An interview of Wesley C. Wehr conducted 1983 May 26 - September 22, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project in Seattle, Washington.
Wehr speaks of meeting the artists Morris Graves and Mark Tobey, their fame, their personalities and his relationship with them; his own background and education in music, poetry, paleobotany, and painting; the Seattle art scene and changes in it during the 1960s; and important Seattle collectors.
Biographical / Historical:
Wesley C. Wehr (1929-2004) is a painter and writer from Seattle, Washington.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 13 digital wav files. Duration is 6 hr., 4 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Topic:
Art -- Collectors and collecting -- Washington (State) -- Interviews Search this
An interview of Robert Sperry conducted 1983 August 11, by LaMar Harrington, for the Archives of American Art's Northwest Oral History Project.
Sperry speaks of his family background; his army service; his education; his early career in ceramics; the Oriental influence in his work; folk art; his contemporaries in ceramics; and his current plans. He recalls Peter Voulkos.
Biographical / Historical:
Robert Sperry (1927-1998) was a ceramist from Seattle, Washington.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 4 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
An interview of Arlene Schnitzer conducted 1985 June 7-8, by Bruce Guenther, for the Archives of American Art's Northwest Oral History Project, at the Fountain Gallery of Art, in Portland, Or.
Biographical / Historical:
Arlene Schnitzer (1929-) is the founder and director of the Fountain Gallery in Portland, Or.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 43 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
United States. Works Progress Administration Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1983 August 29
Scope and Contents:
An interview of Michele Russo conducted 1983 August 29, by Jane Van Cleve, at the artist's studio in Portland, Or., for the Archives of American Art's Northwest Oral History Project. Russo speaks of his youth and educational background; attending Yale University Art School; his participation in social activism; working on WPA projects; the development of his interest in painting; the lack of a gallery system on the West Coast; themes that recur in his work; the fire at the Fountain Gallery; the pressures on contemporary artists; and West Coast art styles.
Biographical / Historical:
Michele Russo (1909-2004) was a painter from Portland, Or.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 42 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Topic:
Artists -- Northwestern States -- Interviews Search this
An interview of Tom Robbins conducted 1984 March 3, in La Conner, Wash., by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project.
Robbins speaks of his youth; the importance of his first trips to New York; meeting Barnett Newman and William Philip Kendrick; the influence of Oriental art; his drug experience; his research on Jackson Pollock; coming to Washington State and working as an art critic; the impact of the 1962 World's Fair on art; and style versus content in art.
Biographical / Historical:
Tom Robbins (1936- ) is a writer and critic from LaConner, Wash.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 28 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics -- Washington (State) -- Interviews Search this
Contemporary Crafts Gallery (Portland, Or.) Search this
Extent:
62 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 August 29-31
Scope and Contents:
An interview of Maurine Hiatt Roberts conducted 1984 August 29-31, by Ken Shores, for the Archives of American Art's Northwest Oral History Project, at the artist's home, in Portland, Or.
Roberts speaks of her background; her childhood in Kansas; her early influences and interests including theater design and costumes; her education; the founding of the Contemporary Crafts Gallery; the influence of Lydia Herrick Hodge; the Northwest art community; various exhibits and workshops she participated in; her dedication to education and promotion of art and craft; and teaching weaving and other activities.
Biographical / Historical:
Maurine Hiatt Roberts (b. 1897 or 8) was a painter, illustrator, and teacher from Portland, Or.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Ruth Penington conducted 1983 Feb. 10-11, by LaMar Harrington, at the artist's home in Seattle, Wash., for the Archives of American Art's Northwest Oral History Project. Penington speaks of her family background; her early interests; her education; the beginnings of the Northwest Printmakers; teaching at the University of California; the change in the definition of art in universities; the influence of Gilbert Rohde; her philosophy of teaching, of art, and of commercialism; various shows and exhibitions she has been involved in; her work methods and her current work.
Biographical / Historical:
Ruth Penington (1905-1998) was an educator, metalworker, and printmaker from Seattle, Wash.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 48 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
An interview of Viola Patterson conducted 1982 Oct. 22-29, by Martha Kingsbury, for the Archives of American Art's Northwest Oral History Project, in the artist's home in Seattle, Wash.
Patterson speaks of her education; family background; her early interest in art; studying at the University of Washington art department; the influence of Japanese artists; teaching art to children; her husband, Ambrose Patterson, and his life and career; and working on murals with Jose Clement Orozco and Diego Rivera. She recalls Alexander Archipenko.
Biographical / Historical:
Viola Patterson (1898-1984) was a painter from Seattle, Wash.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 33 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Northwestern States -- Interviews Search this
An interview of Carl Morris conducted 1983 Mar. 23, by Sue Ann Kendall, for the Archives of American Art's Northwest Oral History Project, at the artist's studio in Portland, Or.
Morris speaks of his family background; his early interest in art; his education at the Chicago Art Institute; becoming the head of the Spokane Federal Art Project; the changes in art during the 1930s; the Northwest arts community and his relationship to it; mysticism; and collectors, including Dr. Richard E. Fuller. He recalls Clyfford Still.
Biographical / Historical:
Carl Morris (1911-1993) was a painter from Portland, Or.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 3 hrs., 42 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Topic:
Artists -- Northwestern States -- Interviews Search this
An interview of Alden Mason conducted 1984 Jan. 13-1984 Feb. 21, by LaMar Harrington, for the Archives of American Art's Northwest Oral History Project, at the artist's home in Seattle, Wash.
Mason speaks of his family background; early interests; his educational background at the University of Washington; his friendship with Fred Anderson; the development of his interest in art; teaching at the University of Washington; his students; his participation in the Artists' Gallery (Seattle, Wash.); the Northwest arts community and some of the artists, dealers and galleries involved in it; his exhibitions; his methods and style; his mural in the Washington State Senate chambers; and his philosophy.
Biographical / Historical:
Alden Mason (1919-2013) was a painter in Seattle, Wash.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hrs., 54 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Northwestern States -- Interviews Search this
United States. Works Progress Administration Search this
Extent:
5 Sound cassettes (Sound recording)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1983 Feb. 19-20
Scope and Contents:
An interview of Rachael Griffin conducted 1983 Feb. 19-20, by Bruce Guenther, in the artist's home in Portland, Or., for the Archives of American Art's Northwest Oral History Project.
Griffin speaks of her family background and education; the WPA and the building of the Timberline Lodge; the art scene in Portland in the 1930s and 1940s; her involvement with the American Society of Aesthetics, the JOURNAL OF AESTHETICS and other organizations; her work with local artists; arts funding; and current activities.
Biographical / Historical:
Rachael Griffin (1906-1983) was a curator from Portland, Or.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Curators -- Oregon -- Portland -- Interviews Search this
