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Howard W. and Jean Lipman papers

Creator:
Lipman, Howard, 1905-1992  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Gaylor, Wood, 1883-1957  Search this
Huge, Jurgan Frederick, 1809-1878  Search this
Lipman, Jean, 1909-1998  Search this
Porter, Rufus, 1792-1884  Search this
Smith, David, 1906-1965  Search this
Extent:
46.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1848, 1916-2000
Summary:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.
Scope and Content Note:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000. A copy of an 1848 brochure, retained by Jean Lipman in her research and writings files accounts for the early span date listed in the title of the collection. The bulk dates for the collection are 1932 to 1992. The records include correspondence, notes and printed material that served as research and reference material, along with some financial material that documents the art collecting activities and interests of the Lipmans. The collection also contains writing and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected author.

The Personal Files describe the social activities and associations of the Lipmans and include biographical information, personal and family correspondence, gift giving activities, the art career of Jean Lipman, and relationships maintained by the Lipmans with various art organizations.

The Howard and Jean Lipman Art Collection Files describe the art collecting activities and interests of the Lipmans throughout their lifetime. The General Files section consists of reference files on art organizations and galleries with whom the Lipmans maintained relationships. Also included are particular topics or exhibitions of interest to the Lipmans. The Sculptors and Painters of Interest section served as reference files about the activities of artists in whom the Lipmans were interested and whose works they owned, or considered owning. The Folk Art Collection section documents the collecting and purchasing activities of the Lipmans as they amassed and then subsequently sold their two significant folk art collections.

The Artists Files document the friendship and projects that developed between the Lipmans and three major American artists: Alexander Calder, Louise Nevelson, and David Smith. Of special interest to researchers will be some original Calder artwork mixed into the correspondence between the Lipmans and Calder, as well as drawings, sketches, prints, and posters found in the associated oversize folder. Also found in the Calder subseries are some proofs from Calder's Circus, edited by Jean Lipman.

The Research and Writing Files is divided into five sections dealing with research and writing projects undertaken by Jean Lipman. The first three sections deal with biographical projects that resulted in books or articles about three significant American primitive artists: Jurgan Frederick Huge, Rufus Porter, and Samuel Wood Gaylor. The fourth section deals with writing projects that resulted in the publication of several generalized books on the topic of American folk art. The final section consists of materials associated with the published articles and other authored works of Jean Lipman on a variety of American art topics.

The Art in America Editorial Files consists of editorial material maintained by Jean Lipman during her tenure (1941-1971) as editor of Art in America. The Financial Files reflect the early financial activities of the magazine during the brief period when the Lipmans owned it.

During the period that Jean Lipman served as editor, a variety of distinguished art historians, artists, architects, novelists, and poets contributed articles, columns, or artwork to the magazine. A sampling of correspondents that can be found in the general correspondence of this series include: Joseph Albers, Marcel DuChamp, John Dos Passos, Nelson Rockefeller, Charles Sheeler, and Andrew Wyeth. The General Correspondence Files also document the two subsequent changes of ownership and the growth of subscribers that occurred during the period of Lipman's editorship.

Editorial material related to individual magazine issues is found within this series, as well as information pertaining to the innovative advertising and special projects undertaken by the magazine as it sought to expand its readership and prestige. The Art in America series also chronicles the changes at the magazine that led to Lipman's resignation as editor in 1971.
Arrangement:
The collection is arranged as five series. Arrangement is generally alphabetical by subject heading or type of material. Items within folders are arranged chronologically by year.

Missing Title

Series 1: Personal Files (Boxes 1-3; 3 linear ft.)

Series 2: Howard and Jean Lipman Art Collection (Boxes 3-15; 12 linear ft.)

Series 3: Artists Files (Boxes 15-18, 46-47, OV 50-52; 3.6 linear ft.)

Series 4: Research and Writings Files (Boxes 18-28, 48; OV 50, 53; 10.3 linear ft.)

Series 5: -- Art in America -- Editorial Files (Boxes 28-45; 49, OV 50; 17.3 linear ft.)
Biographical Note:
Howard W. and Jean Lipman shared a lifetime sponsorship of art. The Lipmans' personal art collection, acquired throughout their marriage, was eventually divided into three separate parts: The Howard W. Lipman Foundation collection that was donated and merged into the modern sculpture holdings of the Whitney Museum of American Art; an American folk art collection that was later sold through two separate auctions in 1950 and 1981 and is now part of the holdings of the New York Historical Association and the Museum of American Folk Art; and a personal collection that was retained and displayed in the Lipmans' various residences in Connecticut, New York, and Arizona.

Married in 1933, the Lipmans began jointly collecting American folk art at a time when few art museums or institutions recognized the historical and artistic value of early primitive, self-taught artists. By the late 1940s, the Lipmans had amassed a large, significant collection that was highly regarded for its quality and scope.

During the early 1950s, the Lipmans also began actively collecting sculpture, focusing upon American contemporary sculptors. In the late 1950s they created the Howard W. Lipman Foundation, with an initial inventory of forty sculptures and three paintings by contemporary American artists. The purpose of the foundation was to acquire significant works by emerging American sculptors and to make them available through loans or donations to various art institutions.

In 1965 the Howard W. Lipman Foundation approached the Whitney Museum of American Art with a proposal to coordinate the foundation's efforts and goals with the museum's contemporary sculpture program. The foundation offered a majority of its growing collection of sculpture and acquisition funds towards the development of the evolving permanent collection of the Whitney Museum of American Art. Thereafter, the Howard W. Lipman Foundation served in an advisory role to the museum's acquisitions, and the foundation supplied the necessary funds to acquire works of sculpture desired by the Whitney for its permanent collection.

In addition to their folk art and foundation collections, the Lipmans also acquired important works by Alexander Calder, Louise Nevelson, and David Smith, through their lifelong association and friendship with these artists. Many of these pieces were retained in the Lipmans' personal collection throughout their lives.

Individually the Lipmans also expressed their interest in art through various means. Jean Lipman served as editor of Art in America magazine from 1940 to 1970, which provided her with continuous exposure to emerging artists and trends in American art. Jean Lipman's abiding interest in folk and contemporary art was also expressed through her voluminous writings. Throughout her life she wrote and edited highly acclaimed books and articles about major themes and artists in American art, and she was a recognized folk art authority and connoisseur. Some of her best known works include: The Flowering of American Folk Art; Rufus Porter, Yankee Wall Painter; and Calder's Universe.

Jean Lipman, born in 1909, was also an amateur artist in her later years, creating paintings and assemblages that often dealt with the theme of "art about art." She was represented by a gallery in New York City, as well as one in Arizona, and she had several solo exhibitions.

Howard W. Lipman, born in 1905, showed an early interest in art. By the mid 1920s he had gone to Paris to study painting, but Lipman found himself more attracted to sculpture and he began studying with a German wood carver. In the late 1930s, after returning to the New York City area, Lipman began stone carving with the Clay Club on Eighth Street, adjacent to the Whitney Museum of American Art. He was represented by a New York City gallery and participated in local exhibitions.

Deciding that his sculptural talent was not sufficient for professional pursuit, Lipman began his business career as a stockbroker in Neuberger and Berman, a prominent New York investment management firm that he helped to establish in 1939. Lipman subsequently channeled his artistic endeavors toward collecting and supporting the work of established and emerging American sculptors. He also served on the boards of both the Whitney Museum of American Art and the Archives of American Art.

Howard and Jean Lipman maintained long and close relationships with three prominent American artists: Alexander Calder, Louise Nevelson, and David Smith. Jean Lipman, in particular, was involved in promoting and documenting Calder and his works through numerous articles, books, and exhibitions that she helped produce as editor of the magazine Art in America and publications director for the Whitney Museum of American Art. Calder's Universe, which she edited to accompany a major Whitney Museum of American Art retrospective exhibition of his works in 1976, was considered by Calder to be his "official" biography. The book went to fourteen printings, one of the largest ever, in the history of art books.

The Lipmans were also great admirers of Louise Nevelson and her work. They purchased her artwork for their own collection, as well as donating pieces to various art museums and institutions. Jean Lipman wrote articles about Nevelson and edited the book, Nevelson's World.

David Smith and the Lipmans established a friendship in the late 1950s that lasted until Smith's untimely death in May 1965. The Lipmans purchased several Smith sculptures, which they placed on the grounds of their Wilton, Connecticut, home. They also purchased Smith works for donation to public institutions, such as the Lincoln Center for the Performing Arts.

The Lipmans retired to Carefree, Arizona, a private residential community renowned for its sensitivity to ecologically-based, architectural design. Howard Lipman died in 1992. Jean Lipman remained active in art and community affairs until her death in 1998.
Provenance:
The papers of Howard and Jean Lipman were initially donated to the Archives of American Art by Howard and Jean Lipman from 1965-1989. Subsequent additions to the original gift were made by Jean Lipman in 1998 and by Peter and Beverly Lipman in 2001. Several small portions of these early accessions were microfilmed.

An associated gift that was originally accessioned as the Art in America Magazine Records was made by Howard and Jean Lipman from 1970-1973. This group, which largely consisted of Jean Lipman's editorial files from her years as editor of the magazine, was subsequently merged with the Howard W. and Jean Lipman records in 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, Primitive  Search this
Art -- Collectors and collecting  Search this
Folk art  Search this
Sculptors  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipmhowa
See more items in:
Howard W. and Jean Lipman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97247c5f0-a666-4bf1-a2ce-bcb5abf29458
EDAN-URL:
ead_collection:sova-aaa-lipmhowa
Online Media:

Fine Arts Museums of San Francisco interviews with artists, 1982

Creator:
Fine Arts Museums of San Francisco  Search this
Subject:
Haley, Monica E.  Search this
Loran, Clyta  Search this
Loran, Erle  Search this
Maret, Allen  Search this
Neuhaus, Robert  Search this
Pearson, Billy  Search this
Stendahl, Alfred  Search this
Willis, James  Search this
Anneberg, Margery  Search this
Campbell, Charles  Search this
Chipp, Herschel Browning  Search this
Dawson, Lawrence E.  Search this
Franklin, Marc  Search this
Franklin, Ruth  Search this
Frye, Melinda Young  Search this
Haley, John  Search this
Berrin, Kathleen  Search this
Brown, Letitia  Search this
Marquis, Elayne  Search this
Schaefer, Stacy B.  Search this
Seligman, Thomas K.  Search this
Type:
Sound recordings
Interviews
Citation:
Fine Arts Museums of San Francisco interviews with artists, 1982. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area -- Interviews  Search this
Art, Primitive -- Exhibitions  Search this
Art, African  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10627
(DSI-AAA_SIRISBib)214178
AAA_collcode_fineamsf
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214178

Anthropology, art, and aesthetics edited by Jeremy Coote and Anthony Shelton

Author:
Coote, Jeremy  Search this
Shelton, Anthony  Search this
Physical description:
xi, 281 pages, 8 unnumbered pages of plates illustrations (some color), maps 24 cm
Type:
Books
Aufsatzsammlung
Kongress
Place:
Oxford
Date:
1992
1985
Topic:
Art and anthropology  Search this
Art and society  Search this
Art  Search this
Art et anthropologie  Search this
Art et société  Search this
Art primitif  Search this
Anthropologie  Search this
Ethnologie  Search this
Kunst  Search this
Naturvolk  Search this
Volkskunst  Search this
Ästhetik  Search this
Aufsatzsammlung  Search this
Antropologische aspecten  Search this
Esthetica  Search this
Art, Primitive  Search this
Art--Aspect social  Search this
Sociologie de l'art  Search this
Arts--Aesthetics  Search this
Restrictions & Rights:
Current Copyright Fee: GBP22.50 0. Uk
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_456440

Essay entitled "Primitive Art", regarding an exhibition of Eliot Elisofon's sculptures at the Boston Museum of Fine Arts, pages 1-4

Collection Photographer:
Elisofon, Eliot  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Manuscript Materials / D-4 "Artful Primitives" Article in Think Magazine
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7ab1dc468-acaa-42a9-b3d8-24390770b33b
EDAN-URL:
ead_component:sova-eepa-1973-001-ref39081

Essay entitled "African Section", regarding unnamed exhibition, pages 1-5

Collection Photographer:
Elisofon, Eliot  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Manuscript Materials / D-4 "Artful Primitives" Article in Think Magazine
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo767424626-a10f-49ef-860a-422a23a42a9f
EDAN-URL:
ead_component:sova-eepa-1973-001-ref39082

Cleveland, Ohio, Cleveland Museum of Art

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 111, Folder 6
Type:
Archival materials
Date:
1944-1947
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.4: Museum Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98d9b3071-9455-4602-98ad-5196760cfdee
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11819
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Cleveland, Ohio, Cleveland Museum of Art digital asset number 1

Max Weber letter to Louise Nevelson

Creator:
Weber, Max, 1881-1961  Search this
Nevelson, Louise, 1899-1988  Search this
Subject:
Weber, Max  Search this
American Museum of Natural History  Search this
Type:
Correspondence
Date:
1950 October 7
Citation:
Max Weber. Max Weber letter to Louise Nevelson, 1950 October 7. Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
Topic:
Art, Primitive  Search this
Record number:
(DSI-AAA)14745
See more items in:
Louise Nevelson papers, circa 1903-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14745
Online Media:

Exhibition Catalogue for "Some Modern Primitives"

Subject:
Renaissance Society at the University of Chicago  Search this
Type:
Printed Materials
Place:
Chicago, Ill.
Date:
1931
Citation:
Exhibition Catalogue for "Some Modern Primitives", 1931. The Renaissance Society at the University of Chicago records, 1917-1981. Archives of American Art, Smithsonian Institution.
Topic:
Art, Primitive  Search this
Record number:
(DSI-AAA)17650
See more items in:
The Renaissance Society at the University of Chicago records, 1917-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17650
Online Media:

The art of Lake Sentani. [Text by S. Kooijman. Translation by Mrs. G.E. van Baaren-Pape]

Author:
Museum of Primitive Art (New York, N.Y.)  Search this
Kooijman, Simon 1915-  Search this
Physical description:
63 pages illustrations, maps 29 cm
Type:
Books
Place:
Indonesia
Sentani, Lake
Date:
1959
Topic:
Art  Search this
Arte De Povos Primitivos  Search this
Art, Primitive  Search this
Call number:
N7326 .N53
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_49256

Autobiography Manuscript, Chapters 9-12

Collection Creator:
Liebes, Dorothy  Search this
Container:
Box 4, Folder 10
Type:
Archival materials
Date:
circa 1950s-circa 1960s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Liebes papers
Dorothy Liebes papers / Series 4: Writings / 4.1: Writings by Dorothy Liebes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c06f089d-c8a4-4f62-b060-8c2482cabe00
EDAN-URL:
ead_component:sova-aaa-liebdoro-ref1050
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  • View Autobiography Manuscript, Chapters 9-12 digital asset number 1

The idea of the primitive : British art and anthropology 1918-1930

Title:
British art and anthropology 1918-1930
Author:
Stallabrass, Julian  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Physical description:
p. 95-115
Type:
Books
Date:
1990
Topic:
Primitivism in art  Search this
Art--Appreciation  Search this
Primitive societies  Search this
Call number:
VF-- Primitivism in Modern Art
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_775690

Atua : sacred gods from Polynesia / Michael Gunn

Title:
Sacred gods from Polynesia
Author:
Gunn, Michael  Search this
Publisher:
National Gallery of Australia  Search this
Host institution:
St. Louis Art Museum  Search this
Subject:
National Gallery of Australia  Search this
Physical description:
256 pages : color illustrations, maps ; 29 cm
Type:
Exhibitions
Place:
Polynesia
Date:
2014
Topic:
Art, Polynesian  Search this
Gods in art  Search this
Gods, Polynesian  Search this
Idols and images  Search this
Arts, Primitive  Search this
Art and religion  Search this
Religious life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1046577

Life and art in Papua New Guinea : the Shipman Collection in the Israel Museum

Author:
Muzeʼon Yiśraʼel (Jerusalem)  Search this
Subject:
Shipman, C. T (Carl Thomas) Art collections  Search this
Physical description:
17, [46], 13 p. : ill. ; 21 x 23 cm
Type:
Books
Place:
Papua New Guinea
Date:
1975
[1975]
Topic:
Art, Primitive  Search this
Art--Exhibitions  Search this
Call number:
N7411.P3 J56
N7411.P3J56
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_91103

Fine Arts Museums of San Francisco interviews with artists

Creator:
Fine Arts Museums of San Francisco  Search this
Names:
Anneberg, Margery  Search this
Campbell, Charles, 1905-  Search this
Chipp, Herschel Browning  Search this
Dawson, Lawrence E.  Search this
Franklin, Marc  Search this
Franklin, Ruth  Search this
Frye, Melinda Young  Search this
Haley, John, 1905-1991  Search this
Haley, Monica E., 1907-1997  Search this
Loran, Clyta  Search this
Loran, Erle, 1905-1999  Search this
Maret, Allen  Search this
Neuhaus, Robert, 1909-  Search this
Pearson, Billy, 1920-  Search this
Stendahl, Alfred  Search this
Willis, James  Search this
Interviewer:
Berrin, Kathleen  Search this
Brown, Letitia  Search this
Marquis, Elayne  Search this
Schaefer, Stacy B., 1956-  Search this
Seligman, Thomas K.  Search this
Extent:
16 Items (sound cassettes)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1982
Scope and Contents:
Interviews conducted by Kathleen Berrin, Letitia Brown, Elayne Marquis, Stacy Schaefer and Thomas K. Seligman, 1982, in connection with the exhibition, "The Bay Area Collects: art from Africa, Oceania, and the Americas," held at the H. M. de Young Memorial Museum, July 3, 1982-October 3, 1982. Interviewees are: Margery Anneberg, Charles Campbell, Herschel Browning Chipp, Lawrence E. Dawson, Ruth and Marc Franklin, Melinda Young Frye, John and Monica Haley, Erle and Clyta Loran, Allen Maret, Robert Neuhaus, Bill Pearson, Al Stendahl and James Willis.
Other Title:
Tapes labelled: The Fine Arts Museum of San Francisco, 7/81-12/81.
Provenance:
Donated 1982 by Kathleen Berrin.
Restrictions:
Untranscribed; use requires an appointment.
Topic:
Art, American  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area -- Interviews  Search this
Art, Primitive -- Exhibitions  Search this
Art, African  Search this
Function:
Art museums -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fineamsf
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b15f9bf-01bb-446a-99f8-e8bd0bba3420
EDAN-URL:
ead_collection:sova-aaa-fineamsf

Saiensu āto ten : hikari no genfūkei : mirai kūkan e no shōtai = Science-art : primitive scene of light : invitation to space of future / [shusai Ibaraki-ken Tsukuba Bijutsukan ; henshū Ibaraki-ken Tsukuba Bijutsukan Bunkanchō Ōtsuka Yoshio]

Title:
サイエンス・アート展 : 光の原風景 : 未来空間への招待 = Science-art : primitive scene of light : invitation to space of future / [主催茨城県つくは美術館 ; 編集茨城県つくは美術館分館長大塚好雄]
Science-art
Hikari no genfūkei
光の原風景
Primitive scene of light
Science art
Author:
Ōtsuka, Yoshio  Search this
Ibaraki-ken Tsukuba Bijutsukan  Search this
JAC Project  Search this
Physical description:
65 p. : col. ill., ports. ; 27 cm
Type:
Exhibitions
Date:
1996
[1996]
20th century
Topic:
Light in art  Search this
Art, Japanese  Search this
Call number:
N8219.L5 S35 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_846744

The art of Micronesia : the University of Hawaii Art Gallery / essays by Jerome Feldman and Donald H. Rubinstein ; with introduction by Leonard Mason ; sponsored by the University of Hawaii Department of Art and Partners

Author:
Feldman, Jerome 1944-  Search this
Rubinstein, Donald H. 1948-  Search this
University of Hawaii at Manoa Art Gallery  Search this
University of Hawaii at Manoa Department of Art and Partners  Search this
Physical description:
75 p. : ill. ; 29 cm
Type:
Books
Place:
Micronesia
Date:
1986
C1986
Topic:
Arts, Micronesian--Exhibitions  Search this
Arts, Primitive--Exhibitions  Search this
Micronesians--Social life and customs--Exhibitions  Search this
Call number:
NX596.M5F45 1986X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_337211

Sekai minzoku bijutsuten = Kunst der Völker der Welt : Ethnographische Ausstellung

Physical description:
154 p. : ill. (some col.) col. maps ; 24 cm
Type:
Exhibitions
Date:
1969
Topic:
Folk art  Search this
Folk art, Primitive--Exhibitions  Search this
Call number:
N5312 .S34 1969
N5312.S34 1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_344066

Porte & serrature dogon&bambara / selezionate da Denise e Beppe Berna

Author:
Berna, Denise  Search this
Berna, Beppe  Search this
Galleria del Vicolo quartirolo Sezione arti primitive  Search this
Physical description:
20 pages : illustrations ; 20 cm
Type:
Exhibitions
Exhibition catalogs
Date:
1980
[1980]
Topic:
Locks and keys  Search this
Doors in art  Search this
Art, African  Search this
Bambara (African people)  Search this
Dogon (African people)  Search this
Call number:
NB1099.M3 B517
NB1099.M3B517
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_150213

2000 godina nigerske umjetnosti = Treasures of ancient Nigeria : legacy of 2000 years za izdavača Ante Sorić, urednik Mario Bošnjak, prijevod na engleski Marija Marušić

Title:
Treasures of ancient Nigeria
Catalogue treasures of Nigeria
Katalog 2000 godina nigerijske umjetnosti
Dve hiljade godina nigerijske umjetnosti
Author:
Sorić, Ante  Search this
Bošnjak, Mario  Search this
Muzejski prostor (Zagreb, Croatia)  Search this
Physical description:
173, [1] pages illustrations 28 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Nigeria
Date:
1985
Topic:
Art, Nigerian  Search this
Antiquities  Search this
Art, Primitive  Search this
Call number:
N7399.N5 T735 1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111822

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