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E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance Coleman, 1905-2002  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Subject:
Rutledge, Anna Wells  Search this
Simper, Fred  Search this
McDermott, John Francis  Search this
Speck, Walter  Search this
Stevens, William B.  Search this
Fredericks, Marshall M.  Search this
Castano, Giovanni  Search this
Soria, Regina  Search this
Lynes, Russell  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Hardy, Jeremiah Pearson  Search this
Pleasants, J. Hall (Jacob Hall)  Search this
Garrison, Eve Josephson  Search this
Bishop, Isabel  Search this
Allston, Washington  Search this
Woolfenden, William E. (William Edward)  Search this
Ripley, Sidney Dillon  Search this
Morse, John D.  Search this
Watkins, Franklin Chenault  Search this
Lewis, W. S. (Wilmarth Sheldon)  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
Kuniyoshi, Yasuo  Search this
Bostick, William A.  Search this
Jungwirth, Irene G. (Irene Gayas)  Search this
Oliver, Andrew  Search this
Simpson, Corelli C. W.  Search this
Andrews, Wayne  Search this
Valentiner, Wilhelm Reinhold  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Sellers, Charles Coleman  Search this
Heil, Walter  Search this
Lee-Smith, Hughie  Search this
Bouché, Louis  Search this
Moser, Liselotte  Search this
Flexner, James Thomas  Search this
Vose, Robert C. (Robert Churchill)  Search this
Cohn, Harold  Search this
Aram, Siegfried F.  Search this
Mast, Gerald  Search this
Krentzin, Earl  Search this
Groce, George C.  Search this
Peale, Charles Willson  Search this
Culver, Charles B. (Charles Beach)  Search this
Wedda, John  Search this
Boyd, Julian P. (Julian Parks)  Search this
O'Keeffe, Georgia  Search this
Wyeth, Andrew  Search this
Hopper, Edward  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rockefeller, John D.  Search this
Copeland, Lammot du Pont  Search this
Freeman, Michael W.  Search this
Allen, Joseph  Search this
Peale family  Search this
Castano Galleries (Boston, Mass.)  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
Archives of American Art  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
White House (Washington, D.C.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Type:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Online Media:

Bernard Harper Friedman papers

Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Names:
Provincetown Fine Arts Work Center  Search this
Whitney Museum of American Art  Search this
Asher, Elise, 1914-  Search this
Baur, John I. H. (John Ireland Howe), 1909-1987  Search this
Bertoia, Harry  Search this
Biddle, Flora Miller  Search this
Bluhm, Norman, 1921-1999  Search this
Brooks, James, 1906-1992  Search this
Bultman, Fritz, 1919-1985  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Dine, Jim, 1935-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gill, Brendan, 1914-1997  Search this
Goodnough, Robert, 1917-  Search this
Gray, Cleve  Search this
Gray, Francine du Plessix  Search this
Hall, Joellen  Search this
Huebler, Douglas  Search this
Kanovitz, Howard  Search this
Knowlton, Grace, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
Kunitz, Stanley, 1905-2006  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matter, Mercedes  Search this
McDarrah, Fred W., 1926-2007  Search this
McEwen, Rory, 1932-  Search this
Motherwell, Robert  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Barnett, 1905-1970  Search this
Norman, Dorothy, 1905-1997  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Jackson, 1912-1956  Search this
Richenburg, Robert  Search this
Rosset, Barney  Search this
Roth, Philip  Search this
Rothschild, Judith  Search this
Salvesen, Magda  Search this
Sandler, Irving, 1925-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Schueler, Jon, 1916-  Search this
Simon, Sidney, 1917-1997  Search this
Slivka, David, 1913-  Search this
Still, Clyfford, 1904-1980  Search this
Stout, Myron, 1908-1987  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Correspondent:
Leary, Timothy Francis, 1920-  Search this
Extent:
30.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Date:
1926-2011
bulk 1943-2010
Summary:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Scope and Contents:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, 5 scrapbooks, and photographs.

Biographical materials include educational records, documentation of Friedman's World War II service in the U.S. Navy, and birth, marriage, and death certificates.

Correspondence is with friends, family, artists, art world figures and institutions, writers, publishers, and literary agents. Among the correspondents are: John I. H. Baur, Harry Bertoia, Flora Biddle, Norman Bluhm, James Brooks, Fritz Bultman, Leo Castelli, William N. Copley, Jim Dine, Helen Frankenthaler, Brendan Gill, Robert Goodnough, Cleve and Francine Gray, Howard Kanovitz, Grace Knowlton, Stanley Kunitz, Conrad Marca-Relli, Mercedes Matter, Fred W. McDarrah, Rory McEwen, Robert Motherwell, Arnold Newman, Barnett Newman, Dorothy Norman, Alfonso Ossorio, Provincetown Fine Arts Work Center, Robert Richenburg, Barney Rosset, Philip Roth, Judith Rothschild, Irving Sandler, Salvatore Scarpitta, Jon Schueler, Sidney Simon, David Slivka, Clyfford Still, Myron Stout, Calvin Tompkins, and David Windham.

There are transcripts of interviews with B. H. Friedman, his daughter and wife conducted by the Yale University School of Medicine's "Adult Development Study," and 2 recordings of interviews with Friedman for radio broadcast.

Writings by Friedman include manuscripts of novels, short stories, plays, articles, monographs, and art criticism, some published versions of his work, and a variety of notes. Also found are recordings of lectures by B. H. Friedman and panel discussions in which he participated. Other authors represented are John Cage, W. B. Henry, and Jon Schueler. Friedman's diaries, 1948-1993 (41 volumes) record activities, thoughts, and events.

Subject files compiled by Friedman reflect professional and personal interests, activities, and projects. Many concern publicity for published writings or efforts to find publishers. Especially well documented is his interest in Jackson Pollock, Timothy Leary, and Alfonso Ossorio, and his affiliation with the Whitney Museum of American Art.

The majority of printed material is about or mentions Friedman. Five scrapbooks consist mainly of printed material.

Most photographs are of B. H. and Abby Friedman, their family, and friends. Among the individuals pictured are: Elise Asher, Cary and Norman Bluhm, Sandy Friedman, Joellen Hall, Doug Huebler, Howard Kanowitz, Stanley Kunitz, Lee Krasner, Sheridan Lloyd, Barnett and Annalee Newman, Alfonso Ossorio, Magda Salvesen, Salvatore Scarpitta, John Schueler, and Myron Stout. A photograph album records scenes from a 1979 performance of Whispers, a stage adaptation by Alan Wynroth from Friedman's novel of the same title.
Arrangement:
This collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-2011 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1946-2011 (Boxes 1-15; 14.7 linear feet)

Series 3: Interviews, 1969-2001 (Box 15; 0.2 linear feet)

Series 4: Writings, 1940s-2010 (Boxes 16-23; 8 linear feet)

Series 5: Diaries, 1948-1993 (Boxes 24-25; 1.75 linear feet)

Series 6: Subject Files, 1940-2010 (Boxes 25-30; 4.45 linear feet)

Series 7: Printed Material, 1954-2010 (Box 30-31; 0.2 linear feet)

Series 8: Scrapbooks, 1960-2006 (Boxes 30-32; 0.8 lilnear feet)

Series 9: Photographs, circa 1950s-2008 (Box 30; 0.4 linear feet)
Biographical / Historical:
Bernard Harper Friedman (1926-2011), a writer best known as the author of the first biography of Jackson Pollock, was also an art critic and art collector involved in the cultural life of New York City.

Bernard Harper Friedman, known professionally as B. H. Friedman, was called Bob by family and friends. After interrupting his studies at Cornell University to serve in the U.S. Navy during World War II, he graduated in 1948 with a degree in English. Friedman and his new bride, fellow student Abby G. Noselson (1926-2003), returned home to New York City and he began a real estate career in his uncles' firm, Uris Buildings Corporation. While a businessman, Friedman spent much of his spare time writing. He produced fiction, plays, and criticism; Friedman's articles on art, literature and music appeared in a wide variety of periodicals. During this period, Friedman also pursued his interests in jazz, collecting abstract art, and psychedelic drug experiences with Timothy Leary.

His first published novel, Circles, about the Abstract Expressionist milieu, appeared in 1962. A year later, B. H. Friedman became a full-time writer. For nearly 20 years, he divided his time between New York City and Provincetown, Massachusetts, where he was affiliated with the Fine Arts Work Center as a director and consultant. During this period, he published several novels and two biographies: Jackson Pollock: Energy Made Visible and Gertrude Vanderbilt Whitney, written with Flora Biddle. More novels and short story collections were published, and staged readings of seven plays were presented between 1987 and 2007. Tripping, a memoir of using psychedlics with Timothy Leary, appeared in 2006.

A founding member of Fiction Collective, a nonprofit publishing group run by and for writers, Friedman was also a member of several national writers' organizations. He served as a trustee of the Whitney Musuem of American Art, 1961-1968, and then as honorary trustee. B. H. Friedman died from complications of pneumonia on January 4, 2011 in New York City.
Related Materials:
Also available is an oral history interview with Bernard Harper Friedman, 1972 November 10, conducted by Paul Cummings for the Archives of American Art.
Provenance:
The Bernard Harper Friedman papers were donated to the Archives of American Art in 2012 by his daughter, Daisy Friedman.
Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interviews  Search this
Genre/Form:
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.friebern
See more items in:
Bernard Harper Friedman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a7e6f48-cdda-41ab-921f-8919151a0609
EDAN-URL:
ead_collection:sova-aaa-friebern

Oral history interview wih Clara Diament Sujo

Interviewee:
Diament Sujo, Clara  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Córdova, Arturo de, 1908-1973  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Hughes, Langston, 1902-1967  Search this
Johns, Jasper, 1930-  Search this
Kuh, Katharine  Search this
Lam, Wifredo  Search this
Marisol, 1930-2016  Search this
Messer, Thomas M.  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Otero Rodríguez, Alejandro  Search this
Perón, Juan Domingo, 1895-1974  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reverón, Armando, 1889-1954  Search this
Romero Brest, Jorge  Search this
Soto, Jesús Rafael, 1923-2005  Search this
Sterne, Hedda, 1910-2011  Search this
Valera, Víctor, 1927-  Search this
Extent:
98 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 June 8-16
Scope and Contents:
An interview of Clara Diament Sujo conducted 2010 June 8-16, by Avis Berman, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Sujo's home, in New York, New York.
Diament speaks of her childhood in Argentina; her father's early influence; working with Abbott Industries; her travels with her father as a child to Punta del Este in Urguay, and Mar del Plata; her experiences in the United States; life under Juan Perón and how political events helped shape her education; teaching in Venezuela; collecting art for the Venezuelan science museum; her views on art; the artists that she has worked with and represented; the opening of her first gallery in Venezuela; her gallery in New York City; the influence of Jorge Romero Brest; and her work with the museum network to represent Latin American artists. She recalls Katharine Kuh, Jackson Pollock, Willem de Kooning, Richard Wright, Langston Hughes, Jesus Rafael Soto, Arturo de Cordova, Alejandro Otero, Victor Valera, Armando Reverón, Mercedes Pardo, Wilfredo Lam, Alfred Barr, Rene d'Harnoncourt, Dorothy Miller, Thomas Messer, Marcel Duchamp, Hedda Sterne, Robert Rauschenberg, Jasper Johns, Marisol Escobar, and others.
Biographical / Historical:
Clara Diament Sujo (1921-) is an Argentinian born owner and director of CDS Gallery in New York, New York. Avis Berman (1949-) is a scholar in New York, New York.
General:
Originally recorded on 1 compact disc. Reformatted in 2010 as 3 digital wav files. Duration is 5 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Collectors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Latino and Latin American artists  Search this
Women art dealers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.diamen10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d7f23a5-df3f-460a-9e75-6c53a343b5e5
EDAN-URL:
ead_collection:sova-aaa-diamen10
Online Media:

Oral history interview with Joseph A. Helman

Interviewee:
Helman, Joseph A., 1937-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Blum Helman Gallery  Search this
Sotheby's (Firm)  Search this
St. Louis Art Museum  Search this
Albers, Josef  Search this
Blum, Irving, 1930-  Search this
Castelli, Leo  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Ronald, 1937-  Search this
Greenberg, Ronald K.  Search this
Johns, Jasper, 1930-  Search this
Kaprow, Allan  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Oldenburg, Claes, 1929-  Search this
Pulitzer, Emily Rauh  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saarinen, Eero, 1910-1961  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
4 Items (Sound recording: 4 wav files (2 hr.,19 min.), digital)
53 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
Date:
2010 January 4
Scope and Contents:
An interview of Joseph A. Helman conducted 2010 January 4, by James McElhinney, for the Archives of American Art, at Helman's home in New York, New York.
Helman recalls three major events from his early life--the exhibition "Masterpieces from the Berlin Museums: 1948-1949," the film "Lust for Life," and collecting--that led to his career as an art dealer; buying his first painting, which was a Jasper Johns work; meeting the art dealer Leo Castelli; opening his first gallery in St. Louis in 1969; selling his gallery to Ronald Greenberg and moving to Italy with his family; attending the Sotheby's auction of the Robert C. Scull Collection in 1973; teaming up with Irving Blum to open the Blum Helman Gallery in New York City; organizing exhibitions of established and emerging artists. Helman speaks about his relationship with Emily Rauh Pulitzer and the St. Louis Art Museum; his Happening with Allan Kaprow; the story behind Claes Oldenburg's drawing Tongue Cloud, over St. Louis, 1975; discovering the work of Ralston Crawford; introducing American art to Spain. In addition, Helman discusses the contemporary art market; collectors and the process of collecting; and the redefinition of Pop art to include British and American artists of the 1980s. Throughout the interview Helman mentions the various artists he has represented, exhibited or collected such as Richard Serra, Robert Rauschenberg, Josef Albers, Roy Lichtenstein, Ellsworth Kelly, Andy Warhol, Frank Stella, Ronald Davis, and Bryan Hunt.
Biographical / Historical:
Joseph A. Helman (1937- ) is an art dealer and collector in New York, New York.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr.,19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art, American -- Spain  Search this
Pop art  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.helman10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9038a91ca-30d6-4b56-9410-8ca0e87c657f
EDAN-URL:
ead_collection:sova-aaa-helman10
Online Media:

Richard Serra lecture

Creator:
Serra, Richard, 1938-  Search this
Names:
Fogg Art Museum  Search this
Pulitzer, Joseph, 1913-1993 -- Art collections  Search this
Extent:
1 Sound cassette
Type:
Collection descriptions
Archival materials
Sound cassettes
Sound recordings
Date:
1988 Apr. 16
Scope and Contents:
A lecture delivered by Richard Serra at the Fogg Art Museum in conjunction with the opening of its exhibition of the Joseph Pulitzer Collection.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Donated 1988 by Richard Serra.
Restrictions:
Untranscribed; use requires an appointment.
ACCESS RESTRICTED; written permission required.
Topic:
Art -- Collectors and collecting  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.serrrich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca8642c-9e95-4e11-aaae-cba631c9632e
EDAN-URL:
ead_collection:sova-aaa-serrrich

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts  Search this
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9d7e11d-96d4-431a-b318-c86a9cf6dda6
EDAN-URL:
ead_collection:sova-aaa-hatcjohn
Online Media:

Oral history interview with Helen Williams Drutt (English)

Interviewee:
Drutt, Helen Williams  Search this
Interviewer:
Pacini, Marina  Search this
Sewell, Darrel, 1939-  Search this
Names:
Helen Drutt Gallery  Search this
Moore College of Art  Search this
Philadelphia Council of Professional Craftsmen  Search this
Philadelphia Museum of Art  Search this
Extent:
264 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 July 5-October 20
Scope and Contents:
An interview of Helen Williams Drutt English conducted 1991 July 5-1991 October 20, by Darrel Sewell and Marina Pacini, for the Archives of American Art Philadelphia Project.
Drutt English speaks of early childhood in Winthrop, Massachusetts and growing up in Philadelphia; memories of her parents and grandparents and connection to the decorative arts and style; attending Birney Elementary School and returning to Winthrop in the summers; art lessons as a child; attending Tyler School of Art; early training as an artist and interest in art history; first jobs and working at the Smith Memorial Recreation Center and the Psychological Research Institute and teaching; travel in Europe after college; marriage to Lawry Weiss and divorce; attending classes at the Barnes Foundation; teaching school children; second marriage to William Drutt; starting an interior design firm; moving to her current home; attempting to build a craft center in Philadelphia; joining the Arts Council of the YM/YWHA and significant exhibitions; marriage to Maurice English; serving as Founding Director of Philadelphia Council of Professional Craftsmen and organizing exhibitions; advising Calvin Hathaway on collecting for the Philadelphia Museum of Art; starting the Inter-Society on Twentieth Century Decorative Arts and Design; attending the World Crafts Council in Dublin; teaching at the Philadelphia College of Art, and creating an original course on contemporary craft; opening Helen Drutt Gallery; relationships to artists and to collectors; collecting philosophy concentrating on ceramics and jewelry; developing her archive; developing relationships with European goldsmiths; changing locations of gallery (Old Town, Walnut Street); teaching at Moore College of Art and becoming Director of the Moore College of Art Gallery; relationship of the gallery to the Philadelphia Craft Show and the Fabric Workshop; developing relationships with collectors beyond Philadelphia; working with the National Endowment for the Arts; various European scholars; travel to Hawaii and relationships there; interest in poetry; Relationship and marriage to Maurice English; Opening a branch of her gallery in New York; discussion of the changing perception of craft as art. Close friendship with Stella Kramrisch; relationship to George Nakashima; development of the gallery system for crafts; detailed discussion of her relationship to Calvin Hathaway; the development of COLLAB; Difference between work with non-profits and the commercial sector; developing the Robert Arneson exhibition at the Gallery of the Moore College of Art; the financials of running a gallery; work in Australia; ongoing network of international contacts. Also reminiscences of Rudolf Staffel, Dr. Hermann Gundesheimer, O. Spurgeon English, Gladys Myers and Gallery 1015, Ms. De Mazia, William Daley, T.H. Robsjohn-Gibbings, Ted Hallman, Dick Jones, Daniel Jackson, Stanley Lechtzin, Olaf Skoogfors, Bill Daley, Dick Reinhardt, Dick Koga, Calvin Hathaway, Paula Winokur, Richard Kagan, Albert Paley, Ronald Pearson, Claus Bury, Robert Pfannebecker, Howard Kottler, Patti Warashina, Karen Karnes, Peter Voulkos, Society of North American Goldsmiths, Tom Rippon, Emmy Van Leersum, Gijs Bakker, Breon O'Casey, Mark Burns, Emily Reinsel, Evan Turner, Edna Beron, Lois Boardman, Peter Dormer, Evert Von Straatten, Lila and Twigg Smith, Jim Jenson, Stephen Berg, Robert Arneson, Stella Kramrisch, Claire Zeisler, Ruth Duckworth, Joke van Ommen, Dale Chihuly, James Surls, Peter Chang.
Biographical / Historical:
Helen Williams Drutt (1930- ) is an art dealer and gallery director of the Helen Drutt gallery, Philadelphia, Pennsylvania. Known as Helen Drutt or Helen Williams Drutt and later Helen Williams Drutt English.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 8 hr., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Art dealers -- Pennsylvania -- Philadelphia  Search this
Gallery directors -- Pennsylvania -- Philadelphia  Search this
Topic:
Handicraft -- Exhibitions  Search this
Handicraft -- Collectors and collecting -- Pennsylvania -- Pennsylvania  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drutt91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b668bfb-591b-4fcb-9b2f-9a64fe1078e5
EDAN-URL:
ead_collection:sova-aaa-drutt91
Online Media:

Oral history interview with Robert Pfannebecker

Interviewee:
Pfannebecker, Robert L.  Search this
Interviewer:
Drutt, Helen Williams  Search this
Names:
Bauer, Fred  Search this
Chihuly, Dale, 1941-  Search this
Higby, Wayne  Search this
Warashina, Patti, 1940-  Search this
Extent:
222 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 May 21
Scope and Contents:
An interview of Robert Pfannebecker conducted 1991 May 21, by Helen Drutt English, (formerly Helen Williams Drutt) for the Archives of American Art.
Pfannebecker discusses his background; the development of his interest in crafts and collecting; his associations with students and teachers at the Cranbrook Academy of Art in the 1960s; later acquisitions as a result of his association with Dale Chihuly and his students at the Rhode Island School of Design, Wayne Higby and his students at Alfred University, and Eleanor Moty at the University of Wisconsin-Madison; other artists he has worked with over the years including Patti Warashina, Fred Bauer, Helen Bitar, Warren Seelig, and Gary Knodel; and exhibitions of his collection.
Biographical / Historical:
Robert Pfannebecker (1933- ) is a crafts collector and attorney from Philadelphia, Pa.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Ceramicists  Search this
Topic:
Art -- Collectors and collecting -- United States  Search this
Art -- Collectors and collecting -- Pennsylvania -- Interviews  Search this
Handicraft -- Exhibitions  Search this
Handicraft -- Collectors and collecting -- United States  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.pfanne91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0d8af43-a06b-48cb-af32-23eece23aa6a
EDAN-URL:
ead_collection:sova-aaa-pfanne91
Online Media:

Oral history interview with Helen Williams Drutt English

Interviewee:
Drutt, Helen Williams  Search this
Interviewer:
Milosch, Jane  Search this
Extent:
21 Items (Sound recording: 21 sound files (6 hr., 47 min.), digital, wav)
131 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2018 January 8-26
Scope and Contents:
An interview with Helen Williams Drutt English conducted 2018 January 8,9, and 26, by Jane Milosch, for the Archives of American Art, at Drutt's homes in Philadelphia, Pennsylvania, and New York, New York.
Biographical / Historical:
Helen Williams Drutt English (1930- ) is a curatorial consultant and educator in Philadelphia, Pennsylvania and New York, New York. Jane Milosch (1964- ) is a former curator with the Renwick Gallery, Smithsonian Institution.
Related Materials:
The Archives of American Art also holds the papers of Helen Williams Drutt English.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia -- Interviews  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Art dealers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Decorative arts  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Educators -- Pennsylvania -- Philadelphia -- Interviews  Search this
Jewelry  Search this
Pottery  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drutt18
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ddba88e1-193b-48fe-a79a-7135d09b973c
EDAN-URL:
ead_collection:sova-aaa-drutt18
Online Media:

Oral history interview with Hans Burkhardt, 1974 November 25

Interviewee:
Burkhardt, Hans Gustav, 1904-1994  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Bordeaux, Jean-Luc  Search this
Burkhardt, Thordis W., 1908-1993  Search this
Gorky, Arshile  Search this
Tobey, Mark  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12117
(DSI-AAA_SIRISBib)212077
AAA_collcode_burkha74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212077
Online Media:

Oral history interview with George Rickey

Interviewee:
Rickey, George  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Bauhaus  Search this
Institute of Design (Chicago, Ill.)  Search this
Lhote, André, 1885-1962  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 June 11
Scope and Contents:
An interview of George W. Rickey conducted 1968 June 11, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
George Rickey (1907-2002) was a sculptor from East Chatham, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 31 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- History -- New York (State) -- East Chatham  Search this
Sculptors -- New York (State) -- East Chatham -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
World War, 1939-1945  Search this
Collectors and collecting  Search this
Art -- Philosophy  Search this
Sculpture -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rickey68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw963a4824a-632c-4ce2-8afe-6a00cca7d71e
EDAN-URL:
ead_collection:sova-aaa-rickey68
Online Media:

Charles Rand Penney papers

Creator:
Penney, Charles Rand, 1923-2010  Search this
Names:
Charles Rand Penney Collection  Search this
Arp, Jean, 1887-1966  Search this
Audubon, John James, 1785-1851  Search this
Avery, Milton, 1885-1965  Search this
Bertoia, Harry  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Stuart, 1892-1964  Search this
Evergood, Philip, 1901-1973  Search this
Ganso, Emil, 1895-1941  Search this
Goodnough, Robert, 1917-  Search this
Grooms, Red  Search this
Hopper, Edward, 1882-1967  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miró, Joan, 1893-  Search this
Moore, Henry, 1898-1986  Search this
Nevelson, Louise, 1899-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Pepper, Beverly  Search this
Segal, George, 1924-2000  Search this
Sloan, John, 1871-1951  Search this
Stamos, Theodoros, 1922-1997  Search this
Steinberg, Saul  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
23.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1923-1994
bulk 1945-1994
Summary:
The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The majority of the collection consists of Penney's art collection files, which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.
Scope and Contents:
The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The collection consists primarily of Penney's art collection files which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.

Artists of significance represented in Penney's art collection files include Jean Arp, John James Audubon, Milton Avery, Harry Beroia, Alexander Calder, Stuart Davis, Philip Evergood, Emil Ganso, Robert Goodnough, Red Grooms, Edward Hopper, John Marin, Reginald Marsh, Joan Miro, Henry Moore, Louise Nevelson, Isamu Noguchi, Beverly Pepper, George Segal, John Sloan, Theodoros Stamos, Saul Steinberg, and Ulfert Wilke, among many others. Also included are files for artists that participated in theToronto 20 portfolio project in 1965. The files do not include Penney's files relating to Charles Burchfield, Wester New York state artists, or objects from the Arts and Craft movement.

A few notable exhibition catalogs found in the series of catalogs of the Charles Rand Penney art collection are Charles Burchfield: The Charles Rand Penney Collection, The Graphic Art of Emil Ganso, Drawings from the Collection of Charles Rand Penney, Quilts Coverlets Hooked Rugs from the Collection of Charles Rand Penney, The Charles Rand Penney Collection: Twentieth Century Art, and An American Visionary: Watercolors and Drawings of Charles E. Burchfield.
Arrangement:
The collection is arranged as 2 series.

Missing Title

Series 1: Art Collection Files, 1923-1994 (Box 1-23, OV 24; 22.7 linear feet)

Series 2: Catalogs of the Charles Rand Penney Art Collection, 1966-1991 (Box 23, 0.2 linear feet)
Biographical / Historical:
Charles Rand Penney (1923-2010) was an art collector from Buffalo, New York. He was well known for his collection of art by Western New York artists, but also collected art from Europe, Africa, Oceania, and other regions of the United States. His travels contributed to the eclectic mix of paintings, drawings, sculptures, hooked rugs, quilts, and tribal art found within his art collection.

Penney cited receiving the watercolor Warrior in 1933 from Western New York artist Bob Blair as the beginning of his life as an art collector. Years later, Penney served in World War II, attended law school, and began practicing law in the 1950s. His collections grew quickly during the late 1950s through 1970s. Penney collected over 100,000 works of art during his lifetime, much of it guided by dealers James and Merle Goodman.

In 1963, Penney began donating artwork to the Memorial Art Gallery in Rochester, New York. In total, approximately 400 works of art were donated to the gallery including Big Diamond by David Smith and Beverly Pepper's Vertical Ventaglio (1967-1968). Penney also donated over 1000 works of art to the Burchfield Art Center in Buffalo, New York.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Charles Rand Penney conducted by Robert F. Brown on August 14-16, 1981. Additional files relating to the Charles Rand Penney Foundation (1963-1976) are located at the Memorial Art Gallery of the University of Rochester in Rochester, N.Y. Files relating to Western New York state artists, Charles Burchfield, and American Arts and Crafts are located at the Burchfield-Penney Center at Buffalo State College, Buffalo, New York.
Provenance:
The collection was donated in 1993-1994 by Charles Rand Penney.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Citation:
Charles Rand Penney Papers, 1923-1994, bulk 1945-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pennchar
See more items in:
Charles Rand Penney papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw972c049ec-5929-47d4-a5d2-e8041e6394e0
EDAN-URL:
ead_collection:sova-aaa-pennchar
Online Media:

Oral history interview with Anne Rorimer

Interviewee:
Rorimer, Anne  Search this
Interviewer:
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Bryn Mawr College -- Students  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Victoria and Albert Museum  Search this
Acconci, Vito, 1940-  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne, 1943-2008  Search this
Geldzahler, Henry  Search this
Graham, Dan, 1942-  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hesse, Eva, 1936-1970  Search this
Kuh, Katharine  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Lowry, Bates, 1923-  Search this
Maxon, John, 1916-  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Smith, Tony, 1912-1980  Search this
Speyer, A. James  Search this
Stamos, Theodoros, 1922-1997  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Extent:
147 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 15-16
Scope and Contents:
An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.
Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago; memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D'Harnoncourt; how she left the AIC in 1984 to write, "New Art in the '60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers.
Biographical / Historical:
Anne Rorimer (1944-) is a curator and art historian in Chicago, Illinois. Judith Olch Richards (1947-) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Illinois -- Chicago -- Interviews  Search this
Authors -- Illinois -- Chicago  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rorime10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9377eddf5-b420-452e-8171-3b181c505e3d
EDAN-URL:
ead_collection:sova-aaa-rorime10
Online Media:

Oral history interview with Emily Tremaine

Interviewee:
Tremaine, Emily Hall, 1908-1987  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Mondrian, Piet, 1872-1944  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 January 24
Scope and Contents:
An interview of Emily Tremaine conducted 1973 January 24, by Paul Cummings, for the Archives of American Art.
Tremaine discusses her mother's interest in art; A. Everett Austin's influencing her to collect art; education abroad; discovery of Piet Mondrian; Miller Company collection of architectural paintings; her personal collection; pop artists and art; and life as a collector.
Biographical / Historical:
Emily Tremaine (1908-1987) was an art collector from New York, N.Y. who was born in Butte, Montana.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 38 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Art, Modern -- 20th century -- History  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tremai73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ab89a3e5-f0de-401a-b4b9-8a21de0c4759
EDAN-URL:
ead_collection:sova-aaa-tremai73
Online Media:

Oral history interview with Louis Kaufman

Interviewee:
Kaufman, Louis, 1905-1994  Search this
Creator:
Cloudman, Ruth Howard, 1948-  Search this
Mark Rothko and His Times Oral History Project  Search this
Names:
Mark Rothko and His Times Oral History Project  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Berkman, Aaron  Search this
Burliuk, David, 1882-1967  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, John, 1887-1961  Search this
Kumpt, Mary  Search this
Rothko, Mark, 1903-1970  Search this
Zborowski, Mark  Search this
Extent:
3 Cassettes (Sound recording, analog.)
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Cassettes
Pages
Sound recordings
Interviews
Date:
1985 Feb. 15
Scope and Contents:
An interview of Louis Kaufman conducted 1985 Feb. 15, by Ruth Howard Cloudman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Kaufman, a great friend and patron of Milton Avery, recalls introducing Mark Rothko to Avery. He describes his memories of Rothko, including a discussion of Rothko's knowledge of art history and his interest in the French avant-garde. Much of the interview concerns Milton Avery, including Kaufman's interest in his work as a collector, the group of artists surrounding Avery, and Avery's influence upon Kaufman as a musician. He also recalls visits to Louis Eilshemius. Kaufman recalls Mary Kumpt, Aaron Berkman, Sally Avery, David Burliuk, John Graham, Zborowski, Adolf Gottlieb, Louis Elishemius, and others.
Biographical / Historical:
Louis Kaufman (1905-1994) was an art collector and musician.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art -- Collectors and collecting -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kaufma85
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw951bba5eb-84ac-49b3-9edf-e48351e80c0d
EDAN-URL:
ead_collection:sova-aaa-kaufma85
Online Media:

Oral history interview with Emily Tremaine, 1973 January 24

Interviewee:
Tremaine, Emily Hall, 1908-1987  Search this
Tremaine, Emily Hall, 1908-1987  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Mondrian, Piet  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Art, Modern -- 20th century -- History  Search this
Record number:
(DSI-AAA_CollID)11938
(DSI-AAA_SIRISBib)213174
AAA_collcode_tremai73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213174

Molly Saltman "Art and Artists" interviews

Creator:
Saltman, Molly  Search this
Names:
Art and artists (Radio program)  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Hamilton, Richard, 1922-  Search this
Hopper, Dennis, 1936-  Search this
Levine, Jack, 1915-2010  Search this
Lytton, Bart, 1912-1969  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nyiri, Joseph, 1937-  Search this
Partch, Harry, 1901-1974  Search this
Price, Vincent, 1911-1993  Search this
Secunda, Arthur  Search this
Wayne, June, 1918-2011  Search this
White, Charles, 1918-1979  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Lectures
Sound recordings
Date:
1966-1967
Summary:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Scope and Contents:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Arrangement:
Due to the small size of this collection the sound recordings are arranged as one series.

Series 1: Interviews and other recordings, circa 1963-1968 (Box 1-3, 2.4 linear feet)
Biographical / Historical:
The Molly Saltman "Art and Artists" radio program was broadcast on KPAL radio station in Palm Springs, California from November 2, 1966 to March 4, 1967 on Mondays and Wednesdays at 10:30AM. Molly Saltman (1915-2010), the producer and interviewer for this broadcast, was a well-known Palm Springs artist during this time. Specializing in abstract watercolors, her work was featured in a number of local art shows as well as exhibited in the Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Hartfield Gallery in Los Angeles. She was also closely involved with the Desert Mental Health Association and served as Chairwoman of the Jewish Family Service in Palm Springs, California.
Provenance:
The collection was donated by Molly Saltman in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Researchers must obtain copyright clearance from interviewees prior to publication or airing.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Actors  Search this
Art teachers -- Interviews  Search this
Artists -- Interviews  Search this
Topic:
Art, American  Search this
Art--Collectors and collecting--Interviews  Search this
Genre/Form:
Interviews
Lectures
Sound recordings
Citation:
Molly Saltman "Art and Artists" Interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saltmoll
See more items in:
Molly Saltman "Art and Artists" interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91ffc8013-4e72-420d-91c1-23c284716c62
EDAN-URL:
ead_collection:sova-aaa-saltmoll

Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Economic aspects  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Women art dealers  Search this
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b057b9a-c3f9-4586-8d44-ee2d58857127
EDAN-URL:
ead_collection:sova-aaa-halper62
Online Media:

Alfred Victor Frankenstein papers

Creator:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Names:
American Arts Alliance  Search this
California Palace of the Legion of Honor  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
San Francisco Chronicle (Firm)  Search this
Copley, John Singleton, 1738-1815  Search this
Decker, Joseph, 1853-1924  Search this
Haberle, John, 1856-1933  Search this
Harnett, William Michael, 1848-1892  Search this
Ives, Charles, 1874-1954  Search this
Jenkins, Paul, 1923-2012  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mount, William Sidney, 1807-1868  Search this
Murdock, Roland P.  Search this
Peto, John Frederick, 1854-1907  Search this
Extent:
19.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Date:
1875-1985
Summary:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.
Scope and Contents:
The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.

Biographical materials include awards, museum passes from the 1970s, school records, and a scrapbook documenting Frankenstein's career at the San Francisco Chronicle. Also found is his father's medical school diploma.

Largely professional in nature, Frankenstein's correspondence is with galleries, museums and institutions, colleges and universities, as well as art historians and museum colleagues including Paul Jenkins, Stanton MacDonald-Wright, and Thomas E. Ripley.

General writings are on subjects such as music, art, California, and the Ronald P. Murdock art collection. It is likely that some writings may be drafts for articles that later appeared in the San Francisco Chronicle. Also found are three notebooks, a recorded interview, recorded lectures by Frankenstein and by others.

The bulk of the collection consists of Frankenstein's extensive research files on American sill-life painting in the nineteenth-century. Research topics focus primarily on artists John Haberle (including sketches by Haberle), William Michael Harnett, William Sidney Mount, and John Frederick Peto; however, some files are found for collectors, dealers, and subjects. Files are found both for the research and writing of Frankenstein's books, After the Hunt (1953) and The World of Copley: 1738-1815 (1970). Contents of the research files vary but many contain correspondence, photographs, notes and writings, provenance research, printed materials, and photocopied and original primary documents. Additional research files are also found in Series 5, Exhibition Files.

Files concerning exhibitions curated or organized by Frankenstein include Artist Self-Portraits (1974) at the National Gallery of Art, an exhibition at the California Palace of the Legion of Honor, and the World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art (1974). Files contain loan agreements, gallery plans, photographs, writings, correspondence, and printed materials.

Frankenstein's professional activities files include material about his job as a music critic at the San Francisco Chronicle, and records documenting his participation in the American Arts Alliance and the San Francisco Arts Commission. Also found are scattered student writings, lecture notes, and some correspondence from his teaching position at the University of California, Berkeley.

An appraisal for a Joseph Decker work, the estate records of Sylvia Frankenstein, general receipts for purchases and shipping records, and vehicle ownership records comprise Frankenstein's personal business records.

Printed materials include clippings, exhibition announcements and catalogs, magazines, and blank postcards. Also found are eight commercial audio recordings, including a musical piece by Charles Ives on cassette, and six phonograph records that are likely of music. A cassette entitled "Heritage of American Art" may be from an exhibition of the same title held at the Metropolitan Museum of Art in New York City in 1975. Personal photographs include snapshots of Frankenstein with his family and portraits of him, as well as a photocopy of a family photo album. The bulk of the photographs are of artwork.

There are six unidentified sound recordings.
Biographical / Historical:
Alfred Victor Frankenstein (1906-1981) was an art historian, writer, art and music critic, and educator active in San Francisco, California.

Frankenstein was born in 1906 in Chicago, Illinois. He studied at the University of Chicago but moved to San Francisco to take a job as a music critic for the San Francisco Chronicle . Later, the position expanded to include critiques of visual art and art exhibitions. He remained at the San Francisco Chronicle until 1979, concentrating only on art from 1965.

He was an expert on 19th century American still-life and his notable book, After The Hunt (1953), examined the American trompe-l'œil movement in late 19th century and early 20th-century through the work of painters William Harnett and John Frederick Peto. He also authored The World of Copley: 1738-1815 in 1970. Frankenstein curated several major exhibitions, including American Self-Portraits (1974) at the National Portrait Gallery and the 1974 World's Fair Exposition exhibition, Our Land, Our Sky Our Water: an Exhibition of American and Canadian Art..

An educator, Frankenstein was a professor of Art History at the University of California at Berkeley (1940-1974), Stanford University (1973-1981), and at Mills College (1945-1974), where he also taught American music.
Related Materials:
Also found among the holdings of the Archives of American Art are two oral histories with Alfred Frankenstein, one conducted by Mary McChesney on November 9th, 1965 and the other conducted by Paul Karlstrom from 1978 to 1979. Additionally, Frankenstein donated one sketchbook and twelve loose sketches that are cataloged as a separate collection: the William Harnett sketches, 1870.
Provenance:
Alfred Frankenstein donated some of his papers in 1972, and lent materials for microfilming in 1978. His estate, handled by his son John Frankenstein, donated the materials original loaned as well as additional records in 1981.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Topic:
Art, American  Search this
Art -- Collectors and collecting  Search this
Art criticism -- United States  Search this
Genre/Form:
Interviews
Photographs
Sound recordings
Sketches
Scrapbooks
Citation:
Alfred Victor Frankenstein papers, 1875-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franalfr
See more items in:
Alfred Victor Frankenstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e75e77af-bf2c-4cb8-8f0d-8bac5756a1be
EDAN-URL:
ead_collection:sova-aaa-franalfr
Online Media:

Chuck and Jan Rosenak research material

Creator:
Rosenak, Chuck  Search this
Names:
Rosenak, Jan  Search this
Extent:
17.6 Linear feet
Type:
Collection descriptions
Archival materials
Audiotapes
Photographs
Interviews
Slides (photographs)
Date:
circa 1938-2008
Summary:
The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains research files for four books by the Rosenaks and includes letters, writings, notes, printed matter, tape-recorded interviews with artists, and photographic material.
Scope and Content Note:
The Chuck and Jan Rosenak research material dates from circa 1938-2008 and measures 17.6 linear feet. The collection contains correspondence, writings, notes, printed matter, tape-recorded interviews of artists, and photographs and slides of artists and artwork. The records document the Rosenak's research and collecting trips in the United States, often to isolated locales, in pursuit of new art and insights for their writing projects. The collection relates primarily to their research for Museum of American Folk Art Encyclopedia of Twentieth-Century American Folk Art and Artists, The People Speak: Navajo Folk Art, Contemporary American Folk Art: A Collector's Guide, The Saint Makers: Contemporary Santeras y Santeros, and are an important source of information on twentieth-century folk art.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Research Files, circa 1938-1999 (Boxes 1-9, 19; 9.2 linear ft.)

Series 2: Loans to Exhibitions, circa 1991-1997, undated (Box 10; 0.4 linear ft.)

Series 3: Miscellaneous Files, circa 1969-2003 (Boxes 10-12; 2.0 linear ft.)

Series 4: Interviews of Artists, circa 1990s (Box 12-13; 1.5 linear ft.)

Series 5: Photographs and Slides, circa 1990s (Boxes 13-18; 4.5 linear ft.)
Biographical Note:
Chuck and Jan Rosenak are widely regarded as authorities in the field of American folk art. They amassed one of the finest collections of contemporary folk art in the United States and authored four books: Museum of American Folk Art Encyclopedia of Twentieth-Century American Folk Art and Artists (New York: Abbeville, 1990), The People Speak: Navajo Folk Art (Flagstaff, Arizona: Northland Publishing, 1994), Contemporary American Folk Art: A Collector's Guide (New York: Abbeville, 1996), and The Saint Makers: Contemporary Santeras y Santeros (Flagstaff, Arizona: Northland Publishing, 1998).
Provenance:
The collection was donated by Chuck and Jan Rosenak, 1998-1999.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Folk artists -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Artists -- New Mexico -- Interviews  Search this
Santeros  Search this
Genre/Form:
Audiotapes
Photographs
Interviews
Slides (photographs)
Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosechuc
See more items in:
Chuck and Jan Rosenak research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eebe4f0f-a4bf-441f-91a1-f8182d84d06e
EDAN-URL:
ead_collection:sova-aaa-rosechuc
Online Media:

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