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“¡Printing the Revolution!” Virtual Conversation: Spirituality and Indigeneity within Chicanx Art

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-05-07T13:56:02.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_CAYTuqTYm7w

Finding Common Ground 5 | Panel Discussion and Q & A

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2018-02-21T21:34:25.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_7SfO8hZY9cY

Valor in Black and White: War Stories of Horace Poolaw

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2016-11-17T15:43:57.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Npi_Nrw-B9o

Session 6—Legacies of Indian Bondage

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-10-25T16:17:42.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_pb-52zLV1aM

Kay WalkingStick and Jeff Chang: A Conversation

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2016-02-16T17:49:49.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_rtbwoKC_pXw

The Outwin Boochever Portrait Competition 2016: John Valadez Juror Interview

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-05-18T16:17:21.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PVCXnImLNns

Hide/Seek: Works by Jasper Johns and Robert Rauschenberg - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2011-04-07T23:28:01.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_YABR74utGps

The Outwin Boochever Portrait Competition 2016: Helen Molesworth Juror Interview

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-05-18T16:17:04.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_hK_gwaawxgQ

Deborah Roberts and Cleo Wade on the Healing Power of Creativity

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2022-05-27T17:36:40.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_bimSUTUX21I

Introductory Video: Intersections: World Arts, Local Lives

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Video recordings
Podcast
MIME Type:
video/mp4
Uploaded:
Fri, 15 Jan 2010 15:00:00 EST
Topic:
Cultural property  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:podcasts_ca74c20f793947602a0c769b94b70a7a

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990

Creator:
Falkenstein, Claire, 1908-1997  Search this
Subject:
O'Donnell, May  Search this
Still, Patricia  Search this
Still, Clyfford  Search this
Sawyer, Kenneth B.  Search this
Guggenheim, Peggy  Search this
Green, Ray  Search this
Kuh, Katharine  Search this
Wildenhain, Frans  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Pond Farm Workshop  Search this
Merging One Gallery  Search this
San Francisco Museum of Art  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
Martha Jackson Gallery  Search this
Malvina Miller  Search this
Los Angeles Museum of Art  Search this
Coos Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Fresno Art Museum  Search this
Mills College  Search this
University of California, San Francisco. School of Fine Arts  Search this
Type:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6135
(DSI-AAA_SIRISBib)216351
AAA_collcode_falkclai
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216351
Online Media:

Leo Holub papers

Creator:
Holub, Leo, 1916-2010  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Adams, Ansel, 1902-1984  Search this
Held, John, 1947- -- Photographs  Search this
Karlstrom, Paul J.  Search this
Ruscha, Edward -- Photographs  Search this
Extent:
0.3 Linear feet
1 Linear foot (Addition)
Type:
Collection descriptions
Archival materials
Date:
1936-2001
Scope and Contents:
Biographical material, letters, postcards, notebooks, photographs, and printed material, document Holub's career as a photographer and his association with Ansel Adams.
125 study/work prints related to the book "Leo Holub: Photographer," 1981 and printed material, including a review of the book, and biographical information on Holub; two Chouinard Art Institute Catalogs (c. 1936-1939), four black and white photographs, one color photograph of Ed Ruscha, Paul Karlstrom, and John Held, Jr. (b. 1947) in Tom Marioni's studio (2001).
ADDITION: Seven notebooks of letters, postcards, and photographs (1960s-1980) from Ansel Adams and others and those concerning Adams' exhibition Elequent Light at the M.H. de Young Museum, San Francisco (1963) and book, "An Introduction to Hawaii," by Adams and Edward Joesting (1964). Found are photographs taken by Holub, including b&w (8"x10") photographs of the Adams' opening of the de Young exhibition, and ten packets of photographs of Adams at various sites and venues from the 1960s to 1982, and one packet of photos and cards from his wife, Virginia Best Adams (1904-2000).
Biographical / Historical:
Photographer, educator; San Francisco, Calif. Leo Holub (b. 1916) began his studies at the Art Institute of Chicago (1936-1937) and at the California School of Fine Arts (now San Francisco Art Institute) (1938-1940). From 1946-1956, he worked with the San Francisco Redevelopment Agency, the Planning Department, and the Housing Authority, and with the regional study for the Bay Area Rapid Transit. He returned to the CSFA to teach objective drawing (1956-1958). By 1960 he joined the Stanford University Planning Office as a senior planner and in 1969 created the studio photography courses for the Art Department. His work as a professional photographer began that year, over twenty years after his first encounter with Ansel Adams (1902-1984) at his Yosemite workshop in 1948. He attended another of Adams' Yosemite workshop in 1955 and also studied with photographer Imogen Cunningham (1883-1976), a personal advisor and friend for over forty years.
Provenance:
Donated 2001-2003 by Leo Holub. Additions are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Photographers -- California -- San Francisco  Search this
Identifier:
AAA.holuleo
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a72ba805-89a3-4397-a1f1-3cc463ccb4c7
EDAN-URL:
ead_collection:sova-aaa-holuleo

Gottlieb, Adolph-Exhibition Material

Collection Creator:
Gertrude Kasle Gallery (Detroit, Mich.)  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
1968-1974
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Gertrude Kasle Gallery records, 1949-1999 (bulk 1964-1983). Archives of American Art, Smithsonian Institution.
See more items in:
Gertrude Kasle Gallery records
Gertrude Kasle Gallery records / Series 1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9430a7b41-fe2e-4b11-b737-2f31e5dd5169
EDAN-URL:
ead_component:sova-aaa-gertkasl-ref71
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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  • View Gottlieb, Adolph-Exhibition Material digital asset number 3

Jonathan Lyndon Chase sheets Kohn Gallery

Author:
Chase, Jonathan Lyndon 1989- Works Selections  Search this
Michael Kohn Gallery  Search this
Physical description:
72 pages color illustrations, portraits 23 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
California
Los Angeles
Californie
Date:
2018
21st century
21e siècle
Topic:
Painting, Modern  Search this
Painters  Search this
Gender identity--Painting  Search this
Gender identity--Social aspects--Painting  Search this
Portrait painting  Search this
Human figure in art  Search this
Peinture  Search this
Peintres  Search this
Identité sexuelle--Peinture  Search this
Identité sexuelle--Aspect social--Peinture  Search this
Peinture de portraits  Search this
Corps humain dans l'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1116897

Hofmann, Hans

Collection Creator:
Greenberg, Clement, 1909-1994  Search this
Container:
Box 4, Folder 46
Type:
Archival materials
Date:
1961-1970
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Clement Greenberg papers
Clement Greenberg papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91cf060fb-d407-41fa-a0c7-75dd72defa70
EDAN-URL:
ead_component:sova-aaa-greeclep-ref256
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Hofmann, Hans digital asset number 1

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-1979  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Interviews
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Jewelers -- California  Search this
Educators -- California  Search this
Authors -- California  Search this
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9911c74ff-413b-4b54-9280-89c8b0480495
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

Tusk

Maker:
Benin kingdom court style  Search this
Edo artist  Search this
Medium:
Ivory
Dimensions:
L x H x W: 158.4 x 38.3 x 13.2 cm (62 3/8 x 15 1/16 x 5 3/16 in.)
Type:
Sculpture
Geography:
Nigeria
Date:
ca. 18th century
Topic:
leopard  Search this
Commemorative  Search this
Shrine/Altar  Search this
mudfish  Search this
male  Search this
Credit Line:
Collection of the Nigerian National Commission for Museums and Monuments
Object number:
2005-6-17
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys76dfc43d7-633e-41b4-8ee5-7a5bc1fad337
EDAN-URL:
edanmdm:nmafa_2005-6-17
Online Media:

Female figure

Maker:
Benin kingdom court style  Search this
Edo artist  Search this
Medium:
Ivory
Dimensions:
H x W x D: 36.8 × 9.5 × 8.9 cm (14 1/2 × 3 3/4 × 3 1/2 in.)
Type:
Figure
Geography:
Nigeria
Date:
Early 19th century
Topic:
Leadership  Search this
Ancestral  Search this
Shrine/Altar  Search this
male  Search this
female  Search this
Trade  Search this
Credit Line:
Collection of the Nigerian National Commission for Museums and Monuments
Object number:
2005-6-3
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys71e3724a0-9782-4dd3-abac-7f84a30c6beb
EDAN-URL:
edanmdm:nmafa_2005-6-3
Online Media:

Commemorative trophy head

Maker:
Edo artist  Search this
Medium:
Copper alloy, iron inlay
Dimensions:
H x W x D: 21.9 × 16.2 × 19.4 cm (8 5/8 × 6 3/8 × 7 5/8 in.)
Type:
Sculpture
Geography:
Benin, Edo State, Nigeria
Date:
Late 15th-early 16th century
Topic:
Commemorative  Search this
foreigner  Search this
Male use  Search this
male  Search this
Credit Line:
Collection of the Nigerian National Commission for Museums and Monuments
Object number:
82-5-2
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys71e1c3cda-0eda-42d9-9f04-3944c5999481
EDAN-URL:
edanmdm:nmafa_82-5-2

Peter and Rose Krasnow papers, 1914-1984

Creator:
Krasnow, Peter, 1886-1979  Search this
Subject:
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Clements, Grace  Search this
Cocker, Conrad  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Weston, Edward  Search this
Blades, Harriet  Search this
Weston, Flora  Search this
Weston, Edward  Search this
Stone, Irving  Search this
Raboff, Ina  Search this
Raboff, Ernest Lloyd  Search this
Price, Aimée Brown  Search this
Owen, Elaine  Search this
Owen, Dale  Search this
Noer, Philip  Search this
Morley, Grace  Search this
Krasnow, Rose  Search this
Howe, Dudley  Search this
Drake, Alfred S.  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Peter Krasnow Arts Foundation  Search this
Type:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Topic:
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9164
(DSI-AAA_SIRISBib)211359
AAA_collcode_kraspete
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211359
Online Media:

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