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Tanager Gallery records

Creator:
Tanager Gallery  Search this
Names:
Arnold, Anne, 1926-  Search this
Brooks, James, 1906-1992  Search this
Burkhardt, Rudy  Search this
Cajori, Charles, 1921-2013  Search this
Cherry, Herman  Search this
Dodd, Lois, 1927-  Search this
Fine, Perle, 1908-1988  Search this
Frankenthaler, Helen, 1928-2011  Search this
Geist, Sidney  Search this
Guston, Philip, 1913-1980  Search this
Hazelet, Sally  Search this
Hofmann, Hans, 1880-1966  Search this
Ippolito, Angelo  Search this
Katz, Alex, 1927-  Search this
King, William, 1925-2015  Search this
Pearlstein, Philip, 1924-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rivers, Larry, 1925-2002  Search this
Stamos, Theodoros, 1922-1997  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Scrapbooks
Photographs
Sketches
Date:
1952-1979
Summary:
The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.
Scope and Content Note:
The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.

Administrative files include four day books, lists of artists and exhibitions, historical sketches, and an address book. There are two ledger books of expenses for shows and four receipt books from 1959-1962 which are organized by date and list artist, and artwork, buyer, and price. Correspondence is arranged chronologically and comprised mainly of copies of letters sent by the Gallery to artists as invitations to exhibit. Also found are scattered letters from museums and artists.

There are artists' files for circa 70 artists that contain a variety of materials, including price lists and biographies or resumes. Artists files are found for Anne Arnold, James Brooks, Charles Cajori, Herman Cherry, Lois Dodd, Sally Hazelet Drummond, Perle Fine, Helen Frankenthaler, Sidney Geist, Philip Guston, Hans Hofmann, Angelo Ippolito, Philip Pealstein, Alex Katz, William King, Robert Rauschenberg, Larry Rivers, Theordore Stamos, and Tom Wesselmann among many others.

The collection includes two scrapbooks containing mostly newsclippings and exhibition announcements, as well as additional loose newsclippings, numerous exhibition announcements and catalogs, and press releases. There are five photographs of gallery openings and the exterior of the building, the latter taken by Rudy Burkhardt.
Arrangement:
The collection is arranged as 7 series:

Series 1: Administrative Files, 1952-1979 (Boxes 1, 4; 0.5 linear feet)

Series 2: Financial and Legal Records, 1952-1962 (Box 1; 0.5 linear feet)

Series 3: Correspondence, 1952-1967 (Boxes 1-2; 0.3 linear feet)

Series 4: Artists Files, circa 1952- circa 1962 (Box 2; 0.1 linear feet)

Series 5: Scrapbooks, circa 1962 (Boxes 2-3; 0.3 linear feet)

Series 6: Printed Material, 1952-1971 (Boxes 2, 4; 0.3 linear feet)

Series 7: Photographs, circa 1952-circa 1959 (Box 2; 2 folders)
Historical Note:
The Tanager Gallery operated from 1952-1962 in New York City. The gallery was one of the first artist cooperative galleries formed on 10th Street in Manhattan to provide an alternative to the larger upscale galleries of Madison Avenue.

In 1952, the artist cooperative Tanager Gallery opened at 90 East 10th Street in Manhattan. Co-founders included Charles Cajori, Lois Dodd, Angelo Ippolito, William King, and Fred Mitchell. The Tanager offered open spaces for young artists to show their work and to sell art on their own terms. Membership at the Tanager included American Realists Alex Katz and Philip Pearlstein, and the Pop art/found-art collagist Tom Wesselmann. Later artists to join the cooperatiive included Mary Abbott, Perle Fine, Sidney Geist, Joseph Groell, Nanno de Groot, Sally Hazelet, Ben Isquith, Lester Johnson, Nicholas Marsicano, George Earl Ortman, Charlotte Park, Philip Pearlstein, Frank Stout, Raymond Rocklin, and Sal Sirugo. From 1952 to 1962, the Tanager Gallery exhibited works from about 250 artists.

The opening of Tanager and other 10th Street galleries was a radical change for the New York arts scene and for emerging New York artists who generally found representation with uptown gallery owners and/or art dealers on 57th Street or Madison Ave. In the 1950s, Manhattan's 10th Street was a gathering place for young artist-bohemians. The galleries were often the centers for anything avant-garde or new, such as art installations, happenings, poetry readings, jazz sessions, and performance art. For example, Tanager Gallery hosted a series of forums with local artists who would discuss their work and objectives.

Tanager Gallery received attention and respect from the more established art galleries and critics in New York, including Dore Ashton, Leo Castelli, Tom Hess, Martha Jackson, and Dorothy Miller. The Tanager Gallery closed in 1962.
Related Material:
Among the holdings of the Archives of American Art are the Lois Dodd papers, 1952-2001 and an oral history interview with Lois Dodd by Barbara Shikler from 1988.
Provenance:
Lois Dodd, co-founder of the Tanager Gallery, donated the Tanager Gallery records in several increments between 1972 and 1989.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Abstract -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Diaries
Scrapbooks
Photographs
Sketches
Citation:
Tanager Gallery records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tanagall
See more items in:
Tanager Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tanagall
Online Media:

Edward Dugmore papers

Creator:
Dugmore, Edward, 1915-  Search this
Names:
Drake University  Search this
Abend, George  Search this
Arnold, Anne, 1926-  Search this
Brandt, Warren, 1918-  Search this
Briggs, Ernest, 1923-  Search this
Cherry, Herman  Search this
Copley, Alfred L.  Search this
Crehan, Hubert  Search this
Day, Lucien B., 1916-  Search this
Drexler, Rosalyn  Search this
Grillo, John, 1917-  Search this
Harris, Harvey, 1915-1999  Search this
Hultberg, John, 1922-  Search this
Kadish, Reuben, 1913-1992  Search this
Kaldis, Aristodimos, 1899-1979  Search this
McChesney, Mary Fuller  Search this
Morris, Kyle  Search this
Pace, Pam  Search this
Pace, Stephen, 1918-2010  Search this
Pollock, Charles C.  Search this
Still, Clyfford, 1904-1980  Search this
Voulkos, Peter, 1924-2002  Search this
Weber, Hugo, 1918-1971  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1937-1993
Summary:
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.
Scope and Content Note:
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.

Printed materials include clippings, exhibition catalogs and announcements, and press releases. Photographs are of artwork, Dugmore, and colleagues, including Lewin Alcopley, Anne Arnold, Warren Brandt, Ernest Briggs, Herman Cherry, Hubert Crehan, Lucien Day, Rosalyn Drexler, John Grillo, John Hultberg, Reuben Kadish, Aristodemus Kaldis, Kyle Morris, Stephen and Pam Pace, Charles Pollock, Peter Voulkos, and Hugo Weber.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Material, 1948-1993 (Box 1; 3 folders)

Series 2: Correspondence, circa 1943-1992 (Box 1, 2; 1.5 linear feet)

Series 3: Business Records, circa 1951-1972 (Box 2; 2 folders)

Series 4: Notes, circa 1969-1980 (Box 2; 1 folder)

Series 5: Drake University Summer Session File, 1972-1973(Box 2; 5 folders)

Series 6: Printed Material, circa 1937-1993 (Box 2; 25 folders)

Series 7: Photographs, circa 1960-1983 (Box 2; 9 folders)
Biographical Note:
Edward Dugmore (1915-1996) was a painter and arts instructor working in New York, San Francisco, Illinois, and Maryland.

Edward Dugmore was born in 1915 in Hartford Connecticutt, the son of Walter and Ellen Spragg Dugmore. Dugmore received a four year scholarship to study painting at Hartford Art School from 1934 to 1938. In 1938, he also married Edith Oslund. He briefly studied lithography and etching under Thomas Hart Benton at the Kansas City (Missouri) Art Institute in 1941. After serving in the U.S. Marine Corps during World War II, he returned to New York City. From 1946 to 1948, he taught painting and drawing at St. Joseph's College in West Hartford, Connecticut.

In 1948, Dugmore moved to San Francisco and began two year's study of art under the G.I. Bill at the California School of Fine Arts, were he befriended Clyfford Still and Ernest Briggs. He co-founded the artists' collaborative Metart Gallery, where he had his first solo exhibition in 1950.

From 1951 to 1952, Dugmore studied at the University of Guadalajara, Mexico, earning a master's degree in fine arts. In 1952, he moved back to New York City where he had solo exhibitions at the Stable Gallery over the following three years. He also had solo exhibitions at the Howard Wise Gallery in New York and Cleveland during the 1960s.

Between 1961 and 1962, Dugmore was Visiting Artist at the University of Southern Illinois, and in 1970, he was Visiting Artist at the Des Moines Art Center and Drake University. From 1964 to 1974, he taught painting and drawing part time at the Pratt Institute, and in 1965, he was Artist-in-Residence at the Montana Institute of Fine Arts, sponsored by a Ford Foundation Grant. From 1973 to 1982, he taught part time at the Maryland Institute, College of Art in Baltimore, Maryland.

Dugmore's paintings are in the collections of the Albright-Knox Art Gallery, the Walker Art Center, the Corcoran Gallery of Art, and the Hirshhorn Museum and Sculpture Garden.

Edward Dugmore died in 1996 in Minneapolis, Minnesota.
Related Material:
Among the holdings of the Archives of American Art is a transcribed oral history interview with Edward Dugmore conducted by Tram Combs in 1994.
Provenance:
The Edward Dugmore papers were donated in several increments between 1980 to 1993 by the artist.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Edward Dugmore papers, 1937-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dugmedwa
See more items in:
Edward Dugmore papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dugmedwa

Ernest Briggs papers

Creator:
Briggs, Ernest, 1923-  Search this
Names:
Arnold, Anne, 1926-  Search this
Crehan, Hubert  Search this
Greenberg, Clement, 1909-1994  Search this
McChesney, Mary Fuller  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Date:
circa 1900-2013
bulk 1940-1984
Summary:
The papers of painter Ernest Briggs measure 2.4 linear feet and date from circa 1900-2013, bulk 1940-1983. The collection documents the life and career of this second generation abstract expressionist through biographical material; correspondence with artists and critics; writings and five diaries that chronicle the changing art world from 1950s-1970s; personal business records; printed material; and a significant amount of photographic material documenting the artist and his work.
Scope and Contents:
The papers of painter Ernest Briggs measure 2.4 linear feet and date from circa 1900-2013, bulk 1940-1983. The collection documents the life and career of this second generation abstract expressionist through biographical material; correspondence with artists and critics; writings and five diaries that chronicle the changing art world from 1950s-1970s; personal business records; printed material; and a significant amount of photographic material documenting the artist and his work. Papers dating from after Briggs's death were created and kept by Anne Arnold.

Notable correspondents include Hubert Crehan, Mary McChesney, Dorothy Miller, Clyfford Still, and Howard Wise. One outgoing letter to Clement Greenberg offers Briggs's criticism of Art and Culture.
Arrangement:
The collection is arranged as seven series

Series 1: Biographical Material, 1942-1984 (1 folder; Box 1)

Series 2: Correspondence, 1950s-2001 (0.4 linear feet; Box 1)

Series 3: Writings, 1960-19854 (5 folders; Box 1)

Series 4: Diaries, 1976-1984 (0.3 linear feet; Box 1)

Series 5: Personal Business Records, 19460s-2000s (0.2 linear feet; Box 1)

Series 6: Printed Material, 1949-2013 (0.6 linear feet; Box 1-2, OV 4)

Series 7: Photographic Material, circa 1900-1990, bulk 1940-1984 (0.8 linear feet; Box 2-3, OV 5)
Biographical / Historical:
Ernest Briggs (1923-1984) was a second generation abstract expressionist painter working in New York City and Maine. He was born in San Diego, California and served in the U.S. Navy during World War II. After returning home, Briggs studied at the California College of Fine Art in San Francisco from 1947-1951 under Clyfford Still, Ad Reinhardt, David Park, and Mark Rothko. He moved to New York in 1953 and began exhibiting at the Stable Gallery. In 1956 Briggs was included in the Museum of Modern Art's exhibition, 12 Americans curated by Dorothy Miller. Briggs taught at Pratt Institute from 1961-1984. He was married to the sculptor Anne Arnold.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Ernest Briggs conducted by Barbara Shikler in 1982 and the papers of sculptor, Anne Arnold, Briggs' wife.
Provenance:
Ernest Briggs donated papers in 1980 with the bulk of the collection donated in 2015 by the Anne Arnold Estate, via Robert Brooks and Janice Kasper, executors.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Genre/Form:
Photographs
Diaries
Citation:
Ernest Briggs papers, circa 1900-2013, bulk 1940-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brigerne
See more items in:
Ernest Briggs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brigerne

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