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Ellen Hulda Johnson papers

Creator:
Johnson, Ellen H.  Search this
Names:
Allen Memorial Art Museum  Search this
American-Scandinavian Foundation  Search this
College Art Association (U.S.)  Search this
Oberlin College -- Faculty  Search this
Archipenko, Alexander, 1887-1964  Search this
Cézanne, Paul, 1839-1906  Search this
Dine, Jim, 1935-  Search this
Hesse, Eva, 1936-1970  Search this
Kensett, John Frederick, 1816-1872  Search this
Milles, Carl, 1875-1955  Search this
Oldenburg, Claes, 1929-  Search this
Picasso, Pablo, 1881-1973  Search this
Saunders, David  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tacha, Athena, 1936-  Search this
Tworkov, Jack  Search this
Venturi, Robert  Search this
Wilke, Wendell  Search this
Extent:
61.5 Linear feet
Type:
Collection descriptions
Archival materials
Place:
Ossabaw Island (Ga.)
Date:
1872-2018
bulk 1921-1992
Summary:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 61.5 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes letters to Ellen Johnson from others, letters from Johnson to Carl Gerber, and a sketch by Johnson. Materials date from circa 1956-1991.
Scope and Contents:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 61.5 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes letters to Ellen Johnson from others, letters from Johnson to Carl Gerber, and a sketch by Johnson. Materials date from circa 1956-1991.

Personal papers consist of biographical materials and personal and family files, including "memorabilia" files compiled by Johnson. Correspondence is a mix of personal, business, and professional correspondence. Significant correspondents include David Saunders (who painted a portrait of Johnson), Claes Oldenburg, Jack Tworkov, Robert Venturi, the American Scandinavian Foundation. A folder of correspondence compiled for the Archives includes letters from Alfred Stieglitz, Wendell Wilkie, Carl Milles, Jim Dine, and Alexander Archipenko.

Extensive and comprehensive writing and research project files include articles, lectures, presentations, manuscripts, notes and notebooks, including her class notebooks from courses she attended in Paris in 1935, and additional notes and notebooks on a wide variety of subjects. The numerous articles, lectures, papers, and drafts were written primarily by Johnson for the College Art Association, the Allen Memorial Art Museum bulletin, and numerous additional publications and presentations; but there are also writings by others included in the research files. Major writing projects and related research files cover Scandinavian art, the Ossabaw Island artist's colony, Cezanne, Eva Hesse, John Frederick Kensett, Claes Oldenburg, Picasso, David Saunders, Athena Tacha, Pop Art, and many other topics. Johnson's research files, manuscripts, correspondence, and photographs for major exhibitions, including one on Eva Hesse (1982) and for her published books including American Artists on Art from 1940-1980 (1982), Claes Oldenburg (1971), Fragments Recalled at 80: The Art Memoirs of Ellen H. Johnson (1993), and Modern Art and Object (1976) are arranged with the writing project files. Johnson's bibliographic index cards are found here as well.

The collection contains extensive teaching files for courses taught by Johnson at Oberlin and as a visiting professor at other institutions; professional and curatorial files reflecting her curatorial career at Allen Memorial Art Museum, as a consultant, jury member, and continuing education courses she later attended, including the Baldwin Lecture Series; and 18 linear feet of artist's files assembled by Johnson.
Arrangement:
The Ellen Hulda Johnson papers are arranged into seven series:

Missing Title

Series 1: Personal Papers, circa 1905-2009 (5 linear feet; Boxes 1-2, 56-59)

Series 2: Correspondence, 1927-2009 (5.5 linear feet; Boxes 3-7, 60)

Series 3: Writing and Research Projects, 1872, 1932-1994 (15.5 linear feet; Boxes 7-20, 56, 61-62)

Series 4: Subject Files, 1930-1993 (5 linear feet; Boxes 21-25, 62)

Series 5: Teaching Files, 1928-1989 (6 linear feet; Boxes 26-31, 62)

Series 6: Professional and Curatorial Files, 1936-1991 (6 linear feet; Boxes 32-37, 56)

Series 7: Artists Files, 1935-1992 (18.3 linear feet; Boxes 37-55, 62)

Series 8: Unprocessed Addition, 1956-1991 (0.2 linear feet; Box 63)
Biographical / Historical:
Ellen Hulda Johnson (1910-1992) was an art historian, critic, and professor who worked and taught at Oberlin College in Ohio for most of her career.

Ellen Hulda Johnson was born in 1910 in Warren, Pennsylvania. She received her Bachelor's and Master's degrees in art history at Oberlin in 1933 and 1935. She worked briefly at the Toledo Museum of Art before returning to Oberlin as the art librarian. In 1940 she started Oberlin's art rental program, the first of its kind in the country. She was appointed to the faculty in 1948 and taught nineteenth and twentieth century art, American art from colonial times to the present, contemporary art, and Scandinavian art. She was a member of the Allen Memorial Art Museum's acquisition committee and was appointed honorary curator of modern art in 1973. She remained at Oberlin her entire career, retiring from teaching in 1977.

Johnson was a scholar of Cézanne, Claes Oldenburg, Eva Hesse, Pablo Picasso, Edvard Munch, John F. Kensett and other modern masters, as well as Scandinavian art. In 1962 she wrote the first important article on Claes Oldenburg and, in 1970, assisted curator Athena Tacha commission his first permanent large sculpture (3-Way Plug) for the grounds of the Allen Memorial Art Museum. She was the first to show the black-striped paintings that established Frank Stella's reputation. Her efforts in promoting acquisitions of young contemporary artists helped make the Allen Memorial Art Museum a leading institution in contemporary art. Her Oberlin lectures on modern art became so popular that they had to be held in the college's largest auditorium and influenced generations of students, many of whom went on to signficant positions in the field. A new wing of the museum designed by Robert Venturi opened in 1977 and was named in honor of Johnson.

Johnson was the author of numerous articles, books, and exhibition catalogs including Cezanne (Penquin, 1967); Claes Oldenburg (Penquin, 1971); American Artists on Art from 1940-1980 (Harper and Row, 1982); and Modern Art and the Object (Thames and Hudson, 1976).

In 1968, Johnson purchased the Frank Lloyd Wright-designed Weltzheimer house in Oberlin, and spent a considerable part of her time and money restoring the building where she lived the rest of her life. She bequethed the house and her significant art collection to Oberlin upon her death in 1992.
Related Materials:
Papers of Ellen H. Johnson, 1933-1992, are also located at Oberlin College Archives.
Separated Materials:
Shortly after aquisition, the Archives transferred Ellen Hulda Johnson's vertical file (16 linear feet) of clippings, press releases, and exhibition announcements to the library of the Smithsonian American Art Museum and National Portrait Gallery.
Provenance:
The Ellen Hulda Johnson papers were donated in 1994, 1998, 2019 and 2021 by the estate of Ellen Hulda Johnson via exectutor Athena Tacha.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Librarians -- Ohio  Search this
Authors -- Ohio  Search this
Art critics -- Ohio  Search this
Art historians -- Ohio -- Oberlin  Search this
Educators -- Ohio -- Oberlin  Search this
Topic:
Art, Scandinavian  Search this
Art -- Study and teaching  Search this
Art, Modern -- 19th century -- Study and teaching  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Pop art  Search this
Women authors  Search this
Women art critics  Search this
Women art historians  Search this
Women educators  Search this
Function:
Artist colonies -- Georgia
Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.johnelle
See more items in:
Ellen Hulda Johnson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94183bf07-6dce-4777-903c-a590c03214ce
EDAN-URL:
ead_collection:sova-aaa-johnelle
Online Media:

Art and life in Boston, 1837-1850 : a study of the painter and sculptor in American Society / by Frederic Alan Sharf

Creator:
Sharf, Frederic Alan  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Place:
Boston (Mass.) -- Social conditions
Date:
1956
Biographical / Historical:
Art historian and collector; Chestnut Hill, Mass.
Provenance:
Donated 1956 by Frederic Alan Sharf.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Topic:
Art, Modern -- 19th century -- History -- Massachusetts -- Boston  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Identifier:
AAA.sharfred
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9666e5156-38ed-4038-9847-e0a728f6aa3e
EDAN-URL:
ead_collection:sova-aaa-sharfred

William Rudolph O'Donovan letters

Creator:
O'Donovan, William Rudolph, 1844-1920  Search this
Extent:
Partial microfilm reel.
Type:
Collection descriptions
Archival materials
Date:
1860-1920
Scope and Contents:
Letters and typescripts of letters from O'Donovan to his family, including his mother, Mary Bright O'Donovan, and his sisters Jennie O'Donovan Abraham and Lucy A. Victor. Letters concern his Civil War service, his study of art in New York, his art work, social conditions, Christmas, and other topics.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 19th century -- New York (State) -- New York -- Study and teaching  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.odonwill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b472e9e9-9337-44cf-a585-9410d83c6e1f
EDAN-URL:
ead_collection:sova-aaa-odonwill

Tony Vevers papers

Creator:
Vevers, Tony  Search this
Names:
Long Point Gallery (Provincetown, Mass.)  Search this
Provincetown Art Association  Search this
Purdue University -- Faculty  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Andersen, Yvonne  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Falcone, Dominic  Search this
Grooms, Red  Search this
Halvorsen, Elspeth  Search this
Hofmann, Hans, 1880-1966  Search this
L'Engle, Lucy, 1889-1978  Search this
L'Engle, William, 1884-1957  Search this
Motherwell, Robert  Search this
Smith, Houghton Cranford, 1887-1983  Search this
Stout, Myron, 1908-1987  Search this
Tworkov, Jack  Search this
Vevers, Tabitha  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Yamamoto, Gwen  Search this
Yamamoto, Taro  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Photographs
Portraits
Watercolor paintings
Place:
Provincetown (Mass.) -- Description and Travel
Date:
1947-2008
bulk 1960-1999
Summary:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.
Scope and Contents:
The papers of painter and art historian Tony Vevers measure 3.4 linear feet and date from 1947 to 2008, with the bulk of materials dating from 1960 to 1999. The collection concerns his career as a painter and teacher and his research and writings about the history of art in Provincetown, Massachusetts. Found within the papers are correspondence, writings, subject files, printed material, and photographs.

Among the biographical materials are résumés, a personal statement, the transcript of Tabitha Vevers's 1986 "Conversation with My Father," and applications for grants to study Provincetown artists and the history of the Provincetown art community from the 1920s to the 1950s. Personal and professional includes some letters to his wife Elspeth.

The collection as a whole—and especially Vevers's writings and subject files–focuses on the Provincetown art community, its history and significance. Vevers's writings include many lectures prepared for classes he taught at Purdue University and the Provincetown Art Association and Museum, catalog essays, and notes. There are notes and research materials about artists Houghton Cranford Smith, E. Ambrose Webster, Edwin Dickinson, and Lucy and William L'Engle, and subject files about the Provincetown Art Association and Museum, Long Point Gallery, and other galleries in the area, as well as a file of Provincetown-related obituaries and eulogies for Hans Hofmann, Robert Motherwell, and Jack Tworkov, with Vevers's eulogies for Tworkov and Myron Stout.

Printed materials consist mainly of clippings, exhibition catalogs and announcements relating to Vevers and his art interests. Artwork consists of a small print and watercolor, probably by Vevers, as well as a pen-and-ink portrait by an unidentified artist.

Photographs are mainly of artwork by Vevers. The two images of Vevers show him as a young boy and in 1984 at work in his studio. There are several photographs of exhibition installations at the Sun Gallery in Provincetown, 1958-1959, identified artists are: Yvonne Andersen, Dominic Falcone, Red Grooms, Taro and Gwen Yamamoto.
Arrangement:
The collection is arranged in 7 series:

Missing Title

Series 1: Biographical Materials, 1962-2000 (Box 1; 1 folder)

Series 2: Correspondence, 1950s-2006 (Box 1; 0.1 linear foot)

Series 3: Writings, 1947-2008 (Boxes 1-2; 1.9 linear feet)

Series 4: Subject Files, 1954-2006 (Boxes 2-3; 0.7 linear foot)

Series 5: Printed Material, 1960s-2008 (Boxes 3-4; 0.7 linear foot)

Series 6: Artwork, circa 1950s-circa 2005 (Box 4; 2 folders)

Series 7: Photographs, circa 1950s-1984 (Box 4; 0.1 linear foot)
Biographical / Historical:
Painter and art historian, Tony Vevers (1926-2008) and his artist wife Elspeth Halvorsen (b. 1929) lived and worked in Provincetown, Massachusetts, as year-round or summer residents from 1955 to 2006. From 1964 to 1988, Vevers taught art and art history at Purdue University in Indiana. An active participant in the Provincetown art community, he was also an historian of the Provincetown art scene.

Vevers was born in London, England and immigrated to the United States in 1940, graduating from the Hotchkiss School in Lakeville, Connecticut and Yale University. Following college he studied in Florence, Italy, and with Hans Hofmann in New York City, where he met his wife Elspeth Halvorsen. The couple had two daughters, one of whom, Tabitha is also an artist.

Vevers, active in the Abstract Expressionist movement, had several one-man exhibitions and participated in over one hundred group exhibitions. His works are in the Hirshhorn Museum in Washington, DC, the Delgardo Museum in New Orleans and many universities, corporate, and private collections in the United States and abroad.

Tony Vevers died in Chatham, Massachusetts on March 2, 2008 following complications from pneumonia.
Related Materials:
Also found in the Archives of American Arts are two oral history interviews with Tony Vevers, one conducted by Dorothy Seckler 1965 September 9, the second conducted by Robert F. Brown in 1998 July 9 and August 25.
Provenance:
The papers were donated to the Archives of American Art in 2013 by Elspeth Halvorsen-Vevers the widow of Vevers.
Restrictions:
Use of original materials requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Art historians -- Massachusetts  Search this
Topic:
Transcripts  Search this
Artists' studios -- Photographs  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 19th century  Search this
Art -- Study and teaching  Search this
Abstract expressionism  Search this
Educators -- Massachusetts  Search this
Genre/Form:
Prints
Photographs
Portraits
Watercolor paintings
Citation:
Tony Vevers papers, 1947-2008, bulk 1960-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vevetony
See more items in:
Tony Vevers papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a6ef0cb-3446-4e9b-9d4d-c34188ac23c6
EDAN-URL:
ead_collection:sova-aaa-vevetony

Carl Hirschberg papers

Creator:
Hirschberg, Carl, 1854-1923  Search this
Names:
Bonnat, Léon Joseph Florentin, 1833-1922  Search this
Harper, William St. John, 1851-1910  Search this
Hirschberg, Alice, b. 1856  Search this
Hoeber, Arthur, 1854-1915  Search this
Laurens, Jean-Paul, 1838-1921  Search this
Nelson, Laurence, 1887-1978  Search this
Turner, Charles Yardley, 1850-1918  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1871-1951
Scope and Contents:
The bulk of collection consists of correspondence with his wife Alice Hirschberg and their son Laurence Nelson, but also included are letters to Hirschberg from Charles Yardley Turner and William St. John Harper, who write from abroad while studying art with Jean Paul Laurens and Leon Bonnat. Other correspondents include Walter Shirlaw, John Lavery, Edwin Austin Abbey, Arthur Hoeber and art patron J. Sanford Saltus. Nelson's correspondence relates to his experiences while studying abroad and with Birge Harrison at the Art Students League Woodstock Summer School. Also included are photographs, mainly of the family and a written work by Alice Hirschberg.
Biographical / Historical:
Painter, illustrator; New York, N.Y. Born in Germany. Married to Alice Hirschberg (Alice Kerr-Nelson). Their son, painter and teacher Laurence Nelson, took his mother's name.
Provenance:
Donated by William Dolan Fletcher in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Art, Modern -- 19th century  Search this
Art -- Study and teaching -- France -- Paris  Search this
Identifier:
AAA.hirscarl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91f80c93d-ed05-4e42-befd-7bb31e0b45fa
EDAN-URL:
ead_collection:sova-aaa-hirscarl

Art and life in Boston, 1837-1850 : a study of the painter and sculptor in American Society / by Frederic Alan Sharf, 1956

Creator:
Sharf, Frederic Alan  Search this
Place:
Boston (Mass.) -- Social conditions
Citation:
Art and life in Boston, 1837-1850 : a study of the painter and sculptor in American Society / by Frederic Alan Sharf, 1956. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 19th century -- History -- Massachusetts -- Boston  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8465
(DSI-AAA_SIRISBib)210641
AAA_collcode_sharfred
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210641

Carl Hirschberg papers, 1871-1951

Creator:
Hirschberg, Carl, 1854-1923  Search this
Subject:
Bonnat, Léon Joseph Florentin  Search this
Laurens, Jean-Paul  Search this
Hirschberg, Alice  Search this
Harper, William St. John  Search this
Turner, Charles Yardley  Search this
Hoeber, Arthur  Search this
Nelson, Laurence  Search this
Citation:
Carl Hirschberg papers, 1871-1951. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 19th century  Search this
Art -- Study and teaching -- France -- Paris  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10443
(DSI-AAA_SIRISBib)213848
AAA_collcode_hirscarl
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213848

William Rudolph O'Donovan letters, 1860-1920

Creator:
O'Donovan, William Rudolph, 1844-1920  Search this
Citation:
William Rudolph O'Donovan letters, 1860-1920. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 19th century -- New York (State) -- New York -- Study and teaching  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10943
(DSI-AAA_SIRISBib)214721
AAA_collcode_odonwill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214721

Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992

Creator:
Johnson, Ellen H., 1910-1992  Search this
Subject:
Hesse, Eva  Search this
Tworkov, Jack  Search this
Cézanne, Paul  Search this
Milles, Carl  Search this
Wilke, Wendell  Search this
Kensett, John Frederick  Search this
Saunders, David  Search this
Picasso, Pablo  Search this
Oldenburg, Claes  Search this
Tacha, Athena  Search this
Stieglitz, Alfred  Search this
Venturi, Robert  Search this
Archipenko, Alexander  Search this
Dine, Jim  Search this
American-Scandinavian Foundation  Search this
Oberlin College  Search this
College Art Association (U.S.)  Search this
Allen Memorial Art Museum  Search this
Place:
Ossabaw Island (Ga.)
Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Topic:
Art, Scandinavian  Search this
Art -- Study and teaching  Search this
Art, Modern -- 19th century -- Study and teaching  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Pop art  Search this
Women authors  Search this
Women art critics  Search this
Women art historians  Search this
Women educators  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6514
(DSI-AAA_SIRISBib)215772
AAA_collcode_johnelle
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215772
Online Media:

Tony Vevers papers, 1947-2008, bulk 1960-1999

Creator:
Vevers, Tony, 1926-2008  Search this
Subject:
L'Engle, Lucy  Search this
L'Engle, William  Search this
Motherwell, Robert  Search this
Smith, Houghton Cranford  Search this
Stout, Myron  Search this
Tworkov, Jack  Search this
Andersen, Yvonne  Search this
Yamamoto, Gwen  Search this
Yamamoto, Taro  Search this
Dickinson, Edwin Walter  Search this
Vevers, Tabitha  Search this
Webster, E. Ambrose (Edwin Ambrose)  Search this
Hofmann, Hans  Search this
Halvorsen, Elspeth  Search this
Grooms, Red  Search this
Falcone, Dominic  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Long Point Gallery (Provincetown, Mass.)  Search this
Purdue University  Search this
Provincetown Art Association  Search this
Type:
Prints
Photographs
Portraits
Watercolor paintings
Place:
Provincetown (Mass.) -- description and travel
Citation:
Tony Vevers papers, 1947-2008, bulk 1960-1999. Archives of American Art, Smithsonian Institution.
Topic:
Transcripts  Search this
Artists' studios -- Photographs  Search this
Art -- History -- Study and teaching  Search this
Art, Modern -- 19th century  Search this
Art -- Study and teaching  Search this
Abstract expressionism  Search this
Educators -- Massachusetts  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16136
(DSI-AAA_SIRISBib)363703
AAA_collcode_vevetony
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363703
Online Media:

The Julian Academy, Paris, 1868-1939 : spring exhibition, 1989 / essays by Catherine Fehrer ; exhibition organized by Robert and Elisabeth Kashey

Author:
Fehrer, Catherine  Search this
Kashey, Robert  Search this
Kashey, Elisabeth  Search this
Shepherd Gallery  Search this
Subject:
Académie Julian Alumni and alumnae  Search this
Physical description:
v, 20, [252] p. : ill. ; 22 cm
Type:
Exhibitions
Place:
France
Paris
Date:
1989
C1989
19th century
20th century
Topic:
Art--Study and teaching  Search this
Art, Modern  Search this
Call number:
N6447 .F44 1989
N332.F8P23 1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_653265

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