This microfilm collection of the papers of African American painter, muralist, and illustrator Aaron Douglas primarily concern Douglas' years at Fisk University, the development of the art department, and the management of the Stieglitz art collection. The collection consists of biographical material; correspondence; artwork including prints, drawings, and sketchbooks; and teaching material including drafts of lectures and teaching notes. Also included are printed material such as exhibition catalogs and clippings; reports and printed material concerning the Sigma Pi Phi fraternity; and photographs of Douglas and his works of art.
Among the correspondents are Charles Alston, Claude Clark, John Cowles, William Dawson, Jeff Donaldson, Cedric Dover, David Driskell, Mary Beattie Brady of the Harmon Foundation, John Davis Hatch, William C. Haygood of the Julius Rosenwald Fund, and Walter Pach.
Collection was microfilmed in the order as received from Fisk University.
Biographical / Historical:
Aaron Douglas (1899-1979) was an African American painter, muralist, and illustrator in Nashville, Tennessee. He is commonly regarded as a central figure in the Harlem Renaissance. In 1937 Charles S. Johnson, the first African American president of Fisk University, invited Douglas to develop the university's art department. He served as the department head until his retirement in 1966.
Fisk University Special Collections holds the Aaron Douglas collection, 1921-1973 and the Aaron Douglas Collection Addendum, 1937-1974. The Schomburg Center for Research in Black Culture, The New York Public Library holds the Aaron Douglas papers, 1924-1939.
Lent for microfilming 1991 by Special Collections Department, Fisk University, Nashville, Tennessee.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
An interview with Dennis Adrian conducted 2015 October 8-9, by Lanny Silverman, for the Archives of American Art's Chicago Art and Artists: Oral History Project, at Adrian's home in Seaside, Oregon.
Adrian speaks of growing up in Astoria; traveling to Chicago and New York; Cannon Beach; aging and getting older; his origins; curators and curating; visual sensibilities; the Portland Public Library; opera; his parents, grandparents, and family; Finnish sensibility and humor; Portland Art Museum and classes for children; curator as voyeur; credit and accomplishments; hands on experiences; Artforum; art history; attending University of Chicago; homosexuality and coming out; looted European masterworks; Botticelli; exposure to real art; connoisseurship; collectors and collecting; a Robert Louis Stevenson letter; violin making; growing into yourself; Chicago; war; New York University; Frumkin Gallery; New York; the art world; Madison Art Center; Akron Art Museum; friendship and role models; Art Institute of Chicago; meeting Mies van der Rohe; meeting idols; education; Oscar Wilde and Dorothy Parker; Museum of Contemporary Art, Chicago; Monster Roster; traveling; Chicago art politics; writing and critics; Eurocentric curators; Chicago as an undervalued city; Dog Day Afternoon; discovering art; New York sightings; and experiences running into artists. Adrian also recalls Roger Brown, Ruth Horwich, Gilda Buchbinder, Don Baum, Sherman Lee, Victor Carlson, Peter Voulkos, Lawrence Alloway, Rhona Hoffman, Allan Frumkin, June Leaf, Leon Golub, Jeremy Anderson, Robert Barnes, Tom Garver, Bruce Conner, Natasha Nicholson, H. C. Westermann, Franz Schulze, Bertha Harris Wiles, Muriel Newman, Aaron James Spire, Lillian Florsheim, John Maxon, Greg Knight, P.B. Maryan, Philip Pearlstein, Sylvia Sleigh, Nancy Spero, Irving Petlin, John Coplans, Alan Artner, Alice Shaddle, Phyllis Kind, Andy Warhol, Joseph Cornell, Tilda Swinton, Leo Castelli, Philip Guston, Dubuffet, Pussy Pepke, Bumpy Rogers, Barbara Rossi, Christina Ramberg, Philip Hanson, Miyoko Ito, Mark Jackson, Rolf Achilles, and Vito Acconci.
Biographical / Historical:
Dennis Adrian (1937- ) is an art critic, educator, and curator in Chicago, Illinois. Lanny Silverman (1947- ) is a curator at the Chicago Cultural Center in Chicago, Illinois.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Art critics -- Illinois -- Chicago -- Interviews Search this