Modern art : the restoration and techniques of modern paper and paints : the proceedings of a conference jointly organised by UKIC and the Museum of London, May 22nd 1989 / editors: Sheila Fairbrass, Johan Hermans
Restoration and techniques of modern paper and paints
Metal 95 : actes de la conférence internationale sur la conservation des métaux = proceedings of the international conference on metals conservation / editeurs: Ian D. MacLeod, Stéphane L. Pennec, Luc Robbiola ; Semur en Auxois, 25-28 Sept. 1995
Actes de la conférence internationale sur la conservation des métaux
Proceedings of the international conference on metals conservation
International Conference on Metals Conservation (1995 : Semur en Auxois, France) Search this
National Portrait Gallery (Smithsonian Institution) -- Designs and plans Search this
1 Linear foot
5 Items (rolled docs)
Scope and Contents:
Notebooks, card file, architectural plans, elevations, details, drawings, and designs for chairs, desks, cabinets, picture frames, etc. relating to Proetz's renovation of the National Portrait Gallery, Smithsonian Institution. Many of the designs and records pre-dating the renovation were evidently used by Proetz in the renovation.
Included are 7 notebooks, 1948-1955, recording work; ca. 280 photocopies of designs for furniture, fireplaces, lamps, and other accessories; a card file of American architects; and a file of drawings, notes, and photographs relating to work done for the National Portrait Gallery, Washington, D.C.; drawings, ca. 1930-1960, including: architectural plans for the renovation; elevations, details, electrical layouts, and proposed furniture for the homes of Mr. and Mrs. Charles E. Gilbert, Mr. and Mrs. Paul Hexter, and Joshua S. Cospen; and alterations and additions to the home of George D. Widener.
Biographical / Historical:
Architect, interior designer; New York, N.Y. and Washington, D.C. Proetz was a close friend and associate of the Charles Nagel, the first director of the National Portrait Gallery.
Transferred from the National Portrait Gallery 1977-1979.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
National Summit on Emergency Response--Safeguarding Our Cultural Heritage [videorecording] : highlights a leadership conference / video produced for the Getty Conservation Institute by David Griffith, Jane Long, Jane Slate Siena
Safeguarding our cultural hertitage
Highlights from the Summit on Emergency Response
National Summit on Emergency Response: Safeguarding Our Cultural Heritage (1994 : Washington, D.C.) Search this
John Singer Sargent's Triumph of religion at the Boston Public Library : creation and restoration / edited by Narayan Khandekar, Gianfranco Pocobene, Kate Smith ; contributions by Angela Chang ... [et al.]
Papers presented at the Art Conservation Training Programs Conference : April 30, May 1 & 2, 1979, Center for Conservation and Technical Studies, Fogg Art Museum, Harvard University, Cambridge, Massachusetts
Papers presented by trainees at the Art Conservation Training Programs Conference
Art Conservation Training Programs Conference (1979 : Cambridge, Mass.) Search this
Fogg Art Museum Center for Conservation and Technical Studies Search this
4.5 Linear feet ((partially microfilmed on 3 reels))
Scope and Contents:
Correspondence, writings, photographs, art work, subject files, scrapbooks, and printed material.
REELS D211-D213: Ralph Mayer's correspondence is with artists, conservators, museum directors, publishers, art organizations, and others. Notebooks contain data on 19th century canvas makers and dealers of artists' materials. Also included are correspondence and a ledger regarding restoration and conservation of paintings, 1929-1963; files on Columbia University, the National Academy of Design, the Newark Museum, The New York State Department of Commerce, the Whitney Museum of Art, subway murals, and other subjects; and correspondence with the U.S. Department of Commerce regarding standards for paints and pigments. Photographs are of Ralph Mayer's paintings. Correspondents include: George Biddle, Isabel Bishop, Alexander Brook, Charles Burchfield, Richard A. Florsheim, Victor Hammer, Stefan Hirsch, Peter Hurd, Lilian MacKendrick, Kenneth H. Miller, Walter Pach, Abraham Rattner, John Sloan, and David Smith.
Bena Frank Mayer's papers consist of biographical material, clippings, correspondence, exhibition catalogs and announcements, and photographs of her paintings. Two scrapbooks contain printed material, letters, and photographs regarding the Mayers' careers.
UNMICROFILMED: Correspondence includes Ralph Mayer's, 1930-1964, mainly concerning the use of artists' materials, Bena Frank correspondence, 1910-1977, and letters concerning Mayer's book, The Painter's Craft, 1948. Among his correspondents are Josef Albers, Thomas Hart Benton, Isabel Bishop, Georgia O'Keeffe, Walter Pach, Paul Sample, John Sloan, and Frederic Taubes. Subject files are on the Artists' Laboratory, the Art Students League, Gustav Berger, Huntington Hartford, the MacDowell Colony, the National Academy of Design, Diego Rivera murals, subway murals, and other subjects. Writings consist of papers on commercial standards of paint, a typescript of The Painter's Craft, and lecture notes from classes Mayer taught at the Art Students League and Columbia University.
Art work consists of sketchbooks and sketches. Photographs are of the Mayers, their studios, family, friends, and paintings. Printed material includes exhibition catalogs and announcements, brochures, clippings, and posters. There are also six scrapbooks, ca. 1930-1940, containing clippings, photographs, letters received, and printed material.
Biographical / Historical:
Ralph Mayer: conservator, restorer, painter. Died 1979. Bena Frank Mayer: painter. They lived in New York. Ralph Mayer was educated as a chemical engineer, and spent several years working in the manufacture of paints and varnishes. He also studied painting at the Art Students League. His work in conservation and artists' materials led him to found the Artists Technical Research Institute in 1959. Author of The Artists Handbook of Materials and Techniques (1940) and The Painter's Craft (1948), and numerous articles. Taught at Columbia University.
Material on reels D211-D213 was lent for microfilming in 1965 by Ralph Mayer. Portions were subsequently donated along with unmicrofilmed material, 1972-1979, by Ralph and Bena Frank Mayer.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The papers of abstract artist and art conservator Felrath Hines measure 1.3 linear feet and date from 1954 to 2002. The bulk of the papers include project files concerning his work as a conservator. These files may include correspondence; condition and treatment reports; financial records, photographic materials, and printed material. Also found is scattered biographical material, general correspondence, and photographs of conserved works--many of which are unlabeled.
Scope and Contents:
The papers of abstract artist and art conservator Felrath Hines measure 1.3 linear feet and date from 1954 to 2002. The bulk of the papers include project files concerning his work as a conservator. These files may include correspondence, condition and treatment reports, financial records, photographic materials, and printed material. Also found is scattered biographical material, general correspondence, and photographs of conserved works--many of which are unlabeled.
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Felrath Hines (1913-1993) was an African American painter and painting conservator in Washington, DC.
Felrath Hines was born in 1913 in Indianapolis, Indiana. He worked for the Civilian Conservation Corps in the early-1930s and subscribed to art correspondence courses. He did not begin formal art education until 1945 when he enrolled at the Art Institute of Chicago. Hines created abstract landscapes influenced by Cubism, and in the 1960s he was a member of Spiral, a group of Black artists concerned with the role of African American artists in politics and the civil rights movement.
In addition to his personal art career, Hines was a skilled conservator and served as chief conservator at the National Portrait Gallery and the Hirshhorn Museum and Sculpture Garden in Washington, D.C. His clients included the Aluminum Company of America (Alcoa Collection), Fisk University, Museum of Modern Art, Waddell Gallery, and many other institutions and individuals.
Felrath Hines died in 1993 in Silver Spring, Maryland.
Dorothy Fisher donated her late husband's papers to the Archives of American Art in 2002.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
National Museum of Natural History (U.S.). Department of Anthropology Search this
Smithsonian Institution. Department of Anthropology Search this
Smithsonian Institution. United States National Museum. Department of Anthropology Search this
330.25 Linear feet (519 boxes)
Some materials are held off-site; this will be indicated at the series or sub-series level. Advanced notice must be given to view these portions of the collection.
The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.
Scope and Contents:
The Department of Anthropology records contain correspondence, manuscripts, photographs, memoranda, invoices, meeting minutes, fiscal records, annual reports, grant applications, personnel records, receipts, and forms. The topics covered in the materials include collections, exhibits, staff, conservation, acquisitions, loans, storage and office space, administration, operations, research, budgets, security, office procedures, and funding. The materials were created by members of the Section of Ethnology of the Smithsonian Institution, the Division of Anthropology of the United States National Museum, the Office of Anthropology of the National Museum of Natural History, and the Department of Anthropology of the National Museum of Natural History and range in date from before the founding of the Smithsonian Institution to today. The Department of Anthropology records also contain some materials related to the Bureau of American Ethnology, such as documents from the River Basin Surveys.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
This collection is arranged in 28 series: (1) Correspondence, 1902-1908, 1961-1992; (2) Alpha-Subject File, 1828-1963; (3) Alpha-Subject File, 1961-1975; (4) Smithsonian Office of Anthropology Subject Files, 1967-1968; (5) River Basin Survey Files, 1965-1969; (6) Research Statements, Proposals, and Awards, 1961-1977 (bulk 1966-1973); (7) Publication File, 1960-1975; (8) Memoranda and Lists Concerning Condemnations, 1910-1965; (9) Notebook on Special Exhibits, 1951-1952 (10) Section on Animal Industry; (11) Administrative Records, 1891-1974; (12) Administrative Records, 1965-1994 (bulk 1975-1988); (13) Fiscal Records, 1904-1986; (14) Annual Reports, 1920-1983; (15) Chairman's Office Files, 1987-1993; (16) Division of Archaeology, 1828-1965; (17) Division of Ethnology, 1840s, 1860-1972, 1997; (18) Division of Physical Anthropology; (19) Division of Cultural Anthropology, 1920-1968; (20) Records of the Anthropological Laboratory/Anthropology Conservation and Restoration Laboratory, 1939-1973; (21) Collections Management, 1965-1985; (22) Photographs of Specimens and Other Subjects (Processing Laboratory Photographs), 1880s-1950s; (23) Exhibit Labels, Specimen Labels, Catalog Cards, and Miscellaneous Documents, circa 1870-1950; (24) Antiquities Act Permits, 1904-1986; (25) Ancient Technology Program, circa 1966-1981; (26) Urgent Anthropology; (27) Records of the Handbook of North American Indians; (28) Personnel; (29) Repatriation Office, 1991-1994
The Smithsonian Institution was founded in 1846. Although there was no department of anthropology until the creation of the Section of Ethnology in 1879, anthropological materials were part of the Smithsonian's collection from its foundation. The Section of Ethnology was created to care for the rapidly growing collection. In 1881, the United States National Museum was established. Soon thereafter, in 1883, it was broken up into divisions, including the Division of Anthropology. In 1904, Physical Anthropology was added to the Division.
The Bureau of American Ethnology (BAE) was created in 1879 as a research unit of the Smithsonian, separating research from collections care. However, during the 1950s, research became a higher priority for the Department of Anthropology and, in 1965, the BAE was merged with the Department of Anthropology to create the Office of Anthropology, and the BAE's archives became the National Anthropological Archives (NAA).
In 1967, the United States National Museum was broken up into three separate museums: the Musuem of History and Technology (now the National Museum of American History), the National Museum of American Art, and the National Museum of Natural History (NMNH). The Office of Anthropology was included in NMNH and was renamed the Department of Anthropology in 1968.
New divisions were added to the Department, including the Human Studies Film Archives (HSFA) in 1981, the Research Institute on Immigration and Ethnic Studies (RIIES) in 1982, and the Repatriation Office in 1993. In 1983, the Smithsonian opened the Museum Support Center (MSC) in Suitland, Maryland, as offsite housing for collections with specialized storage facilities and conservation labs.
The Department of Anthropology is currently the largest department within NMNH. It has three curatorial divisions (Ethnology, Archaeology, and Biological Anthropology) and its staff includes curators, research assistants, program staff, collections specialists, archivists, repatriation tribal liaisons, and administrative specialists. It has a number of outreach and research arms, including the Repatriation Office, Recovering Voices, Human Origins, and the Arctic Studies Center.
The Museum is home to one of the world's largest anthropology collections, with over three million specimens in archaeology, ethnology, and human skeletal biology. The NAA is the Smithsonian's oldest archival repository, with materials that reflect over 150 years of anthropological collecting and fieldwork. The HSFA is the only North American archive devoted exclusively to the collection and preservation of anthropological film and video.
National Museum of Natural History. "Department of Anthropology: About" Accessed April 13, 2020. https://naturalhistory.si.edu/research/anthropology/about
National Museum of Natural History. "History of Anthropology at the Smithsonian." Accessed April 13, 2020. https://naturalhistory.si.edu/sites/default/files/media/file/history-anthropology-si.pdf
National Museum of Natural History. "History of the Smithsonian Combined Catalog." Accessed April 13, 2020 https://sirismm.si.edu/siris/sihistory.htm
1846 -- The Smithsonian Institution is founded
1879 -- George Catlin bequeaths his collection to the Smithsonian The Section of Ethnology is established to oversee ethnological and archaeological collections The Bureau of Ethnology is established by Congress as a research unit of the Smithsonian
1881 -- The U.S. National Museum (USNM) is established as a separate entity within the Smithsonian Institution
1883 -- The staff and collections of the USNM are reorganized into divisions, including a Division of Anthropology
1897 -- The United States National Museum is reorganized into three departments: Anthropology headed by W. H. Holmes; Biology with F. W. True as head; and Geology with G. P. Merrill in charge The Bureau of Ethnology is renamed the Bureau of American Ethnology (BAE) to emphasize the geographic limit of its interests
1903 -- The Division of Physical Anthropology established
1904 -- The Division of Physical Anthropology is incorporated into the Division of Anthropology
1910 -- The USNM moves into the new Natural History Building
1965 -- The Smithsonian Office of Anthropology is created on February 1 The BAE is eliminated and merged with the Office of Anthropology
1968 -- The Smithsonian Office of Anthropology (SOA) of the National Museum of Natural History is retitled the Department of Anthropology on October 29
1973 -- The Research Institute on Immigration and Ethnic Studies (RIIES) is established at the National Museum of Natural History's (NMNH) Center for the Study of Man (CSM) to study the waves of immigration to the United States and its overseas outposts that began in the 1960's
1975 -- The National Anthropological Film Center is established
1981 -- The National Anthropological Film Center is incorporated into the Department of Anthropology
1982 -- The RIIES, part of the CSM at the NMNH, is transferred to the Department of Anthropology
1991 -- NMNH establishes a Repatriation Office
1993 -- The Repatriation Office is incorporated into the Department of Anthropology
Head Curators and Department Chairs
1897-1902 -- William Henry Holmes
1902-1903 -- Otis T. Mason (acting)
1904-1908 -- Otis T. Mason
1908-1909 -- Walter Hough (acting)
1910-1920 -- William Henry Holmes
1920-1923 -- Walter Hough (acting)
1923-1935 -- Walter Hough
1935-1960 -- Frank M. Setzler
1960-1962 -- T. Dale Stewart
1963-1965 -- Waldo R. Wedel
1965-1967 -- Richard Woodbury
1967-1970 -- Saul H. Riesenberg
1970-1975 -- Clifford Evans
1975-1980 -- William W. Fitzhugh
1980-1985 -- Douglas H. Ubelaker
1985-1988 -- Adrienne L. Kaeppler
1988-1992 -- Donald J. Ortner
1992-1999 -- Dennis Stanford
1999-2002 -- Carolyn L. Rose
2002-2005 -- William W. Fitzhugh
2005-2010 -- J. Daniel Rogers
2010-2014 -- Mary Jo Arnoldi
2014-2018 -- Torbin Rick
2018- -- Igor Krupnik
The NAA holds collections of former head curators and department chairs, including the papers of Otis Tufton Mason, Walter Hough, T. Dale Stewart, Waldo Rudolph and Mildred Mott Wedel, Saul H. Riesenberg, Clifford Evans, and Donald J. Ortner; the photographs of Frank Maryl Setzler; and the Richard B. Woodbury collection of drawings of human and animal figures.
Other related collections at the NAA include the papers of Gordon D. Gibson, Eugene I. Knez, and Betty J. Meggers and Clifford Evans; and the records of the Bureau of American Ethnology, the Center for the Study of Man, and the River Basin Surveys.
This collection was transferred to the National Anthropological Archives (NAA) by the National Museum of Natural History's Department of Anthropology in multiple accessions.
Some materials are restricted.
Access to the Department of Anthropology records requires an appointment.
Pennsylvania Academy of the Fine Arts -- Faculty Search this
110 Pages (Transcript)
1991 July 18
Scope and Contents:
An interview of Louis Sloan conducted 1991 July 18, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Sloan discusses his background; early art training at the Fleisher Art Memorial; attending the Pennsylvania Academy of the Fine Arts; his instructors including Hobson Pittman and Francis Speight; fellow students including Roy Saunders and Elizabeth Osborne; difficulties he encountered as an African American artist; traveling to Europe on a Cresson fellowship and traveling the United States on a Guggenheim fellowship; teaching at the PAFA and changes in the school; working as an assistant to conservator Ted Siegel at the PAFA and the Philadelphia Museum of Art; the development of his art; subject matter; being a landscape painter; and exhibitions and sales of his work.
Biographical / Historical:
Louis Sloan (1932- ) is a painter from Philadelphia, Pennsylvania.
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 53 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.