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Catalogue Luba

Author:
Galerie Khepri Amsterdam  Search this
Physical description:
23 pages all illustrations 21 cm
Type:
Catalogs
Date:
1900
1985
Topic:
Art, Primitive  Search this
Luba (African people)  Search this
Call number:
N5311 .G15
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_270749

Max Weber letter to Louise Nevelson

Creator:
Weber, Max, 1881-1961  Search this
Nevelson, Louise, 1899-1988  Search this
Subject:
Weber, Max  Search this
American Museum of Natural History  Search this
Type:
Correspondence
Date:
1950 October 7
Topic:
Art, Primitive  Search this
Record number:
(DSI-AAA)14745
See more items in:
Louise Nevelson papers, circa 1903-1982
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14745
Online Media:

Howard W. and Jean Lipman papers

Creator:
Lipman, Howard, 1905-1992  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Gaylor, Wood, 1883-1957  Search this
Huge, Jurgan Frederick, 1809-1878  Search this
Lipman, Jean, 1909-1998  Search this
Porter, Rufus, 1792-1884  Search this
Smith, David, 1906-1965  Search this
Extent:
46.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1848, 1916-2000
Summary:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.
Scope and Content Note:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000. A copy of an 1848 brochure, retained by Jean Lipman in her research and writings files accounts for the early span date listed in the title of the collection. The bulk dates for the collection are 1932 to 1992. The records include correspondence, notes and printed material that served as research and reference material, along with some financial material that documents the art collecting activities and interests of the Lipmans. The collection also contains writing and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected author.

The Personal Files describe the social activities and associations of the Lipmans and include biographical information, personal and family correspondence, gift giving activities, the art career of Jean Lipman, and relationships maintained by the Lipmans with various art organizations.

The Howard and Jean Lipman Art Collection Files describe the art collecting activities and interests of the Lipmans throughout their lifetime. The General Files section consists of reference files on art organizations and galleries with whom the Lipmans maintained relationships. Also included are particular topics or exhibitions of interest to the Lipmans. The Sculptors and Painters of Interest section served as reference files about the activities of artists in whom the Lipmans were interested and whose works they owned, or considered owning. The Folk Art Collection section documents the collecting and purchasing activities of the Lipmans as they amassed and then subsequently sold their two significant folk art collections.

The Artists Files document the friendship and projects that developed between the Lipmans and three major American artists: Alexander Calder, Louise Nevelson, and David Smith. Of special interest to researchers will be some original Calder artwork mixed into the correspondence between the Lipmans and Calder, as well as drawings, sketches, prints, and posters found in the associated oversize folder. Also found in the Calder subseries are some proofs from Calder's Circus, edited by Jean Lipman.

The Research and Writing Files is divided into five sections dealing with research and writing projects undertaken by Jean Lipman. The first three sections deal with biographical projects that resulted in books or articles about three significant American primitive artists: Jurgan Frederick Huge, Rufus Porter, and Samuel Wood Gaylor. The fourth section deals with writing projects that resulted in the publication of several generalized books on the topic of American folk art. The final section consists of materials associated with the published articles and other authored works of Jean Lipman on a variety of American art topics.

The Art in America Editorial Files consists of editorial material maintained by Jean Lipman during her tenure (1941-1971) as editor of Art in America. The Financial Files reflect the early financial activities of the magazine during the brief period when the Lipmans owned it.

During the period that Jean Lipman served as editor, a variety of distinguished art historians, artists, architects, novelists, and poets contributed articles, columns, or artwork to the magazine. A sampling of correspondents that can be found in the general correspondence of this series include: Joseph Albers, Marcel DuChamp, John Dos Passos, Nelson Rockefeller, Charles Sheeler, and Andrew Wyeth. The General Correspondence Files also document the two subsequent changes of ownership and the growth of subscribers that occurred during the period of Lipman's editorship.

Editorial material related to individual magazine issues is found within this series, as well as information pertaining to the innovative advertising and special projects undertaken by the magazine as it sought to expand its readership and prestige. The Art in America series also chronicles the changes at the magazine that led to Lipman's resignation as editor in 1971.
Arrangement:
The collection is arranged as five series. Arrangement is generally alphabetical by subject heading or type of material. Items within folders are arranged chronologically by year.

Series 1: Personal Files (Boxes 1-3; 3 linear ft.)

Series 2: Howard and Jean Lipman Art Collection (Boxes 3-15; 12 linear ft.)

Series 3: Artists Files (Boxes 15-18, 46-47, OV 50-52; 3.6 linear ft.)

Series 4: Research and Writings Files (Boxes 18-28, 48; OV 50, 53; 10.3 linear ft.)

Series 5: -- Art in America -- Editorial Files (Boxes 28-45; 49, OV 50; 17.3 linear ft.)
Biographical Note:
Howard W. and Jean Lipman shared a lifetime sponsorship of art. The Lipmans' personal art collection, acquired throughout their marriage, was eventually divided into three separate parts: The Howard W. Lipman Foundation collection that was donated and merged into the modern sculpture holdings of the Whitney Museum of American Art; an American folk art collection that was later sold through two separate auctions in 1950 and 1981 and is now part of the holdings of the New York Historical Association and the Museum of American Folk Art; and a personal collection that was retained and displayed in the Lipmans' various residences in Connecticut, New York, and Arizona.

Married in 1933, the Lipmans began jointly collecting American folk art at a time when few art museums or institutions recognized the historical and artistic value of early primitive, self-taught artists. By the late 1940s, the Lipmans had amassed a large, significant collection that was highly regarded for its quality and scope.

During the early 1950s, the Lipmans also began actively collecting sculpture, focusing upon American contemporary sculptors. In the late 1950s they created the Howard W. Lipman Foundation, with an initial inventory of forty sculptures and three paintings by contemporary American artists. The purpose of the foundation was to acquire significant works by emerging American sculptors and to make them available through loans or donations to various art institutions.

In 1965 the Howard W. Lipman Foundation approached the Whitney Museum of American Art with a proposal to coordinate the foundation's efforts and goals with the museum's contemporary sculpture program. The foundation offered a majority of its growing collection of sculpture and acquisition funds towards the development of the evolving permanent collection of the Whitney Museum of American Art. Thereafter, the Howard W. Lipman Foundation served in an advisory role to the museum's acquisitions, and the foundation supplied the necessary funds to acquire works of sculpture desired by the Whitney for its permanent collection.

In addition to their folk art and foundation collections, the Lipmans also acquired important works by Alexander Calder, Louise Nevelson, and David Smith, through their lifelong association and friendship with these artists. Many of these pieces were retained in the Lipmans' personal collection throughout their lives.

Individually the Lipmans also expressed their interest in art through various means. Jean Lipman served as editor of Art in America magazine from 1940 to 1970, which provided her with continuous exposure to emerging artists and trends in American art. Jean Lipman's abiding interest in folk and contemporary art was also expressed through her voluminous writings. Throughout her life she wrote and edited highly acclaimed books and articles about major themes and artists in American art, and she was a recognized folk art authority and connoisseur. Some of her best known works include: The Flowering of American Folk Art; Rufus Porter, Yankee Wall Painter; and Calder's Universe.

Jean Lipman, born in 1909, was also an amateur artist in her later years, creating paintings and assemblages that often dealt with the theme of "art about art." She was represented by a gallery in New York City, as well as one in Arizona, and she had several solo exhibitions.

Howard W. Lipman, born in 1905, showed an early interest in art. By the mid 1920s he had gone to Paris to study painting, but Lipman found himself more attracted to sculpture and he began studying with a German wood carver. In the late 1930s, after returning to the New York City area, Lipman began stone carving with the Clay Club on Eighth Street, adjacent to the Whitney Museum of American Art. He was represented by a New York City gallery and participated in local exhibitions.

Deciding that his sculptural talent was not sufficient for professional pursuit, Lipman began his business career as a stockbroker in Neuberger and Berman, a prominent New York investment management firm that he helped to establish in 1939. Lipman subsequently channeled his artistic endeavors toward collecting and supporting the work of established and emerging American sculptors. He also served on the boards of both the Whitney Museum of American Art and the Archives of American Art.

Howard and Jean Lipman maintained long and close relationships with three prominent American artists: Alexander Calder, Louise Nevelson, and David Smith. Jean Lipman, in particular, was involved in promoting and documenting Calder and his works through numerous articles, books, and exhibitions that she helped produce as editor of the magazine Art in America and publications director for the Whitney Museum of American Art. Calder's Universe, which she edited to accompany a major Whitney Museum of American Art retrospective exhibition of his works in 1976, was considered by Calder to be his "official" biography. The book went to fourteen printings, one of the largest ever, in the history of art books.

The Lipmans were also great admirers of Louise Nevelson and her work. They purchased her artwork for their own collection, as well as donating pieces to various art museums and institutions. Jean Lipman wrote articles about Nevelson and edited the book, Nevelson's World.

David Smith and the Lipmans established a friendship in the late 1950s that lasted until Smith's untimely death in May 1965. The Lipmans purchased several Smith sculptures, which they placed on the grounds of their Wilton, Connecticut, home. They also purchased Smith works for donation to public institutions, such as the Lincoln Center for the Performing Arts.

The Lipmans retired to Carefree, Arizona, a private residential community renowned for its sensitivity to ecologically-based, architectural design. Howard Lipman died in 1992. Jean Lipman remained active in art and community affairs until her death in 1998.
Provenance:
The papers of Howard and Jean Lipman were initially donated to the Archives of American Art by Howard and Jean Lipman from 1965-1989. Subsequent additions to the original gift were made by Jean Lipman in 1998 and by Peter and Beverly Lipman in 2001. Several small portions of these early accessions were microfilmed.

An associated gift that was originally accessioned as the Art in America Magazine Records was made by Howard and Jean Lipman from 1970-1973. This group, which largely consisted of Jean Lipman's editorial files from her years as editor of the magazine, was subsequently merged with the Howard W. and Jean Lipman records in 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, Primitive  Search this
Art -- Collectors and collecting  Search this
Folk art  Search this
Sculptors  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipmhowa
See more items in:
Howard W. and Jean Lipman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipmhowa
Online Media:

Fine Arts Museums of San Francisco interviews with artists

Creator:
Fine Arts Museums of San Francisco  Search this
Names:
Anneberg, Margery  Search this
Campbell, Charles, 1905-  Search this
Chipp, Herschel Browning  Search this
Dawson, Lawrence E.  Search this
Franklin, Marc  Search this
Franklin, Ruth  Search this
Frye, Melinda Young  Search this
Haley, John, 1905-1991  Search this
Haley, Monica E., 1907-1997  Search this
Loran, Clyta  Search this
Loran, Erle, 1905-1999  Search this
Maret, Allen  Search this
Neuhaus, Robert, 1909-  Search this
Pearson, Billy, 1920-  Search this
Stendahl, Alfred  Search this
Willis, James  Search this
Interviewer:
Berrin, Kathleen  Search this
Brown, Letitia  Search this
Marquis, Elayne  Search this
Schaefer, Stacy B., 1956-  Search this
Seligman, Thomas K.  Search this
Extent:
16 Items (sound cassettes)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1982
Scope and Contents:
Interviews conducted by Kathleen Berrin, Letitia Brown, Elayne Marquis, Stacy Schaefer and Thomas K. Seligman, 1982, in connection with the exhibition, "The Bay Area Collects: art from Africa, Oceania, and the Americas," held at the H. M. de Young Memorial Museum, July 3, 1982-October 3, 1982. Interviewees are: Margery Anneberg, Charles Campbell, Herschel Browning Chipp, Lawrence E. Dawson, Ruth and Marc Franklin, Melinda Young Frye, John and Monica Haley, Erle and Clyta Loran, Allen Maret, Robert Neuhaus, Bill Pearson, Al Stendahl and James Willis.
Other Title:
Tapes labelled: The Fine Arts Museum of San Francisco, 7/81-12/81.
Provenance:
Donated 1982 by Kathleen Berrin.
Restrictions:
Untranscribed; use requires an appointment.
Topic:
Art, American  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area -- Interviews  Search this
Art, Primitive -- Exhibitions  Search this
Art, African  Search this
Function:
Art museums -- California -- San Francisco
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fineamsf
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fineamsf

Fine Arts Museums of San Francisco interviews with artists, 1982

Creator:
Fine Arts Museums of San Francisco  Search this
Subject:
Haley, Monica E.  Search this
Loran, Clyta  Search this
Loran, Erle  Search this
Maret, Allen  Search this
Neuhaus, Robert  Search this
Pearson, Billy  Search this
Stendahl, Alfred  Search this
Willis, James  Search this
Anneberg, Margery  Search this
Campbell, Charles  Search this
Chipp, Herschel Browning  Search this
Dawson, Lawrence E.  Search this
Franklin, Marc  Search this
Franklin, Ruth  Search this
Frye, Melinda Young  Search this
Haley, John  Search this
Berrin, Kathleen  Search this
Brown, Letitia  Search this
Marquis, Elayne  Search this
Schaefer, Stacy B.  Search this
Seligman, Thomas K.  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Art -- Collectors and collecting -- California -- San Francisco Bay Area -- Interviews  Search this
Art, Primitive -- Exhibitions  Search this
Art, African  Search this
Record number:
(DSI-AAA_CollID)10627
(DSI-AAA_SIRISBib)214178
AAA_collcode_fineamsf
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214178

Res

Author:
Peabody Museum of Archaeology and Ethnology  Search this
Université de Paris X: Nanterre Laboratoire d'ethnologie et de sociologie comparative  Search this
Physical description:
v. : ill. ; 28 cm
Type:
Periodicals
Date:
1981
C1981-
Topic:
Art, Primitive  Search this
Indusries, Primitive--Periodicals  Search this
Ethnology  Search this
Call number:
N5310.7 .R428
N5310.7.R428
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_142501

Arte de Nueva Guinea y Papúa : Colección A. Folch y E. Serra : abril-junio 1977 : [exposición / organizada por la Fundación Juan March]

Author:
Folch Rusiñol, Alberto  Search this
Serra Güell, Eudald 1911-  Search this
Fundación Juan March  Search this
Subject:
Serra Güell, Eudald 1911- Art collections  Search this
Folch Rusiñol, Alberto Art collections  Search this
Physical description:
98 p., [1] leaf : ill. (some col.) ; 23 x 23 cm
Type:
Exhibitions
Place:
Papua New Guinea
Date:
1977
D.L. 1977
Topic:
Art, Primitive  Search this
Art  Search this
Call number:
N7411.P3 A77X
N7411.P3A77X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_116938

The Art of the Pacific Islands / Peter Gathercole, Adrienne L. Kaeppler, Douglas Newton

Author:
Gathercole, P. W  Search this
Kaeppler, Adrienne L., 1935-  Search this
Newton, Douglas 1920-2001-  Search this
National Gallery of Art (U.S.)  Search this
Physical description:
365 p. : ill. (some col.) 28 cm
Type:
Exhibitions
Place:
Islands of the Pacific
Date:
1979
Topic:
Art, Primitive  Search this
Art  Search this
Call number:
N7410 .A74X
N7410.A74X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_122371

Ancient inspirations : contemporary interpretations : exhibition and catalogue / organized by Roslyn Tunis

Author:
Tunis, Roslyn  Search this
Roberson Center for the Arts and Sciences  Search this
Physical description:
xxviii, 78 p. : ill. (some col.) ; 21 x 31 cm
Type:
Exhibitions
Place:
New York (State)
Date:
1982
20th century
Topic:
Handicraft  Search this
Decorative arts--History  Search this
Art, Ancient--Influence  Search this
Art, Primitive--Influence  Search this
Art, American  Search this
Call number:
NK835.N7 T92
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_176781

A guide to slide and photograph collections of primitive art from Boston to Washington, D. C. / compiled by June Margery Axelrod

Author:
Axelrod, June Margery  Search this
Physical description:
iii, 15 p., 2 leaves of plates : 2 col. ill. ; 29 cm
Type:
Directories
Place:
Atlantic States
Date:
1975
1975]
Topic:
Art, Primitive--Slides  Search this
Photograph collections  Search this
Art, Primitive--Museums  Search this
Call number:
N5311 .A96
N5311.A96
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_179880

Balega and other tribal arts from the Congo

Author:
University of California, Los Angeles  Search this
Physical description:
[32] p. : ill. ; 27 cm
Type:
Exhibitions
Place:
Congo (Democratic Republic)
Date:
1963
Topic:
Art, African  Search this
Art, Primitive  Search this
Art, Congolese (Democratic Republic)  Search this
Call number:
N7399.C6 D55
N7399.C6D55
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_193884

Schätze aus Alt-Nigeria : Erbe von 2000 Jahren : Sonderausstellung : Staatliche Museen zu Berlin/Haupstadt der DDR, Pergamonmuseum/Ostasiatische Sammlung, April bis Mai 1985 / Ministerium für Information, Soziale Entwicklung, Jugend, Sport und Kultur der Bundesrepublik Nigeria

Author:
Staatliche Museen zu Berlin (Germany : East)  Search this
Nigeria Federal Ministry of Information  Search this
Physical description:
160 p. : ill. (some col.), maps ; 28 cm
Type:
Exhibitions
Place:
Nigeria
Date:
1985
Topic:
Art, Nigerian  Search this
Art, Primitive  Search this
Sculpture  Search this
Call number:
N7399.N5 S312 1985
N7399.N5S312 1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_310301

Abbildungen ethnologischer Gegenstände aus der melanesischen Sammlung S.M. Schiff Gazelle im Königl. Museum befindlich / Koenigliche Museen

Author:
Königliche Museen zu Berlin  Search this
Subject:
Königliche Museen zu Berlin  Search this
Physical description:
[3] leaves of plates : all col. ill. ; 26 cm
Type:
Catalogs
Place:
Papua New Guinea
Date:
1877
Topic:
Art, Primitive  Search this
Ethnology  Search this
Call number:
N7411.P26 K82 1877
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_358424

The University Gallery presents the art of Papua New Guinea cultural traditions of the Sepik River : selections from the Marion and Samuel Spring collection, October 2-October 30, 1988 / by Eric Kline Silverman

Title:
Art of Papua New Guinea cultural traditions of the Sepik River
Author:
University of Florida University Gallery  Search this
Silverman, Eric Kline  Search this
Subject:
Spring, Marion Art collections  Search this
Spring, Samuel Art collections  Search this
University of Florida University Gallery  Search this
Physical description:
48 p. : ill. ; 23 cm
Type:
Exhibitions
Place:
Sepik River Valley (Indonesia and Papua New Guinea)
Papua New Guinea
Georgia
Atlanta
Date:
1988
C1988
Topic:
Art, Primitive  Search this
Art  Search this
Art--Private collections  Search this
Call number:
N7411.S4U55 1988X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_374139

Treasures of ancient Nigeria : legacy of 2,000 years / organized by the Detroit Institute of Art ; in conjunction with the Nigerian National Museums

Author:
Detroit Museum of Art  Search this
Physical description:
v. : ill. ; 35 cm
Type:
Exhibitions
Place:
Nigeria
Date:
1980
1982
[1980-1982?]
Topic:
Art, Nigerian  Search this
Art, Primitive  Search this
Antiquities  Search this
Call number:
N7399.N5 T78 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_421432

Malanggan; Bildwerke von Neuirland [von] Klaus Helfrich

Author:
Museum für Völkerkunde (Berlin, Germany) Abteilung Südsee  Search this
Helfrich, Klaus  Search this
Subject:
Museum für Völkerkunde (Berlin, Germany) Abteilung Südsee  Search this
Physical description:
v. illus. (part col.) 24 cm
Type:
Catalogs
Place:
Papua New Guinea
New Ireland Island
Date:
1973
[1973-
Topic:
Ethnology  Search this
Art, Primitive  Search this
Call number:
GN671.N63 B47 1973X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_451477

Affinities of form : the Raymond and Laura Wielgus collection of the arts of Africa, Oceania, and the Americas / [text, Diane Pelrine]

Author:
Pelrine, Diane  Search this
Indiana University, Bloomington Art Museum  Search this
Subject:
Wielgus, Raymond Art collections  Search this
Wielgus, Laura Art collections  Search this
Indiana University, Bloomington Art Museum  Search this
Physical description:
[22] p. : ill. (some col.) ; 26 cm
Type:
Exhibitions
Place:
Indiana
Bloomington
Date:
1993
Topic:
Art, Primitive  Search this
Art, African  Search this
Art, Aboriginal Australian  Search this
Art, American  Search this
Call number:
N7380.5 .A234 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_465922

"Kunstsachen" von Cooks Reisen : die Sammlung und ihre Geschichte im Völkerkundemuseum Herrnhut / Stephan Augustin

Author:
Augustin, Stephan  Search this
Völkerkundemuseum Herrnhut  Search this
Subject:
Cook, James 1728-1779  Search this
Völkerkundemuseum Herrnhut  Search this
Physical description:
200 p. : ill. (some col.) ; 24 cm
Type:
Catalogs
Place:
Islands of the Pacific
Date:
1993
Topic:
Voyages around the world  Search this
Art, Primitive  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_468219

Kunst und Kult des Sepik-Gebietes (Neu-Guinea) : unter besonderer Berücksichtigung einer daselbst in den Jahren 1950 und 1953 erworbenen Sammlung / von Paul Wirz

Author:
Wirz, Paul 1892-1955  Search this
Physical description:
78 p., [24] plates of leaves : 87 ill., map ; 24 cm
Type:
Books
Place:
Sepik River Valley (Indonesia and Papua New Guinea)
Date:
1959
Topic:
Art, Primitive  Search this
Civilization  Search this
Call number:
N7326.6.N3 W63
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_841071

2009 tribal art calendar = calendrier

Title:
Tribal art calendar
Author:
Claes Gallery  Search this
Physical description:
[13] cards : col. ill. ; 14 cm
Type:
Calendars
Place:
Oceania
Date:
2009
Topic:
Sculpture, African  Search this
Art, Primitive  Search this
Sculpture  Search this
Call number:
NB1080.5 .A15 2009
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_940398

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