Search Results

Editor:

Thompson, George F.,  Search this

Steiner, Frederick R.,  Search this

Physical description:

xiii, 348 pages illustrations 25 cm

Type:

Congresses

Congrès

Aufsatzsammlung

Kongreß

Symposia

Proceedings

Conference papers and proceedings

Place:

Tempe (Ariz.)

Date:

1997

1993

Topic:

Ecological landscape design  Search this

Sustainable design  Search this

Landscape ecology  Search this

Landscape design--Environmental aspects  Search this

Aménagement paysager--Aspect de l'environnement--Congrès  Search this

Écologie du paysage--Congrès  Search this

Aménagement paysager écologique  Search this

Écoconception  Search this

Écologie du paysage  Search this

Landschaftsgestaltung  Search this

Landschaftsplanung  Search this

Landschaftsökologie  Search this

Umweltschutz  Search this

Kongress  Search this

Aufsatzsammlung  Search this

Architecture du paysage--Aspect de l'environnement--Congrès  Search this

Restrictions & Rights:

Current Copyright Fee: GBP32.00 0. Uk

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_518492

Creator:

United States. Works Progress Administration  Search this

Names:

Historic American Merchant Marine Survey  Search this

National Museum of American History (U.S.). Division of Transportation  Search this

United States. Work Projects Administration  Search this

Jackson, Melvin H.  Search this

Extent:

18.5 Cubic feet (79 volumes, 10 rolls)

Type:

Collection descriptions

Archival materials

Records

Tracings

Notes

Drawings

Place:

Great Lakes (North America)

Date:

1936-1937.

Scope and Contents:

This collection is comprised of over 18 cubic feet of material generated during the course of the Historic American Merchant Marine Survey. The bulk of the collection consists of survey books and measured drawings. Other records include administrative papers relating to the project, an index and catalogue, and a listing of the names of vessels surveyed.

Arrangement:

The collection is divided into five series.

Series 1: H.A.M.M.S. Index

Series 2: H.A.M.M.S. Catalogue

Series 3: Names of Vessels, 1789-

Series 4: Field Notes

Series 5: Drawings

Biographical / Historical:

The Historic American Merchant Marine Survey (HAMMS) was one of six projects created by the Works Progress Administration (WPA) to provide work for unemployed skilled or "white collar" workers. These projects were intended to provide work which was both useful and appropriate to the skills and experience of workers who were not suited for more traditional work programs involving manual or outdoor labor. The specific goal of HAMMS was to undertake a national survey of watercraft, in order to document the design and technical evolution of vessel types significant in America's commercial maritime history. This was to be accomplished by making measured drawings of existing vessels, ship models, and builders' half models; by making a photographic record of significant vessels; and by compiling written data about vessels.

The HAMMS program was in existence from January 1, 1936 to October 15, 1937. The Smithsonian Institution served as the official sponsor of the Survey and received all the documentation produced, thus augmenting its already significant National Watercraft Collection. Unlike other WPA projects, HAMMS was administered directly from Washington by its Director, Eric J. Steinlein, who coordinated the survey work of six regional directors. Despite its national mandate, the Survey actually was limited to the eastern seaboard, the Great Lakes, and California. Furthermore, the types of craft surveyed and the level of documentation varied considerably within the six regions. During the course of its existence, the HAMMS program conducted over 166 surveys and produced over 400 sheets of line drawings of ship's hulls, rigging, and details.

Provenance:

The materials in this collection were turned over to the Smithsonian soon after the completion of the project in 1937.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Naval architecture -- Designs and plans  Search this

Genre/Form:

Records

Tracings

Notes

Drawings -- 1930-1940

Citation:

Historic American Merchant Marine Survey, 1936-1937, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0240

See more items in:

Historic American Merchant Marine Survey Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8443f9cfa-58e1-4567-8e9f-8101d76a8db2

EDAN-URL:

ead_collection:sova-nmah-ac-0240

Creator:

Wright, Frank Lloyd, 1867-1959  Search this

Names:

Schumacher and Company  Search this

Po, Ling  Search this

Extent:

8 Items

Type:

Collection descriptions

Archival materials

Drawings

Date:

[ca. 1955]

Scope and Contents:

Studies for textile designs from the Taliesin West workshop, designed by Wright and executed by Ling Po, fellow at Taliesin under Wright. The designs were subsequently licensed by Wright to Schumacher & Company, a fabric house, for mass production as part of the "Taliesin Line," although these specific designs were never fabricated.

Biographical / Historical:

Architect, designer; Illinois, Wisconsin and Arizona.

Provenance:

Donated 1961 by Schumacher and Company via Rene Carillo, director of merchandising.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Architects  Search this

Topic:

Architecture -- Designs and plans  Search this

Decorative arts  Search this

Textile design  Search this

Genre/Form:

Drawings

Identifier:

AAA.wrigfran

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9004069bb-58e9-4013-84e9-34518c099d15

EDAN-URL:

ead_collection:sova-aaa-wrigfran

Creator:

Stewart, Jack, 1926-2005  Search this

Names:

New York City Transit Authority  Search this

World Trade Center (New York, N.Y.)  Search this

Yale University -- Students  Search this

Baxter, Violet  Search this

Egan, Charles, 1911-  Search this

Gold, Nancy  Search this

Goulet, Lorrie, 1925-  Search this

Kahn, Wolf, 1927-  Search this

Romano, Clare  Search this

Thomas, Steffen, 1906-  Search this

Toney, Anthony  Search this

Townsend, Rodman  Search this

Walker, Herbert Brooks, 1927-  Search this

Weiner, Sam  Search this

Extent:

9.9 Linear feet

7.31 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Date:

1926-2010

Summary:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Scope and Content Note:

The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)

Biographical Note:

Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.

Related Materials:

Jack Stewart papers, 1926-2015, are located at Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library.

Provenance:

Donated in 2010 by Regina Stewart, widow of Jack Stewart.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Arts administrators -- New York (State) -- New York  Search this

Topic:

Street art  Search this

Muralists -- New York (State) -- New York  Search this

Mail art  Search this

Art -- Study and teaching  Search this

Painters -- New York (State) -- New York  Search this

Graffiti art  Search this

Designers -- New York (State) -- New York  Search this

Genre/Form:

Drawings

Sound recordings

Paintings

Sketchbooks

Interviews

Transcripts

Video recordings

Citation:

Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.stewjack

See more items in:

Jack Stewart papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99c355e0c-59b2-47e7-ab80-c8ea7d8bf859

EDAN-URL:

ead_collection:sova-aaa-stewjack

Creator:

National Museum of American History (U.S.) Design Studio  Search this

Subject:

Aber, Harold E  Search this

Briggs, Nigel  Search this

Brown, Clare  Search this

Denison, Michael  Search this

National Museum of American History (U.S.) Office of the Assistant Director for Exhibits and Public Spaces  Search this

National Museum of American History (U.S.) Office of the Associate Director for Public Services  Search this

National Museum of American History (U.S.) Office of Program Planning and Design  Search this

National Museum of American History (U.S.) Office of Public Spaces Design and Planning  Search this

Type:

Mixed archival materials

Date:

1995

1995-

Topic:

Museum exhibits  Search this

Historical museums  Search this

Signs and signboards  Search this

Museum stores  Search this

Museums--Space utilization  Search this

Architectural design  Search this

Local number:

SIA AH00257

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_223010

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2013-04-18T00:17:18.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_dYpyAx_KfrQ

Creator:

Gugler, Eric, 1889-1974  Search this

Names:

Cornell, Katharine, 1893-1974  Search this

Gugler, Frida  Search this

Manship, Paul, 1885-1966  Search this

Roosevelt, Eleanor, 1884-1962  Search this

Extent:

34.4 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Date:

1889-1977

Summary:

The papers of architect and painter Eric Gugler measure 34.4 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Scope and Contents:

The papers of architect and painter Eric Gugler measure 34.4 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Biographical materials include certificates, official documents, curriculum vitae, and histories of the Gugler family. Correspondence consists of professional letters regarding prospective and active projects, and personal correspondence from friends and family, including Eleanor Roosevelt, Katherine Cornell, and Paul Manship. Writings include book proposal drafts, essays, notes, speeches, and writings by others.

Project files consist of correspondence, architectural sketches, blueprints, and photographic and printed materials related to Gugler's work on commercial, residential, governmental, and memorial commissions. Renderings of specific design objects, sculptures, and Gugler's collaborative work on preservation efforts are also included.

Personal business records include correspondence related to Gugler's firm, including office leases, prospective client lists, and service fees. Printed material consists of clippings, exhibition material, postcards, and other miscellaneous items.

Photographic materials are of Eric Gugler and members of the Gugler family. Artwork includes sketches, watercolors, paintings, photographs of artwork, and artwork by Frida Gugler.

Arrangement:

The collection is arranged as 8 series. Glass plate slides are housed separately and closed to researchers, but listed where they fall intellectually within the collection.

Missing Title

Series 1: Biographical Material, 1898-1975 (0.5 linear feet; Box 1, OV 33)

Series 2: Correspondence, 1906-1974 (4 linear feet; Boxes 1-5, 20, OV 33)

Series 3: Writings, 1932-1973 (16 folders; Box 5)

Series 4: Project Files, 1889-1977 (28.2 linear feet; Boxes 5-18, 20-24, 70-72, OV 25-31, OV 33-49, RD 50-51, 53-69)

Series 5: Personal Business Records, 1928-1972 (0.3 linear feet; Box 18)

Series 6: Printed Material, 1923-1977 (0.3 linear feet; Boxes 19, 24)

Series 7: Photographic Materials, 1890-1966 (9 folders; Box 19)

Series 8: Artwork, 1895-1970 (0.4 linear feet; Box 19, OV 32)

Biographical / Historical:

Architect and painter Eric Gugler (1889-1974) lived and worked in New York City, New York. Known for his work on monuments and memorials, Gugler was selected by President Roosevelt to head the redesign and building of the White House's West Wing in 1934.

Born in Milwaukee, Wisconsin to lithographer Julius Gugler and his wife, Bertha Bremer, Gugler attended Columbia University and received a three year scholarship to continue his studies at the American Academy in Rome. In 1919, he opened his architectural firm on Park Avenue in New York City and began accepting residential and commercial commissions. In addition to designing buildings and houses for clients, Gugler also completed smaller design objects for ceiling details, sculptures, murals, and decorative structures. In the late 1920s and early 1930s, his firm won commissions to complete World War I Memorials in New York and Chicago, Illinois, and also received a major commission to design the Educational Building in Harrisburg, Pennsylvania. Around this time, Gugler married Broadway actress and dancer Anne Tonetti and designed a second residence in the artist's community of Sneden's Landing, New York.

Gugler's interest and willingness to work on large scale memorials and institutional buildings aided in his appointment to a number of prominent commissions in the 1930s to the 1950s. These include the design of the White House's West Wing and the Sicily-Rome American Cemetery and Memorial in Italy, new construction and renovations to the Forman School (Conn.) and Wabash College (Ind.), and the building of residential houses for Katherine Cornell, Barry Faukner, and Paul Manship. In the 1960s, he was selected to head memorial designs for the Franklin Delano Roosevelt and Theodore Roosevelt Memorials in Washington, D.C., and also spent considerable time and energy developing the "Hall of Our History" project. Gugler remained active designing and working on projects until his death in 1974.

Related Materials:

The White House Historical Association's Office of the Curator holds additional Eric Gugler Papers related to the expansion and redesign of the West Wing in 1934.

Provenance:

The papers were donated in 1977 by Gugler's wife, Anne Tonetti Gugler. Additional materials were donated between 1979 and 1980 by Gugler's business associate, Ferdinand Eiseman.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architects as artists -- New York (State) -- New York  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Architecture -- Designs and plans  Search this

Architecture, Modern -- 20th century  Search this

Architects -- New York (State) -- New York  Search this

Genre/Form:

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.gugleric

See more items in:

Eric Gugler papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a729ea25-2ca9-4693-95a4-2f15b5651aab

EDAN-URL:

ead_collection:sova-aaa-gugleric

Creator:

Bigelow and Wadsworth (Firm)  Search this

Names:

Bigelow, Henry Forbes, 1867-1929  Search this

Bulfinch, Charles, 1763-1844  Search this

Wadsworth, Philip  Search this

Extent:

26 Items

Type:

Collection descriptions

Archival materials

Date:

1912

Scope and Contents:

Architectural blueprints made in the restoration of Fifth Meeting House in Lancaster, Mass. The church was originally designed by Charles Bulfinch.

Biographical / Historical:

Architectural firm (Boston, Mass.)

Provenance:

Acquired through Lee Farnsworth.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Architects -- Massachusetts  Search this

Topic:

Church architecture -- Conservation and restoration -- Massachusetts -- Lancaster  Search this

Church buildings -- Conservation and resotoration -- Massachusetts -- Lancaster  Search this

Architecture -- Conservation and restoration -- Massachusetts -- Lancaster  Search this

Architecture -- Designs and plans -- Massachusetts -- Lancaster  Search this

Architectural partnership -- Massachusetts -- Boston  Search this

Architecture, American -- Massachusetts -- Lancaster  Search this

Church architecture -- Designs and plans -- Massachusetts -- Lancaster  Search this

Function:

Architectural firms -- Massachusetts -- Boston

Identifier:

AAA.bigeand

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c66e42fa-6103-4a6d-87ff-560a6c6e5e1a

EDAN-URL:

ead_collection:sova-aaa-bigeand

Creator:

Proetz, Victor, 1897-1966  Search this

Names:

National Portrait Gallery (Smithsonian Institution) -- Designs and plans  Search this

Extent:

1 Linear foot

5 Items (rolled docs)

Type:

Collection descriptions

Archival materials

Date:

[ca. 1930]-1965

Scope and Contents:

Notebooks, card file, architectural plans, elevations, details, drawings, and designs for chairs, desks, cabinets, picture frames, etc. relating to Proetz's renovation of the National Portrait Gallery, Smithsonian Institution. Many of the designs and records pre-dating the renovation were evidently used by Proetz in the renovation.

Included are 7 notebooks, 1948-1955, recording work; ca. 280 photocopies of designs for furniture, fireplaces, lamps, and other accessories; a card file of American architects; and a file of drawings, notes, and photographs relating to work done for the National Portrait Gallery, Washington, D.C.; drawings, ca. 1930-1960, including: architectural plans for the renovation; elevations, details, electrical layouts, and proposed furniture for the homes of Mr. and Mrs. Charles E. Gilbert, Mr. and Mrs. Paul Hexter, and Joshua S. Cospen; and alterations and additions to the home of George D. Widener.

Biographical / Historical:

Architect, interior designer; New York, N.Y. and Washington, D.C. Proetz was a close friend and associate of the Charles Nagel, the first director of the National Portrait Gallery.

Provenance:

Transferred from the National Portrait Gallery 1977-1979.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Interior decorators -- Washington (D.C.)  Search this

Architects -- Washington (D.C.)  Search this

Topic:

Architecture -- Designs and plans  Search this

Interior decoration  Search this

Architecture -- Washington (D.C.) -- Conservation and restoration  Search this

Identifier:

AAA.proevict

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw973d9aeb4-c5c4-4965-9b6f-c82d5f5b43ed

EDAN-URL:

ead_collection:sova-aaa-proevict

Creator:

Wright, Frank Lloyd, 1867-1959  Search this

Subject:

Po, Ling  Search this

Schumacher and Company  Search this

Type:

Drawings

Citation:

Frank Lloyd Wright textile design studies, [ca. 1955]. Archives of American Art, Smithsonian Institution.

Topic:

Architecture -- Designs and plans  Search this

Decorative arts  Search this

Textile design  Search this

Theme:

Craft  Search this

Architecture & Design  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10453

(DSI-AAA_SIRISBib)213861

AAA_collcode_wrigfran

Theme:

Craft

Architecture & Design

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213861

Author:

Renwick, James 1818-1895  Search this

Subject:

Moore, H. C  Search this

Renwick, James 1818-1895  Search this

Townsend, Louis  Search this

Smithsonian Institution Building (Washington, D.C.)  Search this

Smithsonian Institution Building South Front  Search this

Physical description:

Color: Color; Size: 10w x 8h; Type of Image: Architectural; Medium: Paper with watercolor

Type:

Photographic print

Architecture

Date:

c. 1848

Topic:

Architectural drawing  Search this

Architecture--Design and plans  Search this

Painting  Search this

SI, Early History  Search this

Watercolor painting  Search this

Standard number:

SIA_000092_S19_I020.tif and MN-2535 or MNH2535

Restrictions & Rights:

No restrictions

Data Source:

Smithsonian Archives - History Div

EDAN-URL:

edanmdm:siris_sic_10691

Author:

Renwick, James 1818-1895  Search this

Subject:

Renwick, James 1818-1895  Search this

Moore, H. C  Search this

Townsend, Louis  Search this

Office of Architectural History and Historic Preservation (OAHHP)  Search this

Smithsonian Institution Building (Washington, D.C.)  Search this

Smithsonian Institution Press  Search this

Physical description:

Color: Color; Size: 10 x 8" Type of Image: Architectural Drawing; Medium: paper with watercolor

Type:

Painting

Architectural drawings

Date:

1848

Topic:

Architecture--Design and plans  Search this

Artists  Search this

North front  Search this

Painting  Search this

SI, Early History  Search this

Standard number:

SIA_000092_S19_I019.tif and MNH-2535A

Data Source:

Smithsonian Archives - History Div

EDAN-URL:

edanmdm:siris_sic_5868

Author:

Guleria, Shobha 1978-  Search this

Physical description:

xxii, 124 pages, 21 unnumbered pages of plates illustrations, maps 28 cm

Type:

Designs and plans

Architectural drawings

History

Place:

India

Mewār Region

Date:

2014

Topic:

Hindu architecture--History  Search this

Hindu temples  Search this

Architecture--Details  Search this

Hindu architecture  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1146981

Author:

Williams, Paul R. 1894-1980  Search this

Author:

Williams, Paul R. 1894-1980 Small home of tomorrow  Search this

Williams, Paul R. 1894-1980 New homes for today  Search this

Physical description:

2 volumes illustrations 28 cm

Type:

Designs and plans

Catalogs

Dessins et plans

Architectural drawings

History

Place:

United States

États-Unis

Date:

2006

1945

20th century

20e siècle

Topic:

Architecture, Domestic  Search this

Architecture--History  Search this

Architecture domestique  Search this

Architecture--Histoire  Search this

Architecture  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1156656

Author:

Liu, Chang (Professor of architecture)  Search this

Physical description:

xii, 73 pages illustrations (some color) 21 x 30 cm

Type:

Books

Architectural drawings

Place:

China

Date:

2006

Topic:

Museum architecture--Designs and plans  Search this

Museum architecture  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158856

Collector:

Orth, Edward J.  Search this

Exhibition Collectors Historical Organization  Search this

Names:

New York World's Fair (1939-1940 : New York, N.Y.)  Search this

Extent:

130 Cubic feet (417 boxes, 25 map-folders)

Type:

Collection descriptions

Archival materials

Souvenirs

Photographs

Pamphlets

Guidebooks

Exhibition posters--1930-1940

Diaries

Ephemera

Film transparencies

Motion picture film

Posters

Place:

Flushing Meadows Park (New York, N.Y.)

New York (N.Y.)

Date:

1835-2000, undated

Summary:

Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.

Scope and Contents:

Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.

Arrangement:

The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated

Biographical / Historical:

Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.

Related Materials:

Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library

Separated Materials:

Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this

World's fairs  Search this

Amusement parks--History  Search this

Amusement parks--New York (State)--History  Search this

Architecture--Exhibitions  Search this

Architecture--New York (State)--New York  Search this

Architecture--United States--Designs and plans  Search this

Burlesque shows--New York (State)--New York--1930-1940  Search this

Business history Business enterprises--United States--History  Search this

Chicago's Century of Progress  Search this

Construction and civil engineering  Search this

Construction industry--United States--Management--History  Search this

Corporate culture--History  Search this

Corporate culture--United States  Search this

Engineering--History--20th century  Search this

Exhibition buildings – New York (State) – New York  Search this

Exhibition buildings--1920-1940  Search this

Exhibitions -- Design  Search this

Fairs -- New York (State) -- New York -- History  Search this

Fashion--History--20th century  Search this

Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this

Food in popular culture--New York (State)--New York  Search this

Graphic arts--United States--History--20th century  Search this

International exhibitions  Search this

International Exhibitions Bureau  Search this

Lighting, Architectural and decorative--History--20th century  Search this

Technology -- United States -- History -- 20th century  Search this

Transportation--New York Metropolitan Area--Planning  Search this

Transportation--New York (State)  Search this

United States --Foreign relations --1933-1945  Search this

Urban parks--United States--History  Search this

Urban design  Search this

World War, 1939-1945 -- Economic aspects -- United States  Search this

Consumerism  Search this

Consumers--History--20th century  Search this

General Motors Corporation  Search this

Grand Central Parkway extension  Search this

Organizational behavior--United States--History  Search this

Public relations--History  Search this

New York World's Fair Commission  Search this

Queens (New York, N.Y.) Buildings, structures, etc.  Search this

Genre/Form:

Souvenirs -- 1930-1940

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940

Pamphlets -- 1930-1940

Guidebooks -- 1930-1940

Exhibition posters--1930-1940

Diaries

Ephemera -- 20th century

Film transparencies

Motion picture film

Posters -- 1930-1940

Citation:

Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0560

See more items in:

Edward J. Orth Memorial Archives of the New York World's Fair

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33

EDAN-URL:

ead_collection:sova-nmah-ac-0560

Creator:

Hood, Raymond Mathewson, 1881-1934  Search this

Subject:

Tribune Tower (Chicago, Ill.)  Search this

McGraw-Hill building (New York, N.Y.)  Search this

Scottish Rite Masonic Temple (Scranton, Pa.)  Search this

Type:

Aquatints

Drawings

Architectural drawings

Citation:

Raymond Mathewson Hood papers, 1903-1931. Archives of American Art, Smithsonian Institution.

Topic:

Architecture, Modern -- 20th century  Search this

Architecture -- Competitions  Search this

Architecture -- Illinois -- Chicago -- Designs and plans  Search this

Theme:

Architecture & Design  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7798

(DSI-AAA_SIRISBib)209964

AAA_collcode_hoodraym

Theme:

Architecture & Design

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209964

Creator:

Bigelow and Wadsworth (Firm)  Search this

Subject:

Bulfinch, Charles  Search this

Wadsworth, Philip  Search this

Bigelow, Henry Forbes  Search this

Citation:

Restoration blueprints of Fifth Meeting House in Lancaster, Mass, 1912. Archives of American Art, Smithsonian Institution.

Topic:

Church architecture -- Conservation and restoration -- Massachusetts -- Lancaster  Search this

Church buildings -- Conservation and resotoration -- Massachusetts -- Lancaster  Search this

Architecture -- Conservation and restoration -- Massachusetts -- Lancaster  Search this

Architecture -- Designs and plans -- Massachusetts -- Lancaster  Search this

Architectural partnership -- Massachusetts -- Boston  Search this

Architecture, American -- Massachusetts -- Lancaster  Search this

Church architecture -- Designs and plans -- Massachusetts -- Lancaster  Search this

Theme:

Architecture & Design  Search this

Art instruction and services  Search this

Record number:

(DSI-AAA_CollID)8450

(DSI-AAA_SIRISBib)210625

AAA_collcode_bigeand

Theme:

Architecture & Design

Art instruction and services

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210625

Creator:

Proetz, Victor, 1897-1966  Search this

Subject:

National Portrait Gallery (Smithsonian Institution)  Search this

Citation:

Victor Hugo Proetz papers, [ca. 1930]-1965. Archives of American Art, Smithsonian Institution.

Topic:

Architecture -- Designs and plans  Search this

Interior decoration  Search this

Architecture -- Washington (D.C.) -- Conservation and restoration  Search this

Theme:

Architecture & Design  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8953

(DSI-AAA_SIRISBib)211140

AAA_collcode_proevict

Theme:

Architecture & Design

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211140

Creator:

Gugler, Eric, 1889-1974  Search this

Subject:

Gugler, Frida  Search this

Manship, Paul  Search this

Roosevelt, Eleanor  Search this

Cornell, Katharine  Search this

Type:

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Topic:

Painters -- New York (State) -- New York  Search this

Architecture -- Designs and plans  Search this

Architecture, Modern -- 20th century  Search this

Architects -- New York (State) -- New York  Search this

Theme:

Architecture & Design  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8995

(DSI-AAA_SIRISBib)211184

AAA_collcode_gugleric

Theme:

Architecture & Design

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211184