Album of photographs and sketches relating to voyages, primarily in the arctic. Includes photographs from the steamer Neptune's 1917 rescue of Donald MacMillan and other members of the Crocker Land Relief Expedition, as well as the Northern Ventures Expedition, ca 1912. Photographs depict Inuit men, women, and children from Greenland and Baffin Island, sailors, sea ice, arctic and marine mammals, and walrus and narwhal ivory. Sketches are portraits, most likely of other sailors or expedition members.
Provenance:
The Album was donated by Benton and Elizabeth Cox Leach in 2015.
The majority of the collection documents Northwest Coast scenery, people, and settlements; these include photographs made by Franz Boas during US Fish Commission expeditions on the USS Albatross, as well as engravings made for publications on Northwest Coast Natives by Franz Boas and Albert Parker Niblack. Another large portion of the collection consists of reference prints relating to Native Americans, Ainu people and Japan, Polynesia, the Philippines, Bonin Islands, and Peru. Many of these were copied from the central negative file of the National Museum of Natural History as well as other museums. There are also photographs, many by C. H. Townsend, made during the Fish Commission expeditions to Puerto Rico on the USS Fish Hawk and some taken by N. B. Mills during an expedition that traveled on the USS Albatross to Baja California and the Galapagos Islands.
Local Call Number(s):
NAA Photo Lot 82, NAA Photo Lot 83
Location of Other Archival Materials:
The National Anthropological Archives also holds Niblack's notes concerning Northwest Coast Indians, circa 1885-1889 (MS 4513), additional photographs by Romyn Hitchcock of Ainu (Photo Lot 77-38), additional C. H. Townsend photographs (in Photo Lot 24), original Matilda Coxe Stevenson photographs (Photo Lot 23), and original negatives made by Niblack (in BAE historical negatives).
The United States Fish Commission Records are held by the Archives Center, National Museum of American History.
The American Philosophical Society holds the Franz Boas papers.
Albert Parker Niblack's papers are held by J. Y. Joyner Library, East Carolina University, and William Henry Smith Memorial Library, Indiana Historical Society.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lots 82 and 83, Collection of photographs relating to the Northwest Coast and American Indians, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Copy prints
Photographs
Place:
Alaska
Date:
1893-1926
Scope and Contents note:
Photographs depicting Blackfeet, Cree, Sarsi, Eskimo, and Chukchi people, as well as boats, interiors of igloos, and a camp. Many of the photographs are studio portraits. One series was made by Diamond Jenness on Little Diomede Island in 1926 and another by R. M. Anderson on the Canadian Arctic Expedition, 1913-1916. Photographers represented in the collection include David F. Barry. J. B. Tyrell, F. W. Waugh, and J. D. Soper.
Local Call Number(s):
NAA Photo Lot R81N
Location of Other Archival Materials:
Additional Barry photographs held in National Anthropological Archives Photo Lot 90-1, Photo Lot 4605, Photo Lot 87-2P, Photo Lot 24, and in the BAE historical negatives.
Additional Jenness photographs held in National Anthropological Archives Photo Lot 8, and correspondence from him is held in the National Anthropological Archives in MS 7053, the Henry Bascom Collins, Jr. papers, the Frederica de Laguna papers, the Ales Hrdlicka papers, the John Peabody Harrington papers, the Society for American Archaeology records, and the Bureau of American Ethnology records.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Copies may be obtained from the National Museum of Canada.
Genre/Form:
Photographs
Citation:
Photo lot R81N, Copies of National Museum of Canada photograph collection relating to American Indians, National Anthropological Archives, Smithsonian Institution
Photographs made by Stephen Gambaro while stationed with the United States military in Alaska during World War II. They include images of buildings, boats, native Alaskans, United States military personnel, and scenery in and around Akhiok, a small city on Kodiak Island in Alaska.
Biographical/Historical note:
Stephen Gambaro is a professional photographer and former Chief of Rehabilitation Services for the Washington, DC, government. He and his wife, a Cherokee sculptor, operate an Indian art gallery in DC. Gambaro's photographs largely depict Indian friends, artists, and craftsmen whom his gallery represents, as well as his travels to Indian communities around the United States.
Local Call Number(s):
NAA Photo Lot R80-33, NAA ACC 82-48
Location of Other Archival Materials:
Additional photographs by Gambaro can be found in the National Anthropological Archives in Photo Lot 80-37.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Pamphlets
Stereographs
Color postcards
Color prints
Copy negatives
Copy prints
Prints
Place:
Tesuque Pueblo (N.M.)
Date:
circa 1880-1950
Scope and Contents note:
Ed Brady's collection of photographs and postcards of Native American camps, people, crafts, schools, and dances, as well as agency personnel at various reservations. A majority of the original prints are photographs by Lee Moorhouse, including images of American Indian dwellings, camps, Kate Drexel School, children in cradleboards, and formal and informal portraits. Additionally, there are photographs made by E. Potts at Tesuque Pueblo on November 12, 1924 during the feast day; images are mostly of Tewa people dancing the Buffalo-Deer Dance.
The collection also includes a stereograph depicting Taos people in front of Taos Pueblo, as well as photographic postcards of Omaha men in Walthill, Nebraska, American Indians at a camp in Idaho, Indians at a camp near International Falls, Minnesota, a Navajo camp in Arizona, an elevated view of a camp with numerous tipis, possibly for a rodeo, two Alaskan Eskimo girls, and a reenactment of the Battle of Little Bighorn aftermath. There is also a pamphlet entitled "Old Travois Trails," from 1941, which was possibly originally collected by Dr. W. A. Russell, a doctor for the Fort Peck Agency.
Local Call Number(s):
NAA Photo Lot 90-8, NAA Photo Lot 81-39, NAA Photo Lot 89-28
Location of Other Archival Materials:
Photo Lot 81-39 has been relocated and merged with Photo Lot 90-8. These photographs were also collected by Ed Brady and form part of this collection.
Brady also donated Indian police badges to the Department of Anthropology in accessions 343151 and 378681.
Additional photographs by Moorhouse can be found in the National Anthropological Archives in Photo Lot 78 and the BAE historical negatives.
The University of Oregon Special Collections holds a large collection of Lee Moorhouse photographs, 1888-1925 (PH036).
Additional photographs published by the Keystone View Company can be found in the National Anthropological Archives in MS 4551, Photo Lot 140 and Photo Lot 90-1.
The University of Washington holds Ed Brady photographs of the Mount St. Helens Eruption (PH Coll 889).
Photographs made by Ellsworth Price Bertholf in Siberia. Most document his trip by sledge from Irkutsk to Yakutsk, Okhotsk, and Ola. Subjects include sleds and other means of transportation, towns, reindeer herds, and people that Bertholf encountered along the way including Cossacks, Russians, Tunguses, Yakuts, and Chukchi at Anadyr.
Also included in the collection is a photograph of Chuckchi that may not relate to Bertholfʹs trip. Instead, it may concern the work of Sheldon Jackson, who used Bertholf's photographs in his 1901 report on the introduction of domestic reindeer into Alaska. There is also a photograph made in Osaka, Japan, that depicts a man making sand pictures, as well as a letter from Romyn Hitchcock, dated September 28, 1894, that describes the image.
Biographical/Historical note:
Ellsworth Price Bertholf (1866-1921) was Captain-Commandant of the United States Revenue Cutter Service. Influential in the creation of the United States Coast Guard, Bertholf worked primarily in and around the Alaskan coast. He began his career as a shipʹs officer with the United States Revenue Cutter Service, graduating from the service's school in 1887. After two years, he received commission as a third lieutenant and became the first Revenue Cutter Service officer to attend the Naval War College.
After years of service on ships stationed near Alaska, Bertholf joined the Alaska Overland Expedition in 1897. Between January and July 1901, Bertholf traveled across northern Siberia at the request of Sheldon Jackson and the Bureau of Education in Alaska. Under orders from the Bureau, he purchased and delivered herds of reindeer from Ola to the Alaskan Inuit people for their use. During a second expedition, Bertholf bought reindeer from the Tunguse people of the Okhotsk Sea region and again transported them to the Inuit people. In 1902, Bertholf was awarded a Congressional Gold Medal in recognition of his heroic relief efforts during the Overland Relief Expedition, in which he helped rescue 275 trapped whalers near Nelson Island.
Local Call Number(s):
NAA Photo Lot 130
Location of Other Archival Materials:
Microfilm of photographs made by Sheldon Jackson in relation to the reindeer program are held in National Anthropological Archives Photo Lot R81-13. The originals are in the Presbyterian Historical Society in Philadelphia, Pennsylvania.
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Copy prints
Prints
Photographs
Place:
New Mexico -- Antiquities
Alaska
Mississippi
Pueblo Bonito Site (N.M.)
Date:
circa 1920-1936
Scope and Contents note:
Photographs depicting crews, camps, artifacts, and excavated areas from various archeological digs and anthropological expeditions. These include Neil Merton Judd's archeological excavations at Pueblo Bonito, Collins and Hermes Knoblock measuring Choctaw people in Mississippi, James Alfred Ford and Paul Silook at Miyowagh on St. Lawrence Island, and Ford at Cape Prince of Wales.
Biographical/Historical note:
Henry B. Collins (1899-1987) began his career in anthropology as an assistant on Neil M. Judd's 1922-1924 expeditions to Pueblo Bonito in New Mexico. In 1924, he became an aid in the United States National Museum Division of Ethnology and shortly afterwards was promoted to assistant curator. He received a Masters in Anthropology from the George Washington University in 1925 and was appointed associate curator in 1938. In 1939, Collins took a position as senior ethnologist with the Bureau of American Ethnology and became acting director in 1963. When the BAE and the Department of Anthropology were merged in 1965, Collins became a senior scientist in the new Smithsonian Office of Anthropology. He was appointed archeologist emeritus in 1967.
Collins' independent field work during the early part of his career focused on the American South, in which he conducted investigations relating to the Choctaw and to areas whose cultural history was little known. Collins is most recognized, however, for his efforts in Arctic archeology. Between 1927 and 1936, he and colleagues, including James A. Ford and T. Dale Stewart, focused on the Bering Sea area and the Arctic coasts of Alaska, including St. Lawrence Island, Nunivak Island, the Diomedes, Punuk Island, Bristol Bay, Norton Sound, Point Hope, Cape Prince of Wales, the Aleutians, and the interior of the Seward Peninsula.
Local Call Number(s):
NAA Photo Lot 82-23
Location of Other Archival Materials:
The National Anthropological Archives holds Henry Bascom Collins's papers, as well as those of James Alfred Ford.
Additional photographs by Collins can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 28, Photo Lot 86-42, Photo Lot 86-43, and Photo Lot 86-59.
Additional papers by Collins can be found in the National Anthropological Archives in MS 4908, MS 4976, and MS 4977.
Additional photographs of Pueblo Bonito by O. C. Havens can be found in the National Anthropological Archives in Photo lot 83-16.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo Lot 82-23, Henry Bascom Collins photograph collection relating to Pueblo Bonito, Mississippi Choctaws, and Alaska, National Anthropological Archives, Smithsonian Institution
History of Smithsonian Folklife Oral History Interviews
Extent:
0.5 cu. ft. (2 half document boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Transcripts
Date:
2005-2009
Introduction:
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and
interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
Smithsonian Institution predoctoral fellow, William S. Walker, of Brandeis University, conducted a series of oral history interviews on the history of folklife presentation
at the
Smithsonian, as part of his dissertation research.
Descriptive Entry:
The History of Folklife at the Smithsonian Oral History Interviews consist of 13.2 hours of analog and digital audio interviews and 369 pages of transcript.
Historical Note:
Folklife studies are carried on in several organizational units of the Smithsonian Institution: the Department of Anthropology at the National Museum of Natural History
(NMNH), the Festival of American Folklife (FAF), and the National Museum of American History (NMAH), and the National Museum of the American Indian (NMAI). Dr. Walker began
his project on the study and exhibition of folklife at the Smithsonian, focusing on the Folklife Festival and then expanded his interview scope to include other Smithsonian
cultural scholars and solicit their views on the FAF and cultural studies, exhibition and public programming at the Smithsonian.
JoAllyn Archambault (1942- ), Director of the American Indian Program at the National Museum of Natural History, is an enrolled member of the Standing Rock Sioux tribe.
She earned her doctorate at the University of California in Berkeley in 1984. She was a faculty member of the Department of Anthropology, University of Wisconsin, Milwaukie,
Wisconsin (1983-86), and the Director of Ethnic Studies, California College of Arts and Crafts, Oakland, California (1978-83). As curator of Anthropology at the NMNH since
1986, she organized various exhibitions, including Plains Indian Arts: Change and Continuity, 100 Years of Plains Indian Painting, Indian Baskets and Their
Makers, and Seminole Interpretations.
Spencer Crew (1949- ) received the A.B. in history from Brown University in 1972 and holds a master's degree (1973) and a doctorate from Rutgers University (1979). He was
assistant professor of African-American and American History at the University of Maryland-Baltimore County, 1978-1981; historian, 1981-1987, curator 1987-1989, Department
of Social and Cultural History, chair, 1989-1991, deputy director, 1991-1992, acting director, 1992-1994, director, 1994-2001 of NMAH. He then served as historical consultant
to the National Civil Rights Museum, in Memphis, Tennessee, from 1987-1991; consultant to the Civil Rights Institute, in Birmingham, Alabama, 1991-1994; and executive director
and chief executive officer for the National Underground Railroad Freedom Center from 2001-2008; and was appointed Clarence Robinson Professor at George Mason University in
2008. At the Smithsonian, Crew curated several exhibitions, most notably Field to Factory: Afro-American Migration, 1915-1940
William W. Fitzhugh (1943- ), an anthropologist, specialized in circumpolar archaeology, ethnology and environmental studies. He received his B.A. from Dartmouth College
in 1964. After two years in the U.S. Navy, he attended Harvard University where he received his PhD in anthropology in 1970. He joined the Anthropology Department at NMNH
in 1970. As director of the Arctic Studies Center and Curator in the Department of Anthropology, NMNH, he has spent more than thirty years studying and publishing on arctic
peoples and cultures in northern Canada, Alaska, Siberia and Scandinavia. His archaeological and environmental research has focused upon the prehistory and paleoecology of
northeastern North America, and broader aspects of his research feature the evolution of northern maritime adaptations, circumpolar culture contacts, cross-cultural studies
and acculturation processes in the North, especially concerning Native-European contacts. He curated four international exhibitions, Inua: Spirit World of the Bering Sea
Eskimos; Crossroads of Continents: Native Cultures of Siberia and Alaska; Ainu: Spirit of a Northern People; and Vikings: The North Atlantic Saga.
Rayna D. Green (1942- ) curator and Director of the American Indian Program at the NMAH, received the B.A. in 1963 and M.A. in 1966 from Southern Methodist University,
served in the Peace Corps as a history instructor and library director for the Teacher Training School in Harar, Ethiopia, and the Ph. D. in Folklore and American Studies
from Indiana University in 1973. A member of the Cherokee tribe, she administered National Native American Science Resource Center, Dartmouth College, before joining the staff
of the Smithsonian in 1984. She has written extensively of Native American culture and foodways. Her research and exhibit projects include a documentary narrative with Julia
Child, In the Kitchen with Julia, following on her co-curation of the long-running popular exhibition Bon Appétit: Julia Child's Kitchen at the Smithsonian.
Thomas W. Kavanagh (1949- ), an anthropologist, received the B.A. from the University of New Mexico in 1971, the M.A. from The George Washington University in 1980, and
the Ph.D. from University of New Mexico in 1986. He began his career at Indiana University and then joined the staff of the Smithsonian Institution. A scholar of Comanche
Indians of Oklahoma, he has published extensively on the Comanches and was appointed Consulting Anthropologist for the Comanche Nation. In the 2000s, he served as director
of the Seton Hall University Museum. His publications include Comanche Ethnography (2008), Comanche Political History (1996), North American Indian Portraits:
Photographs from the Wanamaker Expeditions (1996), and "Comanche" in the Handbook of North American Indians, Volume 13 (Plains), Smithsonian Institution (2001).
Roger G. Kennedy (1926-2011) graduated from Yale University in 1949 and the University of Minnesota Law School in 1952, and pursued a diverse career in banking, television
production, historical writing, foundation management, and museum administration. He was appointed Director of the National Museum of History and Technology (NMHT) in 1979,
renamed it the National Museum of American History, and left in 1992 to become Director of the National Park Service. He focused on social and cultural history, and oversaw
controversial exhibits including A More Perfect Union: Japanese Americans and the American Constitution and Field to Factory: Afro-American Migration, 1915-1940.
Keith E. Melder (1932- ) studied American history at Williams College (B.A. 1954) and Yale University (M.A. 1957; PhD, 1964). He was an intern at the NMHT in 1958 and returned
in 1961 as Curator of Political History until his retirement in 1996. His research focused on America political movements, especially the Women's Movement and the Civil Rights
era. Melder was also interviewed for two other Smithsonian Institution Archives projects, Record Unit 9603, African American Exhibits at the Smithsonian, and Record Unit 9620,
the American
Association of Museums Centennial Honorees Oral History Project, as well as for the Ruth Ann Overbeck Capitol Hill History Project of the Capitol Hill Historical Society.
Clydia Dotson Nahwooksy (1933-2009), a Cherokee, and her husband Reaves, a Comanche Nation member, worked most of their lives to preserve American Indian tribal culture.
Originally from Oklahoma, they spent 20 years in Washington, D.C., as cultural activists. In the 1970s, Clydia was director of the Indian Awareness Program for the Smithsonian
Institution's Festival of American Folklife. In 1986 both Nahwooskys entered the seminary, and the Rev. Clydia Nahwooksy was an active pastor and a member of the Board of
National Ministries and the American Baptist Churches USA General Board.
Ethel Raim (1936- ), Artistic Director of New York's Center for Traditional Music and Dance (CTMD), researched ethnic music and worked closely with community-based traditional
for almost five decades. Raim also had a distinguished career as a performer, recording artist, music editor, and singing teacher. In 1963 she co-founded and was musical director
of the Pennywhistlers, who were among the first to bring traditional Balkan and Russian Jewish singing traditions to the folk music world. Raim served as music editor
of Sing Out! magazine from 1965 to 1975. In the late 1960s and early 1970s, she developed ethnic programs for the Newport Folklife Festival and the Smithsonian's Festival
of American Folklife. In 1975 Raim joined Martin Koenig as Co-Director of the Balkan Folk Arts Center, which developed into the CTMD in New York City.
Joanna Cohan Scherer (1942- ) received the B.A. from Syracuse University in 1963 and the M.A. from Hunter College, City University of New York in 1968. A specialist in
visual anthropology especially of Native Americans, historical photography, women and photography, North American Indian photography, and cultural anthropology. She joined
the staff of the Anthropology Archives of the National Museum of Natural History in 1966 and in 1975 advanced to served as anthropologist and illustrations editor for the
Smithsonian's multivolume series Handbook of North American Indians.
Robert D. Sullivan (1949- ) was educated at St. John Fisher College with a B.S. in anthropology in 1970, the M.A. in education management from the University of Rochester
in 1979, and pursued the Ph.D. in human studies (ABD) at The George Washington University until 2006. He served as Chief of Museum Education at Rochester Museum and Science
Center from 1970 to 1980, Director at the New York State Museum from 1980 to 1990, and Associate Director for exhibitions at National Museum of Natural History from 1990 to
2007.
Peter Corbett Welsh (1926-2010) was a curator and historian at the Museum of History and Technology, now known as the National Museum of American History. He was born on
August 28, 1926, in Washington, D.C. He received his B.A. from Mount Union College in Alliance, Ohio, in 1950 and completed a post-graduate year of study at the University
of Virginia. He received his M.A. from the University of Delaware where he was the first recipient of the Hagley Fellowship in 1956. Welsh served in the United States Army,
1951-1954. Prior to coming to the Smithsonian Institution, he was Research Assistant and Fellowship Coordinator at the Eleutherian-Mills Hagley Foundation, 1956-1959. Welsh
was Associate Curator in the Smithsonian's Department of Civil History, 1959-1969, and served as editor of the Smithsonian's Journal of History in 1968. As Curator he played
a major role in the development of the Growth of the United States hall for the opening of the Museum of History and Technology which depicted American civilization
from the time of discovery through the mid-twentieth century. Welsh was Assistant Director General of Museums, 1969-1970, and assisted with the implementation of the National
Museum Act through seminars on improving exhibit effectiveness. He also served as Director of the Office of Museum Programs, 1970-1971. After Welsh's tenure at the Smithsonian,
he became the Director of both the New York State Historical Association and the Cooperstown Graduate Program, 1971-1974. He then served as Director of Special Projects at
the New York State Museum in Albany, 1975-1976; Director of the Bureau of Museums for the Pennsylvania Historical and Museum Commission; President of The Welsh Group, 1984-1986;
and Curator (1986-1988) and Senior Historian (1988-1989) of the Adirondack Museum in Blue Mountain Lake, New York. In 1989, he became a full-time, independent museum consultant
and lecturer, and was a visiting professor of the State University of New York (SUNY) in 1992. Welsh was a contributor to numerous scholarly journals. He authored Tanning
in the United States to 1850 (1964), American Folk Art: The Art of the People (1967), Track and Road: The American Trotting Horse, 1820-1900 (1968), The
Art of the Enterprise: A Pennsylvania Tradition (1983), and Jacks, Jobbers and Kings: Logging the Adirondacks (1994).
Rights:
Restricted. Contact SIHistory@si.edu to request permission.
Photographs depicting Native peoples and their villages and dwellings, made as part of the activities of the United States Cutter Service (Coast Guard) Bering Sea Patrol. Locations depicted include Lutke Harbor, St. Lawrence Bay, and Chennotski.
Biographical/Historical note:
The Bering Sea Patrol was conducted by the United States Revenue Cutter Service from 1867 to approximately 1965. In 1915, the service merged with the US Life-Saving Service to form the US Coast Guard. LeRoy Reinberg was a 2nd Lieutenant in the Revenue Cutter Service, serving aboard the cutters Thetis (1907) and Perry (1909). After his service, Reinburg compiled his photographs of Alaska and Siberia into an album, which was passed to his son, Captain LeRoy Reinburg, Jr.
Local Call Number(s):
NAA Photo Lot 79-16
Reproduction Note:
Copy prints made by Dennis L. Noble, retired United States Coast Guard and director of Delphi Public Library, circa 1978.
Group of women and children, showing large dog in foreground, child holding puppy.
Account on back of stereoscopic photo. We frequently see published statements to the effect that the aborigines are rapidly disappearing, but the scene here depicted contradicts such an assertion. The eleven youthful Esquimaux who make up the little company in the foreground do not appear to be dissatisfied with existing conditions, nor discouraged at future prospects. They are fairly well clothed and evidently have not recently felt the pangs of hunger. Their youthful games and playthings are simple in character, but these little people extract quite as much enjoyment from them as do our more favored children in civilization, surrounded by the comforts and advantages of the modern nursery and kindergarten. The little Esquimaux have never seen a kitten for none was ever in that section of Alaska, but its place is well filled by the baby dog, which consists chiefly of a bundle of the downiest kind of fur, bright eyes and a playful disposition. In the background is a representation of one of those native sod houses which served as a habitation for the pioneer Russian and American as well as for the more advanced of the native Esquimaux. Many of these Indians now live in tents,and have otherwise adopted the costumes and customs of Americans." (no date) -- John P. Clum, U.S.P.O Inspector and Lecturer Copyright. by B. L. Singley.
Local Numbers:
OPPS NEG.3106 C 4
Local Note:
Stereoscopic photograph, probably by Cross, Hot Springs, South Dakota. No date.
The Philleo Nash papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937- 1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Scope and Contents:
The Philleo Nash Papers attest to Nash's interest in anthropology, not only research and teaching but also in its application to public service. His papers can be separated into four main areas: undergraduate and graduate education, research, teaching, and public service. Files contain class notes from Nash's undergraduate and graduate studies as well as papers by well-known professors lecturing at the University of Chicago including Ralph Linton, Robert Redfield, and R.A. Radcliffe-Brown. The bulk of his research was conducted in the Pacific Northwest where he studied the Klamath-Modoc culture on the reservation, focusing on revivalism and socio-political organization (1935-1937). Other research included archeology at two sites, a study of the Toronto Jewish community, and a continuing interest in minority issues. Nash taugh at the University of Toronto (1937-1941) and at American University in Washington, D.C. (1971-1977). Teaching files contain lecture notes from his work at the University of Toronto. Public service files include correspondence from the period when he was Lieutenant Governor of Wisconsin (1959-1961) as well as reports and photos from the years as Commissioner of Indian Affairs (1961-1966). Other public service and business positions are not represented in these files.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Philleo Nash was born on October 25, 1909, in Wisconsin Rapids, Wisconsin. He studied at the University of Wisconsin, taking a year off to study music at the Curtis Institute in Philadelphia. On his return to the University of Wisconsin, Nash completed his undergraduate degree in anthropology (1932) and went on to the University of Chicago for a Ph.D. in anthropology (1937). His doctoral dissertation explored the concepts of revivalism and social change with a focus on the Klamath Ghost Dance activities of the 1870s.
Nash held positions in teaching as well as in government and his family business. He was a lecturer in anthropology at the University of Toronto (1937-1941). He also lectured at the University of Wisconsin (1941-1942) and at American University in Washington, D.C. (1971-1977).
From 1942 to 1953, Nash served in various positions in the federal government, first in the Office of War Information and later as Assistant to President Truman, focusing on minority affairs and as liaison to the Department of the Interior. During this period in Washington, Nash also acted as President of the Georgetown Day School (1945-1952), where he was one of the founders of this racially integrated cooperative school. In 1953, Nash returned to Wisconsin where his interest in politics continued, and he became Lieutenant Governor of Wisconsin from 1959 to 1961. In 1961, he returned to Washington, DC as U.S. Commissioner of Indian Affairs, a position he held until 1966.
Following his work as Commissioner, Nash remained in Washington where he acted as a consultant in applied anthropology and held offices in various associations including hte Society for Applied Anthropology (SfAA), the American Anthropological Association (AAA), and the American Association for the Advancement of Science (AAAS). During all the years of professional responsibilities, Nash also held positions in the family business, Biron Cranberry Company. He returned to Wisconsin in 1977 to be President and Manager of the Company.
Throughout his life Nash was active in various associations for science and anthropology. He was awarded the AAA's Distinguished Service Award in 1984. In 1986, the SfAA presented him with the Bronislaw Malinowski Award in recognition of outstanding scholarship and long term commitment in applying the social sciences to contemporary issues.
Philleo Nash died in 1987. Some years before his death Nash sent his archaeological research material from the Pound Village Site (1938-1939) to Toronto and his research material from the DuBay Village Site (1940) to the Milwaukee Public Museum. According to the terms of his will, his government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.
Reference: Landman, Ruth H. and Katherine S. Halpern (eds.). Applied Anthropologist and Public Servant: the Life and Work of Philleo Nash. NAPA Bulletin #7. Washington, DC: American Anthropological Association, 1989.
Related Materials:
According to the terms of his will, Nash's government and political papers are housed at the Harry S. Truman Library in Independence, Missouri.
Restrictions:
The Philleo Nash papers are open for research.
Access to the Philleo Nash papers requires an appointment.
Studio portraits, including those of Native Americans (probably Inuit, Kickapoo, and Pawnee or Kiowa), a cowboy or performer, and possibly R. E. Peyton, a Pawnee interpreter. Some of the Native Americans depicted may have been part of a show that traveled throughout Chicago and the West.
Local Call Number(s):
NAA Photo Lot 4469
Location of Other Archival Materials:
Additional W. W. Smith and Robinson & Roe photographs held in National Anthropological Archives Photo Lot 24.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
See others in:
Mrs. E. F. Rodriguez photograph collection of American Indians, circa 1890s
Photographs made by Robert A. Johnson during a trip to the Labrador coast for ornithological studies in 1930-1934. They depict a Native community, summer camps, and waterfronts at St. Maryʹs Bay, Wolf Bay, Mutton Bay, and Seven Island Bay on the Labrador coast.
Biographical/Historical note:
Robert A. Johnson was an ornithologist who studied birds along the Labrador coast from 1930-1934. He also served as "Science Chief" at the Oneonta State Teacher's College in New York, which later became the State University of New York at Oneonta.
Local Call Number(s):
NAA Photo Lot 76-124
Location of Other Archival Materials:
Additional photographs of Indigenous peoples of Labrador can be found in the National Anthropological Archives in Photo Lot 37.
The archives at Cornell University holds Johnson's field journals.
Photographs documenting pottery and pottery designs from historic Pueblo groups and archeological sites, including pottery by Hopi potter Nampeyo and an image of Maria Martinez of San Ildefonso and examples of her pottery. There are also some photographs that depict a pueblo, Southwest landscapes, cliff dwellings, rock art, craftspeople, and dwellings, mostly relating to Southwest peoples, Peruvians, and Australian aborigines. The collection includes images of artifacts in the collections of the Chicago Natural History Museum, Field Museum, British Museum, University of Illinois, Santa Fe Laboratory of Anthropology, and Paul Pearson collection. Notes and notices relating to publication are also available with the collection.
Biographical/Historical note:
Whitney Halstead (1926-1979) was an art historian and artist. He acquired his BFA and MFA from the School of the Art Institute of Chicago, where he became Chairman of the Division of Fine Arts in 1967. He also worked as an assistant in the Field Museum's anthropology department and wrote art history publications.
Local Call Number(s):
NAA Photo Lot 89-43
Location of Other Archival Materials:
The Archives of American Art holds Whitney Halstead's papers.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of photographs or photographs of objects held by Chicago Natural History Museum, Field Museum of Natural History, British Museum, University of Illinois, and Santa Fe Laboratory of Anthropology cannot be copied. Copies or permission must be obtained from these repositories.
