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Interviews

Collection Creator:
Dickinson, Eleanor, 1931-  Search this
Extent:
2.5 Linear feet (Boxes 4-7)
Type:
Archival materials
Date:
1976-2000
Scope and Contents:
The bulk of this series consists of 26 video recordings of interviews created for Dickinson's cable access television show, Art of the Matter, that aired in the San Francisco Bay Area. The program features guests speaking on topics such as arts legislation, financial and legal issues facing professional artists, public funding, and other topics. The format of the show is based on Dickinson's Artist's Business and Gallery and Museum Management courses taught at California College of Arts and Crafts. Other interviews include 7 sound recordings with Alfred Frankenstein, Charles Hilger, George Neubert, H.J. Janson on the inclusion of women artists in his widely used textbook History of Art, and other art professionals.
Arrangement:
Files for Art of the Matter are listed in numerical order indicated by the number in parenthesis. The numbers correspond to a list with detailed episode descriptions located in Folder 15.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eleanor Dickinson papers, 1947-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dickelea, Series 3
See more items in:
Eleanor Dickinson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ed47f74-2a56-4099-963d-de5a90085317
EDAN-URL:
ead_component:sova-aaa-dickelea-ref40

Marian W. Sinton papers

Creator:
Sinton, Marian W., 1894-1980  Search this
Names:
Anderson, Carlo  Search this
Feldman, Bella Tabak, 1930-  Search this
Oliveira, Nathan, 1928-2010  Search this
Patchen, Kenneth, 1911-1972  Search this
Rose, Henri Marie, 1922-  Search this
Siegriest, 1899-1989  Search this
Thiebaud, Wayne  Search this
Van Hoesen, Beth, 1926-2010  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1962-1971
Scope and Contents:
Thirty-nine letters, mostly thank-yous, to Sinton from mainly San Francisco Bay Area artists Carlo Anderson, Bella T. Feldman, Nathan Oliviera, Henri Marie Rose, Louis Siegriest, Wayne Thiebaud, Beth Van Hoesen and others; and a clipping dated September 16, 1967, about the poetry of Kenneth Patchen.
Biographical / Historical:
Art collector; Hillsborough, Calif.
Provenance:
Donated 1985 by Ruth Steiner, daughter of Marian Sinton. The material formed part of a larger collection of prints and drawings from the estate of the late Mr. and Mrs. Edgar Sinton and donated to the Achenbach Foundation for the Graphic Arts, California Palace of the Legion of Honor (Fine Arts Museum of San Francisco).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- California  Search this
Topic:
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Identifier:
AAA.sintmari
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw963ed4abf-fa67-411f-83d7-d2f4f1c47165
EDAN-URL:
ead_collection:sova-aaa-sintmari

Erle Loran papers

Creator:
Loran, Erle, 1905-1999  Search this
Names:
Fine Arts Museums of San Francisco  Search this
Friends of Ethnic Art  Search this
San Francisco Art Institute  Search this
University of California, Berkeley -- Faculty  Search this
Bearden, Romare, 1911-1988  Search this
Cézanne, Paul, 1839-1906  Search this
Dasburg, Andrew, 1887-1979  Search this
Greenberg, Clement, 1909-1994  Search this
Haley, John, 1905-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Hofmann, Hans, 1880-1966  Search this
Levinson, Harry  Search this
Sabean, Samuel  Search this
Schaefer, Bertha, 1895-1971  Search this
Still, Clyfford, 1904-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
12.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Writings
Date:
1912-1999
Summary:
The papers of California painter, writer, and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.
Scope and Content Note:
The papers of California painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne.

Biographical materials include biographical sketches, curriculum vita, a will, notes and a notebook, and an appointment book for 1987. Also found is an anniversary invitation, a certificate from the University of California, and the Pepsi-Cola award for 1948.

Two linear feet of correspondence is with artists, critics, galleries, and universities. Correspondents inlcude Romare Bearden, Andrew Dasburg, Clement Greenberg, John Haley, Dalzell Hatfield, Hans Hofmann, Harry Levinson (president of Permanent Pigments), Sam Sabean, Bertha Schaefer, Clyfford Still, and Ulfert Wilke. There is also correspondence with the University of California.

Personal business records include exhibition files, price and consignment lists, teaching materials, University of California Press records, and records relating to the publication of his book on Cézanne. Some of these records also document Loran's involvement with the Fine Arts Museum, Friends of Ethnic Arts, and the San Francisco Art Institute. In addition, there are records related to Loran's role in a donation of forty-five paintings by Hans Hofmann to the University Art Center. Also found are materials related to Loran's activities as an art collector including sales receipts, auction catalogs, and photographs of artwork owned by Loran.

Writings by Loran include a complete manuscript version of Cézanne's Composition along with additional notes and drafts, and numerous other short essays on Cézanne's life and art. Loran's other writings include essays about Hans Hofmann, Marsden Hartley, symbology in abstract art, and contemporary art.

Loran's career as an artist is extensively documented by four linear feet of original artwork, mostly preliminary sketches. The work demonstrates a variety of techniques including watercolor, pastel, pencil, pen, gouache, and oil sketches. Content includes landscapes, portraits, fantasy scenes, urban scenes, and rural scenes.

Printed materials include extensive newsclippings from seven decades, exhibition announcements, and exhibition catalogs. Photographs are of Loran, his second wife Clyta, the Loran family, friends and colleagues, artwork, and source materials. Also found within the papers is an audio recording on cassette of a lecture by Loran on Cézanne.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1930s-1990s (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1912-1992 (Boxes 1-3; 2.0 linear feet)

Series 3: Personal Business Records, 1930s-1992 (Box 3; 0.25 linear feet)

Series 4: Writings, 1921-1999 (Boxes 3-4; 1.25 linear feet)

Series 5: Artwork, 1920s-1980s (Boxes 4-8, 13-14; 4.3 linear feet)

Series 6: Printed Material, 1925-1999 (Boxes 8-10, 14; 2.3 linear feet)

Series 7: Photographs, 1910s-1990s (Boxes 10-12, 14; 2.5 linear feet)

Series 8: Audio Recording, 1982 (Box 12; 1 folder)
Biographical Note:
California painter, writer, and teacher Erle Loran was born on October 2, 1905 in Minneapolis, Minnesota. He attended the Minneapolis School of Art and graduated in 1926. That same year, Loran won the Paris Prize from the Chaloner Foundation which enabled him to study in France for the next three years. Here, he immersed himself into the world of Paul Cezanne. He lived for two years in Cézanne's studio, meeting many who knew Cezanne, including painter Emile Bernard, and art dealer Ambroise Vollard. This experience was critical to the development of Loran's artistic vision and his later writings and lectures about Cézanne.

In 1929, Loran returned to the United States, and published the article "Cézanne's Country" in The Arts in 1930. He then spent the early 1930s in Minnesota, after returning to Minneapolis to be treated for tuberculosis. There, Loran began to paint in a regionalist style, producing landscapes and scenes of life in rural Minnesota. In 1931, Loran was given his first one-man show at the Kraushaar Gallery in New York. During the depression, Loran began teaching art and was given painting commissions as part of the federal arts programs of the WPA.

Loran moved to California in 1937 and accepted a position as professor in the art department at the University of California, Berkeley. There he taught until retiring in 1973, serving as the department's chair in the 1950s. He established a program to invite east coast artists to teach at the university, and participants included Conrad Marca-Relli and Milton Resnick. Loran's students included Jay DeFeo, Richard Diebenkorn, and Sam Francis. In 1941 Loran began to write the synthesis of his research and interpretations about Cézanne's work, culminating in his pioneering book Cézanne's Composition published in 1943 by the University of California Press.

During this period Loran associated himself with modernist Hans Hofmann. Loran's early paintings were lyrical abstractions in primary colors; however, his style constantly changed with the times. Watercolor was Loran's medium of choice because it lent itself to his often-remote plein air locations, such as the ghost towns of California and Nevada. With John Haley and Worth Ryder he formed the "Berkeley Group," whose paintings consisted of scenes of the California and southwestern landscape painted in flat, open areas of color. During the war, painting in the open became increasingly difficult and Loran transitioned from plein-air painting to studio work. Shortly thereafter he began to focus his painting on abstraction.

Loran's artwork during the 1950s consisted primarily of abstractions based on natural forms like crystal and driftwood. In 1955, he spent six weeks studying with Hans Hofmann, whom he later called, along with Cézanne, a second "great father figure." In 1960, he was instrumental in securing a gift of forty-five paintings by Hans Hofmann for Berkeley's University Art Center. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols.

Loran continued to paint throughout the rest of his life in a variety of styles, including nudes, abstractions, and landscapes. Besides being an artist and a teacher, Loran was also a lifelong collector of ethnic art who specialized in African, Asian, Native American, and pre-Columbian tribal art. Many works from his collection are presently housed at the de Young Museum in San Francisco. Loran died in 1999 in Berkeley, at the age of 93.
Related Material:
Found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection. Also found is a letter from Loran to Richard Wattenmaker, 1975.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 906) including photographs of artwork by Erle Loran and two clippings of reproductions of Loran's artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Erle Loran lent the Archives of American Art materials for microfilming and donated papers in 1975. In 1999 Mrs. Ruth Schora-Loran, Loran's widow, donated additional material, including artworks.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- California -- Berkeley  Search this
Painters -- California -- Berkeley  Search this
Topic:
Art, Abstract  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area  Search this
Painting, Modern -- 20th century -- California -- Berkeley  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Writings
Citation:
Erle Loran Papers, 1912-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loraerle
See more items in:
Erle Loran papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw925cee8b4-a8f7-4f7f-b704-bf23331c4f25
EDAN-URL:
ead_collection:sova-aaa-loraerle
Online Media:

John and Monica Haley papers

Creator:
Haley, John, 1905-1991  Search this
Haley, Monica E., 1907-1997  Search this
Names:
Booth, Cameron, 1892-1980  Search this
Hein, Joan  Search this
Hofmann, Hans, 1880-1966  Search this
Jensen, Alfred, 1903-1981  Search this
Loran, Erle, 1905-1999  Search this
Peterson, Margaret, 1903-  Search this
Rupprecht, Edgar A.  Search this
Ryder, Worth, 1884-1960  Search this
Schoolcraft, Henry Rowe, 1793-1864  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
2.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1927-1987
Scope and Contents:
Correspondence, writings, photographs, and exhibition catalogs, much of it relating to Hans Hofmann.
REELS 4178-4179: Correspondence between John and Monica Haley, 1937-1938 and 1987, and letters received from Earl and Clyta Loran, undated and 1950-1986, Vaclav Vytlacil, undated and 1966-1984, and Glen Wessels, undated and 1960-1982. Enclosed with a letter written by Vaclav Vytlacil in 1966 is a copy of a manuscript by him on Hans Hofmann. Correspondence from 1987 contains materials pertaining to the painter and teacher Margaret Peterson.
REEL 1355: Papers relating to Hans Hofmann, including five letters from Hofmann to Worth Ryder; three letters between Haley and Hofmann; two manuscripts, one in German, by Hofmann, "Creation in Form and Color - A Textbook for Instruction in Art" (1931); lecture by Hofmann; photographs taken in Germany (1927-1931) of Hofmann, Miz Hofmann, John Haley, Alfred Jensen, Ed and Isabell Rupprecht, Joan Hein, Cameron Booth, and the Hofmann School building in Munich; photographs of works by Hofmann students; brochures for the school; Hofmann exhibition catalogs; and miscellany.
ADDITION: Materials documenting Haley's studies with Hofmann, service in the Navy, and his many years teaching at UC Berkeley; letters from Haley to his wife sent from the South Pacific during World War II; sketchbooks; and photographs.
Biographical / Historical:
John: Painter, sculptor and educator. Monica: Art educator; San Francisco Bay Area, California. Haley studied with Cameron Booth and Hans Hofmann. He taught at the University of California at Berkeley with other "modernists" Worth Ryder, Hofmann, Erle Loran and Margaret Peterson. John Haley died in 1991; Monica in 1997.
Provenance:
Material on reel 1355 lent by John Haley, 1978. He and Monica donated the material on reels 4178-4179 in 1987; Monica donated the remainder in 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Painters -- California  Search this
Art teachers -- California -- Berkeley  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Modernism (Art)  Search this
Identifier:
AAA.halejohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996e8c529-cdb6-4b55-9558-a863d6aac11e
EDAN-URL:
ead_collection:sova-aaa-halejohn

Glenn Wessels papers

Topic:
Fortnightly
Argonaut (Periodical)
Creator:
Wessels, Glenn A. (Glenn Anthony), 1895-  Search this
Names:
University of California, Berkeley. Department of Art  Search this
Adams, Ansel, 1902-1984  Search this
Alvarez, Peace K.  Search this
Cunningham, Imogen, 1883-1976  Search this
Haley, John, 1905-1991  Search this
Hofmann, Hans, 1880-1966  Search this
Limerick, Ila A.  Search this
Loran, Erle, 1905-1999  Search this
Ryder, Worth, 1884-1960  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1932-1982]
Scope and Contents:
Biographical material, 1953-1981; 15 letters from Hans and Maria Hofmann, and two from Wessels to Hofmann, 1952-1964; correspondence with Ila Limerick and Peace and Pauline Alvarez regarding mostly their planned but uncompleted biography of Wessels, ca. 1959-1968; miscellaneous correspondence; typescripts of lectures by Wessels; photographs of Wessels, including one by Imogen Cunningham, 1956, Wessels with others, one of his work, and one by Wessels (?) of an outdoor scene; newspaper clippings and printed material, undated, 1959-1967 and 1982; and miscellany, 1932-1966.
The Hans Hofmann letters, written from New York and Provincetown, discuss the importance of painting, his and Wessel's work, his plans to come to Berkeley to accept an honorary doctorate, and his feelings toward Wessels, Erle Loran, and others. Three of the letters are written by his wife Maria. Wessels' letters to Hofmann relate to the University's choice of Erle Loran to present Hofmann's honorary doctorate.
The correspondence with Ila Limerick, and Peace and sometimes Pauline Alvarez, contain lengthy, detailed reminiscences by Wessels on personal and professional topics. The later correspondence with Peace Alvarez relates mainly to the deteriorating health of Wessels' wife, Kay.
The miscellaneous correspondence includes a letter from Wessels to Worth Ryder, 1943, relating to Erle Loran and John Haley; a letter from Alfred Frankenstein thanking Wessels for sending his paper "The New Approach to Nature in Painting"; a letter from Worth Ryder congratulating Wessels on his exhibition, 1959; a letter from Ansel Adams praising Wessels' work done at a Polaroid Corp. Workshop, 1965; and letters regarding a controversy surrounding credit for bringing Hofmann to U.C. Berkeley, including a copy of a letter from John Haley to Paul Cummings; from Wessels to Haley, 1978; and from Wessel's brother-in-law Willis Foster to James Elliott, Director, University Art Museum, 1986.
Included in the printed material are an issue of The Fortnightly (Feb. 26, 1932) which Wessels helped found and served as art editor, and The Argonaut (July 16, 1937), containing Wessels' weekly column on art.
Biographical / Historical:
Painter, lecturer, critic, and teacher; Berkeley, Calif. Born Captown, South Africa. Studied with Hans Hofmann in Munich. Professor of Art at University of California at Berkeley.
Provenance:
Donated 1991 by Willis Foster, Wessels' brother-in-law.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California  Search this
Topic:
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Identifier:
AAA.wessglen
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957357f77-d062-4086-bd28-7620d6f2bc6d
EDAN-URL:
ead_collection:sova-aaa-wessglen

George Demont Otis papers, 1931-1974

Creator:
Otis, George Demont, 1879-1962  Search this
Subject:
Hartley, Grace  Search this
Nixon, Pat  Search this
Type:
Sketchbooks
Citation:
George Demont Otis papers, 1931-1974. Archives of American Art, Smithsonian Institution.
Topic:
Indians of North America  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6980
(DSI-AAA_SIRISBib)209109
AAA_collcode_otisgeor
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209109

Oral history interview with Richard Diebenkorn, 1985 May 1-1987 December 15

Interviewee:
Diebenkorn, Richard, 1922-1993  Search this
Interviewer:
Larsen, Susan C.  Search this
Subject:
Bischoff, Elmer  Search this
Jonson, Raymond  Search this
Loran, Erle  Search this
Mendelowitz, Daniel Marcus  Search this
Park, David  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Diebenkorn, 1985 May 1-1987 December 15. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- California -- San Francisco Bay Area  Search this
Painting, Abstract -- California -- San Francisco Bay Area  Search this
Painting -- California -- San Francisco Bay Area  Search this
Painters -- California -- San Francisco Bay Area -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11813
(DSI-AAA_SIRISBib)216520
AAA_collcode_dieben85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216520
Online Media:

Elmer Bischoff papers

Creator:
Bischoff, Elmer, 1916-1991  Search this
Names:
Staempfli Gallery (New York, N.Y.)  Search this
University of California, Berkeley -- Faculty  Search this
University of California, Berkeley -- Students  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Collages
Drawings
Watercolors
Interviews
Date:
1914-1990
Summary:
The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.
Scope and Contents:
The papers of San Francisco painter and arts instructor Elmer Bischoff measure 4.4 linear feet and date from 1914 to 1990, with the bulk of the material dating from the late 1950s to the mid-1980s. Found within the papers are biographical materials, scattered correspondence, notes and notebooks, teaching and student files, printed materials, artwork and two sketchbooks, and photographs and negatives of Bischoff, his family, post World War II Europe, and artwork studies.

Biographical materials document jurying on art prize committees, interviews with others, lists of names and addresses, and biographical materials. Scattered correspondence is with Staempfli Gallery, organizations, and artists. Notes and notebooks document people Bischoff kept in touch with, as well as day-to-day occurrences in his life, including health and travel. University files document Bischoff's years as a professor at UC Berkeley, as well as papers written about him and notes from his days as a student at UC Berkeley. The bulk of the collection consists of printed material documenting exhibitions, magazines and newspapers where Bischoff's work was profiled, and materials that document his personal interests. Artwork and two sketchbooks contain drawings, watercolors, and collages by Bischoff. Photographs are of Bischoff, his family, travel, and art resource photographs.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Biographical Materials, 1930-1990 (Box 1, 0.5 linear feet)

Series 2: Correspondence, 1956-1990 (Box 1, 0.2 linear feet)

Series 3: Notes and Notebooks, 1976-1989 (Box 1, 0.3 linear feet)

Series 4: University Files, 1954-1990 (Box 2, 0.4 linear feet)

Series 5: Printed Material, 1941-1990 (Box 3-6, 1.6 linear feet)

Series 6: Artwork and Sketchbooks, 1958, undated (Box 7-8, 0.6 linear feet)

Series 7: Photographic Materials, 1914-1990 (Box 9, 0.2 linear feet)
Biographical / Historical:
Elmer Bischoff (1916-1991) was an influential painter and arts instructor in the San Francisco Bay Area figurative art movement that emerged in the early 1950s.

Bischoff grew up in Berkeley, California and attended the University of California (UC) at Berkeley, receiving his Master of Arts in 1939. During the Great Depression, he became involved with the Federal Art Project and taught ceramics at an arts center in Sacramento, California. During World War II, he served in the US Air Force and was stationed in England as an intelligence officer. When he returned to California in 1945, he taught at the California School of Fine Arts (now known as San Francisco Art Institute) with Richard Diebenkorn, David Park, Mark Rothko, Clyfford Still, and Ad Reinhardt. He resigned from the school in the early 1950s when he took up figurative painting, but returned in 1956 to head the graduate program. In 1963 he became an associate professor at UC Berkeley, and was promoted to full professor in 1965, where he stayed until he retired in 1985.
Related Materials:
Among other resources relating to the Elmer Bischoff papers are two oral histories with Bischoff; one conducted in 1965 by Mary McChesney and the other conducted in 1977 by Paul J. Karlstrom.
Provenance:
Two items on reel 2787 were donated in 1974 by Elmer Bischoff. His papers were donated in 1991 by his widow, Adelie Bischoff.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Collages
Drawings
Watercolors
Interviews
Citation:
Elmer Bischoff papers, 1914-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biscelme
See more items in:
Elmer Bischoff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98c7c222d-83f1-43f7-acec-d4d0e9c5de32
EDAN-URL:
ead_collection:sova-aaa-biscelme

David Park papers, 1917-1973

Creator:
Park, David, 1911-1960  Search this
Subject:
Staempfli, George W.  Search this
Bruno, Phillip A.  Search this
Mills, Paul Chadbourne  Search this
Citation:
David Park papers, 1917-1973. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- California  Search this
Art -- Study and teaching -- California  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8928
(DSI-AAA_SIRISBib)211114
AAA_collcode_parkdavi
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211114

Lomas-Garza, Carmen

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(6 folders; see also: CARA; Garcia, Rupert; Gronk; Box 30; OV 32)
Container:
Box 15, Folder 32-37
Type:
Archival materials
Scope and Contents note:
(exhibition announcements; exhibition brochures; catalogs; resume; sales receipt; book by Lomas Garza, Papel Picado: Paper Cutout Techniques, Xicanindio Arts Coalition, Mesa, Arizona, 1984; TYF's notes on Lomas Garza; clippings; oversize materials; slides; note to TYF from Lomas Garza, undated; note to TYF and Dudley, from Lomas Garza, undated; typescript of essay on Lomas Garza by TYF, from the catalog, Carmen Lomas Garza: Lo Real Maravilloso: the Marvelous/The Real, The Mexican Museum, San Francisco, 1988; catalog, Mano a Mano: Abstraction/Figuration: 16 Mexican-American & Latin-American Painters from the San Francisco Bay Area, The Art Museum of Santa Cruz County and University of California Santa Cruz, 1988; Festival Internaxional de la Raza, "Los Artistas Chicanos del Valle de Tejas: Narradores de Mitos Y Tradiciones," 1991; Handwritten transcript of interview with Lomas Garza by TYF; polaroid photographs of Lomas Garza; memo to Dudley and TYF from Vincente M. Martinez, Acting Chief Curator Millicent Rogers Museum, 04/03/1995, re. invitations to exhibition opening and loan of piece)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92227dc1a-8e69-4967-a093-cff997cfa58a
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1011

Elmer Bischoff papers, 1914-1990

Creator:
Bischoff, Elmer Nelson, 1916-1991  Search this
Subject:
Staempfli Gallery (New York, N.Y.)  Search this
University of California, Berkeley  Search this
Type:
Collages
Drawings
Watercolors
Interviews
Citation:
Elmer Bischoff papers, 1914-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)6686
(DSI-AAA_SIRISBib)208811
AAA_collcode_biscelme
Theme:
Sketches & Sketchbooks
Lives of American Artists
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208811
Online Media:

William Theo Brown papers

Creator:
Brown, William Theo, 1919-2012  Search this
Names:
Anderson, Eugene Newton  Search this
Bachardy, Don, 1934-  Search this
Barber, Samuel, 1910-  Search this
Barton, Betsy  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Broughton, James  Search this
Callahan, Harry M.  Search this
Callery, Mary, 1903-1977  Search this
Carson, Josephine, 1919-  Search this
Coke, Van Deren, 1921-  Search this
Craft, Robert  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
De Kooning, Elaine  Search this
DeFeo, Jay, 1929-1989  Search this
Diebenkorn, Richard, 1922-1993  Search this
Donovan, Richard  Search this
Golschmann, Vladimir, 1893-1972  Search this
Hamilton, George Heard  Search this
Hess, Thomas B.  Search this
Hindemith, Gertrud, 1900-1967  Search this
Hindemith, Paul, 1895-1963  Search this
Hockney, David  Search this
Holloway, Sterling  Search this
Howard, Bart  Search this
Inge, William  Search this
Isherwood, Christopher, 1904-  Search this
Jenkins, Dorothy  Search this
Johnson, Frank  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lambert, Gavin  Search this
Lathwood, Jo  Search this
Loomis, Amy  Search this
Masselind, Ben  Search this
McLaughlin, John, 1898-1976  Search this
Meeks, Everett, 1879-1954  Search this
Oliveira, Nathan, 1928-2010  Search this
Park, David, 1911-1960  Search this
Petty, Mary  Search this
Poulenc, Francis, 1899-1963  Search this
Rukeyser, Muriel, 1913-  Search this
Saint, Eva Marie, 1924-  Search this
Sarton, May, 1912-  Search this
Schrade, Leo, 1903-1964  Search this
Sekula, Sonja, 1918-1963  Search this
Shaw, Robert  Search this
Simonds, Bruce  Search this
Stone, Helen, 1903-  Search this
Stravinsky, Igor, 1882-1971  Search this
Stravinsky, Vera  Search this
Swift, Richard, 1927-  Search this
Tardos, Anne, 1943-  Search this
Thiebaud, Wayne  Search this
Wonner, Paul, 1920-2008  Search this
Zajac, Jack, 1929-  Search this
Extent:
1.3 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1845-1971
Scope and Contents:
Scrapbooks, photograph albums, sketchbooks, correspondence, manuscripts, and printed material reflect Brown's work as a painter, and his ties with contemporary musical and literary figures.
REEL 877: Four scrapbooks, 1946-1972, containing: photographs of composers Igor Stravinsky and Paul Hindemith, artist Don Bachardy and Brown; letters and notes to Brown from musicians Stravinsky, Hindemith, John Cage, and Samuel Barber; drawings and photographs of works by Brown; clippings; and manuscript material by John Cage and Francis Poulenc.
REEL 921: Eight photograph albums, 1941-1971, including photos of Brown's work; photos of Brown at MacDowell Colony working on a series of self-portraits; of Brown, friends, and other artists, including Paul Wonner, Sonia Sekula, John McLaughlin, Jack Zajac, Sterling Holloway, Richard Diebenkorn, Mary Callery, David Park, Robert Shaw, poet May Sarton, playwright William Inge, composers Igor Stravinsky and Paul Hindemith, author Christopher Isherwood, and others.
REELS 1095 and 1116 (photographs only): Correspondence, ca. 1923-1974; with artists, musicians, writers, composers, and others; privately published letters of Brown's grandfather; sketchbooks, including two from his early years, 1926 and 1930-1934, and six done in Europe, 1945; one sketch by Brown and one each by Paul and Gertrude Hindemith; manuscripts; photographs of family, friends, and associates; photographs of drawings; catalogs and announcements; printed papers; legal documents; and 2 clippings relating to Igor Stravinsky.
REEL 1095: Correspondents include: Eugene Anderson, Cecil Beaton, James Broughton, Van Deren Coke, Robert Craft, Jay DeFeo, Elaine De Kooning, Richard Diebenkorn, Richard Donovan, Vladimir Golschmann, George H. Hamilton, Thomas B. Hess, Gertrude Hindemith (36 letters), Paul Hindemith, David Hockney, Bart Howard, William Inge, Christopher Isherwood, Dorothy Jenkins, Frank Johnson, Gavin Lambert, Jo Lathwood, Amy Loomis, Ben Masselind, Everett Meeks, Nathan Oliveira, Mary Petty, Josephine Carson Rider, Muriel Rukeyser, Eva Marie Saint, Leo Schrade, Bruce Simonds, Helen Stone, Vera Stravinsky, Richard Swift, Ann Tardos and Wayne Thiebaud; many are represented with only one letter.
Biographical / Historical:
Painter; San Francisco, Calif. Associated with the late 1950s movement of Bay Area figurative painting. Had particularly close ties with contemporary musical and literary worlds.
Provenance:
Material on reels 877 and 921 lent for microfilming and remainder donated 1974 by William T. Brown. Catalogs on reel 1095 were transferred to NMAA/NPG Library after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Composers  Search this
Painters -- California -- San Francisco Bay Area  Search this
Topic:
Painting, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Composition (Music) -- 20th century  Search this
Music -- 20th century  Search this
Identifier:
AAA.browwilt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ff830d8-a91e-4dd2-b24e-1b6fe81ac014
EDAN-URL:
ead_collection:sova-aaa-browwilt

[Photographs of artists taken by Mimi Jacobs, photographer]

Photographer:
Jacobs, Mimi  Search this
Names:
Adams, Ansel, 1902-1984 -- Photographs  Search this
Adams, Mark, 1925-2006 -- Photographs  Search this
Allan, William George, 1936- -- Photographs  Search this
Anderson, Jeremy, 1921-1982 -- Photographs  Search this
Armer, Ruth, 1896-1977 -- Photographs  Search this
Arneson, Robert, 1930-1992  Search this
Arnoldi, Charles, 1946- -- Photographs  Search this
Asawa, Ruth -- Photographs  Search this
Beall, Dennis Ray, 1929- -- Photographs  Search this
Beasley, Bruce, 1939- -- Photographs  Search this
Bechtle, Robert, 1932-2020 -- Photographs  Search this
Bengston, Billy Al -- Photographs  Search this
Benton, Fletcher, 1931- -- Photographs  Search this
Berlant, Anthony -- Photographs  Search this
Bischoff, Elmer, 1916-1991 -- Photographs  Search this
Blunk, J. B., 1926- -- Photographs  Search this
Brice, William, 1921-2008 -- Photographs  Search this
Brown, Joan, 1938-1990  Search this
Celmins, Vija, 1938- -- Photographs  Search this
Chicago, Judy, 1939- -- Photographs  Search this
Conner, Bruce -- Photographs  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
De Forest, Roy, 1930-2007 -- Photographs  Search this
DeFeo, Jay, 1929-1989 -- Photographs  Search this
DeLap, Tony, 1927- -- Photographs  Search this
Dickinson, Eleanor, 1931- -- Photographs  Search this
Diebenkorn, Richard, 1922-1993 -- Photographs  Search this
Dill, Guy, 1946- -- Photographs  Search this
Falkenstein, Claire, 1908-1997 -- Photographs  Search this
Francis, Sam, 1923- -- Photographs  Search this
Gilhooly, David -- Photographs  Search this
Goldyne, Joseph R.  Search this
Gooch, Gerald -- Photographs  Search this
Gordon, Russell Talbert, 1936- -- Photographs  Search this
Graham, Robert, 1938- -- Photographs  Search this
Hedrick, Wally, 1928-2003 -- Photographs  Search this
Holland, Tom, 1936- -- Photographs  Search this
Hopkins, Henry, 1928-2009  Search this
Howard, Robert Boardman, 1896-1983 -- Photographs  Search this
Hudson, Robert, 1938- -- Photographs  Search this
Ihle, John Livingston, 1925- -- Photographs  Search this
Irwin, Robert, 1928- -- Photographs  Search this
Johnson, Robert E. (Robert Emory), 1932- -- Photographs  Search this
Kauffman, Craig, 1932-2010  Search this
Light, Alvin, 1931- -- Photographs  Search this
Lobdell, Frank, 1921- -- Photographs  Search this
Martin, Bill, 1943- -- Photographs  Search this
McLean, Richard Thorpe, 1934- -- Photographs  Search this
Mullican, Lee, 1919-1998 -- Photographs  Search this
Nauman, Bruce, 1941- -- Photographs  Search this
Neri, Manuel, 1930- -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Oliveira, Nathan, 1928-2010 -- Photographs  Search this
Paris, Harold, 1925-1979 -- Photographs  Search this
Raffael, Joseph, 1933- -- Photographs  Search this
Ramos, Mel, 1935-2018 -- Photographs  Search this
Reichman, Fred, 1925- -- Photographs  Search this
Richardson, Sam, 1934- -- Photographs  Search this
Ruscha, Edward -- Photographs  Search this
Saar, Betye -- Photographs  Search this
Saunders, Raymond, 1934- -- Photographs  Search this
Shaw, Richard, 1941 Sept. 12- -- Photographs  Search this
Siegriest, Louis B., 1899- -- Photographs  Search this
Sinton, Nell, 1910-1997 -- Photographs  Search this
Thiebaud, Wayne -- Photographs  Search this
Todd, Mike, 1935- -- Photographs  Search this
Valledor, Leo, 1936-1989 -- Photographs  Search this
Villa, Carlos, 1936-2013 -- Photographs  Search this
Voulkos, Peter, 1924-2002 -- Photographs  Search this
Wasserstein, Julius -- Photographs  Search this
Wiley, William T., 1937-2021  Search this
Woelffer, Emerson, 1914- -- Photographs  Search this
Wonner, Paul, 1920-2008 -- Photographs  Search this
Zammitt, Norman, 1931- -- Photographs  Search this
Extent:
140 Items (photographic prints, b&w)
Type:
Collection descriptions
Archival materials
Date:
1971-1981
Scope and Contents:
Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.
Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.
In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.
Biographical / Historical:
Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.
Provenance:
Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- California  Search this
Topic:
Artists -- California -- Portraits  Search this
Artists -- California -- Photographs  Search this
Identifier:
AAA.jacomimi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99e52eeab-c8aa-437c-9967-ac2af528c69f
EDAN-URL:
ead_collection:sova-aaa-jacomimi

Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-2019  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Christo, 1935- (Running fence)  Search this
Conner, Bruce  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-1979  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
0.696 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed and digital material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed and digital material, and writings. There is also 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. Some of the materials are in digital format.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Missing Title

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37, 0.035 GB; ER01, ER12)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35, 0.520 GB; ER02-ER08)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38, 0.093 GB; ER09-ER11)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berkeley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- California -- Berkeley  Search this
Art historians -- California -- Berkeley  Search this
Topic:
Realism  Search this
Political cartoons  Search this
Pop art  Search this
Environment (Art)  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ce9d9d14-7599-455d-828d-57077e76ef17
EDAN-URL:
ead_collection:sova-aaa-selzpete
Online Media:

Oral history interview with William T. Wiley, 1997 October 8-November 20

Interviewee:
Wiley, William T., 1937-2021  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Nauman, Bruce  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William T. Wiley, 1997 October 8-November 20. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- California -- Interviews  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Funk  Search this
Record number:
(DSI-AAA_CollID)12900
(DSI-AAA_SIRISBib)216353
AAA_collcode_wiley97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216353
Online Media:

Ann W. Heymann interviews of artists, 1974-1985

Creator:
Heymann, Ann W.  Search this
Type:
Sound recordings
Interviews
Citation:
Ann W. Heymann interviews of artists, 1974-1985. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Artists -- California -- San Francisco Bay Area -- Interviews  Search this
Artists -- Arkansas -- Interviews  Search this
Artists -- Louisiana -- New Orleans -- Interviews  Search this
Theme:
Audio - Visual  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6396
(DSI-AAA_SIRISBib)215367
AAA_collcode_heymann
Theme:
Audio - Visual
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215367

Oral history interview with Charles R. Strong, 1998 March 14-30

Interviewee:
Strong, Charles, 1938-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Charles R. Strong, 1998 March 14-30. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- San Francisco -- Interviews  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Record number:
(DSI-AAA_CollID)13343
(DSI-AAA_SIRISBib)216447
AAA_collcode_strong98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216447
Online Media:

Irena Brynner papers, 1914-2003

Creator:
Brynner, Irena F., 1917-2003  Search this
Type:
Sketchbooks
Sound recordings
Diaries
Citation:
Irena Brynner papers, 1914-2003. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women sculptors  Search this
Theme:
Lives of American Artists  Search this
American Art and Artists in a Global Context  Search this
Women  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)11591
(DSI-AAA_SIRISBib)249519
AAA_collcode_bryniren
Theme:
Lives of American Artists
American Art and Artists in a Global Context
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249519
Online Media:

[Photographs of artists taken by Mimi Jacobs, photographer], 1971-1981

Creator:
Jacobs, Mimi, 1911-1999  Search this
Subject:
Adams, Ansel  Search this
Adams, Mark  Search this
Allan, William George  Search this
Anderson, Jeremy  Search this
Armer, Ruth  Search this
Arneson, Robert  Search this
Arnoldi, Charles  Search this
Asawa, Ruth  Search this
Beall, Dennis Ray  Search this
Beasley, Bruce  Search this
Bechtle, Robert  Search this
Bengston, Billy Al  Search this
Benton, Fletcher  Search this
Berlant, Anthony  Search this
Bischoff, Elmer  Search this
Blunk, J. B.  Search this
Brice, William  Search this
Brown, Joan  Search this
Celmins, Vija  Search this
Chicago, Judy  Search this
Conner, Bruce  Search this
Cunningham, Imogen  Search this
DeFeo, Jay  Search this
De Forest, Roy  Search this
DeLap, Tony  Search this
Dickinson, Eleanor  Search this
Diebenkorn, Richard  Search this
Dill, Guy  Search this
Falkenstein, Claire  Search this
Francis, Sam  Search this
Gilhooly, David  Search this
Goldyne, Joseph R.  Search this
Graham, Robert  Search this
Gooch, Gerald  Search this
Gordon, Russell Talbert  Search this
Hedrick, Wally  Search this
Holland, Tom  Search this
Hopkins, Henry  Search this
Howard, Robert Boardman  Search this
Hudson, Robert  Search this
Ihle, John Livingston  Search this
Irwin, Robert  Search this
Johnson, Robert E. (Robert Emory)  Search this
Kauffman, Craig  Search this
Light, Alvin  Search this
Lobdell, Frank  Search this
Martin, Bill  Search this
McLean, Richard Thorpe  Search this
Mullican, Lee  Search this
Nauman, Bruce  Search this
Neri, Manuel  Search this
Noguchi, Isamu  Search this
Oliveira, Nathan  Search this
Paris, Harold  Search this
Raffael, Joseph  Search this
Ramos, Mel  Search this
Reichman, Fred  Search this
Richardson, Sam  Search this
Ruscha, Edward  Search this
Saar, Betye  Search this
Saunders, Raymond  Search this
Shaw, Richard  Search this
Siegriest, Louis B.  Search this
Sinton, Nell  Search this
Thiebaud, Wayne  Search this
Todd, Mike  Search this
Valledor, Leo  Search this
Villa, Carlos  Search this
Voulkos, Peter  Search this
Wasserstein, Julius  Search this
Wiley, William T.  Search this
Woelffer, Emerson  Search this
Wonner, Paul  Search this
Zammitt, Norman  Search this
Citation:
[Photographs of artists taken by Mimi Jacobs, photographer], 1971-1981. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- Portraits  Search this
Artists -- California -- Photographs  Search this
Theme:
Audio - Visual  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)9285
(DSI-AAA_SIRISBib)211480
AAA_collcode_jacomimi
Theme:
Audio - Visual
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211480

Exhibition of Works by Floyd Coleman (1999)

Collection Creator:
Parish Gallery  Search this
Container:
Box 3, Folder 15
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Parish Gallery records, 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Parish Gallery records
Parish Gallery records / Series 1: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e1c2fca-fb1e-4cab-a4e3-ba2fa0397751
EDAN-URL:
ead_component:sova-aaa-parigall-ref101
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