Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.
Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.
In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.
Biographical / Historical:
Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.
Provenance:
Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The papers of Los Angeles painter, sculptor, and printmaker Charles Arnoldi measure 4.3 linear feet and date from 1946-2017. Included are biographical information including curriculum vitae and passports; personal and professional correspondence; daily journals and annotated daily and monthly calendars,1971-2015; files on Arnoldi's exhibitions; personal business records; artwork consisting of two sketchbooks, one with students drawings, 1966, and one with annotations, writings and poetry, 1970s; and printed material including exhibition catalogs and announcements, posters, press releases, auction catalogs, newsletters, and newspaper clippings.
Biographical / Historical:
Charles (Chuck) A. Arnoldi (1946-) is a painter, sculptor, and printmaker living in Los Angeles, California.
Provenance:
Donated 2017 by Charles Arnoldi.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
The records of California fine arts print publisher 3EP Ltd. founded by Moo (Mary Margaret) Anderson, Joseph Goldyne, and Paula Kirkeby measure 4.3 linear feet and date from 1970 to 1984. The records include scattered administrative files; artists' files that include correspondence, lists, price lists, and miscellany; printed materials, photographs, including two dismantled photo albums and negatives; and numerous fine arts prints by various contemporary artists, including Gordon Cook, Claire Falkenstein, Joe Fay, Sam Francis, David Gilhooly, Joseph Goldyne, Jack Jefferson, Frank Lobdell, Fred Martin, Ed Moses, Nathan Oliveira, Jay Phillips, Matt Phillips, and Joseph Zirker.
Scope and Contents:
The records of California fine arts print publisher 3EP Ltd. founded by Moo (Mary Margaret) Anderson, Joseph Goldyne, and Paula Kirkeby measure 4.3 linear feet and date from 1970 to 1984. The records include scattered administrative files; artists' files that include correspondence, lists, price lists, and miscellany; printed materials, photographs, including two dismantled photo albums and negatives; and numerous fine arts prints by various contemporary artists, including Gordon Cook, Claire Falkenstein, Joe Fay, Sam Francis, David Gilhooly, Joseph Goldyne, Jack Jefferson, Frank Lobdell, Fred Martin, Ed Moses, Nathan Oliveira, Jay Phillips, Matt Phillips, and Joseph Zirker.
Administrative records consist of chronological correspondence, subscriber lists and forms, price lists, exhibition lists, and other miscellaneous records. Business/administrative correspondence is mostly between the 3EP Ltd. founders and various museums, galleries, and collectors, with a few letters to artists. Artists' files include resumes, correspondence, catalogs, clippings, photographs and slides. Artists include Chuck Arnoldi, Billy Al Bengston, Gordon Cook, Claire Falkenstein, Joe Fay, Sam Francis, Jack Jefferson, Frank Lobdell, Ed Moses, George Sugarman, and Joseph Zirker, among many others.
Arrangement:
This collection is arranged as 5 series.
Series 1: Administrative Records, 1978-1984 (0.2 linear feet; Box 1)
Series 2: Artists Files, 1970-1984 (1.8 linear feet; Box 1-2)
Series 3: Printed Material, 1981-1984 (0.1 linear feet; Box 3)
Series 4: Artwork, 1979-1984 (1.9 linear feet; OV 4-22)
Series 5: Photographic Material, 1981-1983 (0.3 linear feet; Box 3)
Biographical / Historical:
3EP Ltd. was founded by Moo (Mary Margaret) Anderson, Joseph Goldyne, and Paula Kirkeby in 1978 in Palo Alto, California. The print publisher worked with over 20 artists to produce fine art prints and monotypes and operated until 1984.
Harry W. and Mary Margaret Anderson, respectively known as Hunk and Moo, are avid art collectors with one of the largest private art collections of 20th Century American Art. Moo has a special interest in works of art on paper and prints. Moo and Paula Kirkeby, director of Smith Anderson Gallery in Palo Alto, along with San Francisco artist Joseph Goldyne formed 3EP Ltd. In addition to sales, the mission of 3EP Ltd. was to encourage experimentation with the monoprint. Anderson and Kirkeby commissioned a custom-built Takach-Garfield press for their facilities and invited artists to work with the monotype technique and printmaking, techniques that were initially unfamiliar to many of the artists who worked with 3EP Ltd. Artists invited to work at 3EP include Gordon Cook, Claire Falkenstein, Joe Fay, Sam Francis, David Gilhooly, Frank Lobdell, Ed Moses, Nathan Oliviera, Jay and Matt Phillips, and many others. 3EP Ltd. closed in 1984.
Related Materials:
The de Young Museum has a collection of 3EP Ltd. prints which are part of the Anderson Graphic Arts Collection.
Provenance:
The 3EP Ltd. records were donated in 1984 by Moo (Mary Margaret) Anderson and Paula Kirkeby. Plates received with the donation were returned to the donors.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art publishing -- California -- Palo Alto Search this
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.
Scope and Contents:
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.
Administrative records document the daily operations of the Art Foundry and AFE. Correspondence is with artists, galleries, art collectors and dealers, patrons, and others.
The appointment books and notebooks document daily operations within the Foundry administrative offices, including phone messages and daily appointments, and also include notes and conversations regarding various artists' ongoing sculptural plans and projects. Entries have been made by Dwight Hackett, artists, and other staff members.
The bulk of the collection is comprised of artists' files representing over 132 artists, which may include scattered correspondence and notes; scattered exhibition materials; financial materials; photographic materials; digital materials; and sketches and plans for various sculptural productions and projects. Artists include Terry Allen, Larry Bell, Lynda Benglis, Judy Chicago, Lesley Dill, Una Hanbury, Luis Jimenez, Allan Houser, Maya Lin, Andrew Lord, Robert Morris, Bruce Nauman, Gabriel Orozco, Tom Otterness, Michael Rees, Fritz Scholder, Peter Shelton, Kiki Smith, Valeska Soares, and Richard Tuttle, among many others. Seven CD-Rs contain material related to artists Terry Allen, Charles Arnoldi, Lesley Dill, and Michael Rees.
Financial and legal materials include invoices and financial statements, consignment agreements, and miscellaneous legal documents.
Sculpture production and inventory files document casting guidelines and costs incurred; casting logs and records; sculpture production records for various artists; and inventory cards and photographs and digital documentation for various projects and works.
The collection contains hundreds of snapshots and Polaroids that depict the collaborative atmosphere Hackett was able to create at Art Foundry. There are also slides, negatives and nine photograph albums.
Arrangement:
This collection is arranged as 8 series. Researchers should note that Art Foundry and Art Foundry Editions records were merged prior to processing.
Missing Title
Series 1: Administrative Files, circa 1980-circa 2004 (0.5 linear feet; Box 1)
Series 2: Correspondence, 1985-2000 (0.6 linear feet; Boxes 1-2)
Series 3: Gallery Appointment Books and Notebooks, 1985-2000 (1.0 linear feet; Boxes 2-3)
Series 4: Exhibition Files, 1986-1997 (0.2 linear feet; Box 3)
Series 5: Artists' Files, circa 1980-circa 2007 (16.8 linear feet; Boxes 3-19, OV 27-31, 0.891 GB; ER01-ER03)
Series 6: Financial and Legal Materials, 1991-circa 2001 (1.2 linear feet; Boxes 19-20)
Series 7: Sculpture Production and Inventory Files, circa 1975-circa 2002 (2.4 linear feet; Boxes 20-23, OV 31)
Series 8: Photographic Materials, circa 1977-circa 2002 (3.0 linear feet; Boxes 23-26)
Biographical / Historical:
Art Foundry (est.1980-closed 2000) and Art Foundry Editions (est. 1992-closed 2000) were organizations founded and operated by Dwight Hackett in Santa Fe, New Mexico.
While working for another foundry in New Mexico, Dwight Hackett met Una Hanbury and began casting her work at his home, using a relatively new technique called cold casting. The process produced work that lighter than bronze and less expensive to produce. Una Hanbury helped Hackett travel to Washington, D. C. to study with Harvey Moore at his foundry. He formally established his studio, Art Foundry, in New Mexico, in 1980 with a loan from Hanbury and subsequent investment from the Apache sculptor Allan Houser. According to Hackett, Art Foundry's mission was to "collaborate with artists, not just work for them, and to challenge the limits of traditional casting technique."
In 1990, Hackett extended the operation by establishing Art Foundry Editions (AFE) through which he invited artists to come to Santa Fe for a residency and produce multiples of their work. AFE would acquire half of each artists' edition, and then market the works to galleries and collectors. One of AFE's first artists was Lynda Benglis, who purportedly came for a two-week residency and stayed for nine months.
Hackett sold Art Foundry and Art Foundry Editions in 2000.
(Much of the biographical note was taken from collecting specialist Jason Stieber's acquisition report published in the Archives of American Art Journal, Volume Number 54, 2016.)
Provenance:
The Art Foundry and Art Foundry Editions records were donated by Dwight Hackett in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Charles Arnoldi, Laddie John Dill : September 2 through September 28, 1983, Main Art Gallery, Visual Arts Center, California State University, Fullerton, Fullerton, California / [catalogue essay, Jan Butterfield]
Arnoldi just bronze : November 3 through December 13, 1987 : an exhibition organized by the Museum Studies Certificate Program, University Art Museum, California State University, Long Beach / edited by Constance W. Glenn with Jane K. Bledsoe
Author:
Glenn, Constance W (Constance White) 1933- Search this
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