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NFTS: Fad of the Future of Art?

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2021-05-07T17:21:21.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_MLBf3orYtkY

Oral history interview with Henry Plumer McIlhenny

Interviewee:
McIlhenny, Henry P.  Search this
Interviewer:
Cummings, Paul  Search this
Creator:
United States. Works Progress Administration  Search this
Names:
Philadelphia Museum of Art  Search this
United States. Works Progress Administration  Search this
Rosenberg, Paul, 1881-1959  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 Oct. 28
Scope and Contents:
An interview of Henry Plumer McIlhenny conducted 1974 Oct. 28, by Paul Cummings, for the Archives of American Art.
McIlhenny speaks about his parent's interest in collecting; his own collecting; studying with Paul Sachs at Harvard; his interest in 19th century art, travels to Europe, purchasing works by Seurat, Degas, Ingres, and Chardin; dealers he worked with including Paul Rosenberg and Valentine Dudensing; his tenure as decorative arts curator at the Philadelphia Museum of Art, staff, and exhibitions; the completion of the museum building by the WPA; and commissioning paintings from Franklin Watkins.
Biographical / Historical:
Henry McIlhenny (1910-1986) was an art collector, curator, and arts administrator from Philadelphia, Pa.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 4 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, Modern -- 20th century -- Pennsylvania -- Pennsylvania -- Philadelphia  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mcilhe74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcilhe74
Online Media:

Selected art related papers from the Simon Gratz Collection

Collector:
Gratz, Simon  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Chase, William Merritt, 1849-1916  Search this
Cole, Thomas, 1801-1848  Search this
Copley, John Singleton, 1738-1815  Search this
Delaplaine, Joseph, 1777-1824  Search this
Durand, Asher Brown, 1796-1886  Search this
Humphreys, Joshua, 1751-1838  Search this
Otis, Bass, 1784-1861  Search this
Peale, Charles Willson, 1741-1827  Search this
Rosenthal, Albert, 1863-1939  Search this
Sargent, John Singer, 1856-1925  Search this
Stuart, Gilbert, 1755-1828  Search this
Sully, Thomas, 1783-1872  Search this
Thomson, Charles, 1729-1824  Search this
Trumbull, John, 1756-1843  Search this
Extent:
3 Reels (ca. 500 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
[ca. 1770-1921]
Scope and Contents:
Selected letters, sketches, writings, clippings and printed material collected by Simon Gratz, primarily from the "Painters, sculptors, and engravers" section (ca. 400 items) of the Cultural life, arts and sciences autograph series. Other sections filmed include Benjamin West correspondence; Charles Thomson correspondence; Joshua Humphreys letters; and one or more letters from the following categories: American miscellaneous, European painters and sculptors, Chaplains colonial wars and revolution, Roman Catholic prelates, British Authors, British literary misc., European explorers and antiquaries, American poets, Univ. presidents, American scientists, American authors, American prose, American literary misc., U.S. Senators, and others.
The Painters, sculptors, and engravers section contains ca. 400 items, primarily letters, of prominent eighteenth, nineteenth, and early twentieth century American artists, such as Albert Bierstadt, William Merritt Chase, Thomas Cole, John Singleton Copley, Asher B. Durand, Charles Willson Peale, John Singer Sargent, Gilbert Stuart, Thomas Sully, John Trumbull, and others. Many of the letters are addressed to Albert Rosenthal. Also included are sketches, writings, clippings, and printed material pertaining to the artists. The Benjamin West papers, 1877-1819, (reel P23, fr. 1-85) include letters to West, letters from and about West, and cards, a certificate, and engraving of him.
The Charles Thomson papers (reels P21, fr. 800-813 and P22, fr. 1-7) include material relating to craftsmen in New York and Philadelphia, 1784-1787; correspondence with Joseph Delaplaine, 1816-1817, concerning Delaplaine's having a portrait of Thomson painted by Bass Otis; a letter to Thomson from G.P. Norris, Jr., Jan. 26, 1819, referring to Trumbull's painting of the signing of the Declaration of Independence; and bills from cabinetmaker Alexander Anderson. The Humphreys' letters are from Charles Willson Peale, Mar. 4, 1795, and William Rush, Apr. 30, 1795.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- United States  Search this
Topic:
Art, Modern -- 17th-18th centuries -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Identifier:
AAA.gratsimo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gratsimo

Selected art related letters from Historical Society of Pennsylvania's Society Collection

Creator:
Historical Society of Pennsylvania  Search this
Names:
Carey & Hart  Search this
Peale's Museum (Philadelphia, Pa.)  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Abbey, Mary Gertrude, d. 1931  Search this
Alexander, Archibald, 1772-1851  Search this
Allston, Washington, 1779-1843  Search this
Bayley, Frank W.  Search this
Beale, Pennel  Search this
Belcher, Wm. (William)  Search this
Bierstadt, Albert, 1830-1902  Search this
Brodhead, Col  Search this
Burrell, B.  Search this
Carey, Edward L., 1806-1845  Search this
Carey, Henry Charles, 1793-1879  Search this
Catlin, George, 1796-1872  Search this
Ceracchi, Giuseppe, 1751-1801  Search this
Chapman, J. G. (John Gadsby), 1808-1889  Search this
Cheney, John, 1801-1885  Search this
Clarke, Miss  Search this
Claypoole, James, Sr., 1720-1796  Search this
Coleridge, Samuel Taylor, 1772-1834  Search this
Cox, James, 1751-1834  Search this
Curren, Mr  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Delaplaine, Joseph, 1777-1824  Search this
Dickinson, John, 1732-1808  Search this
Dillwyn, William, 1743-1824  Search this
Donnehue, Humphrey  Search this
Du Simitière, Pierre Eugène, ca. 1736-1784  Search this
Duane, William J. (William John), 1780-1865  Search this
Dunlap, William, 1766-1839  Search this
Eliot, S.  Search this
Elliott, James B.  Search this
Elwyn, Langdon, Mrs.  Search this
Fielding, Mantle, 1865-1941  Search this
Francis, John W. (John Wakefield), 1789-1861  Search this
Gibson, Charles Dana, 1867-1944  Search this
Gillingham, Harrold E. (Harrold Edgar), 1864-1954  Search this
Greenough, Horatio, 1805-1852  Search this
Harding, George, 1882-1959  Search this
Hayes, Charles P.  Search this
Hollingsworth, Levi, 1739-1824  Search this
Hosack, David, 1769-1835  Search this
Howell, Mr.  Search this
Hunt, William Morris, 1824-1879  Search this
Huntington, Daniel, 1816-1906  Search this
Inman, Henry, 1801-1846  Search this
Jackson, William  Search this
Jones, Horatio Gates, 1822-1893  Search this
Jordan, John W. (John Woolf), 1840-1921  Search this
Kimball, Henry H. (Henry Hastings), b. 1835  Search this
Lambdin, James Reid, 1807-1889  Search this
Leidy, Joseph, 1823-1891  Search this
Leland, Charles Godfrey, 1824-1903  Search this
Lippincott, J. B. (Joshua Ballinger), 1813-1886  Search this
Livermore, George, 1809-1865  Search this
Low, Will Hicok, 1853-1932  Search this
Madison, James, 1751-1836  Search this
Marchant, Edward Dalton, 1806-1887  Search this
Martin, John Hill, 1823-1906  Search this
McAllister, John A.  Search this
McMurtrie, James, fl. 1843-1864  Search this
Monaghan, James  Search this
Montgomery, John C., Mrs.  Search this
Moody, William H. (William Henry), 1853-1917  Search this
Murray, J.  Search this
Myers, Albert Cook, 1874-1960  Search this
Nathans, Isabella  Search this
Nathans, Rebecca  Search this
Neagle, John, 1796-1865  Search this
Newsam, Albert, 1809-1864  Search this
Ogden, C. S.  Search this
Otis, Bass, 1784-1861  Search this
Paca, John  Search this
Paine, Thomas, 1737-1809  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, Franklin, 1795-1870  Search this
Peale, James, 1789-1876  Search this
Peale, Mary Jane, 1827-1902  Search this
Peale, Rembrandt, 1778-1860  Search this
Peale, Titian Ramsay, 1799-1885  Search this
Pennell, Joseph, 1857-1926  Search this
Penrose, Clement B. (Clement Biddle), 1832-1911  Search this
Piggot, Robert, 1795-1887  Search this
Randolph, Benjamin, 1737 or 8-1791  Search this
Read, Thomas Buchanan, 1822-1872  Search this
Richards, William Trost, 1833-1905  Search this
Rittenhouse, David, 1732-1796  Search this
Rosenthal, Albert, 1863-1939  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Rush, William, 1756-1833  Search this
Saint-Mémin, Charles Balthazar Julien Fevret de, 1770-1852  Search this
Sartain, John, 1808-1897  Search this
Schoff, Stephen Alonzo, 1818-1904  Search this
Schreiner, Jacob  Search this
Shrigley, James, 1814-1891  Search this
Smith, Russell, 1812-1896  Search this
Snowden, James Ross  Search this
Snyder, W. D.  Search this
Somerville, Dr.  Search this
Stanbridge, J. C.  Search this
Stephens, Charles H., 1855?-1931  Search this
Stone, Frederick D. (Frederick Dawson), 1841-1897  Search this
Stuart, Gilbert, 1755-1828  Search this
Sully, Thomas, 1783-1872  Search this
Syng, Philip, 1703-1789  Search this
Taylor, Frank H. (Frank Hamilton), 1846-1927  Search this
Troth, Henry, 1794-1842  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Vaux, Mr  Search this
Ward, Townsend, 1817?-1885  Search this
Wells, William Hill, 1769-1829  Search this
Wharton, Geo. M. (George Mifflin), 1808-1870  Search this
Wharton, Mr  Search this
Wharton, Thomas Kelah, 1814-1862  Search this
Williams, Henry, 1828-1893  Search this
Willis, Nathaniel Parker, 1806-1867  Search this
Wilson, Alexander, 1766-1813  Search this
Woodside, John Archibald, 1781-1852  Search this
Wright, Patience Lovell, 1725-1786  Search this
Wylie, Samuel B. (Samuel Brown), 1773-1852  Search this
Extent:
2 Reels (ca. 150 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1760-1935
Scope and Contents:
Letters, mainly from artists, and documents selected from the Historical Society of Pennsylvania's miscellaneous manuscript collection (Society Collection). Letters are to various people; 46 of them are to Townsend Ward and a few are to John A. McAllister, photographer. Many of the letters refer to paintings, portraits, commissions, and awards.
Writers of letters include: Edwin Austin Abbey, Mary Gertrude Abbey, F.W. Bayley, Albert Bierstadt, George Catlin, Joseph Ceracchi, John Gadsby Chapman, John Cheney, James Claypool, James Cox, F.O.C. Darley, Joseph Delaplaine, Humphrey Donnehue, William Dunlap, Pierre Eugene Du Simitiere, S. Eliot, Charles Fevret De Saint-Memin, Charles Dana Gibson, Harold Edgar Gillingham, Horatio Greenough, George Harding, Levi Hollingsworth, William Morris Hunt, Daniel Huntington, Henry Inman, Horatio Gates Jones, James Reid Lambdin, Will Hicok Low, Edward Dalton Marchant, William Henry Moody, John Neagle, Albert Newsam, Bass Otis, Thomas Paine, Charles Willson Peale, Franklin Peale, James Peale, Jr., Mary Jane Peale, Rembrandt Peale, Titian Ramsay Peale, Joseph Pennell, Clement Penrose, Robert Piggot, Thomas Buchanan Read, William Trost Richards, Thomas Prichard Rossiter, Peter Frederick Rothermel, William Rush, John Sartain, Stephen Alonzo Schooff (to Townsend Ward), Russell Smith, Charles H. Stephens, Thomas Sully, Philip Syng, John Vanderlyn, N.P. Willis, Alexander Wilson and Patience Wright.
Among the recipients of letters are Archibald Alexander, David S. Brown, William Belcher, Col. Brodhead, B. Burrell, Carey & Hart, Edward L. Carey, Henry C. Carey, Miss Clarke, Mr. Curren, Joseph Delaplaine, John Dickinson, Dr. Dickson, William Dillwyn, William Duane, James B. Elliott, Mrs. Langdon Elwyn, Mantle(?) Fielding, John W. Francis, Charles P. Hayes, David Hosack, Mr. Howell, Major William Jackson, Horatio Gates Jones, John W. Jordan, H.H. Kjmball, C.G. Leland, Joseph Leidy, J.B. Lippincott, George Livermore, James Madison, J. Hill Martin, John McAllister, James McMurtrie, James Monaghan, J. Murray, Albert Cook Myers, Rebecca and Isabella Nathans, John Neagle, C.S. Ogden, John Paca, Charles Willson Peale, Rembrandt Peale, David Rittenhouse, Albert Rosenthal, John Sartain, Jacob Schreiner, James Shrigley, James Ross Snowden, W.D. Snyder, Dr. Sommerville, J.C. Stanbridge, F.D. Stone, Henry Troth, Mr. Vaux, Townsend Ward, William Hill Wells, G.M. Wharton, Thomas Wharton, Henry J. Williams, and Samuel B. Wylie.
Other items include a sonnet of S.T. Coleridge by Washington Allston; business card of Pennel Beale; catalog of medals and coins of silver in the possession of Hon. John Smith compiled by Du Simitière, 1772; printed address by Mrs. John C. Montgomery soliciting donations for the repair of the Pennsylvania Academy of the Fine Arts, destroyed by fire, 1845; William Morris Hunt's admission ticket to Peale's Museum, 1836, stating his height and weight; description of objects on display at the Peale Museum, 1820; a photograph and business card of Benjamin Randolph; invitations and notes to Gilbert Stuart; typescript by Frank H. Taylor on lithography, 1923; subscription book for engravings of paintings by John Trumbull; and a page from John Archibald Woodside's daybook, 1802-1803.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American  Search this
Art, Modern -- 17th-18th centuries -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Identifier:
AAA.histsopa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-histsopa

Selected art related papers from the Simon Gratz Collection, [ca. 1770-1921]

Creator:
Gratz, Simon  Search this
Gratz, Simon  Search this
Subject:
Bierstadt, Albert  Search this
Chase, William Merritt  Search this
Cole, Thomas  Search this
Copley, John Singleton  Search this
Delaplaine, Joseph  Search this
Durand, Asher Brown  Search this
Humphreys, Joshua  Search this
Otis, Bass  Search this
Peale, Charles Willson  Search this
Rosenthal, Albert  Search this
Stuart, Gilbert  Search this
Sully, Thomas  Search this
Trumbull, John  Search this
Thomson, Charles  Search this
Sargent, John Singer  Search this
Topic:
Art, Modern -- 17th-18th centuries -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)10894
(DSI-AAA_SIRISBib)214671
AAA_collcode_gratsimo
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214671

Hopkinson family selected papers

Creator:
Hopkinson family  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Hopkinson, Francis, 1737-1791  Search this
Hopkinson, Joseph, 1770-1842  Search this
Sully, Thomas, 1783-1872  Search this
Trumbull, John, 1756-1843  Search this
West, Benjamin, 1738-1820  Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1765-1859
Scope and Contents:
Letters, 1766-1767, from Francis Hopkinson regarding his stay with Benjamin West; letters, 1817-1840, to Joseph Hopkinson from or regarding artists, among them Clevenger, C.R. Leslie, Thomas Sully, Benjamin Trott, and John Trumbull (2 letters regarding sales to the Pennsylvania Academy of the Fine Arts and the work of Benjamin West); letters from Hopkinson's tenure as President of the PAFA relating to exhibitions, purchases, donations and acquisitions including Murillo's "Roman Daughter" and other works by American and European artists, complaints from artists, loans and gifts from Hopkinson to other collections, the commission of a series of medals of generals based on paintings by Thomas Sully and Moritz Furst;
letters relating to Joseph Bonaparte, Count of Survilliers whom Hopkinson represented in legal and art matters, including requests for gifts from the Count's collection; an early biographial sketch of Joseph Hopkinson, and a list of the contents of the Bordentown house.
Biographical / Historical:
Prominent political family in Philadelphia, Penn. and Bordentown, N.J. Joseph Hopkinson was a U.S. Congressman, federal judge, president of the Pennsylvania Academy of the Fine Arts and a collector.
Provenance:
Microfilmed in 1991 as part of AAA's Philadelphia Arts Documentation Project. Bound by the family in volumes, which are not chronological and later donated to the Historical Society of Pennsylvania. Only the art related materials were filmed from the approximately 6 linear feet of papers.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from Historical Society of Pennsylvania. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Museum directors -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, Modern -- 19th century -- Pennsylvania -- Philadelphia  Search this
Art -- Commissioning  Search this
Art -- Collectors and collecting  Search this
Identifier:
AAA.hopkhopk
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hopkhopk

Frederic Remington letters

Creator:
Remington, Frederic, 1861-1909  Search this
Names:
Davenport, Homer, 1867-1912  Search this
Schell, Frederic B.  Search this
Extent:
3 Items ((on 2 partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1890-1891 and [undated]
Scope and Contents:
REEL D10: Two letters to Fred B. Schell, 1890-1891, one concerning a drawing by Remington which "can not be processed successfully as far as the piecing goes..." and "You also suggest my improving the original as far as possible-that I do not understand..." In the other, he notes that a toothache has kept him from getting "at the militia business..."
REEL D30: One letter to Homer Davenport in which Remington talks about, among other things, his new farm.
Biographical / Historical:
Sculptor, painter; Ridgefield, Conn. Specialized in scenes of the American west.
Provenance:
Donated 1955-1962 by Charles E. Feinberg, an active donor and friend of AAA.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Connecticut -- Ridgefield  Search this
Sculptors -- Connecticut -- Ridgefield  Search this
Topic:
Art, Modern -- 19th century -- Middle West  Search this
Identifier:
AAA.remifrel
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-remifrel

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-daleches
Online Media:

Samuel J. Wagstaff papers

Creator:
Wagstaff, Samuel J.  Search this
Names:
Basen, Dan, 1939-  Search this
Brecht, George  Search this
Byars, James Lee  Search this
De Maria, Walter, 1935-2013  Search this
Di Suvero, Mark, 1933-  Search this
Fine, Albert M.  Search this
Flavin, Dan, 1933-  Search this
Halprin, Anna  Search this
Hartigan, Grace  Search this
James, Charles, d. 1978  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Manning, Doreen  Search this
Manning, Robert  Search this
Martin, Agnes, 1912-2004  Search this
Newton, Gordon, 1948-  Search this
Oldenburg, Claes, 1929-  Search this
Reinhardt, Ad, 1913-1967  Search this
Roth, Dieter, 1930-1998  Search this
Saret, Alan, 1944-  Search this
Tuttle, Richard, 1941-  Search this
Warhol, Andy, 1928-  Search this
Wilson, Mary F.  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
circa 1932-1985
Summary:
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.
Scope and Content Note:
The Samuel J. Wagstaff papers, circa 1932-1985, comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs.

Correspondence with artists and others such as curators, arts organizations, galleries, and museums reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements. Wagstaff's importance as a collector and curator and his generosity to and interest in artists is evident from the large number of invitations to view and critique work, requests for fellowship and grant recommendations, and thank you notes from artists to whom he extended financial or moral support. Among the most prolific correspondents found here are: Dan Basen, George Brecht, James Lee Byars, Walter de Maria, Mark Di Suvero, Albert Fine, Dan Flavin, Ann Halprin, Grace Hartigan, Charles James, Philip Johnson, Ray Johnson, Doreen and Robert Manning, Agnes Martin, Gordon Newton, Claes Oldenburg, Ad Reinhardt, Dieter Rot, Alan Saret, Richard Tuttle, May Wilson, and Andy Warhol.

Writings by Wagstaff consist of "Looking at Modern Art" prepared for the Trinity College Reading Program, and an untitled, undated piece about multiplicity in art. Among the writings by other authors are Bruce Bennard's "The Photographer Rediscovered," "Pop Art" by Henry Geldzahler, and "Collecting Photographs" by Bonnie Barrett Stretch.

Miscellaneous records are drawings by Bruce Kleinsmith, a print by Harold Paris and artists' resumes. Also included is a costume consisting of a stuffed devil's tail and two red silk caps connected by a long sash, all in a matching red silk bag.

Among the printed material are books, exhibition catalogs and prospectuses, periodicals, press releases, reproductions, and a variety of other printed items relating to photography and art.

Photographs consist largely of copy prints and a small number of original prints. Also included are a few images of exhibition installations and other miscellaneous subjects. There are no portraits of Samuel J. Wagstaff among the photographs of people. Identified individuals include: Bella Abzug, Peter Allen, Michael Collins, Angela Davis, Candy Darling, Wendell Ford, Joseph Hirshhorn, W. A. Huffman, David Love, Marc Miller, Bettie Ringma, and Andy Warhol.
Arrangement:
The collection is arranged into 5 series.

Series 1: Correspondence, 1932-1986 (Boxes 1-3, 8, OV 9-10; 2.5 linear ft.)

Series 2: Writings, 1961-1983 (Box 3; 0.2 linear ft.)

Series 3: Miscellaneous Papers and Artifacts, 1970s-1980s (Box 3; 0.2 linear ft.)

Series 4: Printed Material, circa 1914-1988 (Boxes 3-8, OV 11; 3.2 linear ft.)

Series 5: Photographs, 1975-1982 (Boxes 7-8; 0.1 linear ft.)
Biographical Note:
Samuel J. Wagstaff, Jr. (1921-1987), the son of a lawyer from an old New York family and fashion artist Olga Piorkowska, was born in New York City. A graduate of Yale University, he was an ensign in the Navy and took part in the D-day landing at Omaha Beach.

Following World War II, Wagstaff studied Renaissance art at the Institute of Fine Arts, New York University. A David E. Finley art history fellowship took him to the National Gallery of Art, Washington, D. C. in 1959. He served as curator of contemporary art at the Wadsworth Atheneum, Hartford, Conn., from 1961 to 1968, where he coordinated sculptor Tony Smith's first museum show in 1966. In 1971, during Wagstaff's tenure as curator at the Detroit Institute of Arts (1968-1971), he presented Michael Heizer's installation Dragged Mass Geometric on the grounds of the museum.

In addition to his curatorial work, Samuel J. Wagstaff was a noted collector. Originally, he was a fairly influential collector of avant-garde paintings. After seeing the exhibition "The Painterly Photograph" and meeting photographer Robert Mapplethorpe, Wagstaff became convinced that photographs were the most unrecognized and, possibly, the most valuable works of art. He moved to New York and began selling his collection of paintings, using the proceeds to begin his photography collection and concentrating on 19th century American, British, and French examples. Then, influenced by his lover, photographer Mapplethorpe, Wagstaff's taste veered toward the daring, and he began to depart from established names in search of new talent. His collection was soon recognized as one of the finest private holdings in the United States. An exhibition of his photographs was organized by the Corcoran Gallery of Art, Washington, D. C., in 1978, and A Book of Photographs from the Sam Wagstaff Collection was published to accompany the show that toured the country.

The photograph collection was sold to the J. Paul Getty Museum, Malibu, Calif., in 1984, for a reported $5 million. Wagstaff then focused his attention on collecting 19th century American silver, and a selection from that collection was exhibited at the New York Historical Society in 1987.

Samuel J. Wagstaff died in New York City on January 14, 1987, from pneumonia, a complication of HIV infection.
Provenance:
Samuel J. Wagstaff donated his papers between 1976 and 1986.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art dealers -- New York (State) -- New York  Search this
Photography  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Artists -- United States  Search this
Photographs -- Collectors and collecting -- United States  Search this
Curators -- New York (State) -- New York  Search this
Art, Modern  Search this
Fluxus (Group of artists)  Search this
Genre/Form:
Photographs
Drawings
Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wagssamu
See more items in:
Samuel J. Wagstaff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wagssamu
Online Media:

British romantic art / Jonathan Wordsworth, Robert Metzger, Paul Betz

Author:
Wordsworth, Jonathan  Search this
Metzger, Robert P (Robert Paul) 1937-  Search this
Betz, Paul F. 1939-  Search this
Bucknell University Center Gallery  Search this
Wordsworth Trust  Search this
Subject:
Wordsworth, William 1770-1850  Search this
Physical description:
53 p. : ill. ; 31 cm
Type:
Exhibitions
Place:
Great Britain
Date:
1990
C1990
18th century
19th century
Topic:
Arts, British  Search this
Romanticism  Search this
Arts, Modern  Search this
Call number:
NX543 .W923 1990
NX543.W923 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_432301

Selected art related letters from Historical Society of Pennsylvania's Society Collection, 1760-1935

Creator:
Historical Society of Pennsylvania  Search this
Historical Society of Pennsylvania  Search this
Subject:
Randolph, Benjamin  Search this
Trumbull, John  Search this
Abbey, Edwin Austin  Search this
Abbey, Mary Gertrude  Search this
Alexander, Archibald  Search this
Allston, Washington  Search this
Bayley, Frank W.  Search this
Beale, Pennel  Search this
Belcher, Wm. (William)  Search this
Bierstadt, Albert  Search this
Brodhead, Col  Search this
Burrell, B.  Search this
Carey, Edward L.  Search this
Carey, Henry Charles  Search this
Catlin, George  Search this
Ceracchi, Giuseppe  Search this
Chapman, J. G. (John Gadsby)  Search this
Cheney, John  Search this
Clarke, Miss  Search this
Claypoole, James, Sr.  Search this
Coleridge, Samuel Taylor  Search this
Cox, James  Search this
Curren, Mr  Search this
Darley, Felix Octavius Carr  Search this
Dickinson, John, 1732-1808  Search this
Delaplaine, Joseph  Search this
Dillwyn, William  Search this
Donnehue, Humphrey  Search this
Duane, William J. (William John)  Search this
Dunlap, William  Search this
Du Simitière, Pierre Eugène  Search this
Elliott, James B.  Search this
Elwyn, Langdon, Mrs.  Search this
Eliot, S.  Search this
Fielding, Mantle, 1865-1941  Search this
Francis, John W. (John Wakefield)  Search this
Gibson, Charles Dana  Search this
Gillingham, Harrold E. (Harrold Edgar)  Search this
Greenough, Horatio  Search this
Harding, George  Search this
Hayes, Charles P.  Search this
Hollingsworth, Levi  Search this
Hosack, David, 1769-1835  Search this
Howell, Mr.  Search this
Hunt, William Morris  Search this
Huntington, Daniel  Search this
Inman, Henry  Search this
Jordan, John W. (John Woolf)  Search this
Jackson, William  Search this
Jones, Horatio Gates  Search this
Kimball, Henry H. (Henry Hastings)  Search this
Lambdin, James Reid  Search this
Leidy, Joseph  Search this
Leland, Charles Godfrey  Search this
Lippincott, J. B. (Joshua Ballinger)  Search this
Livermore, George  Search this
Low, Will Hicok  Search this
Madison, James, 1751-1836  Search this
Marchant, Edward Dalton  Search this
Martin, John Hill  Search this
McAllister, John A.  Search this
McMurtrie, James  Search this
Monaghan, James  Search this
Montgomery, John C., Mrs.  Search this
Moody, William H. (William Henry)  Search this
Murray, J.  Search this
Myers, Albert Cook  Search this
Nathans, Isabella  Search this
Nathans, Rebecca  Search this
Neagle, John  Search this
Newsam, Albert  Search this
Ogden, C. S.  Search this
Otis, Bass  Search this
Paca, John  Search this
Paine, Thomas  Search this
Peale, Charles Willson  Search this
Peale, Franklin  Search this
Peale, James  Search this
Peale, Mary Jane  Search this
Peale, Rembrandt  Search this
Peale, Titian Ramsay  Search this
Pennell, Joseph  Search this
Penrose, Clement B. (Clement Biddle)  Search this
Piggot, Robert  Search this
Read, Thomas Buchanan  Search this
Richards, William Trost  Search this
Rittenhouse, David  Search this
Rosenthal, Albert  Search this
Rossiter, Thomas Prichard  Search this
Rothermel, Peter Frederick  Search this
Rush, William  Search this
Saint-Mémin, Charles Balthazar Julien Fevret de  Search this
Sartain, John  Search this
Schoff, Stephen Alonzo  Search this
Schreiner, Jacob  Search this
Shrigley, James  Search this
Smith, Russell  Search this
Snowden, James Ross  Search this
Snyder, W. D.  Search this
Somerville, Dr.  Search this
Stanbridge, J. C.  Search this
Stone, Frederick D. (Frederick Dawson)  Search this
Stuart, Gilbert  Search this
Stephens, Charles H.  Search this
Sully, Thomas  Search this
Syng, Philip  Search this
Taylor, Frank H. (Frank Hamilton)  Search this
Troth, Henry  Search this
Vanderlyn, John  Search this
Vaux, Mr  Search this
Ward, Townsend  Search this
Wells, William Hill  Search this
Wharton, Geo. M. (George Mifflin)  Search this
Wharton, Mr  Search this
Wharton, Thomas Kelah  Search this
Williams, Henry  Search this
Willis, Nathaniel Parker  Search this
Wilson, Alexander  Search this
Woodside, John Archibald  Search this
Wright, Patience Lovell  Search this
Wylie, Samuel B. (Samuel Brown)  Search this
Peale's Museum (Philadelphia, Pa.)  Search this
Carey & Hart  Search this
Topic:
Art, American  Search this
Art, Modern -- 17th-18th centuries -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10935
(DSI-AAA_SIRISBib)214712
AAA_collcode_histsopa
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214712

World's Columbian Exhibition 1893 the art and architecture by William Walton

Title:
World's Columbian Exposition MDCCCXCIII
Art and architecture
Author:
Walton, William 1843-1915  Search this
Former owner:
De Moss, Matthew A. Mrs. DSI  Search this
Kaller, Myron DSI  Search this
Author:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
11 parts illustrations, plates, portraits 49 x 34 cm
Type:
Exhibitions
Pictorial works
Exhibition catalogs
Place:
Illinois
Chicago
Date:
1893
19th century
Topic:
Architecture  Search this
Architecture, Modern  Search this
Art  Search this
Art, Modern  Search this
Exhibitions  Search this
Painting  Search this
Painting, Modern  Search this
Call number:
N4500 .W24 1893e
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1036704

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Function:
Art galleries, Commercial -- Massachusetts
Art galleries, Commercial -- Rhode Island
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vosegall
Online Media:

David Herbert papers

Creator:
Herbert, David, 1920-1995  Search this
Names:
Betty Parsons Gallery  Search this
David Herbert Gallery  Search this
Graham Gallery  Search this
Robert Fraser Gallery  Search this
Sidney Janis Gallery  Search this
Stewart Neill Gallery  Search this
Andrade, Jaime, 1931-  Search this
Berman, Aaron  Search this
Blaszko, Martin, 1920-  Search this
Blum, Irving, 1930-  Search this
Carrington, Leona  Search this
Carsman, Jon, 1944-  Search this
Cotsen, Lloyd E.  Search this
Draper, William F., 1912-  Search this
Feigen, Richard L., 1930-  Search this
Fraser, Robert  Search this
Hoffman, Martin  Search this
Hopps, Walter  Search this
Johnson, Ray, 1927-  Search this
Kelly, Ellsworth, 1923-  Search this
Kline, Franz, 1910-1962  Search this
Lukin, Sven  Search this
McKelvy, Douglas  Search this
Merck, Josephine  Search this
Namuth, Hans  Search this
Negret, Edgar, 1920-2012  Search this
Nevelson, Louise, 1899-1988  Search this
Ossorio, Alfonso, 1916-1990  Search this
Padovano, Anthony  Search this
Ramirez, Eduardo  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Leon Polk, 1906-1996  Search this
Sorel, Paul  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Greece -- description and travel
Ecuador -- Description and Travel
Puerto Rico -- description and travel
Japan -- Description and Travel
Iwo Jima (Japan)
Date:
circa 1909-1996
bulk 1945-1995
Summary:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.
Scope and Contents:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

Biographical material includes address books and calendars, educational records, records of Herbert's military service in the United States Naval Construction Battalion in Japan, and resume's charting his career.

Correspondence is with Herbert's parents, friends, business colleagues, and artists. It includes documentation of Herbert's partnership with Richard Feigen, and his cooperative work with Irving Blum and Walter Hopps of Ferus Gallery in Los Angeles, and Robert Fraser in London. Also documented are Herbert's relationship with Jaime Andrade and Andrade's family, and a lawsuit Herbert brought against Aaron Berman relating to the ownership of an Ellsworth Kelly drawing. There are scattered letters and postcards from artists and collectors, including Martin Blaszko, Lloyd Cotsen, Martin Hoffman, Ray Johnson, Josephine Merck, Alfonso Ossorio, Paul Sorel, and Clyfford Still.

Notebooks provide brief notes on Herbert's day-to-day business dealings. Subject files, consisting primarily of printed material, document Herbert's interests in several art world figures, subjects such as ancient art, and travel to locations such as Ecuador, Puerto Rico, and Greece.

Exhibition files include installation shots and catalogs for many of the exhibitions held at the David Herbert Gallery between 1959 and 1962.

Artist files document Herbert's interest in individual artists, such as William Draper, Ellsworth Kelly, Franz Kline, Sven Lukin, Edgar Negret, Louise Nevelson, Anthony Padovano, Eduardo Ramirez, and Jeanne Reynal, through printed material, photographs of artwork, scattered artist letters, and sales documentation.

Business records document the financial details and overall goals of Herbert's various business ventures. There is a sales book for Betty Parsons Gallery and Sidney Janis Gallery; Herbert's appraisal, consignment, commission, sales, and loan records; Herbert's business plans and projections; financial statements from the David Herbert Gallery; sales records for Graham Gallery; and records of Herbert's partnership with Douglas McKelvy.

Printed material includes announcements and catalogs from galleries Herbert worked for or collaborated with, including Graham Gallery, Betty Parsons Gallery, Feigen/Herbert Gallery, Stewart Neill Gallery, and Robert Fraser Gallery. Also found are obituaries and other new clippings of interest to Herbert.

Photographs are of Herbert, family members, and friends and colleagues, including his companion, Jaime Andrade, Leona Carrington, William Draper, Jon Carsman, Hans Namuth, and Leon Polk Smith. Many are color snapshots collected in two photographs albums. Also found are photographs taken in Japan and Iwo Jima in 1945-1946 of street scenes, Naval Construction Battalion facilities, and Herbert's army colleagues and friends.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1920-circa 1995 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1942-1996 (1 linear foot; Boxes 1-2)

Series 3: Notebooks, circa 1950s-circa 1995 (0.3 linear feet; Box 2)

Series 4: Subject Files, 1950s-1992 (0.4 linear feet; Boxes 2-3)

Series 5: Exhibition Files, 1959-1963 (0.25 linear feet; Box 3)

Series 6: Artist Files, 1950s-1993 (0.75 linear feet; Boxes 3-4)

Series 7: Business Records, 1950s-1992 (0.6 linear feet; Box 4)

Series 8: Printed Material, 1949-circa 1995 (1.4 linear feet; Boxes 5-7)

Series 9: Photographs, circa 1909-circa 1990 (0.4 linear feet; Box 7)
Biographical / Historical:
New York gallery owner and art dealer David Herbert (1920-1995, born David Herbert Schmerer), worked for a number of important galleries in New York, had his own eponymous gallery from 1959-1962, operated as a private dealer, and was in partnership with dealer Richard Feigen from 1962-1964.

Herbert served in the United States Naval Construction Battalion from 1943-1946 and was posted to Japan in 1945-1946. After receiving a BA in art history from Syracuse University in 1951, he worked for Betty Parsons Gallery (1951-1953) and Sidney Janis Gallery (1953-1959), selling the work of contemporary American painters and sculptors, handling publicity, and installing exhibitions.

Herbert forged strong connections with artists and collectors alike, and was instrumental in launching the careers of a number of important artists. One such artist was Ellsworth Kelly, whom he recommended to Parsons, triggering Kelly's New York career. He opened the David Herbert Gallery in 1959, with investment from Douglas McKelvy, promoting the works of artists including Willem de Kooning, Franz Kline, Jackson Pollock, and Louise Nevelson, to leading collectors and museums.

Herbert often worked in cooperation with colleagues Irving Blum and Walter Hobbs in Los Angeles, and Robert Fraser in London. After closing his gallery in 1962, Herbert entered a partnership with dealer Richand Feigen, operating the Feigen/Herbert Gallery from 1962-1964. From 1964-1969 he worked as a private dealer specializing in twentieth century works of art and serving as a consultant to collectors, museums, artists, and corporate interests. From 1969-1975 he was Director and Art Salesman of contemporary and 19th Century American Art at Graham Gallery. Herbert subsequently continued as a private dealer from 1975 until his death.

Herbert traveled extensively, visiting museums, collectors, and galleries in England, France, Italy, Greece, Spain, Colombia, Peru, Ecuador, Hawaii, and Japan. Through Edgar Negret, whom Herbert represented, he met Jaime Andrade, who became his assistant at the Feigen/Herbert Gallery in 1963. In turn Andrade shared with Herbert an interest in pre-Columbian art and contemporary Spanish and Latin America art, hosting multiple visits to his native Ecuador by Herbert and others, including artist William Draper.

Andrade served as executor of Herbert's estate, following Herbert's death in 1995.
Provenance:
The David Herbert papers were given to the Archives of American Art by Jaime Andrade, Herbert's companion, in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
David Herbert papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.herbdavi
See more items in:
David Herbert papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herbdavi
Online Media:

Victor D. Spark papers, circa 1830-1983, bulk 1930-1970

Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Subject:
Clonney, James Goodwyn  Search this
Prendergast, Maurice Brazil  Search this
Hardy, Jeremiah Pearson  Search this
Copley, John Singleton  Search this
Engelhard, Charles W., Jr.  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Moran, Thomas  Search this
Berliner, Jacob  Search this
Medina, Leon  Search this
Heade, Martin Johnson  Search this
Grigaut, Hubert L.  Search this
Lehman, Robert  Search this
Hardy, Charlotte  Search this
Shinn, Everett  Search this
Sully, Thomas  Search this
Moran, Ruth B.  Search this
Peale, Rembrandt  Search this
San Diego Arts Society  Search this
Type:
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 20th century -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)7451
(DSI-AAA_SIRISBib)209609
AAA_collcode_sparvict
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209609
Online Media:

Owen Gallery records, 1929-2010, bulk 1980-2010

Creator:
Owen Gallery  Search this
Owen Gallery  Search this
Subject:
Davies, Arthur B. (Arthur Bowen)  Search this
Benton, Thomas Hart  Search this
Lawson, Ernest  Search this
Sloan, John  Search this
Shinn, Everett  Search this
Prendergast, Maurice Brazil  Search this
Owen, Michael  Search this
Yost, James  Search this
Luks, George Benjamin  Search this
Kuniyoshi, Yasuo  Search this
Henri, Robert  Search this
Glackens, William J.  Search this
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art, Modern -- United States  Search this
Ashcan school of art  Search this
Eight (Group of American artists)  Search this
Record number:
(DSI-AAA_CollID)16259
(DSI-AAA_SIRISBib)370966
AAA_collcode_owengall
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370966
Online Media:

Owen Gallery records

Creator:
Owen Gallery  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Glackens, William J., 1870-1938  Search this
Henri, Robert, 1865-1929  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lawson, Ernest, 1873-1939  Search this
Luks, George Benjamin, 1867-1933  Search this
Owen, Michael  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Shinn, Everett, 1876-1953  Search this
Sloan, John, 1871-1951  Search this
Yost, James  Search this
Extent:
9.4 Linear feet
0.093 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
1929-2010
bulk 1980-2010
Summary:
The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibition files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.
Scope and Contents:
The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Artists represented include Thomas Hart Benton, Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, John Sloan, and others. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibitions files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.
Arrangement:
The collection is arranged as four series

Series 1: Exhibition Files, 1989-2010 (2.1 linear feet; Box 1-3, 0.001 GB; ER01)

Series 2: Inventory and Sales Records, 1929-2010, bulk 1980-2010 (5.7 linear feet; Box 3-8, 0.092 GB; ER02-ER04)

Series 3: Printed Material, 1994-2008 (0.4 linear feet; Box 8-9)

Series 4: Records Regarding Yasuo Kuniyoshi, circa 1955-2000 (1.2 linear feet; Box 9-10)
Biographical / Historical:
Owen Gallery, a New York gallery specializing in late nineteenth and early twentieth century American art, operated from 1986 to 2009 and was owned and directed by Michael Owen and James Yost. The gallery represented many artists associated with The Eight, Ashcan, and American modernism. Although exhibitions and the retail gallery have closed, the business remains in operation.
Provenance:
The Owen Gallery records were donated to the Archives of American Art in 2015 and 2016 by Michael Owen and James Yost.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art, Modern -- United States  Search this
Ashcan school of art  Search this
Eight (Group of American artists)  Search this
Function:
Art galleries, Commercial -- New York (State)
Citation:
Owen Gallery records, 1929-2010, bulk 1980-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.owengall
See more items in:
Owen Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-owengall
Online Media:

Union League Club records, 1867-1940

Creator:
Union League Club (New York, N.Y.)  Search this
Union League Club (New York, N.Y.)  Search this
Topic:
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)9239
(DSI-AAA_SIRISBib)211434
AAA_collcode_unioleny
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211434

Union League Club records

Creator:
Union League Club (New York, N.Y.)  Search this
Extent:
150 Items (Reel N68-13)
1 Volume (Addition)
Type:
Collection descriptions
Archival materials
Volumes
Date:
1867-1940
Scope and Contents:
REEL N68-13: Exhibition catalogs and announcements; correspondence; various lists; and the Franklin Tuttle drawings of members of the club.
ADDITION: Photocopies of a complete run of Union League Club's exhibition catalogs and announcements from 1868 to 1894. [Included are several catalogs not found on Reel N68-13 for 1880 and 1883; and six instead of the 3 catalogs on reel N68-13 for 1894.] .
Biographical / Historical:
New York social club. Had an active exhibition program at its building on East 37th Street. Artist-members include Albert Bierstadt, Frederic Edwin Church, Jasper Cropsey, Asher B. Durand, Martin Johnson Heade, Winslow Homer, John La Farge, William Sartain, J.Q.A. Ward, Worthington Whittredge, Alexander Wynant; and Eastman Johnson, who also served on the Union League's art committee.
Provenance:
Records on reel N68-13 were lent for microfilming 1968 by the Union League Club. The binder of photocopied catalogs and announcements was donated 2001 by the Union League Club via Alexander Boyle, head of the art committee.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Function:
Arts organizations -- New York (State)
Identifier:
AAA.unioleny
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-unioleny

Vose Galleries of Boston records, circa 1876, bulk 1920-1940

Creator:
Vose Galleries of Boston  Search this
Vose Galleries of Boston  Search this
Subject:
Vose, Robert Churchill  Search this
Hassam, Childe  Search this
Hoffman, Malvina  Search this
Jonniaux, Alfred  Search this
Ladd, Anna Coleman (sculptor)  Search this
Thayer, Abbott Handerson  Search this
Norton, William E.  Search this
Sargent, John Singer  Search this
Vose, Robert C. (Robert Churchill)  Search this
Arthur U. Newton Galleries  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Type:
Video recordings
Manuscript
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9272
(DSI-AAA_SIRISBib)211467
AAA_collcode_vosegall
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211467
Online Media:

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