Photographs depicting classical art and architecture from Rome, Egypt and elsewhere. They include images of classical sculpture in Rome, an Egyptian papyrus, as well as additional sculpture, coins, and other items. There is also a postcard from A. C. Haddon that shows Smart & Copley's photograph of the Matopos in Zimbabwe. Some of the photographs are mounted, possibly for publication.
Local Call Number(s):
NAA Photo Lot 79-38
Location of Other Archival Materials:
Photographs from accessions 29586, 40922, 121411, 124072, and 161740, have been relocated to National Anthropological Archives Photo Lot 158, Photo Lot 161, Photo Lot 76-78, Photo Lot 160, and Photo Lot 159, respectively.
Material found in Gus Van Beek's office can also be found in the National Anthropological Archives Photo Lot 79-34.
Photo lot 79-38, Division of Old World Archeology collection of photographs of ancient sculpture, architecture, and art, National Anthropological Archives, Smithsonian Institution
Customs declarations and inventories of purchases made by Charles Freer while in Egypt between December 6th, 1906 and January 22nd, 1907. Also includes letters of instruction sent to Freer's secretary in Detroit, John M. Kennedy. Purchases include ancient Egyptian artifacts, as well as early Christian manuscripts purchased from Ali Arabi in Cairo.
Purchase vouchers, notes and price relating to purchases made by Charles Freer while in Egypt, Syria, Palestine, Lebanon, Turkey and Paris between May and August, 1908. Purchases were primarily Syrian and Persian pottery and tiles, but also included ancient Egyptian artifacts, manuscripts, and a mortuary bust from Palmyra. Dealers included Maurice Nahman, Cairo; Marcopoli & Co., Aleppo; Murad Barody, Beirut; N. Ohan, Jerusalem; Tabbagh Freres & Co., Paris, and Dikran Kelekian, Paris. Documents also include travel itinerary notes and a reciept for a donation for relief of the poor of Aleppo.
Yesul i chayu ka toel ttae Ijipt'ŭ ch'ohyŏnsilchuŭijadŭl (1938-1965) = When art becomes liberty : the Egyptian surrealists (1938-1965) essays by Bartomeu Marí and Salah M. Hassan
Title:
예술 이 자유 가 될 때 : 이집트 초현실주의자들 (1938-1965) = When art becomes liberty : the Egyptian surrealists (1938-1965) / essays by Bartomeu Marí and Salah M. Hassan
Ijipt'ŭ ch'ohyŏnsilchuŭijadŭl
이집트 초현실주의자들
When art becomes liberty the Egyptian surrealists (1938-1965)
Richard Garrison. Annenberg living room designed by T.H. Robsjohn-Gibbings, ca. 1940. Terence Harold Robsjohn-Gibbings papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Hale Aspacio Woodruff. Illustrated notebook from time at the John Herron Art Institute, 1920. Hale Woodruff papers, 1920-1977. Archives of American Art, Smithsonian Institution.
Joseph Lindon Smith reproducing an Egyptian bas relief, ca. 1940. Joseph Lindon Smith papers, 1647-1965. Archives of American Art, Smithsonian Institution.
Exhibition of technological equipment with artwork by Joseph Lindon Smith
Type:
Photographs
Date:
194-
Citation:
Exhibition of technological equipment with artwork by Joseph Lindon Smith, 194-. Joseph Lindon Smith papers, 1647-1965. Archives of American Art, Smithsonian Institution.
Harry Merz. Bookstore display featuring art and book of Joseph Lindon Smith, 1956. Joseph Lindon Smith papers, 1647-1965. Archives of American Art, Smithsonian Institution.
Egyptian wall relief used as source material for Joseph Lindon Smith.
Type:
Photographs
Date:
193-?
Citation:
Egyptian wall relief used as source material for Joseph Lindon Smith., 193-?. Joseph Lindon Smith papers, 1647-1965. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Jacques and Yulla Lipchitz Foundation, Inc.
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scope and Content Note:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scattered biographical material consists of family history documents for the Smith and Putnam families, a Jenkes family tree, and passports for Joseph Lindon Smith and his family.
Over three linear feet of letters are from family members, artists including Cecilia Beaux, Frank Benson, George DeForest Brush, and Denman Ross, museum staff concerned with work in Egypt, and art patrons including Isabella Stewart Gardner, and individuals involved with Smith's charitable pageants. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer. Among the subjects discussed are student life at the Académie Julian, the Smiths' travels, and individuals known by Smith.
Seven diaries written by Joseph Lindon Smith document his ravels in Egypt, Persia, Europe, and New Mexico. Two diaries were written by Corinna Smith during her travels to Beiram and Egypt.
Personal business records business records include contracts, price lists, lists of securities, and miscellaneous receipts of the Smith and Putnam families, Joseph Lindon Smith, Corinna Smith, and their daughter Lois Smith.
Notes include engagement calendars, notebooks, lists of art work, lecture notes, minutes of meetings, notes on family history and on travel, and an autograph by Kit Carson. Writings include miscellaneous typescripts by the Smiths and others concerning travel, work in Egypt and elsewhere, and anecdotes about various friends and acquaintances. There are also three drafts of "Egypt - My Winter Home."
Theatrical production files concern plays, pageants, and masques written and/or produced by the Smiths. Many of the performances were benefits, dedication or anniversary celebrations, such as a pageant given at Fenway Court in honor of Isabella Stewart Gardner, a pageant at the dedication of a memorial to Abbott Handerson Thayer, and the centenary celebration of the founding of Amherst, Massachusetts.
Art work includes a sketchbook with extensive notes, a painting, drawings by Joseph Lindon Smith, and prints by other artists.
A scrapbook contains clippings and an exhibition catalog from the St. Botolph Club. Additional printed material includes clippings, exhibition announcements and catalogs, press releases, programs, booklets, brochures, and books by others.
Photographs are of Smith, his family, friends including classmates from the Académie Julian, Isabella Stewart Gardner, Abbott Handerson Thayer, exhibition installations, military camp sites from World War I, travel scenes, and art work by Smith.
Audio recordings consist of four sound disc recordings of interviews for WKNE Radio, Keene, New Hampshire, with Corinna Smith and Barry Faulkner talking about Smith, and a program about Smith and his book Tombs, Temples, and Ancient Art.
Arrangement:
The collection is arranged as 11 series:
Missing Title
Series 1: Biographical Material, 1711-1948 (Box 1, 10; 5 folders)
Series 2: Letters, 1768-1965 (Box 1-4, OV 11; 3.5 linear feet)
Series 3: Diaries, 1904-1949 (Box 4; 11 folders)
Series 4: Personal Business Records, 1647-1959 (Box 4, 10; 11 folders)
Series 5: Notes and Writings, 1783-1963 (Box 4-6; 2.0 linear feet)
Series 6: Theatrical Production Files, 1897-1950 (Box 6-7, 10; 1.2 linear feet)
Series 7: Art Works, 1932-1943 (Box 8, 10; 8 folders)
Series 8: Scrapbook, 1888-1901 (Box 8; 1 folder)
Series 9: Printed Material, 1723-1963 (Box 8, OV 11; 0.8 linear feet)
Series 10: Photographs, 1884-1956 (Box 8-10; 0.5 linear feet)
Series 11: Audio Recordings, 1956 (Box 9-10; 2 folders)
All material is arranged chronologically except for the writings by others and travel photographs that are arranged alphabetically.
Biographical Note:
Joseph Lindon Smith (1863-1950) of Boston, Massachusetts and Dublin, New Hampshire, was a painter primarily known for his ability to meticulously depict the murals and tomb sculpture of Egypt and other ancient cultures.
Joseph Lindon Smith was born on October 11, 1863 in Pawtucket, Rhode Island, the son of wholesale lumberman Henry Francis Smith and Emma Greenleaf Smith, a cousin of John Greenleaf Whittier.
From 1880 to 1882, Smith studied drawing and painting at the Art School of the Boston Museum of Fine Arts under Frederic Crowninshield and Otto Grundman. Accompanied by his friend, Frank Benson, he attended the Académie Julian and studied under William Bouguereau, Gustave Boulanger, and Jules Lefebvre from 1883 to 1885.
Upon his return to Boston, Smith established a studio as a portrait and landscape painter, attracting the attention of Denman Ross, a professor of History of Fine Arts at Harvard University. In the early 1890s Smith and Ross began to travel extensively and Smith became interested in ancient civilizations of Mexico, China, and Southeast Asia. In 1892, during a trip to Italy, Smith befriended Isabella Stewart Gardner, for whom he copied famous paintings, and occasionally acted as agent in purchasing art work.
Making his first trip to Egypt in 1898, Smith became enthralled with the art work of the ancient civilization and devoted himself to painting copies of the tomb sculptures and murals for educational uses in museums and other public institutions. In 1899, he married Corinna Haven Putnam and the couple spent much of their married life traveling between the United States and the Middle East, especially Egypt. From 1910 to 1939, Smith was a member of the Joint Expedition of the Boston Museum of Fine Arts and Harvard University directed by Dr. George A. Reisner.
For fifty years, Smith was also sought out as a writer and producer of plays and theatrical pageants, fetes, and masques primarily staged for various charitable fund-raising events.
Joseph Lindon Smith died on October 18, 1950 in Dublin, New Hampshire.
Related Material:
The papers of Smith's wife, Corinna Putnam Smith, are available at The Schlesinger Library of Radcliffe College, Cambridge, Massachusetts.
Provenance:
The Joseph Lindon Smith papers were donated by Jessie T. Hale, Smith's granddaughter, in 1977 and 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Paul E. Garber Collection, Acc. NASM.1991.0063, National Air and Space Museum, Smithsonian Institution.
Four sketchbooks by Faulkner contain pencil and ink drawings of landscapes, city scenes, architecture, figures, faces, animals, trees, and water. Also included are drawn copies of artwork by others including murals, sculptures, mosaics, Asian art, Egyptian art, Greek art, and objects such as furniture and clothing. The first sketchbook contains notes on the relationship between the body, color, and the zodiac; notes on astrology; and detailed notes about where sketches were copied. Also found in this series are a small pencil sketch of a foot and a large pastel sketch of a landscape.
Artwork by others includes two sketches by Margaret Platt including one of Faulkner's studio from 1922, and three drawings which are similar stylistically but whose creator is unknown.
Arrangement note:
This series has been scanned in its entirety.
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
