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Gerber Fabric Cutter Video Documentation

Creator:
Liebhold, Peter  Search this
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this
Names:
Gerber Company.  Search this
Gerber, H. Joseph, 1924-1996  Search this
Extent:
2.5 Cubic feet (9 boxes )
Type:
Collection descriptions
Archival materials
Videotapes
Date:
1995-1996
Summary:
The Gerber Fabric Cutter S-70 is part of a systematic approach to layout and cutting that has revolutionized the needle trades. This video history contains original, master, and reference videos, Dictaphone microcassettes, and tape digests and notes documenting the development, operation and use of the Gerber Fabric Cutter S-70 in three locations: H.I.S., Inc., in Bruceton, Tennessee (Chic blue jeans use of cuter); General Motors in Grand Rapids, Michigan (automotive use of the cutter); and Gerber Scientific Instrument Company in Hartford, Connecticut (Gerber corporate office and invention factory). The video footage documents H. Joseph Gerber, engineers, assembly workers, operators, and other technicians who worked with the cutter at the three locations. The footage from the Tennessee and Michigan sites provides insight into the complexity of introducing a new technology into the workplace and documents operators and managers discussing the effect of the cutter on workflow, quality, personnel, and attitudes towards the job. The footage from the Connecticut site documents the engineers who developed the cutter and provides valuable insight into the invention process. This collection includes oral history audio tapes, original, master, and reference videos, and notes documenting visits to Bruceton, Tennessee, Grand Rapids, Michigan, and Hartford, Connecticut.
Scope and Contents:
The Gerber Fabric Cutter S-70 is part of a systematic approach to layout and cutting that has revolutionized the needle trades. It applies numerical control to the sizing of patterns and cutting of fabric. The use of this type of equipment made possible a radical change in the make-up of the cutting room workforce. This video history contains original, master, and reference videos, Dictaphone microcassettes, and tape digests and notes documenting the development, operation and use of the Gerber Fabric Cutter S-70 in three locations: H.I.S., Inc., in Bruceton, Tennessee (Chic blue jeans use of cuter); General Motors in Grand Rapids, Michigan (automotive use of the cutter); and Gerber Scientific Instrument Company in Hartford, Connecticut (Gerber corporate office and invention factory). The video footage documents H. Joseph Gerber, engineers, assembly workers, operators, and other technicians who worked with the cutter at the three locations. The footage from the Tennessee and Michigan sites provides insight into the complexity of introducing a new technology into the workplace and documents operators and managers discussing the effect of the cutter on workflow, quality, personnel, and attitudes towards the job. The footage from the Connecticut site documents the engineers who developed the cutter and provides valuable insight into the invention process.

The collection is arranged into five series: Series 1, Notes, 1995-1996; Series 2, Audio tapes (microcassettes), 1996; Series 3, Original videos (BetaCam SP), 1996; Series 4, Master videos (BetaCam SP), 1996; and Series 5, Reference videos 1⁄2" VHS), 1996.

Series 1, Notes, 1995-1996, includes documentation created by Peter Liebhold in preparation for his site visits to Bruceton, Tennessee, Grand Rapids, Michigan, and Hartford, Connecticut. The documentation includes lists of potential interviewees, questions to ask of the employees, and general notes detailing observations at each site. The H. Joseph Gerber interview file consists of a brief tape digest keyed to each of the seven microcassettes, notes from the interview, and the questions asked of Mr. Gerber. The Gerber Scientific Instrument Company file contains a video digest for only three interviews: Ed Roth, Fred Rosen, and Larry Wolfson.

Series 2, Audio tapes (microcassettes), 1995 June, consists of seven Dictaphone microcassettes of oral history interviews with H. Joseph Gerber conducted by Peter Liebhold, Curator, American History Museum and Stanley Leven, Director and Secretary of Gerber Scientific Instrument Company.

Series 3, Original Videos (BetaCam SP), 1996, consists of thirty-eight BetaCam SP video tapes totaling approximately nineteen hours of footage.

Series 4, Master Videos (BetaCam SP), 1996, consists of twenty-six BetaCam SP tapes totaling nineteen hours of footage.

Series 5, Reference videos (1/2" VHS), 1996, consists of twenty-six 1⁄2" VHS tapes for a total of thirteen hours of footage.
Arrangement:
The collection is divided into five series.

Series 1: Notes, 1995-1996

Series 2: Audio tapes (microcassettes), 1995 June

Series 3: Original videos (BetaCam SP), 1996

Series 4: Master videos (BetaCam SP), 1996

Series 5: Reference videos (1/2" VHS), 1996
Biographical / Historical:
Heinz Joseph "Joe" Gerber was born in Vienna, Austria, on April 17, 1924. In 1940, Gerber escaped the Nazis and immigrated to New York City and then to Hartford, Connecticut, with his mother Bertha Gerber, a dressmaker. Gerber's father, Jacob, is presumed to have died in a concentration camp. Gerber attended Weaver High School and graduated in two years (1943). He attended Rensselaer Polytechnic Institute (RPI) in Troy, New York, on a scholarship and earned a bachelor's degree in aeronautical engineering in 1947. As a junior at RPI, Gerber developed the Gerber Variable Scale, his first invention. The earliest version of the variable scale was fashioned from an elastic band removed from a pair of pajamas. Gerber created a rubber rule and scale that could flow with a curve, expand, contract, and turn a corner. The scale allows for direct reading of curves, graphs, and graphical representations, giving direct numerical readings of proportions, spacing and interpolation. The Variable Scale became the building block of what would become Gerber Scientific Instrument, Inc.

With financial assistance from Abraham Koppleman, a newspaper and magazine distributor in Hartford, Gerber and Koppleman formed a partnership and incorporated Gerber Scientific Instrument Company in 1948. Gerber served as president, Koppleman as treasurer, and Stanley Levin as secretary. The manufacture of Variable Scale was jobbed out and the distribution was conducted from Hartford. Gerber also worked as a design analytical engineer for Hamilton Standard Propellers of United Aircraft and for Wright Patterson Air Force Base in Dayton, Ohio. Shares of Gerber Scientific Instrument Company were eventually sold to the public in 1961, and in 1978, the company changed its name to Gerber Scientific, Inc. In the 1960s and 1970s, Gerber developed the first series of precision, computer-driven cutting systems for the apparel industry called the Gerber Cutter. The cutters introduced automation to the garment industry. In 1967, Gerber realized that the U.S. garment industry, due to a lack of automation, was faced with increasing overseas competition. Gerber's solution was to engineer the Gerber Fabric Cutter S-70, a machine that cuts apparel quickly and effectively while using less cloth.

Gerber holds more than 600 United States and foreign patents. Many of his patents relate to the United States apparel industry. In 1994, Gerber was awarded the National Medal of Technology by President Clinton for helping to revolutionize the optical, garment, automotive, and other industries. His pioneering achievements include:

-a generation of data readers (electromechanical devices that converted graphical

-data directly into computer readable format);

-projection systems that interactively converted information from aerial;

-photographs for use in computers;

-devices that plotted digital output data from computer cards or tape;

-digital numerically-controlled drafting machines which verify the accuracy of the cutting path of numerical machine tools;

-a photoplotter (drafting machine configured with a unique light source to directly draw high accuracy layouts of printed circuit board masters on photographic film or glass with light beams);

-and systems with laser technology to draw at high speeds. (1)

Subsequent subsidiaries of Gerber Scientific, Inc., are: Gerber Garment Technology, Inc., (GGT); Gerber Scientific Products, Inc. (GSP); Gerber Systems Corp. (GSC), and Gerber Optical, Inc., (GO). GGT makes computer-controlled cutting and design equipment for apparel, automotive, aerospace and other industries. GSP produces systems for sign-making and graphic arts industries. GSC makes production systems for printing, industrial machinery and other industries. GO makes equipment for the optical-lens manufacturing industry. (2)

In 1954, Gerber married Sonia Kanciper. They had a daughter, Melisa Tina Gerber, and a son, David Jacques Gerber. H. Joseph Gerber died on August 9, 1996, at the age of 72.

Sources

(1) National Medal of Technology, 1994.

(2) W. Joseph Campbell, "High Tech and Low Key as Gerber Scientific Mounts a Recovery Philosophy Reflects Innovative Founder," Hartford Courant, May 16, 1994.
Related Materials:
Materials in the Archives Center

The Gerber Scientific Instrument Company Records, 1911-1998 (AC0929)

Materials in the Division of Work and Industry, National Museum of American History

Early model Gerber variable scale. See accession 1994.3104.01.

Gerber Cutter, Model 70. See accessioon 1995.0229.01.
Provenance:
This collection was created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation with American History Cuartor Peter Liebhold, Division of Work and Industry.
Restrictions:
Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Series 3, Original Videos, 1996, is located off-site; please inquire.
Topic:
Inventors -- 1940-1990  Search this
Machinery -- 1940-1990  Search this
Work -- 1940-1990  Search this
Factories -- 1940-1990  Search this
Fabric cutters -- 1940-1990  Search this
Inventions -- 1920-2000 -- United States  Search this
Industrial factories -- 1940-1990  Search this
Automation -- 1940-1990  Search this
Cutting machines -- 1940-1990 -- North Carolina -- Connecticut -- Michigan  Search this
Computerized instruments -- 1940-1990  Search this
Genre/Form:
Videotapes -- 1990-2000
Citation:
Gerber Fabric Cutter Video Documentation, February 1995-1996, Archives Center, National Museum of American History.
Gerber Fabric Cutter Video Documentation, 1995-1996, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0609
See more items in:
Gerber Fabric Cutter Video Documentation
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0609

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.6: Robinson, Franklin A.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref167
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Newport -- Warren House-Tunnard Garden

Former owner:
Tanner Family  Search this
Gardner, Samuel F.  Search this
Lawton, Robert  Search this
Lawton, Penelope  Search this
Austin, Samuel Reverend  Search this
Henderson, Francis  Search this
Brinley, Fanny S.  Search this
Lawrence, Sallie C.  Search this
Paul, Allen G.  Search this
Paul, Florence S.  Search this
Warren, George  Search this
Warren, Katherine Urquhart  Search this
Preservation Society of Newport County  Search this
Gardener:
Pleitez, Eusebio  Search this
Landscape designer:
Tunnard, Christopher  Search this
Provenance:
Newport Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Warren House-Tunnard Garden (Newport, Rhode Island)
United States of America -- Rhode Island -- Newport -- Newport
Scope and Contents:
The folder includes worksheets, site plans, photocopies of articles.
General:
This Modernist garden was created right after World War II, designed by Christopher Tunnard. It still survives today, perhaps the only existing commissioned landscape design by the man who influenced many of the United States most celebrated postwar architects and landscape architects. At only 65' x 42', the garden has an extreme austerity in design with a hint of luxury in its fountains, thick hedges and sculpture. The plants are cut and trimmed into an ordained shape, and the pattern is designed to be seen from the ground, where its curves interlock and turn back on themselves. Only two kinds of trees are used - lime (Tilia) and arbor vitae (Thuja); and three kinds of permanent plants - ivy (Hedera), box (Buxus) and yew (Taxus). The lime trees will eventually be pleached into an architectural block to throw the ground pattern into even greater contrast. The ivy is in slightly raised mounds, edged in places with small summer flowers. The bedding plants are purple and white petunias with carnations and lemon-yellow thunbergias." The sculpture, 'Chimerical Font,' by Jean Arp, is golden bronze centered on a plinth in a black lacquered rectangular pool. The other pools (two circular, one biomorphic) are shallow and painted white. Of note are the unusual shapes of the pruned boxwoods in the shapes of question marks and semi-colons; the colorful flowers; and the 6th linden along the left and end wall, now covered in Boston ivy, and originally painted white to complete a design that very much relied on strong figure-ground relationship.
Christopher Tunnard (1910-1979) was born in Canada, moved to England in 1929 and received a diploma from the Royal Horticultural Society the following year. The period of the eclectic Arts and Crafts movement (which he characterized as "romantic trivialization" of garden design) prompted him to introduce his Modernist views of landscape design. This approach avoided decoration, sentimentality and classical allusion "in favor of functional minimalist designs that provided a friendly and hospitable milieu for rest and recreation." After 10 years practicing garden and landscape work, he immigrated to America at the invitation of Walter Gropius to teach at Harvard's Graduate School of Design (1938-1943). Following the War, Tunnard taught city planning at Yale, advancing to professor and chairman of this department; he did little garden design from that point forward, making this 1949 garden probably one of his last commissions. For the final thirty years of his life, Tunnard put his energies into urban planning and the preservation of historic buildings; his publications in this area include "Man-made America: Chaos or Control?" (1963) which won the 1964 National Book Award in Science, Philosophy and Religion. It is perhaps ironic that Christopher Tunnard ended up of very much the same sentiment as his American patron, Mrs. George W. (Katherine) Warren, founder of the Preservation Society of Newport County (1945). In "Pioneers of American Landscape Design," (2000), Lance Neckar notes that "by the time of his death, he had come full circle to be identified with conservation-and-preservation-oriented attributes toward city revitalization which were antithetical to the Modern movement" that Tunnard had originally espoused.
Tunnard's patrons, George and Katherine Warren, who purchased the property on Mill Street in 1933, chose a part of Newport that was then considered "the other side of the tracks" by their social set, most of whom resided out on Ocean Drive. In New York, where the couple lived "off season," Katherine Warren collected modern art and was on the Advisory Committee of the Museum of Modern Art. Interesting to note that the garden was commissioned in 1949 and distinguished by its functional, minimalist modern design in sharp contrast with its early Federal-style house. The Warrens also added two glass-enclosed rooms on the first and second floors of their home on the garden side, presumably to enjoy this new garden to its full extent. Mrs. Warren died in 1976, bequeathing her home to the Preservation Society of Newport County, which moved its offices to this location in 1977. While the Preservation Society of Newport County owned the property, the garden was heavily shaded by a large beech tree and had become overgrown. It was maintained as they found it without major renovation. The current owner moved into the Mill Street house in 1994 and restored the Tunnard garden in 2001 and has proven to be a conscientious caretaker of this rare, nationally significant garden.
Persons associated with the garden include Tanner Family (former owners, 1776-1807); Samuel F. Gardner (former owner, 1807-1809); Robert Lawton (former owner, 1809-1810); Penelope Lawton (former owner, 1810-1822); Reverend Samuel Austin (former owner, 1822-1826); Francis Henderson (former owner, 1826-1857); Fanny S. Brinley (former owner, 1857-1863); Sallie C. Lawrence (former owner, 1863-1886); Allen G. Paul (former owner, 1886-1916); Florence S. Paul (former owner, 1916-1932); George and Katherine Warren (former owners, 1932-1977); Preservation Society of Newport County (former owner, 1977-1994); Christopher Tunnard (landscape designer, 1949); Eusebio Pleitez (gardener, 2001- ).
Related Materials:
Warren House-Tunnard Garden related holdings consist of 1 folder (10 digital images)
Additional photographs are also located in the collections of the Preservation Society of Newport County.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Rhode Island -- Newport  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File RI201
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref10575

Melvin Kranzberg Papers

Creator:
Kranzberg, Melvin, Dr., 1917-1995  Search this
Names:
Society for the History of Technology  Search this
Extent:
140 Cubic feet (433 boxes )
Type:
Collection descriptions
Archival materials
Personal papers
Business records
Professional papers
Correspondence
Date:
1934 - 1988
Summary:
Personal papers of Dr. Kranzberg from his undergraduate years at Amherst College through his professional career. Collection documents his involvement with development of the new field of history of technology and his role as principal founder of the Society for the History of Technology (SHOT); work as consultant and advisor to domestic and international agencies, colleges, and universities; personal affiliations, lectureships, publications; and teaching and administrative activities for more than 40 years as a college professor.
Scope and Contents:
This collection consists of 140 cubic feet of material divided into nine series and housed in 359 document boxes. Several subseries remain organized in the original order as they were received. There has been no attempt by the archivist to rearrange them. Some folders did not have folder titles. The archivist has provided titles in those instances, and these folder titles have been put in brackets [] in the Container List. Melvin Kranzberg's personal activities from 1934 through 1968 are arranged chronologically in Series 4: PERSONAL ACTIVITIES, including his early education. Series 8: TEACHING AND ADMINISTRATION is divided into two subseries and is comprised of teaching and administrative files compiled by Dr. Kranzberg during his forty years as a college professor.

Series 2: Correspondence between Kranzberg and numerous colleagues in the U.S. and abroad, 1949-1988. He was actively involved with technically oriented societies, U.S. government agencies, and SHOT. Since he also wrote a textbook and several encyclopedia articles, subjects range from business to academic to personal.

Kranzberg's role as a consultant and advisor is located in Series 1: CONSULTATION AND ADVISEMENT. This series is further divided into nine alphabetically arranged subseries. Kranzberg's many professional affiliations are arranged in Series 5: PROFESSIONAL AFFILIATIONS. This series is comprised of eight alphabetically arranged subseries. Series 2: CORRESPONDENCE is also arranged alphabetically and contains much of Dr. Kranzberg's correspondence during the years 1949 to 1988. He was actively involved with a number of technically oriented societies, United States government agencies, and the Society for the History of Technology. Since he also wrote a textbook and several encyclopedia articles, the subjects represented range from business to academic to personal.

Series 7: RESEARCH SUBJECT FILES is arranged alphabetically and documents nearly forty years of research by Kranzberg on hundreds of diverse topics. The results of some of this research is available in Series 6: PUBLICATIONS, which is divided into eleven subseries and contains manuscripts, research, correspondence, outlines, and reprints of various Kranzberg essays and books. In addition, much of Kranzberg's research results were delivered in a verbal format. Series 3: LECTURESHIPS is divided into three subseries, and not only details lectures and speeches delivered by Melvin Kranzberg, but also those given by his colleagues, and those delivered at the National Endowment for the Humanities Summer Seminars for Professional Journalists, which he organized. Series 9: SPECIAL PROJECTS consists of materials relative to a number of projects of varying importance and duration, such as engineering and human values and ethics in an age of pervasive technology.
Arrangement:
Collection is divided into nine series.

Series 1: Consultation and advisement, 1958-1987

Series 2: Correspondence, 1949-1988

Series 3: Lectureships and speeches, 1951-1988

Series 4: Biographical, 1934-1963

Series 5: Professional affiliations, 1961-1988

Series 6: Publications, 1942-1968

Series 7: Research subject files, 1940-1978

Series 8: Teaching and administration, 1947-1988

Series 9: Special projects, 1951-1980
Historical:
Kranzberg's Six Laws

As reported in the July 1986 Issue of Technology and Culture, Volume 27, Number 3, pages 544-561, Kranzberg's Six Laws are listed as follows in the SHOT Presidential Address.

"These are not laws in the sense of commandments but rather a series of truisms deriving from a longtime immersion in the study of the development of technology and its interactions with sociocultural change." 1.. Technology is neither good nor bad; nor is it neutral.(p.545); 2. Invention is the mother of necessity, (p.548) 3. Technology comes in packages, big and small, (p. 549); 4. Although technology might be a prime element in many public issues, nontechnical factors take precedence in technology-policy decisions, (p. 550); 5. All history is relevant, but the history of technology is the most relevant, (p. 553); 6. Technology is a very human activity—and so is the history of technology, (p. 557); 7."But if ours is truly a man-made world, I claim that mankind can re-make it. And in that remaking process, the history of technology can play a very important role in enabling us to meet the challenges besetting mankind now and in the future."
Biographical:
Melvin Kranzberg (born St. Louis, Mo.) received his A.B. from Amherst College (1938), and his M.A. (1939) and Ph.D. (1942) in modern European history from Harvard University. When World War II commenced, Dr. Kranzberg went, with an Amherst professor, Charles W. Cole, to work at the Office of Price Administration in Washington, D. C. At that same time, he enlisted in the Signal Corps Reserve. Since he was regarded as "educable," he was sent for electronics training at Catholic University, and then to Johns Hopkins for a three-year course in electrical engineering that was crammed into sixteen weeks. Instead of receiving a commission, he was sent to Philco Radio Laboratories in Philadelphia for another three-month crash course, this one in radar.

By the end of his course of study, however, the Signal Corps no longer needed officers and he was put in the infantry. After basic training, he was assigned to the Army's Specialized Training Program. His language skills enabled him to engage in an intensive three-month study of Turkish. Since invasion of Turkey was not likely, he then entered a language program in German. This led to appointment in Military Intelligence, where he was charged with interrogating German POWs, often on the front lines. That assignment lasted from about September 1944 through the Battle of the Bulge, until the German surrender. He received three Battle Stars, a Combat Infantry Badge, and a Bronze Star. He was awarded honorary doctorates of letters (Litt. D.) by New Jersey Institute of Technology and Northern Michigan University, doctorates of engineering (D. Eng.) by Worcester Polytechnic Institute and Colorado School of Mines, and doctorates of humane letters (L.H.D.) by Denison University and Amherst College.

Dr. Kranzberg's major professional contribution has been the establishment of a new field of history: the history of technology. He was the principal founder of the Society for the History of Technology (SHOT), founding editor (1959-81) of its quarterly journal, Technology and Culture, and served as SHOT Secretary (1959-74) and President (1983-84). A cofounder of ICOHTEC (International Committee for the History of Technology, a Scientific Section of the International Union for the History Science [UNESCO], he served as its vice-president from its inception in 1968. When he retired from that post at ICOHTEC'S 17th International Symposium (Hamburg, 1989), he was elected honorary president for life. In 1979-1980 Dr. Kranzberg was national president of Sigma Xi, The Scientific Research Society (120,000 active members in 500 chapters and clubs). Over the years, he has been a Sigma Xi National Lecturer and has served on various committees of the honorary organization. He was Chairman (1966, 1979) of Section L (History and Philosophy of Science) of the American Association for the Advancement of Science (AAAS), and Chairman (1978-81) of the AAAS Committee on Science Engineering, and Public Policy. From 1977-1980, he chaired the Advisory Committees of the Policy Research and Analysis (PRA) and Science Resources Studies (SRS) Divisions of the National Science Foundation (NSF). An original member (1964) of the National Aeronautics and Space Administration's History Advisory Committee (Chairman, 1966-71, 1984-87), he also served on NASA's National Advisory Council (1984-87). In 1989, Dr. Kranzberg was elected to the newly founded Board of the National Association for Science, Technology, and Society (NASTS), an "umbrella organization for educators, scientists, engineers, public policy analysts, public interest groups, media, and individuals interested in the impact of scientific and technological development on society." At its 1992 Annual Technological Literacy Conference, Kranzberg was honored by being the initial recipient of a NASTS Honorary Lifetime Membership.

Other activities include: Vice-President, AAAS (1966); Chairman (1957-58), Humanistic-Social Division, American Society for Engineering Education (ASEEO; Vice-President (1959), Society for French Historical Studies; Trustee (1979-), Charles Babbage Foundation; and Chairman (1972-73), U.S. National Committee of the International Union of the History and Philosophy of Science. He has served on the Technology Assessment Panel of the National Academy of Sciences and the NAS Committee on the Survey of Materials Science and Engineering, The National Research Council's Committee on the Education and Utilization of the Engineer, and various advisory committees of the National Academy of Engineering.

Kranzberg has been a member of the Editorial Advisory Boards of the following journals: Engineering Education; Science, Technology & Human Values; Knowledge in Society; History and Technology; and Research in Philosophy and Technology; and the "Inside Technology" book series of the MIT Press. In 1980, he coordinated the Course-by-Newspaper on "Energy and the Way We Live" with 400 newspapers and was awarded a $10,000 prize by the Academy for Educational Development. He was a TV commentator on the PBS "Connections" series and lectured throughout the world, including USIA tours to India, Southeast Asia, and Africa. He has written or edited: The Siege of Paris, 1870-1871 (1950; reprinted 1970); 1848: A Turning Point? (1959, 14 printings); the two-volume

Technology in Western Civilization (1967; Japanese, 1976; Spanish, 1980); Technology and Culture: an Anthology (1972; Arabic, 1976; Spanish 1980); By the Sweat of Thy Brow: Work in the Western World (1975 [an alternate selection of the Fortune Book Club]; Italian, 1976); Technological Innovation: A Critical Review of Current Knowledge (1978); Energy and the Way We Live (1980); Ethics in an Age of Pervasive Technology (1980); Bridge to the Future: A Centennial Celebration of the Brooklyn Bridge (1984); Technological Education/Technological Style (1986); and Innovation at the Crossroads Between Science and Technology (1989). He is also the author of over 150 articles in encyclopedias, learned journals, and scholarly collections on topics in European history, engineering education, history of technology, science-technology policy, and science-technology-society interactions.

Dr. Kranzberg taught at Harvard, Stevens Institute of Technology, Amherst College, and Case Western Reserve University, where he established the first graduate program in the history of technology at an American university. From 1972 to 1988, he was Callaway Professor of the History of Technology at Georgia Institute of Technology (Georgia Tech). He is a member of the honorary societies Phi Beta Kappa, Sigma Xi, Epsilon Pi Tau, and Phi Kappa Phi. His awards include: Leonardo da Vinci Medal, Society for the History of Technology (1968); Apollo Achievement Award, NASA (1969); Special Research Day Citation, Case Western Reserve University (1970); Special Recognition Award, American Industrial Arts Association (1978); and the Roe Medal, American Society of Mechanical Engineers (1980). Dr. Kranzberg was one of 100 Americans presented the State of Israel's Jabotinsky Centennial Medal (1980) for eminence in the sciences and letters, and was elected (1985) an Honorary Foreign Member of the Czechoslovak Society for the History of Science and Technology, Czechoslovak Academy of Sciences. In 1991, the Liberal Education Division of the American Society for Engineering Education presented him its Olmsted Award for "outstanding contributions to engineering education by bringing the humanities and technology together for the mutual benefit of both." In November 1991, the Society for Social Studies of Science (SSSS) and the Institute for Scientific Information (ISI) presented him the Bernal Award for "outstanding contributions to the social studies of science." At its 1994 meeting in Zaragoza, Spain, the prestigious International Academy of the History of Science elected Dr. Kranzberg to its membership.

The January-September 1976 issue (Vol. 12, Nos. 1-3) of Lex et Scientia (The International Journal of Law and Science) was devoted to Kranzberg's 1975 Mellon Lectures at Lehigh University, and the French Centre de Recherche sur la Culture Technique dedicated its June 1983 (No. 10) issue of Culture Technique to him. In 1985 The Society for the History of Technology and the MIT Press co-published John M. Staudenmaier's, Technology's Storytellers: Reweaving the Human Fabric as a "tribute" to him, and Lehigh University Press published (1989) Stephen H. Cutcliffe and Robert C. Post's, In Context; History and the History of Technology — Essays in Honor of Melvin Kranzbergr containing articles by major historians of technology. When Dr. Kranzberg became emeritus in June 1988, the Georgia Tech Foundation established the Melvin Kranzberg Professorship in the History of Technology. The first occupant of this chair was Dr. Bruce Sinclair, former head of the Institute for the History and Philosophy of Science and Technology at the University of Toronto and a former student of Dr. Kranzberg. Dr. Melvin Kranzberg married tLouise Lester Clark.
Provenance:
Collection donated by Georgia Institute of Technology, through Dr. Melvin Kranzberg, August 24, 1988.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Technology -- Societies, etc. -- 1930-1990  Search this
Educators -- 1930-1990  Search this
Technology -- History -- 1930-1990  Search this
Genre/Form:
Personal papers -- 20th century
Business records -- 20th century
Professional papers -- 20th century
Correspondence -- 1940-1990
Citation:
Melvin Kranzberg Papers, 1934-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0266
See more items in:
Melvin Kranzberg Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0266

Parke, Davis Research Laboratory Records

Collector:
Medical Sciences, Division of (NMAH, SI)  Search this
Medical Sciences, Division of (NMAH, SI)  Search this
Author:
Parke, Davis Company  Search this
Names:
Davis, George S.  Search this
Duffield, Samuel P., Dr. (physician, pharmacist)  Search this
Parke, Harvey  Search this
Extent:
300 Cubic feet (389 boxes, 42 map folders)
Type:
Collection descriptions
Archival materials
Blueprints
Notebooks
Lantern slides
Annual reports
Newsletters
Employee records
Brochures
Date:
1867-1971
Summary:
The collection documents Parke-Davis and Company, one of the most important and oldest pharmaceutical firms in America.
Scope and Contents:
The collection documents Parke, Davis and Company, one of America's oldest and largest drug makers. Parke, Davis had the first research laboratory in the American pharmaceutical industry. The company played a major role in the development of some of the principle new drugs of the twentieth century and pioneered in the field of drug standardization. They were one of the first American firms to produce antitoxins, hormones, and other biologicals. They introduced new and important drugs such as adrenalin, dilantin, chlorenpleniol, and other antibiotics. They also did important research on vitamins, disinfectants, and pencillin.

The collection contains complete documentaion of all the research activities done, including research laboratory notes, correspondence, and published papers. The collection also contains corporate, financial, advertising and sales materials, photographs, and audiovisual materials. The collection is important for those researchers interested in the history of public health, the history of biologicals, pharmaceutical manufacturing and business history.
Arrangement:
Collection is divided into 13 series.

Series 1: Corporate Materials, 1887-1951

Series 2: Financial Materials, 1880-1970

Series 3: Employee/Personnel Materials, 1900-1989

Series 4: Advertising/Sales Materials, 1868-1980

Series 5: Photographs, 1932-1952

Series 6: Notebooks, 1908-1968

Series 7: Control Department Records, 1884-1931

Series 8: Formulas, 1882-1967

Series 9: Equipment Data Files, 1922-1978

Series 10: Publications, 1968-1988

Series 11: Research Materials, 1920-1978

Series 12: Drawings, 1911-1971

Series 13: Addenda, 1867-1970

Series 14: Audio Materials, 1956-1957
Biographical / Historical:
Parke-Davis and Company traces it's origins to Samuel Pearce Duffield (1833-1916), a physician and pharmacist. Duffield was born in Carlisle, Pennsylvania and his family moved to Detroit when he was an infant. Duffield graduated from the University of Michigan in 1854 and he attended medical school at the University of Pennsylvania, latter leaving for Germany where he studied chemistry and sought treatment for his eyesight. He subsequently earned a Doctor of Philosophy from Ludwig University at Giessen in Germany. Duffield returned to Detroit in 1858 and established a retail drugstore with a strong interest in manufacturing pharmaceuticals. Duffield sought financial partners for his retail and manufacturing venture with A.L. Patrick and Francis C. Conant. Both men retracted their investments and Duffield met Hervey Coke Parke (1927-1899), a native of Bloomfield Hills, Michigan.

Duffield and Parke formed a formal partnership in 1866. George S. Davis, a third partner and traveling salesman previously with Farrand, Sheley and Company, was added 1867. Duffield withdrew in 1869. Augustus F. Jennings joined the company as a partner to head manufacturing. The company became known as Duffield, Parke, Davis, & Jennings Company. Duffield withdrew in 1869 and the name Parke, Davis & Company was adopted in 1871. The company incorporated in 1875 and began planning world-wide scientific expeditions to discover new vegetable drugs such as Guarana, Bearsfoot, Eucalyptus Globulus, and Coca. The company first showed a profit in 1876, and the first dividend paid to shareholders in 1878 and dividends paid until mid-1960s. Research was a major activity of the company. Due to a weakening financial position, the company became susceptible to take-over, and was purchased by Warner-Lambert in 1970. Warner Lambert, was then acquired by Pfizer in 2000. In 2007, Pfizer closed its research facilities in Ann Arbor, Michigan.
Related Materials:
Materials in the Archives Center, National Museum of American History

Alka-Seltzer Documentation and Oral History Project (NMAH.AC.0184)

N W Ayer Advertising Agency Records (NMAH.AC.0059)

Cover Girl Advertising Oral History Documentation Project (NMAH.AC.0374)

Garfield and Company Records (NMAH.AC.0820)

Albert W. Hampson Commercial Artwork Collection (NMAH.AC.0561)

Ivory Soap Advertising Collection (NMAH.AC.0791)

Kiehl's Pharmacy Records (NMAH.AC.0819)

Alan and Elaine Levitt Advertisement Collection (NMAH.AC.0303)

Medical Sciences Film Collection (NMAH.AC.0222)

Norwich Eaton Pharmaceutical, Inc. Collection (NMAH.AC.0395)

Procter & Gamble Company Product Packaging Collection (NMAH.AC.0836)

Sterling Drug Company Records (NMAH.AC.772)

Syntex Collection of Pharmaceutical Advertising (NMAH.Ac.0821)

Warshaw Collection of Business Americana Subject Categories: Medicine (NMAH.AC.0060.S01.01.Medicine)

Warshaw Collection of Business Americana Subject Categories: Patent Medicines (NMAH.AC.0060.S01.01.PatentMedicines)

Materials at Other Organizations

Detroit Public Library, Special Collections

Parke, Davis & Company records, 1892-1959

Scrapbook of clippings, 1929-44; Excursions & Announcements, 1892-1902; and company newsletters.

University of California San Francisco

Drug Industry Documents was created by the University of California San Francisco Library in collaboration with faculty members C. Seth Landefeld, MD and Michael Steinman, MD. Originally established to house documents from an off-label marketing lawsuit against Parke-Davis (United States of America ex rel. David Franklin vs. Parke-Davis), the archive has grown to include documents from additional sources illustrating how the pharmaceutical industry, academic journals and institutions, continuing medical education organizations and regulatory/funding agencies operate in ways that are detrimental to public health.
Separated Materials:
Division of Medicine and Science, National Museum of American History

The division holds objects related to Parke, Davis. See accessions: 1978.0882; 1982.0043; 1982.0043; 1984.0351; 1985.0475; 1988.3152; 1991.0415; 1992.3127; 2001.3066; 2012.0165; and 2018.5001.
Provenance:
The initial collection of approximately 185 cubic feet was donated by the Warner-Lambert Company, through Jerry A. Weisbach, Vice-President and President of the Pharmaceutical Research Division, on February 3, 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Pharmaceutical industry -- 1900-1950  Search this
Medical scientists -- 1900-1950  Search this
Drugs -- 1900-1950  Search this
Pharmacology -- 1900-1950  Search this
Photographs  Search this
Genre/Form:
Blueprints -- 20th century
Notebooks -- 1900-1950
Lantern slides -- 1900-1950
Annual reports -- 20th century
Newsletters -- 20th century
Employee records
Brochures -- 20th century
Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0001
See more items in:
Parke, Davis Research Laboratory Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0001
Online Media:

Correspondence

Collection Creator:
Pène Du Bois, Guy , 1884-1958  Search this
Extent:
0.5 Linear feet (Box 1)
Type:
Archival materials
Date:
1908-1958
Scope and Contents:
Correspondence is primarily with Pène Du Bois' family, friends, and business associates. The series includes significant correspondence from fellow art critic Royal Cortissoz; artists Raphael Soyer and Edward Hopper; and writers Samuel Duff McCoy, Lincoln Isham, and Newton Booth Tarkington. The over 180 letters to Lincoln Isham detail Pène Du Bois' daily life, in addition to covering his thoughts on writing, philosophy, politics, and news of his family.

Other correspondents of note include C.W. Kraushaar Art Galleries and Pène Du Bois' son, the children's book illustrator William Pène Du Bois. There are also letters of condolences addressed to Pène Du Bois' daughter, Yvonne McKenney.
Arrangement:
Correspondence is arranged alphabetically by correspondent.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Guy Pène Du Bois papers, circa 1900-1963, bulk 1920-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duboguyp, Series 2
See more items in:
Guy Pène Du Bois papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-duboguyp-ref15

Leon Berkowitz and Ida Fox Berkowitz papers

Creator:
Berkowitz, Leon, 1919-1987  Search this
Names:
Washington Workshop Center for the Arts  Search this
Burton, Scott  Search this
De Kooning, Elaine  Search this
Fox, Ida  Search this
Kern, Helmuth F.  Search this
Okamura, Arthur  Search this
Ulbricht, John, 1926-  Search this
Extent:
3.02 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1900-1986
Summary:
This collection, which measures 3.02 linear feet and dates from circa 1900 to 1986, documents the lives of painter and educator Leon Berkowitz and his first wife, poet Ida Fox Berkowitz, and provides insight into the cultural and artistic climate in 1940s and 1950s Washington D.C. through correspondence, notes, sketches, photographs, printed material, and audio cassettes.
Scope and Content Note:
The collection measures 3.02 linear feet and dates from circa 1900 to 1986. In addition to documenting the artistic development of Leon Berkkowitz and, to a lesser extent, Ida Fox, the collection provides insight into the cultural and artistic climate in Washington D.C. during the 1940s and 1950s.

The collection includes correspondence, primarily between Leon and Ida Fox Berkowitz, notes, sketches, personal photographs, printed material, and a cassette tape. There are notes on Leon Berkowitz's philosophy of painting, reports from a 1940s U.S. Army art therapy project in which he participated, and scattered correspondence, financial records, and promotional materials from the Washington Workshop Center for the Arts and WCFM radio. Also found here are lecture notes and administrative materials relating to Leon's Berkowitz's teaching career, papers he wrote for several education courses, his master's thesis, sporadic business records concerning shipments and sales of paintings and gallery exhibitions, and drafts of catalogs.
Arrangement:
The collection is arranged into nine series:

Series 1: Biographical Material, 1934-circa 1974, undated (box 1, 3 folders)

Series 2: Correspondence, 1931-1985, undated (boxes 1-2, 27 folders)

Series 3: Teaching Files, 1939-1950s, 1985-1986, undated (box 2, 4 folders)

Series 4: Exhibitions, 1944-1985, undated (box 2, 4, 10 folders)

Series 5: Washington Workshop Center for the Arts, 1940s-1950s (boxes 2-3, 14 folders)

Series 6: Other Projects, 1944-1985 (box 3, 4 folders)

Series 7: Notes and Writings, 1940s-1971, undated (box 3, 8 folders)

Series 8: Artwork, circa 1950s, undated (box 3, 5 folders)

Series 9: Photographs, circa 1900-1970s (box 3, 5 folders)

Series 10: Interview on Audio Cassette, [1974?] (box 3, 1 folder)
Biographical Note:
Leon Berkowitz (1911-1987), a painter associated with the Washington Color School, was born in Philadelphia (the 1919 birth date given by Berkowitz in Who's Who in American Art is incorrect). He met and married his first wife, Ida Fox, between 1935 and 1937. Berkowitz received a B.F.A. from the University of Pennsylvania in 1942 and an M.A. from George Washington University in 1948.

From 1943 to 1945, he served as a private in the U.S. Army, participating in a psychiatric program involving art therapy at Camp Lee, Virginia. Berkowitz taught art at Eastern and Western high schools in Washington, D.C. from 1945 to 1956 and taught at Western again in the late 1960s. In 1969 Berkowitz became chairman of the Corcoran School of Art's painting department and taught there until his death.

In 1945, the Berkowitzes founded the Washington Workshop Center for the Arts with Helmuth Kern. The Center, an important part of the city's cultural life during the 1940s and 1950s, offered courses in art, music, theatre and dance. Many of the artists who later became prominent in the Washington Color School taught at the center, including Morris Louis, Ken Noland, Gene Davis, Jacob Kainen and Jack Perlmutter. The center also sponsored a retrospective for Willem de Kooning in 1953. The Berkowitzes and Kern were also active in establishing the shortlived (1949-1953) cooperative radio station WCFM.

The center collapsed in 1956, shortly after the Berkowitzes' departure on a sabbatical painting trip to Spain. They spent much of the next decade abroad, including a two-and-a half year stay in Wales and a visit of several months to Jerusalem. During this period, Berkowitz expanded his interest in light, creating paintings by priming canvases with a white ground, then using multiple layers of thin oil paint washes.

Berkowitz had his first one-man museum show at the Corcoran in 1966. Ida Fox died during the 1970s and Berkowitz then married his second wife, Maureen. He continued to paint and exhibit until his death from cancer in 1987.

Poet Ida Fox (1913-197?) was born in Philadelphia. She married Leon Berkowitz between 1934 and 1937 and moved with him to Washington, D.C. where she attended American University from 1942 to 1945. During World War II she worked as a statistician for the U.S. government. In 1945 she cofounded the Washington Workshop Center for the Arts. Fox became its director in 1947, resigning the position in 1955 to accompany her husband to Spain. She published poetry in several literary and artistic periodicals, including a series, "Painting Thru a Poet's Eye," inspired by works of art. In 1970 she published a collection of poetry, In the Wind: An American Poet in Wales (St. David's, Wales: Antiphon Press, 1970), illustrated by Arthur Okamura.
Related Material:
Also available in the Archives of American Art are two audio cassettes of a transcribed oral history interview with Leon and Ida Fox Berkowitz, June 5, 1979.
Provenance:
Leon Berkowitz donated the papers of his first wife, Ida Fox, in 1987. After his death in 1987, his second wife, Maureen Berkowitz, donated his papers to the Archives of American Art. In addition to these two accessions, one folder of material on Leon Berkowitz was donated in 1979. This material was microfilmed on reel 2786.
Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Art -- Philosophy  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Works of art  Search this
Genre/Form:
Photographs
Citation:
Leon Berkowitz and Ida Fox Berkowitz papers, circa 1900-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.berkleon
See more items in:
Leon Berkowitz and Ida Fox Berkowitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berkleon

Philosophy, Aesthetics, Poetry

Collection Creator:
Ashton, Dore  Search this
Container:
Box 34, Folder 23
Type:
Archival materials
Date:
circa 2002
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1518

(AT HOME) ON ART AND EXPLORATION: ARTIST TALK WITH MICHELLE STUART

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-03-25T00:17:12.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_3e0_ZwW1h_E

Two Great American Collectors of Chinese Ceramics: Morgan and Freer

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2011-08-08T22:26:40.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_CijiYxZh1qQ

Talking Iwasaki Hisaya & Charles Freer with Tōyō Bunko // 岩崎久彌(東洋文庫)とチャールズ・ラング・フリーア(フリーア美術館)

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-01-06T18:15:21.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_jDda4ZITiAc

Panel Discussion: Asian Futurisms

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-01-13T00:50:00.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_o5-F2FGy1mQ

The Art of the Stamp, Maynard Sundman Lecture 2012

Creator:
National Postal Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2013-01-24T20:17:37.000Z
YouTube Category:
Education  Search this
Topic:
Postal service;Letter mail handling;Stamp collecting  Search this
See more by:
SmithsonianNPM
Data Source:
National Postal Museum
YouTube Channel:
SmithsonianNPM
EDAN-URL:
edanmdm:yt_yN2qUzi0E6Y

Design by Hand | Design Talk with Scholten & Bajings

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2018-09-27T18:41:16.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_GREBN2pq4Tc

Inspired: Africa, WPA Art and a Unique Hospital Design

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2013-06-03T22:27:17.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_orbRNNebPE4

The Philosophical Breakfast Club and the Invention of the Scientist (2011) - Dr. Laura J. Snyder

Creator:
Smithsonian Libraries  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2012-06-22T16:21:03.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Library science  Search this
See more by:
SmithsonianLibraries
Data Source:
Smithsonian Libraries
YouTube Channel:
SmithsonianLibraries
EDAN-URL:
edanmdm:yt_UoRE6yIh3Es

Erik Demaine on Anni Albers—Connections: Renwick Gallery

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-06-29T19:06:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_Y2S_-SSwN7I

Buddhist Ekoji - Nen Daiko - Japanese Taiko Drumming

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2013-01-28T15:30:30.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Im2m2iFA9wg

Playbill for A Raisin in the Sun with insert essay ‘Sweet Lorraine'

Published by:
Playbill, American, founded 1884  Search this
Written by:
James Baldwin, American, 1924 - 1987  Search this
Printed by:
Unidentified  Search this
Edited by:
Blake Ross  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Kenny Leon, American, born 1956  Search this
Denzel Washington, American, born 1954  Search this
LaTanya Richardson Jackson, American, born 1949  Search this
Sophie Okonedo, British, born 1968  Search this
Ethel Barrymore Theatre, American, founded 1928  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (2015.64.14.1 Closed): 8 9/16 × 5 3/8 × 3/16 in. (21.7 × 13.7 × 0.5 cm)
H x W x D (2015.64.14.1 Open): 8 9/16 × 10 3/8 × 7/8 in. (21.7 × 26.3 × 2.2 cm)
H x W x D (2015.64.14.2 Closed): 9 × 4 1/4 (22.8 × 10.8 × 0.1 cm)
H x W x D (2015.64.14.2 Open): 9 × 12 5/8 × 1 in. (22.8 × 32 × 2.5 cm)
L x W (2015.64.14.3): 9 1/16 × 4 1/16 in. (23 × 10.3 cm)
Type:
theater programs
Date:
April 2014
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Domestic life  Search this
Drama (Theatre)  Search this
Families  Search this
Poverty  Search this
Race discrimination  Search this
Race relations  Search this
Segregation  Search this
Theatre companies  Search this
Tragedy (Theatre)  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kathleen M. Kendrick
Object number:
2015.64.14.1-.3
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Exhibition:
Taking the Stage
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56bcb8360-0dcf-45bb-baf3-3795638a0ac4
EDAN-URL:
edanmdm:nmaahc_2015.64.14.1-.3
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Rumors and murmurs Martin Beck edited by Matthias Michalka ; concept: Martin Beck ; texts: Vince Aletti [and six others]

Artist:
Beck, Martin 1962-  Search this
Writer of supplementary textual content:
Aletti, Vince  Search this
Editor:
Michalka, Matthias  Search this
Author:
Beck, Martin 1962- Works Selections  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Host institution:
Museum Moderner Kunst (Austria),)  Search this
Subject:
Beck, Martin 1962-  Search this
Physical description:
135 pages illustrations (some color), plans 31 cm
Type:
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Date:
2017
Topic:
Art--Exhibition techniques  Search this
Exhibitions--Design  Search this
Space (Architecture)--Philosophy  Search this
Call number:
N7433.4.B43 R86 2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1087992

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