Search Results

Painter:

MacDonald-Wright, Stanton 1890-1973  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

Columbus Museum of Art 480 East Broad Street Columbus Ohio 43215 Accession Number: 31.275

Date:

Ca. 1919

Topic:

Abstract  Search this

Landscape--California  Search this

Landscape--Coast  Search this

Architecture exterior--Domestic--House  Search this

Control number:

IAP 41140426

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_379836

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-2012  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-2014  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Creator:

McCoy, Esther, 1904-1989  Search this

Subject:

Rand, Marvin  Search this

Grotz, Dorothy  Search this

Gill, Irving  Search this

Jones, A. Quincy (Archie Quincy)  Search this

Barragán, Luis  Search this

Dreiser, Theodore  Search this

Bradbury, Ray  Search this

Hollein, Hans  Search this

Ain, Gregory  Search this

Ellwood, Craig  Search this

Davidson, Julius Ralph  Search this

Watanabe, Makoto  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph  Search this

Worlidge, T. (Thomas)  Search this

Schindler, R. M. (Rudolph M.)  Search this

Shulman, Julius  Search this

Soriano, Rafael  Search this

O'Gorman, Juan  Search this

Historic American Buildings Survey  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Society of Architectural Historians  Search this

Type:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Theme:

Latino and Latin American  Search this

Architecture & Design  Search this

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)5502

(DSI-AAA_SIRISBib)210977

AAA_collcode_mccoesth

Theme:

Latino and Latin American

Architecture & Design

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210977

Creator:

Perkins, Constance M., 1913-1991  Search this

Subject:

Neutra, Richard Joseph  Search this

Citation:

Constance Perkins papers, 1900-1991. Archives of American Art, Smithsonian Institution.

Topic:

Architecture, Domestic -- California  Search this

Women art historians  Search this

Women educators  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)10999

(DSI-AAA_SIRISBib)214886

AAA_collcode_perkcons

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214886

Creator:

Arts & Architecture  Search this

Subject:

Goldstein, Barbara  Search this

Citation:

Arts & Architecture (magazine) records, 1950-1980. Archives of American Art, Smithsonian Institution.

Topic:

Arts & architecture (Magazine)  Search this

Architecture  Search this

Architecture, Modern -- 20th century -- United States  Search this

Architecture -- Periodicals  Search this

Architecture, Domestic -- California, Southern -- Case studies  Search this

Theme:

Architecture & Design  Search this

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)6559

(DSI-AAA_SIRISBib)215839

AAA_collcode_artsarcm

Theme:

Architecture & Design

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215839

Painter:

Butman, Frederick A. 1820-1871  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

University of California, Berkeley Bancroft Library Berkeley California 94720 Accession Number: 63.2.1371

Date:

1858

Topic:

Landscape--River  Search this

Architecture exterior--Domestic--Tent  Search this

Animal--Dog  Search this

Animal--Horse  Search this

Control number:

IAP 60540012

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_69615

Painter:

Nahl, Charles Christian 1818-1878  Search this

Nahl, Hugo Wilhelm Arthur 1820-1889  Search this

Medium:

Oil on panel

Type:

Paintings

Owner/Location:

Santa Barbara Historical Society 136 E. de La Guerra Santa Barbara California 93101

Date:

1858

Topic:

Architecture--Other--Campsite  Search this

Architecture exterior--Domestic--Tent  Search this

Landscape  Search this

Figure group  Search this

Animal--Horse  Search this

Architecture--Vehicle--Wagon  Search this

Control number:

IAP 8G260016

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_479832

Painter:

Audubon, John Woodhouse 1812-1862  Search this

Medium:

Watercolor and pencil on paper

Type:

Paintings

Owner/Location:

Southwest Museum 234 Museum Drive Los Angeles California 90065 Accession Number: 22.G.978AB

Date:

1850

Topic:

Landscape--Mountain  Search this

Architecture exterior--Domestic--Tent  Search this

Architecture--Other--Campsite  Search this

Control number:

IAP 8G260008

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_479824

Painter:

Godchaux, E.  Search this

Medium:

Gouache on paper

Type:

Paintings

Owner/Location:

Garzoli Gallery San Rafael California

Date:

1851

Topic:

Landscape--California--San Francisco  Search this

Landscape--Coast  Search this

Architecture exterior--Domestic--House  Search this

Control number:

IAP 8G260009

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_479825

Painter:

McMurtrie, William Birch 1816-1872  Search this

Medium:

Watercolor and graphite on paper

Type:

Paintings

Owner/Location:

California Historical Society 2090 Jackson St San Francisco California 94115

Date:

1849

Topic:

Landscape--California--San Francisco  Search this

Landscape--Road  Search this

Figure group  Search this

Architecture exterior--Domestic--House  Search this

Control number:

IAP 71065252

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_141775

Painter:

McIlvaine, William 1813-1867  Search this

Medium:

Watercolor on paper

Type:

Paintings

Owner/Location:

Museum of Fine Arts 465 Huntington Avenue Boston Massachusetts 02115 Accession Number: 53.2448

Date:

1854

Topic:

Landscape--California--Sonora  Search this

Landscape--River--Tuolumne River  Search this

Architecture--Other--Campsite  Search this

Architecture exterior--Domestic--Tent  Search this

Architecture--Vehicle--Cart  Search this

Control number:

IAP 20491335

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_265081

Artist:

Kathrin Cawein, born New London, CT 1895-died 1996  Search this

Medium:

drypoint on paper

Dimensions:

plate: 7 x 11 7/8 in. (17.7 x 30.3 cm)

Type:

Graphic Arts-Print

Date:

ca. 1936

Topic:

Animal\goat  Search this

Cityscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Landscape\mountain\Telegraph Hill  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Chicago Society of Etchers

Object number:

1941.6.10

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk738f1b64a-18dd-437e-8c4b-e1d616e47cf7

EDAN-URL:

edanmdm:saam_1941.6.10

Artist:

Rex Brandt, born San Diego, CA 1914-died Newport Beach, CA 2000  Search this

Medium:

watercolor

Dimensions:

15 3/4 x 21 1/8 in. (40.1 x 53.7 cm) irregular

Type:

Painting

Date:

n.d.

Topic:

Figure group  Search this

Architecture\vehicle\automobile  Search this

Landscape\California  Search this

Landscape\mountain  Search this

Landscape\forest\Angeles National Forest  Search this

Architecture Exterior\domestic\tent  Search this

Architecture\other\campsite  Search this

Credit Line:

Smithsonian American Art Museum, Gift of the Ford Motor Company

Object number:

1966.36.18

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk725fe01bc-9780-40f2-ac1b-608069721ae9

EDAN-URL:

edanmdm:saam_1966.36.18

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

9 x 14 1/2 in. (22.9 x 36.8 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Landscape\park  Search this

Landscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.155

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7fcc644e8-d927-447d-9b15-a2ad36e619e0

EDAN-URL:

edanmdm:saam_1967.72.155

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

10 1/4 x 13 3/4 in. (26.0 x 34.9 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Cityscape\street  Search this

Cityscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.156

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7ba2b62a5-b9f1-4a13-8100-14a4c6eb0332

EDAN-URL:

edanmdm:saam_1967.72.156

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

8 3/4 x 13 1/2 in. (22.2 x 34.3 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Cityscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.157

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7a7b8c776-7f70-49d6-80fa-8c3bdd9b3ed9

EDAN-URL:

edanmdm:saam_1967.72.157

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

8 1/4 x 12 1/2 in. (21.0 x 31.8 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Cityscape  Search this

Cityscape\California\San Francisco  Search this

Architecture Exterior\domestic  Search this

Architecture Exterior\detail\roof  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.162

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk737f536f3-a615-4daa-80a7-d03422e6db74

EDAN-URL:

edanmdm:saam_1967.72.162

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

12 1/8 x 10 3/8 in. (30.8 x 26.4 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Cityscape\street  Search this

Cityscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.165

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7abab1cc7-06ff-45e9-a48f-f8dc5e81f3e3

EDAN-URL:

edanmdm:saam_1967.72.165

Artist:

Jennie Lewis, born San Diego, CA 1892-died Fresno, CA 1944  Search this

Medium:

lithograph

Dimensions:

12 3/4 x 10 1/8 in. (32.4 x 25.7 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Landscape\California\San Francisco  Search this

Architecture Exterior\domestic\house  Search this

Landscape\park\Golden Gate Park  Search this

Credit Line:

Smithsonian American Art Museum, Transfer from D.C. Public Library

Object number:

1967.72.167

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7b6655f41-9a0c-4eeb-a16e-956492caf981

EDAN-URL:

edanmdm:saam_1967.72.167

Artist:

Richard Diebenkorn, born Portland, OR 1922-died Berkeley, CA 1993  Search this

Medium:

oil on canvas

Dimensions:

58 5/8 x 53 7/8 in. (149.0 x 137.0 cm)

Type:

Painting

Date:

1962

Topic:

Cityscape\bird's eye view  Search this

Cityscape\California\Oakland  Search this

Architecture Exterior\domestic  Search this

Credit Line:

Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc.

Object number:

1969.47.11

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

On View:

Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 39B

Smithsonian American Art Museum, Luce Foundation Center

Smithsonian American Art Museum, Luce Foundation Center, 4th Floor

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7b4fa22ec-9da1-41bd-845f-7139e56fd7cc

EDAN-URL:

edanmdm:saam_1969.47.11