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An airy corridor of the College of St. Augustine, Manila, P.I. Active no. 10676 : stereo interpositive

Topic:
PHILIPPINE ISLANDS TOUR
Publisher:
Underwood & Underwood  Search this
Names:
St. Augustine College  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Manila (Philippine Islands) -- 1910-1920
Philippine Islands -- 1910-1920
Date:
1910
Local Numbers:
RSN 24265
General:
"Apr 1910 CB MS" on envelope.
Currently stored in box 3.2.37 [136].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture  Search this
Buildings  Search this
Streets  Search this
Universities and colleges -- 1910-1920  Search this
Genre/Form:
Photographs -- 1910-1920 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24181-24282
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref22031

Hotel De Oriente with its tropical Spanish arcade, Manila, P.I. 10677 Interpositive

Topic:
PHILIPPINE ISLANDS TOUR
Publisher:
Underwood & Underwood  Search this
Names:
Hotel De Oriente (Manila, Philippines)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Manila (Philippines)
Philippines
Date:
1910
Local Numbers:
RSN 24266
General:
[Apr 1910 CB MS] on envelope.
Currently stored in box 3.2.37 [136].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Philippines  Search this
Children -- Philippines.  Search this
Hotels -- Philippines  Search this
Streets -- Philippines  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24181-24282
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref22032

In an old Spanish church near Jaro, Panay, P.I. 10680 Interpositive

Topic:
PHILIPPINE ISLANDS TOUR
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Jaro (Island of Panay, Philippines)
Panay
Philippines
Date:
1910
Local Numbers:
RSN 24269
General:
[Apr 1910 CB MS] on envelope.
Currently stored in box 3.2.37 [136].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Altars  Search this
Church buildings  Search this
Interior architecture  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24181-24282
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref22035

Printed Material

Collection Creator:
Simon, Sidney, 1917-1997  Search this
Extent:
0.3 Linear feet (Box 5)
Type:
Archival materials
Date:
1942-1998
circa 1933
Scope and Contents note:
Printed material includes invitations, announcements, newsletters, and programs. News and magazine clippings include exhibition notices, articles about Simon, and reviews of the artist's architectural projects. A clipping of the U.S. Army's landing on Wadke Island in the Philippines features a photograph of the invasion taken by Sidney Simon. Catalogs document Simon's participation in annual exhibitions held at the National Academy of Design, the National Sculpture Society, and the Pennsylvania Academy of the Fine Arts. Miscellaneous printed material primarily consists of newsletters.
Arrangement note:
This series is arranged by record type.
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.simosidn, Series 7
See more items in:
Sidney Simon papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-simosidn-ref230

Technology Review

Collection Creator:
Brooks, Arthur Raymond, 1895-1991  Search this
Container:
Box 10, Folder 17
Type:
Archival materials
Date:
November 1961
1961-05
1930-07
Scope and Contents:
Massachusetts Institute of Technology, vol. 32, no. 8, July 1930; vol. 63, no. 7, May 1961; and vol. 64, no. 1, November 1961.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur Raymond Brooks Collection
Arthur Raymond Brooks Collection / Series 1: Professional Materials / 1.8: Magazines
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0104-ref314
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Technology Review digital asset number 1

Donald H. Sultner-Welles Collection

Collector:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this
Printer:
Janus, Allan  Search this
Interviewee:
Hanfstaengl, Erna  Search this
Names:
Baltimore Symphony Orchestra  Search this
Chautauqua Institute  Search this
Colonial Williamsburg Foundation  Search this
Holland-America Cruises  Search this
Hitler, Adolf, 1889-1945  Search this
Extent:
87.6 Cubic feet (331 boxes, 2 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Photographs
Travelogs
Receipts
Ephemera
Files
Filmstrips
Lecture notes
Personal papers
Silver-dye bleach process
Contracts
Notebooks
Prints
Press releases
Ships' passenger lists
Project files
Magnetic tapes
Posters
Postcards
Vertical files
Dye destruction process
Travel diaries
Letters (correspondence)
Professional papers
Bank statements
Correspondence
Audiotapes
Series 12.
Clippings
Card files
Concert programs
Dye destruction photoprints
Biography files
Awards
Business records
Birthday cards
Date:
circa 1790-1981
bulk 1945-1980
Scope and Contents:
This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. Work by other photographers and artists, correspondence, greeting cards, and contemporary memorabilia and ephemera are included, along with fewer than fifty examples of earlier materials, ca. 1790-1900, collected by Sultner.

The entire collection reflects Sultner's lifework and interests. Housed in boxes the collection is organized into eleven series: Personal Papers; Professional Papers; Lecture Materials; Biographical Materials; Transparencies; Photoprints; Photonegatives; Prints, Drawings, Mixed Media; Audio Tapes; Miscellaneous; and Steve Eyster Addenda. The arrangement within each series is based as closely as possi-ble on Sultner's own organization of the materials. However, in several instances similar materials were found separated and have been placed together. In addition, obvious filing mistakes and spelling errors have been corrected. The spelling of geographic place names is based on Official Standard Names prepared by the U.S. Board on Geographic Names, Office of Geography, U.S. Department of the Interior. Not all names given by Sultner were found in the gazetteers, so there may be errors.

The bulk of the collection consists of 2-1/4-inch by 2-1/4-inch color transparencies (Series 5). However, the manuscript materials (Series 1-4) provide a detailed complement to the transparencies. For example, from the mid-1950s until the late 1970s, Sultner kept a travel diary (Se-ries 1). Written on the backs of postcards, this stream-of-consciousness journal reflects not only his daily trips, but his impressions of the countries and thoughts on his photography. A juxtaposition of cards with images is especially useful in understanding what Sultner photographed as well as why and how he photographed it. Sultner's professional corre-spondence (Series 2) documents the various types of groups before which he performed and equipment manufacturers dealt with for cameras, projectors, and so on. Notes, drafts, and final lectures (Series 3) present the performance side of Sultner. This material, when viewed with tapes of concerts and slides, begins to recreate the photo-concert as Sultner presented it. Scrapbooks (Series 4), kept by Sultner from the 1940s to the 1980s, present Sultner's life and career in chronological fashion.

The transparency portion of the collection (Series 5), containing over 87,000 images, is especially rich because of its documentation of the countries of the world. People are seen at their daily tasks, such as washing clothes, marketing, shopping, and eating. Cities are documented as they changed over the years. Two areas in particular will be of spe-cial interest to European and Asian researchers. The first is Sultner's USIS Asian tour in 1959. He visited Japan, Java, India, Korea, the Phil-ippines, Laos, Cambodia and Vietnam. The serene, prewar cities and coun-tryside of Laos, Cambodia, and Vietnam evince nothing of the devastation to come in the 1960a and 70s.

The second area of interest is Sultner's passion for documenting archi-tecture. As a guest of the German government in 1954, Sultner documented the devastation of World War II and photographed both the reconstruction of bombed buildings and the construction of buildings reflecting "new" postwar architectural styles. In addition to photographing post-WW II styles, throughout his career Sultner documented Palladian, baroque and Rococo architecture. This interest manifested itself in several of his lectures.

A third subject area of interest to Sultner was gardens. Among his first lectures following his USIS tour was "Gardens of the World." Sultner de-veloped this theme into an ongoing commitment to ecology, culminating in a filmstrip, "The Time is Now" (Series 10), prepared for the Hudson River Conservation Society in the 1960s. Carl Carmer, a noted author, wrote the text for the filmstrip. Sultner's taped interviews, lectures, and program music (Series 9) complement the transparencies. During his USIS-sponsored Asian tour in 1959, Sultner recorded impressions of his trip on tape. Interviews with people living in the countries he visited, radio interviews, and his own personal reflections are included. Of particular interest are his "No Harm Asking" interviews in Manila (tape #2), his interview of two French hotel managers in Saigon discussing post-French control conditions (tape #9), and--perhaps the most unusual--his discussion with Erna Hanfstaengl about her personal relationship with Adolf Hitler (tape #107). Scripts for lectures (Series 3) round out the documentation of Sultner's profes-sional work.

Because of the arrangement of the transparencies, it is necessary to check several areas for the same subject. For example, Vietnam images are in the "World" section alphabetically under Vietnam (box 81). Sult-ner also lectured on Vietnam, so there are Vietnamese images in the "framed subjects" (Boxes 137-138). Another example, perhaps more compli-cated, but more common to Sultner, was his distinguishing between images of unidentified "People" and identified "Portraits." Transparency stud ies of human beings will be found under the subseries "People." "Subjects --Portraits," various countries in the subseries "World," and "Lectures." There are also individuals in the black-and-white photoprints (Series 6), and photonegatives (Series 8). The painter and print-maker Charles Shee-ler appears in a number of locations, as does tenor Roland Hayes. Another area of complexity with regard to people concerns the transparencies and negatives. Sultner interfiled his transparencies and negatives of iden-tified individuals. For appropriate storage, these two different formats have been arranged in separate series. Therefore, instead of container lists for the two series, there is a combined alphabetical index to both (pp. 166-206).

Of tangential interest are the photoprints (Series 6), etchings, wood-cuts, and other prints (Series 8) collected by Sultner. One particular subseries of interest contains photographs presented to Sultner by Asian photographers during his 1959 tour. Over 45 images were given to Sultner and represent the standards of camera-club photography in the 1950s. Thesecond subseries consists of over 25 prints by the Italian-American art-ist Luigi Lucioni (1900- ). For further information on this artist,see The Etchings of Luigi Lucioni, -A Catalogue Raisonne', by Stuart P.Embury (Washington, 1984). Lucioni also painted Sultner's portrait in1952 and the "People" section of the transparencies contains a number of images of Lucioni at work. Another significant category is the Japanese prints, including two by a major nineteenth-century artist, Ando Hiro-shige (1797-1858).
Arrangement:
The collection is arranged into eleven series.

Series 1: Personal Papers, 1923-1981

Series 2: Professional Papers, 1954-1980

Series 3: Lecture Materials, 1952-1980

Series 4: Biographical Materials, 1954-1980

Series 5: Transparencies, 1947-1980

Series 6: Photoprints, 1913-ca. 1980

Series 7: Photonegatives, 1929-1981

Series 8: Prints, Drawings, Mixed Media, ca. 1790-1979

Series 9: Audio Tapes, 1947-1980

Series 10: Miscellaneous, 1947-1980

Series 11: Steve Eyster Addenda, 1937-1980
Biographical / Historical:
Donald Harvey Sultner was bom in York, Pennsylvania, on April 13, 1914, the son of Lillian May Arnold Sultner and Harvey A. Sultner. In 1923 Sultner attended the Lewis Institute in Detroit, Michigan, to overcome a speech impediment. He entered the Wharton School of the University of Pennsylvania in 1932 and graduated in 1936. Sultner studied merchandising and sang in the glee club, then under the direction of composer Harl MacDonald. Sultner, a baritone, continued his interest in music and studied voice with Reinald Werrenrath and with Florence Benedict and Bruce Benjamin in New York City. In the late 1940s and early 1950s he appeared in concert with accompanists at schools, clubs, and resort hotels along the East Coast. It appears that photography was always an important part of Sultner's life. Using a small format (120) camera, he recorded his vacation travels around the United States and Canada, parties, and his family. While living in New York, Sultner continued photographing friends and family and began photographing the famous people he encountered on his concert tours. In the early 1950s he began taking 2-1/4-inch by 2-1/4-inch color transparencies (slides) of landscapes and architecture as he traveled giving concerts.

Sultner, who had taken the stage name of "Sultner-Welles," began what was to be his lifework as a professional "photo-lecturer" in 1952. He illustrated his talks on nature, art, architecture, and the environment with his color slides. In 1954 Sultner toured West Germany as a guest of the Bonn government, and in 1959 he lectured in Asia under the auspices of the U.S. State Department. He was dubbed the "camera ambassador." Constantly adding new material to his collection of slides, Sultner traveled extensively throughout the United States, speaking before garden clubs, cultural organi-zations, and schools. He also appeared aboard various ships of the Holland-America line during a number of cruises abroad.

Sultner had established his performance style by the early 1960s. He expanded his lectures to include a combination of art, words, and music. The expanded presentation resulted in the "photo-concert," a unique synthesis of light and sound that Sultner frequently per-formed with a symphony orchestra. The Baltimore Symphony Orchestra commissioned "Concertino for Camera and Orchestra" by Eric Knight with Sultner in mind. The world premiere was in Baltimore in March 1979. While he spoke on many art, garden, and architectural topics, Sultner specialized in subjects relating to the baroque and rococo periods and Palladian architecture.

Sultner died of cancer in York, Pennsylvania, on March 25, 1981, at the age of 67.

1914 -- April 13, born York, Pennsylvania.

1929 -- In Detroit at Lewis Institute to overcome a speech impediment.

1932 -- To University of Pennsylvania.

1935 -- Summer trip to Roanoke (VA), Picketts, Hershey (PA); fall trip to New England for fraternity (AXP) convention.

1936 -- Spring glee club trip; graduated from the Wharton School of the University of Pennsylvania; summer trips to Newport News (VA), northern trip to Canada, Picketts (PA).

1937 -- Fall trip to Williamsburg (VA), Duke University (NC); Sultner family begins building "Glen Hill" (Dover, PA).

1938 -- Summer at home, and Picketts (PA), Camp Pratt.

1939 -- Spring trip to Washington, D.C.; September trip to The Homestead (WV), Hot Springs (WV), Virginia; Lake Mohonk (NY).

1940 -- Summer trip to New Orleans, Blowing Rock (NC); winter trip to Skytop Club (NY); fall trip to Atlantic City (NJ), Philadelphia (PA), Annapolis (MD).

1941 -- Winter 1941-42 appearance in "Hit the Deck." Lake Mohonk (NY) with Ted Walstrum (Sept. 22-23); Skytop Club (NY) (February); summer trip to Canada, Lake Chazy (NY) (Aug. 17-23).

1942 -- Spring in Atlantic City (NJ); summer to Buck Hill Falls, Lakes Chazy and Mohonk.

1943 -- Summer trip to Mohonk (NY).

1944 -- Summer: To Toronto (Ontario), Muskoka Lake, Bigwin Island, Montreal (Quebec), Mohonk (NY).

1945 -- Summer: To Winnepesauke (ME), Woodstock (NY), Ogunquit (ME), Bridgeport (CT).

1946 -- To Mohonk (NY), Ogunquit (ME), Old Saybrook (CT), Nantucket (RI).

1947 -- Singing tour of Canada and New England; winter-spring tour to Georgia and Florida.

1948 -- To Florida and Nassau, Feb.-Mar., Vermont, July-Aug.; Nassau-Havana-Miami-Bermuda, October.

1949 -- Singing tour of North and South Carolina.

1950 -- Summer trip to South.

1951 -- To District of Columbia, Massachusetts, New Hampshire, [New Jersey?], New York, Vermont.

1952 -- January 9: first public photo-concert, Pennsylvania Academy of the Arts, Philadelphia; trips to Connecticut, Florida, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, South Carolina, Vermont.

1953 -- To Connecticut, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, South Carolina, Vermont.

1954 -- Guest of German government for a study tour in the fall. To District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Pennsylvania, South Carolina, Virginia.

1955 -- To Holland; Connecticut, District of Columbia, Florida, Massachusetts, New Hampshire, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1956 -- To California, District of Columbia, Florida, Georgia, Illinois, Indiana, Massachusetts, New Jersey, New York, North Carolina, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia.

1957 -- Holland-America Cruise to Germany, Austria, Italy. To Connecticut, Illinois, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Vermont, Virginia.

1958 -- Holland-America Cruises to Germany, Austria, Holland, Italy, Switzerland. To Connecticut, Florida, Georgia, Illinois, Massachusetts, Minnesota., Missouri, New Hampshire, New York, Pennsylvania, Rhode Island, South Carolina, Tennessee, Vermont, Wisconsin.

1959 -- United States Information Service (USIS)-sponsored tour of Asia: Burma, Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaya, Philippines, Singapore, Taiwan, Thailand, Turkey, Vietnam. Also visited Austria, Czechoslovakia, Germany, Greece, Iran, Italy, Spain; Alaska, California, Massachusetts, New York, Pennsylvania.

1960 -- Holland-America Cruise to Austria, Belgium, Caribbean, France, Germany, Holland, Italy, Morocco. To Arizona, California, Florida, Indiana, Massachusetts, Minnesota, Nevada, New Hampshire, New Mexico, New York, Texas, Utah, Virginia, Washington, Wisconsin.

1961 -- To Canada, France, Germany, Switzerland; Alabama, California, Colorado, Connecticut, Florida, Georgia, Idaho, Illinois, Louisiana, Mississippi, Missouri, Montana, New Hampshire, New Jersey, New York, North Carolina, Ohio, Oregon, Pennsylvania, Rhode.Island, South Dakota, Tennessee, Utah, Vermont, Virginia, Washington, Wisconsin.

1962 -- Portfolio, "Autumn in Vermont," with introduction by Carl Carmer, published in Autumn issue of Vermont Life. Holland-America Cruise to Denmark, England, France, Germany, Holland, Italy, Sweden. To Connecticut, District of Columbia, Florida, Illinois, Iowa, Massachusetts, Michigan, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1963 -- Holland-America Cruise to Caribbean, Canada, Sweden, Thailand. To Alabama, California, District of Columbia, Florida, Georgia, Illinois, Louisiana, Massachusetts, Minnesota Mississippi, Missouri, New Hampshire, New Jersey, N;w York, Ohio, Pennsylvania, Texas, Vermont, Virginia, Washington.

1964 -- Holland-America Cruise to Germany, Canada, England, Holland, Wales. To Delaware, District of Columbia, Indiana, Kentucky, Massachusetts, New Hampshire, New York, Ohio, Pennsylvania, Texas, Virginia.

1965 -- Holland-America Cruise to Austria, Czechoslovakia, France, Germany, Holland, Portugal, Wales. To Arkansas, Connecticut, District of Columbia, Indiana, Kentucky, New Hampshire, New York, Pennsylvania, Vermont, Virginia.

1966 -- Holland-America Cruise to Caribbean, Germany, France, Holland, Italy, Portugal, Switzerland. To New Jersey, North Carolina, Pennsylvania, South Carolina, Tennessee, Virginia.

1967 -- Holland-America Cruise to Caribbean, Austria, Denmark, England, Germany, Holland, Italy, Portugal, Sweden, Wales. To Massachusetts, New Jersey, New York, Rhode Island, Vermont, Virginia.

1968 -- To Germany; Massachusetts, New Hampshire, New Jersey, New York, Ohio, Pennsylvania, Vermont, Virginia.

1969 -- To England, France, Germany, Holland, Switzerland; Ohio, Pennsylvania, Virginia.

1970 -- Holland-America Cruise to Caribbean, Denmark, Iceland, Sweden. To Alabama, District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New York, Pennsylvania, South Carolina, Vermont, Virginia.

1971 -- Holland-America Cruise to Caribbean, Canada, Denmark, Italy, Portugal, Sweden. To Alabama, Georgia, Massachusetts, Nebraska, New Hampshire, New York, North Carolina, Pennsylvania.

1972 -- Holland-America Cruise to Asia, Pacific, Caribbean, Africa, Austria, Italy, Japan, Thailand, Turkey. To California, New Jersey, New York, Pennsylvania, Rhode Island, Virginia.

1973 -- Holland-America Cruise to Austria, Denmark, Germany, Holland, Iceland, Sweden. To California, Connecticut, District of Columbia, Massachusetts, New York, Ohio, Pennsylvania, Vermont.

1974 -- To Germany, Switzerland; California, Illinois, Massachusetts, New Jersey, New York, Ohio, Pennsylvania, Virginia.

1975 -- To Austria; California, Connecticut, District of Columbia, Massachusetts, New Jersey, New York, North Carolina, Pennsylvania, Virginia.

1976 -- To Canada; Connecticut, District of Columbia, Illinois, Iowa, Massachusetts, Missouri, Nebraska, New Mexico, New York, Ohio, Pennsylvania, Utah.

1977 -- To Canada, Germany; New York, Pennsylvania, Vermont, Virginia.

1978 -- To Scotland; Connecticut, Florida, Georgia, Kentucky, Massachusetts, New York, Pennsylvania, Rhode Island, South Carolina.

1979 -- To England; Florida.

1980 -- To Florida.

1981 -- March 25: Sultner dies of cancer, York, Pennsylania.
Introduction:
The Donald H. Sultner-Welles Collection, ca. 1790-1981, came to the National Museum of American History in 1982 from the estate of Mr. Sultner. The collection was created by Sultner over his adult life and represents one of the most extensive collections of color transparencies created by one individual and held in a public repository. Sultner's emphasis was on world culture. He took the majority of his photographs in the eastern United States, western Europe, and Asia. Gardens, architecture, and people are the three major subject areas represented in the collection. Of additional interest are Sultner's taped impressions of his 1959 United States Information Service (USIS)-sponsored Asian tour. The collection occupies 309 boxes and covers more than 83 cubic feet.

The Donald H. Sultner-Welles Collection is open to researchers in the Archives Center, third floor east, of the National Museum of American History, between 12th and 14th Streets, on Constitution Avenue, N.W., Washington, D.C. 20560. The Archives Center is open Monday through Friday from 10:00 a.m. to 5:00 p.m. Written and telephone (202/357-3270) inquiries are welcome and researchers are encouraged to contact the Archives Center before their arrival. The FAX number is 202/786-2453.

This is the eleventh in a series of occasional guides to collections in the Archives Center. Finding aids to other collections are available. The Guide to Manuscript Collections in the National Museum of History and Technology (1978) and an updated compilation contain brief descriptions of all archival holdings in the Museum. All current Archives Center holdings are available for search on the Smithsonian Institution Bibliographic Information System (SIBIS), an online database.
Restrictions:
Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

A small number of letters and photographs are restricted until the year 2031. Identification list in box.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits -- 20th century  Search this
Lecturers  Search this
Photographers  Search this
Gardens -- Photographs -- 1300-1980  Search this
Architecture -- Photographs -- 1300-1980  Search this
Travel photography -- 1950-2000  Search this
Genre/Form:
Passports
Photographs -- Black-and-white negatives -- Acetate film
Travelogs
Receipts -- 20th century
Ephemera
Files
Filmstrips
Lecture notes
Personal papers -- 20th century
Silver-dye bleach process
Contracts
Notebooks
Prints
Press releases
Ships' passenger lists
Project files
Magnetic tapes
Posters
Postcards
Vertical files
Dye destruction process
Travel diaries
Letters (correspondence) -- 20th century.
Professional papers
Bank statements
Correspondence -- 1930-1950
Photographs -- Phototransparencies -- 20th century
Audiotapes -- 1940-1980
Series 12. -- Cibachrome (TM)
Photographs -- 20th century
Clippings
Card files
Concert programs
Dye destruction photoprints
Biography files
Awards
Business records
Birthday cards
Identifier:
NMAH.AC.0145
See more items in:
Donald H. Sultner-Welles Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0145
Online Media:

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.6: Robinson, Franklin A.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref167
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Diary digital asset number 1

Robert and Barbara Pringle photographs

Photographer:
Pringle, Robert, 1936-  Search this
Names:
Roy, Christopher D.  Search this
Extent:
2136 Slides (photographs) (color , 35mm.)
829 Negatives (photographic) (color , 35mm.)
Culture:
Maasai (African people)  Search this
Fula (African people)  Search this
Lobi (African people)  Search this
Bobo (African people)  Search this
Dogon (African people)  Search this
Mossi (African people)  Search this
Tuaregs  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Negatives (photographic)
Negatives
Portraits
Color slides
Place:
Africa
Burkina Faso
Kenya
Mali
Date:
circa 1980-1989
Summary:
The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.
Arrangement note:
Arranged geographically by country and chronologically therein. Arrangement reflects the original order established by the photographer.
Biographical/Historical note:
Robert Pringle is a retired U.S. Foreign Service Officer and historian specializing in interethnic relations, economic development, and the role of culture. He served as U.S. Ambassador to Mali from 1987 to 1990. His other official postings included Indonesia, the Philippines, Burkina Faso, Papua New Guinea, and South Africa. He has written three books on Southeast Asian history and politics, of which the most recent is A Short History of Bali: Indonesia's Hindu Realm (2004).
General note:
Title provided by EEPA staff.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Pottery  Search this
Fairs  Search this
Masks  Search this
Masks, African  Search this
Markets  Search this
Art in situ -- Photographs  Search this
Animals  Search this
Masquerades  Search this
Mosques  Search this
Natural landscapes  Search this
Vernacular architecture  Search this
Weaving  Search this
Cultural landscapes  Search this
Genre/Form:
Negatives
Portraits
Color slides
Citation:
Robert and Barbara Pringle photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2006-006
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2006-006

Dorothy West Pelzer Papers 1961-1970

Creator:
Pelzer, Dorothy West  Search this
Culture:
Indonesians  Search this
Sagada  Search this
Dyak  Search this
Ifugao (Philippine people)  Search this
Kalinga (Philippine people)  Search this
Javanese (Indonesian people)  Search this
Meo  Search this
Yao  Search this
Burman  Search this
Chin  Search this
Kachin  Search this
Khmer  Search this
Balinese (Indonesian people)  Search this
Iban (Bornean people)  Search this
Murut (Bornean people)  Search this
Rungus (Malaysian people)  Search this
Dusun (Bornean people)  Search this
Bontoc  Search this
Pa'O  Search this
Thai Dam  Search this
Niasese (Indonesian people)  Search this
Bontoks (Philippine people)  Search this
Dayak (Indonesian people)  Search this
Type:
Archival materials
Collection descriptions
Place:
Southeast Asia
Date:
1961-1970
Topic:
Architecture  Search this
Houses  Search this
Granaries  Search this
Temples  Search this
Boats  Search this
Mortuary customs--graves  Search this
Markets  Search this
Street vendors  Search this
Ceremonies  Search this
Transportation  Search this
Music  Search this
Burden bearing  Search this
Metallurgy  Search this
Spinning  Search this
Weaving  Search this
Lacquer  Search this
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_87914

Yearbook (Class of 1950)

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1950
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.10: Air War College (Maxwell AFB, AL), Student
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1853
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Yearbook (Class of 1950) digital asset number 1

Clubs and Organizations, Taipei American School

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 12, Folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.14: Air Task Force 13 (Provisional) (Taipei, Taiwan), Commanding Officer and Vice-Commander, Thirteenth Air Force
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1928
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Clubs and Organizations, Taipei American School digital asset number 1

Miscellaneous negatives

Photographer:
Brady, Mathew B  Search this
O'Sullivan, Timothy H. 1840-1882  Search this
Bell, William 1830-1910  Search this
Pywell, William R  Search this
Mindeleff, Victor 1860-1948  Search this
Schadenburg, Alexander  Search this
Sloan, Thomas L Mrs  Search this
Moorhouse, Lee 1850-1926  Search this
Mooney, James 1861-1921  Search this
Barrett, Otis Warren  Search this
Holmes, William Henry 1846-1933  Search this
Dinwiddie, William  Search this
Hillers, John K. 1843-1925  Search this
Gill, De Lancey W  Search this
Cook, C.C  Search this
Sawyer, Wells 1863-1960  Search this
Kroehle, J. Charles 1876-1902  Search this
Russell, Andrew J  Search this
Kopta, Emry  Search this
Moore, Riley D  Search this
Gilbert, Grove Karl 1843-1918  Search this
McGee, W. J. 1853-1912  Search this
Creator:
Hewett, Edgar Lee  Search this
Elio, John Bible  Search this
Sherman, Penoyer Levi  Search this
Myer, William Edward  Search this
Moore, Clarence B (Clarence Bloomfield) 1852-1936  Search this
Bushnell, David Ives Jr 1875-1941  Search this
Walter, Hough  Search this
Hrdlička, Aleš 1869-1943  Search this
Willis, Bailey 1857-1949  Search this
United States Geographical Explorations and Surveys West of the One Hundredth Meridian  Search this
Yellowstone Expedition of 1873  Search this
Kuhn Photo of Atlanta  Search this
Illustrator:
Eastman, Seth  Search this
Artist:
Heitmuller, Wilhelm  Search this
Collector:
Bache, René 1861-1933  Search this
Herndon, William Lewis  Search this
Gibbon, Lardner  Search this
Donor:
Bolles, T. Dix  Search this
Photographers:
Skeen and Company  Search this
Subject:
Kissell, Mary Lois  Search this
McDonnell  Search this
Prince, L. Bradford  Search this
Goode, George Brown family  Search this
Antonio Apache  Search this
United States Fish Commission  Search this
Jamestown (Virginia) Tercentenary Exposition (1907)  Search this
Depicted:
Parker, Quanah 1845?-1911  Search this
Smith, John  Search this
Physical description:
ca. 2700 negatives
Culture:
Cheyenne Indians  Search this
Indians of North America  Search this
Philippines  Search this
Flathead  Search this
American Indians weaving  Search this
Kiowa Indians  Search this
Dakota Indians  Search this
Chippewa  Search this
Omaha Indians  Search this
Eskimos  Search this
Eskimo carving  Search this
American Indians fire signals  Search this
Amazonia  Search this
Hopi  Search this
Egypt art and architecture  Search this
Greece art and architecture  Search this
Rome art and architecture  Search this
Renaissance art and architecture  Search this
Iroquois village  Search this
Dioramas  Search this
Finnish spindle  Search this
Osage Indians  Search this
Fox Indians  Search this
Comanche Indians  Search this
Walla Walla Indians  Search this
Nez Percé Indians  Search this
American Indians  Search this
Pawnee Indians  Search this
Sauk Indians  Search this
Samoan  Search this
African Americans  Search this
Samoans  Search this
Arctic peoples  Search this
Indians of North America Subarctic  Search this
Indians of North America Northeast  Search this
Ojibwa Indians  Search this
Indians of North America Great Plains  Search this
Indians of North America Plateau  Search this
Salish Indians  Search this
Type:
Petroglyphs
Collection descriptions
Photographs
Place:
Oceania
Morgantown (W. Va.)
Southwest
Topic:
Weaving--American Indian  Search this
Mummies--fake  Search this
Baskets  Search this
Civil War  Search this
Tattoos  Search this
Cicatrization  Search this
Spindle--Finnish  Search this
Pottery  Search this
Archeology--frauds  Search this
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_2285

San Francisco Embarcadero Waterfront Competition

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Photographer:
Simon Yuen  Search this
Medium:
Offset lithograph on white paper
Dimensions:
58.4 x 91.4 cm (23 x 36 in. )
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
1993
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1995-171-3
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq44fb88f8a-29bd-4f2c-87cc-24c87c7923ba
EDAN-URL:
edanmdm:chndm_1995-171-3

A+O, Industrial Design + Interior Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
A + O Industrial Design + Interior Architecture  Search this
Medium:
Offset lithograph on cream paper
Dimensions:
4 x 5.1 cm (1 9/16 in. x 2 in.)
Type:
graphic design
Label
Object Name:
Label
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
1991–94
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-10
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4dafc5b65-5077-476b-bbb5-8cf03c4e4b2e
EDAN-URL:
edanmdm:chndm_1994-87-10

A+O, Industrial Design + Interior Architecture, San Francisco, Pirkko Lucchesi

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
A + O Industrial Design + Interior Architecture  Search this
Medium:
Offset lithograph on paper
Dimensions:
8.9 x 5.1 cm (3 1/2 in. x 2 in.)
Type:
graphic design
Business card
Object Name:
Business card
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
1991–94
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-11
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40fa33426-10ba-478c-9707-9d8da1c80099
EDAN-URL:
edanmdm:chndm_1994-87-11

Pfau Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
PFAU Architecture  Search this
Medium:
Offset lithograph on off-white paper
Dimensions:
27.9 x 21.6 cm (11 in. x 8 1/2 in.)
Type:
graphic design
Letterhead
Object Name:
Letterhead
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
1991–94
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-25
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq443970065-9309-415d-be56-88ee0c6a7e1d
EDAN-URL:
edanmdm:chndm_1994-87-25

Announcement for Pfau Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
PFAU Architecture  Search this
Medium:
Offset lithograph on off-white paper
Dimensions:
15.9 x 11.4 cm (6 1/4 x 4 1/2 in.)
Type:
graphic design
Print
Object Name:
Print
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
ca. 1992
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-26
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4c6edb551-9a2b-488f-8d3e-cce501071481
EDAN-URL:
edanmdm:chndm_1994-87-26

Pfau Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
PFAU Architecture  Search this
Medium:
Offset lithograph on paper
Dimensions:
10.8 x 24.1 cm (4 1/4 x 9 1/2 in.)
Type:
graphic design
Envelope
Object Name:
Envelope
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
ca. 1992
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-27
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4e4796ce9-db78-4588-92a1-30d8f55b3fd9
EDAN-URL:
edanmdm:chndm_1994-87-27

Pfau Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
PFAU Architecture  Search this
Medium:
Offset lithography on off-white paper with adhesive
Dimensions:
10.2 x 15.2 cm (4 x 6 in.)
Type:
graphic design
Label
Object Name:
Label
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
ca. 1992
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-28
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4df9fba97-cb3f-4be8-b9a4-52edc41d8378
EDAN-URL:
edanmdm:chndm_1994-87-28

Pfau Architecture, San Francisco

Designer:
Lucille Tenazas, American, b. Philippines, 1953  Search this
Client:
PFAU Architecture  Search this
Medium:
Offset lithograph on off-white paper
Dimensions:
5.1 x 9 cm (2 in. x 3 9/16 in.)
Type:
graphic design
Business card
Object Name:
Business card
Made in:
USA
Distributed in:
San Francisco, California, USA
Date:
ca. 1992
Credit Line:
Gift of Lucille Tenazas
Accession Number:
1994-87-29
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Lucille Lozada Tenazas
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ff189342-d653-4030-8c95-148e5d429b79
EDAN-URL:
edanmdm:chndm_1994-87-29

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