7.1 Linear feet ((partially microfilmed on 7 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1909-1980
Scope and Contents:
Biographical material, correspondence, writings, project files, works of art, photographs, and printed material documenting Goodelman's work as a sculptor, his participation in the Jewish community, and his interest in socialism.
Personal and professional correspondence is with artists, art associations, museums, galleries and relief organizations, documenting Goodelman's education in Rome, New York and at L'Ecole des Beaux-Arts, Paris; his teaching career in New York, particularly with the Jefferson School of Social Sciences; and his participation in art, political and Jewish organizations, such as American Artists' Congress and the Union of American Hebrew Congregations.
Writings by Goodelman, undated and 1934, include notes, notebooks, and typescripts. There is also a typescript of Elizabeth McCausland's speech "Art and the Atom," 1947. Project files contain information regarding Goodelman's sculpting of memorial gravestones, Passover art, and the Week of Jewish Culture. Works of art by Goodelman, ca. 1920-1930's, include illustrations for the children's journals "Young Israel," "Kinder Journal" and Joseph Gaer's books "the Burning Bush" and "the Unconquered," sketches, portraiture, and figure drawings.
Photographs are of Goodelman, working and teaching sculpture; his childhood in Russia; his family, friends, and students; memorial gravestones, and works of art.
Printed material includes exhibition anouncements and catalogs, entry cards, invitations, clippings, political and art organizations information, adult and art education flyers, clippings and a photocopy of Goodelman's privately microfilmed scrapbook containing letters and printed material.
Also included are files on Goodelman's wife, Sarah, on Jewish children's schools, 1949-1950.
UNMICROFILMED: Two scrapbooks compiled by Sarah Goodelman, containing newspaper clippings, exhibition catalogs and photographs regarding the career of Aaron Goodelman, as well as business cards, addresses, scattered receipts, negatives, and miscellany.
Biographical / Historical:
Sculptor, illustrator, lecturer, teacher; New York, N.Y. Another apparent name spelling is Aharon Gudlman.
Provenance:
Donated 1977 by Goodelman, and in 1984 by his heir, Connie Weinstock and microfilmed in 1994 with funds provided by the Philip Birnbaum Foundation. Additional scrapbooks were donated in 2008 by Weinstock and do not appear on microfilm.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York Search this
An extensive collection of Judaica collected by the Division of Cultural History, National Museum of American History, Smithsonian.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of documents relating to Judaism in numerous countries and the United States. Documents include betrothal contracts, bills of divorcement, eulogies, memorial plaques, candle labels, Jewish calendars, sukkah decorations, certificates of ritual slaughter, prayers, poems, sermons, and other types of documents.
Arrangement:
Collection is unarranged.
Historical Note:
The Judaica Collection at the Smithsonian is the oldest of its type in the United States. The archival collection is comprised of various documents, prints, sukkah decorations, marriage contracts, and memorial candle labels from Europe and the Middle East. The bulk of the collection was transferred in the 1960's to the National Museum of History and Technology (later, the National Museum of American History). A portion of the collection (artifact-related) still resides in the National Museum of Natural History. For a detailed description of items found in the collection see Cohen Grossman, Grace and Richard Ahlborn. "Judaica at the Smithsonian: Cultural Politics as Cultural Model." Smithsonian Studies in History and Technology, Number 52, 1997.
The first Judaica collections were acquired by the Smithsonian specifically for the World's Columbian Exposition in 1890. The next large Judaica collection was acquired in 1902 with the purchase of a torah case and Sukkah ornaments from Ephraim Deinard, bibliophile, Hebrew author and independent book dealer. A native of Latvia, Deinard immigrated to the United States in 1888. By 1913, Deinard had amassed a large collection of Judaica from Europe and the Middle East. He eventually deposited, between 1920 and 1927, almost 600 objects to the Smithsonian. The collection remained on loan until 1955 when Deinard's heirs donated the collection.
It was 10 years later with the opening of the National Museum of History and Technology (National Museum of American History), that there was a renewed interest in collecting Judaica objects. A small number of Judaica objects have been acquired since then. The archival collection is housed at the Archives Center, National Museum of American History.
Related Materials:
Cohen Grossman, Grace and Richard Ahlborn. "Judaica at the Smithsonian: Cultural Politics as Cultural Model." Smithsonian Studies in History and Technology, Number 52, 1997.
See: https://repository.si.edu/handle/10088/2452
Separated Materials:
This collection has related artifacts in the Division of Home and Community Life (now Division of Cultural and Community Life).
Provenance:
The collection was donated by the following donors:
J.H. Kantrowitz.,Purchase,1889; Mrs. S. Sulzberger, Gift; Leopold Luchs, Gift; Dr. Cyrus Adler ,Gift; Mayer Sulzberger, Purchase; Rev. Henry Cohen, Gift.,1897; William Wesley and Son, Purchase; Father S. Krauss, Gift.,1902; S.S. Howland, Bequest.,1902; Ephraim Deinard, Purchase.,1902; Mrs. Simon Kann,Gift.,1920;
Henry S. Hartogensis,Gift,1920; Ms. L. Lieberman,Gift,1924; Ephraim Deinard,Gift; Cara Goldberg Marks, Michael Neil Marks.,Gift; Michael Harris, Gift, 1982; Richard E. Ahlborn,Gift, 1986; Sylvia E. Lipkowitz, Gift, 1987; and
Neeman, Zipora,Gift, 1988.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Rachel Harrison life hack Elisabeth Sussman and David Joselit ; with contributions by Johanna Burton, Darby English, Maggie Nelson, and Alexander Nemerov
Tofel's autobiography; correspondence; diary notebooks; writings; and several essays. Correspondents include Federica Beer-Monti, Katherine Dreier, Edith Halpert, Benjamin Kopman, and Maurice Sterne.
Biographical / Historical:
Painter; New York, N.Y.
Provenance:
Lent for microfilming 1968 by Yivo Institute for Jewish Research.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- New York Search this
Correspondence, notes, writings, 3 scrapbooks, printed material, and 60 photographs document Katz' career as a painter, muralist, and stained glass artist of primarily Jewish and religious subjects.
Correspondence, 1927-1973, is primarily with synagogues, Jewish community centers and groups concerning commissions for architectural decorations and religious objects, and with galleries concerning exhibitions. Included is a letter from Bob Andrews, 1965, containing a photograph of Beatrice Wood and Gandhi's confidential aide Kamaladevi Chattopadhyaya. Notes consist of 4 lists of projects for synagogues. Writings by Katz include an essay about the integration of architecture, painting and sculpture, and "The Seven Names," about calligraphy. Also included are writings by others about Katz, 1952-1956. Three scrapbooks, 1932-1955, contain clippings, reproductions of work, and a few photos and prints.
Printed material includes clippings, 1930-1974, exhibition announcements and catalogs, 1941-1973, and various brochures, programs, reproductions, and books by Katz, including Prelude to a New Art for an Old Religion (1945), and Adventures in Casein (1951); books illustrated by Katz, Art Calendar for 5709 (1948-1949), and By the Waters of Babylon by Gertrude Priester (1962); and a book jacket designed by Katz for The Hungry Eye by Raymond F. Piper, ca. 1955. Photographs are of Katz (7), works of art (35), and installations of Katz's work (25).
Biographical / Historical:
Mural painter, stained glass and mixed media artist; New York, N.Y. Born in Hungary, Katz' first name Sandor, was anglicized to Alexander upon his arrival in the United States, ca. 1909. Also known as Raymond Katz. Following his studies at the American Institute of Chicago and the Chicago Academy of Arts, he was employed by Balaban and Katz to decorate movie palaces. His mural commission, "Ten Commandments" at Chicago's Century of Progress exhibition in 1933 was based on the Hebrew alphabet. Subsequent murals and stained glass window designs commissioned by synagogues throughout America display symbolic images interpretive of Jewish traditions. Author of Black on White (1933), The Ten Commandments (1946), A New Art for an Old Religion (1952), and Adventures in Casein (1951).
Provenance:
Donated November and December 1974 by Katz' wife, Elsie. Microfilmed 1994 with funding from the Lucius N. Littauer Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The papers of New York painter, writer, and educator Elias Newman measure 1.1 linear feet and date from 1922 to 1981. Newman's participation in exhibitions and various art related organizations, notably Artists Equity Association, is documented through biographical material, correspondence, notes, writings, organizational records, printed material, and photographs.
Scope and Content Note:
The papers of New York painter, writer, and educator Elias Newman measure 1.1 linear feet and date from 1922 to 1981. Newman's participation in exhibitions and various art related organizations, notably Artists Equity Association, is documented through biographical material, correspondence, notes, writings, organizational records, printed material, and photographs.
Arrangement:
The collection is arranged as 6 series:
Missing Title
Series 1: Biographical Material, 1935-1975 (Box 1; 1 folder)
Series 2: Correspondence, 1927-1980 (Box 1; 8 folders)
Series 3: Writings, circa 1939-1976 (Box 1; 4 folders)
Series 4: Artists Equity Association Records, circa 1950-1979 (Box 1; 0.3 linear feet)
Series 5: Printed Material, 1922-1981 (Box 1, OV 2; 0.4 linear feet)
Series 6: Photographs, 1923-1975 (Box 1; 9 folders)
Biographical Note:
Elias Newman (1903-1999) was a painter, writer, lecturer, and teacher in New York, N.Y. Born in Stashow, Poland in 1903, Newman arrived in the United States in 1913, and became a naturalized citizen in 1928. He studied at the National Academy of Design from 1919-1920, and at the Educational Alliance Art School from 1920-1925. He also studied at the Academie Chaumiere in Paris. After 1925, Newman participated in many exhibitions, acted as art director of the Palestine Pavilion at the New York World's Fair in 1939, organized the Palestine Artists and Sculptors Association, and was director of the National Society of Painters in Casein in 1963 and 1967-1971. From 1970-1975, Newman served as president of the Artists Equity Association, the organization which played the most significant role in his career.
Provenance:
The collection was donated in 1977 and 1981 by Elias Newman.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Jewish metaphysics as generative principle in American art = La metafisica ebraica come uno dei fondamenti dell'arte americana / by Daniel Rothbart ; introduction by Enrico Pedrini ; traduzione dall'inglese di Mariella Marcantoni Taddei
Title:
Metafisica ebraica come uno dei fondamenti dell'arte americana
