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Oral history interview with John Weber, 2006 March 21-April 4

Interviewee:
Weber, John, 1932-2008  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Widgeon Point Charitable Foundation  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)13562
(DSI-AAA_SIRISBib)257024
AAA_collcode_weber06
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_257024

Oral history interview with Eli Broad, 2012 Jan. 30-April 16

Interviewee:
Broad, Eli, 1933-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)21654
(DSI-AAA_SIRISBib)397960
AAA_collcode_broad12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_397960
Online Media:

Oral history interview with John Weber

Creator:
Weber, John, 1932-2008  Search this
Widgeon Point Charitable Foundation  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Widgeon Point Charitable Foundation  Search this
Extent:
62 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 March 21-April 4
Scope and Contents:
An interview of John Weber conducted 2006 March 21 and April 4, by James McElhinney, for the Archives of American Art, at Weber's home, in Chatham, New York.
Weber discusses his education at St. Catherine's Military School in Anaheim, California, and Admiral Farragut Academy in St. Petersburg, Florida; attending the Citadel in South Carolina and then joining the Navy; attending Antioch College in Yellow Springs, Ohio, after getting out of the Navy; accepting a job at the Dayton Art Institute on the curatorial staff and working for the director, Thomas C. Colt; moving to New York and attending the Institute of Fine Arts at New York University; working at the Martha Jackson Gallery and his involvement in various influential shows there, including "Environments, Spaces, Situations," and "New Forms, New Media"; moving to Los Angeles in 1962 to work for the Dwan Gallery; getting involved with land artists, including Robert Smithson, Michael Heizer, and Walter De Maria; moving back to New York to take on the directorship of the East Coast location of the Dwan Gallery, in SoHo, then the newest gallery neighborhood; opening his own gallery, the John Weber Gallery, on West Broadway in 1972; his involvement with the Fluxus Group and Arte Povera; the international nature of the art world in the 1960s and 70s; his business arrangements with artists, including the monthly stipends he gave them as advances on sales; his relationships with collectors, including Giuseppe Panza di Biumo and Emily and Burton Tremaine; his advocacy of Aboriginal art; the studios of Robert Smithson and Claes Oldenburg; his belief in the importance of originality; his adverse reaction when he first saw a piece by Dan Flavin; his interaction with art critics, including Irving Sandler and Grace Gluck; and his experience with art fairs. He also recalls Kirk Varnedoe, Jim Dine, Michael Goldberg, Jean Tinguely, Martial Raysse, Arman, Yves Klein, Franz Kline, Andre Emmerich, Mary Boone, Sol LeWitt, Andy Warhol, Gilberto Zorio, Richard Long, Hamish Fulton, Anina Nosei, Sven Lukin, Robert Ryman, Alighiero Boetti, Konrad Fischer, Ivan Karp, Paula Cooper, Angela Westwater, Jeff Koons, Joseph Beuys, Hans Haacke, Leo Castelli, Tom Otterness, Joyce Nereaux, Dorothea Rockburne, Eva Hesse, Lucas Samaras, and Joseph Hirshhorn, among others.
Biographical / Historical:
John Weber (1932-2008) is an art dealer from Chatham, New York. James McElhinney (1952- ) is a painter and educator of New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 3 hrs., 11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.weber06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weber06

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12

Oral history interview with Eli Broad

Interviewee:
Broad, Eli, 1933-  Search this
Interviewer:
Berman, Avis  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Extent:
2 Items (sound files (2 hrs., 34 min.) Audio, digital, wav)
53 Pages (Transcript)
Culture:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2012 Jan. 30-April 16
Scope and Contents:
An interview of Eli Broad conducted 2012 Jan. 30 and April 16, by Avis Berman, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at the Frick Collection and at Broad's home in New York, N.Y.
Biographical / Historical:
Interviewee Eli Broad (1933- ) is an entrepreneur and the founder of the Broad Art Foundation in Los Angeles, Calif. Interviewer Avis Berman (1949- ) is an art historian and author in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.broad12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broad12

Mitch Tuchman papers relating to the book Painters Painting

Creator:
Tuchman, Mitch  Search this
Names:
Albers, Josef  Search this
Castelli, Leo  Search this
De Antonio, Emile.  Search this
De Kooning, Willem, 1904-1997  Search this
Frankenthaler, Helen, 1928-2011  Search this
Geldzahler, Henry  Search this
Greenberg, Clement, 1909-1994  Search this
Hess, Thomas B.  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Kramer, Hilton  Search this
Leider, Philip, 1929-  Search this
Motherwell, Robert  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-2010  Search this
Olitski, Jules, 1922-2007  Search this
Pavia, Philip, 1915-2005  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rivers, Larry, 1925-2002  Search this
Rubin, William Stanley  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1980-1989
Scope and Contents:
Papers related to Tuchman's co-authoring with Emile de Antonio the book Painters Painting: A History of American Modernism in the Words of Those Who Created It (Abbeville Press, 1984). The book was based on uncut transcripts and the film script from de Antonio's 1972 film Painters Painting, inspired by the Museum of Modern Art's exhibition, New York Painting and Sculpture: 1940-1970, curated by Henry Geldzahler. Included are correspondence; transcripts of interviews conducted by de Antonio of painters, critics, curators, and collectors; notes; drafts of the book; and a subject card file.
Interviewees include: Josef Albers, Leo Castelli, Willem de Kooning, Helen Frankenthaler, Henry Geldzahler, Clement Greenberg, Thomas Hess, Jasper Johns, Philip Johnson, Hilton Kramer, Philip Leider, Robert Motherwell, Louise Nevelson, Barnett Newman, Kenneth Noland, Jules Olitski, Philip Pavia, Larry Poons, Robert Rauschenberg, Larry Rivers, William Rubin, Ethel and Robert Scull, Frank Stella, and Andy Warhol.
Biographical / Historical:
Tuchman is an author and editor; Los Angeles, Calif.
Provenance:
Donated 1994 by Mitch Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics -- United States -- Interviews  Search this
Editors -- California -- Los Angeles  Search this
Topic:
Artists -- United States -- Interviews  Search this
Art -- Collectors and collecting -- Interviews  Search this
Art museum curators -- United States -- Interviews  Search this
Modernism (Art) -- United States  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Identifier:
AAA.tuchmitc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmitc

Molly Saltman "Art and Artists" interviews, 1966-1967

Creator:
Saltman, Molly, 1915-2010  Search this
Subject:
Falkenstein, Claire  Search this
Feitelson, Lorser  Search this
Hamilton, Richard  Search this
Hopper, Dennis  Search this
Levine, Jack  Search this
Lytton, Bart  Search this
Macdonald-Wright, Stanton  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nyiri, Joseph  Search this
Partch, Harry  Search this
Price, Vincent  Search this
Secunda, Arthur  Search this
Wayne, June  Search this
White, Charles  Search this
Art and artists  Search this
Type:
Interviews
Lectures
Sound recordings
Topic:
Art, American  Search this
Art--Collectors and collecting--Interviews  Search this
Record number:
(DSI-AAA_CollID)7179
(DSI-AAA_SIRISBib)209316
AAA_collcode_saltmoll
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209316

Molly Saltman "Art and Artists" interviews

Creator:
Saltman, Molly  Search this
Names:
Art and artists (Radio program)  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Hamilton, Richard, 1922-  Search this
Hopper, Dennis, 1936-  Search this
Levine, Jack, 1915-2010  Search this
Lytton, Bart, 1912-1969  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nyiri, Joseph, 1937-  Search this
Partch, Harry, 1901-1974  Search this
Price, Vincent, 1911-1993  Search this
Secunda, Arthur  Search this
Wayne, June, 1918-2011  Search this
White, Charles, 1918-1979  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Lectures
Sound recordings
Date:
1966-1967
Summary:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Scope and Contents:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Arrangement:
Due to the small size of this collection the sound recordings are arranged as one series.

Series 1: Interviews and other recordings, circa 1963-1968 (Box 1-3, 2.4 linear feet)
Biographical / Historical:
The Molly Saltman "Art and Artists" radio program was broadcast on KPAL radio station in Palm Springs, California from November 2, 1966 to March 4, 1967 on Mondays and Wednesdays at 10:30AM. Molly Saltman (1915-2010), the producer and interviewer for this broadcast, was a well-known Palm Springs artist during this time. Specializing in abstract watercolors, her work was featured in a number of local art shows as well as exhibited in the Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Hartfield Gallery in Los Angeles. She was also closely involved with the Desert Mental Health Association and served as Chairwoman of the Jewish Family Service in Palm Springs, California.
Provenance:
The collection was donated by Molly Saltman in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Researchers must obtain copyright clearance from interviewees prior to publication or airing.
Occupation:
Actors  Search this
Art teachers -- Interviews  Search this
Artists -- Interviews  Search this
Topic:
Art, American  Search this
Art--Collectors and collecting--Interviews  Search this
Genre/Form:
Interviews
Lectures
Sound recordings
Citation:
Molly Saltman "Art and Artists" Interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saltmoll
See more items in:
Molly Saltman "Art and Artists" interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saltmoll

Fidel Danieli papers, 1962-1987

Creator:
Danieli, Fidel, 1938-1988  Search this
Subject:
Saar, Betye  Search this
Rosenthal, Rachel  Search this
Smith, Alexis  Search this
Pettibone, Richard  Search this
McLaughlin, John  Search this
Plagens, Peter  Search this
Pettibone, Shirley  Search this
Krasnow, Peter  Search this
Almaraz, Carlos  Search this
Lloyd, Gary  Search this
Langsner, Jules  Search this
Bell, Larry  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Feitelson, Lorser  Search this
Delano, Annita  Search this
Berman, Wallace  Search this
Brigante, Nicholas P.  Search this
Bettelheim, Judith  Search this
Kaprow, Allan  Search this
Graham, Robert  Search this
Flavin, Dan  Search this
Type:
Sound recordings
Photographs
Interviews
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)10221
(DSI-AAA_SIRISBib)213297
AAA_collcode_danifide
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213297
Online Media:

Fidel Danieli papers

Creator:
Danieli, Fidel  Search this
Names:
Almaraz, Carlos  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Bell, Larry, 1939-  Search this
Berman, Wallace, 1926-1976  Search this
Bettelheim, Judith, 1944-  Search this
Brigante, Nicholas P., 1895-1989  Search this
Delano, Annita, 1894-  Search this
Feitelson, Lorser, 1898-1978  Search this
Flavin, Dan, 1933-  Search this
Graham, Robert, 1938-  Search this
Kaprow, Allan  Search this
Krasnow, Peter, 1886-1979  Search this
Langsner, Jules, 1911-1967  Search this
Lloyd, Gary, 1943-  Search this
McLaughlin, John, 1898-  Search this
Pettibone, Richard, 1938-  Search this
Pettibone, Shirley  Search this
Plagens, Peter  Search this
Rosenthal, Rachel, 1926-  Search this
Saar, Betye  Search this
Smith, Alexis, 1921-1993  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Date:
1962-1987
Summary:
The papers of Los Angeles art critic and writer, art historian, professor, collector, and artist Fidel Danieli (1938-1988) measure 8.4 linear feet and date from 1962 to 1987. Found within the papers are writing and research files, and 108 sound recordings of interviews with or about 45 Los Angeles artists conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists." There are also sound recordings of art performances and art talks, and printed materials, including numerous exhibition announcements.
Scope and Contents:
The papers of Los Angeles art critic and writer, art historian, professor, collector, and artist Fidel Danieli (1938-1988) measure 8.4 linear feet and date from 1962 to 1987. Found within the papers are writing and research files, and 108 sound recordings of interviews with or about 45 Los Angeles artists conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists." There are also sound recordings of art performances and art talks, and printed materials, including numerous exhibition announcements.

Writing and research files consist of articles and reviews written by Fidel Danieli and supporting documentation and printed material. Files cover individual artists, exhibitions, and other scattered topics. Files on reviews of artists Danieli wrote include typescripts and handwritten drafts, printed materials, and photographs. Artists covered include Carlos Almarez, Larry Bell, Wallace Berman, Lorser Feitelson, Dan Flavin, Robert Graham, Jules Langsner, Richard Pettibone, Rachel Rosenthal, Alexis Smith, and John White, among many others. The file for Richard Pettibone includes 2 original sound cassettes and duplicates. Writings for exhibition catalogs and reviews of exhibitions focus primarily on Los Angeles area exhibitions or exhibitions of California artists. These files include notes, typescripts, and printed materials. Also found are files for magazine articles written by Danieli. Research files include a set of index cards documenting a chronology of Los Angeles art and 9 sound cassettes of television shows that focus on California art.

Interviews of and performances by Los Angeles comprise 108 sound cassettes. The majority of the cassettes are artist interviews conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists," but there are also scattered recordings of art talks, panel discussions, and performances. Artists include David Antin, Eleanor Antin, Judith Bettelheim, Nick Brigante, Annita Delano, Allan Kaprow, Peter Krasnow, Peter Plagens, Gary Lloyd, John McLaughlin, Shirley Pettibone, Betye Saar, and John White, among many others.

Printed material consists primarily of exhibition announcements about California artists and exhibitions.
Arrangement:
The collection is arranged as 3 series.

Series 1: Writing and Research Files, 1962-1987 (3.2 linear feet; Boxes 1-4)

Series 2: Los Angeles Artist Interviews and Performances, 1974-1975 (3.1 linear feet; Boxes 4-7)

Series 3: Printed Material, 1969-1985 (2.1 linear feet; Boxes 7-9)
Biographical / Historical:
Fidel Danieli (1938-1988) was an art critic and writer, art historian, educator, and artist based in Los Angeles, California. Danieli received his B.A. in 1960 and M.A. in 1965 from the University of California, Los Angeles (UCLA). For nearly 22 years, he taught at the Los Angeles Valley College in Van Nuys. He also taught and lectured at the California State College in Los Angeles and San Fernando Valley State College in Northridge.

Danieli was perhaps best known for his work as an art critic and writer, notably his reviews for Artforum from 1963-1968 that brought national recognition to many modern Southern California artists, such as Billy Al Bengston, Bruce Nauman, Robert Graham, and George Herms. Danieli was a member of the editorial committee of the Los Angeles Institute of Contemporary Art's (LAICA) Journal, a contributing editor to Artweek, and writer and reviewer for ArtScene and Images and Issues.

Danieli's special interest was in the early Los Angeles Modernists and he received a National Endowment for the Humanities grant around 1974 to fund research on the subject. From 1974-1975, he was also an interviewer for the UCLA oral history project "Los Angeles Art Community." The project culminated in the 1974 exhibition Nine Senior Southern California Painters at LAICA.

Danieli was also a painter, sculptor, and collector. His extensive art collection included photographs, paintings, ceramics, and prints. He bequeathed the bulk of his collection to the Oakland Museum and the Los Angeles Museum of Contemporary Art (MOCA), and a few private collectors who were friends. His art library was donated to Los Angeles Valley College.

He was briefly married to Edie Ellis though they later separated. He suffered ill health for several years and passed away in North Hollywood on March 26, 1988, at the age of 49.
Provenance:
The Fidel Danieli papers were donated to the Archives of American Art in 1990 by Sage Stormcreek, executor of Danieli's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Fidel Danieli papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Citation:
Fidel Danieli papers, 1962-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.danifide
See more items in:
Fidel Danieli papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-danifide
Online Media:

Wilhelm Reinhold Valentiner papers

Creator:
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Names:
Detroit Institute of Arts  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Bode, Wilhelm von, 1845-1929  Search this
Colenbrander, H. T. (Herman Theodoor), 1871-1945  Search this
Ford, Edsel, 1893-1943  Search this
Heise, Carl Georg, 1890-1979  Search this
Hofstede de Groot, C. (Cornelis), 1863-1930  Search this
McIlhenny, John  Search this
Mellon, Andrew W. (Andrew William), 1855-1937  Search this
Morgan, Anne Tracy, 1873-1952  Search this
Sarre, Maria  Search this
Wills, Helen, 1905-1998  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Prints
Photographs
Diaries
Place:
Germany -- Politics and government -- 1918-1933
Date:
1853-1977
Summary:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.
Scope and Contents:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.

Biographical materials include certificates, membership cards, a curriculum vitae, and genealogical information on the Valentiner and Lepsius families.

Correspondence includes letters in German from Valentiner's parents, siblings, extended family members, and his wife and daughter. General correspondence includes letters and cards in German and English from art historian mentors and peers, including Wilhelm von Bode, Cornelius Hofstede de Groot, Carl Heise, and Herman Colenbrander, as well as art collectors and friends, including John McIlhenny, Andrew Mellon, Edsel Ford, Maria Sarre, and Helen Wills Moody Roark.

Seven diaries dated 1910-1939 were written in German, some of which also contain sketches, photographs, and other enclosures. Additional writings and notes consist of autobiographical writings, numerous essays, lectures, and monographs on Italian and Dutch art and artists, and reports and lectures on exhibitions at the Metropolitan Museum of Art and the Detroit Institute of Arts. Lecture seminar notes appear to have been written while Valentiner was a student in Germany, and materials related to Arbeitsrat für Kunst date from the period after Valentiner's military service when he served as a chairman to the newly formed Working Council for the Arts, prior to his return to America in 1921.

Printed material includes bulletins, exhibition catalogs, clippings, and three clippings scrapbooks, which document Valentiner's professional career in New York and Detroit.

Photographic materials are of Wilhelm Valentiner, his immediate and extended family members, and his friends. Photos of Valentiner are from his youth, military service in Germany, and his personal and professional career in the U.S. Photographs of friends include art scholars, collectors, and family friends, including Maria Sarre, Helen Wills Moody Rorke, and Anne Morgan, the daughter of Pierpoint Morgan. There are also a handful of reproductions of artwork used as scholarly references in his writings. The two photo albums focus on Valentiner's family and friends from his youth in Germany, and Valentiner with family members later in his life.

Artwork in the collection consists of prints from a page in a German book, a bookplate, and two woodcuts by unidentified artists.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1853-1976 (8 folders; Box 1)

Series 2: Correspondence, 1860-1974 (3.4 linear feet; Box 1-4)

Series 3: Diaries, 1910-1939 (7 folders; Box 3)

Series 4: Writings and Notes, 1890-1970 (1.7 linear feet; Box 4-6, 9)

Series 5: Printed Material, 1915-1977 (0.2 linear feet; Box 6)

Series 6: Scrapbooks, 1908-1933 (0.4 linear feet; Box 6, 9)

Series 7: Photographic Materials, 1840-1970 (0.8 linear feet; Box 6-8)

Series 8: Artwork, 1890-1960 (3 folders; Box 8)
Biographical / Historical:
Art historian and museum director Wilhelm Reinhold Valentiner (1880-1958) lived in New York City, N.Y., Detroit, Michigan, and Raleigh, North Carolina and was known for his leadership and collection development during his tenure at the Metropolitan Museum of Art and the Detroit Institute of Arts.

Valentiner was born in Karlsruhe, Germany to Karl Wilhelm Valentiner, a professor of astronomy at Heidelberg University, and his wife, Anna Lepsius Valentiner. The youngest of four children, Valentiner attended the University of Leipzig and continued studies in art history at the University of Heidelberg, where he received his doctorate in 1905 under the mentorship of Henry Thode. His relationship with Thode and with fellow students Edwin Redslob and Hermann Voss would eventually lead to lifelong friendships with a network of European scholars and historians, including Wilhelm von Bode and Cornelius Hofstede de Groot.

Upon von Bode's recommendation to J.P. Morgan, then President of the Metropolitan Museum of Art, Valentiner joined the staff of the Metropolitan in 1908 as the curator for Decorative Arts. In 1913, he founded the journal Art in America, where he would remain as editor until 1931. At the onset of World War I, Valentiner returned to Germany to enlist and served until the war's end, at which point he spent a brief period working at the Kaiser Friedrich Museum and participated in the Arbeitsrat für Kunst, a new group that questioned the traditional relationship between artists and established art institutions. Though shortlived, his participation as a chairmen for the Working Council for the Arts introduced him to leading German artists and architects, including Walter Gropius, Karl Schmidt-Rottluff, Käthe Kollwitz, and Lyonel Feininger. At this time, he also met his future wife, Cecelia Odefay, who he married in 1919.

In 1921, Valentiner returned to the U.S. and was asked to serve as a collecting advisor to the Detroit Institute of Arts. In 1924, he was appointed the Institute's director, a position he held until his retirement in 1944. During his tenure, he oversaw the opening of a new wing, the first acquisition of pre-Columbian and African art, the strengthening of Chinese and Islamic art collections, significant acquisitions of European Modernists, and the development of the museum's education and conservation divisions.

In 1937, Valentiner founded the Art Quarterly journal for the College Art Association, which he edited until 1949. After his retirement from the Institute, Valentiner was called from retirement to serve as director for the Los Angeles County Museum and the Getty Museum in California, and the North Carolina Museum of Art in Raleigh. Valentiner died from complications of pneumonia in 1958.
Related Materials:
Also found in the Archives of American Art are the Mary E. Adams letters from Wilhelm Valentiner and an oral history interview with Mary and Clinton Adams conducted by Paul Karlstrom, April 24, 1998. The North Carolina Museum of Art also holds papers of Wilhelm Valentiner, most of which are also available at the Archives on microfilm reels D31 and 2140-2144.
Separated Materials:
In 1981 and earlier, the Archives microfilmed the William R. Valentiner papers that were on deposit from the North Carolina Museum of Art onto reels D31 and 2140-2144. The papers were returned to the North Carolina Museum of Art, but the microfilm is still available for use at the Archives research centers and for interlibrary loan.

Reel D31 includes diary entries, 1914-1957, describing Valentiner's service in the German army, 1914-1918, with the War Information Office in Berlin, the overthrow of the monarchy and German politics, relations between Germany and Russia and communist activity in Germany, the administration of Berlin museums and radical artists' activities, his work with the L.A. County Museum, Detroit Institute of Fine Arts, the North Carolina Museum of Art, and private collectors, impressions of friends, including Henry Ford, Carl Hamilton, the Hohenzollerns, Franz Marc, Rainer Maria Rilke, Walter Rathenau, Helen Wills, Benjamin Altman, J. Pierpont Morgan, and recollections of women art collectors, including Mrs. August Belmont, Rita Lydig, and Mrs. Leonard Thomas. A very small portion of the filmed materials may be found among the Valentiner papers at the Archives, but most of the materials were returned to the North Carolina Museum of Art.

Loaned materials on reels 2140-2144 consist of 26 diaries, 1904-1958; autobiographical writings; manuscripts and lectures by Valentiner; correspondence with family, friends, authors, museums, galleries, and dealers, including Harry Bertoia, Charles Culver, Lyonel and Julia Feininger, Walter Gropius, Paul and Mary Weschler, and Morris Graves; and a scrapbook containing clippings, drafts of speeches, and invitations.
Provenance:
From 1972 to 1977, Valentiner's papers were gathered from various sources by historian Margaret Sterne who was researching and writing a biography of Valentiner. Sterne died just prior to publication and the papers were sorted by Archives' staff and returned to the lender when known. After publication of the biography, the bulk of the papers were returned to their respective lenders (primarily the University of North Carolina) and the remaining papers were sorted and accessioned by the Archives. Donors are listed as unknown or anonymous.
Restrictions:
Use of original papers requires an appointment and is limited to the Archvies' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Wilhelm Reinhold Valentiner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art historians -- Michigan -- Detroit  Search this
Museum directors -- Michigan -- Detroit  Search this
Topic:
Art museums -- United States  Search this
Museum directors -- New York (State) -- New York  Search this
Art, Dutch  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Italian  Search this
Genre/Form:
Scrapbooks
Sketches
Prints
Photographs
Diaries
Citation:
Wilhelm Reinhold Valentiner papers, 1853-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.valewilh
See more items in:
Wilhelm Reinhold Valentiner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valewilh
Online Media:

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Rudolph Schaeffer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- California -- San Francisco  Search this
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scharudo

Oral history interview with Hans Burkhardt

Interviewee:
Burkhardt, Hans Gustav, 1904-1994  Search this
Creator:
Burkhardt, Thordis W., 1908-1993  Search this
Bordeaux, Jean-Luc  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Gorky, Arshile, 1904-1948  Search this
Tobey, Mark  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 November 25
Scope and Contents:
An interview of Hans Burkhardt conducted 1974 November 25, by Paul J. Karlstrom, for the Archives of American Art. Burkhardt speaks of his experiences in New York in the 1930s; studying with Arshile Gorky; his career in Los Angeles; his friendships with artists including Mark Tobey; Los Angeles in the 1930s; his work; and teaching. Also present were Jean-Luc Bordeaux and Thordis Burkhardt.
Biographical / Historical:
Hans Burkhardt (1904-1994) was a painter, printmaker, educator, and collector from Los Angeles, California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 58 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.burkha74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burkha74

Oral history interview with Nicholas Wilder, 1988 July 18

Interviewee:
Wilder, Nicholas, 1937 or 8-1989  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Subject:
Artforum  Search this
Lanyon Art Gallery  Search this
Nicholas Wilder Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Art dealers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11998
(DSI-AAA_SIRISBib)214891
AAA_collcode_wilder88
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214891
Online Media:

Oral history interview with Vincent Price, 1992 Aug. 6-14

Interviewee:
Price, Vincent, 1911-1993  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Interviews  Search this
Actors -- California -- Interviews  Search this
Art patrons -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13227
(DSI-AAA_SIRISBib)215460
AAA_collcode_price92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215460
Online Media:

Oral history interview with Betty M. Asher, 1980 June 30 and 1980 July 7

Interviewee:
Asher, Betty M., 1914-1994  Search this
Interviewer:
Garver, Thomas H.  Search this
Subject:
Blum, Irving  Search this
Landau, Felix  Search this
Robles, Esther  Search this
Tuchman, Maurice  Search this
Asher & Faure  Search this
Los Angeles County Museum of Art  Search this
Type:
Sound recordings
Interviews
Topic:
Art, Modern -- 20th century -- United States -- Collectors and collecting  Search this
Art -- Collectors and collecting -- California -- Interviews  Search this
Women art dealers -- California -- Interviews  Search this
Art dealers -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12547
(DSI-AAA_SIRISBib)211936
AAA_collcode_asher80
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211936
Online Media:

Oral history interview with Hans Burkhardt, 1974 November 25

Interviewee:
Burkhardt, Hans Gustav, 1904-1994  Search this
Interviewer:
Burkhardt, Thordis W., 1908-1993  Search this
Subject:
Gorky, Arshile  Search this
Tobey, Mark  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Los Angeles -- Interviews  Search this
Educators -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12117
(DSI-AAA_SIRISBib)212077
AAA_collcode_burkha74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212077
Online Media:

Oral history interview with Giuseppe Panza, 1985 Apr. 2-4

Interviewee:
Panza, Giuseppe, 1923-2010  Search this
Interviewer:
Knight, Christopher, 1950-  Search this
Subject:
Panza, Giuseppe  Search this
Museum of Contemporary Art  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)12827
(DSI-AAA_SIRISBib)212092
AAA_collcode_panza85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212092
Online Media:

Oral history interview with Rosamund Felsen, 2004 Oct. 10-11

Interviewee:
Felsen, Rosamund, 1934-  Search this
Interviewer:
Ayres, Anne, 1936-  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Economic aspects  Search this
Art -- Political aspects  Search this
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11719
(DSI-AAA_SIRISBib)249387
AAA_collcode_felsen04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249387
Online Media:

Oral history interview with Patricia Faure, 2004 Nov. 17-24

Interviewee:
Faure, Patricia, 1928-  Search this
Interviewer:
Ehrlich, Susan, 1942-  Search this
Subject:
Asher & Faure  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Economic aspects  Search this
Art -- Collectors and collecting -- California  Search this
Record number:
(DSI-AAA_CollID)11894
(DSI-AAA_SIRISBib)249406
AAA_collcode_faure04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249406
Online Media:

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