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Vose Galleries of Boston records, circa 1876, bulk 1920-1940

Creator:
Vose Galleries of Boston  Search this
Vose Galleries of Boston  Search this
Subject:
Vose, Robert Churchill  Search this
Hassam, Childe  Search this
Hoffman, Malvina  Search this
Jonniaux, Alfred  Search this
Ladd, Anna Coleman (sculptor)  Search this
Thayer, Abbott Handerson  Search this
Norton, William E.  Search this
Sargent, John Singer  Search this
Vose, Robert C. (Robert Churchill)  Search this
Arthur U. Newton Galleries  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Type:
Video recordings
Manuscript
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9272
(DSI-AAA_SIRISBib)211467
AAA_collcode_vosegall
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211467
Online Media:

Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925

Creator:
Archives of American Art  Search this
Archives of American Art  Search this
Subject:
Kuhn, Walt  Search this
Type:
Exhibition catalogs
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Modernism (Art)  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Theme:
Art Market  Search this
Publications  Search this
Record number:
(DSI-AAA_CollID)9520
(DSI-AAA_SIRISBib)211719
AAA_collcode_archamea
Theme:
Art Market
Publications
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211719
Online Media:

Art and life in Boston, 1837-1850 : a study of the painter and sculptor in American Society / by Frederic Alan Sharf, 1956

Creator:
Sharf, Frederic Alan  Search this
Sharf, Frederic Alan  Search this
Place:
Boston (Mass.) -- Social conditions
Topic:
Art, Modern -- 19th century -- History -- Massachusetts -- Boston  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8465
(DSI-AAA_SIRISBib)210641
AAA_collcode_sharfred
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210641

Henry Hitchings papers, 1867-1896

Creator:
Hitchings, Henry, 1824-1902  Search this
Hitchings, Henry, 1824-1902  Search this
Topic:
Art, American  Search this
Art, Modern -- 19th century -- United States  Search this
Drawing, American  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10397
(DSI-AAA_SIRISBib)213773
AAA_collcode_hitchenr
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213773

Maurice Brazil and Charles Prendergast selected papers, [ca.1865]-1992

Creator:
Prendergast, Maurice Brazil, 1858-1924  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Subject:
Glackens, William J.  Search this
Hartley, Marsden  Search this
Pach, Walter  Search this
Brooks, Van Wyck  Search this
Glackens, Edith  Search this
Glackens, Ira  Search this
Sargent, John Singer  Search this
Topic:
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Theme:
Diaries  Search this
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)13419
(DSI-AAA_SIRISBib)214583
AAA_collcode_prenmaur
Theme:
Diaries
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214583

Art and life in Boston, 1837-1850 : a study of the painter and sculptor in American Society / by Frederic Alan Sharf

Creator:
Sharf, Frederic Alan  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Place:
Boston (Mass.) -- Social conditions
Date:
1956
Biographical / Historical:
Art historian and collector; Chestnut Hill, Mass.
Provenance:
Donated 1956 by Frederic Alan Sharf.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Topic:
Art, Modern -- 19th century -- History -- Massachusetts -- Boston  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Identifier:
AAA.sharfred
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9666e5156-38ed-4038-9847-e0a728f6aa3e
EDAN-URL:
ead_collection:sova-aaa-sharfred

Maurice Brazil and Charles Prendergast selected papers

Creator:
Prendergast, Maurice Brazil, 1858-1924  Search this
Prendergast, Charles, 1863-1948  Search this
Names:
Brooks, Van Wyck, 1886-1963  Search this
Glackens, Edith  Search this
Glackens, Ira, 1907-1990  Search this
Glackens, William J., 1870-1938  Search this
Hartley, Marsden, 1877-1943  Search this
Pach, Walter, 1883-1958  Search this
Sargent, John Singer, 1856-1925  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca.1865]-1992
Scope and Contents:
Selected material from the Prendergast Archive, Williams College, Williamstown, Mass. Included are: a descriptive list of contents on the microfilm; letters from Maurice to his brother Charles during trips to Paris, 1907, and Venice, 1911-1912, and a draft of a letter to William Glackens about Marsden Hartley, ca. 1908, with transcriptions by the Prendergast Archive; letters to Charles and his wife, Eugenie, 1900-1956, from John Singer Sargent, Van Wyck Brooks, Walter Pach, Ira Glackens, Edith Glackens, and others. Also included are Maurice's address book, ca. 1914-1923?; Charles' diaries of trips to France, 1927 and 1929, containing 3 pencil sketches;
Maurice's and Charles' diary and addresses, 1918-1925; and a partial record of the Prendergast/Germaine family history recorded in a Bible and birth and death documents of family members. Miscellany pertaining to Maurice includes a sketch on his Macbeth Gallery exhibition catalog, 1900; an informal translation of an article on Paul Cezanne, ca. 1908; a notebook p. inscribed with his name and address; and a bronze medal awarded for third prize in an American oil painting exhibition at the Corcoran Gallery of Art.
Miscellany of Charles includes his driver's license, a sketch; notes; and signatures. Also included are a photograph of their painting "The Spirit of the Hunt," inscribed by them to a friend, 1918; printed material collected by them; a list of their books; photographs of Maurice, Charles, family, friends, and of works of art by other artists.
Biographical / Historical:
Maurice: painter, watercolorist, illustrator and graphic artist; Boston, Mass. and New York, N.Y. Charles: painter, sculptor, craftsman, and framemaker; Boston, Mass., New York, N.Y. and Westport, Conn. Maurice was an Impressionist and early modernist. He painted scenes along the Massachusetts and Maine coasts as well as in Paris, Venice, Rome, and French coastal towns; exhibited with "The Eight" (1908), and was a contributor to the Armory show (1913). Charles achieved prominence as a craftsman and framemaker (1891-1912), and later specialized in painted, gilded, and incised panels of exotic and folk subjects (1912-1948).
Provenance:
Loaned for microfilming in 1992 by the Prendergast Archive and Study Center. Located in the Williams College Museum of Art, Williamstown, Mass., it contains archival materials pertaining to the Prendergasts, donated by Mrs. Charles Prendergast, as well as research materials and files amassed for the publication of MAURICE BRAZIL PRENDERGAST, CHARLES PRENDERGAST: A CATALOG RAISONNE (1990).
Restrictions:
Patrons must use microfilm copy.
Topic:
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Identifier:
AAA.prenmaur
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c003508-387b-4bfd-a0b0-07971542a85b
EDAN-URL:
ead_collection:sova-aaa-prenmaur

Henry Hitchings papers

Creator:
Hitchings, Henry, d. 1902  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1867-1896
Scope and Contents:
Letters to Hitchings from his first wife, the Art Department at The University of Massachusetts, and publishers, 1867-1896; an illustrated manuscript, "True Principles of Art Found in Nature," 189 p.; a manuscript "Book Two General Remarks," 37 p.; two watercolors; a print; brochures from art schools; invitations to exhibitions; and reproductions of book illustrations.
Biographical / Historical:
Landscape painter, instructor; Boston, Mass. Exhibited at The American Art Union, 1849, at The Boston Athenaeum in 1856-1857 and the National Academy in 1868-1869. Taught a course in drawing for teachers in Boston and at the United States Naval Academy.
Provenance:
Donated 1987 by Elisabeth Rothschild, the granddaughter of Henry Hitchings.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Landscape painters -- Massachusetts -- Boston  Search this
Topic:
Art, American  Search this
Art, Modern -- 19th century -- United States  Search this
Drawing, American  Search this
Identifier:
AAA.hitchenr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901f0d943-f2cd-4acf-8b13-ef6b53532c3d
EDAN-URL:
ead_collection:sova-aaa-hitchenr

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Function:
Art galleries, Commercial -- Massachusetts
Art galleries, Commercial -- Rhode Island
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b560897e-b32f-45cc-9f36-548879006396
EDAN-URL:
ead_collection:sova-aaa-vosegall
Online Media:

Miscellaneous art exhibition catalog collection

Names:
Kuhn, Walt, 1877-1949  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Exhibition catalogs
Date:
1813-1953
bulk 1915-1925
Summary:
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
Scope and Content Note:
The collection comprises circa 770 items, dating from 1813-1953, the bulk of which are exhibition catalogs from New York City art galleries for the first two decades of the twentieth century, representing exhibitions of mainly modernist art. Catalogs for exhibitions held in Boston (mainly pre-1900) and a few other cities are also present. Included are several rare catalogs, notably one for the "Eight" held at Macbeth Gallery in 1908. Besides catalogs, the collection also contains exhibition announcements, gallery publications, and other printed material. The collection is especially relevant for the study of early American modernism, and is useful in understanding the role of art galleries, exhibitions, the art market, and the exhibition catalog itself, in American art.
Arrangement:
The collection is arranged as 8 series representing alphabetical groups. Catalogs are arranged within these groups according to name of the sponsoring gallery, or if no gallery is listed, by the name of the club or organization. Catalogs are arranged chronologically thereafter, with undated material first. Many catalogs are undated, list only a year, or are annotated with a date. No attempt has been made to date or verify these at this time. Catalogs which are annotated with a date are filed chronologically, and are indicated with brackets around the date.

Missing Title

Series 1: Art Exhibition Catalogs, A-C

Series 2: Art Exhibition Catalogs, D-F

Series 3: Art Exhibition Catalogs, G-I

Series 4: Art Exhibition Catalogs, J-L

Series 5: Art Exhibition Catalogs, M-O

Series 6: Art Exhibition Catalogs, P-R

Series 7: Art Exhibition Catalogs, S-T

Series 8: Art Exhibition Catalogs, U-Z
Historical Note:
In 1979, the American Antiquarian Society donated several hundred exhibition catalogs and art-related printed material to the Archives of American Art (AAA). The Society had received most of them over a long period of time, many of them addressed to the director, Charles Brigham. For several years subsequent to the donation, AAA sporadically added exhibition catalogs to the collection from various sources. Some of these additions are annotated in the hand of Walt Kuhn and are presumed to have been part of his papers in the Archives.
Related Material:
Researchers may find duplicate or related items in galleries' records held at the Archives of American Art. Additional or duplicate catalogs may appear in AAA's Catalog of Exhibition Catalogs (1979).
Provenance:
The bulk of the collection was donated 1979 by the American Antiquarian Society, who presumably assembled them from various sources. Others were received individually, while many are annotated in the hand of Walt Kuhn and are presumed to have originally been part of his papers in the Archives. In 2005, additional catalogs were integrated, some of which are presumed to have been removed from various collections over the years.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Modernism (Art)  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Function:
Art galleries, Commercial -- Massachusetts
Art galleries, Commercial -- New York (State)
Genre/Form:
Exhibition catalogs
Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.archamea
See more items in:
Miscellaneous art exhibition catalog collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97cda1277-17cc-4295-abe9-729b895e1a28
EDAN-URL:
ead_collection:sova-aaa-archamea

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