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E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance Coleman, 1905-2002  Search this
Subject:
Rutledge, Anna Wells  Search this
Simper, Fred  Search this
McDermott, John Francis  Search this
Speck, Walter  Search this
Stevens, William B.  Search this
Fredericks, Marshall M.  Search this
Castano, Giovanni  Search this
Soria, Regina  Search this
Lynes, Russell  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Hardy, Jeremiah Pearson  Search this
Pleasants, J. Hall (Jacob Hall)  Search this
Garrison, Eve Josephson  Search this
Bishop, Isabel  Search this
Allston, Washington  Search this
Woolfenden, William E. (William Edward)  Search this
Ripley, Sidney Dillon  Search this
Morse, John D.  Search this
Watkins, Franklin Chenault  Search this
Lewis, W. S. (Wilmarth Sheldon)  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
Kuniyoshi, Yasuo  Search this
Bostick, William A.  Search this
Jungwirth, Irene G. (Irene Gayas)  Search this
Oliver, Andrew  Search this
Simpson, Corelli C. W.  Search this
Andrews, Wayne  Search this
Valentiner, Wilhelm Reinhold  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Sellers, Charles Coleman  Search this
Heil, Walter  Search this
Lee-Smith, Hughie  Search this
Bouché, Louis  Search this
Moser, Liselotte  Search this
Flexner, James Thomas  Search this
Vose, Robert C. (Robert Churchill)  Search this
Cohn, Harold  Search this
Aram, Siegfried F.  Search this
Mast, Gerald  Search this
Krentzin, Earl  Search this
Groce, George C.  Search this
Peale, Charles Willson  Search this
Culver, Charles B. (Charles Beach)  Search this
Wedda, John  Search this
Boyd, Julian P. (Julian Parks)  Search this
O'Keeffe, Georgia  Search this
Wyeth, Andrew  Search this
Hopper, Edward  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rockefeller, John D.  Search this
Copeland, Lammot du Pont  Search this
Freeman, Michael W.  Search this
Allen, Joseph  Search this
Peale family  Search this
Castano Galleries (Boston, Mass.)  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
Archives of American Art  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
White House (Washington, D.C.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Type:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Online Media:

E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Michigan -- Detroit  Search this
Art historians -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f0a154af-52ef-402b-b06d-60a290eec749
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

Carl Zigrosser papers

Topic:
Modern school magazine
Creator:
Zigrosser, Carl, 1891-  Search this
Names:
American Artists Group  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Art in America  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Arms, John Taylor, 1887-1953  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Boyd, E., 1903-1974  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Castellón, Federico, 1914-1971  Search this
Colker, Ed, 1927-  Search this
Cook, Howard Norton, 1901-1980  Search this
Dehn, Adolf, 1895-1968  Search this
Durieux, Caroline, 1896-1989  Search this
Dwight, Mabel, 1876-1955  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Girard, André  Search this
Hayter, Stanley William, 1901-1988  Search this
Hopper, Edward, 1882-1967  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kent, Rockwell, 1882-1971  Search this
Keppel, Frederick, 1845-1912  Search this
Kimball, Fiske, 1888-1955  Search this
Kohn, Misch, 1916-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lankes, Julius J., 1884-1960  Search this
Lasansky, Mauricio, 1914-  Search this
Mauzey, Merritt, 1898-  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert), 1907-  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy, 1905-1997  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Rivera, Diego, 1886-1957  Search this
Ronnebeck, Arnold, 1885-1947  Search this
Rose, Ruth Starr, 1887-1965  Search this
Rosenwald, Lessing J. (Lessing Julius), 1891-1979  Search this
Ruellan, Andrée, 1905-2006  Search this
Schniewind, Carl Oscar, 1900-1957  Search this
Seidenberg, Roderick, 1889-1973  Search this
Spratling, William, 1900-1967  Search this
Spruance, Benton, 1904-1967  Search this
Sternberg, Harry, 1904-2001  Search this
Stieglitz, Alfred, 1864-1946  Search this
Teng, Kuei  Search this
Valentin, Curt, 1902-1954  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Weston, Edward, 1886-1958  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
30 Linear feet ((on 63 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1891-1971
Scope and Contents:
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
Included are: correspondence with family and with over 900 printmakers, painters, sculptors, acquaintances, friends, associates, organizations, museums, publishers, and magazines; general correspondence, notes, clippings, and manuscripts pertaining to The Modern School Magazine; files of correspondence from Zigrosser's work at: the Philadelphia Museum of Art, 1932-1971; John Simon Guggenheim Memorial Foundation; Solomon R. Guggenheim Foundation and Museum, 1946-1971, including correspondence with Frank Lloyd Wright concerning the Guggenheim Memorial Museum; Print Council of America, 1954-1971, regarding exhibitions, council meetings and other matters; and the Tamarind Workshop, 1960-1971.
Of particular interest is material relating to the 1913 Armory Show, including Zigrosser's annotated catalog, notes and sketches. Also included are speeches and notes, 1930-1968; manuscripts for lectures and unpublished materials; memorabilia; a photo album of sculpture by John B. Flannagan; art work, including prints and drawings by Karig Nalbandian, prints by Rockwell Kent, and oversized works of art on paper by Mabel Dwight, Wanda Gag and Kent; family photograph album; journals and pamphlets (covers only); and diaries, 1916-1971, discussing personal and professional events such as art openings, conversations and activities with Rockwell Kent, Alfred Stieglitz, and Georgia O'Keeffe, among others.
Among the correspondents are: the American Artists Group, John Taylor Arms, Art in America magazine, Art Institute of Chicago, Alfred Barr, E. Boyd, Charles Burchfield, Alexander Calder, Fitz Roy Carrington, Federico Castellon, Ed Colker, Howard N. Cook, Crown Publishers, Adolf Dehn, Caroline Durieux, John Bernard Flannagan, Andre Girard, Stanley William Hayter, Edward Hopper, Victoria Hutson Huntley, Independent Citizens Committee for the Arts, Sciences and Professions, R. Sturgis Ingersoll, Frederick Keppel, Rockwell Kent, Fiske Kimball, Misch Kohn, Yasuo Kuniyoshi, Julius Lankes, Mauricico Lasansky, Merritt Mauzey, Kneeland McNulty, James A. Michener, Marian Mitchell,
Museum of Non-Objective Painting (Solomon R. Guggenheim Museum), Karnig Nalbandian, Dorothy Norman, Georgia O'Keeffe, Walter Pach, Harold Paris, Print Club (Philadelphia), Diego Rivera, Ruth Starr Rose, Arnold Ronnebeck, Lessing J. Rosenwald, Andre Ruellan, Carl Oscar Schniewind, Roderick Seidenberg, William Spratling, Benton Spruance, Alfred Stieglitz, Harry Sternberg, Tamarind Lithography Workshop, Kuei Teng, U.S. Office of War Information, Curt Valentin, Heinz Warneke, Edward Weston, Weyhe Gallery, Whitney Museum of American Art, Harry Wickey, and Adja Yunkers.
Biographical / Historical:
Print curator; Philadelphia, Pa.; d. 1975. Graduated Columbia University in literature. Worked with prints in New York City at Keppel and Co. and Weyhe Gallery; print curator at Philadelphia Museum of Art 1940-1963; author of books on prints and art works.
Provenance:
Lent for microfilming, 1991, by the University of Pennsylvania Special Collections Department, Van Pelt Library. Zigrosser donated the papers to the University in 1972. Portions of the papers not microfilmed include research files, manuscript materials for published work, family records, and journals.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Curator of Manuscripts, Rare Book & Manuscript Library, University of Pennsylvania. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Printmakers -- United States  Search this
Museum curators -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Prints -- societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Identifier:
AAA.zigrcarl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c88ba1db-1061-48d2-bae9-77dd7e7f65c5
EDAN-URL:
ead_collection:sova-aaa-zigrcarl

Carl Zigrosser papers, 1891-1971

Creator:
Zigrosser, Carl, 1891-1975  Search this
Subject:
Arms, John Taylor  Search this
Barr, Alfred H., Jr.  Search this
Boyd, E.  Search this
Burchfield, Charles Ephraim  Search this
Calder, Alexander  Search this
Carrington, Fitz Roy  Search this
Castellón, Federico  Search this
Colker, Ed  Search this
Cook, Howard Norton  Search this
Dehn, Adolf  Search this
Durieux, Caroline  Search this
Dwight, Mabel  Search this
Flannagan, John Bernard  Search this
Girard, André  Search this
Hayter, Stanley William  Search this
Hopper, Edward  Search this
Huntley, Victoria Hutson  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Kent, Rockwell  Search this
Keppel, Frederick  Search this
Kimball, Fiske  Search this
Kohn, Misch  Search this
Kuniyoshi, Yasuo  Search this
Lankes, Julius J.  Search this
Lasansky, Mauricio  Search this
Mauzey, Merritt  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert)  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy  Search this
O'Keeffe, Georgia  Search this
Pach, Walter  Search this
Rivera, Diego  Search this
Ronnebeck, Arnold  Search this
Rose, Ruth Starr  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Ruellan, Andrée  Search this
Schniewind, Carl Oscar  Search this
Seidenberg, Roderick  Search this
Spratling, William  Search this
Spruance, Benton  Search this
Sternberg, Harry  Search this
Stieglitz, Alfred  Search this
Teng, Kuei  Search this
Valentin, Curt  Search this
Warneke, Heinz (Heinrich)  Search this
Weston, Edward  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd  Search this
Yunkers, Adja  Search this
Art in America  Search this
American Artists Group  Search this
Art Institute of Chicago  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Armory Show (1913: New York, N.Y.)  Search this
Topic:
Modern school magazine  Search this
Art, American  Search this
Prints -- Societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10859
(DSI-AAA_SIRISBib)214612
AAA_collcode_zigrcarl
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214612

Joseph Sill selected diaries, 1832-1854

Creator:
Sill, Joseph, 1801-1854  Search this
Subject:
Audubon, John James  Search this
Audubon, Victor Gifford  Search this
Carey, Edward L.  Search this
Furness, William Henry  Search this
Hubard, William James  Search this
Huntington, Daniel  Search this
Lambdin, James Reid  Search this
Leutze, Emanuel  Search this
Morse, Samuel Finley Breese  Search this
Neagle, John  Search this
Page, William  Search this
Rothermel, Peter Frederick  Search this
Sartain, John  Search this
Saunders, George Lethbridge  Search this
Shaw, Joshua  Search this
Sully, Thomas  Search this
Watmough, Edward  Search this
Waugh, Samuel Bell  Search this
Weber, Paul  Search this
Weir, Robert Walter  Search this
Winner, W. E. (William E)  Search this
Artists' Fund Society  Search this
Art-Union of Philadelphia  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Topic:
Art, American -- Pennsylvania -- Philadelphia  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia -- Diaries  Search this
Theme:
Diaries  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)13482
(DSI-AAA_SIRISBib)214638
AAA_collcode_silljose
Theme:
Diaries
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214638

Anna Warren Ingersoll papers, 1910-1966

Creator:
Ingersoll, Anna Warren, 1887-1980  Search this
Subject:
Watkins, Franklin Chenault  Search this
Topic:
Art -- Collectors and collecting  Search this
Women artists  Search this
Women painters  Search this
Women arts administrators  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10158
(DSI-AAA_SIRISBib)213141
AAA_collcode_ingeanna
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213141

Henry Gilpin papers, 1853-1854

Creator:
Gilpin, Henry D. (Henry Dilworth), 1801-1860  Search this
Topic:
Art -- Collectors and collecting  Search this
Theme:
Diaries  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)10776
(DSI-AAA_SIRISBib)214400
AAA_collcode_gilphenr
Theme:
Diaries
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214400

Christian Brinton papers, 1874-1967

Creator:
Brinton, Christian, 1870-1942  Search this
Subject:
Chester County Art Association (Chester County, Pa.)  Search this
Topic:
Art criticism -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Study and teaching -- United States  Search this
Art -- Collectors and collecting  Search this
Curators -- United States  Search this
Theme:
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10159
(DSI-AAA_SIRISBib)213142
AAA_collcode_brinchri
Theme:
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213142

George Grey Barnard papers, circa 1860-1969, bulk 1880-1938

Creator:
Barnard, George Grey, 1863-1938  Search this
Type:
Notebooks
Diaries
Photographs
Sketches
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Art, Medieval  Search this
Sculptors -- New York (State)  Search this
Sculpture, American  Search this
Art dealers -- New York (State)  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)9735
(DSI-AAA_SIRISBib)212035
AAA_collcode_barngeor
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212035
Online Media:

George Grey Barnard papers

Creator:
Barnard, George Grey, 1863-1938  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Diaries
Photographs
Sketches
Date:
circa 1860-1969
bulk 1880-1938
Summary:
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 12 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
Scope and Contents note:
The papers of New York sculptor, collector, and dealer George Grey Barnard measure 12 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.
Arrangement note:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, circa 1888-1955 (Boxes 1 and 15; 0.25 linear feet)

Series 2: Correspondence, 1896-1965 (Box 1; 0.7 linear feet)

Series 3: Diaries and Daily Journals, 1900-1938 (Boxes 1-2; 1.0 linear feet)

Series 4: Writings and Notes, circa 1881-1963 (Boxes 2-4; 1.6 linear feet)

Series 5: Medieval Art and Collections, circa 1905-1958 (Boxes 4, 15 and OV 17; 0.9 linear feet)

Series 6: Business Records, circa 1900-1938 (Boxes 4-5; 0.9 linear feet)

Series 7: Financial Records, circa 1920-1941 (Boxes 5-7; 1.3 linear feet)

Series 8: Printed Materials, circa 1890-1969 (Boxes 7-8, 15-16 and BVs 25-26; 1.5 linear feet)

Series 9: Photographs, circa 1860-1963 (Boxes 8-13, 15, and OV 17-24; 4.5 linear feet)

Series 10: Artwork, circa 1880-1938 (Boxes 11, 14, 16 and OV 17; 0.5 linear feet)
Biographical/Historical note:
George Grey Barnard (1863-1938) was an American sculptor, collector, and dealer, whose collection of medieval art formed the nucleus of the Cloisters, the branch of the Metropolitan Museum of Art dedicated to the art of the middle ages. Barnard was born to a Presbyterian minister and his wife in Bellefonte, Pennsylvania in 1863. While he was still a young boy, the family left Pennsylvania for the Midwest, eventually settling in Muscatine, Iowa. He married Edna Monroe in 1895 and had three children: Monroe, Vivia, and Barbara.

Barnard began studying sculpture in his late teens, first with Leonard Volk, then at the Art Institute of Chicago, where he studied from 1882 until he left for Paris the following year. In Paris he received training from Pierre-Jules Cavelier at the Ecole des Beaux-Arts. In 1900 he earned a gold medal at the Salon of the Champs de Mars in Paris.

While in France, Bernard began scavenging the countryside for discarded medieval antiques. He was in debt most of his life, and sold these pieces to support his family and fund his work. He retained the best finds which eventually formed his two medieval collections. The first was the Cloisters, which he sold to John D. Rockefeller Jr. in 1925. The second was the Abbaye, which he completed in 1937. This collection was sold by his estate to the Philadelphia Museum of Art in 1945.

Returning to America, he completed both public and private commissions. In 1902, he was commissioned to create sculptures for the new state capitol building in Harrisburg, Pennsylvania. In 1915, he was commissioned by Charles P. Taft to create an Abraham Lincoln statue for Cincinnati. The statue was erected in 1917 and portrayed Lincoln as gangly, frail, and emotional. A second casting was to be given to Westminster Abbey, but controversy over this representation eventually led to its transfer to Manchester.

George Grey Barnard was deeply affected by the devastation of World War I. He devoted the rest of his life to building a memorial to peace, called the Rainbow Arch. It would have been dedicated to the Mothers of America and paid for solely from his own funds and coins contributed by children. Although he spent all his resources on the arch, he only completed a plaster model before his death. George Grey Barnard died of a heart attack in 1938.
Related Archival Materials note:
Additional George Grey Barnard papers are available at the Philadelphia Museum of Art.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 3658-3664) including correspondence, exhibition files, and sketches. Originals of microfilmed items can be found at the Philadelphia Museum of Art. This material has not been described in the collection container inventory.
Provenance:
The bulk of the George Grey Barnard papers were transferred from the Smithsonian American Art Museum (formerly the National Collection of Fine Arts) in 1975 and 2003, where the artist's son, Monroe Barnard, had given it in 1970. In 1971, Monroe donated the Archives of American Art additional papers, the Pennsylvania State University Archives gave more material in 1976, and the Philadelphia Museum of Art loaned 4.0 linear feet of material for microfilming in 1985.
Restrictions:
Use of original papers requires an appointment.
Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- New York (State)  Search this
Art, Medieval  Search this
Sculptors -- New York (State)  Search this
Sculpture, American  Search this
Art dealers -- New York (State)  Search this
Genre/Form:
Notebooks
Diaries
Photographs
Sketches
Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barngeor
See more items in:
George Grey Barnard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barngeor
Online Media:

Charles M. Kurtz papers

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Names:
Albright Art Gallery (Buffalo, N.Y.)  Search this
American Art Association  Search this
Buffalo Fine Arts Academy  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Saint Louis Exposition and Music Hall Association (1883-1902 : Saint Louis, Mo.)  Search this
Southern Exposition (1885 : Louisville, Ky.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Starkweather family  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Avery, Samuel Putnam, 1822-1904  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Hallowell, Sara  Search this
Hambidge, Jay, 1867-1924  Search this
Hasbrouck, Du Bois Fenelon, b.1860  Search this
Irwin, Benoni, 1840-1896  Search this
Ives, Halsey Cooley, 1847-1911  Search this
Kurtz, Davis Brook Kurtz, 1826-1906  Search this
Kurtz, Julia Stephenson  Search this
Reid, Alexander  Search this
Rhodes, Charles Ward, d. 1905  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Sedelmeyer, Charles  Search this
Thum, Patty P., 1853-1926  Search this
Wanamaker, John, 1838-1922  Search this
Wickenden, Robert J.  Search this
Photographer:
Pluschow, Guglielmo  Search this
Extent:
27.74 Linear feet
Type:
Collection descriptions
Archival materials
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Date:
1843-1990
bulk 1884-1909
Summary:
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Scope and Content Note:
The Charles M. Kurtz papers measure 27.74 linear feet and date from 1843 to 1990 with the bulk of the material dating from 1884 to 1909. The bulk of the collection consists of chronological correspondence between Kurtz and his family, most notably his wife, friends, colleagues, and business associates. Kurtz's letters are amazingly detailed and document many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. The letters between Kurtz and his wife are most interesting for their descriptive commentary on late 19th century life and offer a complete picture of Kurtz's activities. Many of Kurtz's letters to Halsey C. Ives can be found in the Halsey C. Ives Papers. Some of the letters in the collection are illustrated. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Arrangement:
The collection is organized into twelve series.

Missing Title

Series 1: Biographical Information, 1885-1931, undated

Series 2: Correspondence, 1843-1940, undated

Series 3: Circulars/Requests for Submissions of Works of Art, 1886-1905

Series 4: Legal Records, 1881-1928

Series 5: Financial Records, 1870-1989, undated

Series 6: Diaries, 1894-1901

Series 7: Notes and Writings, 1872-1980, undated

Series 8: Scrapbooks, 1878-1909

Series 9: Printed Material, 1873-1990, undated

Series 10: Photographs, 1898-1990

Series 11: Photographs of Works of Art, undated

Series 12: Miscellany, undated
Biographical Note:
Charles M. Kurtz's name is known to many scholars and students of American art history. To some he is important for his critical writings, others are interested in his management of exhibitions for the Art Union and the American Art Association. Many are aware of him because of his publication of National Academy Notes, which continued for nine years. Still others are familiar with Kurtz in his role as an art administrator for late 19th century art exhibitions like those at the 1893 Columbian Exposition in Chicago and the St. Louis Fair, or for his accomplishments as the first director of the Albright Gallery in Buffalo, New York. Sometimes researchers have become familiar with his name through the sale catalogue for his considerable collection, which was sold at auction after his death in 1909. His career, which encompassed the last quarter of the nineteenth century and the first decade of the twentieth century, touched on virtually every aspect of art in America during that period.

Born in 1853 to Davis Brook Kurtz (1826-1906), an attorney, and Julia Wilder, Charles Kurtz enjoyed a genteel upbringing. The Kurtz family originated in Darmstadt, Germany, and migrated to America in the eighteenth century. D.B. Kurtz, a leading member of the Lawrence County bar, was also a vice-president of the National Bank of Lawrence County, Pennsylvania. As a local representative of many important railroad and business interests, he accumulated assets estimated at one million dollars by the time of his death, just three years before that of his son, Charles, the eldest of his five children. Unlike his brothers Louis, who also became an attorney, and Edward, a professor at Columbia University, Charles eschewed a professional career to enter the art world, as did his sisters Emily, an artist, and Catherine, a musician.

After his graduation from Washington and Jefferson College in Washington, Pennsylvania, Kurtz visited the Centennial Exposition, held in 1876 in Philadelphia, before coming to New York to study art at the National Academy of Design. These two activities foreshadowed the direction that his career would eventually take. As the chronology indicates, his early efforts revolve around writing for a variety of publications, most notably, his own National Academy Notes. In 1881 he took what was to be the first of many trips abroad to survey the art scene in Europe. Later in his career, his fascination with foreign art and his own entrepeneurial interests led him to become an outspoken opponent of tariffs on imported art.

Kurtz's personal life changed significantly in 1884 when he met Julia Stephenson, a physician's daughter and fledging art student from Harrodsburg, Kentucky. Throughout their courtship and after their marriage the couple was frequently separated. Consequently, they wrote lengthy letters which document not only their personal relationship but also Kurtz's aspirations and activities in the art world.

With his appointment as one of Halsey C. Ives's (1847-1911) chief assistants of the Fine Arts Department of the World's Columbian Exposition in 1891, Charles Kurtz's career achieved international stature. Among the most notable European artists he introduced into this country through circulating exhibitions were the Glasgow School, the Danish School, the Hungarian artist, Mihaly Munkacsy, and the subject of his final exhibition, the Spanish artist, Sorolla.

Throughout his life, Kurtz was plagued by health problems and, in 1899, illness forced him to resign as Assistant Director of Fine Arts for the United States for the Paris Exposition of 1900. Throughout the following decade, his work was increasingly interrupted by ill health. His death in 1909 at the age of 54, while sudden, was not entirely unexpected. However it most certainly cut short a cosmopolitan career that encompassed virtually every aspect of the art world and the pertinent issues of the day.

Kurtz is remembered for his editorial work with the National Academy of Design; as Art Director for the Southern Exposition, 1883-1886, and the St. Louis Exposition, 1894-1899 (where he introduced the Glasgow School of Painting); and as Assistant Chief/Director for the World's Columbian Exposition, the 1900 Paris Exposition, and the 1904 Louisiana Purchase Exposition. He was also director of the Buffalo Fine Arts Academy.

Missing Title

1855 -- Charles McMeen Kurtz born

1876 -- receives B.S. degree from Washington and Jefferson College, Washington, Pennsylvania

1876-78 -- studies at the National Academy of Design, N.Y. with Lemuel Wilmarth and William Morgan; writes a column, "New York Letters," for The Courant published in New Castle, Pennsylvania

1878 -- edits a small daily paper published during a "National Camp Meeting for the promotion of Holiness" held that summer in New Castle, Pa.; its critical stance resulted in his public denouncement and earned him a reputation as a journalist in western Pennsylvania; receives M.A. from Washington and Jefferson College

1878-79 -- becomes the local editor of The Guardian of New Castle

1879 -- publishes The Daily Reporter, a financial success

1881 -- publishes the first issue of National Academy Notes; travels in Europe, spending time in England, Holland, Belgium, Germany, Switzerland, Italy and France (Paris)

1881-82 -- prepares Illustrated Notes for Metropolitan Museum of Art exhibition

1882 -- writes "Art Notes" in The New York Tribune and resigns Dec. 23rd

1882-83 -- accepts position to write for Music and Drama, a new daily paper

1883 -- becomes the general manager of the American Art Union; exhibits a large collection of Art Union paintings in Buffalo, N.Y. and Louisville, Ky., where they became part of the Southern Exposition's first great art display

1883-86 -- accepts offer to become Director of the Art Department, Southern Exposition, Louisville, Kentucky

1884 -- edits Art Union magazine until December; applies for position to head the Art Department of the New Orleans World's Fair in September

1884-86 -- accepts a position offered by the American Art Association; terminates uncongenial relationship in March, 1886

1885 -- writes catalogues for the sale of the George Seney Collection and for the Watts exhibition at the Metropolitan Museum of Art, New York; October 1, marries Julia Stephenson (1861-1931), daughter of Dr. A. T. Stephenson of Harrodsburg, Kentucky; they had two daughters who survived them: Julia Wilder Kurtz (1889-1977), and Isabella Starkweather Kurtz (1901-1991); another daughter, Elizabeth Stephenson Kurtz (1886-1897), predeceased them

1886 -- terminates employment with the Art Association; daughter, Elizabeth Stephenson Kurtz, born

1886-87 -- manages the circulation of Mihaly Munkacsy's Christ Before Pilot for Charles Sedelmeyer to American venues: New York, Boston, St. Louis, Cincinnati, Kansas City, Minneapolis, Saint Paul, Nashville, Phildelphia, Indianapolis; tour generates $90,000 in ticket receipts

1889-91 -- February 24, appointed art critic ("Art Notes") and book reviewer for New York Daily Star; later literary and art editor of the Sunday Star

1890 -- writes for the Sunday edition The Press, a New York paper

1891 -- writes for The World; art editor for The New York Recorder; contributes to the New York Truth

1891-93 -- contributes to Chicago Evening Post ; writes artist biographies for The Chicago Graphic, a regional magazine; appointed Assistant Chief of the Department of Fine Arts of the World's Columbian Exposition

1894 -- contributes column, "Art at the Exposition" to St. Louis Life

1895 -- tours Denmark, Scotland, and France during the summer on behalf of the St. Louis Exposition

1894-99 -- appointed Director of the Art Department of the St. Louis Annual Exposition

1896 -- elected member of The Japan Society, London

1897 -- daughter, Elizabeth (Daisy), dies

1898 -- receives a diploma and medal "in recognition of valuable services in connection with the Fine Arts Exhibit" from the directors of the Trans-Mississippi International Exposition, Omaha

1899 -- appointed Assistant Director of Fine Arts for the United States Commission to the Paris Exposition of 1900; resigned in July due to ill health

1901-04 -- appointed Assistant Chief of the Department of Art of the Louisiana Purchase Exposition, August

1901 -- daughter, Isabella Starkweather Kurtz, born

1902 -- receives honorary Ph.D from Washington and Jefferson College "in recognition of distinguished ability and services as an art critic and writer"

1905 -- receives the cross of the Order of Merit from Prince Ferdinand of Bulgaria; appointed Director, Buffalo Fine Arts Academy and Albright Art Gallery, Buffalo, New York, in January; exhibits Glasgow paintings at Albright Art Gallery from November until the following April

1906 -- writes Academy Notes, a bulletin pubished by the Buffalo Fine Arts Academy and the Albright Art Gallery; father, D.B. Kurtz, dies in Newcastle, Pennsylvania

1907 -- accused of importing German pictures free of duty for exhibition purposes and then selling some for profit

1908 -- Honorary Doctor of Philosophy degree conferred by Washington and Jefferson College

1909 -- Charles M. Kurtz dies in Buffalo, New York on March 21

1910 -- Sale of the private collection of Charles M. Kurtz at auction, Fifth Avenue Art Galleries, February 24-25

1931 -- Widow, Julia Stephenson Kurtz dies October 30

1977 -- Daughter, Julia Wilder Kurtz, dies

1991 -- Daughter, Isabel Starkweather Kurtz, dies in Buffalo, N.Y.; remaining Charles M. Kurtz Papers bequeathed to the Archives of American Art and the National Academy of Design, New York
Related Material:
The St. Louis Exposition/Halsey C. Ives papers in the Archives of American Art contain material relating to Charles M. Kurtz.

Additional Charles Kurtz papers, 1870-1910, including 340 letters which discuss exhibitions, sales of art, patronage, atelier visits, and submissions to publications, and letters to his parents in which he discsses the art market and art world new; as well as manuscripts, notebooks, a diary, and printed ephemera relating to exhibitions and publications, are available at the Getty Research Institute, Research Library, Los Angeles, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 4912) including Charles Kurtz's Glasgow painting diary. The loaned diary was returned to the lender and can now be found at the Yale Center for British Art in New Haven, Connecticut. This material is not described in the collection container inventory.
Provenance:
For many years, the Kurtz Papers were thought to have been destroyed in a fire. Isabel Kurtz, a school teacher who lived with her older sister in Buffalo, New York, was vague when initially approached about her father's papers by Archives Regional Director, Robert Brown in the mid-1980s. However upon her death in 1991, her will revealed that the papers were indeed in her house in Buffalo and the bulk of them were bequeathed to the Archives of American Art. Paintings and a diary relating to the Glasgow School were given to the Yale Center for British Art. That diary has subsequently been duplicated on microfilm and is now also available in the Archives. Scorch marks on some of the papers and also on the paintings given to Yale suggest that there was indeed a fire. The material that was not bequeathed to the Archives included duplicates of printed documents along with books from the Kurtz library and a coin collection, all of which were dispersed in an estate auction that was held in Buffalo in 1991.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
Glasgow painting diary, Microfilm reel 4912: Authorization to publish, quote, or reproduce requires written permission from Yale Center for British Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- United States  Search this
Art critics -- United States  Search this
Arts administrators -- United States  Search this
Topic:
Works of art  Search this
Glasgow school of painting  Search this
Exhibitions -- United States  Search this
Art, Scottish  Search this
Art -- Private collections  Search this
Art criticism  Search this
Art -- Collectors and collecting  Search this
Museum directors -- New York (State) -- Buffalo  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Citation:
Charles M. Kurtz papers, 1843-1990 (bulk 1884-1909). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kurtchar
See more items in:
Charles M. Kurtz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7ebdf20-07b7-468c-96e8-53e65d6c18a2
EDAN-URL:
ead_collection:sova-aaa-kurtchar
Online Media:

Christian Brinton papers

Creator:
Brinton, Christian, 1870-1942  Search this
Names:
Chester County Art Association (Chester County, Pa.)  Search this
Extent:
12 Linear feet ((on 8 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1874-1967
Scope and Contents:
Biographical information, including passports, marriage and divorce papers, a copy of Brinton's will, diaries, 1922, 1925, 1926, and 1928, and an autobiography; correspondence with artists and museums; a Chester County Art Association file containing correspondence, catalogs and a scrapbook; and a file containing research notebooks kept by Brinton on art and artists including personal observations; artist files containing notes and printed material; exhibition files from exhibitions Brinton curated or helped curate; writings, manuscripts, and typescripts of Brinton's work; and invitations, printed material and manuscripts from various lectures given by Brinton.
Biographical / Historical:
International curator, art critic; West Chester, Pennsylvania. Born 1870. Died 1942. Co-founded and was the first president of the Chester County Art Association.
Provenance:
Microfilmed in 1987 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art critics -- United States  Search this
Topic:
Art criticism -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Study and teaching -- United States  Search this
Art -- Collectors and collecting  Search this
Curators -- United States  Search this
Identifier:
AAA.brinchri
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91ce1dab4-148e-4374-a9be-b0be284f3901
EDAN-URL:
ead_collection:sova-aaa-brinchri

Joseph Sill selected diaries

Creator:
Sill, Joseph, 1801-1854  Search this
Names:
Art-Union of Philadelphia  Search this
Artists' Fund Society  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Audubon, John James, 1785-1851  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Carey, Edward L., 1806-1845  Search this
Furness, William Henry, 1802-1896  Search this
Hubard, William James, 1807-1862  Search this
Huntington, Daniel, 1816-1906  Search this
Lambdin, James Reid, 1807-1889  Search this
Leutze, Emanuel, 1816-1868  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Page, William, 1811-1885  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Sartain, John, 1808-1897  Search this
Saunders, George Lethbridge, 1807-1863  Search this
Shaw, Joshua, 1776-1860  Search this
Sully, Thomas, 1783-1872  Search this
Watmough, Edward  Search this
Waugh, Samuel Bell, 1814-1885  Search this
Weber, Paul, 1823-1916  Search this
Weir, Robert Walter, 1803-1889  Search this
Winner, W. E. (William E), -1883  Search this
Extent:
2 Items (partial microfilm reels)
Type:
Collection descriptions
Archival materials
Date:
1832-1854
Scope and Contents:
Ca. 850 pages of selected art related excerpts from Sill's diaries. The diaries date from 1832 to 1854 and document his own painting activities, his association with the Artists and Amateurs Association, Artists' Fund Society, and Pennsylvania Academy of the Fine Arts. He gives his reactions to the work of other artists as seen in exhibitions in Philadelphia and New York, especially at the National Academy of Design, as well as in private collections. He writes about panoramas shown in Philadelphia, purchases of works of art for himself and others, commissions to artists to paint pictures for him, etc. In particular he writes frequently of his friend, the collector and patron Edward L. Carey, and of Carey's collection. He often mentions John Sartain, James R. Lambdin, Peter F. Rothermel, Daniel Huntington, Thomas Sully, William H. Furness, Emanuel Leutze, George L. Saunders, Samuel B. Waugh, Paul Weber, William J. Hubard, Monachesi, and John Neagle. He tells of the founding and subsequent activities of the Art-Union of Philadelphia; the sale of Joshua Shaw's paintings and his misfortunes; the work and ill natured personality of William Page; meeting with and a drawing and description of John J. Audubon; a controversy between Robert W. Weir and Samuel F. B. Morse about who will paint the Mayflower Compact; V. G. Audubon's efforts to get subscribers for his father's book; and Bowen's lithographic shop.
He characterizes Edward Watmough and William E. Winner.
Biographical / Historical:
Collector, amateur painter; Philadelphia, Pa.
Provenance:
Microfilmed for the Archives of American Art in 1955 by the Historical Society of Pennsylvania. Diaries donated to the Society by Edward Madiera.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art patrons -- Pennsylvania  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American -- Pennsylvania -- Philadelphia  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia -- Diaries  Search this
Identifier:
AAA.silljose
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9851e01eb-08d8-486d-ace9-e1eb4cbdcd72
EDAN-URL:
ead_collection:sova-aaa-silljose

Anna Warren Ingersoll papers

Creator:
Ingersoll, Anna Warren, 1887-1980  Search this
Names:
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
1.7 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1910-1966
Scope and Contents:
Diaries, correspondence, writings and printed material regarding Ingersoll and Franklin Watkins.
REEL 4153: 7 travel diaries kept by Ingersoll on trips through Europe and the United States, with discussions of architecture, museums and collections visited, comments on American and European artists and their relative merits. Diaries cover 1939-1964, but have entries which are often 20 years apart.
REEL 4225: 5 travel diaries and sketchbooks kept by Ingersoll, 1941-1966 regarding museums and collections visited, personal observations, and a 1941 account of life in Philadelphia.
REELS 4315-4316: 9 volumes of Ingersoll diaries, 1910-1966, regarding studies at the Pennsylvania Academy of the Fine Arts, life in Philadelphia and its art scene, visits to artists' studios and private collections, her studies at the Barnes Foundations, artists exhibitions and works for sale at galleries, and her brother R. Sturgis Ingersoll and the Philadelphia Museum of Art.
REELS 4315-4316: Typescripts of Ingersoll letters, including discussions of her studies at PAFA; and Watkins material including 4 letters, a clipping, and a 31 page typescript of a speech delivered at the Fogg Museum.
Biographical / Historical:
Artist, art collector; Philadelphia, Pa. Board member of the Philadelphia Museum of Art. She and her brother R. Sturgis Ingersoll, who was President of PMA, had a longstanding friendship with painter Franklin Watkins.
Provenance:
Microfilmed 1988-1989 as part of AAA's Philadelphia Arts Documentation Project. Papers have been inherited by several members of the Ingersoll family.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Arts administrators -- Pennsylvania -- Philadelphia  Search this
Collectors -- Pennsylvania  Search this
Topic:
Art -- Collectors and collecting  Search this
Women artists  Search this
Women painters  Search this
Women arts administrators  Search this
Identifier:
AAA.ingeanna
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957f67675-6a31-487c-b780-0400b3234004
EDAN-URL:
ead_collection:sova-aaa-ingeanna

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