search this
Rauschenberg, Robert  Search this
Redon, Odilon  Search this
Schute, Terry  Search this
Warhol, Andy  Search this
Hay, Deborah  Search this
Rainier, Yvonne  Search this
Childs, Lucinda  Search this
Johns, Jasper  Search this
Dunn, Judith  Search this
Leo Castelli Gallery  Search this
Expo 67 (Montréal, Québec)  Search this
Pasadena Art Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Albright-Knox Art Gallery  Search this
Art Gallery of Ontario  Search this
Velvet Underground (Musical group)  Search this
Biennale di Venezia  Search this
Artforum  Search this
Amsterdam (Netherlands). Stedelijk Museum  Search this
Jewish Museum (New York, N.Y.)  Search this
University of California (System)  Search this
Cornell University.  Search this
San Francisco Art Institute  Search this
Centro de Artes Visuales (Asunción, Paraguay)  Search this
Los Once (Artists' group)  Search this
Harvard University  Search this
Type:
Drawings
Transcripts
Photographs
Interviews
Lithographs
Place:
Italy -- Venice
Topic:
Abstract expressionism  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Art -- History -- Study and teaching  Search this
Performance art  Search this
Art, Abstract -- United States  Search this
Art -- Exhibitions  Search this
Art -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Sculptors  Search this
Art, Modern -- 20th century -- United States  Search this
Educators -- New York (State) -- New York  Search this
Curators -- New York (State) -- New York  Search this
Theater  Search this
Pop art  Search this
Museum directors -- New York (State) -- New York  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)7165
(DSI-AAA_SIRISBib)209301
AAA_collcode_soloalan
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209301
Online Media:

Charles Henry Sawyer papers, 1933-1977

Creator:
Sawyer, Charles Henry, 1906-2005  Search this
Sawyer, Charles Henry, 1906-2005  Search this
Subject:
Hayes, Bartlett H.  Search this
Addison Gallery of American Art  Search this
American Academy of Arts and Sciences  Search this
American Craft Council  Search this
Association of Art Museum Directors  Search this
Federal Art Project  Search this
Fogg Art Museum  Search this
Independent Schools Art Instructors Association  Search this
Museum Publishers Association  Search this
Upper Peninsula Crafts Council (Mich.)  Search this
Worcester Art Museum  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art in universities and colleges  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)9065
(DSI-AAA_SIRISBib)211258
AAA_collcode_sawychar
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211258

Interviews of California photographers

Creator:
San Francisco Museum of Modern Art  Search this
Names:
Focus Gallery  Search this
Brumfield, John, 1934-  Search this
Fahey, David  Search this
Fischer, Hal, 1950-  Search this
Flick, Robbert  Search this
Fulton, Jack, 1939-  Search this
Gutmann, John  Search this
Johnston, Helen, 1916-1989  Search this
Katzman, Louise, 1949-  Search this
Mandel, Mike  Search this
Rice, Leland, 1940-  Search this
Sultan, Larry  Search this
Walker, Todd  Search this
Worth, Don, 1924-  Search this
Interviewer:
Borger, Irene Marian  Search this
Kurabi, Louise Katzman, 1949-  Search this
Extent:
6 Items (microcassettes and 9 sound cassettes;(partially transcribed and microfilmed on 3 partial reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1981 June 18- Nov. 20
Scope and Contents:
Interviews of California photographers conducted by curator Louise Katzman or Irene Borger in connection with the 1984 exhibition and catalog "California Photography: 1945 to the Present," organized by the San Francisco Museum of Modern Art. Interviewees include John Brumfield, David Fahey, Hal Fischer, Robbert Flick, Jack Fulton, John Gutmann, Mike Mandel and Larry Sultan, Leland Rice, Todd Walker, and Don Worth. Also included is an interview with Focus Gallery owner Helen Johnston.
REELS 3197-3199: Transcripts of interviews, including: David Fahey (19 p.), Hal Fischer (30 p.), Robbert Flick (32 p.), John Gutmann (26 p.), Mike Mandel and collaborator Larry Sultan (28 p.), Todd Walker (61 p.), and Don Worth (30 p.). The photographers discuss their early involvement with photography, influences on their work; studying and teaching; working in California; the photography market; and future directions of their work.
UNMICROFILMED: An interview of Leland Rice (83 p.).
UNTRANSCRIBED: Interviews of John Brumfield, Jack Fulton, and gallery owner Helen Johnston.
Provenance:
Donated 1982 by the San Francisco Museum of Modern Art.
Restrictions:
Leland Rice interview is: ACCESS RESTRICTED; written permission required.
Fahey, Fischer, Flick, Guttman, Mandel and Sultan, Walker and Worth interviews are: transcribed and microfilmed; patrons must use microfilm copy.
Brumfield, Fulton and Johnston are: untranscribed microcassettes; use requires an appt. and is limited to AAA's Washington, D.C. office.
Occupation:
Gallery owners  Search this
Topic:
Photography -- California -- History  Search this
Photographic art galleries -- California  Search this
Photography, Artistic  Search this
Photography -- California -- Exhibitions  Search this
Photographers -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sanfrmma
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanfrmma

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Drawing--Study and teaching  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Women painters  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
Online Media:

Stanton L. Catlin papers

Creator:
Catlin, Stanton L. , 1915-1997  Search this
Names:
Columbia Records, Inc.  Search this
Hunter College -- Faculty  Search this
Syracuse University -- Faculty  Search this
Universidad de Chile -- Faculty  Search this
Ades, Dawn  Search this
Ashton, Dore  Search this
Boulton, Alfredo  Search this
Motherwell, Robert  Search this
Obregón, Alejandro, 1920-  Search this
Paternosto, César, 1931-  Search this
Paz, Octavio, 1914-  Search this
Rasmussen, Waldo  Search this
Rockefeller, David, 1915-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Sandoval, Judith Hancock de  Search this
Sebastián, Santiago  Search this
Torruella Leval, Susana  Search this
Williams, Amancio  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Diaries
Place:
Czech Republic -- Description and Travel
Date:
1911-1998
bulk 1930-1994
Summary:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.
Scope and Contents:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

Biographical material includes six address books, two annotated calendars, four day books, curriculum vitae, interview transcripts, records of Catlin's personal book collection, and his work as a student. Correspondence is with Catlin's family and prominent artists and colleagues, such as Dawn Ades, Dore Ashton, Alfredo Boulton, Robert Motherwell, Alejandro Obregon, César Paternosto, Octavio Paz, Waldo Rasmussen, David and Nelson Rockefeller, Susana Torruella Leval, Judith Sandoval, Santiago Sebastian, and Amancio Williams. Correspondence with Columbia Records concerns Catlin's Grammy Award for best album.

There are writings and notes by Catlin and others on Latin American art, and three journals kept by Catlin during his time in the Czech Republic and Minnesota.

Teaching files document some of Catlin's work as an art history professor at Hunter College, Syracuse University, and the University of Chile. The project files document his work as a consultant or contributor on various projects abd the professional files include records of Catlin's positions as art gallery curator and director, professional memberships, conference participation, and other professional activities. Research and subject files consist of annotated material related to Latin American art, European art, and various artforms and artists.

Exhibition files are found for Art of Latin America Since Independence (1966) and other exhibitions of Latin American art. Printed materials include books with an inscription, clippings, exhibition announcements and catalogs, magazines, and publications. There are photographs of Catlin, family and friends, colleagues, and artwork.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical material , 1933-1989 (1 linear foot; Box 1)

Series 2: Correspondence, 1914-1994 (4.5 linear feet; Box 2-6)

Series 3: Writings and Notes, 1930-1993 (4.5 linear feet; Box 6-10, OV 57)

Series 4: Teaching Files, 1941-1991 (1.5 linear feet; Box 10-12)

Series 5: Project Files, 1940-1993 (3.5 linear feet; Box 12-16)

Series 6: Professional Files, 1939-1994 (13.1 linear feet; Box 16-28, OV 58, 60)

Series 7: Research and Subject Files, 1938-1998 (8.0 linear feet; Box 28-36)

Series 8: Exhibition Files, 1941-1993 (15.6 linear feet; Box 37-51, OV 58-60)

Series 9: Printed Material, 1944-1993 (4.2 linear feet; Box 52-56)

Series 10: Photographs, 1911-1991 (0.5 linear feet; Box 56)
Biographical / Historical:
Stanton L. Catlin (1915-1997) was a curator, gallery director, educator, art historian, and expert on Latin American Art.

Catlin studied art history at Oberlin College and graduated in 1937. After graduation, he studied painting and art history at the Academy of Arts in Prague, Czech Republic for two years. Catlin received a Fogg Museum Fellowship in Modern Art at Harvard University to survey collections of art in Europe. However, the project was canceled because of World War II.

During the war, Catlin served as a Cultural Relations Representative for the Coordinator of Inter-American Affairs where he assisted with exhibition arrangements throughout Latin America. In 1942, he also began teaching the history of art in the United States at the University of Chile. After the war, Catlin served in the Field Operations Division of the United Nations Relief and Rehabilitation Administration, working in the Displaced Persons Operation from 1945-1946.

From 1947 to 1950, Catlin served as the executive director of the American Institute of Graphic Arts. He received his graduate degree in art history from New York University in 1952, and shortly thereafter became editor and curator of American art at the Minneapolis Institute of Arts. From 1958 to 1967, Catlin was the assistant director of the Yale University Art Gallery. While there, he curated the landmark exhibition Art of Latin America Since Independence in 1966, the first exhibition to include only Latin American art and the accompanying catalog remains a standard reference source. That same year, Catlin won a Grammy Award for best album notes for an essay on Mexican mural painting.

In 1967, Catlin left Yale to take a position as director of the Art Gallery at the Center for Inter-American Relations before joining the faculty of Syracuse University in 1971 and becoming director of the university's Art Gallery. He remained at Syracuse for the rest of his career.

Catlin was a consultant on the major retrospective exhibition of the work of Diego Rivera at the Detroit Institute of Arts in 1986. He also worked on a project to document Mexican murals in the United States. Catlin died in Fayetteville, New York in 1997.
Related Materials:
Also found at the Archives of American Art is an oral history interview conducted by Francis V. O'Connor with Stanton L. Catlin from July 1 to September 14, 1989.

The University of Texas at Austin holds a significant collection of Stanton Loomis Catlin's papers, some of which are duplicates of the papers held by the Archives of American Art.
Provenance:
The collection was donated from 1992 to 1995 to by Stanton L. Catlin.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State)  Search this
Minnesota -- Description and travel  Search this
Gallery directors -- New York (State)  Search this
Curators -- New York (State)  Search this
Topic:
Art, European  Search this
Latino and Latin American artists  Search this
Educators -- New York (State)  Search this
Art, Latin American  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Diaries
Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.catlstan
See more items in:
Stanton L. Catlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-catlstan
Online Media:

Charles Henry Sawyer papers

Creator:
Sawyer, Charles Henry, 1906-2005  Search this
Names:
Addison Gallery of American Art  Search this
American Academy of Arts and Sciences  Search this
American Craft Council  Search this
Association of Art Museum Directors  Search this
Federal Art Project  Search this
Fogg Art Museum  Search this
Independent Schools Art Instructors Association  Search this
Museum Publishers Association  Search this
Upper Peninsula Crafts Council (Mich.)  Search this
Worcester Art Museum  Search this
Hayes, Bartlett H., 1904-1988  Search this
Extent:
2.8 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1933-1977
Scope and Contents:
Correspondence, reports, minutes of meetings, addresses by Sawyer and others, and printed material relating primarily to Sawyer's involvement in the areas of design and crafts, and committees which studied methods of teaching art and the arts in colleges and universities.
REELS 644-646: Files on the American Academy of Arts and Sciences Conference, 1946; the American Humanities Seminar, 1958; the Association of Art Museum Directors, 1941-1973; Design as a Function of Management conference, 1951; Ford Foundation Studies and Grants to the Arts, 1948-1963; the Fogg Art Museum at Harvard, 1934-1956; the M.I.T. Study Committee for the Visual Arts, 1952-1954; the Museum Publishers Association, 1969-1970; the Salzburg seminar "The Visual Arts in American Life," 1955-1956; the Addison Gallery, 1940-1950; the Worcester Art Museum, 1940-1948; Columbia University Bicentennial; New York State Colleges and Universities; and the American Federation of Arts.
Included in the American Humanities seminar file are lists of participants (including Sawyer), correspondence, 8 p. of quotes from participants, texts of addresses, printed articles taken from papers, clippings, and correspondence of Maxwell Goldberg, chairman, requesting suggestions for participants in the 1959 seminar. The Addison Gallery file contains correspondence between Sawyer and Bartlett Hayes, director of the Gallery; a report of the activities of the Gallery during 1946-1947, 2 typescripts concerning its display of Edward Hopper's painting "Manhattan Bridge Loop," Feb. 1940, reports and minutes of the Visiting Committee, 1950-1951, and financial statements.
UNMICROFILMED: Files concerning Federal Art Projects in New England, 1933-1937; the Museum of Modern Art, 1940-1941; Andover Committee concerning the Phillips Academy, 1950-1956; "The Arts in Universities," 1955; Visual Art Programs of the Independent Schools Art Instructors' Association, 1946; the Addison Gallery, 1964-1970; the American Craftsmen Council, 1959-1963; the first through fourth Upper Peninsula Crafts and Native Industries exhibits, 1960-1963; and the Conference on Museum Training Programs, 1972.
Biographical / Historical:
Museum director; Ann Arbor, Michigan. Director, Addison Gallery of American Art, the Worcester Art Museum, and the University of Michigan Museum of Art; Professor of Art History at Yale University and member of many committees.
Provenance:
Material on reels 644-646 lent for microfilming 1973 by Sawyer. Unmicrofilmed material donated by Sawyer 1977 and 1985. The 1985 donation included material previously filmed on reel 644, fr. 509-1071.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum directors -- United States  Search this
Art historians  Search this
Museum directors  Search this
Gallery directors  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art in universities and colleges  Search this
Function:
Art museums, University and college -- United States
Identifier:
AAA.sawychar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sawychar

State of the arts videorecordings, 1979

Creator:
Lawrence P. Fraiberg Productions  Search this
Lawrence P. Fraiberg Productions  Search this
Subject:
Campoli, Cosmo  Search this
Karp, Ivan C.  Search this
Fraiberg, Lawrence P.  Search this
Thorne, Joan  Search this
Solomon, Holly  Search this
Segal, George  Search this
Rose, Barbara  Search this
Phillips, Liz  Search this
Paik, Nam June  Search this
Kovich, Robert  Search this
Cavanau, Ted  Search this
Derman, Rick  Search this
Nolan, Barry  Search this
Whitney Museum of American Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Lawrence P. Fraiberg Productions  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
Type:
Interviews
Video recordings
Topic:
Art, Modern -- 20th century -- Study and teaching  Search this
Performance art  Search this
Artists' studios  Search this
Video art  Search this
Sound sculpture -- United States  Search this
Women artists  Search this
Art -- Economic aspects  Search this
Theme:
Art Market  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10962
(DSI-AAA_SIRISBib)214748
AAA_collcode_frailawr
Theme:
Art Market
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214748

State of the arts videorecordings

Creator:
Lawrence P. Fraiberg Productions  Search this
Names:
Lawrence P. Fraiberg Productions  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Campoli, Cosmo  Search this
Cavanau, Ted  Search this
Derman, Rick  Search this
Fraiberg, Lawrence P.  Search this
Karp, Ivan C., 1926-2012  Search this
Kovich, Robert  Search this
Nolan, Barry  Search this
Paik, Nam June, 1932-2006  Search this
Phillips, Liz  Search this
Rose, Barbara  Search this
Segal, George, 1924-2000  Search this
Solomon, Holly  Search this
Thorne, Joan, 1943-  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1979
Summary:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.
Scope and Contents:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

Although the program never aired, the video shot for the pilot documents significant artists and gallerists of its time, with profiles of O.K. Harris Works of Art and its founder, Ivan Karp, as well as art dealer Holly Solomon and critic Barbara Rose, Marcia Tucker in the early days of the New Museum, and footage of artists like Nam June Paik, Liz Phillips, and George Segal in their studios, describing their work in detail. The sound and video piece created by Paik and Phillips with the dancer Robert Kovich was commissioned by the State of the Arts producers for the pilot program, and the four hours of video documenting their collaboration and its product may therefore be unique.

Interview subjects for the economics of art story include Ivan Karp, Tom Drysdale, Rick Derman, Cosmo Campoli, Joan Thorne, Holly Solomon, Marcia Tucker, and Barbara Rose. The Marcia Tucker interview takes place at the New School, which was at the time the home of the New Museum. Footage also includes a gallery opening at O.K. Harris Works of Art. Extended interviews with Liz Phillips, Nam June Paik, and George Segal are found in the footage of their respective stories.
Arrangement:
The collection is arranged as one series.

Series 1: -- State of the Arts -- Production Video, 1979 (2.4 linear feet; boxes 1-3)
Biographical / Historical:
State of the Arts was planned as a broadcast television magazine program on the subject of contemporary art. The pilot was produced in 1979 by Lawrence P. Fraiberg Productions with funding provided jointly by IBM and the National Endowment for the Arts. Fraiberg and Tom Cavanau served as executive co-producers, Rick Derman as field producer, and Barry Nolan as interviewer. The program never aired.

Lawrence P. Fraiberg was a longtime television documentary veteran when the pilot was produced. He graduated from the University of California in 1949 and began his career at television station KPIX in San Francisco. He became vice president and general manager of WNEW-TV in New York in 1965, and was named president of Metromedia Television in 1977. In 1980 he was appointed president of the Television Station Group for Westinghouse Broadcasting. An active member in community and industry organizations, he is a recipient of an honorary degree (1978) from St. John's University, New York, a Peabody Award for Lifetime Achievement in the Broadcasting Industry (1986), and a Trustees Award from the National Academy of Television Arts and Sciences (1990). He died in 2011.

Barry Nolan, the interviewer for State of the Arts, went on to a career as a television magazine host and producer, with credits including Evening Magazine, Hard Copy, Extra!, and Nitebeat, and in 2012 produced the documentary No Way Out But One with his wife, Garland Waller.
Provenance:
Donated 1979-1980 by Lawrence P. Fraiberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from Ted Cavanu, Rick Derman and Barry Nolan. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- Study and teaching  Search this
Performance art  Search this
Artists' studios  Search this
Video art  Search this
Sound sculpture -- United States  Search this
Women artists  Search this
Art -- Economic aspects  Search this
Function:
Production companies
Genre/Form:
Interviews
Video recordings
Citation:
State of the Arts Videorecordings, 1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.frailawr
See more items in:
State of the arts videorecordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frailawr

Colette Roberts Papers and Interviews with Artists, 1918-1971

Creator:
Roberts, Colette Jacqueline, 1910-1971  Search this
Roberts, Colette Jacqueline, 1910-1971  Search this
Subject:
Marisol  Search this
Moy, Seong  Search this
Chryssa  Search this
Schwabacher, Ethel  Search this
O'Doherty, Brian  Search this
Ray, Man  Search this
Johnson, Ray  Search this
Ferren, John  Search this
Gottlieb, Adolph  Search this
Le Prat, Thérèse  Search this
Lindner, Richard  Search this
Karp, Ivan C.  Search this
Bearden, Romare  Search this
Bauermeister, Mary  Search this
Duchamp, Marcel  Search this
Dehner, Dorothy  Search this
Nevelson, Louise  Search this
Reinhardt, Ad  Search this
Sterne, Hedda  Search this
Vieira da Silva, Maria Helena  Search this
Grand Central Moderns (Gallery)  Search this
New York University  Search this
Le Point Cardinal (Gallery)  Search this
British Broadcasting Corporation  Search this
Type:
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Topic:
Art -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Fluxus (Group of artists)  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9702
(DSI-AAA_SIRISBib)211935
AAA_collcode_robecoli
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211935
Online Media:

James Melchert papers, 1950-2021

Creator:
Melchert, Jim, 1930-  Search this
Melchert, Jim, 1930-  Search this
Subject:
National Endowment for the Arts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)11162
(DSI-AAA_SIRISBib)249245
AAA_collcode_melcjim
Theme:
Craft
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249245

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Design, Industrial  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

Ethel Edwards papers

Creator:
Edwards, Ethel, 1914-1999  Search this
Names:
Art Students League (New York, N.Y.)  Search this
United States. Bureau of Reclamation  Search this
Wellfeet Art Gallery  Search this
Backus, Franklin T., 1813-1870  Search this
Croce, Elaine  Search this
Gonzalez, Xavier, 1898-1993  Search this
Reynolds, Sally K.  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Storrs, Immi  Search this
Truro Center for Arts -- Faculty  Search this
Extent:
11.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Travel diaries
Scrapbooks
Transcripts
Sketchbooks
Date:
circa 1929-1999
Summary:
The papers of painter, illustrator, and educator Ethel Edwards (1914-1999) measure 11.2 linear feet and date from circa 1929 to 1999. The papers are comprised of biographical materials, correspondence, writings and notes, business records for the Wellfeet Art Gallery that she operated with her husband Xavier Gonzalez along with records for Edwards' personal business activities, printed materials, three scrapbooks, photographic materials, artwork, and 32 sketchbooks.
Scope and Contents:
The papers of painter, illustrator, and educator Ethel Edwards (1914-1999) measure 11.2 linear feet and date from circa 1929 to 1999. The papers are comprised of biographical materials, correspondence, writings and notes, business records for the Wellfeet Art Gallery that she operated with her husband Xavier Gonzalez along with records for Edwards' personal business activities, printed materials, three scrapbooks, photographic materials, artwork, and 32 sketchbooks.

Biographical materials consist of address, awards, membership documents, obituaries, resumes, and scattered teaching files for the Art Students League and the Truro Center for the Arts. Correspondence is with Xavier Gonzalez, galleries, and friends and colleagues including Franklin Backus, Sally Knudson Reynolds, Hall Groat, and Immi Storrs.

Writings and notes include a travel journal; various writings, essays, and notes about art by Edwards; a few writings about Edwards by others; and a speech transcript by Nelson A. Rockefeller. Business records consist of files for Wellfleet Art Gallery and Studio; documents concerning painting commissions for the Department of Interior Bureau of Reclamation; records of sales, inventory, and artwork donations; scattered exhibition files; and funding applications.

Printed materials include printed reproductions of artwork, brochures and clippings, exhibition catalogs and announcements, magazines and journals, posters, and press releases. There are three scrapbooks containing exhibition announcements, clippings, and photographs of artwork.

Photographs are of Edwards, her studio, family and friends, students, works of art, photographer Elaine Croce, and travel in Asia. Artwork includes sketches by Edwards, Ulrich Erben, and unidentified artists, as well as 32 sketchbooks by Edwards.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Materials, 1936-1999 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1940s-1990s (2.0 linear feet; Box 1-3)

Series 3: Writings and Notes, 1937-1980s (0.5 linear feet; Box 3)

Series 4: Business Records, 1949-1994 (0.5 linear feet; Box 3-4)

Series 5: Printed Materials, circa 1940s-1990s (2.0 linear feet; Box 4-6, 13)

Series 6: Scrapbooks, 1940s-1960s (0.2 linear feet; Box 6, 13)

Series 7: Photographic Materials, 1937-circa 1992 (3.0 linear feet; Box 6-9, 13)

Series 8: Artwork, circa 1929-1980s (0.2 linear feet; Box 9)

Series 9: Sketchbooks, circa 1936-circa 1994 (2.3 linear feet; Box 9-12, 14)
Biographical / Historical:
Ethel Edwards (1914-1999) was a painter, illustrator, and educator active in New Orleans, LA, New York City, Provincetown, RI, and Wellfleet, MA.

Ethel Edwards was born in New Orleans in 1914 and attended Newcomb College in 1933 on scholarship. Her instructor for life drawing, watercolor, and portrait drawing was painter Xavier Gonzalez, whom she married in 1936 in Texas, where Gonzalez ran a summer school. She studied in Paris from 1937 to 1938. She returned to Alpine, Texas where, in 1939, she won a national mural competition to paint a mural in the U.S. Post Office in Lampasas, Texas. In 1942 she completed a second post office in Lake Providence, Louisiana.

In 1942, Edwards and Gonzalez moved to New York City, where Edwards continued to paint, working with powdered color and egg-oil emulsion and experimenting with line in various media and surfaces. She also worked as a fashion illustrator for Town and Country and Fortune magazines in 1944 and 1945. In 1946, her illustrations for Oscar Wilde's The Happy Prince were shown at the Museum of Modern Art. She regularly exhibited in New York City, Provincetown, and Wellfleet, Massachusetts on Cape Cod, where she and Gonzalez also operated the Wellfleet Art Gallery which served as a gallery, studio, and art school. For many years, she taught at the Art Students League and Truro Center for the Arts.

Edwards died in New York in 1999.
Related Materials:
Also found at the Archives of American Art are the papers of Ethel Edwards' husband, Xavier Gonzalez.
Provenance:
The collection was donated in 1999 by the estate of Ethel Edwards Gonzalez.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- United States  Search this
Muralists -- United States  Search this
Art teachers -- United States  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Illustrators -- United States  Search this
Women artists  Search this
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Photographs
Travel diaries
Scrapbooks
Transcripts
Sketchbooks
Citation:
Ethel Edwards papers, circa 1929-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.edwaethe
See more items in:
Ethel Edwards papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-edwaethe

Richard E. Filipowski papers

Creator:
Filipowski, Richard, 1923-2008  Search this
Names:
Bauhaus  Search this
Boston Arts Festival  Search this
Harvard University -- Faculty  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Agoos, Herbert M., 1915-1992  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro, 1899-1994  Search this
Davis, Stuart, 1892-1964  Search this
Eckbo, Garrett  Search this
Gropius, Walter, 1883-1969  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
4.1 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Date:
circa 1940-1998
Summary:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.
Scope and Contents:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

Biographical material consists of a Bauhaus questionnaire, marriage license, various identification documents, Canadian selective service documents, resumes, and other miscellaneous material.

Correspondence mostly relates to Filipowski's teaching and sculpture, including letters from Herbert M. Agoos, Lawrence B. Anderson, Pietro Belluschi, Stuart Davis, Garrett Eckbo, Walter Gropius, Gyorgy Kepes, Laszlo Moholy-Nagy, and others.

Writings consist of Filipowski's lectures on art, notes, and other material. There is also one sound recording of a lecture.

Teaching files are mostly from the Institute of Design, Harvard University, and Massachusetts Institute of Technology. The series includes syllabi, faculty meeting minutes, notes and drafts for lectures, school catalogs and schedules, and files on student exhibitions and projects, including two films, Do Not Disturb and Hearts and Arrows.

Project files contain correspondence, business records, printed material, sketches and photographs on commissions in architecture, sculpture and furniture design. There are also files on programs which Filipowski assisted in planning and organizing, including the Boston Art Festival and a few exhibitions.

Printed material consists of exhibition catalogs, announcements, and clippings mostly about Filipowski.

Photographs, slides, and negatives are of Filipowski and others, sculpture, furniture designs, and works of art by his students from Harvard and MIT.

Art work includes sketches, sketchbooks, cardboard studies for sculptures, and Christmas card designs.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1941-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1941-1998 (Box 1, OV 6; 0.6 linear feet)

Series 3: Writings, 1951-1969 (Box 1; 0.4 linear feet)

Series 4: Teaching Files, 1943-1970 (Box 2, OV 6; 0.7 linear feet)

Series 5: Project Files, 1944-1976 (Boxes 2-3, OV 6-7; 0.6 linear feet)

Series 6: Printed Material, 1941-1989 (Box 3, OV 7; 0.4 linear feet)

Series 7: Photographic Material, circa 1940-1989 (Boxes 3-4, OV 8; 0.7 linear feet)

Series 8: Artwork, circa 1940-circa 1985 (Boxes 4-5, OV 6, 8; 0.7 linear feet)
Biographical / Historical:
Richard E. Filipowski (1923-2008) was a designer, sculptor, painter, filmmaker and educator mostly based in Massachusetts. Richard Filipowski was born in Poland in 1923 and he and his family moved to Ontario, Canada in 1927. He studied under Laszlo Moholy-Nagy at the Institute of Design (formerly known as the New Bauhaus) from 1942 to 1946 and taught there after graduating, 1946-1950. Filipowski was invited by Walter Gropius to organize and teach Design Fundamentals at Harvard University's Graduate School of Design where he stayed until 1952. He then taught as an Associate Professor of Visual Design in the Department of Architecture at the Massachusetts Institute of Technology, 1953-1989.

Filipowski also took on numerous commissions for sculptures and artwork. One especially noteworthy commission was a sculpture for an Ark created for the Temple B'Rith Kodesh in Rochester, New York. The sculpture was intricately wrought and welded from bronze and silver alloys and it remained a source of inspiration for other later sculptures and commissions which had a similar style of metal-working. Many of his works were also marked by his Bauhaus training. Filipowski passed away in 2008.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Richard E. Filipowski conducted by Roger Brown on September 25, 1989 through March 14, 1990.
Provenance:
The papers were donated to the Archives of American Art by Richard E. Filipowski in multiple installments from 1989 to 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art teachers -- Massachusetts  Search this
Design -- Study and teaching  Search this
Designers -- Massachusetts  Search this
Filmmakers -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Design, Industrial  Search this
Educators -- Massachusetts  Search this
Industrial designers  Search this
Painting, Modern -- 20th century  Search this
Function:
Art commissions
Art festivals
Genre/Form:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.filirich
See more items in:
Richard E. Filipowski papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-filirich

Rudolf Arnheim papers

Creator:
Arnheim, Rudolf  Search this
Names:
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Albers, Josef  Search this
Kepes, Gyorgy, 1906-2001  Search this
Sheldon, Alice Bradley, 1915-1987  Search this
Extent:
9.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Diaries
Date:
1919-1998
Summary:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.
Scope and Contents:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)
Biographical / Historical:
Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.
Provenance:
The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.
Occupation:
Art historians -- Massachusetts  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Diaries
Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnhrudo
See more items in:
Rudolf Arnheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arnhrudo

Ellen Lanyon papers, circa 1880-2015, bulk 1926-2013

Creator:
Lanyon, Ellen, 1926-2013  Search this
Lanyon, Ellen, 1926-2013  Search this
Subject:
Lippard, Lucy R.  Search this
Kozloff, Joyce  Search this
Stevens, May  Search this
Nilsson, Gladys  Search this
Stuart, Michelle  Search this
Grooms, Red  Search this
Petlin, Irving  Search this
Spector, Buzz  Search this
Schapiro, Miriam  Search this
Rockburne, Dorothea  Search this
Hunt, Richard  Search this
Chicago, Judy  Search this
Plunkett, Edward M. (1922-2011)  Search this
Golub, Leon  Search this
Cooper Union for the Advancement of Science and Art  Search this
Ox-Bow Summer School of Painting  Search this
Landfall Press  Search this
Type:
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Topic:
Muralists -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Feminism and art  Search this
Art -- Illinois -- Chicago  Search this
Painting, Modern -- 20th century -- Illinois -- Chicago  Search this
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Muralists -- Illinois -- Chicago  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)9118
(DSI-AAA_SIRISBib)211312
AAA_collcode_lanyelle
Theme:
Women
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211312
Online Media:

Ellen Lanyon papers

Creator:
Lanyon, Ellen  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Landfall Press  Search this
Ox-Bow Summer School of Painting  Search this
Chicago, Judy, 1939-  Search this
Golub, Leon, 1922-2004  Search this
Grooms, Red  Search this
Hunt, Richard, 1935-  Search this
Kozloff, Joyce  Search this
Lippard, Lucy R.  Search this
Nilsson, Gladys, 1940-  Search this
Petlin, Irving, 1934-  Search this
Plunkett, Edward M. (1922-2011)  Search this
Rockburne, Dorothea  Search this
Schapiro, Miriam, 1923-2015  Search this
Spector, Buzz  Search this
Stevens, May  Search this
Stuart, Michelle, 1933-  Search this
Extent:
62.6 Linear feet
84.47 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Date:
circa 1880-2015
bulk 1926-2013
Summary:
The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.
Scope and Contents:
The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York.

Biographical material documents Lanyon's major life events and includes calendars; addresses and contacts; life documents; awards; diplomas and school records; resumes; horoscope readings and natal chart; residence documents; personal memorabilia; family papers and memorabilia; digital material; and items relating to Lanyon's memorial.

Correspondence, both personal and professional, consists of letters, postcards, holiday and greeting cards exchanged with family, friends, artists, collectors, publishers, print shops, museums, galleries, and cultural and educational institutions. Some material is in digital format. Notable correspondents include Judy Chicago, Leon Golub, Red Grooms, Richard Hunt, Joyce Kozloff, Lucy Lippard, Gladys Nilsson, Irving Petlin, Edward Plunkett, Dorothea Rockburne, Miriam Schapiro, Buzz Spector, May Stevens, and Michelle Stuart.

Fourteen interviews are with Ellen Lanyon conducted by various interviewers on behalf of a number of organizations and consist of transcripts, sound recordings, and video recordings, some in digital format.

Writings include general writings, lectures, presentations, and thirty-seven notebooks by Lanyon. A few writings by others about Lanyon and several sound recordings of lectures by other artists are also found here.

Twenty-five journals intermittently record Lanyon's reflections on her day-to-day life including her work, obligations, and relationships.

Project files include professional activities and files documenting projects and commissions. Files may contain project proposals, correspondence, printed and digital material, applications, contracts, research notes, invoices, receipts, notebooks, sketches, plans, organizational records, and photographic material. Three multi-year projects are extensively documented, including theMiami Metamorphosis mural, Riverwalk Gateway mural, and Hiawatha Rail Line mural.

Teaching files consist of correspondence, memoranda, course descriptions and proposals, rosters, administrative documents, and printed material from a number of institutions, including Cooper Union, where Lanyon taught from the 1970s to her retirement in 1993.

Exhibition files include files for individual exhibitions, exhibitions by women artists, and chronological files. Files may contain correspondence, inventories, consignment records, layout plans, printed and digital material, and photographic material.

Personal business, inventory, and estate records document the financial and administrative history of Lanyon's career and artworks.

Printed material, broadcast material, and published video recordings document Lanyon's career, art movements in Chicago and New York, and the women's movement in art. Files may contain books, booklets, broadsides, radio and television broadcasts, brochures, exhibition announcements and catalogs, lecture announcements, news and magazine clippings, newspapers and newsletters, periodicals, press releases, programs, video recordings, digital material, source material, and posters.

Eight scrapbooks contain predominantly clippings and exhibition material documenting Lanyon's career.

Photographic material consists of thousands of prints, slides, transparencies, digital photographs, and negatives of Lanyon, family, friends, artists, places, and artwork.

A small number of artworks include a self-portrait Lanyon carved in wood, a childhood painting, a photo collage, sketches, and one folder of assignments for an art course. Artworks by others are a hand colored photograph album by Marcia Palazzolo and prints distributed by Landfall Press.

Seventy-one sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings done in pencil, watercolor, and colored pencil.
Arrangement:
The collection is arranged as fifteen series

Series 1: Biographical Material, circa 1880-2014, bulk 1926-2015 (5.3 linear feet; Box 1-6, 62, 3.94 GB; ER01-ER04)

Series 2: Correspondence, 1936-2013 (14.3 linear feet; Box 6-20, 1.51 GB; ER05-ER11)

Series 3: Interviews, circa 1975-2012 (0.7 linear feet; Box 20-21, 7.07 GB; ER12-ER19)

Series 4: Writings, Lectures, and Notebooks, circa 1947-2015 (3.2 linear feet; Box 21-24, 0.712 GB; ER20-ER24)

Series 5: Journals, 1967-2013 (1 linear foot; Box 24-25)

Series 6: Project Files, 1952-2014 (5.8 linear feet; Box 25-31, 62, OV 66, 13.42 GB; ER25-ER32)

Series 7: Teaching Files, 1953-2010 (0.9 linear feet; Box 31)

Series 8: Exhibition Files, circa 1944-2013 (2.7 linear feet; Box 32-34, 63, 3.87 GB; ER33-ER37)

Series 9: Personal Business, Inventory, and Estate Records, circa 1950-2015 (3 linear feet; Box 34-37, 9.10 GB; ER38-ER46)

Series 10: Printed and Broadcast Material, and Published Video Recordings, 1937-2013 (13.3 linear feet; Box 37-49, 63, OV 67-77, 2.18 GB; ER47-ER49)

Series 11: Scrapbooks, 1946-2013 (0.6 linear feet; Box 49-50)

Series 12: Photographic Material, circa 1920-2015 (7.7 linear feet; Box 50-57, 63, 42.44 GB; ER50-ER71)

Series 13: Artwork, circa 1938-1979 (0.2 linear feet; Box 58, 63)

Series 14: Sketchbooks, circa 1940-2010 (3.4 linear feet; Box 58-60, 64, 65)

Series 15: Unidentified Sound and Video Recordings, and Electronic Records, circa 1974-2013 (0.5 linear feet; Box 60-61)
Biographical / Historical:
Ellen Lanyon (1926-2013) was an American painter and printmaker working in Chicago and New York. She was born in Chicago, Illinois to Howard and Ellen (Nellie) Lanyon. Lanyon received her BFA from the School of the Art Institute of Chicago in 1948 and married classmate and artist Roland Ginzel that same year. In 1950, she received her MFA from the University of Iowa. As part of her post graduate work, Lanyon studied at the Courtauld Institute, University of London on a Fulbright Fellowship.

In the late 1940s, Lanyon began exhibiting her work and was featured in several Chicago and Vicinity Annual shows as well as the Momentum exhibitions. Influenced by surrealism, magic realism, and the work of the Chicago Imagists and the Hairy Who, Lanyon's subjects range from portraits of friends and family, to objects from her collection of curios, to flora and fauna. She produced paintings, drawings, print editions, artist's books, and some ceramics. In addition to her own artwork, Lanyon took on numerous commissions including the Riverwalk Gateway murals in Chicago, the Hiawatha Transit murals in Minneapolis, Minnesota, and a variety of illustration work.

Lanyon was active in many professional organizations and women's organizations including the College Art Association (CAA) and the Women's Caucus for Art. She organized panels at CAA, contributed writings and editing to journals, including Heresies, and served on a variety of panels and juries. Lanyon was also on the Board of the Ox-Bow Summer School of Painting, which she attended in her youth. Over the course of her career, she taught at many colleges and universities, including Cooper Union, where she was Associate Professor.

Throughout her career, Lanyon participated in exhibitions around the country, including a retrospective of her work at the National Museum for Women in the Arts in 1999. She was also the recipient of many awards and grants including the Logan Price and a National Endowment for the Arts grant.

Lanyon and Ginzel had two children, Andrew and Lisa Ginzel.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Ellen Lanyon conducted by James Crawford in 1975.
Provenance:
A majority of the collection was donated in 2015 by Andrew Ginszel, Ellen Lanyon's son and executor. Lanyon also donated material in 1990. Portions of the collection were lent for microfilming from 1977-1981 by Lanyon and subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Muralists -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Feminism and art  Search this
Art -- Illinois -- Chicago  Search this
Painting, Modern -- 20th century -- Illinois -- Chicago  Search this
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Muralists -- Illinois -- Chicago  Search this
Genre/Form:
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Citation:
Ellen Lanyon papers, circa 1880-2015, bulk 1926-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lanyelle
See more items in:
Ellen Lanyon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lanyelle
Online Media:

Hassel Smith papers

Creator:
Smith, Hassel, 1915-2007  Search this
Names:
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute -- Faculty  Search this
Anglim, Paule  Search this
Bischoff, Elmer, 1916-1991  Search this
Butterfield, Jan  Search this
Emmerich, André  Search this
Fitz Gibbon, John  Search this
Gimpel, Charles  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Swanson, Kathryn  Search this
Thiebaud, Wayne  Search this
Wollard, Robert  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Date:
circa 1900-2004
bulk 1930-1995
Summary:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.
Scope and Content Note:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

Biographical materials include biographical sketches, curriculum vitae, genealogical materials, ephemera, and personal appointment books from the mid to late 1970s. Also found here is a transcript of an in-depth interview of Smith conducted by Jan Butterfield in the 1980s.

There is personal and professional correspondence with Paule Anglim, Elmer Bischoff, Andre Emmerich, Charles Gimpel of Gimpel Fils, Clyfford and Patricia Still, Kathryn Swanson of the New Arts Gallery, Wayne Thiebaud, family members, and many others.

Personal business records include art sales records, exhibition checklists, conservation and condition reports, and personal finance records. Teaching materials include class schedules, student lists, and syllabi. Also found are notes on topics such as American art and literature, artistic traits and forms, illusion, and women artists.

Writings by Smith include artist statements, creative writings, his thoughts on the art market and art institutions, the San Francisco art community, and social criticism. Writings by others consist primarily of essays about Smith and his work. There are also writings by Smith's friend Robert Wollard. Artwork includes sketches, doodles, and Christmas cards done by Smith, and a handful of artwork by others.

Printed materials include clippings, exhibition announcements and catalogs, and posters. Also found here are printed materials about other artists, schools where Smith enrolled or taught, Smith's general interests, and collages and flyers by Robert Wollard. There is a printed copy of the pictorial edition of the Communist Manifesto edited by Smith and other artists.

Photographic materials are of Smith, family members, artwork, his studio, exhibition openings and other art events, and friends and colleagues. A family photograph dates from circa 1900 and negatives date from 1920. Most of the photographs date from the 1940s through the 1990s.

Sound recordings include 1 sound tape reel of the radio show, Art Review, with host John Fitz Gibbon reviewing Smith's artwork, and nine sound cassettes of student critiques overseen by Smith at the San Francisco Art Institute.
Arrangement:
The collection is arranged into 9 series.

Series 1: Biographical Materials, 1930-2004 (0.25 linear feet; Box 1)

Series 2: Correspondence, 1930s-2003 (1.0 linear foot; Boxes 1-2)

Series 3: Personal Business Materials, 1953-2003 (0.25 linear feet; Box 2)

Series 4: Teaching Materials, 1960s-1980s (18 folders; Box 2)

Series 5: Writings, 1940s-1994 (0.25 linear feet; Box 2)

Series 6: Artwork, 1928-1995 (8 folders; Box 2)

Series 7: Printed Materials, 1928-2003 (1.25 linear feet; Boxes 3-4)

Series 8: Photographic Materials, 1900s-2004 (0.5 linear feet; Box 4)

Series 9: Sound Recordings, 1965-1980 (10 items; Box 4)
Biographical Note:
Hassel Smith (1915-2007) was a California Bay area abstract expressionist painter, painting instructor at the California School of Fine Arts, and a lecturer at the University of California. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith was also associated with the famed Los Angeles Ferus Gallery.

Hassel Smith was born on April 27, 1915, in Sturgis, Michigan, settling later with his family in San Mateo, California. He attended Northwestern University with the intention of becoming a chemist, but switched his majors to English and Art History and graduated in 1936. Returning to California, Smith enrolled at the California School of Fine Arts (CSFA), and studied with the painter Maurice Sterne.

In 1937, he left school and shared housing with his adopted brother Lewis in the Haight-Ashbury district, where he maintained a studio on Steiner Street. At the same time, as a social worker for the California Relief State Administration, he worked with men on "skid row" in San Francisco. Declared 4F by the draft board, Smith served various government agencies during World War II, including the Farm Security Administration and the U.S. Forest Service. During this period, he met and married June Meyers. He later described his government service and social work as having a strong influence on his art and politics.

In 1941, Smith was awarded the Abraham Rosenberg Fellowship from the University of California, Berkeley, which allowed him to travel and paint outdoors at Angel's Camp in the Mother Lode of the Sierra foothills, along with Richard Hackett.

At the end of the war, Smith began teaching at the CSFA, joining faculty members Richard Diebenkorn, David Park, and Clyfford Still. Smith taught there until 1952. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith continued to paint and exhibit work throughout the 1950s, and in 1958 became affiliated with the Ferus Gallery founded by Walter Hopps and Ed Kienholz. His wife June passed away in 1958. One year later, Smith remarried Donna Rafferty Harrington, and they had their son Bruce in 1960.

After an exhibition at the New Arts Gallery in Houston, London-based dealer Charles Gimpel invited Smith to exhibit his work in England. As a result of this, Smith moved to England in 1962, and spent a year living in Mousehole, a fishing village in Cornwall. He moved back to California and between 1963 to 1966 was a visiting lecturer at the University of California, Berkeley and the University of California, Los Angeles. In 1966, Smith accepted a position as Senior Lecturer at the West England College of Art in Bristol, England where he stayed until 1978. He finished his teaching career as a Principal Lecturer at the Cardiff College of Arts in Wales from 1978 to 1979.

Smith spent most of the next two decades painting and exhibiting, which included exhibitions at the Oakland Museum and the San Jose Museum of Art. In 1991, he was awarded an honorary doctorate by the San Francisco Art Institute (formerly the California School of Fine Arts). Due to failing health, Smith was forced to stop painting in 1997. Smith died in 2007 in Warminster, England, at the age of 91.
Related Material:
Also found in the Archives of American Art is an oral history interview with Hassel Smith conducted by Paul Karlstrom, September 5, 1978 and a video interview with Hassel Smith conducted by Paul Karlstrom, January 15, 1986.
Provenance:
Hassel Smith donated most of his papers in several increments between 1980 and 1998. His son Joseph donated audio recordings in 1980, and Hassel Smith's widow Donna donated additional materials in 2004.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- California -- Berkeley  Search this
Painters -- California  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art, American  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithass
See more items in:
Hassel Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithass
Online Media:

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