Skip to main content Smithsonian Institution

Search Results

Collections Search Center
29 documents - page 1 of 2

Oral history interview with Merle Armitage

Interviewee:
Armitage, Merle, 1893-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
Bruce, Edward, 1879-1943  Search this
Hatfield, Dalzell, 1893-1963  Search this
Zornes, James Milford, 1908-2008  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 February 6
Scope and Contents:
An interview of Merle Armitage conducted 1964 February 6, by Sylvia Loomis, for the Archives of American Art.
Armitage speaks of his role as Public Works of Art Project regional chairman of Southern California, including his supervision of 126 artists involved in painting, drawing, sculpture, lithography and mural projects; experimental work in PWAP easel painting projects; censorship of subject matter in a mural for the Frank Wiggins Trade School; his opposition to government subsidized art programs; his impressions of Edward Bruce, Dalzell Hatfield, James Milford Zornes, and others associated with the PWAP. Armitage also speaks of the American Institute of Graphic Arts and contemporary book design.
Biographical / Historical:
Merle Armitage (1893-1975) was an art administrator and graphic artist of Santa Fe, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 48 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.armita64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-armita64

Merle Armitage letter to Imogen Cunningham

Creator:
Armitage, Merle, 1893-1975  Search this
Cunningham, Imogen, 1883-1976  Search this
Type:
Correspondence
Date:
October 1955
Record number:
(DSI-AAA)15587
See more items in:
Imogen Cunningham papers, 1903-1991
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15587
Online Media:

Oral history interview with Merrell Gage

Interviewee:
Gage, Merrell, b. 1892  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Armitage, Merle, 1893-1975  Search this
Borglum, Gutzon, 1867-1941  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
17 Pages (Transcript: (on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 May 27
Scope and Contents:
An interview of Merrell Gage conducted 1964 May 27, by Betty Hoag for the Archives of American Art.
Gage speaks of the origin of his interest in Abraham Lincoln; studying under Gutzon Borglum; the formation of the Public Works of Art Project art committee in 1932; how the committee functioned; and the effect of the Project on the community. He recalls Merle Armitage.
Biographical / Historical:
Sculptor; New York, Kansas, Connecticut, and Santa Monica, Calif.; d. 1981.
General:
An interview of Nick Brigante conducted by B. Hoag is also on this tape.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Sculptors -- United States -- Interviews  Search this
Sculpture -- United States  Search this
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gage64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gage64

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
Online Media:

Israel and Idee Levitan papers

Creator:
Levitan, Israel, 1912-1982  Search this
Levitan, Idee  Search this
Names:
Armitage, Merle, 1893-1975  Search this
Aronson, James.  Search this
De Kooning, Elaine  Search this
Dearstyne, Howard.  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Helm, Lillian  Search this
Kline, Svea  Search this
Koff, Noah  Search this
Milles, Carl, 1875-1955  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca.1946-1982]
Scope and Contents:
Correspondence, a photograph, and printed material documenting Israel and Idee Levitan's involvement in the New York art community after WWII. Correspondence includes letters from Elaine de Kooning, Katherine Dreier, Noah Koff, Merle Armitage, Howard Dearstyne, James Aronson, and others and one letter from the Levitans to Howard Dearstyne. The photographs are of Carl Milles, Svea Kline, and Lillian Helm. Among the printed material are exhibition announcements, including one for a faculty exhibition at the Parsons School of Design featuring Elaine de Kooning in 1976 and various newspaper clippings, including an obituary for Amedee Ozenfant.
Biographical / Historical:
Sculptors, New York, N.Y.
Provenance:
Donated 2007 by Mark Borghi, gallery owner and art dealer, Mark Borghi Fine Arts. Borghi purchased the papers from the Levitan estate in 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Identifier:
AAA.leviisra2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leviisra2

Oral history interview with Rockwell Kent

Interviewee:
Kent, Rockwell, 1882-1971  Search this
Interviewer:
Cummings, Paul  Search this
Names:
American Artists Group  Search this
Art Students League (New York, N.Y.)  Search this
Armitage, Merle, 1893-1975  Search this
Chase, William Merritt, 1849-1916  Search this
Henri, Robert, 1865-1929  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
1 Sound tape reel (Sound recording: (3 hours 30 min.), 7 in.)
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 Feb. 26-27
Scope and Contents:
An interview of Rockwell Kent conducted 1969 Feb. 26-27, by Paul Cummings, for the Archives of American Art. Kent speaks of his family background; his early interest and talent in art; studying painting with Robert Henri and William Merritt Chase; his early studies and work in architecture; Kenneth Hayes Miller as a teacher; experiences which influenced him and inspired him; his travels and explorations; his work in book design and illustration; mural commissions; the American Artists Group; his political life and public affairs. He recalls Merle Armitage and Carl Zigrosser.
Biographical / Historical:
In addition to being a successful painter, printmaker, illustrator, designer, and commercial artist, Kent pursued careers as a writer, professional lecturer, and dairy farmer. He travelled extensively, and was a political activist who supported the causes of organized labor, civil liberties, civil rights, anti-Fascism, and peace and friendship with the Soviet Union.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Book-plate designers -- New York (State) -- Interviews  Search this
Topic:
Book design  Search this
Illustration of books  Search this
Mural painting and decoration  Search this
Printmakers -- New York (State) -- Interviews  Search this
Illustrators -- New York (State) -- Interviews  Search this
Landscape painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kent69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kent69

Oral history interview with Merle Armitage, 1964 February 6

Interviewee:
Armitage, Merle, 1893-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Bruce, Edward  Search this
Hatfield, Dalzell  Search this
Zornes, James Milford  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13189
(DSI-AAA_SIRISBib)213231
AAA_collcode_armita64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213231

[Merle Armitage : miscellaneous uncataloged material]

Author:
Armitage, Merle 1893-1975  Search this
Smithsonian Libraries Art and Artist Files Collection DSI  Search this
Subject:
Armitage, Merle 1893-1975  Search this
Type:
Books
Vertical files
Artist files
Call number:
AAF--Armitage, Merle
Restrictions & Rights:
Photocopies of items in the folder(s) are available upon request, subject to fees and other current copyright guidelines for reproduction.
FOLDER(S) DO NOT CIRCUATE. FOLDERS MUST BE CONSULTED ON SITE
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_603160

Picasso, 2 statements; also a comment by Merle Armitage

Author:
Picasso, Pablo 1881-1973  Search this
Armitage, Merle 1893-1975  Search this
Kistler, Lynton R  Search this
Physical description:
5 p. ., 60 p., 2 . incl. front. (port.) 15 cm
Type:
Books
Date:
1936
Topic:
Post-impressionism (Art)  Search this
Impressionism (Art)  Search this
Call number:
N6853.P5 P5 1936
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_642864

Have we an American art? Designed and with an article on E. A. J. by Merle Armitage

Author:
Jewell, Edward Alden 1888-1947  Search this
Elise  Search this
Armitage, Merle 1893-1975  Search this
Physical description:
1 p. ., v-xvi p., 1 ., 232 p. illus. 24 x 19 cm
Type:
Exhibitions
Date:
1939
Topic:
Art, American  Search this
Call number:
N6505 .J4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_653751

U. S. Navy. by Merle Armitage; forward by Commander Leland P. Lovette

Title:
United States Navy
Author:
Armitage, Merle 1893-1975  Search this
Lovette, Leland P (Leland Pearson) b. 1897  Search this
Subject:
United States Navy  Search this
Physical description:
282 p., [16] p. of plates, illus. (some col.), 21 cm
Type:
Books
Date:
1940
Call number:
VA55 .A76 1940
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_523900

So called abstract art. c By Merle Armitage

Author:
Armitage, Merle 1893-1975  Search this
Physical description:
25 leaves, [2] leaves of plates illus. (1 col.) 21 cm
Type:
Books
Date:
1939
Topic:
Art--Philosophy  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408432

5 essays on Klee [by Merle Armitage and others]

Author:
Armitage, Merle 1893-1975  Search this
Subject:
Klee, Paul 1879-1940  Search this
Physical description:
121 p. illus. 19 cm
Type:
Books
Date:
1950
[c1950]
Topic:
Drawing, Swiss  Search this
Call number:
N40.1.K63 A7 1950
N40.1.K63A7 1950
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_428343

The work of Maier-Krieg, by Merle Armitage

Author:
Armitage, Merle 1893-1975  Search this
Subject:
Maier-Krieg, Eugen  Search this
Physical description:
8 p., 40 leaves of plates chiefly illus., port. 29 cm
Type:
Books
Date:
1932
Call number:
N40.1.M226 A7 1932
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_459194

African negro art

Author:
Danz, Louis  Search this
Armitage, Merle 1893-1975  Search this
Stendahl Art Galleries  Search this
Physical description:
4 leaves : ill. ; 23 cm
Type:
Exhibitions
Date:
1930
1995
1930?]
Topic:
Art, African  Search this
Sculpture, African  Search this
Call number:
N7380 .A25 1930
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_477977

Martha Graham, the early years / edited, and with a foreword, by Merle Armitage ; illustrated with photographs and with Carlos Dyer's ink drawings

Author:
Armitage, Merle 1893-1975  Search this
Subject:
Graham, Martha  Search this
Physical description:
132 p., [24] pages of plates : ill. ; 24 cm
Type:
Books
Date:
1978
1937
1978, c1937
Call number:
CT275.G74 M3 1978
CT275.G74M3 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_312548

Notes on modern printing / by Merle Armitage

Author:
Armitage, Merle 1893-1975  Search this
Physical description:
3 p. l., 71, [3] p. ill 26 cm
Type:
Books
Date:
1945
[1945]
Topic:
Printing  Search this
Call number:
Z246.A74X 1945
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_352158

Warren Newcombe / by Merle Armitage

Author:
Armitage, Merle 1893-1975  Search this
Subject:
Newcombe, Warren Alfred 1894-  Search this
Physical description:
20 p. : (port.) 38 (i. e. 39) pl. ; 28 cm
Type:
Books
Date:
1932
Call number:
N40.1.N536 A7
N40.1.N536A7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_253677

Edward Weston

Author:
Weston, Edward 1886-1958  Search this
Armitage, Merle 1893-1975  Search this
Physical description:
6 p. l., 12 p., 2 l. front., plates, ports. 35 x 26 cm
Type:
Books
Date:
1932
Topic:
Photography, Artistic  Search this
Call number:
TR650.W4X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_257666

Sculpture of Boris Lovet-Lorski, by Merle Armitage

Author:
Armitage, Merle 1893-1975  Search this
Subject:
Lovet-Lorski, Boris 1894-1973  Search this
Physical description:
2 p. l., [7]-148, [2] p. incl. illus., plates, ports. 30 cm
Type:
Books
Date:
1937
Call number:
N40.1.L911 A7 1937
N40.1.L911 A7 1937
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_288059

Modify Your Search







or


Narrow By