Search Results

Creator:

Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this

Names:

Park Place Gallery Art Research, Inc.  Search this

Paula Cooper Gallery  Search this

Paula Johnson Gallery  Search this

Bartlett, Jennifer, 1941-  Search this

Campus, Peter, 1937-  Search this

Cooper, Paula, 1938-  Search this

Di Suvero, Mark, 1933-  Search this

Fleming, Dean  Search this

Forakis, Peter  Search this

Grosvenor, Robert, 1937-  Search this

Leonard, Zoe  Search this

Magar, Anthony, 1936-  Search this

Melcher, Tamara  Search this

Murray, Elizabeth, 1940-  Search this

Myers, Forrest Warden, 1941-  Search this

Novros, David, 1941-  Search this

Ruda, Edwin  Search this

Shields, Alan, 1944-  Search this

Smith, Tony, 1912-1980  Search this

Thompson, Bob, 1937-1966  Search this

Valledor, Leo, 1936-1989  Search this

Extent:

135.3 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Interviews

Transcripts

Photographs

Date:

circa 1961-2018

Summary:

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 135.3 linear feet and 0.001 GB and date from circa 1961 to 2018. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery. There is an 85.5 linear foot unprocessed addition to this collection donated in 2023 that includes artist files, exhibition files, correspondence, audiovisual material, archtectural plans and miscellaneous business records from Paula Cooper Gallery. Materials date from circa 1970-2018.

Scope and Content Note:

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 135.3 linear feet and 0.001 GB and date from circa 1961 to 2018. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.

There is an 85.5 linear foot unprocessed addition to this collection donated in 2022 that includes artist files, exhibition files, correspondence, audiovisual material, architectural plans, and miscellaneous business records from Paula Cooper Gallery. Materials date from circa 1970-2018.

Arrangement:

The collection is arranged as 4 series:

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet, ER01; 0.001 GB)

Series 4: Unprocessed Addition, circa 1970-2018 (Boxes 53-138, OV 139-146; 85.5 linear feet)

Historical Note:

The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich Rückriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).

Related Material:

Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)

Provenance:

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in thre accessions in 2006, 2009 and 2022.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.

Rights:

All collection material in boxes 1-52, except photographs: Permission to quote, publish or reproduce requires written permission from Paula Cooper. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Interviews

Transcripts

Photographs

Citation:

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund

Identifier:

AAA.parkplag

See more items in:

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw926d9e348-f361-4c9a-bec4-7cb8f9c08556

EDAN-URL:

ead_collection:sova-aaa-parkplag

Creator:

Karp, Ivan C., 1926-2012  Search this

O.K. Harris Gallery (New York, N.Y.)  Search this

Names:

Baeder, John  Search this

Butterfield, Deborah, 1949-  Search this

Castanis, Muriel, 1926-2006  Search this

Celender, Don, 1931-2005  Search this

Clarke, John Clem, 1937-  Search this

De Andrea, John, 1941-  Search this

Dufresne, Leonard, 1941-  Search this

Goings, Ralph  Search this

Grinder, Robert  Search this

Hanson, Duane  Search this

Kacere, John C., 1920-1999  Search this

Karp, Marilynn Gelfman  Search this

McLean, Richard Thorpe, 1934-  Search this

Rohm, Robert  Search this

Salt, John, 1937-  Search this

Wesselmann, Tom, 1931-2004  Search this

Extent:

80.3 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Prints

Diaries

Date:

1960-2014

Summary:

The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.

Scope and Contents:

The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artists' files, printed material, and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Also included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.

Correspondence, both professional and personal, is with museums, galleries, art dealers, art collectors, and graduate students. Artists John Baeder, Deborah Butterfield, John Clem Clarke, John DeAndrea, Jim Dine, Leonard Dufresne, Robert Ginder, Ralph Goings, Duane Hanson, Richard McLean and Tom Wesselmann are among the correspondents.

Admininstrative files concern the daily operation of OK Harris Works of Art. Included are instructions regarding administrative functions and forms for routine activities to enable employees to conduct business in Ivan Karp's absence. Along with files about other items occasionally sold at the gallery, there are files about projects of interest to the Karps, sample announcements, invitations, and advertisements.

Exhibition files document group shows, collectibles and antique exhibitions, summer invitationals, and special event exhibitions at OK Harris Works of Art. The files include photographs and slides, schedules, lists of titles and prices, artists' resumes, installation layouts, reviews and publicity materials, and other items.

Artist files constitute the largest series in the collection at 34 linear feet, and document the gallery's relationships with artists throughout its 45 year history. Files are comprised of biographical information, correspondence, notes, publicity and other printed material (including a few items pre-dating the gallery). Among the many transactions recorded are arrangements for and documentation of solo exhibitions at OK Harris. There are photographs, slides and color transparencies of individual works, and some views of exhibition installations. John Baeder, Muriel Castanis, Don Celender, Ralph Goings, John Kacere, Richard McLean, Robert Rohm and John Salt are among the most extensively documented artists.

Printed material produced by OK Harris Works of Art includes exhibition catalogs, exhibition announcements, invitations, checklists, price lists posters, and notices of gallery sponsored events and activities. Printed material from other sources consists of exhibition reviews, articles about Ivan and Marilynn Karp, OK Harris Works of Art, and the gallery's artists. These appeared in art and mainstream periodicals, newspapers, exhibition catalogs, and books. Also found are posters, reproductions of artwork, and miscellaneous printed items. Artwork consists of 40 prints by artists affiliated with OK Harris. Most are signed; 2 are black and white prints, the remainder are color lithographs. Included is Radical Realism I, a set of 6 prints issued by Mother Lode Editions, 1972.

Thirty-two linear feet of photographs, negatives, slides, transparencies and digital images are of artwork by OK Harris artists, exhibition installation views, and miscellaneous subjects. Photographs of artwork by 59 OK Harris artists are found in binders called "Artists' Photo Books." Installation views of exhibitions held at OK Harris Works of Art during its 45 year history fill 61 binders. Miscellaneous subjects include OK Harris office space, galleries and staff. Also found are photographs of group shows, art fairs, and gallery artists' exhibitions at other venues.

The Ivan C. Karp personal papers include obituaries from print and internet sources along with other biographical information, published versions of brief interviews conducted for various purposes, writings, a few materials relating to business and academic activities, and some personal photographs. Journals, 1950-2012 (bulk 1991-2012) record travel, daily activities, and reflections.

Arrangement:

This collection is arranged in 8 series:

Missing Title

Series 1: Correspondence, 1960-2013 (Boxes 1-2B; 2.4 linear feet)

Series 2: Administrative Files, 1969-2014 (Box 3; 0.7 linear feet)

Series 3: Exhibition Files, 1969-2014 (Boxes 3-4; 1.2 linear feet)

Series 4: Artist Files, 1967-2014 (Boxes 4-38, 80; 34 linear feet)

Series 5: Printed Material, 1963-2014 (Boxes 38-44, 80, OV 88 - OV 90; 5.2 linear feet)

Series 6: Artwork, 1970s-circa 1980 (Box 44, OV 81-OV 87; 0.8 linear feet)

Series 7: Photographic Materials, 1960s-2014, bulk 1969-1999 (Boxes 44-76; 32 linear feet)

Series 8: Ivan C. Karp Personal Papers, 1961-2012 (Boxes 76-79; 4 linear feet)

Historical note:

OK Harris Works of Art specialized in a wide range of contemporary art and was known for its early support of Photo-realism. When it opened in 1969, the gallery was one of the first to operate in the SoHo area of Manhattan and its presence helped shape the neighborhood's development into a vibrant arts district.

Ivan C. Karp (1926-2012), the founder of OK Harris Works of Art, established a reputation in the art world while co-director of Leo Castelli Gallery from 1959-1969. He is credited with launching the careers of Pop artists such as Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, John Chamberlain, Tom Wesselmann, and Claes Oldenburg. Karp wrote, published, and lectured extensively on art and the art business. He was the author of a romantic novel about New York life, Doobie Doo (published in 1965, front cover by Roy Lichtenstein, back cover by Andy Warhol) and his short stories were published in literary reviews. Karp was actively involved in architectural preservation efforts in New York City. As President of the Anonymous Arts Recovery Society, he rescued and stored cornices, capitals, portals, columns and other architectural fragments of historical and aesthetic interest from demolition sites. Many are displayed in his Anonymous Arts Museum, Charlotteville, NY and some became part of a sculpture garden that Karp donated to the Brooklyn Museum of Art.

While Leo Castelli Gallery was closed for summer vacations in 1963 and 1964, Karp ran his own contemporary art gallery in Provincetown. He named it OK Harris, a name he thought suggestive of a colorful, very American character. A few years later, Karp opened OK Harris Works of Art in SoHo where a portrait of a bearded man titled "Oscar Klondike Harris" hung in his office. "Mr. Harris" frequently assumed blame for delays, rejections and other unwelcome news or decisions. OK Harris Works of Art (first at 469 West Broadway and later at 383 West Broadway) was a 10,000 square foot ground-floor space where as many as six concurrent solo exhibitions were presented every six weeks. The goal was "to exhibit the broadest spectrum of the most adventuresome art being offered" and the focus was on emerging artists, many of them unknown. In addition to being at the forefront of the Photo-realist movement in 1969, OK Harris Works of Art was the first gallery to exhibit the work of Duane Hanson, Deborah Butterfield, Manny Farber, Richard Pettibone, Robert Cottingham, Robert Bechtle, Marilyn Levine, Nancy Rubins, Malcolm Morley, Luis Jiminez, Jake Berthot, Jack Goldstein, Porfirio DiDonna, and Al Souza.

An approachable, friendly man who enjoyed sharing his knowledge, Karp usually sat at the gallery's front desk and was available to all. Unlike many dealers, he was willing to look at and discuss artists' slides, offered encouragement, and often followed up with studio visits.

At his request, Marilynn Gelfman Karp became gallery director after her husband's death in 2012. She ran the business with gallery staff including Ivan's oldest son, Ethan. Following Ivan's guidelines, OK Harris Works of Art closed with a gala celebration 2014 for all the gallery's artists, collectors and friends.

Related Materials:

Also found in the Archives of American Art are oral history interviews with Ivan C. Karp conducted by Richard Brown Baker, 1963 October 18; by Paul Cummings, 1969 March 12; and by Ronny Cohen, 1986 April 17-1988 October 18. The Marilynn Gelfman Karp Collection of Ephemera owned by the New-York Historical Society includes OK Harris printed material, prints, and posters.

Provenance:

Marilynn Karp, wife of Ivan C. Karp, donated scattered papers in 2011 and 2013, and the bulk of the collection in 2014.

Restrictions:

Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Photo-realism  Search this

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Photographs

Prints

Diaries

Citation:

Ivan C. Karp papers and OK Harris Works of Art gallery records, 1960-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.okharr

See more items in:

Ivan C. Karp papers and OK Harris Works of Art gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96a2748a9-b34e-44ba-9c6f-c4586b7960c9

EDAN-URL:

ead_collection:sova-aaa-okharr

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2023-05-26T16:07:20.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_obFbRjMZEtg

Creator:

Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this

Names:

Saarinen, Eero, 1910-1961  Search this

White, Stanford, 1853-1906  Search this

Extent:

14.2 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Motion pictures (visual works)

Sound recordings

Interviews

Date:

1906-1977

Summary:

The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

Scope and Content Note:

The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

The portion of the collection relating to personal aspects of Aline and Eero Saarinen's lives consists of: Aline Saarinen's diary, guest book, notebooks, personal writings, biographical material, awards and honorary degrees; scattered papers of Eero Saarinen, including biographical material, drawings of furniture designs, various sketches and drawings, and some project timelines and notes; correspondence between Aline and Eero Saarinen (the bulk of which dates from the year they met and married), as well as general and family correspondence received by Aline Saarinen and some miscellaneous and personal correspondence of Eero Saarinen; printed material, mostly clippings, documenting aspects of the life, work, and achievements of both Aline and Eero Saarinen; and photographs, including ones of Aline Saarinen, Eero Saarinen, Aline and Eero Saarinen together, and family members, as well as ones from various trips and of various residences, and various slides.

The bulk of the collection consists of material, including research and writing files, NBC correspondent files, and committee files, stemming from Aline Saarinen's various professional activities. Writings include manuscripts, typescripts, notes, notecards, and clippings of Aline Saarinen's various articles, lectures and speeches on art and architecture, scripts for television, creative and college writing. Research files include material for Saarinen's published book on art collectors, The Proud Possessors, and her planned, but never completed, biography of the architect, Stanford White. Research material for The Proud Possessors includes files of notes, manuscripts, correspondence, photographs and printed material on art collectors, and related material such as scrapbooks of correspondence and clippings in response to the book. Files also include scattered original material, such as correspondence and photographs, belonging to the collectors, John Quinn and Edward Root. Research material on Stanford White includes correspondence, notebooks, writings, printed material, photographs, and copies of architectural drawings. Also found is scattered original material belonging to Bessie White, Stanford White, and the firm of McKim, Mead and White. NBC material consists of files, including correspondence, printed material, notes, scripts, motion picture films and video transfers, and photographs, kept by Aline Saarinen while working as a television correspondent. Also found are miscellaneous research files on artists that may relate to television or other projects and files stemming from her involvement in various arts-related and other committees.

Arrangement:

The collection is arranged into two series:

Missing Title

Series 1: Aline and Eero Saarinen Personal Papers, 1928-1977 (Boxes 1-4, 15, OV 16; 3.7 linear feet)

Series 2: Aline Saarinen Professional Papers, 1906-1969 (Boxes 4-15, OV 16, FC 17-18; 10 linear feet)

Biographical Note:

Aline Bernstein Saarinen was born on March 25, 1914 in New York City. She attended Vassar College, where she took art courses and became interested in journalism, and graduated with a B.A. in 1935. She went on to receive her M.A. in the history of architecture from the Institute of Fine Arts at New York University in 1941. She married Joseph H. Louchheim in 1935, and they had two sons, Donald and Harry (or Hal). They divorced in 1951.

Aline joined the staff of Art News Magazine in 1944 and served as managing editor from 1946 to 1948. She edited and provided commentary for the book, 5000 Years of Art in Western Civilization, which was published in 1946. She served as associate art editor and critic at The New York Times from 1948 to 1953 and then as associate art critic from 1954 to 1959. She received awards for her newspaper work, including the International Award for Best Foreign Criticism at the Venice Biennale in 1951, the Frank Jewett Mather Award for best newspaper art criticism in 1953, and the American Federation of Arts Award for best newspaper criticism in 1956.

In 1953, Aline interviewed the architect Eero Saarinen for an article. Eero was born in 1910 in Kirkkonummi, Finland, and received his B.F.A. in Architecture from Yale University in 1934. He began work as an architect in his father Eliel Saarinen's firm and went on to start his own firm, Eero Saarinen and Associates. Among his best-known works are the Gateway Arch in St. Louis, Missouri, the Trans World Air Lines Terminal Building at John F. Kennedy Airport in New York, and Dulles International Airport in Chantilly, Virginia.

Aline and Eero became romantically involved shortly after they met and were married in December 1953. The following year, they had a son, Eames (named after Eero's friend, the designer and architect Charles Eames). After their marriage, Aline relocated to Bloomfield Hills, Michigan, where she continued to work as associate art critic for The New York Times and where she served as Director of Information Service in the office of Eero Saarinen and Associates (from 1954 to 1963).

In 1957, she received a Guggenheim Fellowship to work on a book about major American art collectors, The Proud Possessors, which was published by Random House in 1958. Thereafter, she began work on a biography of the architect, Stanford White, also for Random House; this work continued for several years, but the book was never completed. Over the years, she wrote numerous freelance articles on art, architecture, socio-cultural history, travel, and theater for magazines such as Atlantic Monthly, Vogue, Saturday Review of Literature, Reader's Digest, and Cosmopolitan.

After Eero's sudden death in 1961, Aline edited the book, Eero Saarinen on His Work (1962). She then embarked upon a new career in television, appearing on shows such as "Today" and "Sunday" where she reported on manners, morals, culture, and the arts, and eventually becoming, in 1964, an NBC News correspondent for such shows as "The Huntley-Brinkley Report" and "The Frank McGee Report" in addition to the shows on which she was already appearing. In 1971, she was appointed chief of the NBC News Paris Bureau, becoming the first woman to hold such a position in television.

In the 1960s, Aline served on various arts-related committees, including the Design Advisory Committee of the Federal Aviation Administration, the Fine Arts Commission, and the New York State Council of the Arts. She received honorary degrees from the University of Michigan in 1964 and Russell Sage College in 1967.

Aline Saarinen died from a brain tumor on July 13, 1972.

This biographical notes draws from the one on Aline Bernstein Saarinen by Seymour Brody in Jewish Heroes and Heroines of America: 150 True Stories of American Jewish Heroism, and from the one on Eero Saarinen in the Guide to the Eero Saarinen Collection at Yale University Library.

Related Material:

Also found in the Archives are: the Museum of Modern Art exhibition correspondence concerning Eero Saarinen, 1958-1959; the Lily Swann Saarinen papers, 1924-1974; an oral history interview with Lily Swann Saarinen, 1979-1981; and an oral history interview on Aline Saarinen with Charles Alan, 1973 February 17.

Other related material includes: Eero Saarinen Collection, Manuscripts and Archives, Yale University Library.

Separated Material:

Two exhibition catalogs and various clippings that were donated as part of the collection were transferred to the Smithsonian American Art Museum Library in 1981.

Provenance:

The Aline and Eero Saarinen papers were donated in 1973 by Charles Alan, Aline Saarinen's brother and executor of her estate, and microfilmed. In 1966 five photographs of Eliel Saarinen's home in Helsinki, Finland were donated by Florence Davis and were subsequently integrated into the collection. The NBC material was donated in 1974 by NBC Studios via Charles Alan. Additional material, which had originally been donated to the Parrish Museum by Aline Saarinen, was donated to the Archives in 1991 by the Museum.

Restrictions:

The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.

Rights:

NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- Michigan  Search this

Topic:

Architecture -- United States  Search this

Architects -- Michigan -- Bloomfield Hills  Search this

Art -- Collectors and collecting -- United States  Search this

Women architectural critics  Search this

Women art critics  Search this

Women art historians  Search this

Genre/Form:

Photographs

Motion pictures (visual works)

Sound recordings

Interviews

Citation:

Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Terra Foundation for American Art

Identifier:

AAA.saaralin

See more items in:

Aline and Eero Saarinen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ab34d23d-c985-4fd3-a40e-682175cb4a4d

EDAN-URL:

ead_collection:sova-aaa-saaralin

Collection Creator:

Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this

Type:

Archival materials

Date:

1936-1970

Scope and Contents note:

Subseries consists of correspondence between Aline and Eero Saarinen, general and family correspondence received by Aline Saarinen, and some miscellaneous correspondence received by Eero Saarinen. Also found are some personal letters of Eero Saarinen detailing the demise of his marriage to his first wife (Lily Swann Saarinen) which seem to have been written as part of undergoing psychotherapy and are addressed to his psychiatrist, "Dr. B", as well as a letter ending his relationship to a woman named Sampe, which may be a draft or a copy, though it is unclear whether the letter was ever actually sent.

Correspondence between Aline and Eero Saarinen primarily dates from 1953, the year they met and married. Their correspondence documents the evolution of their relationship from time they met when Aline interviewed Eero for an article for The New York Times to Eero's divorce and their subsequent remarriage to each other. Also included are homemade birthday cards from Aline to Eero (of particular note is the one from 1953 which details the history of their romance). In addition to relationship matters, their correspondence typically concerns Aline's article on Eero, Eero's architectural projects (or as he puts it, "what goes on in my mind about work"), a forthcoming speech of his in Cleveland on which Aline assisted him, Aline's articles, Eero's divorce proceedings, their future plans, and sculpture for one of Eero's buildings. By and large, their correspondence from 1953 is undated according to month or day. Therefore, letters from that year are only arranged in rough chronological order.

Aline Saarinen's general correspondence includes letters from friends, editors, her literary agent, lawyers, architects and designers, writers, government and university departments, political figures, and television producers, concerning articles, book ideas, dedication of Saarinen buildings, patents for Saarinen furniture designs, television shows, and committee work, among other matters. Correspondents include: Meyer Schapiro, Charles Eames, Louise Mendelsohn, Wayne Andrews, Hoke Norris, Hiram Haydn, Donald S. Klopfer, Bernice Cozzens, Lincoln Kirstein, The New York Times, James Gould Cozzens, J. Irwin Miller, Dwight D. Eisenhower (?), McCall's, Henry Dreyfuss, Lyndon B. Johnson, New York State Department, Russell Sage College, U.S. Department of Interior, Lady Bird Johnson, Nelson Rockefeller, and Wolf Von Eckhardt. General correspondence is typically arranged in chronological order. More extensive correspondence from Clifford Odets (which includes some drawings by Odets) and Frank Lloyd Wright (which concerns the Guggenheim Museum) is arranged into files according to correspondent.

Eero Saarinen's miscellaneous correspondence includes copy of a letter to Huntington Hartford concerning the relationship between architecture and nature, and letters to and from S. Giedion regarding a plan for an International Exhibition of Modern Architecture, in addition to other scattered letters and the personal letters detailing his relationships with Lily and Sampe. Some or all of these letters may have been ones that Eero shared with Aline, which may be how they came to be amongst her papers.

Family correspondence is comprised mainly of letters from Aline Saarinen's first husband, Joseph Louchheim, when he was working in Liberia for two months in 1949, and from her two sons from her first marriage, Donald and Hal Louchheim. Also found are individual letters to Eero's son from his first marriage, Eric, and from their son, Eames.

Collection Restrictions:

The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.

Collection Rights:

NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Terra Foundation for American Art

Identifier:

AAA.saaralin, Subseries 1.2

See more items in:

Aline and Eero Saarinen papers

Aline and Eero Saarinen papers / Series 1: Aline and Eero Saarinen Personal Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw985887299-4fbc-469c-b9e1-17969ff7da6e

EDAN-URL:

ead_component:sova-aaa-saaralin-ref49

Creator:

Cornell, Joseph  Search this

Names:

Benton, Elizabeth Cornell  Search this

Cornell, Robert  Search this

Extent:

24.9 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Date:

1804-1986

bulk 1939-1972

Summary:

The papers of Joseph Cornell (1903-1972) measure approximately 24.9 linear feet and date from 1804 to 1986 with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers. The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.

Scope and Content Note:

The Joseph Cornell papers measure approximately 24.9 linear feet and date from 1804 to 1986, with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers (which comprise a series of biographical material). The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.

Cornell's correspondence is typically with family, friends, artists, dealers, collectors, galleries, museums, admirers, individuals whom he admired, "helpers," and various charitable institutions. Correspondence generally concerns the creation, exhibition, sale, and reception of Cornell's art work; his "explorations" and other research and collecting activities; his preoccupations with certain individuals and motifs; his usual practices of giving gifts of art work to those he liked or admired and making donations to charities in aid of those less fortunate; and his relationships and shared interests with family, friends, and colleagues. Also found is correspondence between and amongst various other members of the Cornell family, including, most notably, Robert Cornell's letters to his sisters, Elizabeth (typically addressed as Nell) and Helen.

Dating from 1941 to 1972, Cornell's diaries span almost the entirety of his career as an artist, which began in earnest when he left his job at the Traphagen textile studio in 1940 to pursue art full-time and ended with his death in 1972. The diaries record his day-to-day experiences (usually comprising his thoughts, feelings, impressions, and ideas); and reflect on his various art projects (boxes, films, and collages) and creative activities ("explorations," and various other research, collecting, and publishing ventures). They also explore many of the themes and underlying concerns of his art work; and document his intense preoccupations with certain individuals, his wide-ranging interests, and the interconnectedness of his ideas and activities. Cornell's style of writing in the diaries tends to be stream-of-conscious with entries being composed of phrases, rather than complete sentences and with the progression of passages being more poetic and associative than either logical or narrative. He tended to compose by hand, occasionally typing up his notes into more formal entries, and also to use abbreviations for oft-repeated words and initials for individuals. At times, his handwriting can be difficult to read, and his references can be difficult to decipher. It was also common practice for him to review or revisit previous entries at various points in time, often making revisions or comments on them with dated annotations in the margins or on the reverse side of a page.

Cornell's source material is largely comprised of files of newspaper and magazine clippings, cutouts, notes, writings, book excerpts, photostats (or stats), prints, postcards, art reproductions, and other printed material. Some files are devoted to people (ballerinas, actresses, singers, artists, and writers) and topics (astronomy, romantic and modern ballet, birds, films, literature, music, plants, and science, among others). Other files relate to specific art works, "explorations," publishing projects, and exhibitions. Source material documents Cornell's preoccupation with certain individuals (past and present), events, subjects, and motifs; the development of some of his major "explorations" and their influence on his various artistic and commercial projects; and his work on certain box constructions and collages, publishing ventures, and exhibition catalogues. Source material also sheds light on Cornell's efforts to gain access to the past; his interest in the symbolism of images and objects; the linkages he found between seemingly unrelated things; and the connections between his many creative endeavors.

Ephemera and artifacts include various objects, mementos, and items of memorabilia, some of which were accumulated by Cornell (in much the same way that he collected his source material) and some of which are of uncertain origin. For Cornell, items such as these were not merely inanimate objects, but were instead evocative of past worlds and capable of bringing the past into the present (an idea which he often expressed in his diaries as the "metaphysique d'ephemera"). He seems to have used some of these items in a layout he designed for Good Housekeeping. Other items may have been used as source material for some of his box constructions.

The collection also houses photographs of Cornell, his family, art work, other artists, and friends, as well as photographs taken by various individuals and publicity photographs from the New York City Ballet. Also found are scattered works of art, including collage fragments and Rorschachs (or ink blot drawings) by Cornell, collages by Cornell's sister, Betty Cornell Benton, on which he collaborated, and a box by Christine Kaufman, which was a gift to Cornell. The books in the collection most likely comprise the remainder of Cornell's library, which was transferred to the Joseph Cornell Study Center, and include some that seem to have belonged to his sister, Betty. Printed material includes various publications and clippings collected by Cornell apart from that which he collected as source material. Writings about Cornell include an article by the poet, Mina Loy, and copies of various theses, presentations, and articles by graduate students in art history received by Benton (who assisted them in their research).

The Joseph Cornell Estate Papers consist of correspondence relating to Betty Cornell Benton's administration of the part of Cornell's estate for which she was responsible and legal documents relating to her various legal disputes with the executors of the estate, as well as a limited amount of printed material, some of which was originally accumulated by Cornell and subsequently shared with Benton, and miscellaneous papers belonging to Benton and their mother, Helen S. Cornell. Estate Papers provide insight on the exhibition and sale of Cornell art works after his death; the disposition of his belongings (including art work, papers, books, records, and source material); and Benton's efforts to foster and safeguard the memory and legacy of Cornell. The Robert Cornell Papers include correspondence, writings, art works, photographs, printed material, and scattered financial and personal records, documenting the full and creative life Robert led despite being confined to a wheelchair. Their inclusion in the collection suggests the family's effort to foster Robert's memory.

Arrangement:

The collection is arranged into eleven series:

Missing Title

Series 1: Biographical Material, 1918-1972, 1975 (Box 1; 0.8 linear feet)

Series 2: Correspondence, 1909-1982 (Boxes 1-5, OV 31; 4.3 linear feet)

Series 3: Diaries, 1941-1973 (Boxes 6-10; 5 linear feet)

Series 4: Source Material, 1804-1972 (Boxes 11-18, 25-28, OV 29; 8.5 linear feet)

Series 5: Ephemera and Artifacts, 1858-1946 (Boxes 18, 23; 0.8 linear feet)

Series 6: Photographs, circa 1905-1972 (Boxes 18, 28, OV 30; 0.3 linear feet)

Series 7: Art Works, circa 1966-1971 (Boxes 19, 23; 0.2 linear feet)

Series 8: Books and Printed Material, 1806-1968 (Boxes 19, 23; 0.5 linear feet)

Series 9: Writings about Cornell, 1950, circa 1975-1980 (Box 19; 0.3 linear feet)

Series 10: Joseph Cornell Estate Papers, circa 1911, 1944-1986 (Boxes 19-22; 3.5 linear feet)

Series 11: Robert Cornell Papers, 1924-1965 (Boxes 24, 28; 0.4 linear feet)

Biographical Note:

Joseph Cornell, assemblagist, collagist, and filmmaker, was born on December 24, 1903 in Nyack, New York. He was the oldest son of Joseph I. Cornell, a textile salesman and designer, and Helen Storms Cornell, and had two younger sisters, Elizabeth (b. 1905), nicknamed Nell and later Betty, and Helen (b. 1906), and a younger brother, Robert (b. 1910), who suffered from cerebral palsy. Cornell shared close relationships with his siblings, and was especially attached to his brother whom he took care of as an adult. His fondest childhood memories included family Christmas celebrations, outings to Manhattan where he saw vaudeville shows and strolled around Times Square, and trips to Coney Island where he encountered penny arcade machines. These childhood memories, among others, inspired some of the themes later explored in his art work.

After his father's death in 1917, Cornell was sent to study at the Phillips Academy in Andover, Massachusetts. He remained there for four years, but left without receiving a diploma. During this time, the family moved from Nyack to Bayside, Queens, where they lived in a series of rented houses. Cornell rejoined his family in 1921, at which time he went to work as a salesman in the Manhattan office of a textile wholesaler, the William Whitman Company. He joined the Christian Science church in the mid-1920s, and in 1929, the family bought a house at 37-08 Utopia Parkway in Flushing, where he resided for the rest of his life, living there with his mother and brother after both his sisters married and moved away.

During the 1920s, Cornell developed his passion for walking the city streets and taking in their sights, sounds, and impressions; browsing in the secondhand bookshops along Fourth Avenue; and collecting material such as books, prints, postcards, and printed and three-dimensional ephemera. He cultivated his growing interest in culture and the arts by attending opera and ballet performances, seeing plays (the 1922 play Rain, which starred Jeanne Eagels, was among his favorites), visiting galleries and museums, reading, and going to the movies.

In 1931, Cornell began to frequent the Julien Levy Gallery, where he encountered Surrealist art for perhaps the first time. Around this time, he created his first works of art - a series of black-and-white collages composed from cutouts of nineteenth-century engravings - inspired by Max Ernst's collages, in particular his collage-novel, La Femme 100 tetes (1929). Cornell went on to create three-dimensional works of art such as pill boxes and a glass bell series (consisting of objects arranged under a bell jar). His work, including several collages and a glass bell, was first exhibited as part of the groundbreaking "Surrealisme" show at the Levy Gallery in January 1932. He also designed the cover of the show announcement. His first one-man show at the gallery, "The Objects of Joseph Cornell," followed in the fall of 1932. (It was seven years before his next solo show.) By this time, Cornell had been laid off from his job at Whitman's. He was out of work for several years before getting a job as a textile designer at the Traphagen Commercial Textile Studio in 1934. During the next several years, he continued to work on his art at night.

Around this time, Cornell began collecting movies and movie stills, and embarked upon various film-related projects. In 1933, he wrote a scenario for a silent movie, Monsieur Phot. A few years later, he made his first film, Rose Hobart (1936), comprised of re-edited footage from the B-movie, East of Borneo (1931), which starred the actress, Rose Hobart. And he began work on a trilogy of collage-films - The Children's Party, Cotillion, and The Midnight Party (circa 1937). He then took a break from making films until the mid-1950s, but continued to collect film-related material, which he began to incorporate into his other art work.

In 1936, Cornell constructed his first glass-fronted shadow box, Untitled (Soap Bubble Set), which was included that same year in the "Fantastic Art, Dada and Surrealism" exhibition at the Museum of Modern Art, along with a cabinet box and several glass bells. In creating some of his other early boxes, he began the practice of using photo reproductions of images which he located in books and magazines, or in the Picture Collection at the New York Public Library, among other places. In his tribute boxes to actresses (1930s), he made use of publicity shots, and in the box, Dressing Room for Gilles (1939), he employed a photostat (or stat) of a reproduction of Jean-Antoine Watteau's painting, Gilles (1718).

Over the years, Cornell came into contact with various figures of the art, dance, and literary worlds. In the 1930s and 1940s, he met the artists, Max Ernst, Marcel Duchamp, and Salvador Dali, and befriended the artists, Lee Miller and Dorothea Tanning. His formative friendships during 1940s were with the artist, Pavel Tchelitchew, the writers, Charles Henri Ford (founder of the avant-garde periodical, View), Parker Tyler, and Donald Windham, and the balletomane, Lincoln Kirstein (founder of Dance Index). His other friends included the artists, Roberto Matta Echaurren and Robert Motherwell, the dancer and actress, Tilly Losch, and the poets, Mina Loy and Marianne Moore. In the 1950s, he associated with artists from the Abstract Expressionist movement, including Willem de Kooning, Jack Tworkov, and Mark Rothko. Beginning in the mid-1950s, he befriended many young artists, including Lee Bontecou and Carolee Schneeman, and young actresses, including Lois Smith, Gwen Van Dam, and Suzanne Miller, whom he sought to appear in his films. And in the early 1960s, he met the Pop artists, Robert Indiana, James Rosenquist, and Andy Warhol.

Beginning in 1940, Cornell developed a keen interest in dance, particularly ballet. Ballerinas from the Romantic era, such as Marie Taglioni and Fanny Cerrito, especially captured his imagination, inspiring such works as the box, Taglioni's Jewel Casket (1940), and the Portrait of Ondine "exploration," which comprised a portfolio of material relating to Cerrito and her famous role in the ballet, Ondine. Cornell was also fascinated with the modern counterparts of the Romantic ballerinas. In 1940, he befriended the Russian ballet dancer, Tamara Toumanova, and over the years produced many works in homage to her, including swan boxes (inspired by her role in Swan Lake), boxes made with scraps from her costumes, and scrapbooks of clippings, stats, and memorabilia. In 1949, he became enamored of the French dancer, Renee "Zizi" Jeanmarie, after seeing her perform in Carmen and meeting her backstage, and he created several dance-related boxes in her honor. In 1957, he met the ballerina, Allegra Kent. After meeting again in 1964, they became friends, and she served as the subject of several works based on images reproduced from a Parmigianino painting.

In December 1940, Cornell left his job at the Traphagen textile studio to pursue art full-time. He set up a workshop in the basement of the house on Utopia Parkway, which served as a combination studio and storage space. While he spent most days at home, he continued to make regular trips into Manhattan to wander around the city, visit with friends, and hunt for material. Around this time, he began to keep a diary, recording his day-to-day experiences (usually comprising his thoughts, feelings, impressions, ideas) on scraps of paper (including used envelopes, paper bags, napkins, and ticket stubs, among other fragments). He would then type up some of these notes into more formal diary entries, but most of them remained, in his word, "scribblings." Diary keeping eventually became one of his primary activities, along with box construction, collage, research, and collecting.

By this time, his art work was beginning to sell, yet he was not able to live from these sales alone. During the 1940s, he primarily supported himself by doing freelance work for magazines such as Vogue, Harper's Bazaar, and Good Housekeeping, supplying illustrations from his picture collection and designing covers and layouts. He also regularly contributed pieces to View and Dance Index. His notable contributions to View included "Enchanted Wanderer: Excerpt from a Journey Album for Hedy Lamarr" (December 1941), "Story Without a Name - for Max Ernst" (April 1942), and "The Crystal Cage [portrait of Berenice]" (January 1943). His projects for Dance Index included various collage-covers, essays, and thematic issues, such as the Summer 1944 issue, which comprised a 22-page tribute to the Romantic ballerinas, Taglioni, Carlotta Grisi, Cerrito, and Fanny Elssler. To supplement his income, Cornell also held brief positions at an electronics plant, the Allied Control Company, Inc. (in 1943), and at a nursery, the Garden Centre (in 1944).

In 1942, Cornell created one of his more memorable works, Medici Slot Machine, embarking upon a large series of Medici boxes in which he utilized reproductions of portraits by Italian Renaissance artists, such as Sofonisba Anguissola and Pinturicchio. His other boxes from this time period explored themes ranging from ballet, as in A Pantry Ballet (for Jacques Offenbach) (1942), to doomed love, as in Paolo and Francesca (1943-48), to nature, as in the Sand Boxes (1940s) and Sand Fountains (1950s). Cornell often created boxes in series, producing variations on a theme with variants that differed significantly or only slightly. Over the years, series included: Pink Palaces, Pharmacies, Habitats, Aviaries, Dovecotes, Hotels, Observatories, and Night Skies, among others.

In late 1945, Cornell joined the Hugo Gallery, which was run by Alexander Iolas, and a year later mounted the show, "Romantic Museum at the Hugo Gallery: Portraits of Women by Joseph Cornell" (December 1946). He designed the exhibition catalog for this show, which consisted of portraits - box constructions, objects, and "dossiers" - of the opera singers, Giuditta Pasta and Maria Malibran, the ballerinas, Taglioni and Cerrito, and the actresses, Eleanora Duse, Jeanne Eagels, Greta Garbo, and Jennifer Jones, and which also featured one of his most famous boxes, Untitled (Penny Arcade Portrait of Lauren Bacall) (1945-46).

In 1949, Cornell joined the Egan Gallery, which was run by Charles Egan. Around this time, he began creating his series of Aviary boxes, which explored the symbolism of birds and birdcages. He showed twenty-six of these box constructions in his first exhibition at the Egan Gallery, "Aviary by Joseph Cornell" (December 1949-January 1950). He created other series of whitewashed boxes, including the Dovecote series and a small group relating to the poet, Emily Dickinson. He then went on to explore the themes of astronomy and celestial navigation in the Observatory, Night Skies, and Hotel series. Works from these series were featured in his two remaining shows at the Egan Gallery, "Night Songs and Other Work" (December 1950-January 1951) and "Night Voyage" (February-March 1953). In the fall of 1953, sparked by seeing the painting, Figure Seated in a Cafe (1914), Cornell embarked upon a major series of bird constructions dedicated to the Cubist artist, Juan Gris. Notably, these were the only boxes he explicitly dedicated to another artist.

Over the next couple of years, Cornell's work was exhibited across the country. In 1955, he joined the Stable Gallery, which was run by Eleanor Ward. His first one-man show there, in the winter of 1955-56, was "Winter Night Skies," which featured various box constructions based on constellations. During the mid-1950s, he embarked upon a series of Sand Fountains (vertical standing boxes featuring a broken glass and sand that flowed through it when turned upside down), elaborating upon his earlier Sand Boxes (1940s). These boxes along with some of his other latest works, including the Bleriot boxes and the Space Object boxes (which comprised his final box series), were exhibited in his second and last show at the Stable Gallery, "Selected Works" (December 1957).

After leaving the Stable Gallery, Cornell had several dealers handle his work rather than allowing any one to assume too much control. Dealers included Richard Feigen (in Chicago and then in New York) and Irving Blum (in California), among others. Throughout his career, Cornell never liked selling his boxes. He was always reluctant to let his work go and became increasingly uneasy about the growing status of his work as a commodity. He preferred instead to make gifts of his art work to friends and individuals he admired (especially female ones).

In the mid-1950s, Cornell returned to making films. Rather than just splicing together found images as he had in his films of the 1930s, he began to collaborate with others to shoot original footage. He worked with the experimental filmmaker, Stan Brakhage, on two films, one about the Third Ave El which was about to be torn down ( Wonder Ring or Gnir Rednow) and the other about an old house in Cornell's neighborhood that was slated for demolition ( Centuries of June). Cornell then went on to make nine films with the filmmaker, Rudy Burckhardt, including Aviary, A Legend for Fountains, and Nymphlight, among others. In the late 1960s, he enlisted the help of Larry Jordan, who was also a filmmaker, in completing the trilogy of collage-films that he had begun in the 1930s.

Along with creating works of art and making films, Cornell was involved in a host of other creative endeavors throughout his career as an artist. These included: keeping a diary, which was for him another medium for exploring and expressing the themes, ideas, and concerns recurrent in his art work; carrying out "explorations," which typically involved conducting research, collecting material, and compiling files on persons or topics of interest to him; and other projects, such as publishing pamphlets (or brochures) dedicated to the nineteenth-century opera singers, Malibran and Giulia Grisi. Cornell's "explorations" clearly informed his artwork, but they were also works of art in and of themselves. He continually sought to share this work with an audience and twice had the opportunity to do so, when he exhibited versions of his Portrait of Ondine "exploration" at the Museum of Modern Art in 1945 and at the Wittenborn Bookstore in 1956.

Around the mid-1950s, Cornell returned to making collages as independent works of art. Unlike his earlier ones, which were composed from cutouts of black-and-white engravings, his latest collages were made with color images cut out of contemporary magazines and books. In these collages, he explored many of the same themes and preoccupations of his box constructions, including birds, as in Couleur de Peche (1967) and Untitled (Vierge Vivace) (1970), children's games, as in the Penny Arcade series (1960s), and actresses, as in The Sister Shades (1956). Towards the end of his career, collage became his principal medium.

By this time, Cornell was taking fewer trips into Manhattan. Instead, he spent more time at home or traveled only so far as downtown Flushing, where he frequented the public library, hunted for material in stores, such as Woolworth's, and passed time in the coffee-shops on Main Street. From this time on, he kept his diary with increasing regularity, taking down notations with more frequency and creating entries of greater length.

In 1961, fourteen of Cornell's boxes, including Medici Slot Machine, were exhibited as part of the "The Art of Assemblage" show at the Museum of Modern Art. As his biographer notes, Cornell came to view this show "as a turning point in his creative life," marking the "[fall] off in his work" that took place in the sixties (Solomon 271-2). He continued to work on boxes that he had begun long before, but, after this time, rarely if ever constructed new ones. Instead, he focused on making collages and became increasingly concerned with other projects, such as organizing his basement workshop, for which he hired various "helpers" or assistants (mostly young women) over the years. He also became more and more prone to obsessions (or preoccupations, as he called them) with various young women that he encountered both in fantasy (actresses on stage or in films) and in real life (working girls in the city, "teeners" on Main Street, or his female visitors and "helpers" at home). These preoccupations infused his diary writings, and inspired the keeping of "dossiers" on particular individuals and the creation of various collages dedicated to others, including most notably the Penny Arcade series dedicated to Joyce Hunter (or "Tina," as he referred to her in his writings).

After Robert's death in February 1965, Cornell created a series of collages in his memory, many of which incorporated his brother's drawings of animal characters. In January 1966, he exhibited some of these collages, alongside a selection of Robert's drawings, in a show at the Robert Schoelkopf Gallery, "Robert Cornell: Memorial Exhibition." In 1967, there were two retrospective exhibitions of Cornell's work, "An Exhibition of Works by Joseph Cornell" at the Pasadena Art Museum and "Joseph Cornell" at the Guggenheim Museum. By now, Cornell was receiving considerable public recognition for his work. He had received his first profile (by Howard Griffin) in the December 1957 issue of Art News and, ten years later, was treated to a 12-page spread (by David Bourdon) in the December 1967 issue of Life magazine. He was also the recipient of various prizes for his art work, including the M.V Kohnstamm Prize at the Art Institute of Chicago's "62nd American Exhibition of Painting and Sculpture" in 1957 and the winning prize in India's first Triennale of Contemporary World Art in 1968.

In the last years of his life (especially from the time of his mother's death in the fall of 1966), Cornell suffered from severe depression and loneliness, and withdrew even further from the outside world. However, he still maintained relationships with various young friends and artists, who frequently visited Utopia Parkway and/or served as one of his assistants. He became more and more interested in sharing his work with a younger audience and his last two exhibitions in 1972 were expressly for children, "A Joseph Cornell Exhibition for Children" at the Cooper Union School of Art and Architecture and "Joseph Cornell - Collages and Boxes" at the Albright-Knox Art Gallery in Buffalo, New York.

Cornell continued to work until the end of his life, "refurbishing" earlier boxes and creating memorial collages. Following prostate surgery in June 1972, he spent several months recuperating with family in Westhampton before returning to Utopia Parkway in November. He died of heart failure at home on December 29, 1972.

The biographical note draws heavily from Deborah Solomon's biography, Utopia Parkway: The Life and Work of Joseph Cornell (New York: Farrar, Strauss, and Giroux, 1997), and Diane Waldman's book, Joseph Cornell: Master of Dreams (New York: Harry N. Abrams, Inc., 2002).

Related Material:

The Archives holds several collections of different provenance that relate to Joseph Cornell, including the small collections of Allison Delarue (comprised of two letters from Cornell, available on reel 2803), Muriel Streeter Schwartz (comprised of two letters from Cornell, available on reel 4283), Wayne Andrews (comprised of letters from Cornell and printed material), and Marion Netter (comprised of items received from Cornell). In addition, photographs of Cornell can be found amongst the Hans Namuth photographs and papers. Also found within the Archives is a transcribed interview of Cornell's sister, Elizabeth Cornell Benton, conducted on April 21, 1976 as part of the oral history program.

Separated Material:

The bulk of Cornell's source material resides in the Joseph Cornell Study Center, Smithsonian American Art Museum, along with his library and record collection. Cornell's sister, Betty Cornell Benton, donated a portion of this material directly to SAAM (then known as the National Museum of American Art), occasioning the creation of the Study Center circa 1978. The bulk of the source material and library that she donated to AAA, including approximately 66 linear feet of three-dimensional and non-textual source material and 50 linear feet of books, was transferred to the Study Center in 1994 and 1995.

Originals of loaned material returned to the donor after microfilming include: some unidentified and miscellaneous correspondence; significant correspondence between Joseph Cornell and Helen S. Cornell; significant correspondence between Helen S. Cornell, family members and others; and some of Joseph Cornell's family correspondence and general correspondence from the Robert Cornell papers. The loaned material is available on microfilm reels 1055-1058 but is not described further in the Series Descriptions/Container Listing of this finding aid.

Provenance:

The Joseph Cornell papers were donated and microfilmed in several installments from 1974 to 1989 by Joseph Cornell's sister, Betty Cornell Benton. Most, but not all, of the correspondence, which was loaned for microfilming in 1974, was subsequently donated in 1989. Additional material was donated in 2004 by the Joseph and Robert Cornell Memorial Foundation.

Restrictions:

Use of the original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Celebrities  Search this

Assemblage (Art)  Search this

Found objects (Art)  Search this

Art, Modern -- 20th century -- United States  Search this

Assemblage artists -- New York (State) -- New York  Search this

Works of art  Search this

Genre/Form:

Photographs

Citation:

Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.

Identifier:

AAA.cornjose

See more items in:

Joseph Cornell papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ff67e8a6-6a88-40f0-9df4-537c9826eed7

EDAN-URL:

ead_collection:sova-aaa-cornjose

Artist:

Daniel Huntington, 14 Oct 1816 - 18 Apr 1906  Search this

Sitter:

Peter Cooper, 12 Feb 1791 - 4 Apr 1883  Search this

David Dudley Field, Jr., 1805 - 1894  Search this

Chandler White  Search this

Marshall Owen Roberts, 1814 - 1880  Search this

Samuel Finley Breese Morse, 27 Apr 1791 - 2 Apr 1872  Search this

Daniel Huntington, 14 Oct 1816 - 18 Apr 1906  Search this

Moses Taylor, 1806 - 1882  Search this

Cyrus West Field, 30 Nov 1819 - 12 Jul 1892  Search this

Wilson G. Hunt  Search this

Medium:

Oil on canvas

Dimensions:

218.4 x 271.8cm (86 x 107")

Type:

Painting

Date:

1895

Topic:

Home Furnishings\Furniture\Seating\Chair  Search this

Home Furnishings\Furniture\Table  Search this

Artwork\Painting  Search this

Printed Material\Papers  Search this

Artwork\Sculpture\Bust  Search this

Personal Attribute\Facial Hair\Mustache  Search this

Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this

Personal Attribute\Facial Hair\Beard  Search this

Printed Material\Map  Search this

Home Furnishings\Globe  Search this

Container\Inkwell  Search this

Architecture\Fireplace\Mantel  Search this

Cyrus West Field: Male  Search this

Cyrus West Field: Business and Finance\Businessperson  Search this

Cyrus West Field: Business and Finance\Financier  Search this

Cyrus West Field: Business and Finance\Businessperson\Industrialist\Railroad  Search this

Cyrus West Field: Congressional Gold Medal  Search this

Daniel Huntington: Male  Search this

Daniel Huntington: Visual Arts\Artist\Painter  Search this

Daniel Huntington: Visual Arts\Artist\Portraitist  Search this

Peter Cooper: Male  Search this

Peter Cooper: Business and Finance\Businessperson  Search this

Peter Cooper: Education and Scholarship\Founder\School  Search this

Peter Cooper: Business and Finance\Businessperson\Industrialist\Manufacturer  Search this

Peter Cooper: Society and Social Change\Philanthropist  Search this

Peter Cooper: Science and Technology\Inventor  Search this

Peter Cooper: Business and Finance\Businessperson\Industrialist\Manufacturer\Iron  Search this

Samuel Finley Breese Morse: Male  Search this

Samuel Finley Breese Morse: Visual Arts\Artist\Painter  Search this

Samuel Finley Breese Morse: Visual Arts\Artist\Portraitist  Search this

Samuel Finley Breese Morse: Journalism and Media\Journalist  Search this

Samuel Finley Breese Morse: Visual Arts\Art instructor  Search this

Samuel Finley Breese Morse: Education and Scholarship\Founder\College  Search this

Samuel Finley Breese Morse: Science and Technology\Inventor  Search this

Samuel Finley Breese Morse: Science and Technology\Inventor\Telegraph  Search this

Marshall Owen Roberts: Male  Search this

Marshall Owen Roberts: Business and Finance\Businessperson  Search this

Marshall Owen Roberts: Visual Arts\Art collector  Search this

Marshall Owen Roberts: Business and Finance\Capitalist  Search this

Marshall Owen Roberts: Visual Arts\Visual arts administrator\Art museum administrator\Art museum trustee  Search this

Moses Taylor: Male  Search this

Wilson G. Hunt: Male  Search this

David Dudley Field, Jr.: Male  Search this

David Dudley Field, Jr.: Law and Crime\Lawyer  Search this

David Dudley Field, Jr.: Society and Social Change\Reformer\Law reformer  Search this

Chandler White: Male  Search this

Portrait  Search this

Credit Line:

Owner: New York State Museum

Object number:

H-2003.41.3

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4a194985d-8a89-40f0-9aec-6d02ef855320

EDAN-URL:

edanmdm:npg_H-2003.41.3

Artist:

Joseph Edward Baker, 1835 - 1914  Search this

Sitter:

Franklin Pierce, 23 Nov 1804 - 8 Oct 1869  Search this

Medium:

Lithograph with tintstone and hand-coloring on paper

Dimensions:

Image: 25.3 × 20.5 cm (9 15/16 × 8 1/16")

Sheet: 32.9 × 25.2 cm (12 15/16 × 9 15/16")

Mat: 55.8 × 40.7 cm (21 15/16 × 16")

Type:

Print

Date:

1853

Topic:

Costume\Headgear\Hat  Search this

Weapon\Sword  Search this

Nature & Environment\Animal\Horse  Search this

Architecture\Building  Search this

Costume\Dress Accessory\Epaulet  Search this

Symbols & Motifs\Flag\National\United States  Search this

Costume\Dress Accessory\Feather  Search this

Franklin Pierce: Male  Search this

Franklin Pierce: Law and Crime\Lawyer  Search this

Franklin Pierce: Politics and Government\US Senator\New Hampshire  Search this

Franklin Pierce: Politics and Government\President of US  Search this

Franklin Pierce: Military and Intelligence\Army\Officer\Brigadier General  Search this

Franklin Pierce: Politics and Government\US Congressman\New Hampshire  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.86.71

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4923dc5ff-c9d6-459a-bf6c-a63e2f93a2a0

EDAN-URL:

edanmdm:npg_NPG.86.71

Creator:

Getz, Ilse, 1917-  Search this

Extent:

3.4 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Photographs

Date:

1928-1999

Summary:

The papers of collage artist Ilse Getz measure 3.4 linear feet and date from 1928 through 1999, with the bulk of the papers dating from circa 1947-circa 1990. Her personal life is reflected through biographical material including a genealogy of the Bechhold family; marriage and death certificates; and writings that include journals, artist statement, poems and notes. The collection contains letters from friends, artists, collectors, and museum and art gallery representatives; exhibition files; and printed material relating to Getz's exhibitions. Also found are photographs, slides and transparencies of artwork.

Scope and Contents:

The papers of collage artist Ilse Getz measure 3.4 linear feet and date from 1928 through 1999, with the bulk of the papers dating from circa 1947-circa 1990. Her personal life is reflected through biographical material including a genealogy of the Bechhold family; marriage and death certificates; and writings that include journals, artist statement, poems and notes. The collection contains letters from friends, artists, collectors, and museum and art gallery representatives; exhibition files; and printed material relating to Getz's exhibitions. Also found are photographs, slides and transparencies of artwork.

Arrangement:

This collection is organized into 6 series.

Series 1: Biographical Material, circa 1934-1996 (Box 1, OV 5; 0.2 linear feet)

Series 2: Letters, circa 1950-1999 (Box 1; 0.5 linear feet)

Series 3: Exhibition Files, circa 1944-1990 (Box 1, 2, 4; 1.0 linear feet)

Series 4: Writings, circa 1928-1987 (Box 2, 4; 0.2 linear feet)

Series 5: Printed Material, circa 1956-1990 (Box 2, 3, 4, OV 5; 1.0 linear feet)

Series 6: Photographs, circa 1940-1985 (Box 3; 0.5 linear feet)

Biographical / Historical:

Ilse Getz (1917-1992) was born in Nuremberg, Germany and immigrated to the U.S. in 1933. She studied at the Art Students League with George Grosz and Morris Kantor and at the Ozenfant School. Getz was a collage and construction artist active from the 1950s through the 1980. She exhibited at several galleries in New York City including the Bertha Schaefer Gallery and Rosenberg Gallery.

During her childhood, Ilse Getz (nee Bechhold) had been uprooted both from home and country. She was first displaced in 1929, when she was sent to Hamburg to live with her sister after her father died by suicide. In 1933, Ilse and her sister left Nazi Germany, and traveled to Italy, Spain, Cuba, and Mexico. Ilse joined immediate family in New York. In 1937, Ilse married lawyer David Getz and settled in Allentown, Pennsylvania. Three years later she had a child and became a naturalized citizen of the United States.

In 1942, while visiting her sister in Mexico, Getz created her first oil painting. Upon returning to New York, Ilse continued her artistic exploration and studied with George Grosz and Morris Kantor at the Art Students League. By 1945, Getz had already held her first solo exhibition at the Norlyst Gallery in New York.

Getz traveled extensively throughout her life, incorporating the experiences in her work. During 1947-1948, she traveled and worked in Europe, visiting Switzerland, France, Spain and Portugal among other countries before retiring for four months in Guaruja, Brazil. She destroyed most of the artwork created during that period and returned to New York City.

During the summer of 1956, Getz taught and exhibited at the Positano Art Workshop in Italy along with Piero Dorazio. She repeated the experience two years later. In 1958, Getz married her second husband, artist Manoucher Yektai. The following year, Getz and Yektai went to Yaddo in Saratoga Springs, New York after having received fellowships to the artists' community.

In 1960, Getz was commissioned by Richard Barr to create the set for Eugene Ionesco's play, The Killer. The venue was the Seven Arts Theater in New York City and she completed the set in five days. Getz spent the next two years in Paris where she was represented by the Iris Clert Gallery; she exhibited in France, Germany and England. In 1962, Getz returned to New York City and maintained a studio on the Upper East Side. Getz married for the third time in 1964 to Gibson Danes who was then the Dean of Yale School of Art and Architecture. The couple lived in New York and Connecticut, and eventually settled in Newtown, Connecticut.

Getz participated in national and international exhibitions and in solo and group shows. Her collages and constructions incorporate items such as dolls, toys, birds, eggs, playing cards, and game boards. In 1978, retrospective exhibitions of Getz's work were held at the Neuberger Museum in Purchase, New York and in her native city at the Kunsthalle Nürnberg. Retrospective exhibitions were also held in 1980 at the Goethe House and Alex Rosenberg Gallery.

Later in life, Getz suffered from advanced Alzheimer's disease. In 1992, Gibson Danes, fearful that he would no longer be able to properly care for his wife, took both his life and that of Ilse Getz. They were found dead in their garage from acute carbon monoxide toxicity after breathing the fumes of their idling car.

Provenance:

The papers were donated in 2001 by Patricia Getz-Gentle, the daughter of Ilse Getz.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Occupation:

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Genre/Form:

Diaries

Photographs

Citation:

Ilse Getz Papers, 1928-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.getzilse

See more items in:

Ilse Getz papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9eaa347d5-7fa5-4528-9c0e-cfbdfce62a96

EDAN-URL:

ead_collection:sova-aaa-getzilse

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2023-05-25T12:09:37.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_0AkjturEiTM

Interviewee:

Sekula, Allan  Search this

Interviewer:

Panzer, Mary  Search this

Names:

Artforum  Search this

California Institute of the Arts  Search this

Rhode Island School of Design  Search this

Students for a Democratic Society (U.S.)  Search this

The Ohio State University -- Faculty  Search this

University of California, San Diego  Search this

Altoon, John, 1925-  Search this

Antin, David  Search this

Antin, Eleanor  Search this

Ascott, Roy  Search this

Baldessari, John, 1931-  Search this

Barthes, Roland  Search this

Becker, Howard  Search this

Bercovitch, Sacvan  Search this

Beveridge, Karl  Search this

Bo Diddley, 1928-2008  Search this

Brach, Paul, 1924-  Search this

Braderman, Joan  Search this

Burch, Noël, 1932-  Search this

Burn, Ian, 1939-1993  Search this

Captain Beefheart  Search this

Charlesworth, Sarah, 1947-2013  Search this

Chayefsky, Paddy, 1923-1981  Search this

Conde, Carol  Search this

Connell, Brian  Search this

Evans, Walker, 1903-1975  Search this

Farber, Manny  Search this

Feldman, Ronald, 1938-  Search this

Folks, Homer, 1867-1963  Search this

Fox, Terry, 1943-  Search this

Fried, Howard, 1946-  Search this

Ginsberg, Allen, 1926-1997  Search this

Graham, Dan, 1942-  Search this

Graves, Michael, 1934-2015  Search this

Halleck, DeeDee  Search this

Hanhardt, John G.  Search this

Hassan, Ihab, 1925-2015  Search this

Hayes, Woody, 1913-1987  Search this

Heinecken, Robert, 1931-  Search this

Higgins, Dick, 1938-1998  Search this

Hine, Lewis Wickes, 1874-1940  Search this

Kienholz, Edward, 1927-  Search this

Kirschenbaum, Baruch David, 1931-  Search this

Knowles, Alison, 1933-  Search this

Kosuth, Joseph.  Search this

Kozloff, Max  Search this

Kramer, Hilton  Search this

Krauss, Rosalind E.  Search this

König, Kasper  Search this

Liebling, Jerome  Search this

Lifson, Ben  Search this

Little Richard, 1932-  Search this

Lonidier, Fred  Search this

Lord, Catherine, 1949-  Search this

Lunn, Harry, 1933-1998  Search this

Mac Low, Jackson  Search this

Mandel, Mike  Search this

Matta, 1912-2002  Search this

Mayer, Grace M.  Search this

Michelson, Annette  Search this

O'Doherty, Brian  Search this

Pommer, Richard  Search this

Ramsden, Mel  Search this

Raskin, Jef  Search this

Reagan, Ronald  Search this

Rosler, Martha  Search this

Ross, David A., 1949-  Search this

Ruby, Jay  Search this

Ruscha, Edward  Search this

Salle, David, 1952-  Search this

Salvesen, Britt  Search this

Schimmel, Paul  Search this

Segalove, Ilene, 1950-  Search this

Stein, Sally  Search this

Steinmetz, Philip  Search this

Sultan, Larry  Search this

Van Riper, Peter  Search this

Wakoski, Diane  Search this

Wall, Jeff, 1946-  Search this

Extent:

12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)

143 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

2011 August 20-2012 February 14

Scope and Contents:

An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.

Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.

Biographical / Historical:

Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Photographers -- California  Search this

Filmmakers -- California  Search this

Authors -- California  Search this

Topic:

Activism  Search this

Antisemitism  Search this

Architecture  Search this

Art -- Exhibitions -- Economic aspects  Search this

Art -- History  Search this

Art, Modern -- 20th century  Search this

Art -- Study and teaching  Search this

Conceptual art  Search this

Documentary photography  Search this

Korean War, 1950-1953  Search this

Music -- New York (State) -- New York  Search this

Photography  Search this

Realism  Search this

World War, 1914-1918  Search this

Genre/Form:

Interviews

Sound recordings

Identifier:

AAA.sekula11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81

EDAN-URL:

ead_collection:sova-aaa-sekula11

Creator:

Berman, Avis  Search this

Names:

Whitney Museum of American Art  Search this

Force, Juliana, 1876-1948  Search this

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Extent:

11.8 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Sound recordings

Interviews

Date:

1857-circa 2010

Summary:

The Avis Berman research material on Juliana Force, inaugural director of the Whitney Museum of American Art, measures 11.8 linear feet and dates from 1857 to circa 2010. The collection is comprised of Berman's research and writing files in preparation for her book, Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art, published in 1990. Included are manuscript drafts, correspondence, photographs, photocopies of archival material, notes, printed material, and theirty-seven recordings of interviews with numerous artists, as well as a few unidentified recordings. Berman's manuscript is also contained in digital format on twenty-three electronic disks. Research topics include Gertrude Vanderbilt Whitney, the Whitney Museum, Whitney Studio Galleries and Club, MacDougal Alley, Force and the Rieser family, and historical events of the early 1900s.

Scope and Contents:

The Avis Berman research material on Juliana Force, inaugural director of the Whitney Museum of American Art, measures 11.8 linear feet and dates from 1857 to circa 2010. The collection is comprised of Berman's research and writing files in preparation for her book, Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art, published in 1990. Included are manuscript drafts, correspondence, photographs, photocopies of archival material, notes, printed material, and theirty-seven recordings of interviews with numerous artists, as well as a few unidentified recordings. Berman's manuscript is also contained in digital format on twenty-three electronic disks. Research topics include Gertrude Vanderbilt Whitney, the Whitney Museum, Whitney Studio Galleries and Club, MacDougal Alley, Force and the Rieser family, and historical events of the early 1900s.

Arrangement:

The collection is arranged as two series.

Series 1: Writing Project Files, circa 1980s (1.6 linear feet; Boxes 1-2)

Series 2: Research and Subject Files, 1857-circa 2010 (10.2 linear feet; Boxes 2-13, OVs 14-15)

Biographical / Historical:

Avis Berman (1949- ) is a writer, curator, and historian of American art, architecture and culture based in New York, N.Y. She holds a bachelor's degree from Bucknell University and an master's degree from Rutgers Univerisy, both in English literature. She is the author of numerous books including Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art; James McNeill Whistler; and Edward Hopper's New York. She was also co-author and editor of Katharine Kuh's memoir, My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator.

Berman has written numerous articles on subjects including painting, sculpture, photography, illustration, design, architecture, and the social history of the visual arts for a broad range of publications including The New York Times, The New York Review of Books, The Washington Post, Smithsonian, Saturday Review, The Boston Book Review, American Art, ARTnews, The San Francisco Examiner, The Boston Globe, The Philadelphia Inquirer, The Baltimore Sun, Art in America, Art & Antiques, House & Garden, and Architectural Digest. Throughout the 1980s 1990s and 2000s Avis served as a consultant for the Archives of American Art, Washington, D.C., in her capacity as interviewer for the oral history project for which she has researched and interviewed countless artists, collectors, and other figures in the art world in Europe and the United States.

Related Materials:

Also in the Archives are the Avis Berman research material on Katharine Kuh, 1939-2006, research material on art and artists, 1976-1994, research material on Elie Nadelman, 2001, and an interview of Reuben Nakian conducted by Berman for the Archives Oral History Program, June 1981.

Provenance:

The collection was donated in 2020 and 2021 by Avis Berman.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

The donor has retained all intellectual property rights, including copyright, that they may own in the following material: all writings by Avis Berman.

Occupation:

Art historians -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Topic:

Women art dealers  Search this

Women art historians  Search this

Genre/Form:

Video recordings

Sound recordings

Interviews

Citation:

Avis Berman research material on Juliana Force, 1857-circa 2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bermavis4

See more items in:

Avis Berman research material on Juliana Force

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fe24ce94-5c70-4ab0-adc9-0193e72014bd

EDAN-URL:

ead_collection:sova-aaa-bermavis4

Creator:

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Names:

American Ambulance Field Hospital (Juilly, France)  Search this

Greenwich House (New York, N.Y.)  Search this

Whitney Museum of American Art  Search this

Whitney Studio Club  Search this

Cushing, Howard Gardiner, 1869-1916  Search this

De Meyer, Adolf, Baron, 1868-1949  Search this

Miller, Flora Whitney  Search this

Strelecki, Jean de, count  Search this

Watson, Forbes, 1880-1960  Search this

Whitney, Harry Payne, 1872-1930  Search this

Extent:

36.1 Linear feet

Type:

Collection descriptions

Archival materials

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Date:

1851-1975

bulk 1888-1942

Summary:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Scope and Content Note:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).

Arrangement:

The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)

Biographical/Historical note:

New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.

Related Archival Materials note:

Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.

Provenance:

The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Philanthropists -- New York (State) -- New York  Search this

Topic:

Art patrons -- New York (State) -- New York  Search this

Women artists  Search this

Women sculptors  Search this

World War, 1914-1918  Search this

Genre/Form:

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Citation:

Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.whitgert

See more items in:

Gertrude Vanderbilt Whitney papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e

EDAN-URL:

ead_collection:sova-aaa-whitgert

Creator:

Kraushaar Galleries  Search this

Names:

Art Institute of Chicago  Search this

Carnegie Institute  Search this

Cleveland Museum of Art  Search this

Ernest Brown and Co.  Search this

Museum of Modern Art (New York, N.Y.)  Search this

New Britain Institute. Art Museum  Search this

Toledo Museum of Art  Search this

University of Nebraska--Lincoln. Department of Art  Search this

Whitney Museum of American Art  Search this

Wichita Art Museum  Search this

Albrizio, Humbert, 1901-1970  Search this

Allard, J.  Search this

Arnest, Bernard, 1917-  Search this

Bacon, Peggy, 1895-1987  Search this

Beal, Gifford, 1879-1956  Search this

Beal, Reynolds, 1866-1951  Search this

Bignou, Etienne  Search this

Bouché, Louis, 1896-1969  Search this

Brueming, Karen  Search this

Cantene, David  Search this

Cowles, Russell, 1887-1979  Search this

DeLonga, Leonard  Search this

Demuth, Charles, 1883-1935  Search this

Evett, Kenneth Warnock, 1913-  Search this

Fausett, Dean, 1913-  Search this

Flannery, Vaughn  Search this

Glackens, Edith  Search this

Glackens, William J., 1870-1938  Search this

Guillaume, Paul, 1891-1934  Search this

Halberstadt, Ernst, 1910-1987  Search this

Hardy, Thomas, 1921-  Search this

Harrison, Preston  Search this

Hartell, John  Search this

Heliker, John, 1909-2000  Search this

Juley, Peter A., 1862-1937  Search this

Kirsch, Frederick D. (Frederick Dwight), b. 1899  Search this

Kraushaar, Antoinette M., 1902-1992  Search this

Kraushaar, John F., 1871-1946  Search this

Kuhn, Walt, 1877-1949  Search this

Lachaise, Gaston, 1882-1935  Search this

Lasker, Joe  Search this

Laurent, Robert, 1890-1970  Search this

Lechay, James  Search this

Luks, George Benjamin, 1867-1933  Search this

Miller, Harriette  Search this

Morris, Carl, 1911-1993  Search this

Murdock, Roland P. -- Art collections  Search this

Navas, Elizabeth S., 1885-1979  Search this

Penney, James, 1910-1982  Search this

Phillips, Duncan, 1886-1966  Search this

Prendergast, Charles, 1863-1948  Search this

Prendergast, Maurice Brazil, 1858-1924  Search this

Robinson, Boardman, 1876-1952  Search this

Ruellan, Andrée, 1905-2006  Search this

Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this

Sloan, John, 1871-1951  Search this

Smalley, David, 1940-  Search this

Smith, Vernon, 1894-1969  Search this

Stanley, Alix W.  Search this

Williams, Esther, 1907-1969  Search this

Wilson, Ralph L.  Search this

Extent:

106.3 Linear feet

0.181 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Sketches

Drawings

Exhibition catalogs

Financial records

Notes

Sketchbooks

Date:

1877-2006

Summary:

The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

Scope and Content Note:

The records of New York City Kraushaar Galleries measure 106.3 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

The collection reflects all activities conducted in the day-to-day administration of the business and relates to the acquisition, consignment, loan, sale, and exhibition of art by twentieth-century American artists and European artists of the nineteenth and early twentieth centuries. The records document specific arrangements for loans and exhibitions, artist-dealer relations, relationships with public and private collectors, interaction with the art dealer community, and routine requests for information.

Much of the artist correspondence relates to practical arrangements for exhibitions of artwork, but in many cases also documents the development of individual artists and the effect of their relationship with the galleries on their ability to produce marketable work. Many of the artists represented in the collection also wrote lengthy letters, particularly to Antoinette Kraushaar, describing their attitudes to their work and providing insight into how that work was shaped by events in their personal lives.

The bulk of the correspondence with museums and institutions concerns practical arrangements for loans of artwork and provides detailed information about market prices and insurance values. It offers insight into the general climate of opinion toward particular artists and styles at any given time. Correspondence with other galleries and dealers also concerns loans and sales of artwork but, due to the typically cordial and cooperative nature of relations between the Kraushaars and their contemporaries, may also provide a more extensive and personal view of relationships and trends in the art dealer community. Similarly, while a portion of the correspondence with private collectors concerns routine requests for information and loans of art on approval, there is also substantive correspondence documenting the development of the artistic vision of collectors such as Preston Harrison, Elizabeth S. Navas, and Duncan Phillips.

From 1917 to the mid-1930s correspondence was handled mainly by John Kraushaar, and the bulk of that relating to European galleries and European art can be found during these years. Although there are only a handful of materials before 1926, records from the 1920s and 1930s document Kraushaar Galleries' growing commitment to American artists and the climate of the market for their work. The financial hardships of the Depression are vividly depicted in the numerous letters written during the 1930s seeking payment on accounts receivable and requesting extensions on accounts payable.

From the mid-1930s to 1968 correspondence was conducted primarily by Antoinette Kraushaar and, to some degree, by her assistants in later years. As the galleries' focus on American art increased, so did the volume of correspondence with artists, and the collection is particularly rich during the 1940s and early 1960s. In later years to 2006, most of the correspondence was conducted by Carol Pesner and gallery assistants.

The exhibition catalogs included in the collection do not represent a complete set. Those found are working copies used by the galleries in preparation for exhibitions and are often annotated with prices or insurance values. Additional exhibition catalogs can be found on the microfilm described in the Administrative Information section of this finding aid.

The majority of Kraushaar Galleries' insurance records can be found in files relating to the company Wm. E. Goodridge & Son, later known as Wm. E. Goodridge, Inc. Shipping and transportation records are generally filed under the names of the companies used for such transactions and can primarily be found under Davies, Turner & Co., Hudson Forwarding & Shipping Co., Railway Express Agency, Inc., and W. S. Budworth & Son, and to a lesser degree under American Railway Express Company, Arthur Lenars & Cie., C. B. Richard & Co., De La Rancheraye & Co., Hayes Storage, Packing & Removal Service, Inc., and Willis, Faber & Co. Ltd.

The 2008-2022 additions include correspondence similar in content and with correspondents as described above, as well as some artists' Christmas cards. However, the bulk of the additional correspondence dates from 1965-1999, with a handful of miscellaneous correspondence from 1877 to the mid-twentieth century. Also found are financial and business records including records from the closing of the John F. Kraushaar estate; over 40 ledgers providing nearly complete documentation of the gallery's sales and transactions from its establishment to 1946; incoming consignment records, including account statements and correspondence with artists, from the 1940s to 2006; and outgoing consignment and loan records from 1899-2006. The gallery's representation of its stable of artists is documented through artists' files containing printed and digital materials, exhibition catalogs and announcements, price lists, and biographical information, as well as containers of photographs and negatives of artwork. Also found is a 1933 sketchbook by James Penney, drawings and sketchbooks by Louis Bouché, and two scrapbooks.

See Appendix for a list of Kraushaar Galleries exhibitions

Arrangement:

Kraushaar Galleries generally filed all types of records together with correspondence in a combination of alphabetical and chronological files. Thus financial records, insurance records, receipts, photographs, and exhibition catalogs can be found interfiled with general correspondence in Series 1-3. A group of photographs of artwork maintained separately by Kraushaar Galleries constitutes Series 4. Series 6 was minimally processed separately from Series 1-5, and the arrangement reflects the original order of the addition for the most part.

Records in Series 1-3 were originally filed alphabetically by name of correspondent and then by month, by a span of several months, or by year. The alphabetical arrangement has been retained, but to facilitate access the collection was rearranged so that correspondence was collated by year. From 1901 to 1944 outgoing letters and incoming letters are filed separately; in 1945 some outgoing letters are filed separately, with the bulk of the material filed together as correspondence; from 1946 to 1968 incoming and outgoing letters are filed together as correspondence.

For Series 1-3 organizations or individuals represented by at least 15 letters are filed in separate file folders. All other correspondents are arranged in general files by letters of the alphabet, with selected correspondents and subjects noted in parentheses after the folder title.

Series 2 and several boxes in Series 3 contain a variety of notes and receipts received and created by Kraushaar Galleries that were originally unfoldered. The notes can be found in folders adjacent to the receipts and include handwritten notes of customer names and addresses, financial notes and calculations, catalogs of exhibitions, invitations and announcements to exhibitions frequently used as note paper, and other miscellany. Although most of the miscellaneous notes are undated, they are filed, with the receipts, at the end of the year to which they appear to relate. For the years 1929 and 1930 Kraushaar Galleries created separate alphabetical files for some of the billing statements received from other businesses. These have been filed adjacent to "Miscellaneous Notes" and "Receipts" in the appropriate years.

Kraushaar Galleries tended to file correspondence with businesses alphabetically according to the letter of the last name: for example, Wm. E. Goodridge & Son would be filed under G rather than W.

Missing Title

Series 1: Outgoing Letters, 1920-1945 (boxes 1-9; 9 linear ft.)

Series 2: Incoming Letters (boxes 10-26; 16.25 linear ft.)

Series 3: Correspondence, 1945-1968 (boxes 26-53; 27.75 linear ft.)

Series 4: Photographs, undated (box 54; 0.5 linear ft.)

Series 5: Artwork, [1926, 1938] (box 53; 2 items)

Series 6: Addition to the Kraushaar Galleries Records, 1877-2006 (boxes 55-99, 101-117, BV100; 52.3 linear feet, ER01-ER02; 0.181 GB)

Historical Note:

Charles W. Kraushaar established Kraushaar Galleries in 1885 as a small store on Broadway near Thirty-first Street in New York City. Initially the store sold artist materials, photogravures, and reproductions. Drawing on his previous experience working with William Schause, a leading dealer in European paintings, Kraushaar soon progressed to selling original watercolors, paintings, and engravings by European artists, primarily landscapes of the Barbizon School.

In 1901 Kraushaar moved the business to 260 Fifth Avenue and with the assistance of his brother, John F. Kraushaar, began adding more modern French and American painters to the inventory. Of particular interest to John Kraushaar was the group of American realists known as "The Eight," who had held a self-selected, self-organized exhibition at the Macbeth Gallery in 1908. The Eight were Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. Luks, whom John Kraushaar met around 1902, was probably the first major American artist represented at Kraushaar Galleries. In 1917 John Sloan was invited to hold his first one-person show at the galleries despite accusations that his exhibition at the Whitney Studio the previous year had represented a brutal depiction of life that lacked subtlety and sensitivity.

When Charles Kraushaar died suddenly in 1917, John assumed control of the galleries and soon enlisted the assistance of his daughter, Antoinette Kraushaar. Antoinette had suffered a bout of pneumonia during the influenza epidemic of 1918 that cut short her education; grooming her for a career in the galleries was a logical step. Following the end of the First World War, Kraushaar resumed his buying trips to Europe, often accompanied by Antoinette, and exhibited works by European artists such as André Derain, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Henri de Toulouse-Lautrec, and Vincent Van Gogh. However, it was the increasing commitment to contemporary American artists for which the galleries would become best known. In addition to The Eight, the Kraushaars developed their inventory of American paintings and etchings with exhibitions of work by artists such as Gifford Beal, Charles Demuth, Guy Pène Du Bois, Gaston Lachaise, Jerome Myers, Charles Prendergast, and Henry Schnakenberg.

Returning from a buying trip to Europe in 1929, John Kraushaar wrote to California collector Preston Harrision on July 26 that "the prices over there, especially for modern pictures are astounding." Nevertheless, Kraushaar believed that investing in modern art would yield benefits within the next five years, and he refused to be influenced by museums and critics outside of New York who were reluctant to agree. He exhibited a healthy disrespect for museum directors in general, whom he referred to in his letters to Harrision as "dead heads" who ought to be sent to different art centers of the world in order to "get in touch with what is going on there" (March 11, 1929).

Like most of its contemporaries, Kraushaar Galleries suffered considerably during the Depression of the 1930s and struggled to collect and, in turn, pay accounts due. On October 5, 1931, John Kraushaar confessed to H. S. Southam, "Business is very bad with us, and I know that you will treat it confidentially when I tell you that I have had to sacrifice a good part of my personal holdings to provide cash for my own business." By 1934 the rent on the galleries' current location at 680 Fifth Avenue, where Kraushaar had moved in 1919, was out of all proportion to the amount of business that was being generated. In 1936, a timely move to 730 Fifth Avenue allowed the family to effect substantial economies without a disproportionate loss of business.

During the 1930s, John Kraushaar's health began to fail, and he was frequently absent from the galleries. Consequently, Antoinette Kraushaar took on greater responsibility for the operation of the business with the assistance of her brother Charles. Although Antoinette was one of few women to hold such a prominent position in the art business at that time, there is no evidence in the records to suggest that artists or customers who had been accustomed to dealing with John Kraushaar had any difficulty accepting the transition in management from father to daughter.

Nevertheless, collecting accounts remained difficult, and although business had improved by 1938 it was now stymied by the threat of war in Europe. The warmth of relations between the Kraushaars and the artists they handled, and their colleagues, was crucial to Antoinette during these years. She repeatedly expressed her gratitude for their understanding and assistance in her letters as she struggled to meet financial obligations and operate the business in her father's absence, experimenting with different strategies as she evolved an approach that would sustain the business. In a letter to Gifford Beal dated August 6, 1941, she spoke of "hellish times" and stressed, "I have learned a great many things during the past few years and hope that we are groping our way towards a working solution of our own affairs at least."

While there is no question that Antoinette Kraushaar shared her father's genuine interest in contemporary American artists, the growing commitment to these artists that was forged during these years was driven in large part by necessity. By increasing her stock of American art and adding "younger painters of promise," she was able to sell work in a much broader price range. Consequently she could reach a wider audience and increase the likelihood that the business would remain solvent. This method of business also suited her personality far more than having a very specialized inventory of highly priced work, an approach that she confessed to J. Lionberger Davis on December 3, 1940, "requires a particular kind of temperament, and frankly I neither like it nor believe in it."

Throughout her career Antoinette imbued the business with her personal style. She understood that elitism alienated art buyers of moderate income, who constituted her bread and butter, and believed strongly that the gallery environment should not be intimidating to potential customers. She corresponded at length with old and new clients alike, patiently offering advice when asked and maintaining liberal policies for those who wished to borrow artwork on approval. She also participated in events that promoted efforts to make art available to a wider audience, such as a 1951 exhibition and seminar at the Florida Gulf Coast Art Center that addressed problems of buying and selling art. She was a two-time board member of the Art Dealers Association of America and considered the organization to be an important source of support for the gallery community.

In her dealings with other commercial galleries and art institutions, Antoinette Kraushaar exhibited a strong spirit of cooperation and enthusiasm, consistently lending art to small, locally owned businesses and community organizations as well as to more established galleries and world-class museums. She also developed long and mutually beneficial associations with the art departments of many educational institutions across the country, which proved to be fertile ground for young and upcoming artists.

Antoinette Kraushaar exhibited the same honesty and fairness in dealing with artists as her father had, expressing her opinions of their work in a forthright manner and maintaining a policy of always looking at the work of any artist who came to her. She understood the inherent difficulties of dealing with living artists but relished the excitement of encouraging their work and watching them develop. On November 14, 1947, in reply to a letter from the artist Bernard Arnest, in which Arnest apologized for burdening her with his worries, she reminded him, "One of the functions of a dealer is to act as a safety valve. Didn't you know?"

Although she would not retain artists indefinitely if she felt their work had deteriorated in quality, Antoinette often stressed that she was prepared to accept little or no initial financial return on the work of artists who showed promise or whose work held a particular appeal for her. In a letter of December 30, 1940, she reassured Walt Dehner that the lack of sales from his recent exhibition would not lead her to withdraw his work from the galleries. In typically unassuming style she advised Dehner to "go on painting whatever interests you. We have found that there is no recipe for success, either artistic or material."

In the early 1940s Antoinette Kraushaar implemented two changes to her inventory. Sensing that interest in sculpture was growing, she rearranged the space to give that medium more room and attention. The market for etchings had been declining since the late 1930s, and as she reduced this part of her inventory she also acted on her personal passion for drawings by opening a small gallery devoted to contemporary American drawings that were priced well within the range of most customers.

By the time Kraushaar Galleries moved to 32 East Fifty-seventh Street, late in 1944, American art had become the main focus of the business. While the long-standing interest in The Eight and other artists of that period continued, the galleries also handled contemporaries such as Louis Bouché, Samuel Brecher, John Heliker, Andrée Ruellan, and Karl Schrag. When John Kraushaar died in December 1946, Antoinette and Charles legally assumed control of the business. This partnership continued until 1950, when Antoinette assumed sole ownership of the gallery.

In 1955 the galleries moved uptown to smaller quarters at 1055 Madison Avenue, and Antoinette Kraushaar gave up the greater part of her print business. She was inundated with requests from artists to be allowed a chance to show her their work, and the galleries' exhibition schedule was always full. Contemporary artists she now represented included Bernard Arnest, Peggy Bacon, Russell Cowles, Kenneth Evett, William Dean Fausett, William Kienbusch, Joe Lasker, and George Rickey, and she continued to exhibit artwork by Charles Demuth, William Glackens, George Luks, Maurice Prendergast, Boardman Robinson, and John Sloan.

By the late 1950s the artists of the generation that her father had promoted in the early part of the century had died, but Antoinette Kraushaar had the pleasure of seeing his faith in them come to fruition. In a letter to Ralph Wilson dated October 20, 1958, she stated with satisfaction, "The Boston Museum is taking (at long last) a deep interest in (Maurice) Prendergast, and they will probably do an important show within the next year." Her correspondence with William Glackens's son Ira in the 1960s reveals the extent to which Glackens's popularity had grown since his death in 1938, and the market for John Sloan's work had been increasing steadily since the late 1920s. In 1962 James Penney summed up Kraushaar Galleries' success in the foreword of a catalog for an exhibition of paintings and sculpture the galleries had organized with the Munson-Williams-Proctor Institute at Hamilton College:

Missing Title

1854 -- Charles W. Kraushaar born

1871 -- John F. Kraushaar born

1885 -- Kraushaar Galleries established on Broadway near Thirty-first Street

1901 -- Galleries moved to 260 Fifth Avenue

1902 -- Antoinette Kraushaar born

1917 -- Charles W. Kraushaar died; John Kraushaar assumed control of the business, increasing inventory of modern American and European artists; first John Sloan exhibition

1919 -- Galleries moved to 680 Fifth Avenue

[1920] -- Antoinette Kraushaar began assisting with the business

1924 -- Maurice Prendergast died

1936 -- Galleries moved to the Heckscher Building at 730 Fifth Avenue

1938 -- William J. Glackens died

1944 -- Galleries moved to the Rolls Royce Building at 32 East Fifty-seventh Street; American art now the main focus of the business

1946 -- John Kraushaar died; Antoinette and Charles Kraushaar assumed control of the business

1948 -- Charles Prendergast died

1950 -- Antoinette Kraushaar assumed sole ownership of Kraushaar Galleries

1951 -- John Sloan died

1955 -- Galleries moved to 1055 Madison Avenue

1959 -- Carole Pesner joined Kraushaar Galleries

1964 -- Galleries extended into adjacent building

1981 -- Galleries moved to 724 Fifth Avenue

1986 -- Katherine Kaplan joined Kraushaar Galleries

1988 -- Antoinette Kraushaar retired from day-to-day management of the business

1992 -- Antoinette Kraushaar died

Appendix: List of Kraushaar Galleries Exhibitions:

The Archives of American Art does not hold a complete collection of catalogs from exhibitions held at Kraushaar Galleries; therefore the dates and titles of exhibitions provided in this appendix are inferred from a variety of sources including correspondence, notes, artists' files, and requests for advertising. Italics indicate that the exact title of an exhibition is known.

Missing Title

Jan., 1912 -- Paintings by Gustave Courbet and Henri Fantin-Latour

Apr., 1912 -- Paintings by Frank Brangwyn and Henri Le Sidaner

Jan., 1913 -- Paintings by Ignacio Zuloaga

May, 1913 -- Etchings by Seymour Haden

June, 1913 -- Paintings and Lithographs by Henri Fantin-Latour

Oct., 1913 -- Etchings by Frank Brangwyn

Jan., 1914 -- Ignacio Zuloaga

Mar., 1914 -- Paintings by Alphonse Legros

Apr., 1914 -- George Luks

May, 1914 -- Seven Modern Masterpieces including Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Matthew Maris, and James McNeill Whistler

undated, 1915 -- Paintings by John Lavery

Jan.-Feb., 1917 -- James McNeill Whistler's White Girl

Feb.-Mar., 1917 -- Paintings by Augustus Vincent Tack

Mar.-Apr., 1917 -- Paintings and Etchings by John Sloan

Summer, 1917 -- Works by French artists including A. L. Bouche, Josef Israels, Gaston La Touche, and Alphonse Legros

Oct., 1917 -- Monoprints by Salvatore Antonio Guarino

Nov., 1917 -- Etchings and Mezzotints by Albany E. Howarth

Jan., 1918 -- Recent Paintings by John Lavery

Jan.-Feb., 1918 -- Paintings and Watercolors by George Luks

Feb.-Mar., 1918 -- Paintings by Augustus Vincent Tack

Mar., 1918 -- Paintings by John Sloan

Apr.-May, 1918 -- Paintings by A. L. Bouche

May, 1918 -- War Paintings by J. Mortimer Block, Charles S. Chapman, Guy Pène Du Bois, H. B. Fuller, George Luks, W. Ritschell, John Sloan, and Augustus Vincent Tack

Oct., 1918 -- Oil Paintings by William Scott Pyle

Nov., 1918 -- Paintings by Gustave Courbet, Henri Fantin-Latour, Alphonse Legros, Edouard Manet, Antoine Vollon, James McNeill Whistler, and Ignacio Zuloaga, and bronzes by Antoine Louis Bayre, Emile Antoine Bourdelle, and Mahonri Young

Apr., 1919 -- Paintings and Monoprints by Salvatore Anthonio Guarino

Jan.-Feb., 1919 -- Decorative Panels and Other Paintings by Augustus Vincent Tack

Mar., 1919 -- Paintings and Drawings by John Sloan

May, 1919 -- Paintings by George Luks, Monticelli, and A. P. Ryder

Sept., 1919 -- Work by Jean Louis Forain

Oct., 1919 -- Etchings and Lithographs by Alphonse Legros

Jan., 1920 -- Recent Paintings by George Luks

Feb., 1920 -- Recent Paintings by John Sloan

Feb., 1920 -- Paintings by William Scott Pyle

Mar., 1920 -- Recent Paintings by Gifford Beal

Apr., 1920 -- Recent Paintings by Augustus Vincent Tack

Apr., 1920 -- Paintings by Henri Le Sidaner

Apr., 1920 -- Paintings and Drawings by Jean Louis Forain

Apr.-May, 1920 -- Paintings and Drawings by Jerome Myers

May, 1920 -- Paintings by Henrietta M. Shore

Jan., 1921 -- Paintings by French and American Artists

Jan.-Feb., 1921 -- Paintings by George Luks

Feb., 1921 -- New Paintings by Augustus Vincent Tack

Apr., 1921 -- John Sloan Retrospective

Summer, 1921 -- French and American Artists

Oct., 1921 -- Paintings of Mountford Coolidge

Oct., 1921 -- Works by Henri Fantin-Latour and Henri Le Sidaner

Nov., 1921 -- Frank Van Vleet Tompkins

Dec., 1921 -- Paintings and Bronzes by Modern Masters of American and European Art

Jan., 1922 -- Exhibition of Recent Paintings and Watercolors by George Luks

Feb., 1922 -- Paintings by Augustus Vincent Tack

Mar., 1922 -- Paintings and Watercolors by Gifford Beal

Apr., 1922 -- Exhibition of Paintings by Guy Pène Du Bois

Summer, 1922 -- Paintings by Modern Masters of American and European Art

Oct., 1922 -- Recent Paintings of the Maine Coast by George Luks

Jan., 1923 -- Exhibition of Paintings by George Luks

Feb., 1923 -- Paintings and Decorative Panels by Augustus Vincent Tack

Mar., 1923 -- Landscapes by Will Shuster

Mar., 1923 -- Paintings by Samuel Halpert

Apr., 1923 -- Marine Figures and Landscapes by Gifford Beal

Apr.-May, 1923 -- Paintings by John Sloan

May, 1923 -- Paintings by Frank Van Vleet Tompkins

June, 1923 -- Etchings by Marius A. J. Bauer

Oct., 1923 -- American Watercolors by Gifford Beal, Reynolds Beal, George Luks, Maurice Prendergast, and William Zorach

Dec., 1923 -- Etchings and Lithographs by Alphonse Legros

Dec., 1923 -- Paintings, Drawings, and Pastels by Charles Adolphe Bischoff

Jan., 1924 -- Paintings by Celebrated American Artists

Mar., 1924 -- Paintings and Drawings by Guy Pène Du Bois

Apr., 1924 -- New Paintings by George Luks

May, 1924 -- Paintings by Marjorie Phillips

Summer, 1924 -- French and American Modern Artists

Oct., 1924 -- Painting, Watercolors, and Sculpture by William Zorach

Nov., 1924 -- Watercolors by Seven Americans

Dec., 1924 -- French Paintings

Jan., 1925 -- Paintings by John Sloan

Jan.-Feb., 1925 -- Maurice Prendergast Memorial Exhibition

Mar., 1925 -- Plans and Photographs of Work in Landscape Architecture by Charles Downing Lay

Apr., 1925 -- Paintings by William J. Glackens

Dec., 1925 -- Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Richard Lahey Jerome Myers, Maurice Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, and William Zorach

undated, 1926 -- Lower Broadway by W. Walcot

Feb., 1926 -- Paintings by Paul Burlin

Feb., 1926 -- Portraits of Duncan Phillips, Esq. Charles B. Rogers, Esq. & The Hon. Elihu Root Painted by Augustus Vincent Tack

Mar., 1926 -- Paintings, Watercolors, and Drawings by Gifford Beal

Apr., 1926 -- John Sloan

Sept.-Oct., 1926 -- Exhibition of Etchings by C. R. W. Nevinson

Oct., 1926 -- Drawings, Etchings, and Lithographs by Nineteenth-Century French Artists

Oct., 1926 -- Paintings and Drawings by Mathieu Verdilhan

Dec., 1926 -- Exhibition of Watercolors by Gifford Beal, Reynolds Beal, Carl Broemel, Guy Pène Du Bois, Ernest Fiene, Samuel Halpert, Henry Keller, Louis Kronberg, Richard Lahey, Charles Lay, Jerome Myers, Maurice Prendergast, Henry

Dec., 1926 -- Schnakenberg, A. Walkowitz, Martha Walters, William Zorach

Jan., 1927 -- French Drawings and Prints

Feb., 1927 -- Paintings, Drawings, Etchings, and Lithographs by John Sloan

Mar., 1927 -- Gifford Beal

Mar.-Apr., 1927 -- Decorative Panels and Watercolors by Margarett Sargent

Mar.-Apr., 1927 -- Exhibition of Drawings and Lithographs of New York by Adriaan Lubbers

Apr., 1927 -- Paintings and Etchings by Walter Pach

Apr.-May, 1927 -- Paintings and Watercolors by Leopold Survage

Apr.-May, 1927 -- Etchings and Woodcuts by D. Galanis

May, 1927 -- Paintings by Guy Pène Du Bois

Summer, 1927 -- Paintings by American Artists

Summer, 1927 -- Paintings, Watercolors, and Drawings by Georges Braque, Honoré Daumier, Edgar Degas, André Derain, Henri Fantin-Latour, Jean Louis Forain, Constantin Guys, Henri de Toulouse-Lautrec, Edouard Manet, Henri Matisse, Amedeo Modigliani, Claude Monet, Morissot, Pablo Picasso, Camille Pissarro, Odilon Redon, Segonzac, and Georges Seurat

Oct.-Nov., 1927 -- Exhibition of Etchings in Color by Bernard Boutet de Monvel

Nov., 1927 -- Exhibition of Paintings, Drawings, Lithographs, and Watercolors by Ernest Fiene

Dec., 1927 -- Watercolors by American Artists including Gifford Beal, Reynolds Beal, Carl Broemel, Charles Demuth, Guy Pène Du Bois, Ernest Fiene, Henry G. Keller, Richard Lahey, Charles Downing Lay, Howard Ashman Patterson, [Maurice] Prendergast, Henry E. Schnakenberg, Abraham Walkowitz, Frank Nelson Wilcox, and [William] Zorach

Dec., 1927 -- Paintings by Guy Pène Du Bois

Dec., 1927 -- Paintings, Sculpture, and Decorative Media by George Biddle

Jan.-Feb., 1928 -- Paintings by S. J. Peploe

Feb., 1928 -- Drawings by Henri Fantin-Latour

Feb., 1928 -- Pastels and Drawings by Margarett Sargent

Feb., 1928 -- Drawings for Balzac's Les Contes Drolatiques by Ralph Barton

Feb.-Mar., 1928 -- Sculpture by William Zorach

Mar., 1928 -- Recent Paintings by Marjorie Phillips

Mar.-Apr., 1928 -- Exhibition of Paintings by William Glackens

Apr., 1928 -- Paintings, Drawings and Lithographs by R. H. Sauter of London, England

Oct., 1928 -- Modern French Paintings, Watercolors and Drawings

Oct.-Nov., 1928 -- Paintings, Watercolors, Drawings, Etchings, and Lithographs by Richard Lahey

Nov., 1928 -- Exhibition of Paintings and Sculpture by J. D. Fergusson

Nov.-Dec., 1928 -- Paintings, Drawings and Etchings by Walter Pach

Dec., 1928 -- Paintings and Watercolors by Abraham Walkowitz

Jan., 1929 -- Exhibition of Paintings by Margarett Sargent

Jan., 1929 -- Watercolors by Rodin

Jan.-Feb., 1929 -- Exhibition of Sculpture by Arnold Geissbuhler

Feb., 1929 -- Paintings and Watercolors by Guy Pène Du Bois

Feb.-Mar., 1929 -- Paintings by Gifford Beal

Mar., 1929 -- Exhibition of Paintings by Adriaan Lubbers

Mar.-Apr., 1929 -- Exhibition of Etchings by Gifford Beal, Frank W. Benson, Childe Hassam, Kenneth Hayes Miller, and John Sloan

Apr., 1929 -- Exhibition of Paintings by Arnold Friedman

Apr., 1929 -- Sculpture by Harriette G. Miller

May, 1929 -- Paintings by Howard Ashman Patterson

May, 1929 -- Paintings by William Meyerowitz

Oct., 1929 -- Exhibition of Modern French Paintings, Watercolors and Drawings

Nov., 1929 -- Modern French and American Paintings, Watercolors, Prints, and Sculpture (at Gage Galleries in Cleveland)

Jan., 1930 -- Paintings by Paul Bartlett

Feb., 1930 -- Watercolors by Auguste Rodin

Feb.-Mar., 1930 -- Paintings by Guy Pène Du Bois

Summer, 1930 -- Paintings by American Artists

Oct., 1930 -- Paintings and Watercolors by Maurice Prendergast

Nov., 1930 -- Paintings by Ruth Jonas

Nov., 1930 -- Sculpture by Harriette G. Miller

Jan., 1931 -- Paintings and Watercolors by Richard Lahey

Jan.-Feb., 1931 -- Paintings by Erle Loran Johnson

Feb.-Mar., 1931 -- Paintings, Watercolors and Etchings by Gifford Beal

Mar., 1931 -- Paintings and Watercolors by Walter Pach

Mar.-Apr., 1931 -- Paintings, Drawings, and Etchings by Rudolf H. Sauter

May, 1931 -- Exhibition of Watercolors by John La Farge, Gifford Beal, H. E. Schnakenberg, Maurice Prendergast, Guy Pène Du Bois, Richard Lahey

Fall, 1931 -- Modern French Paintings, Watercolors, and Drawings

Dec., 1931 -- Exhibition of Drawings and Watercolors by D. Y. Cameron, Joseph Gray, Henry Rushbury, Muirhead Bone, Edmund Blampied, Gwen John

Dec., 1931 -- Lithographs and Posters by H. de Toulouse-Lautrec

Jan., 1932 -- Watercolors by Pierre Brissaud

Feb., 1932 -- Paintings and Drawings by A. S. Baylinson

Mar., 1932 -- Watercolors and Pastels by French and American Artists

Apr., 1932 -- Paintings by Nan Watson

May, 1932 -- Sculpture by Behn, Bourdelle, Geissbuhler, Lachaise, Maillol, Miller, Nadelman, Renoir, Young, Zorach; Decorative Panels by Max Kuehne, and Charles Prendergast

June-Aug., 1932 -- Paintings and Watercolors by American Artists

Oct.-Nov., 1932 -- Paintings, Watercolors, and Drawings by Various Artists

Jan., 1933 -- Paintings by Paul Bartlett

Jan.-Feb., 1933 -- Lithographs by Henri Fantin-Latour

Feb., 1933 -- Etchings of Dogs by Bert Cobb

Feb.-Mar., 1933 -- Paintings by American Artists

Feb.-Apr., 1933 -- Paintings by Contemporary Americans

Apr., 1933 -- Paintings by Maurice Prendergast

Oct., 1933 -- Exhibition of French Paintings, Watercolors, and Drawings

Oct.-Nov., 1933 -- Drawings by Emily W. Miles

Oct.-Nov., 1933 -- Exhibition of Etchings and Lithographs

Nov., 1933 -- Paintings and Watercolors by Henry E. Schnakenberg

Dec., 1933 -- Watercolors by Gifford Beal

Jan., 1934 -- Exhibition of Drawings by Denys Wortman for "Metropolitan Movies"

Summer, 1934 -- Paintings by Gifford Beal, Reynolds Beal, Isabel Bishop, Ann Brockman, Preston Dickinson, Guy Pène Du Bois, William J. Glackens, Richard Lahey, Ernest Lawson, George Luks, Harriette Miller, Maurice Prendergast, Henry E. Schnakenberg, and John Sloan

Oct.-Nov., 1934 -- Exhibition of Etchings and Lithographs

Nov.-Dec., 1934 -- Paintings by Gifford Beal

Mar., 1935 -- Complete Collection of Etchings by Mahonri Young

July-Aug., 1935 -- Paintings by American Artists including Gifford Beal, Reynolds Beal, Ann Brockman, Guy Pène Du Bois, William J. Glackens, Max Kuehne, Richard Lahey, Ernest Lawson, George Luks, Harriette G. Miller, Maurice Prendergast, Henry E. Schnakenberg, John Sloan, and Abraham Walkowitz

Oct.-Nov., 1935 -- Decorative Panels by Charles Prendergast

Nov., 1935 -- Exhibition of Paintings by H. E. Schnakenberg

Mar., 1936 -- Paintings by Louis Bouché

Apr., 1936 -- Paintings by Gifford Beal

Oct.-Nov., 1936 -- Loan Collection of French Paintings

Dec., 1936 -- Monotypes in Color by Maurice Prendergast

Jan., 1937 -- Recent Watercolors by H. E. Schnakenberg

Jan., 1937 -- Paintings of Flowers by William J. Glackens

Feb., 1937 -- Etchings by John Sloan

Feb., 1937 -- A Group of American Paintings

Sept., 1937 -- A Group of Paintings by Gifford Beal, Louis Bouché, Guy Pène Du Bois, William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, Theodore Robinson, John Sloan, J. Alden Weir

Oct.-Nov., 1937 -- Decorative Panels by Charles Prendergast

Dec., 1937 -- American Watercolors

Jan.-Feb., 1938 -- Paintings by Gifford Beal

Feb.-Mar., 1938 -- Drawings by William Glackens, Guy Pène Du Bois, John Sloan, Denys Wortman

Apr., 1938 -- Paintings by Louis Bouché

May, 1938 -- Paintings and Pastels by Randall Davey

Oct., 1938 -- Selected Paintings by Modern French and American Artists

Nov., 1938 -- Paintings by Guy Pène Du Bois from 1908 to 1938

Nov., 1938 -- Paintings and Sculpture by Harriette G. Miller

Dec., 1938 -- Watercolors by Prendergast, Keller, Demuth, Wilcox and Others

Jan., 1939 -- Paintings by H. H. Newton

Oct., 1939 -- French and American Paintings

Oct.-Nov., 1939 -- Drawings by William Glackens of Spanish-American War Scenes

Nov., 1939 -- Paintings and Watercolors by Russell Cowles

Jan.-Feb., 1940 -- Recent Paintings by Louis Bouché

Feb.-Mar., 1940 -- Paintings by Henry Schnakenberg

Mar.-Apr., 1940 -- Paintings by Maurice Prendergast

Apr.-May, 1940 -- Watercolors by Charles Kaeselau

May-June, 1940 -- A Group of Recent Paintings by Gifford Beal, Russell Cowles, John Koch, Henry Schnakenberg, Esther Williams, Louis Bouché, Guy Pène Du Bois, Harriette G. Miller, John Sloan, Edmund Yaghjian

Oct., 1940 -- Drawings by American Artists

Nov., 1940 -- Walt Dehner

Mar., 1941 -- John Koch

May-June, 1941 -- Watercolors and Small Paintings by Gifford Beal

Oct.-Nov., 1941 -- Recent Paintings by Russell Cowles

Nov.-Dec., 1941 -- Paintings and Watercolors by Henry E. Schnakenberg

Dec., 1941 -- Charles Prendergast

Jan., 1942 -- Paintings by Samuel Brecher

Jan.-Feb., 1942 -- Recent Paintings by Guy Pène Du Bois

Mar.-Apr., 1942 -- Recent Paintings by Louis Bouché

Mar.-Apr., 1942 -- Illustrations by Boardman Robinson Commissioned by the Limited Editions Club for Edgar Lee Masters' "Spoon River Anthology"

Dec., 1942 -- Paintings from the Period of the Last War

Feb., 1943 -- Paintings and Watercolors by William Dean Fausett

Mar., 1943 -- Paintings by John Hartell

May-July, 1943 -- Watercolors by Contemporary American Artists

Feb.-Mar., 1944 -- Samuel Brecher

Feb.-Mar., 1944 -- Paintings, Gouaches, and Drawings by Andrée Ruellan

Mar., 1944 -- Vaughn Flannery

Mar.-Apr., 1944 -- Recent Paintings by Russell Cowles

Apr.-May, 1944 -- Recent Paintings by Louis Bouché

May-June, 1944 -- Retrospective Exhibition of Paintings and Watercolors by Henry G. Keller

Oct., 1944 -- Esther Williams

Nov.-Dec., 1944 -- Paintings and Watercolors of France by Maurice Prendergast

Dec., 1944 -- William J. Glackens Sixth Memorial Exhibition

Dec., 1944 -- Kraushaar Galleries Sixtieth Anniversary Exhibition of Paintings by William J. Glackens, Ernest Lawson, George Luks, Maurice Prendergast, and John Sloan

Jan.-Feb., 1945 -- Paintings by Gifford Beal

Feb.-Mar., 1945 -- Paintings by Andrée Ruellan

Apr.-May, 1945 -- Charles Locke

May-June, 1945 -- William Dean Fausett

Oct., 1945 -- Paintings by John Hartell

Nov.-Dec., 1945 -- Recent Watercolors by Marion Monks Chase

Nov.-Dec., 1945 -- Gouaches by Cecil Bell

Dec., 1945 -- Memorial Exhibition of Paintings and Watercolors by Ann Brockman

undated, 1946 -- Russell Cowles

Jan.-Feb., 1946 -- Richard Lahey

Feb., 1946 -- John Koch

Feb.-Mar., 1946 -- Paintings by Ernst Halberstadt

Mar., 1946 -- Paintings of Mexico and Guatemala by Henry E. Schnakenberg

Mar., 1946 -- Iver Rose

Apr., 1946 -- Louis Bouché

Apr.-May, 1946 -- Russell Cowles

May-June, 1946 -- Paintings by Bernard Arnest, Charles Harsanyi, Irving Katzenstein, Anna Licht, James Penney, Etienne Ret, and Vernon Smith

Sept., 1946 -- Retrospective Exhibition of the Work of Boardman Robinson

Nov., 1946 -- Guy Pène Du Bois

Nov.-Dec., 1946 -- William J. Glackens Eighth Memorial Exhibition

Jan., 1947 -- Karl Schrag

Feb.-Mar., 1947 -- Sculpture by Robert Laurent

Feb.-Mar., 1947 -- Paintings by Iver Rose

Feb.-Mar., 1947 -- Recent Paintings by Vernon Smith

Apr., 1947 -- Charles Prendergast

Apr., 1947 -- Louis Bouché

Apr.-May, 1947 -- Esther Williams

Oct.-Nov., 1947 -- Anna Licht

Nov., 1947 -- William J. Glackens Ninth Memorial Exhibition, with Works by Lenna Glackens

Mar., 1948 -- Russell Cowles

Apr.-May, 1948 -- Bernard Arnest

Aug.-Sept., 1948 -- New York Paintings and Watercolors

Oct.-Nov., 1948 -- Kenneth Evett

Nov.-Dec., 1948 -- Watercolors and Pastels by Harriette G. Miller

Jan.-Feb., 1949 -- John Hartell

Sept.-Oct., 1949 -- Contemporary American Watercolors and Gouaches

Oct., 1949 -- Contemporary Paintings

Jan., 1950 -- Maurice Prendergast Retrospective of Oils and Watercolors

Jan.-Feb., 1950 -- James Penney

Feb.-Mar., 1950 -- Paintings by Karl Schrag

Mar.-Apr., 1950 -- Russell Cowles

Jan.-Feb., 1951 -- William Sommer

Feb., 1951 -- Prints and Drawings by Various Artists

Feb., 1951 -- Paintings by Louis Bouché

Mar., 1951 -- Kenneth Evett

Apr.-May, 1951 -- Paintings by Gallery Artists

May-July, 1951 -- Contemporary American Watercolors

July-Aug., 1951 -- Paintings on the Summer Theme

Sept.-Oct., 1951 -- Vaughn Flannery

Oct.-Nov., 1951 -- Recent Paintings by Gallery Artists

Nov., 1951 -- Paintings by John Koch

Nov.-Dec., 1951 -- Joe Lasker

Dec., 1951 -- Small Prints and Drawings

Jan., 1952 -- Recent Gouaches by William Kienbusch

Jan., 1952 -- John Sloan: Recent Etchings from 1944-1951, and Etchings and Drawings Selected from All Periods of His Career

Feb.-Mar., 1952 -- Andrée Ruellan

Mar.-Apr., 1952 -- Bernard Arnest

Apr.-May, 1952 -- Recent Sculpture by Robert Laurent

May, 1952 -- Recent Paintings by Contemporary American Artists

May-June, 1952 -- Watercolors by Joseph Barber, Edward Christiana, Walt Dehner, Sidney Eaton, Wray Manning, and Woldemar Neufeld

July-Aug., 1952 -- Color Prints (Woodcuts, Etchings, and Lithographs) by Eleanor Coen, Caroline Durieux, Max Kahn, Tom Lias, Woldemar Neufeld, James Penney, George Remaily, Ann Ryan, and Karl Schrag

Nov., 1952 -- Karl Schrag

Dec., 1952-Jan. 1953 -- Eight Oregon Artists

Jan., 1953 -- Charles Prendergast Memorial Exhibition

Jan.-Feb., 1953 -- John Hartell

May, 1953 -- John Heliker

June, 1953 -- Humbert Alberizio, Vaughn Flannery, William Kienbusch, George Rickey, Andrée Ruellan, and Karl Schrag

Sept., 1953 -- Works by Gifford Beal, Kenneth Evett, Tom Hardy, John Koch, and James Lechay

Sept.-Oct., 1953 -- Paintings by Glackens, Lawson, Prendergast, Sloan

Oct.-Nov., 1953 -- Paintings by E. Powis Jones

Oct.-Nov., 1953 -- Recent Works by John Koch

Nov., 1953 -- Kenneth Evett: Drawings from Greek Mythology

Nov.-Dec., 1953 -- Recent Metal Sculptures by Tom Hardy

Nov.-Dec., 1953 -- Pastels, Drawings and Prints by Peggy Bacon

Nov.-Dec., 1953 -- Recent Paintings by Ralph Dubin

Feb.-Mar., 1954 -- Russell Cowles

Mar.-Apr., 1954 -- James Penney

Nov.-Dec., 1954 -- Tom Hardy: Metal Sculptures

Jan., 1955 -- Mobiles, Machines, and Kinetic Sculpture by George Rickey

Jan.-Feb., 1955 -- James Lechay

Feb., 1955 -- Mobiles by George Rickey

Feb.-Mar., 1955 -- Drawings, Etchings, and Lithographs by John Sloan (with a selection of prints by artists whose work influenced him in his early years: Rembrandt, Hogarth, Goya, Rops, Daumier, Rowlandson and others, to mark the publication of John Sloan: A Painter's Life by Van Wyck Brooks)

Mar.-Apr., 1955 -- Jane Wasey

Apr., 1955 -- Recent Work by Joe Lasker

May-June, 1955 -- Sculpture and Drawings by Contemporary American Artists

Jan., 1956 -- Carl Morris

Jan.-Feb., 1956 -- John Laurent

Feb.-Mar., 1956 -- William Kienbusch

Mar., 1956 -- Andrée Ruellan

Mar.-Apr., 1956 -- Karl Schrag

Apr.-May, 1956 -- John Heliker

May, 1956 -- Monotypes by Maurice Prendergast

Oct., 1956 -- The Eight

Jan.-Feb., 1957 -- Paintings by John Hartell

Apr., 1957 -- James Penney

Apr.-May, 1957 -- John Heliker

May-June, 1957 -- Fourteen Painter-Printmakers (American Federation of Arts exhibition)

June-July, 1957 -- 20th Century American Artists

Nov., 1957 -- William Glackens and His Friends (based on the book by Ira Glackens)

Nov., 1957 -- Marguerite Zorach

Jan., 1958 -- Gouches, Drawings and Small Glyphs by Ulfert Wilke

Jan.-Feb., 1958 -- Tom Hardy

Feb.-Mar., 1958 -- John Koch

Feb.-Mar., 1958 -- Still Life Exhibition with Works by William J. Glackens and Maurice Prendergast

Feb.-Mar., 1958 -- Cecil Bell

Mar., 1958 -- Karl Schrag

Mar., 1958 -- Carl Morris

Mar.-Apr., 1958 -- Louis Bouché

Apr., 1958 -- Paintings and Drawings by Joe Lasker

Apr.-May, 1958 -- Paintings and Drawings by Walter Feldman

Apr.-May, 1958 -- Sculpture by Henry Mitchell

May-June, 1958 -- Works in Casein and Gouache by Bernard Arnest, William Kienbusch, Carl Morris, and Karl Schrag

July, 1958 -- Still Life Paintings and Watercolors by American Artists

Oct.-Nov., 1958 -- Kenneth Evett

Nov., 1958 -- Elsie Manville

Nov.-Dec., 1958 -- John Laurent

Jan., 1959 -- Kinetic Sculpture by George Rickey

Jan.-Feb., 1959 -- Bernard Arnest

Mar., 1959 -- Karl Schrag

Mar.-Apr., 1959 -- Paintings by Joe Lasker

Apr.-May, 1959 -- Henry Mitchell

Sept.-Oct., 1959 -- Robert Searle

Oct.-Nov., 1959 -- Russell Cowles

Nov., 1959 -- Caseins and Paintings by William Kienbusch

Dec., 1959 -- Paintings by Vaughn Flannery

Feb., 1960 -- James Lechay

Apr., 1960 -- Landscapes by John Sloan

Apr.-May, 1960 -- John Guerin

May-June, 1960 -- Drawings and Small Sculpture by Gallery Artists

Oct., 1960 -- Ainslie Burke

Oct.-Nov., 1960 -- Leon Goldin

Nov.-Dec., 1960 -- Ulfert Wilke

Jan., 1961 -- Leonard DeLonga

Jan., 1961 -- Kenneth Evett

Jan.-Feb., 1961 -- Walter Feldman

Feb.-Mar., 1961 -- Watercolors and Pastels by Early Twentieth-Century American Artists

Mar., 1961 -- Paintings by Ralph Dubin

Mar.-Apr., 1961 -- James Penney

Apr.-May, 1961 -- John Koch

June, 1961 -- Works by Humbert Albrizio, Bernard Arnest, Cecil Bell, Louis Bouché, Ralph Dubin, Kenneth Evett, Walter Feldman, John Hartell, John Heliker, William Kienbusch, John Koch, Robert Laurent, James Lechay, Elsie Manville, Henry Mitchell, James Penney, George Rickey, Andrée Ruellan, Henry E. Schnakenberg, Karl Schrag, Jane Wasey, and Marguerite Zorach

Sept., 1961 -- Works by Contemporary Americans

Oct., 1961 -- George Rickey: Kinetic Sculpture

Oct.-Nov., 1961 -- Carl Morris

Nov.-Dec., 1961 -- Peggy Bacon

Dec., 1961 -- Selected Works by Twentieth-Century Americans

Jan., 1962 -- Polymer Resin and Sumi Ink Paintings by Kenneth Evett

Jan.-Feb., 1962 -- Louis Bouché

Feb.-Mar., 1962 -- Karl Schrag

Mar., 1962 -- Marguerite Zorach

Apr., 1962 -- John Laurent

Apr.-May, 1962 -- Sculpture by Tom Hardy

May-June, 1962 -- Drawings by Contemporary American Artists

July-Aug., 1962 -- Group Exhibitions - Paintings, Drawings and Sculpture by 20th Century American Artists

Oct., 1962 -- Bernard Arnest

Feb., 1963 -- William Kienbusch

Feb.-Mar., 1963 -- John Guerin

Mar., 1963 -- John Hartell

Sept.-Oct., 1963 -- Andrée Ruellan

Oct.-Nov., 1963 -- Ainslie Burke

Nov., 1963 -- Walter Feldman

Dec., 1963 -- Drawings by John Koch

Dec., 1963 -- Paintings by Contemporary Americans

Jan., 1964 -- Leonard DeLonga

Jan.-Feb., 1964 -- Joe Lasker

Feb.-Mar., 1964 -- Leon Goldin

Mar., 1964 -- Paintings by Ralph Dubin

Apr., 1964 -- Carl Morris

Apr.-May, 1964 -- Paintings and Drawings by John Heliker

Oct.-Nov., 1964 -- Louis Bouché

Nov.-Dec., 1964 -- Karl Schrag

Dec., 1964 -- Kenneth Evett

Feb., 1965 -- Russell Cowles

Feb.-Mar., 1965 -- James Lechay

Mar.-Apr., 1965 -- James Penney

Apr.-May, 1965 -- Gifford Beal

Feb., 1966 -- Dennis Leon

Feb.-Mar., 1966 -- Henry Schnakenberg

Mar.-Apr., 1966 -- John Hartell

Apr., 1966 -- Elsie Manville

Oct., 1966 -- Contrasts - Early and Late Works by Selected Contemporaries

Oct.-Nov., 1966 -- Tom Hardy

Nov.-Dec., 1966 -- Francis Chapin

Dec., 1966-Jan., 1967 -- Karl Schrag: Etchings and Lithographs

Jan.-Feb., 1967 -- Leonard DeLonga

Feb.-Mar., 1967 -- Carl Morris

Mar.-Apr., 1967 -- Ainslie Burke

Apr.-May, 1967 -- John Heliker: Paintings, Drawings, and Watercolors

May-June, 1967 -- William Glackens

Oct., 1967 -- Kenneth Callahan

Oct.-Nov., 1967 -- John Laurent

Jan.-Feb., 1968 -- Dennis Leon

Feb.-Mar., 1968 -- Robert La Hotan

Apr., 1968 -- John Guerin

Apr.-May, 1968 -- Leon Goldin

Sept.-Oct., 1968 -- Contemporary Sculpture and Drawings

Oct.-Nov., 1968 -- Karl Schrag

Nov.-Dec., 1968 -- James Lechay: Portraits and Landscapes

Dec., 1968-Jan., 1969 -- Group Exhibition

Jan., 1969 -- Elsie Manville

Mar., 1969 -- Kenneth Evett

Apr.-May, 1969 -- James Penney

Sept.-Oct., 1969 -- New Works by Contemporary Artists

Oct.-Nov., 1969 -- John Hartell: Exhibition

Nov., 1969 -- Peggy Bacon

Dec., 1969 -- Selected Examples by American Artists 1900-1930

Jan., 1970 -- Leonard DeLonga

Feb., 1970 -- Joe Lasker

Mar., 1970 -- Group Exhibition

Mar.-Apr., 1970 -- Dennis Leon

Apr.-May, 1970 -- Jerome Myers

Oct.-Nov., 1970 -- Tom Hardy

Jan.-Feb., 1971 -- Jane Wasey

Mar.-Apr., 1971 -- Kenneth Callahan

Oct., 1971 -- Ainslie Burke

Nov.-Dec., 1971 -- Karl Schrag

Feb.-Mar., 1972 -- John Koch

Mar.-Apr., 1972 -- Robert La Hotan

Apr.-May, 1972 -- Leon Goldin

May-June, 1972 -- Selected Works by 20th Century Americans

Sept.-Oct., 1972 -- Gallery Collection: American Watercolors and Drawings

Oct.-Nov., 1972 -- John Hartell

Nov.-Dec., 1972 -- Peggy Bacon

Dec., 1972 -- 20th Century Americans

Jan., 1973 -- Leonard DeLonga

Feb., 1973 -- Carl Morris

Mar., 1973 -- James Lechay

Mar.-Apr., 1973 -- Russell Cowles: Landscape Paintings

Apr.-May, 1973 -- Jerome Witkin

May-June, 1973 -- Kenneth Evett: Watercolors

Oct.-Nov., 1973 -- Kenneth Callahan

Jan., 1974 -- Joe Lasker

Jan.-Feb., 1974 -- Bernard Arnest

Feb.-Mar., 1974 -- Concetta Scaravaglione

Oct., 1974 -- Ainslie Burke

Oct.-Nov., 1974 -- James Penney

Jan., 1975 -- Tom Hardy

Jan.-Feb., 1975 -- Karl Schrag

Feb.-Mar., 1975 -- Robert La Hotan

Mar.-Apr., 1975 -- William Kienbusch

Apr., 1975 -- Elsie Manville

Apr.-May, 1975 -- Gifford Beal

Oct.-Nov., 1975 -- John Hartell

Nov., 1975 -- Daniel O'Sullivan

Mar., 1976 -- Jerome Witkin

May, 1976 -- Linda Sokolowski

Sept.-Oct., 1976 -- Joe Lasker, Illustrations from Merry Ever After

Oct., 1976 -- Leonard DeLonga

Nov.-Dec., 1976 -- Kenneth Callahan

Jan., 1977 -- James Lechay

Mar., 1977 -- Karl Schrag

Mar.-Apr., 1977 -- David Cantine

Oct.-Nov., 1977 -- John Hartell

Nov.-Dec., 1977 -- Ainslie Burke

Feb., 1978 -- Robert La Hotan

Apr., 1978 -- Elsie Manville

Oct., 1978 -- Tom Hardy

Oct.-Nov., 1978 -- Jerome Witkin

Jan.-Feb., 1979 -- Joe Lasker

Feb., 1979 -- Kenneth Evett

Feb.-Mar., 1979 -- Karl Schrag

Mar.-Apr., 1979 -- Carl Morris

Apr.-May, 1979 -- Linda Sokolowski

Oct.-Nov., 1979 -- Daniel O'Sullivan

Feb.-Mar., 1980 -- Kenneth Callahan

Mar., 1980 -- Ainslie Burke

Oct., 1980 -- John Hartell

Jan., 1981 -- Leonard DeLonga

Feb., 1981 -- James Lechay

Feb.-Mar., 1981 -- Robert La Hotan

Mar.-Apr., 1981 -- Jerry Atkins

Apr.-May, 1981 -- Ben Frank Moss

Jan.-Feb., 1982 -- Jerome Witkin

Feb.-Mar., 1982 -- Elsie Manville

Mar.-Apr., 1982 -- Karl Schrag

Apr.-May, 1982 -- Linda Sokolowski

May-June, 1982 -- David Cantine

Sept.-Oct., 1982 -- Kenneth Callahan

Oct.-Nov., 1982 -- Joe Lasker

Nov.-Dec., 1982 -- Daniel O'Sullivan

Jan.-Feb., 1983 -- William Kienbusch: Memorial Exhibition

Feb.-Mar., 1983 -- Jerry Atkins

Mar.-Apr., 1983 -- John Hartell

Apr.-May, 1983 -- John Heliker

May-June, 1983 -- Kenneth Evett

Oct., 1983 -- Concetta Scaravaglione

Oct.-Nov., 1983 -- Ben Frank Moss

Nov.-Dec., 1983 -- Russell Cowles

Dec., 1983-Jan., 1984 -- 20th Century Americans

Jan.-Feb., 1984 -- Marguerite Zorach: Paintings at Home and Abroad

Feb.-Mar., 1984 -- Robert La Hotan

Mar., 1984 -- David Smalley

Apr., 1984 -- Carl Morris

May, 1984 -- Karl Schrag

July, 1984 -- Drawings by 20th Century Americans

July-Aug., 1984 -- Collages and Drawings by Joseph Heil

Aug.-Sept., 1984 -- Drawings and Prints by Tom Hardy

Sept.-Oct., 1984 -- James Penney: Memorial Exhibition

Oct.-Nov., 1984 -- Paintings and Drawings by Leon Goldin

Nov.-Dec., 1984 -- Isabelle Siegel

Dec., 1984-Jan., 1985 -- Group Exhibition: Contemporary American Paintings and Sculpture

Jan.-Feb., 1985 -- James Lechay

Feb.-Mar., 1985 -- Ainslie Burke

Mar., 1985 -- Karen Breunig

Apr., 1985 -- Kenneth Callahan

Oct., 1985 -- Elsie Manville

Oct.-Nov., 1985 -- William Glackens

Jan.-Feb., 1986 -- Linda Sokolowski

Feb.-Mar., 1986 -- Jerry Atkins

Apr.-May, 1986 -- Jane Wasey

Oct.-Nov., 1986 -- John Hartell

Nov.-Dec., 1986 -- Karl Schrag

Feb.-Mar., 1987 -- Kenneth Evett

Apr.-May, 1987 -- Ben Frank Moss

May-June, 1987 -- David Smalley

Oct.-Nov., 1987 -- Isabelle Siegel

Feb.-Mar., 1988 -- Karen Breunig

Mar.-Apr., 1988 -- Leon Goldin

Sept.-Oct., 1988 -- Elsie Manville

Oct.-Nov., 1988 -- James Lechay

Jan.-Feb., 1989 -- Karl Schrag

Feb.-Mar., 1989 -- Linda Sokolowski

Jan.-Feb., 1990 -- Kenneth Callahan: Works of the Fifties

Jan.-Feb., 1990 -- Gifford Beal: Watercolors

Mar., 1990 -- Robert La Hotan: Recent Paintings

Mar.-Apr., 1990 -- Sonia Gechtoff: New Paintings

May-June, 1990 -- David Smalley: Recent Sculpture

May-June, 1990 -- Andrée Ruellan: Sixty Years of Drawing...

Oct., 1990 -- Isabelle Siegel

Nov., 1990 -- Leon Goldin

Jan.-Feb., 1991 -- Karl Schrag

Feb.-Mar., 1991 -- Joe Lasker

Apr., 1991 -- Ainslie Burke

Nov.-Dec., 1991 -- Linda Sokolowski: Oils, Collages, Monotypes

Dec., 1991-Jan., 1992 -- Elsie Manville: Small Works on Paper

Mar., 1992 -- Tabitha Vevers

May-June, 1992 -- Sonia Gechtoff

Oct.-Nov., 1992 -- James Lechay

Nov.-Dec., 1992 -- Karl Schrag

Mar., 1993 -- Leon Goldin: Works on Paper

Apr.-May, 1993 -- Robert La Hotan

Oct., 1993 -- David Smalley: Sculpture Inside and Out

Oct., 1993 -- Andrée Ruellan: Works on Paper 1920-1980

Mar.-Apr., 1994 -- Kenneth Evett: Travels: Themes and Variations (Watercolors of Italy, Greece, Arizona, Maine and California)

Mar.-Apr., 1994 -- Tabitha Vevers

Oct.-Nov., 1994 -- Linda Sokolowski

Nov.-Dec., 1994 -- Karl Schrag

Jan.-Feb., 1995 -- Langdon Quin

Mar.-Apr., 1995 -- Robert La Hotan

Sept.-Oct., 1995 -- Sonia Gechtoff

Jan.-Feb., 1996 -- Elsie Manville: Paintings and Works on Paper

Oct.-Nov., 1996 -- Karl Schrag: A Self Portrait Retrospective, 1940-1995

Jan.-Feb., 1997 -- Joe Lasker: Paintings and Watercolors

Mar.-Apr., 1997 -- Tabitha Vevers

Oct.-Nov., 1997 -- James Lechay

Feb.-Mar., 1998 -- Linda Sokolowski: Canyon Suite: Works from the Southwest

Mar.-Apr., 1998 -- Leon Goldin: Paintings on Paper

Sept.-Oct., 1998 -- Sonia Gechtoff: Mysteries in the Sphere

Oct.-Nov., 1998 -- Langdon Quin: Recent Paintings

Nov.-Dec., 1998 -- John Gill

Jan.-Feb., 1999 -- Robert La Hotan

Feb.-Mar., 1999 -- Ann Sperry: Where Is Your Heart

Nov.-Dec., 1999 -- Kathryn Wall

Jan.-Feb., 2000 -- Elsie Manville

Sept.-Oct., 2000 -- Joe Lasker

Oct.-Nov., 2000 -- James Lechay

Oct.-Nov., 2000 -- Tabitha Vevers

May-June, 2001 -- Kenneth Callahan: Drawings

Dec., 2001-Jan., 2002 -- Sur La Table: A Selection of Paintings and Works on Paper

Jan.-Feb., 2002 -- Karl Schrag: Theme and Variations II: The Meadow

undated, 2003 -- Ann Sperry

Jan.-Feb., 2003 -- Andrée Ruellan: Works on Paper from the 1920s and 1930s

Oct.-Nov., 2003 -- Joe Lasker: Muses and Amusements

Nov.-Dec., 2003 -- Tabitha Vevers

Mar.-Apr., 2004 -- Leon Goldin: Five Decades of Works on Paper

May-July, 2004 -- Anne Frank: A Private Photo Album

Jan.-Feb., 2005 -- John Gill: Ceramics

Sept.-Oct., 2005 -- Karl Schrag: The Painter of Bright Nights

Related Material:

An untranscribed oral history interview with Antoinette Kraushaar was conducted for the Archives of American Art by Avis Berman in 1982, and is available on five audio cassettes at the Archives' Washington D.C. research facility.

Separated Material:

In addition to the records described in this finding aid, the following materials were lent to the Archives for filming in 1956 and are available on microfilm reels NKR1-NKR3 and for interlibrary loan: a book of clippings from 1907 to 1930, primarily of exhibition reviews; loose clippings and catalogs of exhibitions from 1930 to 1946; and a group of photographs and clippings relating to George Luks and other artists. These materials were returned to Kraushaar Galleries after microfilming.

Provenance:

53.5 linear feet of records were donated to the Archives of American Art by Kraushaar Galleries in three separate accessions in 1959, 1994, and 1996. Katherine Kaplan of Kraushaar Galleries donated an additional 38.4 linear feet in 2008-2009 and an additional 8.4 linear feet in 2012-2017 and 6.0 linear feet in 2022.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.

Rights:

Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Works of art  Search this

Art, American  Search this

Artists -- United States  Search this

Depressions -- 1929  Search this

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Photographs

Sketches

Drawings

Exhibition catalogs

Financial records

Notes

Sketchbooks

Citation:

Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation and the Smithsonian Institution Collections Care Fund.

Identifier:

AAA.kraugall

See more items in:

Kraushaar Galleries records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9507d7d92-d503-4ed4-9ed6-12975adb8473

EDAN-URL:

ead_collection:sova-aaa-kraugall

Creator:

Catherine Viviano Gallery  Search this

Names:

American Academy of Arts and Letters  Search this

American Federation of Arts  Search this

Art Club of Chicago  Search this

Art Institute of Chicago  Search this

Barnes Foundation  Search this

Brooklyn Museum  Search this

Carnegie Institute  Search this

City Art Museum of St. Louis  Search this

Colorado Springs Fine Arts Center  Search this

Dallas Museum of Fine Arts  Search this

Des Moines Art Center  Search this

Detroit Institute of Arts  Search this

Fogg Art Museum  Search this

Harvard University  Search this

Hirshhorn Museum and Sculpture Garden  Search this

Los Angeles County Museum  Search this

Mary Washington College  Search this

Massachusetts Institute of Technology  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Museum of Fine Arts, Boston  Search this

Museum of Fine Arts, Houston  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Pennsylvania Academy of the Fine Arts  Search this

Philadelphia Art Alliance  Search this

Santa Barbara Museum of Art  Search this

University of Virginia  Search this

Wadsworth Atheneum  Search this

Walker Art Center  Search this

William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts  Search this

World House Galleries  Search this

Yale University. Art & Architecture Library  Search this

Afro, 1912-1976  Search this

Ashton, Dore  Search this

Baker, Richard Brown  Search this

Bareiss, Walter  Search this

Barker, Walter  Search this

Birolli, Renato, 1905?-1959  Search this

Bishop, Elizabeth, 1911-1979  Search this

Broderson, Robert M, 1920-  Search this

Callery, Mary, 1903-1977  Search this

Chaet, Bernard  Search this

Cox, Jan, 1919-1980  Search this

Dorazio, Piero, 1927-  Search this

Dorazio, Virginia Dortch  Search this

Dubuffet, Jean, 1901-  Search this

Dudensing, F. Valentine, 1892-1967  Search this

Eisendrath, William N., 1903-  Search this

Ernst, Dallas  Search this

Faison, S. Lane (Samson Lane), 1907-2006  Search this

Fleischman, Barbara  Search this

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Genauer, Emily, 1910-2002  Search this

Giacometti, Alberto, 1901-1966  Search this

Glasco, Joseph, 1925-1996  Search this

Goodhue, Bertram Grosvenor, 1869-1924  Search this

Graves, Morris, 1910-  Search this

Guerrero, José, 1914-  Search this

Göpel, Barbara  Search this

Göpel, Erhard  Search this

Hirschhorn, Joseph  Search this

Lerner, Abe, 1908-  Search this

Ludgin, Earle, 1898-1981  Search this

Mabe, Manabu  Search this

Manrique, César, 1920-  Search this

McCray, Porter A., 1908-2000  Search this

Meltzer, Doris, 1908-1977  Search this

Menil, Dominique de  Search this

Miller, Stephen Robeson  Search this

Minguzzi, Luciano, 1911-  Search this

Miró, Joan, 1893-  Search this

Morlotti, Ennio, 1910-1992  Search this

Moyens, H. Marc  Search this

Myers, John Bernard  Search this

Ossorio, Alfonso, 1916-1990  Search this

Perlin, Bernard, 1918-  Search this

Price, Vincent, 1911-1993  Search this

Pulitzer, Joseph, 1913-1993  Search this

Rathbone, Perry Townsend, 1911-2000  Search this

Ribicoff, Belle Krasne, 1924-  Search this

Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this

Rosenthal, Bernard M.  Search this

Sage, Kay  Search this

Seeger, Stanley J.  Search this

Shapiro, Meyer  Search this

Stout, George L. (George Leslie)  Search this

Tanning, Dorothea, 1910-2012  Search this

Valentin, Curt, 1902-1954  Search this

Van Veen, Stuyvesant  Search this

Viviano, Catherine, 1899-1992  Search this

Wakabayashi, Kazuo  Search this

Yunkers, Adja, 1900-1983  Search this

Extent:

11.6 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Notes

Date:

1930-1990

bulk 1949-1978

Summary:

The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

Scope and Contents note:

The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

Artists' files include biographical material; artists' statements; correspondence; sales and expense reports; lists and notes; guest lists; writings by others; receipts, invoices, and statements; printed material, including press releases, exhibition announcements, brochures, catalogues, clippings; and photographs of artwork and artists. Included are extensive files on Afro Basaldella, Renato Birolli, Robert Broderson, Anselmo Franesconi, Joseph Glasco, Manabu Mabe, César Manrique, Luciano Minguzzi, Ennio Morlotti, Bernard Perlin, Daniel Rice, and Bernard Rosenthal. There are also files on Jan Cox, Kay Sage, and Kazuo Wakabayashi.

Correspondence comprises the largest series in the collection and consists of general correspondence; correspondence with museums, galleries, and art-related institutions in the United States; and correspondence with museums, galleries, and art-related institutions abroad. Letters focus on routine business matters, e.g., appraisals and sales, acquisitions, and organizing exhibitions at the Catherine Viviano Gallery and other venues.

General correspondence includes letters between Catherine Viviano and artists and their family members. Among the correspondents are: Mary Callery, Bernard Chaet, Piero and Virginia Dorazio, Jean Dubuffet, Dallas Ernst, Karl Fortress, Alberto Giacometti, Henry Sage Goodwin, Morris Graves, José Guerrero, Earle Ludgin, Joan Miro, Alfonso Ossorio, Dorothea Tanning, Stuyvesant Van Veen, Adja Yunkers and his wife, Dore Ashton, among others. Also found is Viviano's correspondence with clients, many of whom were prominent collectors, e.g., Richard Brown Baker, Carl and Joan Fisher, Lawrence and Barbara Fleischman, Joseph Hirschhorn, Marc Moyens, Vincent Price, Joseph Pulitzer, Jr., Nelson Rockefeller, Stanley Seeger, and Frederick and Dorothy Zimmerman. Of interest, are letters from Elizabeth Bishop inquiring about the purchase of a work of art from the gallery. Included are letters from art historians, museum directors, curators, representatives at other art-related institutions, and publishers including Walter Bareiss, Walter Barker, Dominque De Menil, Valentine Dudensing, William Eisendrath, S. Lane Faison, Emily Genauer, Bertram Goodhue, Erhard and Barbara Göpel, James Laughlin, Porter McCray, Abram Lerner, Doris Meltzer, Stephen Robson Miller, John Bernard Myers, Perry Rathbone, Belle Krasne Ribicoff, Meyer Shapiro, George Stout, and Curt Valentin.

Correspondence with museums, galleries, and art-related institutions in the United States contains letters between Viviano and museum directors, curators, dealers, artists, and collectors pertaining to loans, shipping and delivery of artwork, appraisals and sales, and acquisitions. Files include substantive correspondence with the American Academy of Arts and Letters, American Federation of the Arts, Art Institute of Chicago, Arts Club of Chicago, the Barnes Foundation, Bristol Art Museum, Brooklyn Museum, Bundy Art Gallery, Carnegie Institute, City Art Museum of St. Louis, Cleveland Museum of Art, Colorado Springs Fine Arts Center, Dallas Museum of Fine Arts, Denver Art Museum, Des Moines Art Center, Detroit Institute of Arts, Fogg Art Museum, Harvard University, Hirshhorn Museum and Sculpture Garden, Institute of Contemporary Art, Los Angeles County Art Museum, Massachusetts Institute of Technology, Metropolitan Museum of Art, Museum of Fine Arts, Boston, Museum of Fine Arts of Houston, Museum of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia Art Alliance, Santa Barbara Museum of Art, University of Nebraska Art Galleries, University of Virginia, Mary Washington College, Wadsworth Atheneum, Walker Art Center, William Rockhill Nelson Gallery of Art, Atkins Museum of the Fine Arts, World House Gallery, and Yale University Art Library.

Correspondence with museums, galleries, and art-related institutions abroad primarily concerns the lending of artwork for exhibitions, acquisition and sales; also included are letters requesting biographical information on artists. Letters between Catherine Viviano and representatives of Max Beckmann Gesellschaft Archiv and Galerie Gunther Franke contain provenance-related information on Beckmann's work.

Business records document the routine business operations of the gallery. Printed material includes an incomplete run of Catherine Viviano Gallery exhibition catalogues; invitations and announcements from other galleries and institutions; and miscellaneous printed material.

Photographs include three images of miscellaneous artwork used for art reference.

Arrangement note:

Records are generally arranged by material type and in chronological order thereafter. Artists' files and correspondence files are arranged in alphabetical order and materials within the folders are arranged chronologically

The collection is arranged as 5 series:

Missing Title

Series 1: Artists' Files, 1945-1986 (Boxes 1-3; 3.5 linear feet)

Series 2: Correspondence, 1939-1985 (Boxes 3-6; 5.5 linear feet)

Series 3: Business Records, 1949-1972 (Boxes 10-11; 1.0 linear feet)

Series 4: Printed Material, 1930-1990 (Boxes 11-13; 1.6 linear feet)

Series 5: Photographs (1948-1954), undated (Box 14; 1 folder)

Biographical/Historical note:

Catherine Viviano (1889-1992) opened her gallery in 1949 on 42 East 57th Street in New York City. Specializing in contemporary American paintings and sculpture, the gallery featured younger American and European artists, e.g., Robert Broderson, Carlyle Brown, Jan Cox, Joseph Glasco, Peter Lanyon, Manabu Mabe, César Manrique, Bernard Perlin, Joseph Rollo, Bernard Rosenthal, and Kay Sage, among others. The gallery was also notable for introducing the work of Italian artists, who had been cut off from the American art scene during World War II, including Afro Basaldella and his brother Mirko Basaldella, Renato Birolli, Leonardo Cremonini, and Luciano Minguzzi.

Born in Italy in 1899 and raised in Chicago, Catherine Viviano came to New York in the early 1930's to work at the Pierre Matisse Gallery, where she remained for sixteen years before founding the Catherine Viviano Gallery.

In 1970, Catherine Viviano closed the gallery, though she continued to work from her home as an art dealer and consultant. She died of a stroke at the age of ninety-two in 1992.

Related Archival Materials note:

Among the other resources relating to Catherine Viviano Gallery in the Archives of American Art are the Kay Sage papers, 1925-circa 1985, bulk 1950-1965.

Provenance:

The Catherine Viviano Gallery records were donated in 2003 on behalf of Margaret Viviano, Catherine Viviano's sister, by her grandnephew, Peter C. Salerno, who had Power of Attorney for Margaret Viviano.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art dealers -- New York (State)  Search this

Topic:

Women art dealers  Search this

Art -- Collectors and collecting  Search this

Sculpture  Search this

Painting  Search this

Function:

Art galleries, Commercial -- New York (State)

Genre/Form:

Photographs

Notes

Citation:

Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.cathvivi

See more items in:

Catherine Viviano Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c8eeb213-b1d5-43e4-8478-bc79ba634773

EDAN-URL:

ead_collection:sova-aaa-cathvivi

Interviewee:

Bruno, Phillip A.  Search this

Creator:

McElhinney, James Lancel, 1952-  Search this

Names:

Barnes Foundation  Search this

Columbia University -- Students  Search this

Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this

Grace Borgenicht Gallery  Search this

La Napoule Art Foundation, Henry Clews Memorial  Search this

Marlborough Gallery  Search this

Weyhe Gallery  Search this

World House Galleries  Search this

Avery, Milton, 1885-1965  Search this

Bacon, Francis, 1909-1992  Search this

Baskin, Leonard, 1922-2000  Search this

Bertoia, Harry  Search this

Bravo, Claudio, 1936-2011  Search this

Brown, Joan, 1938-1990  Search this

Calder, Alexander, 1898-1976  Search this

Clews, Henry, 1876-1937  Search this

Crawford, Ralston, 1906-1978  Search this

Cuevas, José Luis, 1934-  Search this

Ernst, Max, 1891-1976  Search this

Estes, Richard, 1932-  Search this

Giacometti, Alberto, 1901-1966  Search this

Hefner, Hugh M. (Hugh Marston), 1926-  Search this

Hirshhorn, Joseph H.  Search this

Katz, Alex, 1927-  Search this

Koenig, Fritz, 1924-  Search this

Kubach, Wolfgang, 1936-  Search this

Kubach-Wilmsen, Anna Maria, 1937-  Search this

Matisse, Henri, 1869-1954  Search this

Morgan, Randall, 1920-  Search this

Nagare, Masayuki, 1923-  Search this

Neuberger, Roy R.  Search this

Nevelson, Louise, 1899-1988  Search this

Park, David, 1911-1960  Search this

Peterdi, Gabor  Search this

Rothko, Mark, 1903-1970  Search this

Schapiro, Meyer, 1904-  Search this

Staempfli, George W.  Search this

Willard, Charlotte  Search this

Extent:

46 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2009 January 13-21

Scope and Contents:

An interview of Phillip A. Bruno conducted 2009 January 13-21, by James McElhinney, for the Archives of American Art, at the Archives of American Art, in New York, New York.

Bruno speaks of some his earliest impressions of art while growing up in New York and Paris; attending Columbia University, where he majored in the history of painting and architecture and studied under Meyer Schapiro; his first job at the Weyhe Gallery as a gallery assistant; helping create the Grace Borgenicht Gallery, where he served as director for five years; traveling to Mexico, meeting Jose Cuevas and exhibiting his work at the Edward Loeb Gallery in Paris; traveling to Brazil and meeting a family of naturalist painters who emphasized the importance of painting outdoors, unlike many painters from the New York school; working with Henry Clews and the La Napoule Art Foundation; selling a piece of Salvador Dali jewelry made by Carlos Alamanni to Hugh Hefner, founder of Playboy Magazine; working as director of The World House Gallery and selling works by Fancis Bacon and Max Ernst to clients such as Joseph Hirshhorn and Roy Neuberger; organizing a exhibition of artists shown at the Brussels World Fair in 1958 at World House and meeting George Staempfli through the artist Joan Brown; moving from World House to the Staempfli Gallery in 1960 to work as co-director; the Staempfli Gallery's role in the international art world; an original drawing by Leonard Baskin inscribed to Phillip in 1954; selling the work of artists such as Harry Bertoia, Fritz Koening, and David Park; meeting Henri Matisse in Paris at the age of 21; visiting the studios of Alexander Calder and Mark Rothko; the difference between galleries that can spot new talent and galleries that sell certain artists well; the art market becoming less idealistic and more commercial; the rising importance of auction houses and the possibility of their taking the place of traditional art galleries; the move of the Staempfli Gallery to the SoHo neighborhood and soon after, leaving Staempfli for Marlborough, where he was one of the New York directors for 18 years; his appreciation for the creativity of others, retirement and current plans to write his memoirs. Bruno also recalls Milton Avery, Gabor Peterdi, Hans Muller, Ralston Crawford, Randall Morgan, Charlotte Willard, Dorthy Satterlee, Masayuki Nagare, Claude Bemardin, Kubach-Wilmsen, Louise Nevelson, Cladio Bravo, Lopez Garcia, Alberto Giacometti, The Barnes Foundation, Richard Estes, Alex Katz, and Neil Wlliver.

Biographical / Historical:

Phillip A. Bruno (1930- ) is an art collector and director of Marlborough Gallery, New York, New York.

General:

Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 45 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Occupation:

Gallery directors -- New York (State) -- New York  Search this

Topic:

Collectors and collecting -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Widgeon Point Charitable Foundation.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.bruno09

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bf4b64eb-4ca4-4b97-b4b0-e6ec495fe004

EDAN-URL:

ead_collection:sova-aaa-bruno09

Interviewee:

Hale, Robert Beverly, 1901-1985  Search this

Interviewer:

Brown, Robert F.  Search this

Subject:

Barr, Alfred H., Jr.  Search this

Bridgman, George Brant  Search this

Coyle, Terence  Search this

Duchamp, Marcel  Search this

Geldzahler, Henry  Search this

Hirshhorn, Joseph H.  Search this

Huxley, Julian  Search this

Klonis, Stewart  Search this

McNulty, William Charles  Search this

Peirce, Waldo  Search this

Pollock, Jackson  Search this

Priest, Alan Reed  Search this

Rockefeller, David  Search this

Root, Edward Wales  Search this

Rorimer, James J. (James Joseph)  Search this

Russell, Bertrand  Search this

Art Students League (New York, N.Y.)  Search this

Columbia University  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1984 Mar. 7. Archives of American Art, Smithsonian Institution.

Topic:

Arts administrators -- New York (State) -- New York -- Interviews  Search this

Drawing -- Technique  Search this

Record number:

(DSI-AAA_CollID)13205

(DSI-AAA_SIRISBib)212259

AAA_collcode_hale84

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212259

Creator:

Tatti, Benedict, 1917-1993  Search this

Names:

American Medallic Sculpture Association  Search this

American Numismatic Association  Search this

Anthology Film Archives  Search this

Audubon Artists (New York, N.Y.)  Search this

Galerie Claude Bernard  Search this

Mercer Arts Center (Organization: New York, N.Y.)  Search this

Roko Gallery (New York, N.Y.)  Search this

Canfield, Jane  Search this

Goodrich, Lloyd, 1897-1987  Search this

Noguchi, Isamu, 1904-1988  Search this

Slobodkin, Louis, 1903-  Search this

Zorach, William, 1887-1966  Search this

Extent:

1.8 Linear feet

Type:

Collection descriptions

Archival materials

Notes

Awards

Lists

Christmas cards

Photographs

Designs

Sketches

Date:

1936-2011

bulk 1945-1993

Summary:

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

Scope and Contents note:

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

Biographical materials include curriculum vitae, Who's Who in American Art, memberships, and awards. Correspondence is primarily from colleagues, dealers, collectors, and representatives of museums, galleries, and arts organizations. There are a few outgoing letters from Benedict Tatti, including a handmade holiday card. Among the notable correspondents are Jane Canfield, Lloyd Goodrich, Louis Slobodkin, and William Zorach. Also found is a small portion of Adele Tatti's correspondence relating to her late husband's artwork.

Project files contain Tatti's commissions for Eutectic-Castolin Institute, Staten Island Community College, Statue of Liberty Restoration, and the Usdan Center for the Creative and Performing Arts; application proposals to Creative Artists Public Service program (CAPS); and the artist's invention of the rewind reel adapter. Subject files include Tatti's memberships and activities in professional associations, e.g., American Medallic Sculpture Association, American Numismatic Society, and Audubon Artists; Tatti's Artist-in-Residence proposals for the Television Lab, WNET 13; and his involvement in educational video presentations. Exhibition files consist of scattered materials on Tatti's shows at the Anthology Film Archives; Burr Galleries; Galerie Claude Bernard; The Kitchen, Mercer Arts Gallery; Northeast Harbor Gallery; and Roko Gallery.

Writings, notes, and lists include writings by Benedict Tatti; writings about Benedict Tatti, including a statement on the artist by Isamu Noguchi; and lists compiled by Adele Tatti relating to her late husband's work. Artwork contains Tatti's sketch of a sculpture for the Northeast Harbor Museum and sketches of medal designs. Printed material consists of announcements, brochures, invitations, exhibition catalogues and checklists, clippings, periodicals, newsletters, reproductions, other printed matter, and monographs. Photographs include black and white prints of portrait shots of Benedict Tatti, Tatti in his studio and with others, video equipment and Tatti's video art; also found are color photographs of Tatti's sculptures and design maquettes.

Arrangement note:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1936-1993 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1945-2008 (Box 1; 0.1 linear feet)

Series 3: Project Files, 1966-2005 (Box 1; 0.1 linear feet)

Series 4: Subject Files, circa 1950s-2008 (Box 1; 0.1 linear feet)

Series 5: Exhibition Files, 1945-1992 (Box 1; 0.1 linear feet)

Series 6: Writings, Notes, and Lists, circa 1940s-2009 (Box 1; 4 folders)

Series 7: Artwork, 1970-circa 1990s (Box 1; 3 folders)

Series 8: Printed Material, 1937-1976 (Boxes 1-2; 0.8 linear feet)

Series 9: Photographs (circa 1936-1970s), circa 1964-2010 (Box 3; 0.4 linear feet)

Biographical/Historical note:

Benedict Tatti (1917-1993) worked in New York as a sculptor, painter, educator, and video artist.

Born in New York in 1917, Tatti began his art education at Haaren High School. He continued his studies at the Roerich Museum with Louis Slobodkin, the Art Students League with William Zorach and Ossip Zadkine, and the Leonardo da Vinci School of Art under Attillio Piccirelli. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City.

Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage sculptures, using bronze metal and other industrial materials. During this period, Tatti spent summers on Monhegan Island in Maine, where he developed his water coloring techniques. In 1963, Tatti was hired to teach sculpture at the High School of Art and Design in New York, a position that he held for fifteen years.

In the 1970s, Tatti, with no previous background in video work developed technology for video imaging. He became an associate member of the Kitchen at the Mercer Arts Center exhibiting his video sculptures along with other early innovators of this new art form. In 1975, he invented a rewind reel adapter device. Despite health problems, Tatti continued to work and exhibit into the 1980s. He assisted his brother, Alexander Tatti and his nephew, Steven Tatti on the restoration of the Statue of Liberty on Ellis Island, which was completed in 1985.

Benedict Tatti received solo and group exhibitions at museums and galleries in the United States and abroad, including the Burr Gallery, Claude Bernard Galleries, Metropolitan Museum of Art, under the Artists for Victory Program, Museum of Modern Art, National Gallery of Art, Northeast Gallery, Pennsylvania Academy of the Fine Arts, and the Roko Gallery. Also, Tatti's work was regularly featured in annual exhibitions of several arts organizations: American Society of Contemporary Artists, Annual Avant Garde Festival, Audubon Artists, Brooklyn Society of Artists, and Painters and Sculptors Society of New Jersey. His awards included the National Soldier Art Competition at the National Gallery of Art (1945); Artist-in-Residence, National Center of Experiments TV, San Francisco, California, (1969); and the Creative Artists Public Service (CAPS), (1972). Tatti's artwork is in the permanent collections of the American Numismatic Society, Art Students League, Dumbarton Oaks, Monhegan Museum, Smithsonian Institution, and the Usdan Center for the Creative and Performing Arts.

Benedict Tatti died on July 30, 1993.

Provenance:

The Benedict Tatti papers were donated by Adele Tatti, widow of Benedict Tatti, in 2010.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Video artists -- New York (State) -- New York  Search this

Topic:

Educators -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Genre/Form:

Notes

Awards

Lists

Christmas cards

Photographs

Designs

Sketches

Citation:

Benedict Tatti, 1936-2011, bulk 1945-1993. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.tattbene

See more items in:

Benedict Tatti papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b58b3ec4-c37d-49b9-8159-5cff7c512cf1

EDAN-URL:

ead_collection:sova-aaa-tattbene

Creator:

American Federation of Arts  Search this

Names:

Architectural League of New York  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Virginia Museum of Fine Arts  Search this

Adams, Ansel, 1902-1984  Search this

Albers, Anni  Search this

Albers, Josef  Search this

Albert, Calvin, 1918-  Search this

Altman, Harold, 1924-  Search this

Antreasian, Garo Z., 1922-  Search this

Arp, Jean, 1887-1966  Search this

Avery, Milton, 1885-1965  Search this

Barnet, Will, 1911-2012  Search this

Baskin, Leonard, 1922-2000  Search this

Baziotes, William, 1912-1963  Search this

Bellows, George, 1882-1925  Search this

Berman, Eugene, 1899-1972  Search this

Bertoia, Harry  Search this

Bingham, George Caleb, 1811-1879  Search this

Bishop, Isabel, 1902-1988  Search this

Blume, Peter, 1906-1992  Search this

Braque, Georges, 1882-1963  Search this

Breuer, Marcel, 1902-  Search this

Brooks, James, 1906-1992  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Callahan, Kenneth, 1905-1986  Search this

Casarella, Edmond, 1920-1996  Search this

Chagall, Marc, 1887-1985  Search this

Chase, William Merritt, 1849-1916  Search this

Chesney, Lee, 1920-  Search this

Citron, Minna Wright, 1896-1991  Search this

Clements, Geoffrey  Search this

Coen, Eleanor, 1916-  Search this

Conover, Robert F. (Robert Fremont), 1920-  Search this

Crawford, Ralston, 1906-1978  Search this

Daumier, Honoré, 1808-1879  Search this

Day, Worden, 1916-1986  Search this

De Diego, Julio, 1900-  Search this

De Kooning, Willem, 1904-1997  Search this

De Rivera, José Ruiz, 1904-1985  Search this

Degas, Edgar, 1834-1917  Search this

Demuth, Charles, 1883-1935  Search this

Diebenkorn, Richard, 1922-1993  Search this

Dove, Arthur Garfield, 1880-1946  Search this

Dubuffet, Jean, 1901-  Search this

Eakins, Thomas, 1844-1916  Search this

Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this

Ernst, Jimmy, 1920-1984  Search this

Feininger, Lyonel, 1871-1956  Search this

Fine, Perle, 1908-1988  Search this

Force, Juliana, 1876-1948  Search this

Francis, Sam, 1923-  Search this

Frankenthaler, Helen, 1928-2011  Search this

Frasconi, Antonio  Search this

Gatch, Lee, 1902-1968  Search this

George, Thomas, 1918-  Search this

Gonzalez, Xavier, 1898-1993  Search this

Goodnough, Robert, 1917-  Search this

Gottlieb, Adolph, 1903-1974  Search this

Goya, Francisco, 1746-1828  Search this

Graves, Morris, 1910-  Search this

Gwathmey, Robert, 1903-1988  Search this

Hartigan, Grace  Search this

Hartley, Marsden, 1877-1943  Search this

Hassam, Childe, 1859-1935  Search this

Hayter, Stanley William, 1901-  Search this

Heliker, John, 1909-2000  Search this

Henri, Robert, 1865-1929  Search this

Hofmann, Hans, 1880-1966  Search this

Hopper, Edward, 1882-1967  Search this

Jones, John Paul, 1924-  Search this

Jorn, Asger, 1914-1973  Search this

Kahn, Max, 1903-2005  Search this

Kelly, Ellsworth, 1923-  Search this

Kienbusch, William, 1914-1980  Search this

Klee, Paul, 1879-1940  Search this

Knaths, Karl, 1891-1971  Search this

Kohn, Misch, 1916-  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Lawrence, Jacob, 1917-2000  Search this

Levine, Jack, 1915-2010  Search this

Lipchitz, Jacques, 1891-1973  Search this

Luks, George Benjamin, 1867-1933  Search this

Léger, Fernand, 1881-1955  Search this

MacIver, Loren, 1909-  Search this

Margo, Boris, 1902-1995  Search this

Marin, John, 1870-1953  Search this

Marsh, Reginald, 1898-1954  Search this

Mechlin, Leila, 1874-1949  Search this

Meeker, Dean, 1920-  Search this

Miró, Joan, 1893-  Search this

Moller, Hans, 1905-  Search this

Moore, Henry, 1898-1986  Search this

Morris, George L. K., 1905-1975  Search this

Moy, Seong  Search this

Murch, Walter  Search this

Neuberger, Roy R.  Search this

Nevelson, Louise, 1899-1988  Search this

Nicholson, Ben, 1894-  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Okada, Kenzo, 1902-1982  Search this

Oliveira, Nathan, 1928-2010  Search this

Parks, Gordon, 1912-  Search this

Pereira, I. Rice (Irene Rice), 1902-1971  Search this

Perlmutter, Jack, 1920-2006  Search this

Peterdi, Gabor  Search this

Picasso, Pablo, 1881-1973  Search this

Pollock, Jackson, 1912-1956  Search this

Porter, Fairfield  Search this

Pozzatti, Rudy, 1925-  Search this

Prendergast, Maurice Brazil, 1858-1924  Search this

Ratkai, George  Search this

Rattner, Abraham  Search this

Rauschenberg, Robert, 1925-2008  Search this

Reinhardt, Ad, 1913-1967  Search this

Rembrandt Harmenszoon van Rijn, 1606-1669  Search this

Renoir, Auguste, 1841-1919  Search this

Rivers, Larry, 1925-  Search this

Roszak, Theodore, 1907-1981  Search this

Rouault, Georges, 1871-1958  Search this

Ryder, Albert Pinkham, 1847-1917  Search this

Saetti, Bruno, 1902-  Search this

Santomaso, Giuseppe  Search this

Sargent, John Singer, 1856-1925  Search this

Sato, Tadashi, 1900-  Search this

Savelli, Angelo, 1911-  Search this

Schanker, Louis, 1903-1981  Search this

Schongauer, Martin, 15th cent.  Search this

Schrag, Karl  Search this

Schramm, James S.  Search this

Seligmann, Kurt, 1900-1962  Search this

Shahn, Ben, 1898-1969  Search this

Sheeler, Charles, 1883-1965  Search this

Sloan, John, 1871-1951  Search this

Smith, David, 1906-1965  Search this

Soyer, Raphael, 1899-1987  Search this

Spaeth, Eloise  Search this

Spruance, Benton, 1904-1967  Search this

Stamos, Theodoros, 1922-1997  Search this

Steg, James L. (James Louis), 1922-2001  Search this

Steichen, Edward, 1879-1973  Search this

Stella, Joseph, 1877-1946  Search this

Sterne, Hedda, 1916-  Search this

Sterne, Maurice, 1878-1957  Search this

Stieglitz, Alfred, 1864-1946  Search this

Stone, Edward Durell  Search this

Summers, Carol, 1925-  Search this

Suzuki, James  Search this

Takal, Peter, 1905-  Search this

Tamayo, Rufino, 1899-  Search this

Tchelitchew, Pavel, 1898-1957  Search this

Thon, William, 1906-2000  Search this

Thrall, Arthur  Search this

Tiepolo, Giovanni Battista, 1696-1770  Search this

Tiepolo, Giovanni Domenico, 1726?-1804  Search this

Tobey, Mark  Search this

Tomlin, Bradley Walker, 1899-1953  Search this

Tooker, George, 1920-2011  Search this

Treiman, Joyce  Search this

Turner, J. M. W. (Joseph Mallord William), 1775-1851  Search this

Tworkov, Jack  Search this

Vespignani, Renzo, 1924-  Search this

Von Wicht, John, 1888-1970  Search this

Von Wiegand, Charmion  Search this

Wald, Sylvia, 1915-2011  Search this

Walkowitz, Abraham, 1880-1965  Search this

Watkins, Franklin Chenault, 1894-1972  Search this

Weber, Max, 1881-1961  Search this

Weir, Julian Alden, 1852-1919  Search this

Whistler, James McNeill, 1834-1903  Search this

Whiting, Frederic Allen, 1873-1959  Search this

Whittredge  Search this

Wines, James, 1932-  Search this

Wyeth, Andrew, 1917-2009  Search this

Xceron, Jean, 1890-1967  Search this

Yunkers, Adja, 1900-1983  Search this

Zao, Wou-ki, 1921-  Search this

Zerbe, Karl, 1903-1972  Search this

Zoellner, Richard  Search this

Zorach, Marguerite, 1887-1968  Search this

Zorach, William, 1887-1966  Search this

Extent:

79.8 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Exhibition catalogs

Photographs

Lantern slides

Administrative records

Date:

1895-1993

bulk 1909-1969

Summary:

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

Scope and Content Note:

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

The earliest documentation from 1895 to 1909 concerns the organization's history and founding and is located in Series 1: Board of Trustees. Also found in this series are meeting minutes, 1909-1963 and 1968. Interfiled with the board meeting minutes are minutes of the executive committee and other special and ad hoc committees, reports to the board, financial statements and reports, and lists of committee appointments and board membership. This series also contains the scattered correspondence and subject files of various officers. Although not a complete set of officers' files, Presidents' Frederick Allen. Whiting (1931-1936), Lawrence M.C. Smith (1948-1952), Thomas Brown Rudd (1952-1954), Daniel Longwell (1954-1956), James S. Schramm (1956-1958), and Roy R. Neuberger (1958-1961) are represented. Leila Mechlin served on AFA's board as secretary from its founding to 1929, and her files are a particularly rich resource for AFA's activities during its early years. Lawrence M.C. Smith's files documenting his years as board treasurer are also arranged in this series. Additional officers' correspondence is interspersed throughout the Alphabetical Files and other series.

General information about the scope of AFA's programs, affiliations, founding, functions, and proceedings are arranged in Series 2: Administrative Records. The first subseries, Alphabetical Files, houses a wide variety of subject files that contain memoranda, correspondence, printed materials, lists, reports, and other papers. These files document the AFA's general history and founding, organizational affiliations, buildings and moves, grants, federal and state government art programs, auctions and other fund-raising efforts, publicity and public relations, publications, and fiftieth anniversary celebration. The subject headings by which these files are arranged are, for the most part, the ones designated by the AFA. The second subseries, Staff Records, houses the scattered files of AFA's director, assistant director, registrar, and special state representative, Robert Luck.

During its most active period, the AFA sponsored or participated in several special programs and Series 3: Special Programs houses the files that document many of them. The first subseries consists of the files for the Artists in Residence program that was funded by the Ford Foundation. Awarded in 1963, the grant sponsored short-term teaching residencies for artists in museums throughout the United States. The host museums were encouraged to hold exhibitions of the artists' works. This subseries contains both the general files of the program, as well as individual files on the participating artists. During the late 1950s and early 1960s, the AFA and the Ford Foundation also sponsored additional programs for artists, including Grants in Aid, Purchase Awards, and the Retrospective Exhibitions Program. The files documenting these three programs are also arranged in Series 3, under the subseries Ford Foundation Program for Visual Artists. In the late 1950s, the AFA implemented the Museum Donor Program with benefactors and philanthropists Audrey Bruce Currier and Stephen Richard Currier. Through the administration of the AFA, the Curriers donated funds to selected institutions specifically for the purchase of contemporary American art. The Curriers preferred to remain anonymous throughout the program. Files documenting this program include correspondence, applications from the accepted institutions, rejections, a summary report, and clippings about the untimely deaths of Mr. and Mrs. Currier in 1967.

Also found in Series 3 are the files documenting AFAs working relationship with the first state arts council, the New York State Council on the Arts (NYSCA). In 1961, AFA and NYSCA implemented a traveling exhibition program in New York State. Found here are files for possible itineraries, proposals, publicity, loans, budgets, and the actual exhibition files. Additional AFA special programs documented in Series 3 include the Picture of the Month program of the mid-1950s and the Jean Tennyson Foundation Color Slide Lecture Program.

AFA Annual Convention files constitute Series 4. Beginning with the Third Annual Convention in 1912 and continuing through the 1963 Annual Convention, the files contain official proceedings, speeches, programs, clippings, correspondence, and press releases. Files are missing for 1913, 1915, 1918, 1922, 1923, 1925, 1926, 1931, 1936-1949, 1952, 1956, 1958, 1960, and 1962. There are also audio recordings in the form of reel-to-reel tapes for the 1951 Annual Convention.

Series 5: Exhibition Files forms the bulk of the collection at circa 62 linear feet and is arranged into twenty subseries. The first subseries, Exhibitions, General, houses primarily the records of the Board of Trustees Exhibition Committee and documents the AFA's earliest involvement with traveling exhibitions. These files contain reports, budgets, correspondence, memoranda, scattered exhibition catalogs, and photographs. They are primarily the files of the chair of the Exhibition Committee and include the files of Juliana R. Force, Eloise Spaeth, and Mrs. John Pope. Also found in this series is a subseries of Mrs. John Pope's records documenting circulating exhibitions from 1934 to 1955, arranged by state.

The remaining nineteen subseries of the Exhibition Files reflect either specific exhibition programs, many of which have unique numbers assigned by AFA to individual exhibitions, or other exhibition-related files, such rejected, canceled, and suggested exhibitions and miscellaneous installation photographs. The Annual Exhibitions files constitute the largest of the subseries and are numbered according to the system assigned by AFA, following a typical chronological order. Although the documentation for each exhibition varies widely by both type and amount, most of the files contain contracts and legal agreements, correspondence, memoranda, itinerary information, condition reports, publicity materials, catalogs, announcements, price lists, and other such information arranged into one or more files. The files were labeled "documentation files," "dispersal files," "report form files," "loan agreement files," and "publicity files" according to the filing system devised by AFA. Many of the files also house a significant amount of correspondence with museum officials, lenders, and artists.

Additional subseries document AFA's exhibition venues and partnerships with the Metropolitan Museum of Art, the Virginia Museum of Fine Arts, the New York State Council on the [UNK] Life magazine, and Addison Gallery. A complete list of all of the subseries, including specific exhibition programs, follows in the Series Outline.

The final three series of the collection are small: Printed Material, Miscellaneous Files, and Oversized Material. The printed material was donated much later to the Archives and dates from 1990 to 1993. Found here are scattered press releases, annual reports, and an exhibition program. Miscellaneous Files contain scattered records, 1926-1962, of the Architectural League of New York relating to national award programs. It is not clear why this small group of Architectural League records was found mixed with the AFA records but perhaps the collaboration between the two organizations on several special projects provides an explanation. Also found in Miscellaneous Files is a group of black and white lantern slides from a lecture series, "New Horizons in America." Oversized Material includes a portfolio, a work of art, and posters.

See Appendix for a list of artists exhibiting with the American Federation of Arts

Arrangement:

The collection is arranged into eight primary series based primarily on administrative units or program areas. Several of the series are further subdivided into subseries. While processing, it became clear that the two filing systems were redundant and overlapped in both subject area and type of material. Most of these files were subsequently merged into the now broader Alphabetical Files or into separate series. Oversized material may be found at the end of the collection arranged in a separate series.

In most cases, files related to one another by subseries or subject areas (in the case of the Alphabetical Files) or by individual name (in the case of officers and staff files) are arranged in chronological order. The entire subseries of Alphabetical Files in Series 2 is arranged by subject heading, as assigned by the AFA, or individual name. The Alphabetical Files originally formed two broad filing systems as established by the AFA: one for general correspondence arranged by subject; and one for director's and other staff correspondence, also arranged by subject.

Series 1: Board of Trustees, circa 1895-1968 (Boxes 1-3)

Series 2: Administrative Records, 1910-1966 (Boxes 4-8)

Series 3: Special Programs, 1950-1967 (Boxes 9-13)

Series 4: Annual Conventions, 1912-1963 (Boxes 14-16)

Series 5: Exhibition Files, 1934-1969 (Boxes 17-78)

Series 6: Printed Material, 1990-1993 (Box 78)

Series 7: Miscellaneous Files, 1926-1962, undated (Box 79)

Series 8: Oversized Materials, 1890, undated (Boxes 80-85)

Historical Note:

Founded in 1909 by Elihu Root, the American Federation of Arts (AFA) exists today as a national nonprofit museum service organization striving to unite American art institutions, collectors, artists, and museums. Elihu Root, then secretary of state in the administration of Theodore Roosevelt, spoke of his idea at the first meeting of the AFA held in New York at the National Academy of Arts. He envisioned an organization that would promote American art most often seen only by the elite in the major cities of the East and upper Midwest by sending "exhibitions of original works of art on tour through the hinterlands across the United States."

The American Academy in Rome, Corcoran Gallery of Art, Art Institute of Chicago, and Metropolitan Museum of Art were influential organizing member institutions. Individual members included such notables as William Merritt Chase, Charles L. Freer, Daniel C. French, Charles L. Hutchinson, Henry Cabot Lodge, J.P. Morgan, and Henry Walters. The founding of the AFA provided the American art world with a forum for communication and participation among artists, cultural institutions, patrons of the arts, and the public.

To accomplish its mission, the AFA established volunteer committees for membership, exhibitions, and publications. During its first year, the AFA began publishing Art and Progress (later changed to Magazine of Art) and the American Art Annual (now the American Art Directory). In 1909, the AFA also organized its first traveling exhibition, Paintings by Prominent American Artists, which was shown at museums in Fort Worth, New Orleans, Minneapolis, and New Ulm, Minnesota.

By the end of the first year, the headquarters of the organization moved to Washington, D.C., to facilitate lobbying the federal government for favorable art legislation. In 1913, the AFA lobbied successfully for the removal of the tariff on foreign art entering the United States. In 1916, the Federation met with the Interstate Commerce Commission to protest prohibitively high interstate taxes on traveling art exhibitions.

Throughout the next fifteen years, the AFA continued to grow in membership and influence. By 1919, membership included 438 institutions and 2,900 individuals. The AFA's annual conventions were held in major national art centers and were attended by members, chapter delegates, and the public. At the conventions, scholars, patrons, and curators lectured on and discussed subjects of national interest, thereby fostering an exchange of ideas. The AFA also sponsored periodic regional conferences to promote institutional cooperation and to discuss mutual problems and needs. To facilitate exhibition venues west of the Mississippi River, in 1921 the AFA opened regional offices at the University of Nebraska and at Stanford University. The AFA produced and circulated slide programs and lecture series to museums and educational institutions that fostered art education. By 1929, the Federation had developed forty-six slide-lecture programs that covered American mural painting, European and American contemporary art, and textiles.

During the 1930s, the Federation expanded its services by providing schools with teaching guides, student workbooks, slides, and films about art. In 1935, the AFA began publishing Who's Who in American Art, later publishing The Official Directory of Illustrators and Advertising Artists and Films on Art reference guides. To reach an even larger audience, the AFA began collaborating with the Metropolitan Museum of Art in New York to organize national circulating exhibitions to "bring the museum to the people."

One of AFA's priorities was to make American art more visible abroad. The Federation focused on encouraging the representation of American artists in foreign exhibitions, and in 1924 it lobbied successfully for additional American participation in the Venice Biennale. The AFA's focus on exhibiting American art abroad continued to expand, particularly following World War II. In 1950, recognizing that the AFA could assist in promoting American culture, the State Department awarded the AFA a grant for a German "re-orientation program" consisting of educational exhibitions shown in German museums. Additional government funding further enabled the AFA to organize American participation in exhibitions in India, Japan, Paris, Switzerland, and Rotterdam between 1950 and 1970. Later, the AFA collaborated with the United States Information Agency (USIA) to create the Overseas Museum Donor Program which permitted donations of American art to foreign institutions on a restriction-free, tax-deductible basis. During the 1950s, the AFA was a very active member of the Committee on Government and Art, a national committee with members from across the art and museum world concerned with government sponsorship of and legislation affecting art sales, commissions, and trade.

In 1952, the headquarters of the AFA returned to New York, sparking a period of innovation and expanded of programs. Throughout the 1950s, the AFA distributed films about art and co-sponsored the Films on Art Festival in Woodstock, New York. The AFA also introduced its Picture of the Month Program in 1954, renting original works of art to small American art and educational institutions. In 1956, the AFA organized the Art Collectors Club of America to provide fellowship for art collectors through meetings and activities. The club disbanded in the 1970s.

The Federation's exhibition programs continued to flourish during the 1950s and 1960s. Private and public financial support allowed the AFA to achieve many of its goals. In 1958, the Ford Foundation awarded an important grant to organize a series of traveling one-person shows and a series of monographs devoted to contemporary American artists. Milton Avery, Andrew Dasburg, José DeCreeft, Lee Gatch, Walter Quirt, Abraham Rattner, and others were among the artists who participated. Private foundation support for the AFA's Museum Donor Program provided an annual allowance that was distributed to regional museums for the pourchase of contemporary American art. Cooperative programs and joint venues also became popular during this period. For example, public support from the New York State Council on the Arts allowed the AFA to circulate exhibitions to small New York State communities, and the Virginia Museum of Fine Arts provided the AFA with five exhibitions for national tours.

Throughout its history, the American Federation of Arts has concentrated on its founding principle of broadening the audience for contemporary American art. Through its numerous exhibition and film programs, the AFA has succeeded in "breaking down barriers of distance and language to broaden the knowledge and appreciation of art." Annual exhibitions such as New Talent in the USA and Art Schools USA, organized by the AFA, brought before the public the most contemporary American artists and craftspeople, genres, and artistic forms of experimentation, exposing viewers to new ways of thinking and expression. In 1965, AFA produced The Curriculum in Visual Education, a series of films created to heighten the aesthetic awareness of children.

A vital part of American art history, the AFA was one of the first organizations to develop successfully the concept of traveling art exhibitions on a national and international level. The AFA was instrumental in assisting museums with circulating important juried exhibitions of contemporary art, such as the Whitney Annual and Corcoran Biennial. The AFA also recognized the importance of the exchange of cultural ideas, and it brought exhibitions of the European masters to the American public as well as exhibitions focusing on foreign contempoorary art, photography, and architecture. Many organizations and museums have followed the AFA's precedent, and traveling national and international venues are now commonplace.

Since 1909, women have served as officers and members of the Board of Trustees. Leila Mechlin was a founding participant and served as secretary from 1909 to 1933. Juliana R. Force and Eloise Spaeth both chaired the Exhibition Committee in the late 1940s. Women and artists of diverse backgrounds and nationalities were widely represented in the AFA's exhibition programs, most notably during the 1960s. In 1960, the AFA organized, with financial support from the Ford Foundation, a major Jacob Lawrence retrospective. Additional culturally diverse exhibitions included Contemporary Jewish Ceremonial Art (1961), The Heart of India (1962), 1,000 Years of American Indian Art (1963), and Ten Negro Artists from the United States (1966).

The AFA also had an impact on patronage in the arts. AFA exhibitions of contemporary art provided collectors with knowledge of new artists and avant-garde art forms, creating a broader demand and market for this type of work. Museums and collectors began purchasing work by new or obscure American artists whom they learned about through AFA exhibitions and programs.

The historical records of the American Federation of Arts offer the researcher a unique opportunity to study the development of American art and artists in the twentieth century as well as providing insight into trends in American culture.

Missing Title

1909 -- Founded in New York City. Began publishing Art and Progress (later retitled Magazine of Art) and the American Art Annual.

1910 -- Moved headquarters to Washington, D.C.

1913 -- Lobbied successfully for the removal of the tariff on art entering the United States.

1915-1916 -- Lobbied successfully against the Cummins Amendment and the Interstate Commerce Commission's prohibitively high interstate tax on traveling art.

1920 -- Organized a lobbying campaign for the development of a national gallery of art at its national convention.

1921 -- Opened two new offices at the University of Nebraska and at Stanford University.

1924 -- Arranged American participation in the Venice Biennale exhibition.

1927 -- Closed office at Stanford University.

1929 -- Organized American participation in exhibitions in France and Germany.

1933 -- Closed office at the University of Nebraska.

1935 -- Began publishing Who's Who in American Art.

1948 -- Published The Official Directory of Illustrators and Advertising Artists.

1949 -- Collaborated with the Metropolitan Museum of Art to circulate exhibitions from its collections.

1950 -- Participated in the U.S. government's German re-orientation program.

1951 -- Joined forces with the United States Information Agency (USIA) to create the Overseas Museum Donor Program. Published the reference guide Films on Art. Co-sponsored the Films on Art Festival in Woodstock, New York, through 1957.

1952 -- Moved headquarters to New York City.

1953 -- Magazine of Art liquidated.

1954 -- Introduced the Picture of the Month Program.

1956 -- Founded the Art Collectors Club of America.

1958 -- Received a Ford Foundation grant to finance a series of one-person shows of contemporary American artists.

1960 -- Created the Museum Donor Program.

1961 -- Received a grant from the New York State Council on the Arts to circulate exhibitions to small New York state communities.

1963 -- Received a grant from the Ford Foundation for the Artists in Residence program.

1964 -- Introduced the List Art Poster Program.

1965 -- Produced The Curriculum in Visual Education, a series of films that attempted to heighten the aesthetic awareness of children.

Appendix: List of Artists Exhibiting with American Federation of Arts:

The following is an alphabetical list of artists who exhibited with the American Federation of Arts; many are obscure. The alpha-numeric codes and numbers appearing with the artist's name represent specific AFA exhibition programs and, most often, AFA's exhibition numbering system. In cases where the AFA did not assign an exhibition number, Archives' staff have done so.

The primary reference source for the names and name variants is the American Federation of Arts Records. The names are documented in handwritten notes and lists, typed lists, and exhibition catalogs and announcements. The Archives of American Art name authority file was also consulted in questionable cases. The majority of names, however, were not found in either the AAA name authority file or standard bibliographic resources, and only in the AFA records.

Examples:

55-1: AFA annual exhibitions program

AD-1: Addison Gallery exhibitions

L-1: Life Magazine Exhibitions

ME-1: Misceallaneous exhibitions (numbers assigned by AAA staff)

NMA-1: Metropolitan Museum of Art exhibitions

NE-96: Contemporary Color Lithography

NY-1: New York State Council on the Arts exhibitions

VA-1: Virginia Museum of Fine Arts exhibitions

Missing Title

A. Quincy Jones, Frederick E. Emmons & Assoc: 62-34

Aalto, Alvar: 59-15

Aarikka, Kaija: 57-14

Aarnio, Rauha Maria: 53-24

Abbati, Giuseppe: 63-10

Abbe, Cassandra: 62-10

Abbey, Edwin Austin: 59-6

Abbot, Merkt & Co, Daniel Schwartzman: 62-24

Abbott, Berenice: 58-20

Abboud: 56-29

Abedin, Zainul: 58-42

Abell, Richard Arthur: 57-6, 60-5

Abelman, Ida: 55-20

Abernathy, J.T.: 57-6

Abramovitz, Max: 63-16

Abrams, Mary Tatum: 55-14

Abrams, Ross: 56-25

Abramson, Arnold Edwin: 53-16, NY-3

Abularch, Rudolfo: 60-12

Accorsi, William: 65-6, ME-74

Achenbach, Andreas: 65-10

Achepohl, Keith: 65-11

Acht, Rene Charles: 61-4

Ackerman, Jerome & Evelyn: 55-22, 57-6

Adair, Ann: 62-10

Adam, Henri-Georges: 56-2160-15

Adam, Robert: 61-22

Adams, Alice: 58-25, 60-12

Adams, Ansel: 56-5, 59-56, 61-8, 63-8

Adams, Clinton: 54-18, 60-3, 63-12, 64-7

Adams, Franklin: 61-35

Adams, Lawrence: 56-2

Adams, Mark: 57-6, 58-16, 58-25

Adams, Norman: 59-19

Adams, Pat: 57-1, 58-26, 58-43, 60-22, 62-37

Adams, Robert: NE-96

Adamson, Robert: 62-25, NY-1

Addams, Clifford: 62-12, ME-28

Adelman, Helen S.: 57-6

Adickes, David: 57-23

Adler, Allan: 55-22, 57-6

Adler, Samuel: 53-5

Adler, Sophia: ME-75

Aeberli, Hans: 53-15

Aeusden, N.: 51-3

Affandi: 58-42

Afon, N.: 64-30

Afre: 58-15

Afro, See also Basaldella, Basaldella: 61-4, 64-2

Agam, Yaacou: 63-29

Agate, Alfred T.: 59-34

Agostini, Peter: 62-40, 63-31, ME-56

Agranat, Gertrude: 58-25

Agricola, Filippo: 59-40

Ahr, Richard: 58-39

Ahr, Jr., Arthur Frederick: 58-32

Aida, Yusuke: 64-23

Aikman, Cicey: 56-2

Aine, Bisson: 62-25

Ainslie, Maud: 64-29, 64-30

Aizer, Alexander: 53-17

Ajmone, Giuseppe: 56-19, 57-27, 58-23

Akaba, Seppo: 63-21

Aken, Jan van: 63-17

Akers, Adela: 62-10

Akl, Said: 56-29

Al-Amin: 56-29

Al-Nassim Sham: 56-29

Al-Sheikhli, Ismail: 56-29

Albee, Grace Arnold: 53-5, 56-25, 58-3, ME-7

Alber, Nancy: 53-24

Alber, Twila M.: 53-24

Albers, Anni: 55-8, 57-6, 58-16, 58-25, 60-5, 62-15

Albers, Josef: 55-3, 56-2, 56-26, 57-1, 57-10, 58-43, 59-6, 59-10, 60-41, 62-16, 62-28, 62-29, 62-31, 63-7, 63-12, 64-2, 64-10, 64-26, 65-4, ME-73

Albert, Calvin: 53-20, 55-6, 56-1, 57-1, 58-5, 58-16, 59-6, 61-17

Albert, Kahn & Associates: 62-24, 64-11

Albert Kahn Assoc Architects & Engineers, Inc.: 61-31

Alberti, Leon Battista: 56-10

Alboum, Lawrence D.: 57-31

Albright, Ivan: 64-31, ME-7

Albrizio, Humbert: 52-4, 62-30

Alcalay, Albert: 56-27, 61-15

Alcopley, Alfred L.: 62-41

Aldegrever, Heinrich: 62-20

Alder, Samuel: ME-73

Alderani, Emmanuele: 58-9

Alechinsky, Pierre: 60-14, 61-4, 64-2, 62-29

Alexander, John White: 62-7, 62-30

Alexander, William: 62-12

Allen, Frank C.: 64-21

Allen, James E.: ME-7

Allen, Mary Cecil: 64-30

Allenbach, Werner: 53-21

Alling, Clarence: 62-10

Allman-Smith, Patricia: 58-35

Allston, Washington: ME-11, ME-41

Alma, P.: 51-3

Almyda, Joseph: 61-35

Alps, Glen: 53-16, 55-20, 60-3, 62-3

Alston, Charles Henry: 56-2, ME-73

Alswang, Ralph: 62-14, 64-35

Altdorfer, Albrecht: 57-37, NY-9

Althaus, Willy: 53-21

Altherr, Alfred: 53-21

Altman, Harold: 58-12, 60-3, 60-22, 62-3, 62-31, ME-75

Altoon, John: 56-2

Alva: 56-2

Amador, Juan A.: 59-27

Amador, Pedro Luis: 59-27

Amaos, Castagnetti & Co.: 61-1

Amarotico, Joseph Anthony: 63-7

Amato, Samuel: 53-5, 58-7

Ambellan, Harold: 52-4

Amen, Irving: 55-20

American School: 56-18

Amero, Emilio: 53-1, NE-96

Ames, Arthur: 57-6

Amihai, Yehuda: 58-36

Amino, Leo: 56-2

Amland, David: 62-31

Andersen, David: 57-40

Anderson, Donald: 53-1

Anderson, Erica: 57-16

Anderson, Ib: 52-5

Anderson, J.: 60-5

Anderson, Jeremy: 58-7

Anderson, John: 56-12, 58-6

Anderson, Joyce & Edgar: ME-75

Anderson, Lennart: 65-4, NY-18

Anderson, Vlademar: 52-5

Anderson, Win: 53-24

Ando, Shigekazu: 63-21, 65-12

Andre, Albert: 61-10

Andresdottir, Gudmunda: 66-2

Anderson, Laura: 57-6

Andrews, Albert E.: 53-17

Andrews, Dana: 58-25

Andrews, Oliver: 57-12

Angelico, Fra: 57-18

Angelo, de Moro Battista: 64-6

Anguti, Michael: 59-56

Annan, James Craig: 62-25

Anneberg, Margery: 60-5

Anshen & Allen: 51-7, 58-1

Anshen & Anshen: SD-8

Anshutz, Thomas Pollock: 62-7, 63-3, 64-3

Antell, Diane: 58-32

Antreasian, Garo Z.: 54-18, 54-42, 56-15, 58-3, 58-15, 60-3, 60-22, 62-3, 63-12, 64-7, NE-96

Antunez, Nemesio: 58-15, 60-17

Anuszkiewicz, Richard: 63-30, 64-26, 65-1, ME-73

Anzani, Luigi: 61-1

Aouad, Farid: 56-29

Aoyama: 63-21

Aperghis, Achilleus: 61-4

Apostook: 55-19

Appel,Karel: 57-27, 60-4, 60-14, 60-15, 61-4, 62-28, 62-41, NY-18

Appel, Karl: 57-27, 61-4

Appia: 63-19

Arbeit, Arnold Arvin: 54-8

Arcay, Wilfredo: 56-28

Archipenko, Alexander: 58-5, 60-42, 61-24, 64-10

Arinbjarnar, Snorri: 66-2

Arlt, Paul Theodore: 53-5

Armer, Ruth: 56-1, 58-7

Armistead, Horace: 59-19

Armitage, Kenneth: 59-31, 61-4, 62-40, 63-31, ME-56

Arms, John Taylor: ME-7

Armstrong, Bill Howard: 56-26, NY-3

Arnal, Enrique: 60-17

Arnal, Francois: NY-8

Arnest, Bernard: 53-1, 58-6, 58-26, 61-25

Arno,, Peter: ME-28

Arnold, Paul Beaver: 56-25

Arnold, Richard: 65-7

Aronson, Boris: 59-19

Aronson, Charlotte: 57-14, 58-32

Aronson, David: 55-5, 58-16, ME-73, NY-10

Aronson, Irene Hilde: 58-3

Arp, Jean: 54-18, 58-15, 60-2, 60-15, 60-42, 61-9, 62-18, 63-31, ME-32, NE-96

Artdon, Earl B.: 60-12

Arthur, Revington: ME-73

Asano, Yae: 61-4

Asawa, Ruth: 56-12, 58-43

Ascalon, Morris: 61-17

Aschenbach, Paul: 58-16

Ashihara, Yoshinobu: 53-17

Askild, Anita: 62-10

Aspetti, Tiziano: ME-32

Asplund, Tore: 53-8

Asprucci, Mario: 53-36

Asshoff, Ingerborg & Bruno: 61-1

Atget, Eugene: 60-21, 62-25, 64-28, NY-1

Atlan, Jean-Michel: 56-15, 58-15

Attardi Ugo: 58-40

Atwater, B.A.: 64-28

Atwell, Allen: 54-42

Audubon, John James: 54-25, 59-24, 5-34, 60-13, 61-3, 64-1, ME-7, ME-11, ME-31

Audubon, John Woodhouse: 61-3

Auerbach-Levy, William: 64-30

Augenfeld, Felix: 61-30

Auguste, Toussaint: 62-6

Aulie, Reidar: 57-40

Ault, George: 64-3

Aunspaugh, Dick: 64-7

Austen, R.: 53-26

Austin, Darrel: ME-55

Austin, Marilyn: 58-32, 60-5

Austin, Robert Sargent: 54-16, 63-17

Austin, Samuel: 62-12

Auvil, Eleen: 64-23

Auvil, Kenneth William: 53-26, 55-14

Avedisian, Edward: 56-27, 60-12, 65-11

Avedon, Richard: 59-56, 62-45

Avercamp: 54-11

Avery, James: 58-16

Avery, Milton: 53-5, 54-27, 55-3, 55-8, 55-9, 56-2, 58-42, 59-7, 59-31, 59-41, 60-27, 61-7, 62-27, 62-28, 62-31, 63-33, 64-26, 64-29, 64-30, 65-1, 65-11, ME-7, ME-23, ME-73, ME-74, NY-11

Avery, Richard M.: 57-31

Aviles, Angel: 59-27

Avitsur, Shemuel: 58-36

Avram, M. & A.: 58-36

Awni, Khatan: 56-29

Ayaso, Manuel: 62-31, 65-11, ME-75

Ayrton, Michael: 56-15, NE-96

Azuma, Chikuensai: 65-12

Azuma, Norio: 60-3, 62-3

Azuma, Sadami: 58-42

Azzaz, N.: 58-36

Missing Title

Bacci, Edmondo: 58-15, 59-31

Bachmann, Hermann: 64-14

Backhuysen, Goyen: 54-11

Bacon, Francis: 60-4, 62-28

Bacon, Peggy: 64-3, 64-30, ME-7

Baden, Mowry: 64-25

Badger, Joseph: 62-2

Badgley, Clarence Dale: 59-25

Badiali: 63-19

Baer, Dorothea: 56-25

Bagnai, Giuseppe: 61-1

Bahnc, Salcia: 56-2

Bailey, La Force: 64-30

Bailey, Oscar: 60-12

Bailey, William H.: 59-12

Bains, James: 53-26

Baizan, Kinpei: 65-12

Baizerman: 54-15

Baizerman, Eugene: 56-2, 62-39, 63-1

Baizerman, Saul: 52-4, 53-20, 61-2, 62-39

Baker, A.P.: 54-18

Baker, Dorothy T.: 61-35

Baker, Keefe: 65-11

Bakhuyzen, Ludolf: 60-40

Bakley, Warren: 58-32

Bakst, Leon: 59-19

Baldini, Vincenzo: 58-9

Baldung, Hans: 57-37

Baldus, Edouard: 62-25, NY-1

Balet, Jan: VA-53-1

Ball, F. Carlton: 57-6

Ball, George: 62-8

Ball, Robert: 64-29, 64-30

Ball, Black & Company: NY-13

Balla, Giacomo: 57-34

Ballard, Todd & Snibbe: 62-34

Ballinger, Maxil: 56-25, 56-26

Balthus: 62-28

Balzar-Kopp, Heiner: 61-1

Balzer, Mary: 57-14

Bancroft, Ralph L.: 53-24

Banti, Cristiano: 63-10

Bar-Am & Alon M. & A.: 58-36

Baranik, Rudolf: 59-1

Barbash, Steven A.: 60-3

Barbee, Robert T.: 65-2

Barber, Joseph: 55-5

Barberi: 63-19

Barbieri, Giovanni Francesco: 59-40

Barbini, Alfredo: 61-1

Bare, Arnold Edwin: VA-53-1

Bariellet, Jean: 61-1

Baringer, Richard E.: 51-14

Barkdull, Philip: 64-23

Barker, Laurence: 62-3

Barker, Thomas (of Bath): 55-24

Barkley, Lee: 55-22

Barlach, Ernst: 56-7, 59-36, 61-9, 62-29

Barnes, Cyril H.: 53-26

Barnes, Edward L.: 62-14, 64-35

Barnes, Matthew Rackham: 65-2

Barnes, Muriel: 57-6, 58-25, 60-5

Barnes, R.: 62-2

Barnes, Robert: 60-43, NY-10, NY-18

Barnet, Will: 53-1, 53-5, 54-18, 56-2, 56-15, 56-25, 56-26, 57-32, 57-36, 58-3, 60-24, 62-3, 63-33, 64-3, 64-7, 64-30, ME-49, ME-73, NE-96, NY-3

Barnet, William A.: 58-5

Barnett, Herbert: 55-2

Barnett, Rita Wolpe: 53-1

Barnett, William: 53-1

Barnstone, Howard: ME-19

Barocci, Federico: 62-20, 64-6, 67-19

Barovier, Ercole & Tocso, Artemio & Decio: 61-1

Barre Martin: 58-29, 61-23

Barrer-Russell, Gertrude: 56-2, 57-1

Barrett, Lawrence: 56-26, ME-7, NY-3

Barrett, Oliver O'Connor: 52-4, 53-20, 56-2

Barron, Harris: 60-12

Barron, Ros: 60-5

Barron, Ros & Harris: 57-14

Barry, Charles (Sir): 61-22

Barry, Charles A.: 59-6

Bartel, Kurt: 64-14

Barth, Carl: NE-96

Barth, Wolf: 61-4

Bartolommeo, Fra: 67-19

Bartolozzi, Francesco: 64-5

Bartsch, William: 58-6

Bartscht, Heri Bert: ME-75

Baruzzi, Peter: 54-42

Barye, Antoine-Louis: 59-32, 61-2, NY-21

Basaldella, See also Afro Afro: 57-9, 58-23, 61-16

Basaldella, Mirko: 61-16

Basaldua, Hector: 60-17

Bascom, Ruth Henshaw: 64-1

Basen, Dan: 63-29, 64-26, ME-75

Baskin, Leonard: 53-16, 54-27, 56-1, 56-12, 58-3, 58-40, 59-6, 60-3, 60-4, 60-22, 60-43, 61-9, 62-40, 63-31, 65-1, 65-11, ME-56

Basok, M.: 58-36

Basoli, Antonio: 58-9, 59-40, 63-19

Bass, Edna P.: 58-32

Bassano, Jacopo da Ponte: 55-24, 67-19

Bassford Wallace: 64-30

Bast, Oernulf: 57-40

Batchelor, C.D.: 57-3

Bate, Norman Arthur: 58-3

Bates, Maxwell: 59-3

Baudous, Robert Willemsz de: 62-18

Bauer, Herrmann: 53-21

Bauer-Ecsy, Leni: 53-15

Baum, Mark: 64-30

Bauman, Frank: 57-16

Baumann, Herbert: 64-14

Baumbach, Harold: 55-3

Baumeister, Willi: 53-11, 56-7, 57-30, 59-36

Baumgart, Isolde: 62-8

Baumgartner, Johann Wolfgang: 59-40, 62-20

Baumgartner, Warren: 53-8

Bayliss, Jr., George: 55-2

Baz, Ben-Hur: 64-3

Bazaine, Jean Rene: 60-14, 61-4, 64-2

Baziotes, William: 55-9, 56-2, 57-9, 60-4, 60-27, 64-2, ME-7, ME-33, ME-42, NY-20

Beach, Jr., John: ME-29

Beal,Gifford: 53-12, 57-30, 63-1, 64-3, 64-29, 64-30, 65-2

Beal, Jack: NY-17, NY-18

Beall, Dennis, Ray: 64-7

Beard, James H.: 58-27

Beard, W.H. (William Holbrook): 58-14

Bearden, Romare: 55-13, ME-75

Beardsley, Aubrey: 57-17

Beattie, George: 61-35, 65-11

Beatty, Hetty Burlingame: VA-53-1

Beauchamp John: 58-6, 61-25

Beauchamp, Robert: 64-2, 65-11, ME-75

Beauchemin, Micheline: 59-3

Beaux, Cecilia: 63-3

Beccafumi, Domenico: 57-37, 62-20

Bechtle, Robert Alan: 60-3, 64-7

Beck, J. Wolfgand: 56-2

Beck, Julian: 58-26

Beck, Margit: 60-1, 65-4, ME-74

Beck, Rosemarie: 56-12, 58-5, 63-1

Becker, Fred: 56-26, 60-3, 62-8

Becker, Fred G.: 55-20

Becker, John: 59-6

Becker, Lucie: 57-16

Becker,Maurice: 55-3, 56-2

Beckers, Gerda: 61-1

Beckmann, Max: 51-4, 56-7, 59-36, 62-28, 62-29

Beer, S.: 58-20

Beerbohm, Max: 62-12

Beerman, Miriam H.: 53-16, 56-25

Beerstraten, Jan Abrahamsz: 55-24

Beeston & Patterson: 61-30

Bega, Cornelis: 60-40

Beham, Barthel: 55-10, 57-37

Beham, Hans Sebald: 55-10, 57-37, 62-18

Behl, Wolfgang: 58-35, 61-2, ME-75

Beisker, Heinz: 53-15

Belanger, Francois-Joseph: 59-40, 61-22

Beldi, Mabel M.: 58-35

Beleal, Ernestine: 57-14

Belfer, Nany: 58-32

Beline, George: 58-3

Bell, Alistair: 59-3

Bell, Cecil C.: 57-2

Bell, Leland: 60-43, 62-30, NY-18

Bell, Trevor: 61-4

Bella, Stefano della: 64-6, 67-19,

Bellange, Jacques: 57-37

Bellefleur, Leon: 59-3

Bellini,Giovanni: 56-16, 57-18

Bellotto: 63-19

Bellows, George Caleb: ME-31

Bellows, George W.: 54-25, 55-19, 59-6, 60-13, 62-17, 62-28, 63-15, 64-31, 65-2, ME-7, ME-41, ME-55

Belluschi Pietro: 64-11

Belzeaux: 60-25

Bemelmans, Ludwig: 61-33

Ben-Amotz & Hefer D. & H.: 58-36

Ben-Zion: 53-18, 55-9, 56-2, 58-16, 59-23

Bendiner, Alfred: 53-1, 56-25

Bendini, Vaco: 60-20

Bendtsen, Folmer: 54-18, NE-96

Benedetto, Giovanni: 55-24

Beneker, Gerrit A.: 64-29, 64-30

Bengtz, Ture: 60-3

Benjamin, Gershon: 55-3

Benjamin, Karl: 59-12, 60-41

Benn, Ben: 55-3, 56-2, 57-10, 65-2

Bennett, Rainey: 55-13

Bennett, William J.: ME-29

Benois, Alexandre: 59-19, 63-19

Benois, Nadia: 59-19

Benson, Frank Weston: 57-11, 62-7, 62-45, 63-1, NY-16

Benson, John Howard: 58-16

Benson, William: 64-7

Bentley, Bonner: 57-ee

Bentley, Claude Ronald: 56-2, 61-7

Benton, Thomas Hart: 57-9, 59-6, ME-7, ME-41

Benvenuto, Elio: 58-16

Beny, Roloff: 53-16, 54-18, 56-26

Berain: 63-19

Berard, Christian: 59-19

Berchem, Nicholas: 62-20

Berdich, Vera: 53-1, 60-3

Berg, Eva Dorje: 57-14

Berg, Werner: 56-21

Berg-Pigorsch, Phyllis: 63-7

Berger, David: 53-16

Berger, Jason: 54-8, 58-39

Berggren, Ulkla-May: 62-10

Bergmann, Gerhart: 64-14

Bergner, A.: 58-36

Bergner, Yosl: ME-67

Berlandina, Jane: 55-13

Berman, Anna Eva: 56-21

Berman, Eugene: 54-10, 57-10, 58-40, 59-19, 59-40, 60-4, 62-31, 63-19, 64-4, 65-2, ME-73

Berman, Fred J.: 55-2, 56-12, 56-25, 60-1

Berman, Leonid: 55-21

Berman, Sarah: 56-2

Bermudez, Cuno: 56-28

Bermudez, Jose Ygnacio: 56-15, 56-28, 62-6

Bernadotte, Sigvard (Count): 53-17

Bernard, David E.: 58-16

Bernhardt, John: 53-16, 55-2, 56-26, 56-27

Bernik, James: 59-16

Bernstein, Bernard: 58-32, 61-17, ME-75

Bernstein, Cal: 57-16

Berretoni, Niccolo: 62-20

Berry, William: 53-26

Berryman, Clifford Kennedy: 57-3

Berryman, James Thomas: 57-3

Bertoia, Harry: 52-7, 57-6, 57-38, 58-43, 62-29, 62-31, 64-19, ME-65, NY-20

Bertolotti V.: 58-9

Bertrand, Gaston: 61-4

Bertrand, Huguette-Arthur: 58-29

Besnard, Albert: 62-5

Bess, Forrest: 62-41, ME-59

Bettes, Eugene: 53-26

Bettina: 61-33

Bettinson, Brenda: ME-75

Betts, Edward Howard: 55-2, 55-6, 59-10, 64-31

Bevans, John: 62-18

Bewick, Thomas: 62-12

Bezem, Naftali: ME-67

Bezombes, Roger: 54-16

Biala, Janice: 61-7, 62-38

Bialik N.: 58-36

Bianchi, Federico: 62-36

Biasioli: 63-19

Bibiena, Antonio: 63-19

Bibiena, Biovanni Maria Galli da: 67-19

Bibiena, Carlo: 63-19

Bibiena, Ferdinando: 58-9, 63-19

Bibiena, Francesco: 63-19

Bibiena, Giuseppe Galli: 58-9, 61-22, 63-19

Biddle, George: 54-18, 56-2, 62-18, 62-18, 62-30, 64-30, ME-73

Bidner, Robert: 64-25

Bielefeld, Frieda: 57-14

Bielich, George A.: 61-30

Bierstadt, Albert: 59-34, 60-28, 61-3, ME-11, NY-4

Biggers, John Thomas: 65-11

Biggs, Walter: 53-8

Bijelic, Jovan: 59-16

Bill, Max: 53-21, 60-42

Billings, Henry: 63-24

Binai, Paul: 64-25

Bing, Bernice Lee: 58-39

Bing & Stueland, Kari & Magne: 57-40

Bingham, George Caleb: 54-25, 58-27, 59-24, 60-13, 61-3, 64-1, ME-11, ME-31, ME-41, 61-3

Binning, Bertram C.: 54-27

Birch, Thomas: 60-28, 63-3, ME-11

Birch, William Russell: ME-29

Birillo, Ben: 63-29

Birmelin, Robert: 60-3, 60-12, 65-4, NY-10, NY-17

Birnbaum, A.: ME-28

Biro, Ivan: 62-40, ME-56

Birolli, Renato: 58-23, 61-16, 64-2

Biscaino, Bartolommeo: 64-6

Bischoff, Elmer: 58-7, 58-12, 60-43, 64-20, 65-4, ME-73

Bishof, Werner: 59-56

Bishop, Ben: 65-11

Bishop, Isabel: 53-5, 56-2, 56-25, 62-31, 65-11, ME-73, ME-74

Bison, Giuseppe Bernardo: 59-40, 67-19

Bissier, Julius: 61-4, NY-8

Bitters, Stanley: 64-23

Bittleman, Arnold: 58-39, 60-12, 62-1

Bjorquist, Karin: 57-14

Black,David: 54-8, 58-32

Black, Frederick: 60-1

Black, William: 64-28

Blackburn, Morris: 53-1, 63-3, ME-7

Blackburn, Robert: 56-26

Blackstone, Rozsika B.: ME-75

Blagden, Alan: NY-17

Blaine, Nell: 62-16, 63-1, 64-26, NY-18

Blair, Barbara: 61-23

Blake, Peter: 62-14, 64-35

Blake, William: 56-16, 62-18, 64-19, 65-10, ME-65, MMA-54-2

Blakelock, E.A.: ME-11

Blakelock, Ralph Albert: 61-3, 63-15, 64-1

Blampied, Edmund: 62-12

Blanch, Arnold: 53-5, 56-2, 58-15, 61-7, 61-25, 62-31, ME-73

Blashfield, Edwin Howland: 59-6

Blatas, Arbit: 55-3, ME-73

Blaustein, Al: 58-12, 60-3, 60-22, 64-7

Blauvelt, Charles F.: 58-27

Bleker, Gerrit Claesz: 60-40

Bleyl, Werner: 61-1

Bliss, Robert Lewis: 53-24, NY-17

Bliss, Robert Ryel: 56-27

Block, Herbert L.: 57-3

Bloemaert, Abraham: 54-11, 63-9, ME-32

Blomberg, Kjell: 57-14

Blomqvist, Kai & Salakari: 57-14

Bloom, Gerry True: 64-23

Bloom, Hyman: 55-9, 58-16, 58-40, ME-7, ME-32, ME-73

Blue, Sidney D.: 62-15

Bluemner, Oscar: 64-3

Bluestein, Selma: 56-2

Bluhm, Norman: 60-1

Blum, Robert Frederick: 62-45, 64-3

Blumberg, Daniel (Dr): 61-17

Blumberg, Yuli: 56-2

Blume, Peter: 55-21, 58-40, 59-6, 60-4, 60-13, 60-27, 62-1, 64-3, ME-31

Blumenau, Lili: 57-6, 64-23

Blumenthal, Herman: 56-7

Blust, Carl R.: 54-16

Bluth, Manfred: 64-14

Blythe, D.C.: ME-11

Blythe, David Gilmour: 58-27, 59-24

Bobak, Bruno: 59-3

Boccacci: 51-18

Bocchi: ME-55

Bodmer, Karl: 61-3, 63-17, ME-29

Bodone Giotto: NY-7&7b

Boehler, Hans: 56-2

Boelen, Jacob: NY-13

Boesen, Signe: 57-14

Bogelund, Thor: 52-5

Boggan, Eva: 53-26

Boggs, Frank: 64-3

Bohm, Dominikus: 58-27

Bohm,Dominikus & Gottfried: 58-28

Bohm, Gottfried: 58-28

Bohm, Max: 64-29, 64-30

Bohrod, Aaron: 55-13, ME-73

Bol: 54-11

Bol, Ferdinand: 55-24, 60-40

Bol, Hans: 55-24, 62-20, 63-17

Bolasni Saul: 59-19

Boldini, Giovanni: 63-10

Bologna, Giovanni: ME-32

Bolotowsky, Ilya: 55-3, 59-24, ME-73

Bolt, Susan: ME-75

Boltinoff, Henry: 57-3

Bolton, Mimi DuBois: 55-2

Bolton & Barnstone: 58-1

Bolton & Barstone: 60-12

Bomar, Bill: 57-23, ME-26

Bonduel, Roger: 61-1

Bondurant, Maude: 56-13

Bone, Muirhead: 62-12

Bonfield, George R.: 64-1

Bonfils: 62-25

Bonge, Dusti: ME-59

Bonheur, Isadore: 61-2

Bonheur, Rosa: 61-2, 63-20, MMA-54-4

Bonington, Richard Parkes: 62-12, 67-19

Bonnard, Pierre: 54-16, 60-14, 61-2, 62-5, 63-14, ME-55

Bonnat, Leon Joseph Florentin: NY-21

Bonneh, Samuel: ME-67

Bonnette, Gerald: 58-35

Bonney, Therese: 56-5

Bonnier, Olle: NE-96

Bonomi, Maria Helena Vieira: 60-15

Bons, Jan: 61-20

Bontecou, Lee: 62-41, 63-29, 65-11, ME-55

Bookatz, Samuel: 53-1

Boone-Paul: 55-22

Booth, Cameron: 55-3, 56-2, 58-6, 60-30, 64-30

Boothby, Frances Holmes: 57-6, 60-5

Bordignoni, A.: 53-21

Borduas, Paul-Emile: 59-3, 62-28

Borgese: 51-18

Bornarth, Philip: 60-3

Bornt, Janice: 58-32

Borra: 51-18

Borrani, Odoardo: 63-10

Borris, Bessie: 51-14

Borsat,o Giuseppe: 58-9

Borup, Erling: 57-14

Bosa, Louis: 51-4, 53-1, ME-73

Bosch, H. van Aeken: 56-16

Bosch, Heieronymus: 57-18

Boschen, Lillian: 51-15

Boscoli, Andrea: 67-19

Bosse, Abraham: 55-24, 56-11, NY-9

Botero, Fernando: 60-17, 64-25

Botes, Steven G.: 53-17

Both, Jan-Dirksz: 60-40, 63- 17

Botkin, Henry: 53-5, 55-3, 56-2, 64-30, ME-73

Botticelli, Sandro: 57-18, NY-7&7b

Botto, Otto: 55-3, 56-2, ME-73

Boubat, Eduard: 60-25

Bouché, Louis: 53-12, 54-10, 55-19, 57-2, 62-30, 65-2, ME-73

Bouchene, Dimitri: 59-19

Boucher, Francois: 55-24, 59-40, 62-36, 67-19, NY-21

Boudin, Eugene: 63-20

Boudron, Alexander: 59-18

Bouleau, Charles: 54-16

Boullee, Etienne Louis: 61-22

Bourdelle, Emile Antoine: 61-2

Bourdelle, Pierre: 53-25, ME-73

Bourdon, Sebastien: 63-17

Bourke-White, Margaret: 58-A&B, 63-17

Bout, Pieter: 60-40, 63-17

Boutelle D.W.C.: ME-74

Boutet, Jean: 54-16

Boutis, Tom: 58-26

Bouve, & Sharp: ME-29

Bove, Richard J.: 54-8

Bowden, Harry: 56-2

Bowling, Mary: 58-16

Bowman, Dorothy: 55-20, 56-25, 56-26, 58-3, 60-3, 62-3

Boyar, Jo: 57-14

Boycie, Ricard: 53-26

Boyd, Albert & Maxine: 60-5

Boyd, Fiske: 53-16, 56-25, 56-26, 58-3, NY-3

Boyle, Keith: 65-11

Boyle, Richard: 61-22

Boynton, James W.: 56-12, 57-9, 57-23, 59-10, 61-15, ME-33, ME-42

Boyvin, Rene: 63-9

Brabazon, Hercules: 62-12

Brach, Paul: 64-12

Bracquemond, Felix: 62-45

Bradford, Howard: 53-16, 55-20, 58-3, 58-12, 60-3

Bradish, Alvah: 58-14

Bradley, Byron: 54-42

Bradley, I.: ME-11

Bradley, John: 58-14, 62-2

Bradley, Will: 57-17

Brady, Mathew B.: 56-5

Brainard, Joe: ME-75

Brame, Thomas: 54-42

Bramson, Arnold: 56-26

Brand, Erland: 62-44

Brandner, Wilhelm: 61-1

Brandt, Warren: 53-5

Brangwyn, Frank: 62-12

Brants, Cynthia: 57-23

Braque, Georges: 57-18, 59-5, 59-19, 60-14, 60-42, 61-9, 62-5, 62-29, 63-14, ME-40, NY-21

Brasch, Sven: 52-5

Brassi: 60-25

Braswell-Cook: 61-30

Brattinga, Jr., Pieter: 61-20

Braught, Ross: 62-1

Braun, Adolphe: 56-5, NY-1

Braun, Robert: 58-40

Braund, Allin: 54-18, 60-15

Brauneis, Rohtraut: 61-1

Brauner, Victor: 60-4, 62-29, 64-4

Brechbuehler, Hans: 53-21

Breck, John Leslie: 61-10

Breckenridge, Hugh H.: 63-3

Breenbergh, Bartholomeus: 62-20

Breinin, Raymond: 53-12, 59-19

Breitenbach, Joseph: 62-45, 64-28

Brenson, Theodore: 56-2, 59-1

Brescian, School: 55-24

Bresdin, Rudolphe: 62-18, 63-17

Breslin, Norah T.: 53-24

Brettingham, Matthew: 61-22

Breuer, Marcel: 53-21, 59-15, 61-31, 63-16, 65-3

Breughel (the Younger): ME-55

Breverman, Harvey: 63-7, 64-7

Breydert, Frederick: 58-16, 60-5

Breydert, Katherine L.: 58-16

Brianchon: 59-5, ME-55

Bricaut, Francoise: 62-8

Brice, Earline & John: 64-23

Brice, William: 63-12, ME-73

Bricher, Alfred Thompson: 64-3

Bridges, Fidelia: 64-3

Brigadier, Anne: 64-29, 64-30

Briggs, Clare: 57-3

Briggs, Ernest: 64-2

Brignoni, Serge: 56-21

Bril, Paul: 54-11, 62-20

Brioche, Felix: 62-6

Britton, William: 62-2

Brockendon, William: 62-12

Broderson, Morris: ME-73

Brodie, Gandy: 57-9, 58-5, NY-10

Brodmann, Klaus: 61-1

Brodnax, Ethel: 57-23

Brody, Sheldon A.: 62-45

Broecker, Louise: 62-10

Broner, Robert: 56-12, 58-3, 60-3, 60-24, 64-7

Bronzino, Angelo (di Cosimo Allori): 56-16

Brook, Alexander: 62-30, ME-23, ME-73

Brook, John: 59, 12, 62-45

Brooks: ME-49, NY-20

Brooks, Charlotte: 57-16

Brooks, James: 56-1, 56-2, 59-23, 61-29, 62-37, 64-2, ME-73

Brooks, Larry W.: 65-11

Brorby, Harry: 55-20, 56-26, 58-16, 62-3

Brose Morris: 60-42

Brougham, Barry: 55-22

Browere, Alburtis Dell Orient: 60-28

Brown, Carlyle: 64-4, ME-26, ME-32, NY-17

Brown, Daniel: 58-40

Brown, George Loring: 58-27, 64-1

Brown, Hamilton: ME-19

Brown, J.: 59-18

Brown, John George: 58-14, 58-27

Brown, Marcia: VA-53-1

Brown, Philip Wass: 64-31

Brown, Ray: 56-26, NY-3

Brown, Sandra: 58-32

Brown, William: 58-7, 58-39

Brown, Winthrop: 64-23

Brown & Adams, Everett & Mark: 55-22

Browne, Byron: 53-12, 55-3, 56-2, 57-10, 64-30

Browne, George Elmer: 64-29, 64-30

Browne, Robert Bradford: 64-21

Browning, Colleen: 57-2, 64-4

Brownlow, David: 57-23

Brownstone, Howard: ME-19

Bruce, Patrick Henry: 55-15

Bruckman, Lodewyk: 64-30

Bruder, Harold Jacob: 63-7, 65-7, NY-17

Bruegel or Brueghel, Pieter or Peter (the Elder): 54-11, 56-16, 57-18, 57-38, 62-18, 63-17, NY-9

Brunelleschi, Filippo: 56-10

Bruno, Jorrand: 53-24

Brunori, Enzo: 58-23, 60-20

Brush, George de Forest: 62-7, 62-17

Brusse, Wim: 61-20

Brussel-Smith, Bernard: 53-1

Bry, Edith: 55-3, 64-30

Brynner, Irena: 57-6

Bryson, Bernarda: 55-13, 56-24

Brzostoski, John: 56-2

Buber, M.: 58-36

Buckley, J.E.: 62-12

Budd, David: 59-23

Buffagnotti, Carlo Antonio: 58-9, 59-40

Buffet, Bernard: 56-15, 57-27, 58-15, 60-4

Bufford, John H.: ME-29

Buhot, Felix-Hilaire: 63-17

Bujnowski, Donald G.: 62-10

Bullock, Wynn: 63-2

Bulone, Joseph D.: ME-75

Bultman, Fritz: 56-2, 58-26, 62-38, 64-29, 64-30

Bunce, Louis: 55-6, 58-7, 60-1

Bundo: 63-21

Bundy, Horace: 59-31, 62-2, 63-15

Bunker, Dennis M.: 62-7

Bunker, George: 58-3

Bunnell, Peter C.: 60-12

Bunting, J.D.: ME-11

Burani, Francesco: 64-6

Burch-Korrodi, Meinrad: 58-35, 61-1

Burchard, Jr., Pablo: 60-17

Burchfield, Charles Ephraim: 53-5, 54-16, 54-25, 55-9, 55-13, 58-34, 59-7, 59-31, 60-13, 60-27, 62-28, 62-31, 64-3, 64-19, 65-2, 65-11, ME-7, ME-23, ME-27, ME-31, ME-41, ME-55, ME-65, ME-73, NY-5, NY-20

Burden, Shirley C.: 59-56

Burford, Byron: 58-6

Burg, Copeland: 53-5

Burgensis: 62-20

Burgeson, Marjorie Thompson: 55-14

Burgess, Anna K.: 60-5

Burgess, Joseph: 53-26

Burgess, Richard: 59-6

Burgkmair, Hans: 62-18

Burguiere, Francis: 56-5

Burke, James: 58-A&B

Burke, Kathryn: 65-11

Burke, Ronald E.: 62-10

Burkert, Robert: 62-3

Burket, Le Roy K.: 53-12, 57-12

Burkhardt, Hans Gustav: 59-1

Burle-Marx, Robert: 62-6

Burlew, Margaret: 60-5, 62-15

Burlin, Paul: 57-28, 59-10, 60-31, 61-25, ME-73

Burliuk, David: ME-73

Burne, Jones Edward Coley (Sir): 62-12

Burnet, W.H.: 62-12

Burnett, Calvin W.: 55-14

Burr, William Henry: 58-27

Burrage, Madeleine: 57-6

Burri, Alberto: 58-23, 59-14, 59-35, 61-11, 64-2

Burt, Clyde E.: 57-6

Burton, Dennis: 58-6

Burton, Virginia Lee: VA-53-1

Busa, Peter: 64-30

Buskirk, Mary Balzer: 58-32

Busse, Fritz: 61-33

Butchkes, Sidney: ME-74

Butler, Horacio: 60-17

Butler, James P.: 61-10

Butler, Max: 57-23, 62-31

Butler, Reg: 56-15, 59-31, 60-14, 60-42, 64-10

Butler, Theodore Earl: 61-10

Butt, Jr., Gail Hammond: 61-25

Butterworth, James E.: 55-19

Button, Clutz: 60-43

Button, John: 64-3

Butzow, Sue: 58-32

Bye & Hermann: 62-33

C.J. Breyer Associates, Inc.: 61-30

Cabaiss, Lawrence D.: 56-13

Cabianca, Vincenzo: 63-10

Cadmus, Paul: ME-7, ME-73

Cadogan, Edward: 51-15

Cadorin, Guido: 51-18, 53-2

Cady, Emma: ME-11

Caesar, Doris: 52-4

Caffe, Nino: 55-7

Cafferty, James H.: 58-14

Cage, Xenia: 64-23

Cagli, Carrado: 51-18, 58-23, 61-16

Caille, Pierre: 61-1

Cajori, Charles: 59-10

Calapai, Letterio: 58-3, 62-8

Calcagno, Lawrence: 56-1, 56-12, 60-22, 61-29, ME-33, ME-42, ME-49

Calder, Alexander: 60-42, 62-1, 64-10, ME-10, ME-32, NY-20

Calderani & Franscassini, Virgilio & Renzo: 61-1

Caliga, Elizabeth Howland: 64-30

Caliga, I.H.: 64-29, 64-30

Callahan: NY-20

Callahan, Harry M.: 57-25, 59-56, 63-8

Callahan, Kenneth: 55-21, 56-1, 57-1, 57-10, 58-42, 58-43, 61-15, 62-29, 65-11, ME-73, ME-75

Callister, Charles Warren: 64-21

Callot, Jacques: 55-24, 57-37, 59-20, 63-17, NY-9

Callow, John: 62-12

Callow, William: 67-19

Calpp, A1: 57-3

Camaro, Alexander: NE-48

Cambellotti, Laura: 61-1

Cambiasco, Luca: 62-20, 64-9, ME-32

Cameron, David Young (Sir): 62-45

Cameron, Julia Margaret: 56-5, 62-25, NY-1

Campagnola Domenico: 55-24

Campbell, Gretna: 56-2

Campbell, J. Todd: 62-10

Campbell, Jerry Ray: 62-10

Campbell, Lawrence: 55-3

Campbell, Paschall: 62-33

Campbell, Peter: 64-28

Campendonk, Heinrich: 62-29

Campigli, Massimo: 51-18, 55-13, 57-34, 58-23, 61-16

Campoli, Cosmo: 56-12

Campos, Manuel Lalorre: 61-1

Canaletto: 61-22, 64-6, 67-19

Candell, Victor: 56-1, 56-2, 57-10, 60-1, 64-29, 64-30, ME-73

Candellahan, Victor: 56-1

Caniff, Milton: 57-3

Canna, Pasquale: 58-9

Cano, Alonso: 62-20

Canogar, Rafael: 64-2

Canova, Antonio: ME-32

Cantagallina, Remigio: 59-40

Cantarini, Simone: 64-6

Cantatore: 51-18

Cantu, Frederico: 54-16

Capa, Cornell: 58-A&B, 59-56

Capa ,Robert: 58-A&B, 59-56

Caparn, Rhys: 52-4, 62-40, ME-56

Capehart, Noyes: 64-7

Capogrossi, Giuseppe: 54-18, 58-23, 61-16, 59-35

Cappelli, Giovanni: 58-40

Capraro, Vincent: 58-40

Capuletti: 59-19

Caraglio, Jacopo: 62-18

Cardwell, Don: 51-15

Carey, J. Sheldon: 60-5

Cargill, David: 58-30

Cariola, Robert: ME-75

Carl Koch & Associates, Inc.: 63-16

Carle, Roger: 59-5

Carles, Arthur B.: 57-9, 63-3, ME-55

Carlin, Earl P.: 62-24

Carlin, James: 53-1

Carlsen, Emil: 56-18

Carmassi, Arturo: 59-35, 60-20

Carmi, T.: 58-36

Caro, Anthony: 61-2

Carone, Nicholas: 57-9, 59-23, 61-29, 62-37, ME-33, ME-42

Carot, Camille: 63-20

Carpenter, Arthur Espenet: 57-6, 64-23

Carpi, Girolamo da: 62-20

Carra, Carlo: 57-34, 58-23

Carracci, Agostino: 64-6

Carracci, Annibale: 64-6

Carracci, Lodovico: 62-20

Carreno, Mario: 56-28, 62-6

Carriere, Eugene: 62-5

Carroll, Jo: 55-20

Carroll, John: 62-30

Carroll, & Daeuble: ME-19

Carter, Caleb: 63-15

Carter, John A.: 59-12

Carter, John Clay: 53-26

Cartier-Bresson, Henri: 56-5, 57-39, 59-56, 60-25

Cartwright, Roy: 62-10

Caruso, Bruno: 55-7, 58-15

Caruso, Nino: 61-1

Caruthers, John: 58-32

Carwitham, I.: ME-29

Carzou, Jean: 56-15, 58-15

Casarella, Edmund: 53-16, 55-2, 55-20, 56-25, 56-26, 58-3, 60-3, 60-15, 60-22, 60-24, 62-3, 64-7, NY-3

Casebier, Cecil Lang: 55-2, 56-12, 57-1, 57-23

Casilear, John William: 60-28, 64-3

Casinari, Bruno: 58-23

Casolani, Alessandro di Agostino: 64-9

Casorati, Felice: 51-18, 58-23

Casrella Edmond: 56-26, 57-12

Cassara, Frank: 60-3

Cassatt, Mary: 54-25, 60-13, 62-45, 61-1, ME-7, ME-31, ME-41, MMA-54-1

Cassidy, Gertrude (Dr): 58-35

Cassill, H.C.: 55-20, 56-26, 60-3, 62-3

Cassill, Jean Kubota: 55-20

Cassinari: 51-18

Cassinari, Bruno: 61-16

Castel, Moshe: 54-27

Castellón, Federico: 53-2, 56-26, 62-1, 62-18, 64-7, ME-7

Castiglione, Giovani Benedetto: 59-40, 64-6, 67-19

Catena, Vincenzo: 64-19

Cathelin, Bernard: 63-14

Cathrineholm, A.S.: 57-40

Catich, E.M. (Father): 58-16

Catlin, George: 59-18, 61-3, ME-11, ME-29

Caudill, Rowlett & Scott: ME-19

Causo, Bruno: 54-27

Cavaglieri, Georgio: 61-30

Cavailles, Jr.: 59-5

Cavallito, Albino: 52-4

Cavanaugh, John: 62-40, ME-56

Cazin, Jean Charles: MMA-54-4

Ceare, Oscar: 57-3

Cecioni, Adriano: 63-10

Celic, Stojan: 59-16

Center, J.C.: 64-3

Cernigoj, August: 56-21

Cerny, Geiorge: 52-4

Cerra, Mirta: 56-28

Cesari, Giuseep: 59-40

Cézanne, Paul: 55-24, 57-18, 62-5, 63-14, NY-7&7b

Ch'en, Ch'I Kaun: 58-42

Chabba, A.: 58-36

Chadel, Jules: 54-16

Chadwick, Gordon: 64-21

Chadwick, Lynn: 60-14, 63-31

Chae-hyo, Song: 58-33

Chaet, Bernard: 62-3, 65-11

Chafetz, Sidney: 56-2, 56-25

Chaffee, Oliver Newberry: 64-30

Chagall, Marc: 54-16, 54-18, 56-15, 58-15, 60-14, 60-15, 60-44, 61-16, 62-29, 63-14, ME-65

Chailleat, Leonard: 59-40

Chait, Daniel: 62-34

Chamberlain, John: 63-29

Chamberlain, Samuel: 59-6

Chambers, Thomas: 62-2, ME-11

Chambers, William (Sir): 61-22

Chament, Guiuseppe: 58-9

Champney, Benjamin: NY-4

Champney, James Wells: 64-1

Chandler, Winthrop: 62-2

Chandler, Christy Howard: 57-17

Chapallaz, Edouard: 61-1

Chapin, David: 61-23

Chapin, Francis: 53-5, 64-30, ME-7

Chapin, James: 64-3

Chapin, Mary S.: 64-1

Chapman, Charles S.: 64-3

Chapman, John G.: 58-27

Chappell, Walter: 60-12, 61-13

Chappell, William: 59-19

Charag-Zunz, C.: 58-36

Chardin, Jean-Baptiste Simeon: 56-16

Charles, M. Goodman Assoc: 58-1

Charlot, Jean: 53-1, NE-96

Charpin, Francis: 56-19

Chase, Barbara: 66-9

Chase, William Merritt: 56-18, 59-6, 59-34, 62-7, 62-17, 63-3, 64-3, ME-7

Chavez, Edward Arcenio: 55-5, 57-1, 57-10

Chayat, Maxwell M.: 61-17, ME-75

Cheever, Abbott: 59-6

Chen, Chi: 55-2, 55-19, 55-21, 64-19, ME-65, ME-73

Chenoweth, Mary: 58-3

Cherner, Norman: 61-30

Cherney, Marvin: 62-31

Cherry, Couise: 55-22

Chesney, Lee: 53-5, 53-16, 55-20, 56-12, 56-25, 56-26, 58-3, 60-3, 60-22

Chey, Katharine: 57-6

Chiarottini, Francesco: 58-9

Chieffo, Clifford T.: 65-4

Chighine, Alfredo: 58-23

Child, Anne: 60-41

Childs, Bernard: 58-42

Chillida, Eduardo: 61-4, 62-29, 64-10

Chinnery George: 67-19

Chippendale, Thomas: 59-40

Chow, Fong: 57-6

Choy, Katherine: 57-14

Christ, Rudolf: 53-21

Christensen, Hans: 57-6, 60-5

Christiana, Mike: 60-3, NY-3

Christopher William: 63-7, 65-4

Christus, Petrus: 56-16

Christy, Howard Chandler: 59-6

Chruchward, L.: 58-32

Chryssa, V.: 62-40, ME-56

Chudo, Ken'ichi: 65-12

Chumly, John W.: 58-39

Church, Frederick Edwin: 59-34, 59-40, 60-28, ME-11NY-4

Ciampi, Mario J.: 62-34

Ciceri: 63-19

Cicero, Carmen: 56-12, ME-73, NY-10

Cikovsky, Nicolai: 57-10, ME-73

Cimiotti Emil: 61-4

Ciry, Michael: 54-16, 58-15, 60-15

Citroen, Paul: 53-2

Citron, Minna: 53-5, 53-16, 56-2, 56-25, 57-32 58-3, 58-26, 60-24, 62-8, 64-30, 57-36

Claret, Juan: 64-17

Clark, Carolyn J.: 53-26

Clark, Edward: 58-A&B

Clark, Ester: 62-10

Clark, J. & C.: NY-15

Clark & Beuttler, Hervey Parke & John F.: 64-11

Clarke, Arundel: 62-15

Clarke, Geoffrey: 54-18

Clarke & Beuttler, Hevey Parke & John F.: SD-8

Clarke & Rapuano: 62-33

Claudet: 56-5

Clave, Antonio: 54-16, 56-15, 58-15, 59-19, 64-17, NE-96

Clement, Marita van der Poest: 62-8

Clements, Thomas: 58-39

Clerisseau, Charles: 62-20

Cliffe, Henry: 54-18, 60-15

Cloar, Carroll: 58-44, 61-35, 64-4, 65-2, ME-73

Clonney, James Goodwyn: 64-1

Clough, Ebenezer: NY-14

Clough, Prunella: NE-96

Clove: 59-5

Clutz, William: 60-43, NY-18

Clymer, J. Floyd: 64-30

Coat, Pierre Tal: 61-4

Cobb, Ruth: 53-5, 64-30

Cobbaert, Jan: 61-1

Cobean, Sam: 55-13, ME-28

Coburn, Alvin Langdon: 56-5, 62-25, 64-28, NY-1

Cochran, Donald: 58-39

Cocke, Bartlett: ME-19

Cocke, Bowman & Yorke: ME-19

Cockerell, Charles Robert: 61-22

Cocteau, Jean: 56-15

Coecke, van Aelst Pieter: 64-9

Coen, Eleanor: 53-1, 54-18, 55-20, 56-15, 56-19, 56-25, 56-26, 59-10, 62-3, NE-96

Coffey, Clara Stimson: 62-33

Coggeshall, Calvert: ME-59

Cohen, George: 59-12

Cohen, John: 59-12

Cohen, Michael: 58-32, 62-10

Cohen, Roda: 58-3

Cohen, Wdilfred P.: 57-ee

Coke, Van Deren: 60-12

Colby, Frederick L.: 57-6

Cole, Thomas: 59-24, 59-34, 60-28, 64-1, 65-10, ME-11, NY-4

Cole-Ruddick, Dorothy: 52-7

Coleman, John: 62-3, 64-7

Coleman, Muriel: 52-7

Colescott, Warrington: 53-16, 55-20, 56-2, 58-3, 62-3

Colgren, Monte L.: 58-32

Colker, Edward: 56-12

Collaert, Hans: 63-9

Collins, Alfred Quinton: 62-7

Collins, Arnold: NY-13

Collins, Lowell: 57-23

Colman, Samuel: 59-6, 60-28, 64-1

Colombino, Carlos: 60-17

Colquhoun, Robert: 54-18, NE-96

Colton, Paula: 58-32

Colville, Alex: 55-19, 59-3, NY-17

Colvin, Franklin: 58-25

Comegys, George H.: 58-14

Commins, Terrell D.: 53-17

Comtant: 51-3

Conca, Sebastiano: 62-20, 62-36

Conder, Charles: 62-12

Congdon, William: 60-22, 64-19, ME-59, ME-65, ME-75

Coninxloo: 54-11

Conkey, George: 53-26

Connah, Whit: 61-35, 65-11

Connaway, Jay Hall: 62-17, 64-31

Connelly, Brian: 64-4

Conner, Charles: 58-27

Connor, Russell: 56-27

Conover, Robert F.: 53-16, 55-20, 56-25, 56-26, 57-12, 58-3, 60-3, 60-15, 60-24, 62-3, 64-7, NY-3

Consagra, Pietro: 60-2, 61-11, 62-40, 63-31, ME-56

Constable, John: 56-16, 57-18, 62-12, 62-20, 63-20, 67-19

Constan,t George: 55-3, 56-2, 56-25, ME-26, ME-73

Consuegra, Hugo: 56-28

Conway, Fred: 51-5, 53-12, 56-2, ME-73

Cook: 63-19

Cook, Christopher: 65-11

Cook, Donald: 59-6

Cook, Edward A.: 53-17

Cook, Gordon: 56-25, 60-3

Cook, Howard Norton: ME-7

Cooke, Betty: 53-24

Cooke, Jerry: 59-56

Coonley, John C.: 53-24

Cooper, Mario: 53-8

Cooper, T.S.: 64-5

Coornhert, Dirk Volkertsz: 62-18

Copeland, Lawrence G.: 57-6

Copeland, Novak & Israel: 61-30

Copello, Franesco: ME-75

Copley: 54-25

Copley, John Singleton: 54-25, 60-13, 62-17, 62-20, 63-15, ME-7, ME-31, ME-32, ME-41

Corbett, Edward: ME-73

Corbett, Mario: SD-8

Corbin, Lock Company: NY-15

Corbino, Jon: 53-12, 55-19

Corbridge, Edgar: 64-30

Corinth, Lovis: 61-25, 63-17

Corita, Mary (Sister): 53-5, 53-16, 56-25, 58-16, 58-35, 60-3

Corneille: 58-29, 61-29, 64-2

Cornell, Joseph: 59-14

Cornell, Thomas: 60-3, 64-25

Coronel, Raul A.: 55-22, 57-14

Corot, Jean Baptiste Camille: 56-16, 63-17, 65-10, ME-32, MMA-54-4

Corpora, Antonio: 58-15, 58-23, 61-16

Corsaw Roger D.: 60-5

Corson, David T.: 55-2

Cortlandt, Lyn: 58-3

Cortlandt, Zulema: 58-3

Cortona, Pietro da: 62-20

Cosijn, Lies: 61-1

Costa, Giovanni: 63-10

Costigan, John: 63-33

Cote, Alan: 58-39

Cotman, John Sell: 61-22, 62-12

Couch, Rebecca: 59-18

Couch, Urban: 58-6, 65-7

Coughtry, Graham: 58-6

Coulentianos, Costa: 54-18

Coulter, Dorothy: 65-11

Countey, Edward: 60-3

Courbet, Gustave: 63-14, 63-20, 65-10, ME-55, MMA-54-2, MMA-54-4

Courtin, Pierre Tal: 61-11

Covert, John: 55-15

Covington, Harrison: 54-42, 61-35

Cowles, Hobart E.: 57-6

Cowles, Russell: 53-5, 56-19

Cowley, Edward: 54-27

Cox, David: 62-12

Cox, Jan: 56-15, NE-96

Cox, John Rogers: NY-7&7b

Cox, Joseph: 61-35

Cox, Kenyon: 59-6, 62-7

Cox Palmer: 59-6

Cozzens, Frederick S.: 64-3

Cozzi, Ciriaco: 55-5

Crafts, Lemurian: 57-6

Craig: 63-19

Craig Ellwood Assoc: 62-34

Craighead, Charlene: 62-3

Cramer, Jaray & Paillard: 53-21

Crampton, Rollin: 62-37, 64-26

Cranach, Lucas (the Elder): 56-16, 57-18, 57-37, 62-27, ME-55, NY-9

Crane: 57-3

Crane, Ralph: 58-A&B

Crane, Roy: 57-3

Crane, Walter: 63-5

Cranmer, Jr., Thomas E.: 58-3

Cranstone, Lefevre James: 64-1

Crates, James: 65-7

Craven, Jr., Roy C.: 56-9, 61-35

Crawford, Ralston: 53-5, 53-9, 53-12, 54-18, 55-13, 56-15, 57-28, 58-15, 58-44, 60-22, 61-25, ME-73, NE-96, NY-20

Craxton, John: 59-19

Creative Playthings: 65-6

Cremean, Robert: 60-2

Cremonini, Leonardo: 54-16, 57-34, 61-4, 62-28, 64-2

Cress, George: 54-8

Cressey, David: 64-23

Cressey, Donna: 58-32

Crippa, Roberto: 56-19

Cristiano, Renato: 57-27

Crite, Allan R.: 59-6

Crome, John: 65-10

Cronbach, Robert: 52-4, 65-3, ME-75

Cropsey, Jasper Francis: 59-6, 60-28, 64-1, 64-3, ME-11, NY-4

Cross, Henri E.: 62-5

Crossgrove, Roger: ME-74

Crouwel, Wim: 61-20

Crozier, William Tylee: 61-4

Crumrine, James: 63-5

Cruz, Emilio: 66-9

Csoka, Stephen: 58-16

Cuevas, José Luis: 56-15, 63-12, ME-45

Culverhouse, Johann Mongels: 55-19

Culwell, Ben: 57-23, 57-ee

Cummings, Thomas Seir: 58-14

Cunningham, Ben: 52-11

Cunningham, Hester: 62-15

Cunningham, Imogen: 56-5

Cuomo, Sylvia: 57-14

Curmrine, James: 57-6

Currie, Bruce: 56-13

Currier, J. Frank: 64-3

Currier, N.: ME-29

Currier & Ives: ME-29

Curry, John Steuart: 54-25, 55-16, 60-13, ME-31

Curtis, E.L.: 54-12

Curtis & Davis: 62-34

Cushing, Lily: 55-21

Cushing, Otho: 57-3

Cushing, Val: 57-14, 58-32, 59-12

Cusumano, Stefano: ME-73

Cuyp: 54-11

Cyren, Gunnar: 57-14

Cyril: 62-8

Czaja, Michael: VA-53-1

Czermanski, Zdzislaw: 55-13

Czuri, Charles A.: 57-10

D'Ancona, Vito: 63-10

D'Arista, Robert: 55-9

D'Arte, Seguso Vetri: 61-1

D'Haese, Roel: 61-4

D'Orazio, Piero: 58-23

D'Orgeix, Christian: 61-4

da Carpi, Girolamo: 59-40

da Cortona, Pietro Berrettini: 61-22

Da Fabriano, Gentile: 56-16

da Sangallo, Francesco: 59-40

da Silva, Maria Helena Vieira: 60-14

da Silva, Vieira: 62-28, ME-40

da Silveira, Elisa Martins: 60-17

da Vinci, Leonardo: 53-3, 57-18, 64-9

da Volterra, Daniele: 55-24

Dahemers, Robert: 60-12

Dahill, Jr., T.H.: 56-27

Dahl, George L.: ME-19

Dahn, Richard F.: 60-3

Dailey, Gardner A.: SD-8

Dailey, Merlin C.: 58-3

Dal, Harald: 57-40

Dale, Lola E.: 56-25

Dali, Salvador: 54-16, 58-15, 59-19, 62-8, 62-18, 62-28, 63-33,

Dallegret, Francois: 65-6

Daly, Judith White: 53-17

Daly, Norman: 52-1

Dalzotto, Eugene: 53-16, 56-26

Dambiermont, Mary: 61-1

Damianovich, Zulema: 60-3, 60-15

Daminai, Jorge: 60-17

Damora, Robert: 64-21

Daniel, Mann, Johnson & Mendenhall: 62-24

Daniell, Thomas: 62-12

Daniell, Thomas & William: 61-22

Danto, Arthur Coleman: 55-20, 58-3

Danzig, Jerry: 57-16

Daphnis, Nassos: 60-41, 64-30, ME-73

Daphnis-Avlon, Helen: 64-30

Daplan, Jerome: 54-18

Daraniyagala, Justin: 58-42

Darby, Henry F.: 58-14

Darie, Sandu: 56-28

Darley, Felix: 64-1

Darling, J.N. (Ding): 57-3

Darling & Webel: 62-33

Darriau, Jean Paul: 58-12, 60-42

Darrow, W.: ME-28

Dart, Edward D.: 64-11, 64-21

Dasburg, Andrew: 59-42

Datz, Abraham Mark: 55-3

Daubigny, Charles Francois: 63-17, 63-20, NY-11, MMA-54-4

Daumier, Honore: 53-7, 55-19, 56-16, 59-20, 61-2, 62-27, 63-17, 64-5, ME-29, MMA-54-2, NY-7&7b, NY-21

Davey, Randall: 53-5

David, Ismar: 58-16

David, Jacques-Louis: 55-24

Davidson, Bruce: 59-56, 63-8

Davidson, Morris: 55-3, 64-30

Davidson, Patricia: 58-32

Davidsson, Kristjan: 66-2

Davie, Alan: 57-27, 60-14, 61-4, 61-29, 64-2, NY-8

Davies, Arthur B.: 55-19, 57-11, 59-6, 60-13, 62-17, 64-3, 65-2, NY-19

Davies, Kenneth: 59-24

Davila, Alberto: 60-17

Davis: 54-25, NY-20

Davis, Alexander Jackson: 64-1

Davis, Charles H.: 62-7

Davis, Don: 58-39

Davis, Frederick W.: 61-30

Davis, J.H.: ME-11

Davis, John W.: 65-4

Davis, Joseph H.: 59-18, 64-1

Davis, Lenore: 58-32

Davis, Noel: 56-1

Davis, Paul: 64-25

Davis, Richard: 52-4

Davis, Stuart: 54-10, 55-9, 58-15, 59-6, 59-7, 59-31, 60-13, 60-27, 62-28, 64-30, ME-7, ME-10, ME-31, ME-55, NY-5

Davis, Brody & Wisniewski: 64-11, 64-21

Dawo, Thomsa & Ilse: 61-1

Day, Lucienne: 52-7

Day, Worden: 51-21, 56-25, 56-26, 57-32, 57-36, 58-3, 58-26, 58-42, 60-3, 60-24, 62-8, NY-3

de Allende, David: 54-42

De Balzac, H.: 58-36

De Beaumont, Etienne: 59-19

de Boullongne, Louise: 55-24

de Brocquy, Louis: 53-24

De Camp, Joseph Rodefer: 63-1

De Camps, Alexandre: 63-20

De Carava, Roy: 59-56

de Chavannes, Puvis: 62-5

de Chirico, Giorio: 55-18, 57-34, 59-19

De Concorezzo, Victor: 61-1

de Creeft, José: 55-12, 56-22, 57-15, 58-16, 59-14, 59-51, 62-16

de Diego, Julio: 53-5

de Faenza, Antonio Gentili: 61-22

De Forest, Roy: 59-24

De Gelder, D.: 51-3

De Gheyn: 54-11, 64-9

de Gorgoza, Patricia: 62-8

de Grave, Jean Jacques: 56-21

de Groot, Nanno: 64-30

de Hooghe, Romeyn: 59-40

De Kooning, Elaine: 55-19, 62-16, 64-26

De Kooning, Willem: 56-2, 59-23, 60-14, 61-29, 62-27, 64-2, ME-41, ME-55, ME-73, NY-18, NY-20

La Fresnaye, Roger de: 59-23, 61-24, 62-5, 63-31

De la Verriere, Jean Jacques: 62-10

De Laclotte, Hyacinthe: 62-2

De Lairesse, Gerard: 62-36

De Laittre, Eleanor: 55-3

De Lajoue, Jacques: 55-24, 59-40

De Lalonde, Richard: 59-40

De Laurentiis, Tonino: 61-1

De Long, David: 64-25

De Maar-Sielckem, Harriet: 61-1

De Marco, Jean: 52-4

De Maria, Dolores: 53-17, 57-14

De Martini, Joseph: 56-2, ME-73

De Maupassant, G.: 58-36

De Menocal, Richard: 64-3

De Modena, Nicoletto Rosex: 59-40

De Niro, Robert: 58-16, 60-22, 60-43, 64-26

De Patta, Margaret: 54-43

De Pinna, Vivian: 64-30

De Pisis, Filippo: 57-34, 58-23

De Poli, Paolo: 61-1

De Rivera, Jose: 55-12, 56-22, 58-41, 59-31, 60-32, ME-55

De Roos, S.H.: 61-20

De Rose, Anthony Lewis: 58-14

De Ruiter, Guus: 53-2

De Saussure, J.: 53-21

De Shaies, Arthur: ME-73

De Silva, y Velasquez Diego Rodriguez: 56-16

De Stael, Nicholas: 54-18, 55-23, 60-14, 62-28, ME-40

De Szyszlo, Fernando: 54-18, 60-17

De Tessan, (Suzanne) Froncoiz (Comtesse): 57-ee

De Tivoli, Serafino: 63-10

De Tramontana, Isabel: ME-75

De Vaserly, Victor: 61-4

De Vega, L.: 58-36

De Vita, Luciano: 61-11

De Vlaminck, Maurice: 58-34

De Vries, Han: 61-20

De Wailly, Charles: 59-40

De Wint, Peter: 62-12

De Witte, Pieter: 64-9

Dean, Donald R.: 62-10

Dean, Loomis: 58-A&B

Dearden, Francis: 53-17

Dearstyne, Howard: 63-2

Deas, Charles: 64-1, ME-11

DeBeck, Billy: 57-3

Debenjak, Riko: 56-15, 56-21

Decamps, Alexandre Gabrielle: 65-10

Deck, Francis: 53-25

Decker, Lindsey: 57-12, 60-22, 60-42, 63-29

Dee Leo J.: 65-11

Deese, Rupert: 51-15, 55-22

DeFrancesco, Ray: ME-75

Degas, Edgar: 55-24, 57-18, 60-14, 61-2, 63-14, ME-32, ME-55, MMA-54-2, NY-7 &7b

Degottex, Jean: 64-10

Dehn, Adolf: 53-2, 53-12, 54-18, 55-13, 56-1, 56-2, 60-1, ME-7, ME-73

Dehner, Dorothy: 56-25, 0-24, 60-42, 62-40, ME-56

DeJode: 63-19

Del Deo, Salvatore: 64-29, 64-30

Del Ghirlandajo, Domneico: 56-16

Del Sarto, Andrea: 64-9

Delacroix, Eugène: 55-24, 57-18, 62-20, 65-10, 67-19, ME-32, NY-21

Delafosse, Jean-Charles: 59-40

Delano, Jack: 64-28

Delaunay, Sonia: 55-19

Delevanti, S.: 56-2

Delfau, Andre: 59-19

Delhez, Victor: 54-16

Della, Francesca Piero: 56-16

Delmaet & Durandelle: 62-25

Delonga, Leonard: ME-75

DeLorme, William: 53-26

Delpierre, Francine: 61-1

Deluigi, Mario: 61-16

Delvaux, Paul: 60-4

DeMolas, Nicolas: 59-19

Demuth, Charles: 55-15, 55-19, 58-34, 60-13, 60-27, 63-14, 64-4, 64-30, 65-2, ME-7, ME-23, ME-27, ME-31, ME-32, ME-40, ME-41, NY-5, NY-20

Denis Maurice: 54-16, 62-5, 62-45

Dennis Warren: 57-31, 61-35

Denst, Jack: 64-23

Dente, Marco: 62-18

DePaoli, Carly: 54-8

DePatta, Margaret: 57-6, 60-5

DePauw, Victor: 56-2

DePian: 63-19

Derain, Andre: 57-30, 59-19, 62-5, 62-29, 63-14

Der Harootian, Koren: 52-4

DeRocchi, Francisco: 51-18

Deroy: ME-29

Derujinsky, Gleb W.: ME-75

Derval, Jean: 61-1

Deshaies, Arthur: 55-20, 56-26, 56-27, 60-3, 60-22, NE-96, NY-3

Designs for Business, Inc.: 61-30

Deskey, Donald: 61-30

Desnoyer, Francois: 60-15, NE-96

Despiau, Charles: 63-31

Desprez, Jean Louis: 61-22, 62-20

Destefano, Armando: 58-40

Detre, Roland: 56-2

DeVitis, Themis: 56-2

Dewing, Maria Oakey: 62-7

Dewing, Thomas Wilmer: 62-7, 62-17, 63-1, 64-3

Dey, Andrew & Muriel: 58-16, 60-5

Deyrolle, Jean: 64-10

Dhaemers, Margaret: 60-12

Dhaemers, Robert A.: 58-7

Dhir, Lily Shufff: 55-20

Dhner, Dorothy: 58-3

Di Buoninsegna, Duccio: 56-16

Di Gesu, Antony: 62-45

Di Martini, Joseph: 55-19

Di Prete, Danilo: 60-17

Di Suvero, Mark: 64-20

Di Vincenzo, Bernardo Sozi: 59-40

Diaz, de la Pena Virgilio Narcisso: 63-20, MMA-54-4

Dibdin, T.C.: 62-12

Dickinson, Edwin Walter: 54-25, 62-38, 64-3, 64-29, 64-30, 65-11, NY-11, NY-18

Dickinson, Preston: 58-34, 60-13, 61-25, ME-31

Dickson, Helen: 56-27

Didyk, Ann: 53-5

Diebenkorn, Richard: 55-2, 56-2, 58-7, 60-43, 64-2, ME-33, ME-42, ME-60, ME-73, NY-18

Diederen, Jef: 61-4

Diehl, Gottried: 54-18, NE-96

Dienes, Sari: 53-16, 59-14, 60-24, 62-8, 63-24, 63-29

Dietz, Albert: 58-28

Dieuzaide, J.: 62-45

DiFranza, Emilio A.: 56-27

Dikkenboer, Daniel Den: 56-15

Dikmen, Oktay: 56-21

Diller, Burgoyne: 60-41, ME-73

Dimondstein, Morton: 55-5

Dine, Jim: 62-41, 65-11

Dinnerstein, Harvey: 55-5

Dirks, Rudolph: 57-3

Disberg, Harry: 56-21

Disderi, Adolphe-Eugene: 56-5

Dittmer, Robert P.: 58-32

Dix, Otto: 54-16, 54-18, 56-7, 58-35, 59-36

Dobashi, Jun: 58-42

Dobbertin, Eugene F.: 52-7

Dobbs, John: 58-40

Dobin, Fred: 56-2

Dobkin, Alex: 57-10

Dodd, Lamar: 53-5, 53-12, 61-26, 64-31, ME-73

Dodd, Robert: 62-15

Dodson, William: MMA-54-2

Doebele, H.P.: 53-2

Dole, William: 62-31

Dolenoord, Jenny: 51-3

Domareki, Joseph: ME-73

Domela, Cesar: 64-10

Dominis, John: 58-A&B

Domjan, Joseph: 60-3, 60-15

Domoto, Hiaso: 61-4

Donald, Barthelme & Associates: ME-19

Donati, Enrico: 57-1, 58-43, 59-10, 59-23, 60-27, ME-73

Donato, Louis: 56-2

Donelli, Antonio: 58-9

Donelly, C.P.: ME-19

Doney, T.: ME-29

Dong, Wing C.: 53-16

Donghi, Antonio: 51-18

Dooijes, Dick: 61-20

Dooley, Mary Lou: 58-3

Doolittle, Amos: ME-29

Dorazio, Piero: 59-35, 60-20

Dorazi,o Ralph: 55-20

Dorfsman, Lou: 60-37

Dorgan, (Tad) T.A.: 57-3

Doughty, Thomas: 60-28, 65-2, ME-7, NY-4

Dova, Gianni: 58-23, 60-15

Dove, Arthur Garfield: 53-9, 54-25, 55-11, 55-15, 55-16, 59-6, 60-13, 60-27, 62-27, ME-7, ME-31

Dowing, Joseph: 60-15

Dowling, Dan: 57-3

Downs, Allen: 62-45

Downs, Phyllis: 58-6

Downs, Robert: 58-39

Dozier, Otis: 57-23

Dozier, Velma: 57-6

Drabkin, Stella: ME-7

Dragomir, Jean Claude: 57-27

Dreisbach, David: 55-6

Drentwelt, Abraham: 55-24

Drerup, Karl: 57-6

Drerup & Salo Karl & George K.: 58-16

Drewes, Werner: 56-2, 58-3, 60-3, ME-7

Drexler, Rosalyn: NY-17, NY-18

Driesbach, David F.: 60-3

Driggs, Elsie: 56-2, 64-30

Droste, Karl-Heinz: 61-4, 64-14

Drumlevitch, Seymour: 55-2, 55-9, 57-1, 61-15, NY-10

Drumm, Donald: 65-6

Drummond, Sally Hazelett: 62-37

Du Bois, Guy Pène: 63-15, 64-3

Du Bois, Raoul Pene: 59-19

Du Camp, Maxime: NY-1

Du Cerceau, Jacques Adrouet (Elder): 59-40

Du Pen, Everett: 65-3

Duak, Fatme: 56-29

Dubar, George: 55-6

Dubin, Ralph: 57-2

Duble, Lu: 52-4

DuBose, Charles: 65-3

Dubuffet, Jean: 59-23, 60-4, 60-14, 60-15, 61-4, 62-41, 64-2, ME-46, NY-18

Duca Alfred: 59-6

DuCasse, Ralph: 58-7

Duchamp, Marcel: 59-14

Duchamp-Villon, Raymond: 61-24

Duck, Jacob: 63-17

Duderstadt, Bruce: 62-10

Duell, Howard D.: 58-32

Duffy, Edmund: 57-3

Dufy, Raoul: 57-9, 57-30, 61-33, 62-5, 63-14, ME-55

Dulac, Malvin: 56-27

Dullanty, Patrick: 56-25

Dumouchel, Albert: 59-3, 61-4

Duncan, David Douglas: 56-5, 58-A&B, 59-17, 59-56

Duncan, Florida: 64-30

Duncan, John R.: 62-3

Duncan, Jr., George R.: 53-24

Dunkel, William (Dr.): 53-21

Dunn, Alan: 55-13, ME-28

Dunn, John: 55-22, 64-28

Dupre, Jules: 63-20, MMA-54-4

Duquette, Tony: 59-19

Durand, Asher Brown: 58-14, 60-28, 64-1, ME-11, NY-4

Durand, John: 62-2

Durchanek, Ludvik: 60-12, 64-25, ME-75

Durer, Albrecht: 55-10, 56-16, 57-18, 57-37, 62-18, 63-4, 63-17, 64-9, 64-19, ME-65, NY-9, NY-21

Durfee, Hazard: 52-11

Durham, I.D.: 61-35

Durkee, Steve: 63-7

Durrie, George Henry: 60-28, NY-4

Duryea & Elkins: ME-19

Dusart, Cornelis: 60-40

Dusenberry, W.C.: NY-13

Duval, Sally W.: ME-75

Duveneck, Frank: 59-34, 62-7, ME-11

Duver, Albrecht: NY-9

Duvigneaud, Diane: 55-5

Duvoisin, Roger: 61-33

Duynen, Isaac van: MMA-54-3

Dworzan, George: ME-75

Dzubas, Friedebald: 51-21

Missing Title

Eades, Luis: 57-23, NY-10

Eakins, Thomas: 54-25, 55-19, 58-27, 59-6, 59-24, 59-34, 60-13, 62-17, 62-28, 63-3, ME-7, ME-11 ME-31, ME-32, ME-41, ME-55

Eames, Charles: 55-22

Earl, Ralph: 54-25, 60-13, 62-2, 62-17, 63-15, ME-31

Easterwood, Henry: ME-75

Eastman, Seth: 61-3, 64-1

Eaton, Wyatt: 62-7

Eaves, John: 54-18

Ebendorf, Robert: ME-75

Ebert, Charles: 64-31

Eby, Kerr: ME-7

Echave, Jose: 60-17

Eckels, Robert J.: 60-5

Eckerberg, Margareta: 57-14

Eckhardt, Barbara: 55-5

Eckhardt, Edris: ME-75

Economous, Michael: 62-3

Edmonds, Francis William: 58-27

Edmondson, Leonard: 53-12, 55-20, 56-26, 58-3, 58-7, 60-3, 62-3, ME-73, NY-3

Edmonstone, Robert: 65-10

Edwards, Estor Elsie: 57-14

Edwards, Ethel: 53-12, 64-30

Edwards, George W.: ME-19

Edwards, Joel: 57-6

Edwards, Stanley D.: 65-4

Eeckhout: 54-11

Eero Saarinen & Assoc: 63-16, 65-9

Egas, Camilo: 62-16

Egbert, Lyn: 60-5

Egeler, Ernst: 53-21

Egert, Thalia: 53-24

Ehrenreich, Emma: 58-3, 64-30

Eichenberg, Fritz: 54-16

Eichholz, Duane: 57-14

Eichler (the Younger), Johann Gottried: 59-40

Eiermann, Egon: 58-28

Eights, James: NY-15

Eikaas, Ludvig: 54-18, 57-40

Eilshemius, Louis M.: 59-31, 60-27, 61-25, 61-27, 62-1, 62-28, 64-3, ME-74, NY-5

Einsel, Walter: 60-37

Einsenstadt, Alfred: 56-5, 59-56, 58-A&B

Eisner, Anne: 55-3

Eisner, Dorothy: 55-3

Ekstrom, Thea: 62-44

El Greco: 56-16, 57-18, NY-7&7b

Elder, Eldon: 62-14, 64-35

Eldred, Dale: 59-12, 65-7

Eldrege, Mary: ME-75

Eldridge, Henry: 62-12

Elenbaas, V.H.: 56-15

Elenbaas, Wally: 51-3, 53-2, 61-20

Elffers, Dick: 61-20

Elgart, Eliot: 51-1, 53-5

Elias, Arthur: 54-27

Elias, Harold: 55-5

Eliasoph, Paula: 55-3

Eliezer, R.: 58-36

Eliot, Noyes & Associates: 65-9

Elisofon Eliot: 58-A&B, 59-56

Ellenzweig, Harry: 62-31

Elliot, Lester: 56-2

Elliott, Cecil D.: 58-1

Elliott, James: 58-39

Elliott, Ronnie Rose: 58-26, 58-42

Ellis, Carl: 53-26

Ellis, Clifford: 56-15

Elloian, Peter: 64-7

Elmer, Edwin Romanzo: 62-7, ME-11

Elmer, Jorgen: 64-11

Elmes, Harvey Lonsdale: 61-22

Elvius, Anne-Marie: 53-24

Emanuel, Akiba: 56-2

Emanuel, Bert: 57-16

Embry, Norris: 62-41

Emergy, Lin: ME-56

Emerine, Mary Anne: 53-24

Emerson, Peter Henry: 62-25

Emery, Lin: 55-6, 58-30, 62-40, 65-3

Emiltessile: 61-1

Enders, Cleade: 55-2

Endicott G. & W.: ME-29

Endicott & Co.: ME-29

Engel, Harry: 64-30

Engelund, Svend: 58-15

Enger, Erling: 57-40

Engilberts, Jon: 66-2

Englander, Gertrude: 60-5

Engle, Charlotte: 53-24

Englebrecht: 63-19

Enneking, John J.: 63-1, 64-1

Enos, Robert: 58-35

Ensor, James: 62-27

Eoff & Connor, Garrett & John H.: NY-13

Epler, Rosa Lee: 58-39

Eppelsheimer, Bruce K.: 60-5

Epstein, Jacob: 63-31

Erickson, Eric: 51-15, 55-22

Erickson, Ruth M.: 60-5

Eriksen, Sigured Alf: 57-40

Erikson, D. Erik: 62-10

Erixson, Sven: 62-44

Erkenbrack, Mary: 55-22

Erlanger, Elizabeth N.: 58-3, 64-30, ME-73

Ernest, John: 61-21

Ernest J. Kump & Masten & Hurd: 63-16

Erni, Hans: 53-2, 54-18 58-15

Ernst, James A.: 62-31

Ernst, Jimmy: 51-21, 55-8, 55-9, 55-13, 56-1, 57-9, 58-43, 58-44, 59-1, 65-4, ME-33, ME-42, ME-73, NY-20

Ernst, Max: 55-13, 56-7, 61-9, 62-8, 62-18, 62-29, ME-55

Erwitt, Elliott: 59-56

Escher, Earl: 54-18

Escher, M.C.: 51-3, 56-21

Escher & Weilenmann H.R.: 53-21

Escobosa, Hector: 57-ee

Eshelman, Paul W.: 57-6

Esherick, Joseph: SD-8

Eshkanian, Richard: 57-6, 60-5

Eshkanian, Ruben: 64-23

Eshkanian Ruben & Jack Lenor: 62-15

Eshoo, Robert: 56-12, 56-27

Eskolin, Vuokko: 57-14

Esmonde-White, Eleanor: 56-15, 56-21

Espada, Fernando & Ryder, W. Clayton: 52-7

Espanola, Mercado De Artesania: 61-1

Esteban, Frances: 59-19

Estense, Baldassare: 56-16

Estes, Emily: 58-3

Esteve, Maurice: 60-14, ME-32

Etnier, Stephen: 55-19

Etrange, H.: 56-29

Etter, Russell: 57-14

Etzlaub, Erhard: 55-10

Eugene, Frank: 62-25

Euler, Reeves: 64-30

Evans, Frederick H.: 56-5, NY-1

Evans, Frieda: 58-32

Evans, Helen: 53-17

Evans, James I.: 62-2

Evans, Paul: 57-6

Evans, Walker: 64-28

Everdingen, Allart van: 63-17, MMA-54-3

Evergood, Philip: 55-9, 55-13, 56-1, 56-2, 59-7, 62-1, 62-28, 63-7, 63-33, ME-7, ME-41, ME-73, NY-18

Evett, Kenneth: 53-5

Evjenth, Henry A.: 58-32

Ewing, Edgar: 56-19

Exter: 63-19

Exter, Alexandra: 59-19

Eyerman, J.R.: 58-A&B

Fabbri, Agenore: 55-13, 61-2

Fabri, Ralph: 54-16, ME-7

Fader Lester: 57-6

Fager, Charles J.: 62-10

Faggi, Alfeo: 58-16

Fahlstrom, Oyvind: 62-44

Fairchild Aerial Surveys, Inc.: 64-28

Fairman, Edward: 64-1

Fairman, John: 64-28

Faith-Ell, Age: 62-15

Fakhouri, George: 56-29

Falconer, John M.: 64-1, 64-3

Falconetto: 62-15

Falk, Hans: 61-4

Falkenstein, Claire: 65-11

Falzone, Jr., Joseph A. (MD): 57-ee

Falzoni, Giordano: 55-7

Fantin-Latour, Henri: 63-14

Fantoni, Marcello: 61-1

Farber, Sholam: 55-5, 56-2

Farbman, N.R.: 58-A&B, 59-56

Fardon, R.G.: 54-12

Farkas, Charles: 62-40, ME-56

Farnsworth, Jerry: 64-29, 64-30

Farny, Henry F.: 61-3

Farruggio, Remo: 56-2, 57-10, 64-30

Fasano, Clara: 52-4, 53-20

Fasano, Michelangelo: 58-9

Fassbender, Joseph: 59-36

Fattori, Giovanni: 63-10

Faush, Ruth: 61-1

Faust, Birgitta: 62-15

Fautrier, Jean: 61-11

Favarger, Pierrette: 61-1

Favre, Louis: 54-16, NE-96

Fazzini, Pericles: 55-7, 58-40

Fearing, Kelly: 55-5, 57-23

Feasley, Robert: 57-31

Feeley, Paul: ME-59, ME-75

Fegarotti, Michela: 61-1

Fehr & Granger: ME-19

Feigin, Dorothy Lubell: 55-3, 58-3

Feinberg, Idelle L.: 57-12

Feingersh, Ed: 57-16

Feininger, Andreas: 58-20, 58-A&B, 59-56, 63-8

Feininger, Lyonel: 54-10, 54-25, 55-3, 55-9, 55-15, 55-19, 56-2, 56-7, 57-30, 59-6, 59-36, 60-13, 61-25, 62-28, 62-29, 64-10, ME-23, ME-26, ME-31, ME-32, ME-40, NY-5, NY-7&7b, NY-11

Feininger, T. Lux: 56-2

Feitelson, Lorser: 60-41

Feito, Luis: 61-11

Feke, Robert: 59-24, ME-41

Feldman, Walter: 53-5, 56-2, 56-25, 58-3, 60-3, 65-11

Felton, Frances: 57-6

Fendell, Jonas: 60-3

Fendell, Josh: 55-20

Fenn, Albert: 58-A&B

Fenster, Fred: 62-10, ME-75

Fenton, Roger: 56-5, 62-25, NY-1

Fenton, Sophia & John: 61-17

Ferber, Herbert: 57-37, 58-16

Fereilicher, Jane: 60-14

Ferguson, Kenneth R.: 65-7

Ferguson, Nancy: 64-30

Fernandez-Muro, Antonio: 56-15

Ferneley, John: 55-19

Feron, Louis: 58-16

Ferrant, Angel: 61-11

Ferrara, Jackie: 64-25

Ferrario: 63-19

Ferreira, Thomas: 58-32

Ferren, John: 56-1, 58-43, 59-23, 62-27, 65-11, ME-41

Ferry, Alan: 61-30

Fett, William: 56-2

Feuerlicht, Herbert A.: ME-75

Fiedler, Robert R.: 60-3

Field, Erastus Salisbury: 62-2, ME-11

Field, Frances: 55-2

Field, Ian: 55-20

Fielding, Newton: 62-12

Fiene, Ernest: 56-2, 64-31, ME-73

Fifield, Lew: 58-32

Figino, Ambrogio Giovanni: 62-20

Fike, Phillip: 57-6

Filitcroft, Henry: 61-22

Finch, F.O.: 62-12

Finch, Keith: 58-5, 64-7

Fine, Perle: 54-27, 55-3, 55-20, 57-32, 57-36, 58-26, 62-37, 62-38, 64-29, 64-30

Fini, Leonor: 59-19, 64-4

Fininger: NY-20

Fink, Bert C.: 62-10

Fink, Herbert: 56-27, 58-39

Finkelstein Louis: 56-2

Finkelstein, Maxwell M.: 61-17

Finlayson, Donald Lord: NY-9

Finne, Henrik: 57-40

Fiore, Joseph: 55-20, 60-1, 64-31

Fiore, Nicola: 59-40

Firm, Max Weltz: 61-1

Fisch, Arline M.: 58-32, 62-10, ME-75

Fischer, Hans: 53-2, 54-18, 56-15, 56-21, 57-3

Fischer, Mildred: 60-5

Fischer, Sam: 53-5, 56-19, 57-9

Fischli, H.: 53-21

Fish, C.B.: 55-19

Fisher, Bud: 57-3

Fisher, Davira: 58-3

Fisher, Edward: ME-29

Fisher, Leonard: 55-5

Fisk, Nancy: 55-20

Fitzpatrick, Daniel: 57-3

Fjeldsaa, Kare B.: 57-40

Fjell, Kai: 57-40

Flack, John: 64-23

Flakstad, Nils: 57-40

Flamen or Flamand, Albert: 63-17

Flannagan: 59-54

Flannagan, John: 59-6

Flannery, Vaughn: 55-19

Fleischel, C.: NY-15

Fleischer, Arlyn: 53-17

Fleischmann, Adolf: 60-41

Fleishman, Jay: 64-21

Fletcher, Raymond: 57-23

Flinick, Govaert: 55-24

Flint, William: 62-12

Floch Jenny Eve: 58-32

Floch, Joseph: 55-3, ME-73

Floore, John W.: ME-19

Flora, James: 52-11

Floris, Cornelis: 63-9

Florsheim, Richard A.: 56-15, 58-15, 64-30, ME-73

Flory, Arthur: 54-18, 58-3, 60-3

Floyd, Arthur: 57-14, 58-32

Flueler, Augustine (Sister): 58-35, 61-1

Fogel, Seymour: 57-1, 57-10, 57-23, 61-26

Fohr, Jenny: 56-25

Foley, Matthew: 62-10

Foley, Maurice E.: 58-3

Follett, Jean: 59-12

Fonta, R.: 54-16

Fontana, Girolamo: 58-9

Fontana, Lucio: 58-23, 59-35, 61-23

Fontebasso, Francesco: 55-24, 59-40

Foppiani, Gustavo: 57-27

Forain, Jean Louis: 54-16, 57-37, 62-5

Forakis, Peter: 64-26

Forbes: ME-29

Forbes, Edward: ME-29

Forbes, Elinor: 55-22

Ford, Betty Davenport: 51-15

Ford, Cocke & Smith O'Neil,Bartlett & Harvey: ME-19

Fordyce & Hamby Associates: 59-25, 62-24

Forlivesi, Mirella: 61-1

Forman, Kenneth: 60-3

Fornas, Leander: 60-12

Forner, Raquel: 60-17

Forrest, Norman: 62-15

Forsberg, Jim: 64-30

Forst, Miles: 60-43

Forster, Claire: 56-29

Forsyth, Constance: 62-3

Fortess, Karl: 56-2

Fosburgh, James: 53-14

Foss, Jeremy Bernard: 65-7

Fossati, Domenico: 58-9

Foster, Doris Collins: 57-6

Foster, Francis: 56-2

Foster, Hal: 57-3

Foster, John A.: 57-6

Fourdrinier, P.: ME-29

Fox, Fonaine: 57-3

Fox, Marilyn: 57-14, 58-32

Fox, Norma A.: 57-14, 58-32

Foy, Gray: 53-5, 57-12, 65-11

Fragonard, Jean Honore: 56-16, 62-27, 67-19, ME-29, NY-21

Frances, Esteban: 57-9

Francescini, Marco Antonio: 55-24, 59-40

Francesco, Piero Della: 57-18

Francesconi, Anselmo: 54-16

Francese, Franco: 58-40

Francis, De Scott John Evans: 56-18

Francis, Sam: 56-12, 60-14, 60-22, 61-29, 62-28, 64-2, 64-20, 65-11, ME-73

Franck Frederick: 59-1, 60-12

Franco: 53-36

Francois, Andre: 61-33

Francoise: VA-53-1

Frank, John: 64-30

Frank, Mary: 62-40, 62-41, ME-56

Frankel, Dextra & Charles: 65-3

Frankenthaler, Helen: 57-12, 59-23, 60-9, 61-29, 62-37, 63-15, 64-12, 64-20, 65-1, 65-11, ME-73

Franklin, Albert E.: 53-17

Franklin, Arlene: 58-32

Franklin, Jenny-Lynn: 57-14

Frano, Theodore S.: 53-1

Fransconi, Frederick (Dr.): 55-13

Fransioli, Thomas: 64-31

Franzen, Ulrich: 58-1

Frary, Michael: 55-2, 57-23

Frasce, Gianfranco: 60-20

Frasconi, Antonio: 53-1, 53-5, 53-16, 55-20, 56-1, 56-2, 56-21, 56-24, 56-25, 56-26, 58-3, 60-2, 60-3, 60-22, 61-9, 62-31, 62-45, 63-12, 64-7, ME-7, NY-3

Fraser, Carol: 58-6

Fraser, Hamilton: 59-31

Frazier, John R.: 64-30

Freborg, Stanley: 64-30

Fredenthal, David: 55-13, NY-20

Fredenthal, Miriam: 62-15

Frederick, William N.: 60-5

Freed, David: 60-3

Freed, Ernest: 58-3

Freed, William: 64-30

Freedman, Louise A.: 64-30

Freedman, Martin: 64-30

Freedman, Maurice: 53-5, 64-30

Freeland, William Lee: 57-10

Freeman, Paul: 58-16

Freilicher, Jane: 56-2

Freiman, May: 61-17

Freimark, Robert: 60-3, 62-3

Freisinger, Casper: 64-9

Frelinghuysen, Suzy: 55-3

French, Jared: 60-1, 62-1

French, Ray H.: 53-16, 60-3

Frenzeny, Paul: 64-1

Frere, Theodore: 65-10

Freres, Bisson: NY-1

Freudenberg, Al: 56-2

Freund, Rudolf: 56-24

Freund, Tibor: 63-24

Frew, J. Arnold: 57-6

Fricano, Tom S.: 60-3, 62-3, 64-7

Friebert, Josepth: 58-6

Fried, Theodore: 55-3

Friedensohn, Elias: 57-12, 59-24, 60-43, 61-7

Friedlaender, Johnny: 56-21

Friedman, Jerrold: 55-22

Friedman, Madge: 57-6

Friedman, Martin: 55-3, 56-2

Frink, Elisabeth: 61-2

Frith, Francis: 62-25, NY-1

Fritzius, Harry: 53-26

Fritzsche, Max: 53-15

Frohlich, Max: 61-1

Fromberg, LaVerne: 56-13

Fromboluti, Sideo: 56-2

Fromentin, Eugene: 63-20, 65-10

Frost, Arthur B.: 59-6

Frost, Terry: 58-15, ME-55

Frost, Jr., William P.: 60-5

Froth, Donald E.: 51-15

Frouault: ME-40

Frsconi, Antonio: 56-26, 63-12

Fuchs, Ernst: 54-16

Fuentes: 63-19

Fueter, Daniel Christian: NY-13

Fujihara, Jun: 65-4

Fujihira, Shin: 65-12

Fujisawa, Junji: 65-12

Fujita, Sadamitsu Neil: 53-1, 55-13

Fuller, Buckminster: 59-15

Fuller, George: 58-14

Fuller, Sue: 57-32, 57-36, 58-26, 58-43, 59-6, 61-23, 62-8, 65-4, ME-7

Funk, John: SD-8

Funk, Lissy: 61-1

Fuseli, Henry: 67-19

Fuseli, John Henry: 65-10

Futakuchi, Shioko: 65-12

Fyt, Jan: 55-24, MMA-54-3

Missing Title

Gaberel, Rudolf: 53-21

Gabin, George: 64-4

Gabo, Naum: 59-19

Gadbois, Henri: 57-23

Gadzi, Dimitri: 62-40

Gaetaniello, Vincenzo: 58-40

Gag, Wanda Hazel: ME-7

Gaillardet, Joan: 53-26

Gainsborough, Thomas: 55-24, 57-18, 67-19, MMA-54-2, NY-11

Gaitis, John: 56-29

Gaitonde: 59-13

Galicia, Jose Luis: 54-18, 56-15, 60-15, NE-96

Galliari, Giovanni Antonio: 58-9, 63-19

Galvononi, Natale: 61-1

Gamble, Eugene: ME-19

Gambone, Guido: 61-1

Gammell, R.H. Ives: 64-30

Gandolfi, Gaetano: 67-19

Gannett, Ruth Hrisman: VA-53-1

Ganso, Emil: ME-7

Garber, Daniel: 57-11, 63-3

Garbers, Fred James: 58-39

Garcia, Francisco Tod: 61-4

Garcia, Mario: 58-43

Gardner, Alexander: 56-5

Gargallo, Pablo: 61-24

Garner, Alice: 65-11

Garnett, William A.: 63-8

Garnier, Charles: 61-22

Garrett, Lillian: 57-6

Garzi, Luigi: 62-36

Gaspari: 63-19

Gasser, Henry: 53-8

Gatch, Lee: 54-10, 55-9, 56-2, 57-15, 57-28, 58-16, 59-43, 61-7, 62-28, 64-30, ME-7, ME-41, ME-73

Gates: 63-19

Gates Robert: 55-8, 63-7

Gatje, Robert F.: 63-16

Gaudnek, Walter: ME-75

Gauguin, Paul: 56-15, 57-18, 57-40, 60-14, 62-5, 63-14

Gaw, William A.: 53-5

Gaymer, Dorothy O.: 53-24

Gear, William: 58-15, NE-96

Gechtoff, Sonia: 58-7, 59-12, ME-33, ME-42

Gee, Bing: 58-42

Gehner, Marjorie N.: 60-5

Geiger, Edith: 64-30

Geiger, Rupprecht: 59-36

Gelb, Jan: 56-1, 57-1, 57-32, 57-36, 58-3, 60-3, 60-24

Gelbart, D.: 58-36

Gele, Emile: 53-16, 55-20

Gelinas, Robert: 61-7, 61-35

Gellee or Gelee, Claude: 62-36, 63-17

Geman, William: 54-27

Gendron, Marcelle Ferron Pierre: 59-3

Genevieve, Mere: 54-16

Genthe, Arnold: 64-28

Gentilhatre, Jacques: 61-22

Gentili, Antonio: 59-40

Gentilini, Franco: 58-23, 59-35, 60-15, 61-16

George, David: 64-21

George, Ernest (Sir): 62-12

George, S.: 58-36

George, Thomas: 55-20, 56-25, 56-26, 60-22, 61-15, ME-59, ME-60

George, P. Hall & Son: 64-28

George, Patrice O.P. Sister: ME-75

Georges, Paul: 60-43, NY-18

Georgiadis, Nicholas: 59-19

Gerbier, Balthazar (Sir): 61-22

Geren, Preston N.: ME-19

Gergely, Tibor: VA-53-1

Gerhart, Richard L.: 58-32

Gericault, Theodore: 67-19, NY-9

German, Ali T.: 56-21

German, Alosh: 56-29

German, School: 55-24

Gernhardt, Henry K.: 57-6, 57-14, 58-32, 62-10

Gerome, Jean Leon: 65-10

Gerrits, Ger: NE-96

Gerson, Hans U.: SD-8

Gertner, Claire: 62-10

Getz, Ise: 58-26

Gheyn, Jacob de: 63-9

Ghezzi, Pier Leone: 55-24, 62-20

Ghisi, Diane: 57-37

Ghisi, Giorgio: 63-9

Giacometti, Alberto: 59-5, 62-29, 60-14, 60-15, 60-42, 61-9, 61-24, 62-8, 63-31, 64-2, 64-10, 64-19, ME-65

Giacometti, Bruno: 53-21

Giani, Felice: 58-9, 59-40

Giauque, Elisabet: 61-1

Gibbs, Howard: 56-27, 64-30

Gibbs, James (Sir): 61-22

Gibson, Blaine: 51-15

Gibson, Charles D.: 59-6

Giebrich, Oscar N.: 64-30

Gifford, R. Swain (Robert Swain): 64-3

Gifford, Sanford Robinson: 60-28, 65-10

Giguere, Roland: 59-3

Gikow, Ruth: 57-2, 63-33

Gil David: 64-23

Gil'ad, A.: 58-36

Gilbert, Stephen: 61-21

Gilk, Ernest W.: 51-8

Gilkey, Godon W.: 62-3

Gill, Eric: 54-16

Gill, James: NY-17

Gillam, Bernard: 57-3, 59-6

Gilles, Werner: 56-7, 59-36

Gillet, Roger Edgard: 58-29

Gilliam, Sam: 66-9

Gilmore, William D.: 55-14

Ginstrom, Roy: 57-6, 64-23

Ginzel, Roland: 55-6, 55-20, 56-25, 58-3

Giobbi, Edward: 58-16, 59-10, 61-2, NY-10

Giorgione: 57-18

Giotto: 57-18

Giovane, Palma: 55-24

Girard, Alexander: 53-17, 63-5

Girard, Andre: 53-25, 58-16, 58-35

Girmaldi, Giovanni Francesco: 64-6

Girona, Julio: 56-2, 58-26

Girtin, Thomas: 62-12

Gischia, Leon: NE-96

Gisel, Ernst: 53-21

Gislebertus: 62-23

Glackens, William J.: 55-19, 57-2, 59-6, 60-27, 62-30, 63-1, NY-16, NY-19

Glarner, Fritz: 59-24, 60-27, 60-41, 61-7, 65-11, ME-73

Glasco, Joseph: 62-40, 62-41, 63-31, 64-10, ME-56, NY-10, NY-20

Glassverk, Hadelands: 57-40

Glavani, Joy: 56-29

Gleason, F.: ME-29

Gleb, Jan: 64-30

Gledhill Wall Paper Company: NY-14

Gleizes, Albert: 54-16

Glen, Paulsen & Associates: 65-3

Glick, John Parker: 58-32

Glickman, Maurice: 52-4

Glines, David: 62-3

Glinsky, Vincent: 52-4, 53-20

Glover, Euphemia: ME-75

Glover, John: 62-12

Godbut, Ghislaine: 53-17

Goddard, George W.: 65-11

Godin, Leon: 58-7

Goerg, Edouard: 62-18

Goertz, Augustus: 60-4

Gold, Charles S.: 62-10

Gold, Leah: 58-3

Goldberg, Harold: 55-22

Goldberg, Michael: 57-12, 60-22

Goldberg, Rube: 57-3

Goldberg, Susan B.: 62-10, 62-15

Golden, William: 60-37

Goldenbloome, D.S.: 55-20, 56-25, 58-3

Goldin, Leon: 54-18, 55-20

Goldrich, Hannah: 58-32

Goldring, Milton: 58-12

Goldring, Will: 58-5

Goldsmith, Deborah: 59-18

Goldstein, Milton: 53-2

Goldstone & Dearborn Harmon & Eustis: 59-27

Goldthwaite, Anne: ME-7

Golemon & Rolfe: ME-19

Golobe, Dorothy: 63-24, 64-25

Goltzius, Hendrick: 54-11, 57-37, 63-9, 64-9

Golub, Ina: ME-75

Golub, Leon: 56-2, 60-4, 60-14, ME-73, NY-18

Golubov, Maurice: 53-16, 55-3, 56-2

Gomez De Kanelba, Sita: 65-6

Gompf, Richard C.: 58-32

Gontcharova, Natalia: 59-19

Gonzales-Tornero, Sergio: 62-8

González, Julio: 61-24, 63-31

Gonzalez, Xavier: 53-12, 56-1, 56-27, 64-30, ME-73

Gooden, Stephen: 54-16

Goodman, Marilyn: 58-32

Goodman, Percival: 64-11

Goodman, Sidney: 62-31, 64-25, NY-10

Goodnough, Robert: 57-1, 58-26, 60-9, 60-14, 61-15, 62-6, 63-7, ME-73, ME-74

Goodnow, Frank: 58-3, 60-3

Goodwin Barbara Eckhardt: 56-13

Goodyear, John: 53-26

Gorbaty, Norman: 55-20, 56-25

Gorchov, Ron: 60-12, 64-12

Gordin, Sidney: 57-1, 58-5, 58-43

Gordon, Joseph F.: ME-19

Gorka, Paul: 65-4

Gorky, Arshile: 55-16, 59-6, 59-23, 59-24, ME-23, ME-32, ME-59

Goro, Fritz: 58-A&B

Gorsline, Douglas: 62-31

Goslee, M.E.: 60-5

Goto, Joseph: 56-2

Gottlieb, Adolph: 53-25, 55-9, 56-1, 56-2, 58-16, 58-42, 58-43, 60-27, 62-29, ME-59

Goudie Harland: 53-16, 60-3, 62-3, 64-7

Gould, Chester: 57-3

Goya, Francisco: 55-19, 57-18, 62-18, 62-27, 64-5, 65-10, MMA-7, NY-9, NY-21

Goyen, Jan van: 62-20, MMA-54-3

Gozzoli, Benozzo: 59-40

Grace, Frederick: 59-40

Grae, Ida Dean: 55-22, 57-6

Graham John: 62-1, 2-27

Graham, Walter N.: ME-19

Gramatky, Hardie: 53-8

Gramcke, Elsa: 60-17

Grammar, George: 57-23, 58-44

Granada, Talleres De Arte: 61-1

Granberg, Sue: 58-39

Granlund, Paul: 65-7

Grant, Alistair: 58-15

Grant, Allan: 58-A&B

Grant, Dorothy J.: 58-39

Grant, Copeland & Chervanek: 64-11

Granville, E. Mario: 62-45

Grasset, Eugene-Samuel: 59-40

Grasten, Viola: 53-24

Grau, Enrique: 60-17

Graves, Morris: 52-11, 54-25, 55-9, 58-42, 59-6, 59-24, 60-4, 60-13, 60-27, 62-1, 62-28, 62-29, ME-7, ME-41, NY-5, NY-20

Gray, Cleve: 55-2, 59-1, 61-15, 62-31, 63-7, 65-1, 65-11

Gray, Virginia: 57-14

Grayson, Marvn: 55-5

Graziani, Sante: 58-39

Greacen, Edmund W.: 61-10, 63-15

Greatorex, Eliza: 59-6

Greaves, Derrick: 60-15

Greco, Emilio: 55-7, 57-34, ME-55

Green: 55-19

Green, James: 53-1

Green, Kenneth: 58-32

Green, Wayne: 57-31

Greenbaum, Dorothea: 52-4, 56-2, 57-1

Greenberg, Gloria: 53-16, 53-26

Greenbie, Barrie: 62-14, 64-35

Greene: NY-20

Greene, Balcomb: 54-10, 55-9, 55-19, 56-2, 59-1, 59-10, 60-4, 60-22, 60-33, 60-43, ME-73, ME-74

Greene, Gertrude: 57-30, 60-41

Greene, Stephen: 51-21, 60-1, 61-26, 62-31, 62-37, 65-4

Gregoire, Odette: 61-1

Gregor, Gino: 56-21

Gregoropoulos, John: 55-6

Gregory, Dorothy Lake: 64-30

Gregory, Jules: 59-12, 64-21

Greuze, Jean-Bapiste: 67-19

Grey: ME-49

Griemert, Hubert: 61-1

Grieshaber, H.A.P.: 59-36

Griffin, Georges: 56-2

Griffith, Roberta: 62-10

Grilley, Robert: 57-12

Grillo, John: 56-2, 58-26, 62-41, 64-30

Grilo, Sarah: 60-17

Grippe, Peter: 53-5, 53-16, 56-25, 57-1, 58-3, 60-22, 62-8, ME-7

Grippi, Salvatore: 58-26, 60-1

Gris, Juan: 59-19, 62-5

Groag, Jacqueline: 53-24

Grode, Shearley: 55-6

Groff, June G.: 62-15, 65-11

Groll, Albert Lorey: 63-15, 64-30

Gromaire: 59-5

Gronendyke, Robert Keith: 57-14

Grooms, Red: NY-17

Gropius, Walter: 59-15

Gropper, William: 53-5, 54-16, 56-2, 59-6, 62-31

Gros, A.: 53-21

Groshans, Werner: 53-5, 55-5

Gross, Anthony: 60-15

Gross, Chaim: 53-20, 56-2, 59-6, 62-40, 63-31, ME-56

Gross, Louise: 55-22

Gross, Sidney: 55-3, 59-10, 64-30, ME-73

Grosshardt, Edwin: 53-2

Grosz, George: 54-25, 56-7, 60-13, 60-27, 61-25, 62-1, 62-18, 62-30, ME-31, NY-5

Grotell, Maija: 57-6

Grotenrath, Ruth: 58-3

Groth, John: 55-13, 56-2

Grucza Leo: 63-7

Grumbel, D.: 58-36

Grunbaum, James: 53-14

Grunbaum, Marian H.: 54-27

Grut, Jeanne: 57-14

Guardi, Francesco: 59-40

Guayasamin, Oswaldo: 60-17

Gudiol, Montserrat: 64-17

Guercino: 62-20

Guerin, John: 57-1, 57-12, 57-23

Guermonprez, Trude: 51-15, 55-22, 58-25, 62-15

Guerrero, Jose: 56-26, 58-12, 58-43, 59-1, 59-23, ME-59

Guerreschi, Giuseppe: 60-20

Guerrier Raymond: 56-15, 58-15

Gugel, Vivian F.: 65-11

Guggenheim, Hannelies: 61-17

Guglielmi, Louis: 53-12, 55-13, 57-30, 60-27, 62-1

Guiette, Rene: 61-4

Guigou, Paul: 63-20

Guimard, Hecter: 63-5

Guimard, Hector: 59-40

Gunn, Arthur: 56-2

Gunn, Nancy Reid: 61-35

Gunn, William C.: 55-14

Gur, I.: 58-36

Gurr, Lena: 58-3, 64-30

Gussow Alan: 64-31

Gussow, Roy: 56-12

Gussow, Sue Ferguson: 64-7

Gustafson, Bob: 57-3

Guston, Philip: 55-13, 57-2, 59-23, 63-1, 64-26, ME-59

Gutteter, Lee: 58-32

Guttuso, Renato: 58-23, 58-40, 61-16

Guy, F.: ME-11

Guys, Constantin: 55-24, 59-40

Guzzi, Jr., George D.: 58-3

Gwathmey, Robert: 55-13, 56-2, 56-26, 59-1, 62-31, 63-33, ME-7, ME-32, ME-55, ME-73

Gwilliam, Luke: 56-2, 56-25, 58-3

Haas, Ernst: 59-56

Haass, Terry: 53-16, 56-25

Haberle, John: 59-34

Hack, Robert H.: 53-16

Hackett, Mary: 64-30

Haden, Francis Seymour (Sir): 63-17

Hadzi, Dimitri: 65-11, ME-56

Haerer, Carol: 58-7

Haferung, Paul: 53-15

Hagan, Frederick: NE-96

Hageman, Ruth: 56-2

Hagenauer, Karl: 61-1

Hague, Raoul: 60-2

Hahn, Joseph: 56-2

Hahn, Judith: 64-7

Haida: 59-4

Haines, Richard: 56-19, 57-9

Hajdu, ?tienne: 62-29, 63-31

Halaby, Samia A.: 65-7

Halavi, Yosef: ME-67

Hald, Dagny & Finn: 57-14, 57- 40

Halem, Henry L.: 62-10

Haley, Patience E.: 54-27

Haley, William E.: 53-25

Halicka, Alice: 59-19

Halkin, Theodore: 64-25

Hall, George Henry: 56-18

Hall, George W.: 65-3

Hall, John: ME-29

Halling, Else: 57-40

Hallman, Ted: 58-25, 58-32, 59-12, 60-5, 62-10, 62-15, ME-75

Hallstrom, Staffan: 62-44

Halpert, Samuel: 61-25

Hals, Frans: 57-18, MMA-54-2

Halsall, William F.: 64-29, 64-30

Halsey, Jabez: NY-13

Halsey, William: 53-5

Halsman, Philippe: 58-A&B

Halstead, Martha W.: ME-75

Haly: 53-36

Hamada, Taisuke: 61-4

Hamaguchi, Yozo: 61-4

Hamann-Hartmann, Thyra: 61-1

Hamblett, Theora: ME-75

Hamill, Virginia: 55-22

Hamilton, Edward: NY-21

Hamilton, James: 64-1

Hamilton, Leah Rinne: 58-7

Hamilton, Robert G.: 56-27

Hammarstrom, Olav: 64-11

Hammer, Darrie: 58-3

Hammersley, Frederick: 60-41

Hammond, Natalie Hayes: 58-16

Hampton, Mark G.: 59-12, 62-34

Han, Herman: 64-9

Hands, George: 65-11

Handy, Jr., Arthur E.: 58-32

Hanhart, M & N: ME-29

Hannah, John: 60-3

Hannasch, Monica: 57-6

Hannawell, Richard L.: 58-32, 60-5

Hansen, Dorothy: 55-20

Hansen, James: 57-16

Hansen, Marc: 51-15

Hansen, Sikker: 52-5

Hansson, Berta: 54-18, 56-15

Haraszty, Eszter: 53-17

Harding, Chester: 63-15

Harding, George: 63-3

Harding, John: 51-15

Harding, William Martine: 64-1

Hardman, Ernest: ME-75

Hardy, Gerald: ME-75

Hardy, Thomas: 55-6, 57-15, 58-7, 58-30

Hare, David: 57-1, 57-38, 60-42, 62-40, ME-56

Harel, P.: 58-36

Harkness, John C.: 62-34

Harmon, Eloise: ME-75

Harmon, Lily: 64-29, 64-30

Harmon, Robert: 53-25

Harmon, Pray & Detrich: 62-24

Harnett: 54-25

Harnett, Joan: 58-32

Harnett, William: 55-19, 59-34, 60-13, 62-7, ME-11, ME-31, ME-41

Harpignies, Henri: 63-20

Harriman, George: 57-3

Harriman, Mary: 56-27

Harrington, Phillip: 57-16, 59-56

Harris, Don: 61-35

Harris, Elizabeth: 62-14, 64-35

Harris, Louis: 55-3

Harrison, Wallace: 59-15

Harrison & Abramovitz: 61-31, 62-24, 65-3

Harriton, Abraham: 64-30

Hart, George Overbury (Pop): 64-3, ME-7

Hart, James McDougall: 60-28, NY-4

Hart, William H.: 61-10

Hart, William McDougall: NY-4

Hartgen, Vincent Andrew: 64-31

Hartigan, Grace: 57-10, 58-26, 59-10, 60-9, 60-14, 60-22, 64-2, 64-20, 64-26, ME-33, ME-42, ME-73

Hartl, Leon: 63-1, 65-2

Hartley, Marsden: 54-10, 54-25, 55-15, 55-16, 57-9, 59-6, 59-31, 60-8, 60-13, 60-14, 60-27, 61-25, 62-17, 62-28, 63-14, 64-31, 65-2, ME-7, ME-23, ME-31, ME-40, ME-41

Hartman, Mary Emily: 57-31

Hartman, Robert Leroy: 56-13, 65-11

Hartman, Rosella: 53-1

Hartung, Hans: 54-18, 56-21, 58-15, 60-14, 60-15, 61-4

Hartung, Karl: 56-7, 59-36, 64-14, NE-48

Hartwig, Cleo: 52-4

Harunobu, Suzuki: 58-17, 60-38, NY-12

Harvard, James: 65-11

Harvey, G.: ME-11

Harvey, Robert: 63-7

Harvey, P. Smith & Associates: ME-19

Harwood, Janet: NY-10

Hasegawa, Sabro: 56-15, 58-42

Haseltine, William Stanley: 59-6, 59-40

Hasen, Burt: 59-10

Hasheian, Henry: 65-11

Hassam, Childe: 54-25, 55-19, 57-11, 58-27, 59-6, 60-13, 62-7, 62-17, 62-28, 63-1, 64-3, ME-7, ME-31, ME-55, NY-16

Hassan, Faik: 56-29

Hassan, Shakar: 56-29

Hasuda, Shugoro: 65-12

Hatchett, Duayne H.: 57-31

Hathaway, Rufus: 62-2

Hatofsky, Julian (Jerry): 59-12

Haubold, Ida: 58-3

Hauser, Alonzo: 56-2

Have, Elisabeth: 57-14

Havell, Robert: ME-29, NY-4

Havens, James D.: 56-25

Haviland, Matilda A.: 59-18

Hawker, Maxwell: 52-7, 53-17

Hawking, Clarence: 64-23

Hawkins, Dennis: 60-15

Hawkins, Glenn D.: 57-ee

Haworth, Miriam: 60-3, 62-3

Hawthorne, Charles Webster: 57-11, 61-25, 62-38, 64-29, 64-30

Hawthorne, Marion C.: 64-30

Hayden, Henri: 60-14

Hayes: NY-20

Hayes, David: 62-14, 62-29, 64-35

Hayes, George: 55-19, 62-2

Hays, Dale: 57-14

Hayter, Stanley William: 53-2, 53-5, 56-15, 56-21, 56-26, 57-9, 58-15, 60-15, 60-22, 62-8, 62-18, NY-3

Heade, Martin Johnson: 60-28, 62-17, 64-1, ME-11, ME-55

Headley, Joseph: 59-18

Healy, George: ME-41

Heath, Adrian: 61-4

Heath, Edith: 55-22, 57-6, 64-23

Heath, William: 64-5

Heaton, Glenn: NY-17

Heaton, Maurice: 64-23

Hebald, Milton: 53-20

Hebert, Robert: 64-30

Hebner, E.F.: 62-31

Hecht, Joseph: 63-17

Hecht, Mary: 61-17

Hecht, Zoltan: 56-2

Heckel, Erich: 56-7, 59-36

Hecker, Franz: 62-45

Heckman, Albert W.: 58-15, NE-96

Heckroth, Hein: 59-19

Hedge, Gene: 58-26, 59-12

Heerbrant, Henri: 61-4

Heesen, Willem: 61-1

Hefferton, Phillip C.: 65-11

Hegelheimer, William: 56-27, 64-30

Heidenreich, Carl: 59-10

Heidrick, Madeleine: 61-35

Heil, Joseph H.: 65-11

Heiliger, Bernhard: 64-14, NE-48

Heima, Tatsuhiko: 55-20

Hein, Ray: 57-6

Heino, Vivika & Otto: 57-6

Heintzelman, Arthur William: 53-5, 54-16

Heinz, Charles L.: 64-29, 64-30

Heisig, Mary: 56-2

Heitschmidt & Thompson: 63-16

Helck, Peter: 53-8

Held, Al: 63-7, 63-30, 64-20

Heldt, Werner: 59-36, NE-48

Helfman, Muriel N.: 61-17, 62-10

Helgeson, John: 62-3

Heliker, John Edward: 51-4, 54-10, 57-15, 62-30, 63-24, 64-31, ME-55, ME-73, NY-11, NY-20

Heller, Helen West: ME-7

Heller, Jules: 54-16

Hellmuth, Obata & Kassabaum: 61-31

Helmer, Robert: 55-6

Helwig, Arthur L.: 54-18, NE-96

Helwig, Harold B.: ME-75

Hendrich, Robenia Myrer: 51-8

Hendricks, Geoffrey: 62-3, 64-7

Hendrickx, Joseph: 56-15, NE-96

Henerson Jack: 55-14

Henningsen, Erik: 52-5

Henri, Robert: 60-13, 62-17, 62-30, 63-1, 63-15, 64-3, ME-31, ME-32, ME-41, NY-16, NY-19

Henry, Edward Lamson: 58-14, 59-34, ME-11

Henry, Heath: 64-5

Hensche, Henry: 64-30

Henshaw, Glenn Cooper: 64-3

Hepworth, Barbara Dame: 60-42

Heramb, Thore: 57-40

Herbert, Albert: 64-23

Herbin: 53-13

Herbin, Auguste: 62-29

Herford, Oliver: 59-6

Heri: 54-25

Herlinger, Ria: 62-15, 64-23

Hermes, Gertrude: 56-21

Heron, Patrick: 54-27, 58-15, 61-4

Herstand, Arnold: 65-7

Hertzka & Knowles: 62-24

Hervo, Erkki: 56-21

Hery, Edward L.: 64-3

Herzl, T.: 58-36

Hess, Leta English: 57-10, 59-10

Hesselius, John: 54-25, 60-13, 62-2, 62-17, ME-31, ME-41

Hettel, Robert: 54-16

Hewett, Edward W.: 55-14

Hewlett, Patricia: 62-10

Heyden, Jan van der: MMA-54-3

Hi-dong, Ko: 58-33

Hibel, Edna: 56-27

Hibino: 63-21

Hicken, Philip Burnham: 58-3

Hickman, Ronald D.: 58-32, 62-10

Hicks, Edward: 59-18, 60-13, 62-2, ME-11, ME-31, ME-41

Hicks, Sheila: 62-15

Hicks, Thomas: 54-25, 58-27, 59-34

Hidley, Joseph H.: 62-2

Hieiliger, Berhard: 56-7

Hietlasnd, W. Emerton: 53-8

Higgins, Edward: 62-27, 64-20

Higgins, Frances & Michael: 64-23

Higgins, Wilfred: 57-23

Hiler, Hilaire: 63-5

Hiliker, John Edward: 57-11

Hill, Anthony: 61-21

Hill, Clinton: 56-25, 56-26, 58-26, NY-3

Hill, David: 62-25

Hill, David Octavius: NY-1

Hill, Henry: 64-11, SD-8

Hill J.: ME-29

Hill, John Henry: 64-1

Hill, John W.: 64-3

Hill, Thomas: 61-3

Hill, & Adamson: 56-5

Hillel, A.: 58-36

Hillers, William: 54-12

Hillmer & Callister, Jack & Warren: SD-8

Hillsmith, Fannie: 55-8

Hindes, Kenneth: 54-18

Hine, Lewis Wickes: 64-28

Hines, Norman: 62-10

Hinman, Frank: 57-40, 57-ee

Hintschlich, Gerhard: 59-36

Hios, Theo: 55-3

Hirao: 63-21

Hiro: 62-45

Hiroshige, Ichiryusai: 58-17

Hiroshige, Utagawa: 62-27, 63-5, NY-12

Hirsch, Joseph: 64-30, ME-7, ME-73, NY-18

Hirschfeld, A1: 61-15

Hirschhvogel, Augustin: 63-17

Hispanska-Neumann, Maria: 56-21, 60-15

Hixon, William: 56-13

Hoag, Peter: 55-20

Hoban, Russell: 55-19

Hobbema: 54-11

Hobbs, Mary Gale: 61-25

Hodgell, Robert O.: ME-75

Hodgin, Marston Dean: 64-30

Hoehn, Harry: 53-16, 55-20, 58-3, 60-3, 62-3

Hofer, Carl: 56-7, 57-30, 59-36, NE-48

Hoff, Margo: 53-16, 55-6, 56-26, NY-3

Hoffman, Lilly: 58-25, 62-15

Hoffman, Miriam: 58-7

Hoffmann, Wolf: NE-48

Hoffy, A.: ME-29

Hoflehner, Rudolph: 61-4

Hofmann: ME-49

Hofmann, Charles: 62-2

Hofmann, Earl Francis: 55-2

Hofmann, Hans: 53-12, 53-21, 54-10, 55-9, 56-2, 57-9, 59-1, 59-6, 59-7, 59-23, 59-24, 56-31, 60-27, 61-29, 62-28, 62-38, 64-29, 64-30, 65-4, ME-49, ME-59, ME-73, NY-20

Hofmann, Lotte: 61-1

Hogan, Thomas: ME-29

Hogarth, William: 62-4, 62-18, ME-32, MMA-54-2, NY-9

Hoglund, Erik: 57-14

Hoitsu, Sakai: 63-14

Hokkie, Totya: NY-12

Hokusai, Katsushika: 58-17, NY-12

Holbein, Hans: 56-16, MMA-54-2

Holbrook, Hollis: 65-4

Holland, Henry: 61-22

Hollander, Richard: 65-7

Hollar, Wenzel: 63-17, NY-9

Holler, Gertrude A.: 55-20

Hollerbach, Serge: 62-31

Hollingsworth, Gerald: 62-10

Holmes, Rosinda: 55-5

Holt, Charles C.: 64-28, 65-11

Holt, Peter: 51-15

Holten, Hanne: 57-14

Holty, Carl: 58-5, 61-7, 62-37

Holtzmayr, Hans: 64-9

Homer, Winslow: 54-25, 55-19, 59-6, 59-34, 59-40, 60-13, 62-17, ME-7, ME-11, ME-27, ME-31, ME-32, ME-40, ME-41, NY-5

Hondius, Gerrit: 64-30

Hondius, Hendrik: 60-40

Honegger, Gottfried: 54-18, 56-15, NE-96

Honkanen, Mauno: 57-14

Hoopes, Donelson: 53-1

Hooven, Peter: 62-3, 64-7

Hope, James: 58-27, NY-4

Hopfer, Daniel: 55-10, NY-9

Hopkins, Budd: 64-30

Hopkinson, Charles: 53-12

Hoppe, Emil Otto: 56-5

Hoppenhaupt, II Johann Michael: 59-40

Hopper, Edward: 54-10, 54-25, 55-9, 55-19, 57-11, 59-7, 59-24, 59-31, 60-13, 60-27, 62-27, 62-28, 62-30, 65-2, ME-7, ME-10, ME-23, ME-27, ME-31, ME-40, ME-41, NY-5, NY-20

Hoppner, John: 63-15, MMA-54-2

Horacio Diaz & Associates: 59-27

Horak, Bohuslav: 63-12

Horiuchi, Paul: 56-13

Hornor, Thomas: ME-29

Horton, William S.: 63-1

Horvat, Frank: 60-25

Hoschede-Monet, Blanche: 61-10

Hosmer, Harriet: 59-34

Houel, Jean Pierre Laurent: 59-40, ME-32

Houghton, A.B.: ME-29

House, Clarence: 62-15

Householder, Jeanette: 57-6

Houtopoulou, Sosso: 61-4

Hovannes, John: 52-4, 53-20

Hovde, Jane Hamilton: 56-13

Hovenden, Thomas: 58-27

Howard: NY-20

Howard, Andree: 59-19

Howard, Cecil: 55-12, 56-22

Howard, Charles: 52-11, 53-24

Howard, Charlotte: 62-3

Howard, John Langley: 56-24

Howard, R.C.: 57-10

Howard, William Vaughan: 55-14

Howard, Barnstone & Partners: 62-34

Howarth, F.M.: 57-3

Howe, Harriet R.: 57-6

Howe, Robert J.: 62-10

Howell, James: 53-24, 62-15

Howell, Marie: 62-15, 64-23

Hoyrup, Paul: 52-5

Hronby, Anne E.: 62-10

Huber, Wolfgang: 57-37, 64-9

Huberts, A.M. DeWitt: 53-24

Hubing, Lucinda (Sister): ME-75

Huck, Robert: 60-3

Hudlow, Conroy: 64-7

Hudson, Eric: 64-31

Huet, Jean-Baptiste: 55-24, 62-20

Huffer, John: 53-26

Hugh, Stubbens & Assoc: 63-16

Hughes, Thomas P.: 53-17

Hughes-Stanton, Blair Rowlands: 56-21

Huguenin, Suzanne: 62-15

Huhnen, Fritz: 53-15

Hulbeck, Beate: 58-26

Hull, Jacob: 57-14

Hulse, Dorothea: 55-22

Hultberg, John: 55-2, 55-9, 56-1, 56-12, 57-11, 58-26, 59-10, 60-4, 60-22, 61-7, 64-7, 65-4, ME-73

Hulten, Carl Otto: 62-44

Humbert, Suzanne: 54-16, NE-96

Humphrey, Jack: 59-3

Humphrey, Ralph: 61-23

Hunt, J.: 58-36

Hunt, Richard: 58-12, 66-9, NY-10

Hunt, Robert J.: 55-6

Hunt, William Henry: 62-12

Hunt, William M.: 59-6, ME-11

Hunter, Bernece B.: 60-3

Hunter, Lawrence B.: 62-10

Hunter, Robert Douglas: 64-30

Huntington, Daniel: 59-6

Huntington, James L.: 65-4

Huntley, Victoria Hutson: ME-7

Hurd, Clement: VA-53-1

Hurd, Peter: 51-5, 55-19, 57-10, 63-15

Hurtig, Martin: 58-3

Hurum, Perle: 57-40

Husain, M.F.: 58-15, 59-13

Husted-Anderson, Adda: 57-6

Huth, Willy Robert: NE-48

Hutner, Martin: 62-3

Huysmans, Cornelius: MMA-54-3, NY-11

Hyde, Scott: 63-2

Missing Title

I.M. Pei & Assoc: 59-25, 63-16, 65-3

I.S. Bell Curtis Company: NY-15

Ihle, John L.: 60-3, 62-3

Ikegawa, Shiro: 64-7

Iliff, Cynthia Willard: ME-7

Imai, Masayuki: 65-12

Imperial: NY-14

Inami, Tadashi: 65-12

Indiana, Robert: 62-41, 63-30

Ingegno, Jr., Alfred Peter: 60-3

Ingetoft, F.: 57-14

Ingle, Thomas Hughes: 56-12

Ingrand, Max: 61-1

Ingres, Jean Auguste Dominique: 56-16, 57-18, 67-19

Inman, Henry: 58-14, 62-17, 64-1

Inman, John O'Brien: 55-19, 58-27

Inness, George: 54-25, 59-6, 59-34, 60-13, 60-28, 62-17, 64-3, ME-11, ME-31, ME-41, NY-4, NY-21

Innocenti & Webel Umberto & Richard K.: 62-33

Inokuma, Genichiro: 63-23

Inoue, Ryosai: 65-12

Interlandi, Frank: 62-31

International Silver Company - CT: NY-13

Ipcar, Dahlov: 55-5

Ippolito, Angelo: 58-26, 59-1, 59-23, 60-22, 64-30, NY-10

Ireland, Richard: 53-26

Ireland, William: 57-3

Ironside, Robin: 62-12

Irvine, David: 58-32

Isaacs, Walter: 56-13

Isaches, Thor: 57-14

Isenburger, Eric: 55-19, 57-11, 61-7, ME-73

Ishler, John A.: 62-10

Israel, Margaret: 57-14

Israel, Robert: 65-7

Israels, Ru: 61-35

Item, Georges: 58-15, 60-15

Ito, Miyoko: 53-1, 58-12

Itterbeeck, A. Van: 61-1

Ives, Philip: 64-11

Iyem, Nuri: 56-29

Izenour, George: 62-14, 64-35

Izumi, Shigeru: 62-3

Jablow, Evelyn: 61-30

Jackson, A.B.: ME-75

Jackson, Harry: 56-2

Jackson, John Baptist: 57-37

Jackson, Lee: 55-19

Jackson, Martin: 56-26, ME-7

Jackson, W.J.: 54-12

Jackson, William Henry: NY-1

Jaclet, A.: 54-16

Jacobs, David: 63-29, 64-10

Jacobsen, Anonio: 63-15

Jacobsen, Robert: 56-27

Jacoby, Rufus: 58-16

Jacques, Charles Emile: 63-20

Jadson, Wanda B.: 53-24

Jaenisch, Hans: 64-14, NE-48

Jager, Helene: 61-1

Jaimes, Humberto: 60-17

Jakac, Bozidar: 56-21

Jakulowski, H.: 62-45

Jameikis, Brone: ME-75

James, Alexander: 59-6

James, R.: 57-14

Jamieson, R. Kirkland: 62-12

Jamison, Philip: 64-31

Janch, Michael: 63-14

Janinet, Jean-Francois: 63-17

Janke, May: 58-3, 58-15, 60-3

Jankowski, Joseph: 54-8

Jansem, Jean: 57-27

Jarvis, Donald: 59-3

Jarvis, John Wesley: 64-3

Jasinski, Mary H.: 62-10

Jawlensky, Alexej von: 60-14

Jazet: 55-19

Jean, Marcel: 56-2

Jefferson, Jack: 54-8

Jeffery, Charles Bartley: 58-16

Jeffreys, T.: ME-29

Jegart, Artemis: 61-35

Jenkins, Louisa: 58-16

Jenkins, Paul: 56-9, 58-43, 59-10, ME-73

Jennys, William: 59-24

Jensen, Alfred: 56-2, 60-12, 63-30, 64-20, 65-11

Jensen, Eunice: 58-3

Jensen, Harold W.: 57-14

Jenson, Lee: 55-22

Jessiman, John: 62-10

Jevne & Almini: ME-29

Joe, Dale: 58-42

Joel, Yale: 58-A&B, 59-56

Johannesson, Johannes: 66-2

Johansen, John M.: 58-1, 61-31, 64-11

Johansson, Willy: 57-40

Johns, Jasper: 58-26, 60-9, 62-41, 64-26, 65-11, ME-73

Johnson, Ben: 63-33, NY-18

Johnson, Buffie: 56-21, 58-16

Johnson, David: 60-28, NY-4

Johnson, Eastman: 58-14, 58-27, 59-34, 62-7, 64-1, ME-11, ME-41, NY-15

Johnson, Lester: 53-1, 56-2, 60-22, 60-43, 63-24, 63-33, 64-19, ME-55, ME-65, NY-18

Johnson, Philip: 59-15, 62-34, 63-16, 65-3, 65-6

Johnson, Ray: 58-26, 60-41

Johnson & Pahlmann Philip & William: 61-30

Johnston, David Claypoole: 64-1

Johnston, Joshua: 58-14, 62-2

Johnston, Ynez: 55-20, 58-3

Jones: 63-19

Jones, Doug: 57-16

Jones, E. Powis: 60-3

Jones, Inigo: 61-22

Jones, John Paul: 53-16, 55-20, 56-25, 55-20, 56-26, 58-12, 60-22, 62-3, 63-12, 64-7, NY-3

Jones, Murray: 57-1

Jones, Pirkle: 62-45

Jones, Robert Edmond: 58-11

Jones & Erwin, Inc.: NY-14

Jongh, Ludolf de: MMA-54-3

Jongkind, Johan B.: 63-17, 63-20

Jonsson, Asgrimur: 66-2

Jonyas, V.K.: 58-3

Jordaens, Jacob: 54-11, 62-20

Jorn, Asger: 54-18, 56-15, 58-15, 64-2, ME-55, NE-96, NY-8

Joulia: 61-1

Jouve, Georges: 61-1

Judd, Deforrest Hale: 57-23

Judd, Ronald E.: 62-10

Jukes, F.: ME-29

Jules, Mervin: 54-27, 61-25, 64-29, 64-30

Julie, Monica (Sister): 58-16

Jung, Dora: 62-15

Junyer, Joan: 59-19

Justema, William: 52-7

Jutrem, Arne Jon: 57-14, 57-38

Juvarra, Filippo: 58-9, 59-40, 63-19

Missing Title

Kacere, John: 63-7

Kachadoorian, Zubel: ME-74

Kacmarcik, Frank: 54-16

Kadish, Reuben: 62-8

Kadow, Elisabeth: 61-1

Käsebier, Gertrude: 62-25

Kaeselau, Charles A.: 64-29, 64-30

Kagan & Clarke: 53-24

Kagawa, Alice: 53-24

Kahane, Anne: 59-3

Kahl, June M.: 62-10

Kahn: ME-49

Kahn, Max: 54-18, 55-20, 56-15, 56-19, 56-25, 56-26, 59-10, 60-3, 62-3, ME-7, NE-96, NY-3

Kahn, S.: 58-36

Kahn, Wolf: 56-2, 58-5, 59-10, 63-1, 64-3, 64-30, NY-10

Kaiserer, Jacob: 64-5

Kaish, Luise: 58-35

Kakofsky, Charles: 57-6

Kaldis, Aristodemos: 56-2

Kaleda, Ruth T.: 61-17

Kalischer, Clemens: 64-28

Kalisher, Simpson: 60-12

Kallem, Henry: 64-31

Kallem, Herbert: 58-5

Kam, Leilani: 57-14

Kamihira, Ben: 59-1, 63-3, NY-10

Kamola, Teofil: 55-22

Kamys, Walter: 54-27

Kandinsky, Wassily: 53-13, 56-7, 59-5, 59-36, 60-14, ME-24, ME-55

Kane, Margaret Brassier: 52-4

Kane, Mickey: 62-31

Kane, Paul: 61-3

Kane, Roger C.: 62-10

Kanemitsu, Matsumi: 63-12

Kang, Ann: 58-32

Kang-nyol, Yu: 58-33

Kannan, Elie: 56-29

Kano, Mitsuo: 61-4

Kano, Shunji: 65-12

Kantor, Morris: 55-3, 55-19, 56-2, 59-10, 64-30, 64-31, ME-49, ME-73

Kapel, John: 55-22

Kaplan, Jerome: 54-16, 56-12, 56-25, 63-12

Kaplan, Joseph: 55-2, 56-27, 64-30

Kaplan, Stanley: 53-16

Kapos, June E.: 57-14, 60-5

Kappel, Philip: 53-5

Kaprow, Allan: 58-26, 59-12

Kaptan, Hassan: 56-29

Karales, James: 59-12

Karasz, Ilonka: VA-53-1

Karasz, Mariska: 53-17, 57-6, 58-16, 58-25, 58-35, 61-17

Karfiol, Bernard: 55-16, 57-11, 64-31

Karnes, Karen: 57-6, 60-5, 64-23

Karoly, Frederic: 62-15

Karp, Leon: 56-26, NY-3

Karsh Yousuf: 56-5, 59-56

Karwoski, Richard: 64-25

Kassab, Viola: 56-29

Kasten, Karl: 58-7

Kasugai, Hideo: 65-12

Katavolos, William: 52-7

Kato, Jun: 65-12

Kato, Kiyoyuki: 65-12

Kato, Sho: 65-12

Kato, Takuo: 65-12

Katrakis, Vasso: 56-29

Katz, Alex: 64-26, 64-31, ME-55, NY-18

Katz, Leo: 62-8

Katz, Waisman, Blumenkrantz, Stein & Weber: 59-25

Katzen, Lila: 62-41

Katzenbach & Warren, Inc.: NY-14

Katzman, Herbert: 55-9, 55-11, 64-12, NY-10

Kauffman, Mark: 58-A&B, 59-56

Kaufman, Glen: 58-32, 62-10, ME-75

Kaufmann, Robert D.: 61-25

Kauppi, Tauno: 57-6

Kaus, Max: 59-36, NE-48

Kautzky, Theodore: 53-8

Kavanaugh, Gere: 58-16, 58-32

Kawabata, Minoru: 61-4, ME-59

Kawabata, Yoshiko: 62-15

Kawamoto, Goro: 65-12

Kay, John: 64-5

Kay, Reed: 65-11

Kaz, Nathaniel: 52-4

Kazazis, Maria: 62-10

Kazuki, Yasuo: 61-4, 63-23, 64-2

Kearney, John: 58-16, 58-35

Kearns, James: 58-12, 58-40, 60-4

Kebenjak, Riko: 56-21

Keck, Carole: 62-10

Keck, George Fred & William: 62-34

Keen, Helen: 56-2

Keene, Jr., Paul F.: 55-6

Keiner, J.: 58-36

Keith, William Martine: 64-1

Keller, Harold: 65-6

Keller, Joan T.: 58-16

Kellerthaler, Johann: 64-9

Kelley, Douglas: 52-7

Kelley, John G.: SD-8

Kelley, Robert W.: 58-A&B

Kellogg, Jolly: 53-24

Kelly, Chapman: 57-23

Kelly, Ellsworth: 57-12, 60-41, 64-20, 65-11, ME-33, ME-42, ME-59, ME-60

Kelly, Gene D.: 57-14

Kelly, James: 58-7

Kelly, Leon: 56-2, 59-6, 60-1, 62-1

Kelly, Marie: 62-15

Kelly, Walt: 57-3

Kelly, Gruzen-Kahn & Jacobos: 62-24

Kemmelmeyer, Frederick: 62-2

Kempe, Rolande: 56-15

Kempsmith, Joan: 54-8, 55-5

Kenealy, Nany: 58-32

Kennedy, Candace: 53-17

Kennedy, Dolores: 56-13

Kennedy, Paul: 58-40

Kennedy, William: 64-30

Kennedy & Lucas: ME-29

Kenney-Eagen: 57-6

Kensett, John Frederick: 59-34, 60-28, 64-1, 64-3, 65-10, ME-11, ME-41, NY-4

Kent Adaline: 60-4

Kent, Rockwell: 64-31

Kent, William: 61-22

Keogh, Tom: 59-19

Kepes, Gyorgy: 58-42, 58-43, 61-26, 63-8, ME-73

Kerels, Henri: 56-21

Kerg, Theo: 59-5

Kerkam, Earl: 64-26

Kern, Arthur: 55-14

Kern, Edward Meyer: 64-1

Kerr, Donald A.: 55-20

Kerr, Robert: ME-29

Kerruish, Shirley Wells: 62-31

Kerslake, Kenneth A.: 60-3

Kessel, Dimitri: 58-A&B, 59-56, L-2

Kessler, Karl: 58-35

Kester, Bernard: 55-22

Kester, Lenord: 55-5

Ketchum & Sharp: 61-30

Kettunen, Mar Jean: 53-16

Key-Oberg, Ellen: 52-4

Keys, Richard: 53-26

Keyser, Robert: 58-26, 60-1, ME-55

Keyser, Jr., William A.: 62-10

Keyt, George: 58-42

Khanna, Krishen: 59-13

Khosrovi, Karim: 58-42

Ki-ch'ang, Kim: 58-33

Kienbusch, William: 53-5, 53-14, 55-3, 55-9, 60-27, 61-25, 63-7, 64-31, ME-26, ME-33, ME-42, ME-49, ME-73, NY-5

Kiesler, Frederick J.: 56-2, 64-35

Kiestede, Cornelius: NY-13

Kilbride, Robert: 58-6

Kiley, Dan: 59-30

Kiley, Robert: 58-3

Killinger, Paul E.: 57-6, 60-5

Kilstrom, Kenneth: 56-26

Kimura, Mae: 60-5

Kimura, Reiji: 64-7

Kincannon, Andrew: 53-26

Kinderman, Gustav & Hellie: 61-1

Kindler, A.: 58-36

Kinert, Albert: 56-21, 59-16

King, Albert: 55-22

King, Frank: 57-3, 58-36

King, Robert J.: 57-6

King, William: 54-42, 57-3, 58-39, 60-42

King & King: 63-16

Kingman, Dong: 53-1, 53-8, 55-13, 58-5, ME-26, ME-73

Kingman, Eduardo: 60-17

Kington, Brent: 62-10

Kinigstein, Jonah: 55-2, 55-9, 57-9, 60-1

Kinnard, W.: 62-12

Kinsey, Douglas: 58-6

Kinzie, G. Robert: 64-23

Kipniss, Robert: 63-24

Kipp, Lyman: 58-30, 60-22, 62-40, 65-11, ME-56

Kipp, Maria: 55-22, 57-6

Kirby, Rollin: 57-3, 59-6

Kirby, Sheldon: 55-5

Kirchner, Ernst Ludwig: 56-7, 59-36, 60-14, 61-9, 62-29

Kirkland, Wallace: 58-A&B

Kirschenbaum, Jules: 53-5, 56-12, 62-1

Kirsta, George: 59-19

Kitahama, Ichiro: 65-12

Kitano, Tsukio: 65-12

Kitaoka, Fumio: 65-7

Kitchen & Hunt, AIA: 64-21

Kitchen & Hunt, Corlett & Spackman: 62-34

Kitchen & Hunt, John Funk: 62-34

Kiviharju, Toimi: 56-21

Kiyonaga, Torii: 56-16, 58-17, 60-38

Kiyonobu: 58-17

Kiyooka, Roy: 58-6

Kjarval, Johannes: 66-2

Klauber, Johann Baptiste: 59-40

Klauber, Joseph Sebastian: 59-40

Klaudius, M.: 58-36

Klee, Paul: 56-7, 57-18, 58-43, 59-36, 60-14, 62-18, 62-29, 63-17, 64-10, ME-24, ME-32

Kleege, James: 56-2

Kleemann, Richard: 53-26

Klein, Yves: 61-23

Kleinan, Martin: 57-14

Kleinholz, Frank: 57-2

Kleinschmidt, Peter: 54-16

Klement, Vera: 60-3, 60-22, 62-3

Kliemann, Carl-Heinz: 56-21, NE-48

Klimpt, Werner: 56-2

Kline, Franz: 56-2, 58-26, 58-42, 59-23, 61-9, 61-11, 62-27, 64-2

Kling, Vincent G.: 61-31, 65-9

Klingsmith, Noah: 53-26, NE-96

Klomp, Albert Jansz: MMA-54-3

Klotz, Lenz: 61-4

Kluck, Eleanor: 64-23

Kluck, Henry: 57-6, 64-23

Kluger E.: 58-36

Klumb, Henry: 59-27

Knapp, S. Magnet: ME-73

Knaths, Karl: 53-12, 55-3, 55-9, 55-19, 56-2, 57-10, 57-28, 59-10, 59-31, 60-13, 61-7, 62-38, 64-30, ME-7, ME-23, ME-73, NY-20

Knect, Jr., James A.: 60-5

Knee, Gina: 53-5

Kneller, Godfrey (Sir): MMA-54-2

Kniep, Hristoph Heinrich: 59-40

Knight, Dame Laura: 62-12

Knight, Edward: 55-19

Knight, H.: 62-2

Knight, L. Aston: 64-3

Knipschild, Robert: 54-8, 55-8

Knobler, Lois Jean: 56-27

Knobler, Nathan: 58-3, 65-11

Knox-Leet, Desmond: 59-19

Kobashi, Yasu: 61-4, 63-23

Koblick, Freda: 64-23

Koch, John: 65-2, ME-73

Koebel, Karl Josef: 58-9

Koehring ,Gretchen: 58-32

Koenig, Fritz: 60-42, 61-4, 62-40, ME-56

Koenig, Pierre: 62-34

Koerner, Henry: 54-10, 55-21, 57-2, 62-1, 63-33, 65-2, ME-41

Koga, Tadao: 65-12

Kogelnik, Kiki: 65-4

Kohlmeyer, Ida: 61-35, 63-7

Kohn, Gabriel: 59-12, 60-2

Kohn, Misch: 53-1, 53-16, 55-20, 56-25, 56-26, 58-3, 60-3, 60-15, 60-22, 60-34, 62-3, 62-8, 63-12, 64-7, ME-7, NY-3

Kokis, George: 62-10

Kokoschka, Oskar: 56-7, 58-15, 59-36, 64-10, ME-32

Kolbe, Georg: 60-14, ME-32

Kolbitsch, Rudolph: 56-15

Kolefas, John: 56-29

Kollwitz, Kathe: 56-7, 59-36, 59-38, 61-25, 62-45

Komai, Tetsuro: 61-4

Kong-gol, Yi: 58-33

Kongeter, Willi: 58-28

Koniarsky, Helmut: 53-15

Koninck, Philips: 55-24

Konjovic, Milan: 59-16

Konzal, Joseph: 52-4, 56-2, 62-41

Kopman, Benjamin: 53-1, 56-2, 59-10

Koppe, Richard: 56-1, 56-26, 58-3, 62-31

Koppelman, Chaim: 56-25, 58-3, 59-12, 60-3, 64-7, ME-75

Koren, George M.: 57-12

Korleon, C.F.: 52-11

Korner, John: 58-6

Kornhausel, Joshep: 59-40

Korovin, Konstantin Alexeivitch: 59-19

Korsmo, Arne: 57-40

Korsomo, Grete: 57-40

Koryusai, Isoda: 58-17

Kosa, Emil J.: 53-8

Kosaka: 63-21

Kost: 62-2

Kostyshak, Nadya: 57-6

Kowalski, Peter: NE-48

Kozeki, Rokuhei: 65-12

Kozlow, Richard: ME-75

Kozuru, Hajime: 65-12

Krahmer, Hanns: ME-75

Kralj, Tone: 56-21

Kramer, Sam: 54-14

Kramer & Kramer: 61-30

Krasner, Lee: 58-5, 58-26, 59-23, ME-59

Kraugerud, Ragnar: 57-40

Kraus, Hilda: ME-75

Krause, Glen: 56-27

Kravetz, Ann: 53-24

Krebs, Friedrich: 64-1

Kregar, Stane: 59-16

Kreider, Stanton: 60-41

Kreindler, Doris: 58-3

Kremser-Schmidt: 62-20

Krentzin, Earl: 57-14, 58-16, 58-32

Krevolin & Constantine, Lewis & Elizabeth: 58-32, 62-10, 64-23

Kricke, Norbert: 61-4, 61-23

Krieks ,Hans: 61-30

Krijer, Hank: 61-20

Krimel, John Lewis: 58-27

Kring, Walter & Mary: 57-6

Krohg, Guy: NE-96

Kroll, Boris: 62-15, 64-23

Kroll, Leon: 55-19, 59-6, 62-31, 64-31, ME-73

Kronberg, Louis: 64-30

Kruck, Christian: 58-35, 60-15

Krug, Harry: 56-25

Kruger, Louise: 55-20, 56-2, 60-2

Krulis, Jean: 58-16

Krummeck, Elsie: 53-17

Kruse, John W.: 64-11

Krushenick, Nicholas: 63-30

Kuberick, Stanley: 57-16

Kubicek, Juro: NE-48

Kuchel, C.C.: ME-29

Kucuk, Byram: 56-21

Kuehn, Eleanor: 58-32

Kuemmerlein, Janet: ME-75

Kuhl, Condon F.: 58-32, 62-10

Kuhlman, Barbara: 57-14

Kuhlman, Walter: 58-7

Kuhn, Beate: 61-1

Kuhn, Hans: NE-48

Kuhn, Heinrich: NY-1

Kuhn, Kathryn: 53-24

Kuhn, Walt: 54-10, 55-16, 57-9, 59-31, 60-13, 62-28, 64-31, 65-2, ME-23, ME-41, ME-55

Kuhr, Fritz: NE-48

Kulasiewicz, Frank L.: 57-14

Kulicke, Robert: 64-3, 64-12

Kulkarni, K.S.: 58-42

Kulmer, Ferdinand: 59-16

Kulovesi, Erkki: 54-18

Kumangai: 63-21

Kumar, Ram: 59-13

Kump & Elston & Cranston: 64-21

Kump & Masten, Hurd & Gwathmey: 64-21

Kunikata, Yoshichika: 65-12

Kunisada, Utagawa: NY-12

Kuniyasu,, Utagawa: NY-12

Kuniyoshi Yasuo: 54-10, 54-25, 55-16, 57-9, 58-42, 59-6, 59-31, 60-13, 60-27, 62-1, 62-28, 63-33, 64-31, ME-7, ME-10, ME-23, ME-31, ME-41

Kuno, Shin: 63-23

Kuntz, Roger: 55-6

Kupchinsksa, Richard: 64-7

Kupferman, Lawrence: 56-27, 58-5, 58-43, 64-29, 64-30, ME-7

Kurhajec, Joseph: 64-25

Kuroda, Toru: 65-12

Kurtz & Allison: ME-29

Kurz, Rudolph Friedrich: 64-1

Kush: 58-36

Kuwata: 63-21

Kuwayama, Tadaaki: 64-26

Kwakiutl: 59-4

Kwong, Hia Ka: 57-6

Kypridakis, Bernard: 62-10

Kyriakos, Makris: 56-29

Missing Title

L'Engle, Lucy: 64-30

L'Engle, William: 64-29, 64-30

L'Hote, Andre: 60-14

La Farge, John: 52-1, 56-18, 59-6, 59-34, 62-7, 62-17, 64-3, ME-11, NY-5

La Farge, Nicolas: 62-20

La Hotan, Robert: 64-31

La Liberte, Norman: 58-16, 58-35

La Regina, Guido: 54-16

La Rocco, Anthony: 57-6

Labarre, Gertrude: 55-22

Labrot, Syl: 61-13, 63-2

Lachaise, Gaston: 59-31, 62-30, 63-31

Lackmeyer, Robert O.: 58-32

Ladeck, Armin: 56-26

Ladenspelder, Johann: 57-37

Laderman, Gabriel: 56-25, 58-3

LaFollette, Curtis K.: 62-10

Lagorio, Irene: 58-3

Lagrange, Jacques: 59-5

Lahey, Richard: 59-10

Laisner, George Alois: 58-7

Lalanne, Maxime: 63-17

Laliberte, Norman: 65-6

Lam, Wifredo: 54-18, 56-28

Lamantia, Jr., James R.: 57-ee

Lambdin, George Cochran: 56-18, 58-14, 58-27

Lambert, Ann: 53-26

Lambert, Isabe: 59-19

Lambert-Rucki: 58-35

Lampecco, Antonio: 61-1

Landacre, Paul: ME-7

Landau, Jacob: 60-3, 62-3

Landberg, Nils: 56-3

Landby, Jean: 58-32

Landeck, Armin: 53-1, 53-2, 53-16, 56-21, 56-25, 56-26, ME-7

Landis, Lily: 52-4, 61-15

Landon, Edward: 53-16

Landshoff, H.: 59-56

Landuyt, Octove: 61-1

Lane, Fitz Hugh: 59-34, 60-28, ME-11

Lane, Harry: 56-13

Lane, Madeleine: 65-3

Lanfranco, Giovanni: 62-20

Lang, Hans Kasper: 59-40, 64-9

Lange Dorothea: 56-5, 59-56

Langenheim, Frederick: 64-28

Langhorst, Fred: SD-8

Langlais, Bernard: 53-16, 58-3, 60-2, 63-29

Laning, Edward: ME-73

Lankeck, Armin: 53-5

Lankuyt, Octave: NY-8

Lanser, Fay: 64-3

Lansing, Winifred: 53-20

Lanskoy, Andre: 57-9, 59-31, 60-14

Lanyon, Ellen: 65-11, ME-7, NY-18

Lanyon, Peter: 54-27, 57-27

Lapoujade, Robert: 60-14, 61-4

Larionov Michel: 59-19, 62-29

Larkiin, Eugene: 60-3

Larkin, Donald F.: 57-14

Larkin, Eugene: 58-6, 65-7

Larkin, William H.: 55-20

Larrain-Magnum, Sergio: 64-19, ME-65

Larsen Jack Lenor: 53-17, 57-6, 63-5, 64-23

Larson, Lisa: 57-14, 58 A&B

Lasansky, Mauricio: 53-1, 53-5, 55-20, 56-26, 58-3, 58-6, 58-35, 59-44, 60-3, ME-7

Lasker, Joe: 56-13, 57-2, 62-30, 65-2

Lassaw, Ibram: 55-12, 56-22, 57-38, 62-27

Lasswell, Fred: 57-3

Lataster, Gerard: 61-4, 64-2

Lathrop, Betsy B.: 59-18

Latour, Fantin: ME-55

Lau, William: 64-23

Laufman, Sidney: 64-29, 64-30, ME-73

Laurell, Karl: 53-17, 57-6

Laurencin, Marie: 57-30, 59-19

Laurens, Henri: 60-14, 60-42, 61-24, 63-31, NE-96

Laurent, John: 56-27, 58-12, 64-31

Laurent, Robert: 64-31

Lautensack, Hans Sebald: 55-10, 63-17

Lava Dentelliere Manufacture: 61-1

Laverne, Estelle & Erwine: 53-17, 64-23

Laves Werner: 58-15

Lawenda, Harry: 51-8, 52-7, 55-22

Lawrence, Jacob: 53-5, 55-9, 55-11, 55-13, 57-9, 60-35, 62-31, 66-9, ME-73, NY-5

Lawrence, Thomas (Sir): MMA-54-2

Lawrie, Doug: 62-10

Lawson: ME-29

Lawson, Ernest: ME-55, NY-16, NY-19

Lazzari, Pietro: 55-2, 58-5, 65-11

Lazzaro, Richard: 58-39

Lazzell, Blanche: 64-29, 64-30

Le Cave, Peter: 62-12

Le Clair, Charles: 53-12

Le Clear, Thomas: 58-14, ME-11

Le Corbusier: 53-13, 59-15, 61-31

Le Lorrain: 62-20

Le Mieux, Jo: 60-5

Le Secq, Henry: 62-25, NY-1

Lea, Wesley: 55-11

Lear, Edward: 62-12, 67-19, ME-55

Lear, Peter C.: 57-6

Lebeck, Carol: 58-32

Lebenstein, Jan: 61-4

Leboy, Ann: 58-3

Lebrun, Rico: 51-4, 55-21, 56-2, 58-16, 59-10, 62-31, ME-23

Lechay, James: 58-6, 59-10, 61-26, 62-30

Lechtzin, Stanley: 62-10

Lee, Amy Freeman: 54-27

Lee, Doris: 53-5, 56-2, ME-7

Lee, John Black: 60-12

Leech, Dorothy: 56-13

Leech, Hilton: 53-5, 56-13

Leefe, Miriam: 53-24, 62-15

Leen, Nina: 58-A&B

Leepa, Allen: 56-2

Lefeber, Richard: 64-23

Leff, Rita: 55-20, 58-3

Lefson, Mary Green: 58-3

Lega, Silvestro: 63-10

Léger, Fernand: 53-1, 57-30, 59-19, 59-23, 59-31, 60-14, 61-9, 62-29, 64-10, NE-96

Lehmann, Rolf: 60-15

Lehmann, Signe & Klaus: 61-1

Lehmbruk, Wilhelm: 56-7, 59-36

Leiber, Gerson August: 53-16, 58-12, 60-15, 62-45, 64-7

Leigh, William: 59-6

Leighton, Frederic (Lord): MMA-54-2

Leipzig, Melvin: 58-3

Leitch, William L.: 62-12

Lekakis, Michael: 60-22

Lekberg, Barbara: 59-12

LeKeux, John H.: 62-12

Leland, Malcolm: 58-7, 59-12

Lely, Peter (Sir): 62-36

Lengel, Walter: 57-23

Lennington, Sally: 58-32

Lenskold, Walter: 53-17

Leon, Helen: 53-26

Leonard, Jack: 55-19

Leonard, William A.: 53-26, 56-9

Leonard, Arnold: 65-11

Leonelli, Dante: 54-27

Leoni, Ottavio: 64-6

Leonid: 53-1, 53-12

Leonid (Berman): 57-10

Leper, S. Deiva Njoman: 58-42

Lepere, Auguste: 62-45

Lepine, Stanislas: 59-19, 63-20

Leplae, Agnes: 61-1

Lerner, Arthur: 55-5

Lerner, Bob: 57-16, 59-56

Lesecq, Henry: 51-9

Leslie, Alfred: 58-26, 60-9, 60-22

Leslie, Charles R.: 65-10

Lester, William: 57-23

Lesueur, Eustache: 55-24

Lettau, Edward: 57-16

Levee, John: 54-27, 56-15, 57-12, 58-5, 58-29, 60-14, 60-22, 63-7

Lever, Hayley: 64-3

Levi, Carlo: 58-40

Levi, Julian: 57-28, 58-44, 60-4, ME-73

Levie, John E.: 64-1

Levigne, H.: 54-16

Levine, Arthur: 51-1, 53-5

Levine, David: 57-10, 61-15, 64-3

Levine, Jack: 55-9, 58-40, 59-6, 59-31, 60-13, 62-28, 62-31, ME-23, ME-41, ME-47, ME-75

Levinson, Mon: 64-12

Levitan, Israel: 56-2

Levy, Byron L.: 57-ee

Levyne, Sidney A.: 57-ee

Lewandowski, Edmund: 53-12, 55-13, 58-44

Lewel, Harry: 55-14

Lewen, Si: 54-8, 55-5, 58-5, 58-26

Lewerenz, Margaret: 51-15

Lewis, Arne: 53-26

Lewis, Arthur Allen: ME-7

Lewis, Ethel Kudrna: 60-5

Lewis, Henry: 58-27

Lewis, J.O.: ME-29

Lewis, John Chapman: 58-26, 63-7

Lewis, John M.: 62-10

Lewis, Norman: 53-12, 55-21, 59-6

Lewis Ross: 57-3

Lewis, Thomas D.: 62-10

Lewis, William A.: 57-10

Lewis & Bliss, Robert & Anna Campbell: 59-12

Lewitin, Landes: 62-27

Lewy, Kurt: 61-1

Leydenfrost, Robert: 53-5

Leyendecker, J.C.: 57-17

Li, Hua: 56-27

Liberman, Alexander: 62-45, 65-1, 65-4, ME-59

Liberte, Jean: 53-12, 55-3, ME-73

Libhart, Myles: 60-12

Libon, C.: 58-36

Libpton, Seymour: 57-38

Lichtenstein, Roy: 62-41, 64-26, 65-11, NY-17

Lichty, George: 57-3

Liebermann, Max: 61-25

Liebes, Dorothy: 62-15, 64-23

Liebling, Jerome: 59-12

Lies, Jonas: 62-17

Lietzke, Luke & Rolland: 57-6, 64-23

Limbach, Russell T.: NE-96

Linck-Daepp, Margrit: 61-1

Lincoln, Richard Mather: 57-14, 60-5

Lindaas Arne Jon: 57-14

Lindblad, Grethe: 57-14

Lindell, Lage: 62-44

Lindenmuth, Tod: 64-30

Lindenum, Richard J.: 62-10

Linder, Jean: 64-25

Lindh, Francesca Mascitti: 57-14

Lindh, Richard: 57-14

Lindheim, Mary: 57-6

Lindley, Ward: 53-26

Lindner, Richard: 60-4, ME-59

Lindstrom, Carl: 57-ee

Lindtmayer, Daneil (the Younger): 64-9

Lingelbach, Johannes: MMA-54-3

Linn Smith Associates: 62-24

Linnell, John: 55-24

Linsenmaier, Dwalter: 56-24

Lionni, Leo: 59-56

Lipchitz, Jacques: 57-15, 58-16, 59-6, 59-31, 60-42, 61-2, 61-24, 62-8, 63-31, ME-32, NY-20

Lipman-Wulf, Peter: 56-2

Lippi, Filippino: 56-16, 57-18

Lippold, Richard: 55-12, 56-22

Lipton, Seymour: 58-16, 60-22, 62-16, 65-1

Lissandrino: 62-20

Littell, R.: 52-7

Little, John: 59-23

Littleton, Harvey K.: 57-6, 60-5

Litvack, Harvey: 55-20, 58-3

Liverani, Emmanuele: 58-9

Lizars, William H.: ME-29

Llorens, Eva: 58-39

Lloyd, Timothy: 62-10

Lloyd, Morgan, & McGinty Lloyd, W.B., & Milton: ME-19

Lmppe, Peter: 51-21

Lo Medico, Thomas: 53-20

Lobdell, Frank: 58-39, 61-29

Lobel, Paul: 57-6

Lobmeyr, J. & L.: 61-1

Lochner, Stephen: 56-16

Lockwood, George: 58-39

Loebl, Schlossman & Bennett: 65-3

Loerner, Henry: 53-1

Loew, Michael: 56-2, 58-26, 64-31

Loffredo, Silvio: 54-16

Loftus, John: 65-11

Logan, A.: 62-2

Loggie, Henlen A.: 53-1

Loire, Gabriel: 61-1

Lombard, Lambert: 55-24, 67-19

Longchamps, Gaston: 56-2

Longo, Vincent: 53-16, 53-26, 55-20, 56-25, 60-3, 60-22, 60-24, 64-7, 65-11

Loomis, Dana A.: 65-11

Lopez, Carlos: 53-5

Loran, Erle: 58-7, 61-26

Lorca, F. Garcia: 58-36

Lorch, Melchior: 55-10

Lotiron, Robert: NE-96

Lotteman, Hal: 55-2, 55-5

Lotzgesell, Gloria: 53-17

Loubchansky, Marcelle: 64-10

Loughney, Hermine: 56-2

Love, Joseph P.: ME-75

Love, Kermet: 59-19

Lovell, Rosa Lee: 65-7

Lovera, James: 60-5

Low, David: 57-3

Low, Joseph: 54-17, 61-33

Lowen, Si: 60-1

Lowengrund, Margaret: 53-2, 53-5, 53-16, 54-18, NE-96

Lozano, Matias: 64-23

Lozowick, Louis: 56-26, ME-7

Lsteiner, Velma Lee: 58-3

Lubroth, Mil: 62-3

Lucas, Eugenio: 55-19

Lucchesi, Bruno: 59-12

Lucebert, L.G. Swanswijk: 60-15, 61-4

Lucioni, Luigi: ME-73

Ludins, Eugene: 58-5

Lueders, Jim C.: 55-14

Luginbuhl, Ursel: 61-1

Luisa, Maria: 60-17

Lukin, Sven: 65-4

Lukosius, Richard: 56-27

Luks, George Benjamin: 55-19, 57-11, 58-34, 59-6, 62-17, 62-30, ME-41, NY-19

Luksus, Tzaims: 64-23

Lund, David: NY-10

Lundin, Ingeborg: 56-3

Lundquist, Evert: 62-44

Lundy, Victor A.: 64-11

Lurcat, Jean: 53-2, 61-1

Luster Guy: 60-43

Lutyens, Edwin (Sir): 61-22

Lutz, Ann Winefred: 65-6

Lutz, Dan: 56-19

Lux, Gwen: 52-4, 53-20, 59-25

Lyberis, William: 53-26

Lynes, George Platt: 58-20

Lyon, Jane S.: 65-11

Lyons, Nathan: 60-12, 61-13

Missing Title

M.E. Haefeli, Hubacher & Steiger: 53-21

M.H. Birge & Company: NY-14

Maas, Bernard: 62-10

Maas, Marcolino (Reverend): 53-25

Mabe, Manabu: 60-17

Macchiarini, Peter: 51-15

Maccoy, Guy: 58-3

Macdonald, Jerry: 60-5

MacDonald, Pirie: 56-5

Macdonald-Wright, Stanton: 55-15, 57-10, 58-34, 60-27

Machlin, Sheldon: 63-29

MacIver,Loren: 55-9, 57-2, 57-11, 59-10, 59-24, 62-28, 64-30, 65-11, ME-7, ME-41, ME-73

Mackay, Marion: 53-17

Macke, August: 56-7

MacKenzie, Alex & Warren: 59-12

MacKenzie, Frederick: 62-12

Mackie & Kamrath: ME-19

MacKnight, Dodge: 63-1, 64-30

MacPherson Robert: 62-25, NY-1

Maddox, Jerold: 53-26, 63-24

Madhloom, Tarir: 56-29

Madley, Elizabeth: 55-22

Madson, Jack: 57-12

Maeda, Chikuhosai: 65-12

Mafai, Mario: 58-23

Magafan, Ethel: 53-12, 55-5, 58-3, ME-73

Magalhaes, Aloisio: 58-15

Magnasco, Alessandro: 65-10, 67-19

Magnelli, Alberto: 58-23

Magritte, Rene: 60-4, 61-4, 64-4

Maguire, T.H.: ME-29

Mahl, Claire: 56-2

Maillet, Leo: 53-2

Maillol, Aristide: 61-9, 62-5, ME-32

Maini, Marino: 54-27

Mair, William: 58-12

Maitin, Samuel: 62-3

Majdrakoff, Ivan: 53-24, 61-25

Majors, William: 66-9

Makovkin, Sasha: 58-32

Malagodi, Gaetano: 58-9

Maldarelli, Oronzio: 52-4, 55-12. 56-2, 56-22

Males, Miha: 56-15, 56-21

Malicoat, Philip C.: 64-29, 64-30

Malkin, Robert: 62-33

Mallary, Robert: 62-41, 63-12, 63-29, 64-20, 64-25, ME-55

Maloney, Daniel: 64-3

Maloof, Sam: 55-22

Mame, Maison: 61-1

Manabe, Mitsuo: 65-12

Manbeck, Dorathee G.: 60-5

Manchek, Albert: 56-2

Mandel, Howard: 53-5

Manes, Nancy C.: 57-14, 58-32

Manessier, Alfred: 54-18, 56-15, 58-15, 60-14, 60-15, 64-2, 64-10, NE-96

Manet, Edouard: 57-18, 67-19, MMA-54-2

Manetta, Edward: ME-75

Mangravite, Peppino: 56-2, 60-1, 65-11

Mann Samuel: 58-32, 64-23

Manners Leroy: 53-26

Manship, Paul: 59-25

Missing Title

Manso, Leo: 58-26, 61-15, 64-29, 64-30, ME-73

Manville, Elsie: 64-3

Manzu, Giacomo: 55-7, 57-34, 58-35, 58-40, 60-42, 63-31

Manzu & Morandi: 58-18

Manzur, David: 63-7

Marantz, Irving: 56-13, 64-30

Maratti, Carlo: 55-24, 62-36, 64-6

Marc, Franz: 56-7, 59-36, 62-29

Marca-Relli, Corrado di: 56-12, 64-2, 64-20, 65-4, ME-33, ME-42, ME-73

Marcecak, Edward: 58-39

Marcel Breuer & Assoc: 64-11, 65-9

March Charles E.: 62-10

Marchand, Andre: 59-5

Marchionni, Carolo: 59-40

Marchutz, Leo: NE-96

Marcks, Gerhard: 54-16, 56-7, 58-35, 59-36, 61-4, 61-9

Marcoussis, Louis: 59-5, 60-14

Marcus, Edwin: 57-3

Marcus, Marcia: 62-30, 64-26, 65-2, NY-10, NY-17, NY-18

Marechal: 59-40

Marein, Shirley: ME-75

Marfaing, Andre: 64-2

Marggraf, Zella: 55-22

Margo, Boris: 51-6, 53-2, 53-16, 55-3, 55-9, 56-1, 56-2, 56-25, 56-26, 57-1, 57-32, 57-36, 58-3, 58-43, 59-10, 60-3, 60-24, 61-7, 62-38, 63-7, 64-7, 64-29, 64-30, ME-7, ME-59, ME-73, NY-3

Margoulies, Berta: 52-4

Marguerite: 56-2

Margules, deHirsh: 56-2

Margulies, Joseph: 64-30

Mariani, Vincint: 58-39

Marie-Rose, Henri: 58-7

Marieschi, Michele: 64-6

Maril, Herman: 56-13, 61-7, 64-30

Marin, John: 53-6, 54-25, 55-15, 55-16, 58-34, 58-42, 58-43, 59-31, 60-13, 61-25, 62-16, 62-28, 64-31, ME-7, ME-23, ME-26, ME-27, ME-31, ME-32, ME-41, NY-5, NY-7&7b, NY-20

Marini, Aida: 56-29

Marini, Marino: 53-1, 54-18, 57-34, 58-15, 59-5, 61-4, 63-31, 64-2, NE-96

Marisol: 62-41, 63-30

Mark, J.W.: 62-2

Markell, Jack: 58-6

Markey, Barbara R.: 58-16, 58-32, 58-35

Markman Ronald: 61-15

Marks, Cynthia: 64-7

Marot, Daniel: 59-40

Marsh, Reginald: 53-5, 54-25, 55-16, 57-9, 57-22, 60-13, 60-27, 62-17, 62-28, 62-30, ME-7, ME-31, NY-5

Marshall, Helen: 55-19

Marsicano, Nicholas: 60-22, 60-43, 61-15

Martens, Michel: 61-1, ME-29

Martha Crawford Associates: 61-30

Marthas, Takis: 61-4

Martin, Agnes: 60-41, 64-26

Martin, Andre: 60-25

Martin, David Stone: 56-24

Martin, Fletcher: 55-19, 56-2, 59-6

Martin, Fred: 65-11

Martin, Homer Dodge: 59-6, 60-28, ME-11, NY-4

Martin, Joe: 63-5

Martin, John: 62-12, 65-10

Martin, Keith: 55-2, 55-6, 56-19, 59-10

Martin, Kenneth: 61-21

Martin, Knox: 56-2

Martin, Mary: 61-21

Martin, Philip: 57-27

Martin, Roger: 56-27

Martin, Stefan: 64-7

Martin, Vincente: 60-17

Martin, W.B.: 56-25

Martin, Walt: 61-35

Martinelli, Ezio: 56-12, 57-15, 60-4, 60-22, 62-3, 65-11

Martinez, Raul: 56-28

Martinez-Pedro, Luis: 56-28, 62-6

Martino, Antonio P.: 55-2

Martz, Gordon & Jane: 64-23

Marville, Charles: NY-1

Marx, Robert E.: 53-16, 55-20, 64-7

Mary, Josefa (Sister): 62-10

Maryan: 64-25, NY-18

Masaccio: 57-18

Masanobu, Okumura: 58-17

Mascarin, Mario: 61-1

Mascherini, Marcello: 55-7

Maselli, Titina: 55-19, 57-27

Masereel, Frans: 54-16, 57-21

Mason, Alice Trumbell: 53-5, 53-16, 55-3, 56-2, 56-26, 57-32, 57-36, 60-24, 60-41, 62-8

Mason, Emily: 55-20

Mason, Mike: 58-3

Massari, Lucio: 59-40

Massin, Eugene: 57-35

Masson, Andre: 60-14, 61-9, 62-8, NE-96

Masso,n Emile: 64-1

Masson, John J.: 62-10

Massys, Cornelis: 56-16

Master, C.B.: 55-10

Master, M.Z.: 55-10

Mastroianni, Umberto: 61-4

Masurovsky, Gregory: 60-12, 61-4

Mata, Roberto: 60-17

Matare, Ewald: 56-7, 59-36

Mategot Mathieu: 61-1

Matham, Jacob: 63-9

Mathewson, Milton P.: 57-ee

Mathieu, Georges: 57-27

Mathisson, M.J.: 53-26

Matinez, Ricardo: 63-24

Matisse, Henri: 57-18, 57-30, 59-5, 60-14, 60-24, 61-9, 63-14, 63-17, ME-40

Matranga, Frank: 62-10

Matsui: 63-21

Matsumoto, Hozan: 63-21, NY-21

Matta, Echaurren Roberto Sebastián: 51-4, 55-13, 57-9, 59-31, 60-4, 60-14, 61-4, 62-8, 62-29

Matte, Jean Rene: 53-17

Matter, Herbert: VA-54-1

Mattern, Karl: 53-1

Matteson, Tompkins Harrison: 58-27

Matthew, B. Brady Studio: 64-28

Matthews, John: 58-32

Matthews, Wanda: 58-3

Matthiasdottir Louisa: NY-18

Mattioli, Lodovico: 64-6

Mattson, Henry: 53-12, 57-11

Matzdorf, Kurt J.: 61-17, ME-75

Mauldin, Bill: 57-3

Maurand, C.: 54-12

Maurer, Alfred Henry: 54-10, 54-25, 55-15, 60-13, 60-27, 61-25, ME-31

Maurer, Leonard: 55-2, 55-8, 61-7

Maurer, Louis: 59-6

Maute, Paul: 62-15

Mauve, Anton: MMA-54-4

Mawzey, Merrit: ME-7

Maximowna, Ita: 53-15

Maxwell, Paul: 54-27

Maxwell, Robert: 65-6

May, Dave: 62-31

May, John: 57-6

May, John & Susan: 64-23

May, Ruth: 62-33

Mayer, Deanna: 62-10

Mayhew, Nathaniel: 62-2

Mayhew, Richard: NY-10

Maynard, Florence & Karl: 64-28

Mayr: 63-19

Maziarz, John: 56-27

Mazur, Michael: 60-3, 64-7, 65-11

Mazur, Richard Andrew: 57-14, 58-32

Mazzone, Michael: 56-27

Mazzuola, Francesco: 64-6

McAdams, Alfred H.: 55-2

McAvoy, Thomas D.: 58-A&B

McBey, James: 62-12, 64-3

McCarroll, William J.: 62-10

McCarter, Henry: 63-3

McCarthy, Francis Joseph: SD-8

McCary, Winsor: 57-3

McClellan, Douglas: 55-6

McClellan, John: 54-18

McClintock, Byron: 54-18

McCombe, Leonard: 58-A&B, 59-56, L-7

McConnell, James: 60-3

McCoy, John W.: 53-1, 53-8, 63-3

McCray, Dorothy: 60-3

McCray, James: 58-7

McCullough, Joseph: 55-2, 58-39

McCutcheon, John T.: 57-3

McDade, Gwen D.: 59-27

McDermott, Mary Ellen: 58-16, 58-35

McDonald, Gene: 64-23

McFadden, Elizabeth: 58-26, 59-1

McGarrell, James: 55-20, 56-26, 60-12, 63-12, 64-20, ME-73, NY-3, NY-18

McGary, Donna: 60-5

McGee, Eldon F.: 53-17

McGee, Joyce Barnett: 60-5

McGee, William: 62-41

McGinnis, Christine: 64-7

McGlauchlin, Patricia: 62-10

McIlvaine, William: 64-1

McIntosh, Harrison: 57-6

McIntyre, Jeanne: 62-15

McIntyre, Keith: 57-23

McIntyre, William R.: 58-7

McKain, Bruce: 62-38, 64-29, 64-30

McKay, Arthur F.: 58-6, 59-3

McKeeby, Byron: 64-7

McKibben, Teal: 59-12

McKie, Roy: 55-13

McKim, William W.: 65-7

McKinley, Donald L.: 60-5

McKinley, Ruth Gowdy: 57-6, 57-14, 58-32

McKinnell, Nan: 60-5

McKinnell, Jr., James F.: 60-5

McKnee, John: 56-2

McKnight, Elaine: 60-3

McLaughlin, Coille: 62-10

McLaughlin, Gerald W.: 56-12, 58-5, 62-1

McLaughlin, John: 58-7, 60-41, 63-12

McLean, William: 58-7

McManus, George: 57-3

McMath, George A.: 64-21

McMillan, Constance: 57-31

McMillin, Tom: 64-23

McMurtrie, William Birch: 64-1

McNeil, George: 55-2, 58-5, 62-38, ME-55, ME-73

McRae, John: ME-29

McSherry, Naida: 62-10

McVey, William: 59-25

McVicker, J. Jay: 58-3

McViker, Julia: 52-7

Mead, Roderick: 58-3, 62-8

Meadows, Bernard: 61-4, 63-31

Meany, Philip: 56-25

Mecikalski, Eugene: 53-16, 56-25

Medellin, Jesse: 57-23

Meehan, Thomas: 55-19

Meeker, Dean: 53-16, 55-20, 56-25, 57-12, 58-3, 58-6, 59-10, 62-3, 64-7

Meeker, J.R.: ME-11

Meeks, Martha F.: 62-10

Meert, Joseph: 56-2, 56-13, 58-16

Meguro, Junzaburo: 65-12

Meierhans, Joe: 56-2

Meigs, Mary: 64-30

Meigs, Walter: 53-14, 59-1, ME-73

Meijer, Mans: 61-20

Meirowsky, Katja: NE-48

Meistermann, Georg: 54-18, 56-7, 59-36

Meistermann, Greg: 53-11

Melcarth, Edward: 57-2, 58-40

Melchers, Gari: 63-1

Meli, Salvatore: 61-1

Melli, Robert: 58-23

Mellon, James: ME-75

Meltzoff, Stanley: 56-24

Memling, Hans: 56-16

Memoun, S.: 58-36

Mendez, Louis: 57-14

Menkes, Sigmund: 53-5, 59-31, ME-73

Menkes, Zygmunt: 55-3, 57-11

Menzel, Adolph Friedrich: 62-20

Menzio, Francesco: 58-23

Mercati, Giovanni Battista: 64-6

Mercher, Henri: 61-1

Merian, Matthieu: 64-19, ME-65

Merida, Carlos: 62-6

Merrill, Claude M.: 62-10

Mertz, Franz: 53-15

Meryon, Charles: 62-18

Mesibov, Hugh: 56-2

Messersmith, Fred: 65-11

Messina, Joseph: 58-16

Metal, Martin: 51-9, 51-15

Metcalf, James: 65-1

Metcalf, Willard Leroy: 57-11, 63-1, NY-16

Metsovaara-Nystrom, Marjatta: 62-15

Metzinger, Jean: 57-9, 57-30, 62-29, ME-32

Meunier, Constantin: 62-45

Meydum, Floris: 61-1

Meyer, Bob: 62-15

Meyer, Charles E.: 57-14

Meyer, Howard: ME-19

Meyer, J.: 58-36

Meyerowitz, William: ME-7

Meyers, Ben: 56-2

Michael, Saphier Associates, Inc.: 61-30

Michaux, Henri: 61-4, 61-11

Michel, Geoges: 55-24, 63-20

Michelangelo: 57-18

Michelsson, Brigit: 57-14

Michnick, Davis: 52-4

Middelboe, Rolf: 62-15

Middeleer, Charles: 62-33

Middleman, Raoul: ME-75

Middleton, Sam: NY-10

Midener, Peggy: 53-24, ME-75

Mielatz, Charles F. W.: 64-3

Mielziner, Jo: 63-19, 4-35, 62-14

Mihelic, France: 54-18, 56-21

Miki, Jun: 58-A&B

Milan, Raul: 56-28

Milbrath, Harold A.: 57-6

Mildwoff, Steven: 64-23

Miles, Jeanne: 60-41

Mili, Gjon: 59-56

Millan, Edward: 53-12

Millares, Manolo: 61-4, 61-29

Miller, Alfred Jacob: 59-34, 61-3, 64-1, ME-11

Miller, Alice: 58-39

Miller, Barse: 53-8

Miller, Francis: 58-A&B

Miller, Frederick A.: 57-6

Miller, Herald G.: 52-11

Miller, Herman: ME-4

Miller, John B.: 54-8, 63-5

Miller, John Paul: 54-43

Miller, Kenneth Hayes: 55-16, 62-30

Miller, Lea Van P.: 57-6, 62-15

Miller, Martha: 60-5, 61-17, ME-75

Miller, Richard E.: 64-30, NY-16

Miller, William Rickarby: 56-18, 59-34, 64-3

Miller, Jr., Daniel: 58-39

Millet, Jean F.: 63-20

Millet, Jean Francois: MMA-54-2

Millet, Kate: 65-6

Milliken, Gibbs: NY-17

Millman, Edward: 55-13, 58-44

Mills, Joan Studley: 53-17

Mills, Jody: 53-24

Milono, Germano: 64-11

Milton, Peter W.: 64-7

Minagawa, Taizo: 65-12

Minaux, André: 54-18, 58-15

Minewski, Alex: 55-5

Minguzzi, Luciano: 55-7, 60-15, 62-40, 63-31, ME-56

Minoru Yamasaki & Assoc: 62-24, 65-3

Mirko: 59-35

Mirko (Basaldella): 54-27

Miró, Joan: 56-15, 60-4, 60-14, 60-15, 61-9, 62-8, 62-18, 62-41, ME-55, NE-96

Mishilani, James: 56-29

Mistein, Emanuel: 61-17

Mitcham, Fred: 57-23, 57-ee

Mitchell, Bruce: 53-5

Mitchell, Dow P.: 55-20

Mitchell, Fred: 58-39

Mitchell, James A.: 61-31

Mitchell, Jill: 53-24

Mitchell, Joan: 60-9, 60-22, ME-55, NY-10

Mitchell, Mary: 53-24

Mitchell & Giurgola Associates: 62-24

Mitchell & Ritchey: 65-3

Mitsui, Asoo: 65-12

Mitsuoki, Tosa: 63-14

Mitzman, Barney: 55-20

Miura, Kageo: 65-12

Miyamoto: 63-21

Miyasaki, George: 58-3, 58-7, 60-24, ME-73, NY-3

Mizuno, Sokaku: 65-12

Mock, Rudolf: 53-21

Model, Hanns: 61-1

Model, Lisette: 56-5

Modersohn-Becker, Paula: 56-7

Modigliani, Amedo: 57-18, 57-34, 60-14, NY-7&7b

Moffett, George: 58-20

Moffett, Ross: 64-29, 64-30

Mogelof, Simon: 57-ee

Moholy-Nagy, László: 51-9, 58-43, 62-29, 64-10

Mola, Pier Francesco: 62-36

Moldovan, Kurt: 56-15

Mole, J.H.: 62-12

Moller, Hans: 53-5, 53-25, 55-3, 55-8, 55-9, 56-2, 57-1, 57-10, 58-16, 58-26, 59-1, 61-7, 62-6, 64-31, ME-26, ME-73

Molly, Coman Wallpapers: NY-14

Mommer, Paul: 55-3

Mondo, Domenico: 59-40

Mondrian, Piet: 57-18, 58-43, 64-19, ME-65

Monet, Claude: 57-18, 60-14, 61-10, MMA-54-4, NY-7&7b

Monner, Al: 57-16

Monogrammist, H.W.G.: 55-10

Monroe, Keith: 58-16

Montagna, Benedetto: 57-37

Montalon, Mademoiselle: 59-40

Montenegro, Enrique: 55-6

Monticelli, A.: 63-20

Monticelli, Marco Tullio: 61-1

Monza, Louis: 56-2

Moody, John Robert: 53-17

Moore, Charles H.: NY-4

Moore, Charles W.: 64-11, 64-21

Moore, David: 56-2

Moore, Fay Mowery: 64-30

Moore, Henry: 53-1, 54-27, 58-15, 60-14, 60-42, 61-4, 62-40, 63-31, ME-55, ME-56, NE-96

Moore, Jack D.: 56-26

Moore, Werton Dee: 57-ee

Moore, Winchell M.: 58-32

Morales, Amaral y: 59-27

Moran, Edward: 63-15

Moran, Thomas: 59-34, 59-40, 61-3, 64-1, 65-10, ME-11, ME-32

Morandi, Giorgio: 57-34, 58-23, 61-4

Moras, Ferdinand: 64-1

Morath, Inge: 60-25

Morato: 61-1

Moreau, Louis Gabriel: 63-17

Moreau (the Younger), Marcantonio: NY-9

Morehouse, William: 54-27, 60-1

Moreland, William L.: 54-8, 61-35

Morelli, Enzo: 51-18

Moreni, Mattia: 58-23, 61-11, 61-16

Moreno, Servando Cabrera: 56-28

Moretti, Alberto: 56-15

Morgan, Alan E.: 64-11

Morgan, Andrew W.: 65-7

Morgan, Frances Mallory: 52-4

Morgan, Matt: 57-17

Morgan, Maud: 59-24

Morgan, Norma: 56-21, 59-12, 62-3, 64-7, 66-9

Morgan, Randall: 55-8, 55-9

Morgan, William: 58-27

Morino, Kako: 65-12

Morisot, Berthe: 62-45

Morita: 63-21

Morland, George: 65-10

Morlotti, Ennio: 58-23

Mormanno: 62-20

Morozewski, Stefan: 56-25

Morris, Carl: 53-5, 56-1, 58-7, 58-42, 59-45, 64-7, 65-11, ME-73

Morris George L.K.: 53-5, 53-9, 55-3, 55-9, 55-11, 56-2, 57-28, 58-26, 58-44, 59-10, 59-23

Morris, Hilda: 57-12, 58-7, 60-4, 63-12, 64-7

Morris, Kyle: 57-10, 59-10, 61-29, 63-7, ME-33, ME-42

Morris, William: 63-5

Morris, Ostego Company: NY-15

Morrison, Fritzi: 53-1

Morrison, George: 53-12, 56-1, 64-29, 64-30

Morrison, Mark: 52-4, 53-20

Morrow, S.J.: 54-12

Morse: 54-25, 57-17

Morse, Ralph: 58-A&B

Morse, Samuel F.B.: 60-13, 62-17, ME-11, ME-31

Mortenson, Richard: 61-4

Mortimer, J.: 62-12

Mosca, August: 64-3

Mose, Eric: 56-24

Moseid, Torvald: 57-40

Moser, Karl: 53-21

Moses, Anna M. Robertson: 55-19

Moses, Edward: 62-41

Moskowitz, Robert: 62-41

Motherwell, Robert: 54-10, 58-26, 59-6, 59-23, 64-30, ME-7, ME-33, ME-42, ME-73

Moti, Kaiko: 56-21

Motyka, Edmund: 61-30

Moukheibir, Aida: 56-29

Moule, Marian: 55-22

Moulthrop, Reuban: 62-2

Mount, William Sidney: 54-25, 58-27, 59-6, 59-24, 59-34, 60-13, 60-28, 62-17, 64-1, 65-2, ME-11, ME-31, ME-41

Mount Wilson & Polomar Observatories: 59-56

Mourlot: 59-5

Moy, Seong: 53-2, 53-16, 55-3, 55-20, 56-2, 56-15, 56-25, 56-26, 57-32, 58-42, 59-1, 60-22, 60-24, 62-3, 62-8, 64-7, 64-29, 64-30, ME-73, NY-3

Moyer, Frances: 65-6

Moyer, Roy: 61-15

Mruch, Walter: 58-5

Muccini, Marcello: 58-40

Mueller, George: 55-6, 56-2, ME-33, ME-42, ME-73

Mueller, Otto: 56-7, 59-36

Mueller, Riette: 53-16

Mueller, Robert Emmett: 56-25

Muench, John: 54-18, 60-3

Muir, William H.: 64-31

Mulier, Pieter (the Younger): 62-36

Muller, Jan: 58-12, 60-43

Muller, Jean: NY-18

Muller, Robert: 60-14, 60-42

Muller-Hermann, Irma: 61-1

Mullican, Lee: 60-4, 60-22

Munakata, Shiko: 60-15, 61-4

Munch, Edvard: 62-5, 62-28, ME-55

Mundal, Maria: ME-75

Mundy, Henry: 61-4, 64-2

Munkedal, Grethe: 57-14

Munn, Paul Sanby: 62-12

Munnings, Alfred (Sir): 55-19

Munoz, Hilario: 64-25

Munzner, Aribert: 65-7

Murakami: 63-21

Murch, Walter: 53-25, 55-13, 56-24, 58-5, 60-1, 60-4, 61-7, 62-1, 62-16, 64-4, 64-19, 65-11, ME-59, ME-65, ME-73

Muro, J. Antono Fernandez: 60-17

Murphy, Frank: 58-20

Murpy, John Francis: 57-16, 63-15, 64-3, 65-10

Murray, Judith A.: 62-3

Murray-Jones-Murray: 64-11

Murtic, Edo: 59-16

Music, Antonio: 53-2, 55-7, 56-15, 57-34, 58-23, 60-14, 61-11

Mussett, Charles: 56-9

Muybridge, Eadweard

Mydans, Carl: 58-A&B

Myers, Jerome: 57-2, 62-30, 64-3

Myers Joel: 62-10, 64-23

Myers, Malcolm H.: 58-6, 60-3, 62-3

Myers, Virginia A.: 55-20

Myrer, Angele: 58-3

Missing Title

Nadar, Paul: 56-5

Nadelman, Elie: 61-25, 63-31, ME-55

Nae-hyon, Pak: 58-33

Naef, Hannibal: 53-21

Nagare, Masayuki: 63-23

Nagel: ME-29

Nagle, Ron A.: 62-10

Nagler, Fred: 58-16, 63-33

Nahl, Charles: ME-29

Nahl, Johann August (the Elder): 59-40

Nail, Reilly: 53-1

Naiveu, Matthys: MMA-54-3

Najarian, Hovak: 60-5

Naka, Seitaro: 65-12

Nakajima, Michiko: 65-12

Nakamura, Kazuo: 59-3

Nakamura, Koya: 65-12

Nakano: 63-21

Nakashima, George: 64-23

Nakazato, Shigetoshi: 65-12

Nakazato, Tadao: 65-12

Nakian, Reuben: 63-31

Naldini, Giovanni Battista: 62-20

Nama, George A.: 64-7

Namuth, Hans: 58-20, 62-45

Nancy McClelland, Inc: NY-14

Nanteuil, Robert: NY-9

Napoli, Giuseppe: 56-2

Naramore, Bain, Brady & Johanson: 65-3

Narducci, Pietro: 58-9

Nash, Paul: 62-12

Nashimit, S.: 58-36

Nason, Thomas Willoughby: ME-7

Nast, Thomas: 57-3, 59-6

Natali, Giuseppe: 61-22

Natinguerra, A. Bartoli: 51-18

Natkin, Robert: 62-37, 64-2, ME-60

Natoire, Charles-Joseph: 55-24

Nattier, Jean Marc: 62-36

Natzler, Gertrude & Otto: 51-15, 55-22, 57-6

Naum, Gheorghe: 56-21

Nay, Ernst Wilhelm: 54-18, 56-7, 59-36

Nay, Mary Spencer: 56-25

Neagle, John: 58-14, 63-3, ME-11, ME-32

Neal, Quintin: 57-6

Neal, Reginald H.: 53-5, 58-15, 60-3, 60-22

Nebbia, Thomas: 63-2

Neel, Alice: 64-26

Neer, Eglon Hendrik van der: 54-11, MMA-54-3

Neeterby, Elena: 51-15

Negoro, Minnie: 57-6

Negret, Edgar: 63-29

Neili, Armin (Dr.): 53-21

Nelson, Carl: 64-31

Nelson, George: 53-17, 64-21

Nelson, Helen: 58-16

Nelson, Robert: 54-8

Nemeny, George: 64-21

Nepote, Alexander: 53-5, 58-7

Neroni: 63-19

Nervi, Pier Luigi: 59-29

Nesch, Rolf: 56-7

Neter-Kahler, Greten: 61-1

Netscher, Casper: MMA-54-3

Neuhart, Marilyn: 65-6

Neuhaus, & Taylor: 65-3

Neustadt, Barbara: 58-3, 58-35, 60-24

Neutra, Richard J.: 59-15

Nevelson, Louise: 53-20, 56-2, 59-14, 60-22, 60-24, 62-8, 62-40, 63-29, 64-19, 65-1, ME-56, ME-65

Newal, Reginald H.: 56-25

Newkirk, Paul J.: 56-27

Newman, Arnold: 58-20, 63-8

Newman, Barnett: ME-59

Newman, Robert Loftin: 59-6, 59-34, ME-11

Newswanger, Christian: 53-12

Newton, Algernon: 62-12

Newton, William: 61-22

Ng Win: 62-31

Nichols, Perry: 57-23

Nichols, Jack: 56-21, 59-3

Nichols, Marie: 62-15

Nicholson, Ben: 56-21, 57-9, 59-31, 60-14, 61-4, 61-9, ME-32, ME-40

Nicholson, Francis: 62-12

Nickford, Juan: 56-12, 58-16

Nicoidski, Robert: 61-23

Nicolas, Joep: 53-25

Niederer, Roberto: 61-1

Nielssen, Finn: 57-40

Niemeyer, Oscar: 64-11

Niepoort, Paul: 53-24

Niese, Henry: 55-2, 57-12, NY-10

Niewald, Wilbur: 58-39, 65-7

Nigro, Joanne: 53-26

Nilson, Johann Esias: 59-40

Nilson, Marianne: 57-14

Nims, Rufus: 64-21

Nims & Browne: 58-1

Nisbel, Nils: 57-14

Nisbet, Robert H.: 64-3

Nishikawa: 63-21

Nison, Jean: 58-16

Nivola, Constantino: 55-6, 55-13, 64-20, 56-2, 59-28, 62-16, 65-3

No-su, Pak: 58-33

Noack, A.: 64-28

Noble, John A.: 56-25, 64-30

Noble, Joseph V.: 62-45

Noel, Georges: 64-2

Noel, Leon: ME-29

Noguchi, Isamu: 59-6, 62-40, ME-56

Noland, Kenneth: ME-73

Nolde, Emil: 56-7, 59-36, 60-14, 62-27

Noma, Yoshiko: 62-8

Nome, Sigured: 57-40

Nooms, Reinier (Zeeman): 60-40

Noordhoek, Wim: 51-3, 53-2

Nordfeldt, B.J.O.: 53-12, 57-30, 61-25, 64-29, 64-30

Nordgreeu, Erik: 52-5

Norman, Dorothy: 56-5

Norris: 64-5

Norwood, Richard: 54-42

Nosaka, Koki: 65-12

Noteriani, Philip: 58-16

Novelli, Gastone: 60-20, 62-41

November, David: 62-10

Novick, Jennie: ME-75

Noyes, Eliot: 62-34

Nunes, Gordon: 53-5

Nurkse, Harriet Berger: 56-25

Nydal, Gabriella: 57-14

Nygaard, Axel: 52-5

Nyman, Olle: 62-44

Nzgaard, Lisbeth A.: 53-24

Missing Title

O'Connell, George: 64-7

O'Connell, Michael: 62-15

O'Connor, Thom: 64-7

O'Hara, Bernhard: 56-2

O'Hara, Eliot: 53-1, 53-8

O'Hara, Frederick: 60-15

O'Keeffe, Georgia: 54-25, 55-11, 55-15, 59-6, 59-31, 60-13, 60-27, 63-14, ME-7, ME-23, ME-31, ME-41

O'Neil, John: 55-6

O'Neill, Desmond: 55-2

O'Neill, Michael T.: 65-11

O'Neill, Rose: 57-3

O'Sullivan, Timothy H.: 54-12, 62-25, NY-1

O'Stock: 53-21

Ober, Hermann: 53-11, 60-15

Oberg, Eje: 57-14

Oberholtzer, Beth Ann: 57-14

Obregon, Alejandro: 60-17

Ocampo, Miguel: 56-15

Ochikubo, Tetsuo: 58-15, 60-15

Ochterverld: 54-11

Odate, Toshio: 62-40, ME-56

Oe, Sachihiko: 65-12

Oehrstroem, Edvin: 56-3

Oelow, Per: 57-16

Oenslager: 63-19

Oenslager, David: 64-35

Oenslager, Donald: 57-5, 62-14

Oertel, Johannes Adam Simon: 55-19, 58-28

Oeschger, Ramon E.: 60-3, 64-7

Office of Carleton Granberry: 62-24

Ogawa, Kinji: 65-12

Oglesby, Jr., E.O.: ME-19

Ohashi, Yutaka: 56-27, 58-42

Ohi, Toshior: 65-12

Ohmann, Harold: ME-75

Ohno, Hidetaka: 63-23

Ohnsorg, Kukrt: 61-1

Oishi: 63-21

Okada, Kenzo: 55-6, 58-42, 60-1, 61-7, 63-23, 64-2, 64-20, ME-59, ME-73

Okada, Shojin: 65-12

Okamura, Arthur: 55-5, 58-7, 59-12, NY-10

Okubo, Mine: 58-42

Okura-Kyo: 63-19

Oldenburg, Acke: NE-96

Oldenburg, Claes: 62-41, 64-20, 65-11

Olds, Elizabeth: 56-1

Oliveira, Nathan: 54-18, 56-25, 59-12, 60-14, 60-43, 65-11, ME-73, NE-96

Oliver, Harriette Forbes: 56-2

Oliver, Loren: 65-11

Olivier, Ferdinand Johann Heinrich von: 63-17

Olofsson, Pierre: 54-18

Olsen, Donald: 59-12

Olsen, Earle: 59-1

Olsen, Herb: 53-1, 53-8

Olsen, Paul: 62-31, 65-7

Onishi, Tadao: 65-12

Ono, Hidetaka: 61-4

Onslow-Ford, Gordon: 58-42, 61-15

Onus, Titiana: 58-40

Opazo, Rodolfo: 60-17

Oppenheim, S. Edmund: 64-30

Opper, Frederick Burr: 57-3, 59-6

Opper, Jerry D.: 53-16, NE-96

Orlandi: 63-19

Orlando, Felipe: 60-4, 60-15

Orley, Bernard van: 62-20

Orpen, William (Sir): 62-12

Orr, Elliot: 64-30

Ortkens, Aerdt: 55-24

Ortman, George: 60-22, 62-41, 63-29, 63-30, 64-20, 64-26

Ortner, Alfons: 56-15

Osborn, Mary Louise: 62-10

Osborn, Robert: 53-19, 55-13, 59-6, 60-22

Oscar, Charles: 57-12

Osgood, Jere: 58-32, 64-23

Osgood, Ruth: 54-42

Ossorio, Alfonso: 53-25, 58-5, 59-23

Ostade, Adriaen van: 54-11, 62-20, 63-17

Ostrower, Fayga: 55-20

Ostuni, Peter: 53-25, 60-5

Ostwald, J.H.: 64-21

Osver, Arthur: 54-10, 56-2, ME-73

Otero, Alejandro: 60-17, 62-6

Otter, Thomas: 58-27

Ottiano, John W.: 56-27

Ottinger, Ray: 53-24

Otto, Henrich (Johann): 64-1

Otto, Teo: 53-15

Oudry, Jean Baptiste: 62-36, 67-19, ME-32

Overhoff, Jacques: 65-3

Oviette, Vevean: 55-20, 56-26, 58-3

Owen, A.Y.: 58-A&B

Owen, Frank: 53-3

Owings, Jennifer & Laval, Louise: 65-6

Oxley, Richard E.: 61-35

Oxtoby, David Jowett Greaves: 65-7

Missing Title

Pace, Stephen: 56-1, 56-2, 57-1, 61-29

Pach Walter: 55-15

Pacheco, Maria Luisa: 62-6

Pachner, William: 57-35, 59-46, 61-7, 61-35, ME-73

Packard, Emmy Lou: 55-5

Packer, Fred: 57-3

Padamsee: 59-13

Paez-Vilaro, Carlso: 60-17

Paganini: 58-35

Page, John: 56-25

Page, W.: ME-11

Pager, Southerland & Page: ME-19

Paggi, Justine C.: 53-17

Pahlmann, William: 53-17

Painter, Hal: 58-25

Pajou, Augustin: 62-20

Palagi: 63-19

Palazuelo, Pablo: 61-4

Palazzo, Tony: VA-53-1

Palazzola, Guy: 57-12, 62-31

Palladio, André: 56-10, 61-22

Palma, Jacopo: 64-6

Palma, Jacopo (the Younger): 64-9

Palmer, Fanny: 64-1

Palmer, Frank: 59-3

Palmer, Samuel: 62-12, 63-17, 67-19

Palmer, William: 55-19, ME-73

Palmer, Yvonne: 58-32

Palmqvist, Sven: 56-3

Palovich, George: 62-10

Panfili, Pio: 58-9, 63-19

Pankok, Otto: 56-21

Pannini, Giovanni Paolo: 55-24, 61-22

Paolozzi, Eduardo: 60-14, 61-4, 62-40, 62-41, 64-19, ME-56, ME-65

Papaeleopoulou, Doza: 56-29

Papenbrock, Patricia: 53-24

Papillon, Jean: NY-14

Pappas, George: 56-27, 62-31

Pappas, John Nick: ME-75

Pappas, Marilyn R.: 62-10

Paralis, Nickos G.: 56-29

Pardo, Mercedes: 60-17

Pardon, Earl B.: 57-6

Pareja, Miguel Angel: 60-17

Parigi, Giulio: 59-40

Parin, d'Aulaire Ingri & Edgar: VA-53-1

Paris, Harold: 53-16, 56-12

Park, David: 58-7, 60-43, ME-55, NY-18

Park, Linton: 62-2

Parker, James A.: 57-6

Parker, Keith: 62-10

Parker, Raymond: 60-9

Parker, Robert Andrew: 56-12, 61-15, 64-3, ME-75, NY-10

Parks, Gordon: 58-A&B, 59-56, 63-8, 64-28

Parks, Jarvin L.: 61-35

Parmeggiani: 51-18

Parmenter, S.: 64-5

Parmigianino, Francesco Mazzola: 62-20, 67-19, NY-9

Parreda, Ernesto: 60-17

Parrish, Maxfield: 59-6

Parrott, Alice: 57-14, 58-32, 60-5, 62-15

Parshall & Chasek, Jane & Denis: 57-6

Parsons, Betty: 56-2, 58-5, ME-59

Parsons, David G.: 58-16

Partch, Virgil: 57-3

Pascin, Jules: 54-10, 58-34, 60-14, 62-30

Pasilis, Fleix: 57-9

Pasmore, Victor: 61-4, 61-21

Passel, Howard: 56-2

Passignano, Domenico: 59-40

Passorotti, Bartolomeo: 67-19

Pasternacki, Vetold H.: 57-ee

Pataky, Tibor: 64-30

Patania, Jr., Frank J.: 62-10

Paterson, Anthony R.: 64-25

Pato, Barbara: 58-39

Patocchi, Aldo: 56-21

Patterson, Charles: NY-17

Patterson, Thomas W.: 51-15

Pattinson, Irene: 53-26

Paul, William D.: 56-13, 61-35, 65-7

Paul Rudolph, Anderson, Beckwith & Haible: 63-16

Pauli, Fritz: 56-21

Paullin, Ethel: 53-5

Paulucci, Enrico: 58-23

Pausette-Dart, Richard: 58-16

Pavel, Philip: 58-16

Pavia, Lorenzo: 58-9

Paxton, Elizabeth: 64-30

Paxton, William M.: 64-29, 64-30

Payne, David: 53-22

Paz, C.: 58-36

Peabody, Lawrence: 61-30, 64-23

Peake, Channing: 55-19

Peale, Charles Willson: 63-3, ME-11, ME-41

Peale, James: 63-3

Peale, Margretta Angelica: 63-3

Peale, Raphaelle: 59-24, 59-34, 63-3, ME-11, ME-32, ME-41

Peale, Rembrandt: 63-3, 64-1

Peale, Jr., James: 64-1

Pearl, Julia: 53-24

Pearlstein, Philip: NY-18

Pearson, Henry: 60-41, 61-15, 62-41, 65-4, 65-11

Pearson, Joan: 51-15

Pearson, John: 64-25

Pearson, Ronald: 57-6, 64-23

Pease, David: 65-11

Pecham, Georg: 64-9

Pechstein, Max Hermann: 56-7, 59-36, NE-48, 61-25

Pedersen, Carl-Henning: 61-4, 64-2

Peel, Donald William: 56-13

Peele, John Thomas: 58-14

Peers, Gordon: 56-27

Peeters: 54-11

Peeters, Eugene: 56-18

Peeters, Henk: 61-20

Pehrson, Karl Axel: 58-15, 62-44

Pei I.M.: 61-31, 62-24

Peiffer-Wattenphul, Max: 56-5

Peirce, Waldo: 64-31

Peircey, Don: 53-17

Peitila, Reima: 64-11

Pelaez, Amelia: 56-28, 62-6

Pellan, Alfred: 59-3

Pelletreau, Elias: NY-13

Pellew, John C.: 53-8

Penalba, Alicia: 62-40, ME-56

Pencz, Georg: 57-37

Penn, Irving: 59-56

Pennell, Joseph: 57-17, ME-7

Penney, James: 53-1, 64-31

Penny, Aubrey J.: 57-10

Penraat, Jettie: 58-25

Pepper, Eleanor: 61-30

Percel, E.: 62-2

Percier: 63-19

Perego: 63-19

Pereira, I. Rice (Irene Rice): 53-1, 53-5, 53-25, 55-8, 55-9, 59-1, 59-10, 60-27, 62-28, 62-29, ME-7, ME-73

Perez Augusto: 60-20

Perez & Chanis: 59-27

Peri, Eve: 52-7, 58-25

Peric, Sime: 59-16

Perilli, Achille: 58-23, 60-20

Perkins, Nancy: 53-17

Perlin, Bernard: 52-11, 55-13, 59-6, 61-15, 62-1, 64-4, ME-33, ME-42, ME-73

Perlmutter, Jack: 54-18, 56-25, 58-3, 58-15, 63-7, 65-4, NE-96

Perot, R.: 61-1

Perugino, Piertro: 62-20

Peruzzi: 63-19

Pessirilo, Harold: ME-75

Pessirilo, Kristina Freberg: ME-75

Peterdi, Gabor: 53-2, 53-5, 53-16, 55-20, 56-25, 56-26, 56-27, 57-9, 57-32, 57-36, 58-3, 60-3, 60-15, 60-22, 61-15, 62-3, 62-8, 62-16, 64-7, 65-11, NY-3

Petersen, G. Biilmann: 52-5

Petersen, Ursula Munch: 57-14

Petersen, Will: 56-25

Petersham, Maud & Miska: VA-53-1

Peterson, Kim: 58-6

Peterson, Mary Louise: 53-26

Peterson, Will: 53-26, 57-31

Peto, John Frederick: 59-24, 59-34, 63-3, 62-7, 63-15, ME-40

Petrov, Ilia: 56-21

Petrovic, Zoran: 59-16

Pettit, Florence Harvey: 57-6

Petty, M.: ME-28

Peverilli, Cesare: 60-20

Pevsner, Antoine: 64-10

Pfeiffer, Fritz: 64-30

Pfeiffer, Heinrich: 64-30

Pfeiffer, Hope Voorhees: 64-30

Philbrick, Otis: 60-3

Philip Johnson Associates: 62-24, 64-11

Phillipp, Walter: 56-2

Phillips, Helen: 56-21, 62-8

Phillips, James: 57-12, 58-40, NY-10

Phillips, Marjorie: 57-10

Piazzetta, Giovanni Battista: 67-19

Picabia: 59-5

Picabia, Francis: 59-23

Picart, Bernard: 55-24

Picasso, Pablo: 54-16, 57-18, 58-15, 58-34, 59-5, 59-19, 59-23, 60-14, 61-6, 61-9, 61-24, 62-5, 63-5, 63-14, 63-33, ME-32, ME-40, ME-55, ME-72, NE-96, NY-7&7b

Picelj, Ivan: 59-16

Picken, George: 53-12

Pickens, Alton: ME-73

Pickett: 54-25

Pickett, Joseph: 60-13, ME-31

Pickhardt, Carl: 54-16

Pickin, George: ME-73

Pierce, Danny: 53-16, 56-13, 56-25, 56-26, 58-3, 58-35, NY-3

Pierce, Donald: 64-30

Pierce, Earl: 56-27

Pierce, John R.: 53-17

Pierce, Leona: 53-1, 56-21

Pierce, Waldo: 55-3, 63-33

Piercy, Frederick: 64-1

Pierre, Jean-Baptiste Marie: 62-20

Pignon, Edouard: 54-18, 60-14

Pillement, Jean-Baptiste: 59-40, 62-20

Pimentel Sonja: 65-6

Pinaker, Y.: 58-36

Pinart, Robert: 58-16

Pinchon, Robert: 61-1

Pine, Alvin A.: 60-12

Pine, Theodore: 58-14

Pineda, Marianna: 58-16, 59-6

Ping-Ming, Hsiung: 58-15

Pinkerson, Ian: 64-29, 64-30

Pinlon, Veno: 56-21

Pinney, Eunice: 59-18, 64-1

Pinski, J.: 58-36

Pinter, Margit: 62-15

Pinturicchio, Bernadino: 56-16

Piper, John: 54-18, 55-13, 62-12

Pirandello, Fausto: 51-18, 58-23

Piransesi, Giovanni Battista: 62-18, NY-21

Pirkko, Juti: 57-14

Pissarro, Camille: 60-24, 63-17, ME-40, NY-9

Pittman, Hobson: 53-12, 63-3

Pitz, Henry C.: 53-1

Planson, Andre: 53-2

Plaskett, Joseph: 59-3

Plate, Walter: 61-7, NY-10

Platschek, Hans: 64-2

Platt, Charles A.: 59-25

Platt G.W. & N.C.: NY-13

Platzer & Bittner: 63-19

Pleissner, Ogden Minton: 62-17, ME-73

Pletcher, Eldon: 57-3

Pleydenwurff, Wilhelm: 55-10

Pliakoff, Serge: 62-28

Plochman, Carolyn: 55-5

Plum, Nancy: 62-10

Pogacnik, Marjan: 56-21

Poliakoff, Serge: 58-15

Politi, Leo: VA-53-1

Pollack, Reginald: 59-1, 63-33, ME-55

Pollard, James: 55-19

Pollard, Robert: 64-5

Pollock, Jackson: 55-9, 57-30, 59-23, 59-24, 60-13, 62-8, 64-2, ME-7, ME-23, ME-41, ME-55, ME-59

Pollock, Martha: 57-6, 64-23

Polonsky, Arthur: 56-9, 56-13, 65-11

Pomodoro, Arnaldo: 60-20, 61-4, 62-40, ME-56

Pomodoro, Giorgio: 59-35, 60-20, 61-4

Ponce de Leon, Michael: 55-16, 55-20, 56-25, 58-3, 60-3, 60-24, 62-3, 64-7

Poncelet, M.: 59-5

Ponelle, Jean-Pierre: 53-15

Ponti, Carlo: NY-1

Poor, Anne: 55-13, 58-12, 65-2

Poor, Henry Varnum: 62-30, 62-31, 64-3, 64-31, ME-73

Pope, John: 63-15

Portanier, Gilbert: 61-1

Porter, Allan: 58-25

Porter, Almut G.: 62-10

Porter, Edward: 60-3

Porter, Eliot: 63-2

Porter, Fairfield: 60-43, 64-26, 64-31, 65-2, 65-11, ME-73, NY-18

Porter, Priscilla M.: ME-75

Porter, W. Lyman (Mrs): 57-14

Portocarrero, Rene: 56-28

Pot, Hendrick Gerritz: MMA-54-2

Poter, Mark: NY-17

Potter: 54-11

Potter, Irving: 60-5, 61-17

Potter, Paulus: 60-40

Pottery, Ossipee: 57-6

Potthast, Edward Henry: 63-1, NY-16

Potworowski, Peter: 61-11

Poulakidas, Angelos: 57-ee

Poulos, Dorothy: 57-23

Pousette-Dart, Nathanial: 55-3

Pousette-Dart, Richard: 64-19, 65-4, ME-59, ME-65, ME-73

Poussin, Gaspard: 62-20

Poussin, Nicholas: 57-18, 62-20

Powell, Eugene M.: 53-1

Powell, H.M.T.: 62-2

Powers, Gorman: 55-21

Pozzatti, Rudy: 54-42, 55-9, 55-20, 55-21, 56-1, 56-25, 58-3, 58-16, 60-22

Pozzo: 63-19

Procaccini, Camillo: 64-6

Praczukowski, Anne Malone: 62-10

Prampolini, Enrico: 58-23

Prang & Mayers: ME-29

Prange, J.M.: 51-3

Prasser, Richard C.: 58-35

Prassinos, Mario: 60-15

Pratt, Caroline: 65-6

Praun, Anna: 61-1

Pregelj, Marij: 56-21, 59-16

Prendergast: 54-25

Prendergast, Charles: 60-27

Prendergast, Maurice Brazil: 54-10, 54-25, 55-19, 57-2, 58-34, 60-13, 60-24, 62-17, 62-28, 63-1, 64-31, ME-27, ME-31, ME-32, ME-41, NY-5, NY-19

Prentice, L.W.: 56-18

Prentiss, Bard: 62-10

Prentiss, Thomas: 64-4

Prestopino, Gregorio: 54-10, 58-44, 61-15, ME-73

Preusser, Robert: 57-23

Preyer, Robert: 58-15

Pribble, Easton: 55-8, 56-12

Prica, Zlatko: 56-21

Price, George: 55-13, ME-28

Price, Robert: 55-8

Pride, Harold: 58-16

Priest, Hartwell: 58-3

Prieto, Antonio: 57-6

Primaticcio, Francesco: 63-9

Primavesi, Catejan: 58-35

Pringle, James: 58-27

Prinner: 62-8

Prior, William Matthew: 59-18, 62-2, 63-15, NY-21

Prip, John: 57-6, 59-12, 64-23

Pritchard, B. Pickard: 60-41

Probst, Joachim: 58-35, ME-75

Proom, Al: NY-17

Protic, Miodrag: 59-16

Prout, J.S.: 62-12

Provensen, Alice & Martin: VA-53-1

Provenzano, Samuel: 58-7

Pruden, Dunstan: 58-35

Pruna, Pedro: 59-19

Pryde, James: 62-12

Puccinelli, Antonio: 63-10

Puckett & French: ME-19

Pudlich, Robert: NE-96

Puget, Pierre: 59-40

Pugin, Augustus: 61-22, 62-12

Puig, Anotio Tapies: 60-14

Pulos, Arthur J.: 57-6

Purser, Stuart: 61-35

Putnam, Wallace: 55-3, 56-2

Puyo C.: 56-5

Py, Fernand: 58-35

Pyle, Howard: 59-6

Pynacker, Adam: 62-20

Pytlak, Leonard: ME-7

Missing Title

Qitman, Sidney L.: 58-16

Quackinbush: NY-15

Quademechels, Elizabeth: 58-35

Quaglio: 63-19

Quam, Barbara: 53-17

Quastler, Gertrude: 53-1, 53-16

Quesnel, Francois: 55-24

Quick, Birney: 62-31, 65-7

Quidor, J.: ME-11

Quinn, Bill: 53-26

Quirt, Walter: 56-2, 58-6, 59-1, 59-47

Quitman & Applebaum Bell & Evelyn: 61-17

Raaschou, Dorte: 57-14

Rabineau, Eli: 62-24

Rabinowditz, Harold: 62-10

Rabkin, Leo: 62-27, ME-74

Rabus, Carl: 56-2

Rackham, Arthur: 62-12

Racz, Andre: 53-25, 55-20, 58-16, 58-35, 60-22, 62-8

Radell, Renee: ME-75

Radkar, Attila Bay: 56-29

Radoczy, Albert: 59-12, 61-15, 62-3

Radulovich, Savo: 56-2, ME-41

Raeburn, Henry (Sir): 65-10

Rafaelli, Jean F.: MMA-54-4

Raffaele, Joseph: 53-26

Raffo, Steve: 57-2

Raimondi, Marcantonio: 62-18

Rain, Charles: 64-4

Raleigh, C.S.: 62-2

Rambusch, Robert: 58-16

Ramirez, Eduardo: 60-17, 62-6, 63-29

Ramirez, Rene O.: 59-27

Ramos, Mel: 58-3

Ramsey, Robert: 58-32

Rancillac, Bernard: 62-8

Rand, Lynn: 62-10

Rand, Paul: 60-37

Randall, Theodore: 57-6

Rann, Vollian Burr: 64-30

Ranney, William Tylee: 58-27, 61-3

Ransom, Katharine: 53-24, 56-13

Ranson, Pierre: 59-40

Rappoport, Jean: ME-75

Rasmussen, Aage: 52-5

Rasmussen, Inge-Lise: 57-14

Rasmusson, Daniel: 55-21

Raspi, Peiro: 60-20

Ratkai, George: 53-12, 55-2, 56-1, 58-16, 59-1, 64-29, 64-30

Ratliff, Donald: 58-39

Ratner, David: 58-6

Rattner, Abraham: 53-5, 53-25, 54-10, 55-9, 55-19, 55-21, 56-2, 57-1, 57-10, 58-16, 59-7, 59-48, 60-22, 60-27, 61-15, 62-16, 62-28, 62-31, ME-26, ME-73

Rauschenberg, Robert: 58-26, 59-10, 59-14, 60-9, 62-41, 64-19, 64-26, 65-11, ME-65, ME-73, NY-10

Rawda, Selwa: 56-29

Ray, Man: 55-15, 56-5, 59-14, 62-29

Ray, Patricia: 54-27

Ray, Robert D.: 56-12, 56-25, 56-26

Ray, Rudolf: 63-7

Ray, Ruth: 60-4

Raymond, Herman: 54-8, 55-6, 56-2

Raymond,Suzanne: 59-19

Raynor, Louis B.: 57-6

Rayo, Omar: 62-3, 64-7

Raza: 59-13

Razi, H.: 58-36

Re: 63-19

Read, Cecil: 57-6, 57-6

Ream, Morston Constantine: 56-18

Reckendorf, Angelika: 53-24

Reddy, Krishna: 56-21, 62-8

Reder, Bernard: 54-16, 62-21, 62-31, 63-31

Rederer, Franz: 56-2

Redfield, Edward Willis: 57-11

Redi, Tommaso: 55-24

Redon, Odilon: 59-5, 62-5, 62-27, 63-14

Reed, Doel B.: 53-5

Reed, Jules F.: 57-14

Reed, Reuben Low: 59-18

Reed, Veda: 57-14, 60-5, 61-35

Reed, Jr., Orrel P.: NE-96

Reed, Jr., Robert J.: 65-7

Reeder, Dickson: 62-8

Reese, Emmy: 64-7

Reeves, Joel: 57-31

Refn, Helge: 52-5

Refregier, Anton: 51-5, 55-2, 55-13, 56-2, 57-2, ME-73

Regensteiner, Elsa: 52-7

Regensteiner & McVicker: 57-6

Reggiani, Mauro: 58-23, 61-16

Reggio, M. Louise: 58-35

Regis, Henry: 64-25

Regnier: ME-29

Rehead, Louis J.: 57-17

Reichek, Jesse: ME-59

Reid, Barney M.: 57-6

Reid, Robert: 63-1, 66-9, NY-16

Reifenberg, A.: 58-36

Reily, Bill: 57-23

Reinblatt, Moe: 59-3

Reinhardt, Ad (Adolph Frederick): 56-2, 57-9, 57-10, 59-23, 60-41, ME-33, ME-42, ME-59, ME-73

Reinhardt, Siegfried: 53-25, 58-16, 63-33, 64-4

Reinheimer, Ollie: 62-15

Reinicke, Bruno C.: 62-45

Reinold, Nono: 62-8

Reis, Victor: 58-16, 58-35

Reisman, Philip: ME-73

Reiss, Roland: 55-20, 56-25, 57-12

Reiss, Wallace: 57-12

Reiter, Lawrence: 53-26

Rejlander, Oscar G.: 56-5, 62-25, NY-1

Rekem, M.: 58-36

Rembrandt, Harmenszoon van Rijn: 54-11, 55-24, 56-16, 57-18, 57-37, 58-19, 60-40, 61-14, 62-27, 63-15, 63-17, 64-19, ME-55, ME-65, NY-7&7b, NY-9, NY-21

Remington, Deborah: 65-11

Remington, Frederick: 61-3, ME-41

Remmey, Paul B.: 53-1

Rendon, Manuel: 60-17, 62-6

Reni, Guido: 59-40, 64-6

Renk, Merry: 57-6

Renninger, Katharine Steele: 65-11

Renoir, Pierre Auguste: 57-18, 59-5, 60-14, 61-2, 63-14, MMA-54-2, ME-40, NY-11

Reopel, Joyce: NY-17

Reshovsky, Ernest: 57-16

Resika, Paul: 55-5, 58-40

Resnick Milton: 60-1, 63-1

Restek, Josip: 56-21

Rettinger, Roy: 53-17

Reutersward, Carl Fredrik: 62-44

Reveillon: NY-14

Revere, Paul: ME-29

Reynolds, Alan: 57-27

Reynolds, Joshua: 56-16, MMA-54-2

Rezvani, Serge: 54-18

Rheindorf, Hans: 61-1

Rhen, Frank K.M.: 64-3

Rhodenbaugh, Harold W.: 57-16

Rhodes, Daniel: 57-6

Rhodes, Walter: 54-14, 60-5

Rhodes, Willis L.: 64-28

Ribera, Jose: 63-15

Ribera, Jusepe de: 64-6

Ribould, Marc: 60-25

Ricardo, Halsey Ralph: 61-22

Ricau, James Henri: 51-13

Ricci, Luigi: 58-9

Ricci, Marco: 67-19

Riccio, Andrea: 63-9

Rice, Ray: 65-3

Richard, Chava W.: 61-17

Richards, Cari: 54-18, 56-21, 60-15, 61-4, 62-12

Richards, Jeanne Herron: 55-20

Richards, William C.: NY-17

Richards, William T.: 59-6, 64-3

Richardson, Dean: NY-10

Richardson, Jerry P.: 62-10

Richardson, Kenneth E.: 64-21

Richenburg, Robert: 60-12, 63-7, 64-20

Richier, Germaine: 60-14, 60-42

Richmond, Colin B.: 60-5, 62-10, 64-23

Richter, M.: ME-28

Rickey, George: 58-43

Riedler, Ingeborg: 61-1

Rieger, Shay: ME-75

Ries, Victor: 51-15

Rigaud, Jean-Baptiste: 63-17

Rigg, Margaret: ME-75

Righini: 63-19

Riis, Jacob: 64-28

Riley, Bernhard: ME-75

Riley, H.W.E.: 53-17

Rilke, R.: 58-36

Rimmer, William: 59-6, 59-24

Rinaker, Clarissa: 57-6, 62-15

Rindisbacher, Peter: 61-3

Riopelle, Jean-Paul: 57-9, 59-3, 60-14, 61-4, 62-28

Ripley, A. Lassell: 53-5

Risley, Mary Kring: 57-6

Rissman, Arthur: 57-ee

Ritchie, A.H.: ME-29

Rivera, Diego: 65-2

Rivera, Manuel: 61-4, 62-29

Rivers: NY-20

Rivers, Larry: 55-2, 56-2, 56-12, 57-10, 60-9, 60-14, 60-22, 60-43, 61-2, 61-9, 65-11, NY-18

Ro, E.: 57-17

Roach Ruth S.: 57-6, 60-5

Roath, H.A.: 62-2

Robb, Eillen: 62-10

Roberds, Gene Allen: 65-7

Robert, Hubert: 59-40, 62-20, 67-19

Robert, Paul A.: 55-20

Roberts, David: 62-12, 67-19

Roberts, Donald: 60-3

Roberts, George: 57-14, 58-32

Roberts, Priscilla: 64-4

Roberts, Tom: 53-26

Robetta, Cristofano: 57-37

Robey, Dorothy: 53-24

Robins, Thomas the Younger: 67-19

Robinson, Boardman: 59-6

Robinson, Frances W.: 60-5

Robinson, H.R.: ME-29

Robinson, Robbie: 57-3

Robinson, Theodore: 61-10, 62-7, 62-17, 63-1, 64-3, NY-16

Robus, Hugo: 52-4, 56-2, 59-52, 63-31

Rocha, Lita: 58-35

Rock, John: 56-25

Rocklin, Raymond: 57-12, NY-10

Rockmore, Noel: 55-5, 56-13

Rodd, Joseph: 62-10, 64-23

Rodel, Karl: 54-18

Rodin, Auguste: 61-2, 63-31, ME-55

Roesch, Kurt: 54-10, 60-1

Roese, Shirley: 58-32

Roesen, Severin: 56-18

Roessler, Herman: 59-6

Rogalski, Walter: 53-2, 53-5, 56-25, 56-26, 58-3, NY-3

Rogers, E. George: 57-ee

Rogers, Robert S.: 56-13

Rohlfs, Christian: 56-7, 59-36

Rohn, Ronald (Dr.): 53-21

Roithner, Hans: 61-1

Rolfsen, Alfred: NE-96

Romano, Clare: 53-16, 56-25, 58-3, 60-3, 62-3

Romano, Giulio: ME-32

Romano, Umberto: 64-29, 64-30, ME-73, ME-75

Romeda, Bruno: 58-25

Romijn, G.A.M.: 53-2, 54-18, 56-21

Romiti, Sergio: 58-23, 59-35, 60-20

Romney, George: 55-24, 62-20, 62-36

Romoff, Ronald F.: 53-17

Ronald, William: 59-12, 60-4, 64-2, 64-20

Roncalli, Cristofano: 64-9

Ronendaal, W.J.: 51-3

Ronis, Willy: 60-25

Rooke-Ley, Peter: 53-17

Roozendaal, W.J.: 53-2

Ropes, J.: ME-29

Rosa, Salvator: 64-6

Rosati, James: 60-42, 61-29, 62-40, ME-56

Rose, Ben: 52-7, 53-17

Rose, Guy: 61-10

Rose, Herman: 56-13

Rose, Iver: 53-12

Rose, Naomi: ME-75

Rosen, James M.: 62-31

Rosen, Lee: 64-23

Rosenbaum, Robert L.: 62-10

Rosenberg, James N.: 56-2

Rosenblatt, Adolph: 55-20

Rosenborg, Ralph M.: 56-2, 61-25

Rosenfeld, Jerome E.: 52-7

Rosenfield, Isadore: 59-27

Rosenhouse, Irwin: 58-3

Rosenquist, James: 62-41, 65-11

Rosenquit, Bernard: 58-3

Rosenthal, Bernard: 52-4

Rosenthal, Stephen: 58-3

Rosenwald, Robert: 57-12

Ross, Alvin: NY-17

Ross, George Gates: 63-15

Ross, John T.: 56-25, 60-3, 60-15

Rossbach, Ed: 57-6, 60-5, 62-15, 64-23

Rosse, Dirk: 64-23

Rosse, I. Martin: 64-21

Rossenblatt, G.: 58-36

Rossetti, Dante Gabriel: 62-12, 62-20

Roszak, Theodore: 56-2, 57-56, 60-42, 62-1, 62-31, 63-31

Rotella, Mimmo: 60-15

Roth, Alfred & Emil: 53-21

Roth, Frank: 59-1, 59-12

Roth, Herman: 58-16, 61-17, NY-13

Roth, Rachel Chester: 61-35

Rothenstein, Michael: 60-15

Rothko, Mark: ME-7, ME-40, ME-59, NY-5

Rothman, Jerry: 58-32

Rothstein, Arthur: 57-16, 59-56, 64-28

Rothstein, Irma: 56-2

Rothwell, Richard: 65-10

Rotsler, William: 58-16

Rotter, Karl: 61-1

Rouault, Georges: 54-16, 57-9, 57-18, 57-37, 58-35, 59-5, 62-5, 63-14, 63-17, NY-7&7b

Rougier, Michael: 58-A&B

Rousseau, P.E.T.: MMA-54-4

Rousseau, Theodore: 63-17, 63-20

Roussel Ker-Xavier: 62-5

Rovelstad, Sue: 53-16

Rowan, Frances Physioc: 58-3

Rowell, Kenneth: 59-19

Rowinski, David: 60-12

Rowland, Benjamin: 56-27

Rowlandson, Thomas: 55-24, 62-4, 62-12, 62-18, 62-20, 63-17, 64-5, 67-19

Rowse, F.: ME-29

Rox, Henry: 56-2

Roy, Jamini: 58-42

Rozak, Gustav, MD: 57-41

Ruben, Richards: 53-16, 55-20, 56-26, 58-3, 58-7, 63-12

Rubens, Peter Paul: 54-11, 56-16, 57-18, 61-22, 62-20

Rubenstein, Avrum: 56-13

Rubenstein, Charlotte: 64-30

Rubenstein, Lewis: 64-30

Rubenstien, Barnet: 56-27

Rubin, Irwin: 62-41

Rubington, Norman: 55-2

Rubinstein, Lewis: 56-2

Rublev, Andrej: 56-16

Rude, Rolfe: 57-40

Rudolph, Paul: 58-1, 61-31, 62-14, 64-35, 65-9

Rudy, Charles: 53-20

Rudzinski, Andrezj: 56-21

Ruf, Sep: 64-11

Ruggieri, Piero: 59-35, 60-20

Rugh, Elizabeth: 58-32

Ruhtenberg, Cornelis: 56-12, 57-2

Ruisdael or Ruysdael, Jacob Isaakszoon van: 63-17

Running, Cyrus: 58-6

Ruohomaa, Kosti: 57-16

Rusell, Gordon: 58-12

Rush, A.W.: 53-26

Rush, Andrew: 64-7

Rush, Jon: 58-39

Rushing, Val: 58-32

Ruskin, John: 62-12

Russell, Alfred: 56-26, 58-40

Russell, Bruce: 57-3

Russell, Charles Marion: 61-3

Russell, Frank: 56-2

Russell, Gordon: 56-9

Russell, Morgan: 55-15

Russian, School: 56-16

Russo, Alexander: 63-7

Russo, Mario: 57-9

Russo, Michele: 53-12

Russolo, Luigi: 57-34

Russum, Jr., Olin L.: 57-6

Rust, Betty Lou: 57-14

Ruvolo, Felix: 56-2, 58-7

Ruysdael: 54-11

Ruysher, Hudsen: 51-15

Ryan, Anne: 53-1, 56-26, 57-30, 58-26, ME-7, ME-59, NY-3

Ryan, Milton A.: ME-19

Ryder, Albert Pinkham: 54-25, 59-24, 59-34, 60-13, 62-17, ME-7, ME-11, ME-31, ME-41

Ryggen, Hannah: 57-40

Missing Title

Saarinen, Eero: 59-15, 61-31

Saavelli, Angelo: 60-3

Sabatini, Rafael: 63-3

Saccaro, John: 55-2, 58-7, 59-10, 59-24

Sacchetti: 63-19

Sacchi, Andrea: 59-40

Sachse, E.: ME-29

Sadeler, II Gilles: 63-17

Sadun, Piero: 58-23

Saenredam, Jan: 63-9

Saetti, Bruno: 51-18, 56-15, 59-35, 61-16

Sage, Kay: 60-27, 62-1

Sahgir, Adil: 56-29

Saint-Gaudens, Augustus: 59-34

Saintin, Jules Emile: 59-34

Saito, Minonu: 60-3

Sakai, Eiichi: 65-12

Sakoguchi, Ben S.: 64-7

Salembier, Henri: 59-40

Salemme, Attilio: 56-26, 57-30, 62-1, 63-33, NY-20

Salerno, Charles: 52-4, 63-20, 56-2

Salerno, Joseph: 64-21

Salimbeni, Ventura: 64-6

Salisbury, Erastus: 59-18

Salish: 59-4

Salitan, Lucille: 57-14

Salmi, Elissa: 57-14

Salmon R.: ME-11

Saltzman, Florence: 53-5

Salvadori: 51-18

Salviati & Company: 61-1

Salviatti, Francesco: 59-40

Salvin, Anthony: 61-22

Salvisberg, Otto R.: 53-21

Sam B. Lewis & Associate: ME-19

Samant: 59-13

Samaras, Lucas: 62-41, 63-29

Sampe, Astrid: 53-17, 62-15

Sample, Paul: 55-13

Sampson, Frank: 65-11

Samuels, Dan: 58-16

Sanchini, Pietro: 56-21

Sandberg, Bob: 57-16, 59-56

Sandberg, W.: 61-20

Sandby, Paul: 62-12

Sandecki, Albert: 65-2

Sander, Ludwig: 60-41

Sanders, Annie: 62-10

Sanders, Herbert H.: 51-15, 57-6

Sanders, Walter: 58-A&B

Sanderson, John: 61-22

Sandfield, Max: ME-19

Sandgren, Nelson: 58-3

Sandol, Maynard: 60-43, 61-7

Sandquist: 61-16

Sanford, M.M.: ME-41

Sang-Lae, Kim: 58-42

Sannhausser, John: 56-2

Sanquirico: 63-19

Santerre, Jean-Baptiste Marie: 62-20

Santomaso, Guiseppe: 54-27, 56-21, 58-15, 58-23, 60-15, 61-16, NE-96, NY-8

Santvoort, Dirk: MMA-54-2

Sanz, Carlos R.: 59-27

Sanzio, Raphael: 56-16, 64-9

Sapousek, Frank: 55-6

Sarason, Henry (Dr): 62-45

Sargent, H.: ME-11

Sargent, John Singer: 54-25, 55-19, 59-6, 60-13, 63-1, 64-3, 67-19, ME-31, ME-41, MMA-54-1, NY-5, NY-16

Sarka, Charles: 64-3

Sarkisian, Sarkis: 55-2

Saroni, Sergio: 60-20

Sarony: ME-29

Sarony & Major: ME-29

Sarpaneva, Timo: 57-14

Sartain, Johon: ME-29

Sarthou, Maurice: 58-15

Sarti, Antonio: 58-9

Sartoris, Albert: 61-4

Sasaki, Walker & Assoc: 63-16

Sassaman, Mar Carter: 60-5

Sasse, Arthur: 56-5

Saswin Silas: NY-13

Sato, Michiko: ME-75

Sato, Tadashi: 57-31, 58-12, 58-42, 59-1, 64-10

Satoru Abe: 59-12

Saugey, Marc: 53-21

Saul, Peter: 62-41

Saura, Antonio: 61-4, 61-29

Saurer Peter: 62-10

Sauvan, Philippe: 58-9

Savage, Edward: ME-29

Savelli,Angelo: 58-26, 60-24, 62-3, 63-24, 64-7

Savery: 54-11

Savery, Roelant: 62-20

Sawyer, Helen: 64-30

Sax, Ursula: 64-14

Sazio, Rapael: NY-7&7b

Scadron, Christopher: 58-16

Scalamandre, Wallpapers, Inc: NY-14

Scalini, Guiditta: 57-34

Scanavino, Emilio: 60-20, 61-4

Scelzio, Domenico: 58-9

Schadel, Hans: 58-28

Schadelin, Eva: 61-1

Schaeffer, H. Bella: 56-2

Schaffer, Rose: 58-3

Schaffner, Alexander: 61-1

Schallinger, Max: 56-2

Schamberg, Morton L.: 55-15

Schamout, Jamil: 56-29

Schanker, Louis: 53-2, 55-3, 56-2, 56-26, 58-43, 60-24, ME-7, NY-3

Scharf, William: 56-9, 58-12

Schatz, B.: 58-36

Schatz, L.: 58-36

Schatz, Z.: 58-36

Schauffelein, Hans Leonard: 57-37, 64-9

Schauss, W.: ME-29

Schecter, Pearl: 58-16

Scheibe, Richard: NE-48

Scheibler, Franz: 53-21

Scheid, Karl: 61-1

Scheier, Edwin & Mary: 57-6

Scheler, Max G.: 57-16

Scheper-Berkenkamp, Lou: NE-48

Scherschel, Frank: 58-A&B, L-3

Scherschel Joe: 58-A&B

Schettino, Aniello G.: ME-75

Scheving, Gunnlaugur: 66-2

Schiavone, Andrea: 64-6

Schickel, William: 53-25, 58-16

Schiefer Johannes: 52-7

Schieferdecker, Ivan: 65-11

Schifrin, Arnold: 55-5

Schillig, Erna: 61-1

Schimpff, Mary: 54-43

Schinkel: 63-19

Schiwetz, E.M. (Buck): 57-23

Schlanger, Ben: 62-14, 64-35

Schlemmer, Oskar: 56-7

Schliff, John D.: 58-20

Schmahl, Matilda E.: 59-6

Schmaltz, Roy E.: 53-24

Schmegner, Theobald: 58-15

Schmid, Elsa: 58-16

Schmidt, Arnold: ME-75

Schmidt, Charles W.: 65-11

Schmidt, Christian F.: 57-14, 60-5

Schmidt, Julius: 58-12, 63-31, 64-20

Schmidt, W. Fritz: 59-27

Schmidt, Willi: 53-15

Schmidt-Rottluff, Karl: 54-16, 56-7, 59-36, ME-32

Schnakenberg, Henry E.: 53-5, 62-30, 64-3

Schneider, Gerard: 56-21

Schneider, JoAnne: 64-29, 64-30

Schneider-Esleben, Paul: 58-28

Schnell, Shirley: 65-7

Schnieder, George (Father): ME-75

Schnur, Martin: 62-15

Schober, Sally: 58-32

Schon, Erhard: 64-9

Schongauer, Martin: 55-10, 57-37, 62-18, 63-17, 64-9, NY-9

School of Ceramics, Madrid: 61-1

Schooley, Elmer: 53-16, 56-26

Schor, Ilya: 58-16

Schor, Johann Paul: 59-40

Schott, Hyden: 56-27

Schrag, Karl: 53-5, 55-20, 56-25, 56-26, 57-32, 57-36, 58-3, 59-49, 60-3, 60-24, 61-1, 61-15, 62-3, 62-8, 62-30, 63-12, 64-7, 64-31, ME-7, ME-26, NY-3

Schreckengost, Viktor: 53-5

Schreiber, Georges: 56-1

Schroeder, Lynn: 58-6, 60-3

Schueler, Jon: 58-5, 58-12, 60-1, 60-9

Schuldtz Alexander: 57-40

Schuler, Robert T.: 64-7

Schulteiss, Carl: 53-5

Schulthess, Emil: 59-56, 62-45

Schultz, Anabel: 60-5

Schultze, Bernard: 54-18

Schulz, Rudolf: 53-15

Schumacher, Emil: 59-36

Schussele, Christian: 59-6

Schutz-Wolff, Johannes: 59-36

Schutzer, Paul: 58-A&B

Schutzman, Leo: 57-ee

Schwaar, Walter: 53-21

Schwabacher, Ethel: 59-23, ME-59

Schwachman, Irene: 62-45

Schwarcz, June: 57-6, 60-12

Schwartz, Aubrey: 58-40, 60-3, 63-12

Schwartz Daniel: 56-13

Schwartz, Harold: 61-30

Schwartz, Knut: 57-40

Schwartz, Lester: 51-1

Schwartz, Manfred: 55-3, 57-10, 58-5

Schwartz, Rochelle K.: 62-10

Schwartz, S.: 58-36

Schwarz, Hanna: 53-24

Schwarz, Joseph: 59-1, 61-35

Schwarz, Rudolf: 58-28

Schwarz & Bernard, Rudolf & Josef: 58-28

Schweig, G.: 58-36

Schweikher, Paul: 62-14, 64-35

Schweikher & Elting: 58-1

Schweitzer, Gertrude: 53-8

Schwerin, Ludwig: 58-15

Schwitters, Kurt: 59-14, 62-18, 64-10

Scialoja, Toti: 58-23, 60-15

Scordia, Antonio: 58-23, 59-35

Scornavacca, Tony: 61-35

Scott, David: 53-5

Scott, George Gilbert (Sir): 61-22

Scott, Isabel: 57-6

Scott, John: 64-23

Scott, Ken: 62-15

Scott, Louise: 64-30

Scott, William: 62-15

Scuris, Stephanie: 58-39

Se-duk, Yi: 58-33

Seabrook, G.M.: 56-18

Sebring, Burr: 58-32, 64-23

Secrest, James D.: 57-6

Secrest, Russell: 62-10

Sedlacek, Vojtch: 56-15

Segal, George: 60-43

Segal, Simon: 59-5

Segal, Yonny: 54-14

Seibel, Fred O.: 57-3

Seibert, Edward J.: 64-21

Seide, Charles: 56-2

Seidl, Alfred: 61-1

Seidler, Doris: 58-3, 60-3, 62-3, 64-7

Seitz, William: 60-5

Sekimachi, Kay: 60-12, 62-15, 64-23

Sekino, Junichiro: 56-21

Selan-Gliha, Vilko: 56-21

Selbing, John: 56-3

Seley, Jason: 63-29, 65-11

Seliger: NY-20

Seliger, Charles: 55-21, 58-5, 58-43

Seligmann, Kurt: 55-21, 56-1, 57-10, 57-32, 57-36, 58-5, 59-1, 59-19, 60-4, 61-15, 61-26, 62-1

Selim Jewad: 56-29

Selim, Lorna: 56-29

Sella, Alvin: 61-35

Seltzer, Deppie: 53-16

Seltzer, Phyllis: 62-3

Semser, Charles: 58-39

Semuth: 54-25

Senn, Otto H.: 53-21

Sennhauser, John: 58-26

Senska, Frances: 56-26

Senungetuk, Ronald: 62-10

Seoane, Luis: 60-17

Sepeshy, Zoltan L.: 55-2, 55-19, ME-73

Sera, Johan K.: 62-10

Serisawa, Sueo: 56-19, 58-42, 61-7

Serlio: 63-19

Sernesi, Raffaello: 63-10

Serpan, Iroslav: 57-27

Sert, Jackson & Gourley: 63-16

Servandoni, Giovanni Niccolo: 59-40, 63-19

Sesshu: ME-40

Sessler, Alfred: 55-20

Seuphor, Michel: 61-4

Seurat, Georges: 57-18, ME-32

Severini, Gino: 57-34, 58-23, 64-10

Severn Arthur: 62-12

Sewall, Harriot: 64-1

Sewell, Helen: VA-53-1

Seymour, David: 59-56

Shadbolt, Jack Leonard: 54-27, 59-3

Shaeffer Norbert: 55-22

Shaffer, Gary: 62-3

Shaffer, Verne: 57-31

Shahn, Ben: 53-1, 54-10, 55-13, 56-24, 57-2, 57-9, 58-16, 59-6, 59-7, 59-24, 59-31, 60-22, 60-27, 62-28, 62-31, 64-28, 65-1, ME-7, ME-23, ME-41, ME-73, NY-5

Shaier, Mary: 64-30

Shakespeare: 58-36

Shaltiel, B.: 58-36

Shaner, G. David: 60-5

Shapiro, David: 55-5, 56-13

Shapiro, Hilda: 63-7

Shapiro, Seymour: 60-43

Shapleigh, Frank H.: 64-3

Sharaku, Toshusai: 58-17

Sharpiro, Miriam: 64-12

Sharrer, Honore: 55-13

Shaub, Paul: 56-25, 58-3

Shaw, Charles: 55-3

Shaw, Kendall: NY-17

Shaw, Richard Norman: 61-22

Sheeler, Charles: 54-25, 55-9, 55-13, 55-15, 57-15, 58-34, 59-6, 59-24, 59-31, 60-13, 60-27, 64-4, 64-28, 65-2, ME-7, ME-23, ME-31, NY-11, NY-20

Sheets, Millard: 62-31

Shep, Larry: 58-32

Shephard, Rupert: 56-21

Shepherd, Don: ME-75

Shepley, Bulfinch, Richardson & Abbott: 63-16

Sherlock, William P.: 64-5

Sherman, Phyllis: 56-26

Sherman, Sarai: NY-10

Sherry, William Grant: 56-27

Shertze,r Gerald: 59-6

Sherwood, Nancy: 60-5

Sherwood, Mills & Smith: 63-16, 64-11

Shew William: 54-12

Shibuya, Kazuko: 65-12

Shifrin, Roy: ME-75

Shima, Ichiro: 65-12

Shindler, Antonio Zeno: 64-1

Shinn, Everett: 60-24, 62-17, 64-3, NY-19

Shinoda, Toko: 64-10

Shirlaw, Walter: 61-3, 64-3

Shirley, Gerald: 58-6

Shobaken, Bruce: 55-14

Shober, Charles: ME-29

Shohannah: 56-12

Short, Sam B.: 62-34

Sharde: 51-15

Shrode, Marejon Sue: 51-15

Shuff-Shir, Lily: 56-25

Shugg, R.: 57-17

Shukri, Akram: 56-29

Shunsho, Katsukawa: 58-17, 60-38

Shute, Ben: 61-35

Shute, Nell C.: 56-13

Siegal, Arthur: 51-9, 57-25

Siegel, Ellen: 61-17, 62-15, 64-23

Siegel, Paul: 57-17

Siegriest, Lundy: 55-5, 57-12, 58-7, ME-33, ME-42

Sievan, Maurice: 55-3, 64-30

Signac, Paul: 58-34, 60-14, 62-5

Signorini, Telemaco: 63-10

Sigurdsson, Steinthor: 66-2

Sikeliotis, George: 56-29

Silk, George: 58-A&B, 59-56

Silva, Amandio: 56-15

Silverman, Burton: 56-13

Silverman, Mel: 60-3

Silverstein, Louis: 60-37

Silz, Arthur: 56-2

Simberg-Ehrstrom, Beata: 62-15

Simches, Frances E.: 60-5

Simkhovitch, Helena: 53-20

Simpson, Lusby: 59-25

Simpson, Maxwell Stuart: 56-2

Simpson, Thomas: 65-6

Simpson-Middleman: 55-2

Simunovic, Frano: 59-16

Singer, Arnold: 58-3

Singer, Gail: 62-8

Singier, Gustave: 54-18, 58-15, 60-14

Sinsabaugh, Art: 57-25

Sintenis, Renee: NE-48

Sinton Nell: 58-7

Siporin, Mitchell: 56-27, 57-28, 58-5

Sirani, Giovanni Andrea: 64-6

Sironi: 51-18

Sironi, Mario: 57-34, 58-23

Siskind, Aarpon: 57-25

Sisson, Lawrence: 53-12, 57-31

Sitllman, Ary: 55-3

Sitter, Inger: 57-40, 58-15

Sitton, James: 65-11

Sivard, Robert: 55-19, 65-2

Sizemore, Mary: 53-26

Skidmore, Owings & Merrill: 59-15, 61-31, 63-16, 65-3, 65-9

Skinner, A.: NY-13

Skiold, Bergit: 60-15

Skovgaard, Joakim: 54-16

Skowronski, Hella: 62-15

Skrede, Agnar: 57-14

Skulason, Thorvaldur: 66-2

Slater, Eva: 55-6

Sloan, John: 54-25, 55-16, 57-2, 59-24, 60-13, 60-24, 60-27, 62-28, 62-30, 65-2, ME-31, ME-41, NY-9, NY-19

Sloane, Mary: 56-27

Slobodkin, Louis: VA-53-1

Slobodkina, Esphyr: 55-3, 59-1

Slottag, Jack: 53-26

Slowan, John: ME-7

Slutzky, Robert: 60-41

Slwan, John: 59-6

Small, Dorothy May: 60-5

Smarkusz, Vincent T.: 53-26

Smillie, George Henry: 60-28

Smillie, James D.: 64-3

Smith: ME-49

Smith, Aruthur: 57-6

Smith, Charles William: ME-7

Smith, David: 53-5, 55-12, 56-22, 59-31, 60-14, 61-25, 61-29, 63-31, 65-1

Smith, Donald E.: 57-10

Smith, Edith M.: 56-2

Smith, Eirikur: 66-2

Smith, Francis Hopkinson: 64-3

Smith, G.E. Kidder: 64-11

Smith, Hamilton: 63-16, 65-3

Smith, Hassel: 65-11

Smith, J. Warwick: 62-12

Smith, John Rubens: 64-1

Smith, Leon Polk: 60-41, 63-30, 64-2, 64-26, 65-4

Smith, Loran: 65-5

Smith, Moishe: 55-20, 58-3

Smith, Oliver: 59-19

Smith, Paul: 54-8, 57-6, 58-32

Smith, R.A.: 62-3, 64-7

Smith, Roger: 64-28

Smith, Thomas R.: 62-10

Smith, Vernan: 64-30

Smith, W. Eugene: 59-56

Smith, William A.: 53-5, 53-8, 56-25

Smithson Robert: 61-22

Smyly, Susan: 62-10

Snellman-Hanninen, Airi: 57-14

Snider, Robert S.: 62-10

Snipper, Martin: 55-5

Snow, Doug: 53-24

Snyder, Jerome: 55-13, 56-24

Snyder, Lewis E.: 62-10

Soane, John (Sir): 61-22

Sobotka, Ruth: 59-19

Sochurek, Howard: 58-A&B, 59-56

Soderberg, Wesley: 64-7

Soglow, O.: ME-28

Soglu, Muella: 56-29

Sokol, Bill: 56-25

Sokole, Miron: 53-5

Soldati, Atanasio: 58-23

Soldenhoff, Alex: 54-16

Soldner, Paul A.: 55-22

Soldner, Paul E.: 57-6

Solimena, Francesco: 62-36

Solman, Joseph: 55-2, 55-3

Soloducha, A.V.: 53-24

Solomon, Hyde: 60-43, 63-1, ME-73

Solomon, Syd: 53-5, 55-5, 56-2, 56-13, 57-35, 61-35

Solow, Seymour: 57-16

Somaini, Francesco: 60-20

Sommer, Madelon: 53-26

Sonderborg, K.H.R.: 61-4

Sonenberg, Jack: 55-20, 56-25, 58-3, 60-3

Sorenson Richard: 53-26

Soudeikine: 63-19

Soulages, Pierre: 57-9, 57-27, 58-15, 60-14

Soulange, Tessier: ME-29

Souply, Emile: 61-1

Southworth & Hawes: 56-5

Souza: 59-13

Sowers, Robert: 58-16

Soyer, Moses: 53-5, 56-2, 64-3, ME-73

Soyer Raphael: 56-2, 57-11, 58-40, 62-28, 62-30, 63-33, 64-3, 64-31, 65-2, ME-73, NY-18

Spacal, Luigi: 54-16, 56-21

Space Design Group, Inc.: 61-30

Spaventa, George: 60-42

Spazzapan, Luigi: 58-23, 59-35

Speckaert, Hans: 62-20

Speicher, Eugene: 57-11, 62-31

Speight Francis: 63-3

Spencer, Niles: 55-11, 55-16, 60-27, 64-30

Spencer & Ambrose Eldridge T. & William Clement: SD-8

Sperry, Robert: 57-14

Sperschneider, Ragna: 61-1

Speyer, Friederich: 64-1

Speyer, Nora: 56-2

Spille, Dean: 53-26

Spinchorn, Carl: 64-29

Spivak, Max: 53-25

Sponsler, Edwin: 53-5

Sprague, Arthur H.: 60-5

Spranger: 54-11

Sprinchorn, Carl: 64-30, 64-31

Springett, Sabino: 60-17

Springinklee, Hans: 55-10, 62-18

Spruance, Benton: 53-1, 54-16, 54-18, 56-15, 58-3, ME-7, NE-96

Spruce, Everett: 57-23, 59-50, 60-1

Spyropoulos, Jannis: 61-11

Squier, Jack: 57-12, 57-31, 60-42, 62-40, ME-56, NY-10

Staack, Zora: 56-21

Stackpole, Peter: 58-A&B

Stage, John L.: 57-16

Stahly, Francois: 61-2

Staikov, Veselin: 56-21

Stakiewicz, Richard: 62-41

Stallings, Hal: 57-14

Stamos, Theodoros: 54-10, 55-8, 56-2, 58-42, 58-43, 60-22, 60-27, 61-23, 64-19, ME-41, ME-49, ME-59, ME-65, ME-73

Stanford, James R.: 62-45

Stanger, Barbara Wechsler: 57-14

Stankiewicz, Richard: 56-12, 59-14, 60-4, 60-9, 62-27, 64-20, NY-10

Stanley, John Mix: 59-34, 61-3

Stanley Mack: 52-11

Stasack, Edward: ME-73

Staschen, Sirley: 62-18

Stashin, Leo: 59-56

Stasik, Andrew: 60-15, 64-7

Stasock, Edward: 56-25

Stavert, Nancy E.: 53-24

Stea, Cesare: 52-4, 56-2

Stearns, Junius Brutus: 58-27

Stearns, Pamela: 62-10

Stebbins, N.L.: 64-28

Steczynski, John M.: 60-3

Steele, Gordon: 55-2

Stefanelli, Joseph: 56-2, 59-1, 61-15

Stefansson, Jon: 66-2

Steg, James Louis: 56-25, 56-26, 58-3, 62-3, 64-7, NY-3

Steichen, Edward: 56-5, 58-20, 62-25, 64-28, NY-1

Steig, William: 55-13, ME-28

Steiger, Rudolf: 53-21

Stein, Joseph Allen: SD-8

Stein, Walter: 53-14, 58-40

Steinberg, Saul: 55-13, 57-3, 59-6, ME-59, VA-55-1

Steinbock, Heimos & Hannes: 61-1

Steiner, Albert H.: 53-21

Steiner, Ralph: 56-5

Steiner, Sylvia: 61-1

Steinhardt, Jacob: 54-16, 58-36

Steinlen, Theophile: 62-5

Steinmetz, William O.: 53-24

Stella: 54-25

Stella, Frank: 61-23, 64-26

Stella, Joseph: 55-15, 60-13, 62-30, 63-1, ME-31

Steltzner, Richard M.: 62-10

Stemos, Theodoros: NY-10

Stenstadvold, Haakon: 57-40

Stephens, Jr., Curtis: 64-23

Stephens, Jr., Edward John: ME-55

Steriadi, Jean Al: 56-21

Sterling, James: 56-2

Sternberg, Charlotte J.: 52-11

Sternberg, Harry: 58-3, 62-45, ME-7

Sterne: ME-49

Sterne, Hedda: 55-9, 55-13, 60-22, 61-29, 62-37, 63-7, ME-59

Sterne, Maurice: 57-11, 57-30, 59-6, 64-29, 64-30, ME-41

Sterner, Harold: 57-1

Sternglass, Lisa Jane: 57-12

Sterrett, Cliff: 57-3

Stettinius, Samuel Enredy: 64-1

Steuart, George: 61-22

Steuecheli, Werner: 53-21

Steumpfig, Walter: 53-12

Stevens, Alfred: 61-22

Stevens, Bernice A.: 60-5

Stevens, Edward John: 55-21, ME-26

Stevens, John R.: 57-6

Stevens, Margo: 58-39

Stevens, Preston S.: 59-12

Stevens, Virginia Hill: 61-35

Stevens, Walter H.: 57-12

Stevenson, Beulah: 55-3, 58-3

Stevenson, Hugh: 59-19

Steward, Donn: 53-16, 56-26, NY-3

Stewart, Donald J.: 64-21

Stewart, Marion: 57-6

Stich, Otto: 53-15

Stieglitz, Alfred: 56-5, 62-25, 64-5, 64-28, NY-1

Still, Clifford: ME-59

Stillwell, E. Burton: NE-96

Stimmer, Tobias: 64-9

Stine, Richard: 62-31

Stock, Joseph: 58-14, 62-2

Stockmarr, Erik: 52-5

Stocksdale, Bob: 55-22, 57-6, ME-75

Stohrer, Walter: 64-14

Stoltenberg, Sibley Smith Dondad: 56-27

Stolz, John E.: 62-10

Stolzl, Gunda Stadler: 61-1

Stone, Edward Durell: 59-15, 62-14, 63-16, 64-35, 65-3, 65-9

Stone, Helen: VA-53-1

Stor, Lorenz: 64-9

Stork, Abraham: 62-20

Stout, Myron: 60-12, 60-41

Stout Pola: 62-15

Stouter, D.G.: 62-2

Stradanus, Johannes: 63-9

Stradone, Giovanni: 58-23

Strahan, Thomas: NY-14

Strand, Paul: 56-5, 62-25, NY-1

Strater, Henry: 64-31

Strawn, Dean: 51-15

Strawn, Harold Dean: 51-15

Strebelle, Olivier: 61-1

Strecker, Thomas: 58-16

Strecker, Z. Thomas: 59-12

Strecker, Zelda: 58-25, 64-23

Streisinger, Lotte: 57-14

Strengell, Marianne: 52-7, 58-25, 62-15, 64-23

Strenger, Friedhelm: 53-15

Stretti-Zamponi,Jaromir: 56-21

Strickdale, Bob: 51-15

Strickland, John: 58-39

Strijbosch, Wim: 61-20

Strock, George: 59-56

Strologo, Serio Dello: 57-6

Strombotne, James: 60-1, 64-25, ME-75, NY-10

Stuart, Gilbert: 54-25, 60-13, 63-3, ME-7, ME-11, ME-31

Stuck, Jack: 65-11

Stucki, Jakob: 61-1

Stueland, Kari Bing & Magne: 57-40

Stuempfig, Walter: 55-9, 57-2, ME-41

Stuempfig, Jr., Walter: 63-3

Stupica, Grabriel: 59-16

Sturm, Dorothy: ME-26

Sublett, Carl: 65-11

Suemura, Shobun: 65-12

Sugai, Kumi: 58-15, 58-29, 58-42, 61-4, 63-23

Sugarman, George: 60-2, 62-40, ME-56

Sughi, Alberto: 58-40

Sugimata, Tadashi: 58-42

Sugimoto, Albert: 59-10

Sulfsted, Rosemary: 53-26

Sullivan, Louis: 59-6

Sully, Thomas: 62-17, 63-3, 64-1, MMM-4

Sumiyama: 63-21

Summer, Eugenia: 61-35

Summers, Carol: 56-25, 56-26, 58-3, 60-2, 60-3, 60-15, 62-3, 64-7, NY-3

Sundell, Britt-Louise: 57-14

Suornos, John: 56-29

Susini, Antonio: 63-9

Sussman, Richard: 58-6, 61-15, 61-25

Sustermans Justus: MMA-54-2

Sustris, Friedrich: 63-9, 64-9

Sutfin Edward (Father): 58-16

Sutherland ,Graham: 54-27, 61-4, 62-12, NE-96

Sutherland, T.: ME-29

Suydam,David L.: 62-10

Suzuki, James: 57-10, 58-42, 59-1, 59-10, 60-14, 61-7, 63-21

Suzuki, Seisei: 65-12

Svabinsky, Max: 56-21

Sveinsdottir, Juliana: 66-2

Svensson, Inez: 57-14

Swabian School: 56-16

Swan, Barbara: 55-5

Swanson, Pipsan Saarinen: 57-6

Swarz, Saul: 58-16, 62-40, ME-56

Swearingen, John: 53-26

Swift, Dick: 60-3

Swinnerton, James: 57-3

Swinton, George: 54-27

Sykes, Maltby: 53-5, 54-18

Szabo Bela Gy: 56-21

Szenes, Arpad: 62-8, 64-10

Szilard, Claire: 53-2

Szymak, John: 57-6, 60-5

Szymanski, Rolf: 64-14

T'cheng, Tsou-lin: 58-42

Taber, Isiah West: NY-1

Tabler, William B.: 61-31

Tabuchi, Yasse: 58-42

Tacca: 63-19

Tack, Augustus Vincent: 63-15

Tackett, LaGardo: 55-22

Tait, A.F.: 55-19

Tajiri, Shinkichi: 65-7

Taka, Peter: 56-1

Takaezu, Toshiko: 53-24

Takahashi, Henry: 55-22

Takahashi, Setsuro: 65-12

Takahashi, Shizue: 65-12

Takai, Teiji: 60-1

Takal, Peter: 55-20, 56-2, 56-25, 57-1, 58-3, 61-15, 61-25, 62-3

Takegoshi, Yoshiyuki: 65-12

Takehita, Natsuko: 57-12

Takemoto, Henry: 58-32, 59-12

Takis, Istrou: 56-29

Talbot, William Henry Fox: 53-20, 62-25, NY-1

Talburt, Harold: 57-3

Talleur, John: 53-5, 58-16, 58-35, 60-3, 61-22

Tam, Reuben: 55-3, 64-31, ME-73

Tamayo, Rufino: 57-9, 59-31, 60-14, 63-33, ME-32, NE-96, NY-18

Tanabe, Chikuunsai: 65-12

Tanaka: 63-21

Tanaka, Kosai: 65-12

Tanaka, Tokutaro: 62-45

Tanguy, Yves: 51-4, 61-9, 62-8

Tapies, Antonio: 57-27, 64-17

Tarbell, Edmund Charles: 57-11, 62-7, 63-1

Tarr, Louis E.: 60-5

Tassi, A.: 55-24

Tavenkin, M.: 58-36

Tavernier, Jules: 61-3

Tawney, Lenore: 57-6, 58-25, 59-12

Taylor, C.J.: 57-3

Taylor, David: 62-3

Taylor Julius: 61-17

Taylor, Najah: NY-13

Taylor, R.: ME-28

Taylor, Ralph: 60-3

Taylor, Spaulding: 64-23

Taylor, Vincent: 53-26

Tazaki, Shoichiro: 65-12

Tchelitchew, Pavel: 55-21, 57-9, 57-30, 59-6, 62-28, 63-19, ME-55

Teague, Norwood: 57-6

Teichman, Sabina: 64-30

Teis, Dan: 58-3, 61-35

Teitelbaum, Edith: 53-24

Tejima: 63-21

Tempesta, Antonio: 64-6

Temple, Byron: 62-10

Templeton, John Samuelson: 64-5

Teniers, David: 55-19

Ter-Arutunian, Rouben: 59-19

Teraishi, Shosaku: 65-12

Teraski, George: 60-41

Terbrugghen, Hendrick: 62-20, ME-32

Terechkovitch, Kostia: 56-21

Terrell, Maurice: 57-16, 59-56

Terry, Alice: ME-75

Teshigahara: 60-2

Tesi, Mauro Antonio: 58-9, 61-22

Testa, Angelo: 53-17

Testa, Clorindo: 60-17

Testa, Pietro: 64-6

Teuber, Hermann: NE-96

Teunissen, T.: 61-20

Tevan,Rozsi: 62-40, ME-56

Teyral, John: 55-19

Tharrats, Juan Jose: 58-15, 64-17

Thayer, Abbott Handerson: 62-7, 62-17

Theisen, Earl: 57-16

Thelander, Henry: 52-5

Thelot, Jacob Gottlieb: 62-18

Theodor, Johann: 55-10

Thevenaz, Charles F.: 53-21

Thiebaud, Wayne: 60-3, NY-17, NY-18

Thiel, Midori Kono: 58-3

Thieler, Fred: 59-36, 64-14

Thiemann, Hans: NE-48

Thieme, Anthony: 57-30

Thiry, Paul: 58-1, 65-3

Thomas Edward: 61-35

Thomas, Elizabeth: 64-30

Thomas, Florence: 55-22

Thomas, Howard: 53-5, 61-35

Thomas, John Z.: 65-11

Thomas, Mary Leath: 53-5

Thomas, Neal: 56-2

Thomason, Tom W.: 62-10

Thompson, Bob: 60-43, 63-24

Thompson, Cephas: 58-14

Thompson, Helen May: 58-32

Thompson, William: ME-75

Thomson, Betty: 65-6

Thon, William: 53-1, 57-9, 64-31, ME-26, ME-73, ME-74

Thoren, Esaias: 54-18

Thorlaksson, Thorarinn B.: 66-2

Thormodsen, Norma: 53-26

Thornhill, James (Sir): 59-40, 61-22

Thorpe, Azalea: 53-24, 62-15

Thrall, Arthur: 55-2, 55-20, 56-25, 58-3, 60-3, 64-7, NY-3

Thrift, Walter: 61-35

Thurber, James: 59-6, ME-28

Thurm, Arnold: 53-1

Thurston, Gerald: 53-17

Thurston, Marcia Ann: 60-5

Tiebout, Cornelius: ME-29

Tiegreen, Alan: 65-11

Tiemer-Wille, Gertrude: 62-45

Tiepolo, Giovanni Battista: 57-18, 59-40, 62-20, 64-6, 67-19, NY-7&7b, NY-9

Tiepolo ,Giovanni Domenico: 55-24, 57-37, 64-6, 67-19

Tiepolo, Lorenzo: 55-24, 64-6

Tiffany, Louis Comfort: 62-7, 64-3

Tiffany, Virginia: 65-6

Tiffany & Company: NY-13

Tillett, Leslie & Doris: 57-6

Tilley, Lou: 58-16

Tillim, Sidney: NY-17

Ting, Walasse: 56-15, 58-15

Tintoretto, Jacopo Robusti: 55-24, 56-16, 57-18, 62-20

Tirrell, G.: ME-11

Tischler, Maynard G.: 62-10

Tissandier, Albert Charles: 64-5

Titian, Tiziano Vecellio: 57-18, 63-9, 67-19

Tittle, Juanita: 53-26

Tjepkema, J.M.: 61-20

Tlingit: 59-4

Tobase, Hodo: 58-42

Tobey, Mark: 52-11, 53-5, 55-9, 57-15, 58-42, 58-43, 59-7, 59-31, 60-4, 60-27, 62-27, 62-28, 64-2, 64-19, 65-11, ME-7, ME-41, ME-55, ME-65, NY-5, NY-20

Tock Jean: 58-16

Todd, Harold C.: 55-20

Todo: 64-17

Toeput, Lodewyk: 59-40

Tofel, Jennings: 56-2

Tofft, Peter Peterson: 64-1

Tollerz, Ulla: 57-14

Tolman, Stacy: 62-7

Tom Lee, Ltd: 61-30

Tomes, Marot: 52-7

Tomkins, Margaret: 56-13, 58-5

Tomlin, Bradley Walker: 57-30, 58-42, 60-27, ME-32, ME-59

Toney, Anthony: 56-2, 56-13, ME-73

Toney, Chester: 57-23

Tonomura: 63-21

Tony, Anthony: 61-15

Tooker, George: 58-40, 62-1, 63-7, 64-4, ME-73, NY-17

Toong, Shan-Ching: 56-27

Toque, Louis: 62-36

Torelli: 63-19

Toribio, Antonio: 63-29

Torkanowsky, Vera: 53-16

Torres-Aguero, Leopoldo: 60-17

Torres-Garcia, Joaquin: 59-23, 62-27, ME-55

Torro & Ferrer: 59-27

Torro, Ferrer, Knappen, Tippets, Abbett & McCarthy: 59-27

Torro, Ferrer, Torregrosa, Warner & Leeds: 59-27

Toselli, Angelo: 58-9, 59-40

Tostrrup J.: 57-40

Toulouse-Lautrec, Henri de: 57-17, 57-18, 59-5, 62-5, 62-45, MMA-54-2, NY-21

Tourte, X. Suzanne: NE-96

Tourtelot, Madeline: 52-7, 56-2

Tovim, Y.: 58-36

Tovish, Harold: 63-31, 64-20, 58-6, 59-3

Town, Harold Barling: 60-15

Townley, Hugh: NY-10

Townsend, Neal: 62-10

Toy, Leland: 62-10

Toyokuni, Utagawa: 58-17, NY-12

Tozu, Keinosuke: 65-12

Tracy, Stanley: 56-27

Tragardh, Gota: 62-15

Traherne, Margaret: 58-35

Trajan, Turku: 61-2

Trange, J.M.: 51-3

Trapani, Mimi: 62-10

Traut Wolf: 55-10

Traver, Mary Dale: 62-10

Travis, Stuart: 59-6

Traynor, Ed: 53-24, 58-32

Treat, Rose: 60-5

Treccani, Ernesto: 58-40

Trefonides, Steven: 55-6, 59-56

Treiman, Joyce: 51-21, 55-5, 55-6, 56-13, 56-19, 58-16, 59-1

Treinin, A.: 58-36

Tremblay, Gerald: 59-3

Trenholm, Portia: 59-18

Treskow, Elisabeth: 61-1

Treumann, Otto: 61-20

Trevisani, Francesco: 62-36

Trieman, Joyce: ME-73

Trier, Hans: 59-36, 60-15, 61-4, 64-14

Trippetti, Joseph: 57-6

Trivigno, Pat: 51-21, 61-26

Trock, Paula: 62-15

Troekes, Heinz: NE-48

Troger, Paul: 59-40, 62-20

Trokes, Heinz: 59-36, 61-4

Trotter, McKie: 55-6, 57-23

Trotter, Newbold H.: 58-27

Troyon, Constant: 63-20, MMA-54-4

Trumbull: 54-25

Trumbull, John: 60-13, 62-17, ME-31

Tryggvadottir, Nina: 66-2

Tschumi, Otto: 60-15

Tsimshian: 59-4

Tsuji, Shindo: 63-23

Tsutakawa, George: 65-3

Tucker, Allen: NY-16

Tuerlinkx, Jean-Pierre: 61-1

Turcato, Giulio: 58-23, 60-15

Turchi M.: 58-9

Turnbull, William: 63-12

Turner: 55-19

Turner, Don La Viere: 65-11

Turner, J.M.W.: 63-20

Turner, Janet: 53-5, 58-3

Turner, Joseph Mallord William: 56-16, 62-20, 62-12, 63-17, 63-20, 65-10, 67-19, NY-9

Turner, Leslie: 57-3

Turner, Robert: 57-6, 60-5

Turner, Theodore: 55-20

Turoff, Muriel P.: 61-17

Tveteraas, Vilhelm: 57-40

Twachtman, John Henry: 62-7, 62-17, 63-1, NY-16

Twardowicz, Ruth Ann: 55-20

Twardowicz, Stanley: 58-12

Twatchman, J.H.: 64-3

Twery, Elliot: 53-5, 56-12

Twiggs, Russell: 55-6, 57-10

Twitty, James: 65-4

Twombly, Cy: 64-26

Tworkov, Jack: 61-29, 62-38, 64-29, 64-30, ME-73

Tyler, Kenneth W. (Rev.): 59-56

Tyrnauer, Francesca: 58-32

Tytell, Louis: ME-73

Tzonis, Aleco: 56-29

U.S. Coast & Geodetic Survey: 64-28

Ubac, Raoul: 62-8

Ucello, Paolo di Dono: 56-16

Uchima, Ansei: 60-3

Udvardy, John: 58-39

Ueda, Sokyu: 61-4

Ueeda, Hisahi: 65-12

Ugai, Hideo: 65-12

Ugarte, Juan Manuel: 60-17

Uhlmann, Hans: 56-7, 59-36, NE-48

Uk-chin, Chang: 58-42

Ulman, William A.: 58-3

Umlauf, Charles: 52-4, 58-16

Underhill, Irving: 64-28

Underhill, William: 62-10

Unesco World Art Series: 57-19

Ung-no, Yi: 58-33

Ungaro, Alberto: 60-2

Ungemann, Arne: 52-5

Unger, Carl: 54-18

Urban, Albert: ME-7

Uri, Aviva: 61-4

Urquhart, Tony: 58-6

Ushio, Takao: 65-12

Usui, Kichi: 58-42

Utamaro, Kitagawa: 58-17, NY-12

Utamaro, Utagawa: 60-38

Utley, Windson: 55-6

Utrillo, Maurice: 60-14

Utter, Bror: 57-23

Vaccaro, Michael A.: 62-45

Vacchi, Sergio: 60-20

Vachon, John: 57-16, 59-56

Vaga, Perino del: 62-20

Vaglieri, Giustino: 60-20

Vaiksnoras, Anthony J.: 55-2

Valadier, Giovanni: NY-21

Valadier, Giuseppe: 53-36, 58-9, 59-40

Valasquez: 57-18

Valberg, Britt-Marie: 57-14, 58-25, 60-12

Valentin, Silvia: 61-1

Valentini, Giovan Battista: 61-1

Valenza, Daniel Loomis: 57-14, 58-32, 62-10

Valeriani: 63-19

Valeska, Adolfas: ME-75

Valkema, Sybren: 61-1

Vallaton, Felix: 54-16, 62-5

Valtat, Louis: 60-14

Van Aken, Jan: 63-17

Van Beest, Albert: 64-1

Van Bentrum, Rik: 65-7

Van Bergen, Marten: NY-15

Van Bos, Cornelis: 63-9

Van Bouckhorst, Jan Philip: 55-24

Van Brunt, James R.: 64-1

Van de Velde, Jan: 55-24, 60-40, NY-9

Van Der Neer: 54-11

Van Der Rohe, Miles: 59-15, 62-34

Van Der Sluis, George: 57-10

Van der Straet, Jan: 59-40

Van Der Vaart, Jan: 61-1

Van Der Weyden, Rogier: 57-18, 64-9

Van Dongen, Kees: 63-14

Van Duzer, Clarence: 51-5

Van Dyck, Anthony: 57-18, 57-37

Van Dyk, James: 56-25

Van Everdingen, Allart: 55-24, 60-40

Van Eyck, Jan: 56-16, 57-18

Van Fraser, David: 53-17

Van Gelder, Lydia: 55-22

Van Gogh, Vincent: 57-18, 62-5, 63-14, ME-40, NY-7&7b

Van Gorp Ria Van Oerle: 61-1

Van Goyan: 54-11

Van Heusden, Wout: 51-3

Van Hoesen, Beth: 62-3

Van Honthorst, Gerard: 62-36, ME-32

Van Huysum, Jan: 63-14, NY-7&7b

Van Keylen, Jan: 61-20

Van Kruiningen, Harry: 51-3, 54-18, NE-96

Van Kyek: 54-11

Van Leyden, Lucas: 57-37, 60-40, NY-9

Van Loen, Alfred: 62-40, ME-56

Van Loon, Johan: 61-1

Van Meckenem, Israhel: 55-10, 57-37

Van Oostsanen Jacob: 57-37

Van Ostade, Adriaen: 60-40

Van Rossem, Ru: 54-16

Van Ruisdael, Jacob: NY-7&7b

Van Ruysdael, Jacob: 60-40

Van Scorel, Jan: 64-9, ME-32

Van Veen, Stuyvesant: ME-73

Van Vianen, Adam: 59-40

Van Vliet, Jan: 60-40

Van Vlijmen, J.A.: 56-15

Van Wicht, John: 55-3

Van Wittel, Gaspar: 55-24

Vanderlyn, John: 59-34, ME-41

Vanderpool, John: 63-15

Vanis, Blanche A.: 62-10

Vanista, Josip: 59-16

Vanni, Francesco: 64-9

Vanni, Sam: 56-15

Vanvitelli: 63-19

Varady, Fredric: 64-29, 64-30

Varda, Jean: 58-26

Vardy, John: 61-22

Varga, Arnold: 60-37

Varley, John: 62-12, 67-19

Vasari, Giorgio: 61-22

Vascellini, Gaetano: 62-45

Vass, Gene: 57-31

Vatsures, Peter: 57-23

Vavruska, Frank: 56-25

Vedder, Elihu: 59-34, 62-7, 63-15

Vedova, Emilio: 58-23, 60-15, 61-11, 61-16

Vela, Gay: 63-5

Velde, II Jan van de: 63-17

Velle, Marthe: 61-1

Vellert, Dirk Jacobsz: 57-37

Venard, Claude: ME-40

Veneziano: 62-18

Venini, Company: 61-1

Verbene, P.A.: 61-20

Vergette, Nicholas: 65-3

Verhelst, Wilbert: 55-14

Vermeer, Jan: 56-16, 57-18

Vernarelli, Lucia: 58-26

Vernet, Horace: 65-10

Veronese, Paolo Caliari: 55-24, 57-18, 67-19

Vertes, Marcel: NE-99

Vesimaa, Eila-Annikki: 57-14

Vespignani, Renzo: 55-7, 55-13, 57-9, 57-27, 58-15, 58-40, 60-14, 60-15

Vevers, Tony: 64-29, 64-30

Vianello, Vinicio: 61-1

Vianen, Adam van: 63-9

Vicente, Esteban: 56-2, 58-26, 59-23, 65-11, ME-49

Vickrey, Robert: 57-2, 62-1, 64-4, 65-2, ME-73

Vico, Enea: 63-9

Victor, Christ-Janer & Assoc: 64-21

Victor Gruen Associates, Inc.: 59-25, 61-30

Vieillard, Roger: 62-8

Vien, Joseph Marie: 67-19

Viesulas, Romas: 54-16, 58-3, 58-15, 60-3, 62-3, 63-12, 64-7

Vigas, Oswaldo: 60-17

Vikainen, Voitto: 56-21

Vilacasas, J.: 64-17

Villacis, Anibal: 60-17

Villagran, Marcus Javier: 62-10

Villanueva, Carlos Raul: 64-11

Ville, Grey: 58-A&B

Villegas, Armando: 60-17

Villon, Jacques: 61-9, 62-5, 63-17, 63-33

Vincent, George: 65-10

Vincente, Esteban: 61-9, 61-29, ME-73, NY-20

Vincenzo, Cateno: ME-65

Vinckeboons, David: 54-11, ME-32

Vinson, Charles: 65-11

Virduzzo, Antonio: 60-15

Virga, Charles: 56-2

Viseux, Clade: 57-27

Vissier, Carel: 61-4

Viterbo, Dario: 52-4

Vittoria, Alessandro: NY-21

Viviani, Giuseppe: 56-21

Vizzini, Michael S.: 57-6

Vlaminck, Maurice: 55-19, 59-5

Vodicka, Ruth: 57-1

Von Achen, Hans: 64-9

Von Drage, Ilse: 58-16, 58-35

Von Eichborn,Celine: 61-1

Von Lembach, Frans: MMA-54-2

Von Nessen, Greta: 53-17

Von Neumann, Robert A.: 54-43, 55-20, 56-25, 57-6

Von Olmutz, Wenzel: 55-10, 59-40

Von Walden, J.: 56-25

Von Wicht, John: 54-18, 55-2, 56-1, 56-25, 57-1, 57-32, 57-36, 58-3, 58-15, 60-1, 60-3, 60-24, 61-15, 61-29, ME-73

Von Wiegand, Charmion: 58-5, 58-26, 60-41, 64-12, ME-75

Vonnoh, Robert: NY-16

Voorhees, Walder, Smith, Smith & Haines: 62-33

Voorhis, D.V.: NY-13

Vos, Martin de: 63-9

Vose, Bob: 57-16

Voss, Gene: ME-74

Voulkos, Peter: 55-22, 57-6, 59-12

Voysey, Charles Francis Annesley: 61-22

Vries, Jan Vredeman de: 63-9

Vries, Roelof van: MMA-54-3

Vuillard, Edouard: 59-5, 60-14, 62-5, ME-40, NY-21

Vujakliaja, Lazar: 54-18

Vytlacil, Vaclav: 55-3, 57-1

W.B. Ford Design Associates: 61-30

W.M. Moser, E. Roth, Artaria & Schmidt: 53-21

Wacker, Hal: 56-2

Waddill, John M.: 61-35

Wadsworth, Charles: 55-2, 55-5, 56-13

Waggott, Bert: 64-7

Wagner, Gordon: 57-10

Wagner & McGingan: ME-29

Wainska, Anna: 58-16

Waintrob, Sidney J.: 58-20

Wakamoto, Richard M.: 57-6

Wakita, Kazu: 58-42, 61-4

Wald Sylvia: 53-16, 56-25, 56-26, 58-3, 60-3, 60-24, NY-3

Waldman, Selma: 54-8

Wales, Shirley: 59-3, 62-8

Walker, Clay: 56-25

Walker, Hank: 58-A&B

Walker, Robert: MMA-54-2

Walker, William H.: 59-6

Walkowitz, Abraham: 55-15, 58-34, 59-6, 63-1, 64-29, 64-30, 64-31

Wallack, W.J.: 62-2

Wallington, Ethel: 55-2

Walmsley, William: 53-26, 60-3

Walser Ursula: 63-5

Walter D. Teague Associates: 61-30

Walters, Carl: 55-11

Walters, Susane: 62-2

Walton, Marion: 53-20

Walton, William: 56-19, 64-5

Walzer, Marjorie: ME-75

Ward, Jacob Caleb: 63-15

Ward, James: 55-24

Ward, Lynd: 56-21

Ward, Philip A.: 60-5

Ward, William: 58-32

Wardlaw, George: 58-32

Wardle, Alfred H.: 57-14, 62-10

Warhol, Andy: 63-30, 64-26, NY-17

Warner, Catherine Townsend: 59-18

Warner, Howard: 58-32

Warner, Burns, Toan & Lunde: 63-16

Warre, Henry James (Sir): 61-3

Warren, Ferdinand: 53-5, 56-13

Warshaw, Howard: 59-1, 61-7

Warshaw, Nat: 57-ee

Wartenweiler, Albert: 61-1

Wartik, Patricia: 53-12, 54-42, 55-6

Wasey, Jane: 52-4

Washburn, Glen: 53-26

Wasserstein, Julius: 58-7

Watanabe, Sadao: 58-35

Waterloo, Anthonie: 60-40, 63-17

Watkins, Franklin Chenault: 56-2, 57-11, 57-28, 60-27, 63-3, ME-23, ME-41, ME-73

Watteau, Jean Antoine: 55-24, 57-18, 59-40, 62-20, 67-19, ME-32

Waugh, Frederick J.: 64-30, 64-31

Wayne, June: 55-20, 57-12, 58-3, 60-3, 63-12

Weavers, Wayne: 62-15

Webb, Clifford: 56-21

Webb, John: 61-22

Webb, Philip: 61-22

Webb, Todd: 63-8

Webber, Helen: 65-6

Weber, Albert: 58-3

Weber, Hugo: 56-2, 61-29

Weber, Max: 53-12, 54-10, 54-25, 55-9, 55-15, 56-1, 57-9, 57-15, 59-6, 59-7, 59-31, 60-13, 60-24, 60-27, 62-28, 62-30, 62-31, ME-7, ME-23, ME-26, ME-31

Webster, E. Ambrose: 64-29, 64-30

Webster, Herman: 57-3, 9-6

Weddige, Emil: 54-18, 56-25, 58-15

Wedel, Nils: 58-15, NE-96

Wedin, Elof: 54-27, 58-6

Weeks, James: NY-18

Wegner, Toon: 56-21

Wegner, Walter F.: 57-14

Weidenaar, Reynold: 58-3

Weidner, Roswell: 63-3

Weigers, Jan: 51-3

Weinberg, Elbert: 54-42, 55-6, 58-16, ME-75, NY-10

Weiner, Ethel: 55-5

Weiner, Paul L.: 61-30

Weinert, Egino: 58-35

Weinrib, David: 57-6, 61-29

Weinrich, Agnes: 64-30

Weir, John Ferguson: 62-7

Weir, Julian Alden: 56-18, 57-11, 62-7, 62-17, 63-1, 64-3

Weisbord, Mimi: 58-3

Weisgard, Leonard: 61-33, VA-53-1

Weismann, Donald: 57-23

Weiss, Sabine: 60-25

Weissauer, Rudolf: 56-2

Weixal, Harry: 53-17

Welch, Kathryn Lathrop: 53-17

Welliver, Neil: 59-12, 62-41

Wellner, Lea: 58-3

Wells, Cady: ME-26

Wells, George: 55-8, 57-6, 60-5

Wells, John R.: 59-56

Welman, Val: 58-3

Welton, Karlyn: 62-10

Welton, Beckett & Associates: 62-24

Wengenroth, Stow: 53-1, ME-7

Wenneman, William H.: 64-30

Wenstrup, Margaret: 56-9

Wenzel, Hans Ernst: 53-24

Wenzel, John J.: 62-10

Wenzler, William P.: 62-24

Wernans, Gerard: 61-20

Werner, Charles: 59-6

Werner, Nat: 52-4, 57-1

Werner, Theodor: 56-7, NE-48

Werner, Woty: NE-48

Werner, Jenssen & Korst: 64-21

Weschler, Anita: 52-4, 53-20

Wescott, Paul: 56-27, 57-10

Wesselman, Tom: 62-41, 64-12, NY-17, NY-18

Wessels Glenn: 58-7

West, Benjamin: 59-24, 62-2, 63-3, 63-11, ME-32

West, Cecil: 52-11

West, Pennerton: 60-24

Westall, Edward: 62-12

Westenenk, Adriek: 61-1

Westerman, H.C.: 60-12, 62-41, 64-20

Weston, Brett: 52-3, 61-8

Weston, Edward: 56-5

Weston, Harold: 55-3, ME-73

Westover, Russ: 57-3

Wettergreen, Steen E.: 57-14

Whanki, Kim: 59-5

Wheatley, Francis: 65-10

Wheeler, Steven T.: ME-75

Wheelwright, Robert: 53-8

Whistler, James McNeill: 54-25, 59-6, 59-34, 60-13, 62-19, 63-19, 67-19, ME-7, ME-11, ME-31, MMA-54-1, NY-9, NY-16

Whitcomb, David G.: 61-30

White, Barbara Joan: 60-5

White, Charles: 66-9

White, Clarence H.: 56-5, 62-25, NY-1

White, Minor: 56-5, 61-8

White, Ralph: 57-23

White, Robert: 56-2, 58-40

White, William: 58-16

White, IV Amos: 62-10

Whiting, Joseph: 59-18

Whiting, Naomi: 62-15

Whitman, Robert: 62-41

Whitmore, James: 58-A&B

Whittlesey & Conklin: 65-9

Whittredge, Thomas Worthington: 59-6, 60-28, 61-3, 63-15, ME-11, NY-4

Whorf, John: 64-30

Widerberg, Arvid: 62-44

Wiegers, Jan: 54-18, NE-96

Wiemann, Hermann: ME-75

Wiener, Jr., Samuel: 61-17

Wienholt, Anne: 56-26

Wier, J. Alden: NY-16

Wierix, Anton: 62-18

Wiersba, Deane O.: 57-14

Wiess, J.: 62-2

Wigfall, Benjamin: 55-20, 56-12

Wighe, A.: 58-27

Wiinblad, Bjorn: 52-5

Wilce, Leory R.: 60-5

Wild, Charles: 62-12

Wildbur, Peter: 53-24

Wilde, John: 56-2, 57-1, 60-4, 61-15, 62-1, 62-31, 64-4

Wildenhain, Franz: 57-6

Wildenhain, Marguerite: 51-15, 57-6

Wiles, Irving R.: 59-6

Wiley, William: 58-7, NY-10

Wilke, Ulfert S.: 58-42, 61-26

Wilkening, Donald J.: 60-5

Wilkins, Ed: 58-32

Wilkinson, Jack: 54-27, 59-12

Will-Grefe: 57-17

Willard, Frank: 57-3

Willet, Henry Lee: 58-16

William, Galligan, Inc.: NY-14

Williams, Charles T.: 58-30

Williams, Esther: 53-1

Williams, Gaar: 57-3

Williams, Garth: VA-53-1

Williams, Gerald: 57-14, 57-6

Williams, Gluyas: 57-3

Williams, Hiram: 57-23, 59-12, 65-4

Williams, J. Scott: 53-8

Williams, Jackie: 53-26

Williams, Lawrence: 58-39

Williams, Micah: 64-1

Williams, Richard: 53-16

Williams, Todd: 66-9

Williams, Walter: 55-14, 56-12, 57-2

Williams, William: 63-15

Williamson, Clara: 57-9, 57-23

Willis, Robert: 58-39

Willis, Constance Clark: 56-25

Wilson, Bryan: 57-6, 58-7, 58-42, 65-11

Wilson, Helen: 52-4

Wilson, Jane: 63-7, 65-2, ME-73, ME-74

Wilson, Katherine & Burton: 57-6

Wilson, Maria: 51-15

Wilson, Mary Ann: 64-1

Wilson, Richard: 65-10

Wilson, Sol: 53-12, 64-29, 64-30, ME-73

Wilson Tom Muir: 65-7

Wiltshire & Fisher: ME-19

Wimar, Charles: 61-3

Wimmer, Hein & Gertrud: 61-1

Winckler, Katherine: 57-6

Winde, Jochen: 61-1

Windust, Marjorie: 64-30

Winebrenner, James: 62-10

Wineland, N.W.: 64-1

Wines, James: 58-12, 60-42, 61-29, 62-40, 63-31, 64-20, ME-56, NY-10

Winfield, Rodney: 58-16

Wingate, Arline: 52-4

Winge, Sigurd: 57-40

Wingren, Dan: 55-6, 57-23

Winkel, Nina: 52-4

Winkler, John W.: ME-7

Winokur, Robert M.: 62-10

Winston, Bob: 51-15, 54-43

Winter, Andrew: 64-31

Winter, Fritz: 54-18, 56-7, 57-9, 59-36, 64-2

Winter, Joseph: 56-2

Wise, Jack: 53-26

Wiser, J.: 58-14

Wisniewski, Alfred: 61-11

Wison, Ben: 56-2

Wissing, Benno: 61-20

Withers, Margaret Craver: 57-6

Witherstine, Donald F.: 64-30

Woelffer, Emerson: 56-2, 9-1

Woell, James: 62-10

Wohlgemut, Michael: NY-9

Wojcik, Frank: 57-14

Wolcott, Marion Post: 64-28

Wolf, Ben: 64-29, 64-30

Wolf, Helen: 64-30

Wolf, Jean: ME-75

Wolfe, Jack: 56-9, 57-12, 59-1, NY-10

Wolfe, Lynn R.: 58-16

Wolff, Robert Jay: 59-1

Wolfson, Sidney: ME-59

Wolgemut, Michel: 55-10

Wolk, Joan Lee

Wollner, Leo & Grete: 53-24, 61-1

Wolpert, Ludwig Y.: ME-75

Wols, W.S.: 61-9

Wonders, Seanie: 58-32

Wong, Nancy: 62-10

Wong & Campbell, Worley K. & John C.: SD-8

Wonner, Paul: 54-42, 58-7, 60-1, 64-26

Woo, Gary: 58-42

Woo, Marie: 57-14

Woo, Mary Balzer: 58-32

Wood: 54-25

Wood, Beatrice: 57-6

Wood, Grant: 60-13, ME-31

Wood, Gross: 55-22

Woodville Richard Caton: 58-27, ME-11

Woolf, M.A.: 57-3

Woolley, Jackson & Ella Marie: 55-22, 60-5

Wopert, Ludwig Y.: 58-16

Wormley, Edward: 51-8, 61-30, 62-15

Worms, Roger: 59-5

Wortruba, Fritz: 60-42, 61-4, 61-29

Wou-ki, Zao: 54-18, 56-21, 58-15, 58-42, 60-14, 61-4

Wren, Christopher (Sir): 61-22

Wrigh,t Donald B.: 58-32, 60-5, 60-12

Wright, Frank Lloyd: 59-15, 61-31, 62-24, ME-8

Wright, Fred William: 62-17

Wright, Russell: 62-15

Wtewael, Joachim Antonisz: 64-9

Wunder, George: 57-3

Wurster, Bernardi & Emmons: SD-8

Wyant, Alexander Helwig: 60-28, NY-4

Wyatt, Wyatville & Buckler James, Jeffrey & John: 61-22

Wyeth, Andrew: 53-8, 54-25, 60-13, 62-17, 62-28, 64-31, ME-7, ME-26, ME-27, ME-31, ME-41, ME-73, NY-5

Wyman, William: 57-6, 60-12

Wynants, Jan: 62-36

Wynne, Al: 61-7

Wynne, Jon: 58-3

Xceron, Jean: 55-3, 58-26, 60-41, 64-10, ME-73

Yager, Jay R.: 62-10, 65-7

Yakutat: 59-4

Yamamoto, Seinen: 65-12

Yamamoto, Taro: 64-30

Yamasaki, Minoru: 61-31

Yamawaki, Yoji: 65-12

Yamazaki: 63-21

Yamazaki, Akira: 65-12

Yamazaki, Kakutaro: 65-12

Yamin, Alice: 62-27

Yanagida: 63-21

Yarbrough, Leila: 65-11

Yardley, Richard Q.: 57-3

Yarenrag: ME-29

Yater, George: 64-30

Yattaw, Carol: 58-3

Yeager, J.: ME-29

Yee, Frank: 54-42

Yeisen, Keisai: NY-12

Yektai, Manoucher: 63-7, 65-2

Yerxa, Thomas: 56-9, 59-12, NY-10

Yoffe, Michael: 53-24

Yoffe, Vladimir: 52-4, 53-20

Yokoi, Rita: 62-10

Yokoi, Teruko: 59-10

Yokokura, Kazan: 65-12

Yokoyama, Hakutei: 65-12

Yokoyama, Ichimu: 65-12

Yonezawa, Hisashi: 65-12

Yong-nim, Ch'oe: 58-33

Yoors, Jan: 58-25

York, Robert: 57-3

Yoshida, Raymond K.: 58-3

Yoshiga, Taibi: 65-12

Yoshihara, Jiro: 61-4, 63-23, 64-2

Yoshimura Fumio: 65-6

Yost Phillip: 55-22

Youg-gi, Kim: 58-33

Yougman, William: 55-6

Young, Chic: 57-3

Young, John: 58-42

Young, Louis W.: 61-17

Young, Mahonri M.: 59-6

Youngerman, Jack: 63-7, 63-30, 65-1, 65-11, ME-59, ME-60

Youngert, Wilma Jean: 57-14

Yrarrazabal, Ricardo: 60-17

Yselin: ME-55

Yu-ho, Tseng: 58-42, 59-24

Yung Art: 55-22

Yunkers, Adja: 53-2, 53-16, 56-25, 56-26, 58-43, 59-23, 60-4, 60-24, 61-9, 62-27, 63-12, 64-7, 64-12, ME-7, ME-49, ME-73

Yves-Bonnat: 59-19

Zaalberg, Meindert: 61-1

Zabari, Moshe: ME-75

Zabarsky, Melvin: 65-11

Zabransky, Adolf: 61-33

Zachai, Dorian: 62-31, 65-6

Zadkine Ossip: 61-24, 63-31

Zaid, Princess: 56-29

Zajac, Jack: 56-12, 60-1, 60-42, 64-7, ME-75

Zakhariev, Vassil: 56-21

Zanartu, Enrique: 60-17, 62-8

Zandotti, Anna: 61-1

Zanetti, Antonio Maria: 57-37

Zarcone, Joe: 53-16

Zarin, Florience: 56-25

Zaritzky, Joseph: 61-4

Zaviri, Z.: 58-36

Zawisa, Bernard J.: 54-8, 56-27

Zeid Fakhr-El-Nissa(Princess): 56-15

Zeitner, Herbert: 61-1

Zender, Rudolf: 53-2

Zerbe, Karl: 54-10, 55-13, 57-9, 57-28, 57-35, 58-5, 58-44, 59-1, 60-36, 62-30, 64-30, ME-26, ME-73, ME-55, ME-74

Zeshin, Shibata: 62-45

Zetlin, Florence: 61-35

Zgaib, Khalil: 56-29

Ziegler, Laura: 60-42

Zieler, Mogens: 52-5, 56-21, NE-96

Ziemann Richard Claude: 58-3, 59-12, 60-3

Zigaina Giuseppe: 58-40, 61-11

Zighera, Francoise: 53-1

Zimbrolt, Joseph: 65-7

Zimmer, Fred: 56-25

Zimmerman: ME-55

Zimmerman, John: 58-A&B

Zimmerman, Muriel: 58-32

Zimmerman, Paul: 64-29, 64-30

Ziner Zeke: 58-12

Zingale Santos: 58-3

Zion & Breen, Robert & Harold: 62-33

Zirkle, Louis: 62-10

Zirkle, Merle: 62-10

Zirm, Paul E.: 53-17

Ziroli, Nicola: 56-13, 59-10

Znamierowski, Nellie: 58-32

Zoellner, Richard: 54-18, 55-20, 56-25, 56-26, 60-3, 60-22, 62-3, NE-96

Zorach, Marguerite: 64-29, 64-30, 64-31, 65-2

Zorach, William: 52-4, 55-12, 55-19, 56-2, 56-22, 57-15, 58-34, 62-30, 64-31

Zoran Antonio: 60-15

Zoretich, George: 53-12

Zorn, Anders: 62-5

Zox, Larry: 63-24, 64-12, 65-11

Zschaler Othmar: 61-1

Zuber: NY-14

Zuberlein, Jakob: 64-9

Zuccaro, Federigo: 56-16, 64-9

Zucchi Jacopo: 61-22

Zulawski Marek: 56-15

Zumstein, Beat: 53-2

Zurbaran, Francisco: ME-32

Zuver, Nora: 64-30

Zwart, Piet: 61-20

Provenance:

The records of the American Federation of Arts (AFA) were donated to the Archives of American Art (AAA) over a thirteen-year period, with the bulk of the material arriving between 1964 and 1966. In 1979, Preston Bolton donated his letters and those from John de Menil, Ann Drevet, Lee Malone, and others regarding planning for the 1957 AFA annual convention held in Houston, Texas; convention committee minutes from 1956; and AFA newsletters. This material, as well as a 1979 gift from Louise Ferrari of transcripts from a panel discussion from the 1957 AFA convention in Houston, was microfilmed on AAA Reel 1780. All material previously microfilmed on Reel 1780 has been fully integrated into the collection and arranged within proper series and subseries. The provenance of the 1990-1993 printed material is unknown.

Restrictions:

Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Traveling exhibitions  Search this

Art -- Exhibitions  Search this

Art, American  Search this

Genre/Form:

Sound recordings

Exhibition catalogs

Photographs

Lantern slides

Administrative records

Citation:

American Federation of Arts records, 1895-1993 (bulk 1909-1969). Archives of American Art, Smithsonian Institution.

Identifier:

AAA.amerfeda

See more items in:

American Federation of Arts records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c7dd55d7-d3cb-43e7-8f4e-cd346add3d2e

EDAN-URL:

ead_collection:sova-aaa-amerfeda