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Ramón Carulla papers

Creator:
Carulla, Ramón, 1938-  Search this
Names:
Blanc, Giulio V.  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Kundsen, Karen  Search this
Luís, Fernando  Search this
Mérida, Carlos, 1891-1984 -- Photographs  Search this
Valerio, Andres -- Photographs  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Mail art
Sketchbooks
Photographs
Date:
1971-1996
Summary:
The Ramón Carulla papers contain letters, photographs, printed material, an interview, sketchbooks, and artwork documenting the career of Cuban American painter Ramón Carulla.
Scope and Content Note:
This collection dates from 1971-1996, comprises 0.3 linear feet, and provides scattered documentation of the career of Cuban American painter Ramón Carulla. The collection contains letters to Carulla from artists and others; writings by others for and about Carulla; the transcript of an interview with Carulla; photographs of Carulla, friends, and his artwork; two sketchbooks; a painting; and printed matter including exhibition announcements and catalogs.
Arrangement:
The collection is arranged into five series:

Series 1: Letters and Biographical Material, 1971-1996 (box 1, 3 folders)

Series 2: Writings About Carulla and Interview, 1986-1995, undated (box 1, 3 folders)

Series 3: Printed Material, 1982-1994, undated (box 1, 2 folders)

Series 4: Photographs, 1980-1989, undated (box 1, 4 folders)

Series 5: Artwork, 1986-1994 (boxes 1-2, 3 items)
Biographical Note:
Ramón Carulla was born in Havana, Cuba in 1938. In 1946 he moved to Miami with his father to attend public school, returning to Havana in 1953 to complete his schooling. In 1963 he began painting and had his first one-man show in 1967 at the Bacardi Gallery in Miami, where he had settled two years earlier. Although his work was initially abstract Carulla had moved towards figurative art by the late 1970s.
Provenance:
The collection was donated to the Archives of American Art by Ramón Carulla in 1997.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Ramón Carulla papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art -- Florida -- Miami  Search this
Cuban American artists  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Art, Cuban -- Florida -- Miami  Search this
Genre/Form:
Mail art
Sketchbooks
Photographs
Citation:
Ramón Carulla papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.caruramo
See more items in:
Ramón Carulla papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caruramo

Margarita Cano papers

Creator:
Cano, Margarita, 1932-  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Miami-Dade Public Library  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
1982-1985
Summary:
Margarita Cano's papers measure 0.2 linear feet and date from 1983-1985. The collection primarily concerns the 1983 exhibition The Miami Generation, 9 Cuban-American Artists, an exhibition organized by The Cuban Museum of Art in Culture in cooperation with the Miami-Dade Public Library System and for which Cano served as Project Director. Curated by Guilio V. Blanc, the exhibition included work by Mario Bencomo, Maria Brito-Avellana, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando Garcia, Juan Gonzalez, Carlos Macia, and Cesar Trasobares. The exhibition traveled to Meridian House International in Washington, DC and later to Philadelphia at the Balch Institute for Ethnic Studies in 1985. Found are two files of correspondence, exhibition planning and publicity files, a catalog, checklist, and photocopied news clippings. Most of the documents are photocopies. There is also one folder of slides and photographs of works of art in the exhibition.
Scope and Content Note:
Margarita Cano's papers measure 0.2 linear feet and date from 1983-1985. The collection primarily concerns the 1983 exhibition The Miami Generation, 9 Cuban-American Artists; an exhibition organized by The Cuban Museum of Art in Culture in cooperation with the Miami-Dade Public Library System for which Cano served as Project Director. Curated by Guilio V. Blanc, the exhibition included work by Mario Bencomo, Maria Brito-Avellana, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando Garcia, Juan Gonzalez, Carlos Macia, and Cesar Trasobares. The exhibition traveled to Meridian House International in Washington, DC and, later, to Philadelphia at the Balch Institute for Ethnic Studies in 1985. Found are two files of correspondence, exhibition planning and publicity files, a catalog, checklist, and photocopied news clippings. Most of the documents are photocopies. There is also one folder of slides and photographs of works of art in the exhibition.
Arrangement:
The collection is arranged into one series:

Series 1: Exhibition Files, 1983-1985 (Box 1; 0.2 linear feet)
Biographical Note:
Born in 1932 in Havana, Cuba, Margarita Cano began her studies at the University of Havana. She left Cuba in 1962 to settle in Miami and later became director of arts for the Miami-Dade County Public Library. The arts programs she initiated focused on the work of African-American and Cuban-American artists and eventually led to the establishment of a permanent collection at the library. An artist herself, Cano's artwork focuses on Cuban scenes painted on wood in a miniature style. In 1983 she served as project director for the exhibition The Miami Generation: Nine Cuban-American Artists (La Generacion de Miami: Nueve Artistas Cubano Americanos), curated by Latin American curator and scholar, Guilio Blanc.
Provenance:
Margarita Cano donated her papers in 1997 to the Archives of American Art, Smithsonian Institution.
Restrictions:
Use requires an appointment.
Rights:
The Margarita Cano papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Expatriate artists -- Florida -- Miami  Search this
Art, Cuban -- Florida -- Miami -- Exhibitions  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Cuban American art -- Florida -- Miami -- Exhibitions  Search this
Artists -- Cuba  Search this
Cuban American artists -- Exhibitions  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Margarita Cano papers, 1982-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.canomarg
See more items in:
Margarita Cano papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-canomarg

Oral history interview with Demi

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Rodríguez, Arturo, 1956-  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 20
Scope and Contents:
An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.
Demi speaks of her birthplace, Camaguey, Cuba; the death of her father in 1960, and being sent to Puerto Rico in 1971; her move to New York, and arrival in Miami in 1978; her theater studies at Miami Dade Community College. She recalls an opening at the Meeting Point Gallery in Coral Gables in 1980, where she met her husband, painter Arturo Rodriguez. She talks about her first painting in 1984, the role Arturo plays in her life, her first exhibition at the Cuban Museum of Arts and Culture in 1987, and the importance of touching the human spirit.
Biographical / Historical:
Demi (1955- ) is a painter from Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists -- Florida -- Miami -- Interviews  Search this
Hispanic American women artists -- Florida -- Miami -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demi97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demi97

Frances Wolfson Art Gallery records

Creator:
Frances Wolfson Art Gallery  Search this
Names:
Azaceta, Luis Cruz, 1942-  Search this
Bencomo, Mario, 1953-  Search this
Chisolm, Michael  Search this
Day, Larry, 1921-  Search this
Dionisio, Humberto, 1950-1987  Search this
Katzen, Lila  Search this
Larraz, Julio  Search this
McGarrell, James, 1930-  Search this
Piper, Jane, 1916-  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1973-1994
Summary:
The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994 with 4.5 linear feet documenting exhibitions held at the Gallery. General administration of the Gallery is also chronicled through correspondence, business records and printed material.
Scope and Contents:
The records of the Frances Wolfson Art Gallery comprise 5 linear feet of material dating from 1973 to 1994. The collection contains correspondence, routine business records, exhibition files, notes, printed material, and photographs of artists, installations, and works of art, and is arranged into seven series according to material type. The bulk of the material relates to exhibitions held at the Gallery from 1977 to 1992 in exhibition files measuring 4.5 linear feet. The general administration of the Gallery is also partially documented through business records and correspondence files.
Arrangement:
The collection is arranged as six series according to material type. Records are arranged chronologically unless otherwise noted.

Series 1: Correspondence, 1976-1994 (Box 1; 0.2 linear feet)

Series 2: Business Records, 1981-1993 (Box 1; 0.2 linear feet)

Series 3: Notes, 1973-1987 (Box 1; 2 folders)

Series 4: Exhibition Files, 1977-1992, undated (Boxes 1-5; 4.5 linear feet)

Series 5: Printed Material, 1974-1994 (Box 5; 5 folders)

Series 6: Color Transparencies of Artwork, 1983-1990 (Box 5; 10 items)
Biographical / Historical:
The Frances Wolfson Art Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Exhibitions and lectures reflected four major areas of emphasis: the Hispanic community, the Black community, the relationship of art, architecture and culture to the quality of contemporary urban civilization, and the best of new artists presented in solo or cohesive group exhibitions.

Director from 1978 to 1981, Roberta Griffin was followed in that position by Sheldon Lurie in September 1981 until his death in October 1990.

In the spring of 1987, the Frances Wolfson Art Gallery implemented an active exhibition program at the InterAmerican Center in the form of the InterAmerican Art Gallery. Located in the Little Havana section of Miami, the major thrust of this gallery is Hispanic art, reflecting the interests and needs of the surrounding community.
Provenance:
This collection was donated to the Archives of American Art by the Miami-Dade Community College in 1997
Restrictions:
Use of unmicrofilmed material in the holdings of the Archives of American Art requires an appointment and is limited to the Washington, D.C., facility.
Rights:
The Frances Wolfson Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, University and college -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Artists -- Florida -- Miami  Search this
Hispanic American artists -- Florida -- Miami  Search this
Hispanic American art -- Florida -- Miami  Search this
Cuban American artists -- Florida -- Miami  Search this
Citation:
Frances Wolfson Art Gallery records, 1973-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franwola
See more items in:
Frances Wolfson Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franwola

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
A portion of the Ross and Dorothy Lake Gregory Moffett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Massachusetts -- Provincetown  Search this
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moffross

Oral history interview with Arturo Rodríguez

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Extent:
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 14
Scope and Contents:
An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.
Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.
Biographical / Historical:
Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Hispanic American artists -- Interviews  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrig97

Oral history interview with Ruben Torres-Llorca

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Instituto Superior de Arte (Cuba)  Search this
Bedia, José, 1959-  Search this
Rodríguez Brey, Ricardo, 1955-  Search this
Extent:
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 January 31
Scope and Contents:
An interview of Ruben Torres-Llorca conducted 1998 January 31, by Juan A. Martínez, in Torres Llora's home/studio, Miami, Florida, for the Archives of American Art.
Torres Llora discusses his early interest in art; his father, whom he never met, who was a talented commercial artist; studying art at San Alejandro Academy of Art, Havana and fellow students Jose Bedia and Ricardo Rodriguez Brey; graduate studies at Havana's Instituto Superior del Arte; participating in the "Volumen I" exhibition in 1981; travels to Mexico, where he began sculpture and installations; returning to Cuba and curating exhibitions of younger artists; moving to Buenos Aires, Mexico City, and since 1993, Miami; artistic influences, including literature, anthropology, sociololgy, film, and other disciplines on him; his mixed media figurative objects of the 1990s which tell a narrative, are socially oriented, and at best, provide a shared experience for the viewer.
Biographical / Historical:
Ruben Torres-Llorca (1957-) is a painter and sculptor in Miami, Florida.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.torres98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-torres98

Oral history interview with Enrique Guy Garcia

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
1 Sound cassette (Sound recording, analog)
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1998 Mar. 18
Scope and Contents:
An interview of Enrique Guy Garcia conducted 1998 Mar. 18, by Juan A. Martinez, in Garcia's studio, Miami, Fla., for the Archives of American Art.
Garcia discusses his early interest in drawing; enrolling in art school as a teenager in Santiago de Cuba; attending Havana's San Alejandro Art Academy and studying painting with Leopoldo Romanach and Domingo Ramos, and modeling for sculpture classes where his interest in sculpture developed; going to Mexico City upon graduation to study fresco painting; returning to Cuba and working in organizing craft workshops; becoming dissatisfied with the political situation in Cuba and accepting an UNESCO grant to study art in Italy; seeking political asylum on his return from Italy; living in New York and working in a foundry; moving to Miami in the mid-1970s; his sculpture, which is primarily bronzes; his abstract expressionist style; his series of works in the 1980s, "Head," and "Icarus"; his current work, "Columns"; and an upcoming exhibition in Venezuela.
Biographical / Historical:
Enrique Guy Garcia (1928-) is a sculptor and painter from Miami, Fla. Born in Havana, Cuba.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Hispanic American artists -- Interviews  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garcia98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garcia98

Oral history interview with María Brito

Interviewee:
Brito, Maria, 1947-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1997 October 25
Scope and Contents:
An interview of María Brito conducted 1997 October 25, by Juan A. Martínez, in Brito's home/studio, Miami, Florida, for the Archives of American Art.
Brito speaks of her birthplace, Havana, Cuba, and her early art education at the Edison School; her travels to Miami as part of the Peter Pan Project in 1961; her art studies at the Miami-Dade Community College and the University of Miami. She also comments on the Museum of Contemporary Hispanic Art (MOCHA) in New York, The Decade Show, her first exhibition in Miami at Gallery 24 in 1980, and other exhibitions.
Biographical / Historical:
María Brito (1947-) is a sculptor from Miami, Florida. Born in Havana, Cuba.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Cuban American art -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.brito97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brito97

Oral history interview with Margarita Cano

Interviewee:
Cano, Margarita, 1932-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Miami-Dade Public Library  Search this
Cano, Pablo  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 April 22
Scope and Contents:
An interview of Margarita Cano conducted 1998 April 22, by Juan A. Martínez, in Cano's home, Miami, Florida, for the Archives of American Art.
Cano recounts her interest in art, which developed after graduating as a science major at the University of Havana; arriving in Miami around 1962, where she found work at the main Public Library of Dade County, instituting an arts program focusing on the work of African American and Cuban American artists, which included building a permanent collection of local artists' work and arranging exhibitions; her work on the board of the Cuban Museum of Arts and Culture, including organizing the pivotal exhibition "The Miami Generation: Nine Cuban American Artists" in 1983; her own art, mostly painting on wood using a miniature style and reflecting mostly Cuban scenes; her son Pablo Cano, a successful artist; and her views on her Cuban background and her North American cultural identity.
Biographical / Historical:
Margarita Cano (1932-) is a painter, librarian, and curator in Miami, Florida. Born in Havana, Cuba.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Curators -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Cuban American art -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Hispanic American art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cano98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cano98

Oral history interview with José Bedia

Interviewee:
Bedia, José, 1959-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
159 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 February 13
Scope and Contents:
An interview of José Bedia conducted 1998 February 13, by Juan A. Martínez, in Bedia's studio/home, Miami, Florida, for the Archives of American Art.
Bedia discusses his early inclination toward drawing and interest in cartooning; receiving rigorous academic training at San Alejandro Art Academy in Havana and being introduced also to non-western art; attending graduate school at the Instituto Superior del Arte, 1976-1981; participating upon graduation in the Volumen I exhibition which was a turning point for Cuban artists; travel outside of Cuba to Budapest via Berlin, to New York, to an Indian reservation in the Southwest where he became acquainted with North American native art and artists, and to Angola with the Cuban military, where he came into contact with African roots of Cuban culture; moving to Mexico City and then to Miami; his art and inspirations; religion; his collection of African and American Indian art; and exhibitions in which he has participated.
Biographical / Historical:
José Bedia (1959-) is a painter from Miami, Florida.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Hispanic American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bedia98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bedia98

Oral history interview with José Maria Mijares

Interviewee:
Mijares Fernández, José María, 1921-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Peláez, Amelia, 1897-1968  Search this
Extent:
107 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 Jan. 17
Scope and Contents:
An interview of José Maria Mijares conducted 1998 Jan. 17, by Juan A. Martínez, in Mijares' home/studio, Miami, Fla., for the Archives of American Art.
Mijares discusses his background; his early interest in drawing; attending Cuba's main art school, the San Alejandro Academy of Art, Havana; his professors, Leopoldo Romanach and Armando Menocal; artistic influences of Cuban modernist painters Fidelio Ponce and Amelia Peláez; being awarded the second prize in a national exhibition in Hanava, 1944 for his work Alameda; the art movement in the 1950s "arte concreto," which involved geometric abstraction and art for art's sake; difficulties of being an artist in Cuba due to lack of galleries and collectors; teaching at San Alejandro in the late 1950s; going into exile in the mid-1960s to Miami; his work schedule of drawing and painting about 6 hours daily; favorite medium being oil on canvas, but also works with serigraphy and watercolor; briefly mentions his artistic style; and his nostalgia for Cuba which is a source of inspiration in his work.
Biographical / Historical:
José Maria Mijares (1921-2004) was a painter from Miami, Fla. Born in Cuba.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Cuban American art  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Hispanic American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mijare98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mijare98

Oral history interview with Demi, 1997 November 20

Interviewee:
Rodriguez, Demi, 1955-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Rodríguez, Arturo  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists -- Florida -- Miami -- Interviews  Search this
Hispanic American women artists -- Florida -- Miami -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13571
(DSI-AAA_SIRISBib)216455
AAA_collcode_demi97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216455
Online Media:

Frances Wolfson Art Gallery records, 1973-1994

Creator:
Frances Wolfson Art Gallery  Search this
Subject:
Day, Larry  Search this
Chisolm, Michael  Search this
Bencomo, Mario  Search this
Azaceta, Luis Cruz  Search this
Dionisio, Humberto  Search this
Katzen, Lila  Search this
Larraz, Julio  Search this
McGarrell, James  Search this
Piper, Jane  Search this
Topic:
Art galleries, University and college -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Artists -- Florida -- Miami  Search this
Hispanic American artists -- Florida -- Miami  Search this
Hispanic American art -- Florida -- Miami  Search this
Cuban American artists -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)5416
(DSI-AAA_SIRISBib)216308
AAA_collcode_franwola
Theme:
Latino and Latin American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216308
Online Media:

Margarita Cano papers, 1982-1985

Creator:
Cano, Margarita, 1932-  Search this
Subject:
Miami-Dade Public Library  Search this
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Type:
Slides (photographs)
Photographs
Topic:
Expatriate artists -- Florida -- Miami  Search this
Art, Cuban -- Florida -- Miami -- Exhibitions  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Cuban American art -- Florida -- Miami -- Exhibitions  Search this
Artists -- Cuba  Search this
Cuban American artists -- Exhibitions  Search this
Record number:
(DSI-AAA_CollID)5445
(DSI-AAA_SIRISBib)216322
AAA_collcode_canomarg
Theme:
Latino and Latin American
Women
Lives of American Artists
American Art and Artists in a Global Context
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216322
Online Media:

Oral history interview with Arturo Rodríguez, 1997 November 14

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
De Kooning, Willem  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Hispanic American artists -- Interviews  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13542
(DSI-AAA_SIRISBib)216456
AAA_collcode_rodrig97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216456
Online Media:

Oral history interview with Ruben Torres-Llorca, 1998 January 31

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Bedia, José  Search this
Rodríguez Brey, Ricardo  Search this
Instituto Superior de Arte (Cuba)  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13547
(DSI-AAA_SIRISBib)216458
AAA_collcode_torres98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216458
Online Media:

Oral history interview with Enrique Guy Garcia, 1998 Mar. 18

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists -- Interviews  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13567
(DSI-AAA_SIRISBib)216454
AAA_collcode_garcia98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216454
Online Media:

Oral history interview with María Brito, 1997 October 25

Interviewee:
Brito, María Cristina, 1947-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists -- Interviews  Search this
Cuban American artists -- Interviews  Search this
Cuban American art -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)5441
(DSI-AAA_SIRISBib)216457
AAA_collcode_brito97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216457
Online Media:

Oral history interview with Margarita Cano, 1998 April 22

Interviewee:
Cano, Margarita, 1932-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Cano, Pablo  Search this
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Miami-Dade Public Library  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Curators -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Cuban American art -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Hispanic American art  Search this
Record number:
(DSI-AAA_CollID)5446
(DSI-AAA_SIRISBib)216461
AAA_collcode_cano98
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216461
Online Media:

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