Search Results

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37000 Slides (photographs) (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides (photographs)

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Provenance:

North Shore Garden Club of Massachusetts  Search this

Former owner:

Phillips, John Charles  Search this

Phillips, Anna Tucker  Search this

The Trustees of Reservations  Search this

Owner:

Project Adventure  Search this

Landscape architect:

Olmsted Brothers  Search this

Farrand, Beatrix, 1872-1959  Search this

Kirkwood, Grace  Search this

Wirth, Thomas  Search this

Gibson, Laura  Search this

Photographer:

Gibson, Lolly  Search this

Mason:

Watson, John H.  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Massachusetts -- Essex -- Beverly

Scope and Contents:

This file contains 2 folders, 2 35mm slides (1987), 11 digital images and 3 photographic prints (2020).

General:

The Tea House Garden is a small sunken flower garden that occupies 1/4 acre on the 175 acre Moraine Farm. The tea house itself is an octagonal shape with fluted columns and a shingled dome on top of a fieldstone grotto. It features a vast lawn that extends south from the house and terrace, as well as a circular pool. The east and west walls of the lawn are constructed of trees, shrubs, and dragon tooth. The property overlooks a panoramic view of Wenham Lake from a terrace that spans the length of the house.

Frederick Law Olmsted was involved in the development of the property between 1879 and 1880 when John C. Phillips acquired several small farms to renovate, including this one. Olmsted worked with the architectural firm Peabody and Stearns to determine the position of the house, as well as its visual and physical connection with the naturalistic landscape adjacent to the house and along the road. Though the first owner desired a vibrant flower garden, Olmsted discouraged his client from clashing the brilliance of a colorful garden with the native shrubs and trees. He ultimately decided to place the flower garden within the rock-bound framework of the residential landscape, and out of sight of the house. John W. Watson of Lawrence Watson and Son built a stone wall and terrace on the property in 1880.

The original owner continued to take interest in the Tea House Garden after her husband's death in 1885. In 1907, she commissioned Beatrix Jones [Farrand] to design a water garden. While Jones' original plans depicted a horseshoe shaped pond amongst perennials, photographs taken that year prove that the water garden created did not reflect Jones' plan. The idea for a shrubbery bed was replaced by a circular lily pond and fountain. After the original owner's death in 1925, her children sold the property to George and Katherine Batchelder Jr. In 1928, the new owners removed the grape arbor, kept the circular pond, and designed a new trap rock path system that reflected the horseshoe shape of the dragon tooth wall. In 2017, the Moraine Farm Landscape Committee asked member Lolly Gibson to simplify the garden to reduce maintenance requirements and make upkeep more sustainable. Her alterations are reflected in the current documentation of the garden, such as the added mulched maintenance paths in the large beds.

Inside the dragon tooth wall are azaleas, andromeda, laurel, white rose of Sharon, Summersweet and Lilacs that form a backdrop for summer blooming Astilbe, Fairy Candles, Hosta, Lysimachus, Sedum, Thalictrum, Thermopsis, and Turk's Cap Lily. European Ginger, Lady Ferns, Maidenhair Ferns, and Trillium lie beneath the shrubs. Roses, lilacs, sweetspire, and anemones frame the grotto of the teahouse. The circular pond is surrounded by roses, catmint, and peonies, and behind it are germander edged perennial beds. One can see azaleas through the tea house windows. Moss continues to cover the stone used as the tea house foundation as it did in Olmsted's day.

Persons associated with the garden include: John Charles and Anna Tucker Phillips (former owners, 1878 – 1885, 1885 – 1925); John Charles Phillips Sr., and William Phillips (former owners, 1925 – 1928); George Lewis Batchelder Jr., and Katherine Tiffany Abbot Batchelder (former owners, 1928 – 1977); George Lewis Batchelder III and Wilhelmina VanLier Batchelder (former owners, 1977 – 1999); Batchelder Trust (former owner, 1991 - present); Project Adventure (74 acres including garden area); (owner, 1999 to present); The Trustees of Reservations (37 acres) (owners, 2010 – present); Frederick Law Olmsted/ Olmsted Bros. (landscape architects, 1879 – 1884/ 1948 – 1968); Beatrix Jones {Farrand} (landscape architect, 1907); Grace Kirkwood (landscape architect, 1960); Thomas Wirth (landscape architect, 1986); Laura Gibson (landscape architect, 2017).

Related Materials:

Related materials include Tea House Garden Ledgers, correspondence, plans: The Trustees of Reservations, Archives and Research Center, Sharon, Massachusetts; Plans: Fairsted, Brookline, Massachusetts, National Park Service; Correspondence: Library of Congress; Frederick Law Olmsted, Designing the American Landscape, Charles E. Beveridge and Paul Rocheleu, Rizzoli; The Papers of Frederick Law Olmsted, Vol. III, page 203.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Massachusetts -- Beverly  Search this

Tea House Garden, Moraine Farm (Beverly, Massachusetts)  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File MA169

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Massachusetts

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb612039030-a3fc-458e-aa41-f6cf49a0b8cf

EDAN-URL:

ead_component:sova-aag-gca-ref33239

Creator:

Kent, Rockwell, 1882-1971  Search this

Names:

American Artists' Congress  Search this

Artists League of America  Search this

Artists' Union (New York, N.Y.)  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

International Workers Order  Search this

Macbeth Gallery  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

Boyesen, Bayard  Search this

Chamberlain, J. E.  Search this

Chase, William Merritt, 1849-1916  Search this

Cleland, T. M. (Thomas Maitland), 1880-1964  Search this

Daniel, Charles, 1878-1971  Search this

Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this

DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this

Fitzgerald, James, 1899-1971  Search this

Freuchen, Peter, 1886-1957  Search this

Gellert, Hugo, 1892-1985  Search this

Gottlieb, Harry, 1895-  Search this

Hartley, Marsden, 1877-1943  Search this

Hays, Lee, 1914-1981  Search this

Henri, Robert, 1865-1929  Search this

Jones, Dan Burne  Search this

Keller, Charles, 1914-2006  Search this

Miller, Kenneth Hayes, 1876-1952  Search this

Nearing, Helen  Search this

Nearing, Scott, 1883-1983  Search this

Pach, Walter, 1883-1958  Search this

Phillips, Duncan, 1886-1966  Search this

Rasmussen, Knud, 1879-1933  Search this

Reeves, Ruth, 1892-1966  Search this

Robeson, Paul, 1898-1976  Search this

Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this

Ruggles, Carl, 1876-1971  Search this

Seeger, Pete, 1919-2014  Search this

Stefansson, Vilhjalmur, 1879-1962  Search this

Untermeyer, Louis, 1885-1977  Search this

Wildenstein, Felix, 1883-1952  Search this

Zigrosser, Carl, 1891-  Search this

Extent:

88 Linear feet

Type:

Collection descriptions

Archival materials

Poems

Sketches

Business records

Photographs

Drawings

Date:

circa 1840-1993

bulk 1935-1961

Summary:

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Scope and Content Note:

The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.

Arrangement:

The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)

Biographical Note:

Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.

Provenance:

In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.

Restrictions:

The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State)  Search this

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Function:

Labor unions

Genre/Form:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kentrock

See more items in:

Rockwell Kent papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a

EDAN-URL:

ead_collection:sova-aaa-kentrock

Creator:

Gugler, Eric, 1889-1974  Search this

Names:

Cornell, Katharine, 1893-1974  Search this

Gugler, Frida  Search this

Manship, Paul, 1885-1966  Search this

Roosevelt, Eleanor, 1884-1962  Search this

Extent:

34.9 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Date:

1889-1977

Summary:

The papers of architect and painter Eric Gugler measure 34.9 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Scope and Contents:

The papers of architect and painter Eric Gugler measure 34.4 linear feet and date from 1889-1977. Found within the papers are biographical materials, including papers relating to the Gugler family, personal and business correspondence, writings, project files for commercial and residential commissions, personal business records, photographic materials, including 180 glass plate slides, and artwork.

Biographical materials include certificates, official documents, curriculum vitae, and histories of the Gugler family. Correspondence consists of professional letters regarding prospective and active projects, and personal correspondence from friends and family, including Eleanor Roosevelt, Katherine Cornell, and Paul Manship. Writings include book proposal drafts, essays, notes, speeches, and writings by others.

Project files consist of correspondence, architectural sketches, blueprints, and photographic and printed materials related to Gugler's work on commercial, residential, governmental, and memorial commissions. Renderings of specific design objects, sculptures, and Gugler's collaborative work on preservation efforts are also included.

Personal business records include correspondence related to Gugler's firm, including office leases, prospective client lists, and service fees. Printed material consists of clippings, exhibition material, postcards, and other miscellaneous items.

Photographic materials are of Eric Gugler and members of the Gugler family. Artwork includes sketches, watercolors, paintings, photographs of artwork, and artwork by Frida Gugler.

Arrangement:

The collection is arranged as 8 series. Glass plate slides are housed separately and closed to researchers, but listed where they fall intellectually within the collection.

Missing Title

Series 1: Biographical Material, 1898-1975 (0.5 linear feet; Box 1, OV 33)

Series 2: Correspondence, 1906-1974 (4 linear feet; Boxes 1-5, 20, OV 33)

Series 3: Writings, 1932-1973 (16 folders; Box 5)

Series 4: Project Files, 1889-1977 (28.2 linear feet; Boxes 5-18, 20-24, 70-72, OV 25-31, OV 33-49, RD 50-69)

Series 5: Personal Business Records, 1928-1972 (0.3 linear feet; Box 18)

Series 6: Printed Material, 1923-1977 (0.3 linear feet; Boxes 19, 24)

Series 7: Photographic Materials, 1890-1966 (9 folders; Box 19)

Series 8: Artwork, 1895-1970 (0.4 linear feet; Box 19, OV 32)

Biographical / Historical:

Architect and painter Eric Gugler (1889-1974) lived and worked in New York City, New York. Known for his work on monuments and memorials, Gugler was selected by President Roosevelt to head the redesign and building of the White House's West Wing in 1934.

Born in Milwaukee, Wisconsin to lithographer Julius Gugler and his wife, Bertha Bremer, Gugler attended Columbia University and received a three year scholarship to continue his studies at the American Academy in Rome. In 1919, he opened his architectural firm on Park Avenue in New York City and began accepting residential and commercial commissions. In addition to designing buildings and houses for clients, Gugler also completed smaller design objects for ceiling details, sculptures, murals, and decorative structures. In the late 1920s and early 1930s, his firm won commissions to complete World War I Memorials in New York and Chicago, Illinois, and also received a major commission to design the Educational Building in Harrisburg, Pennsylvania. Around this time, Gugler married Broadway actress and dancer Anne Tonetti and designed a second residence in the artist's community of Sneden's Landing, New York.

Gugler's interest and willingness to work on large scale memorials and institutional buildings aided in his appointment to a number of prominent commissions in the 1930s to the 1950s. These include the design of the White House's West Wing and the Sicily-Rome American Cemetery and Memorial in Italy, new construction and renovations to the Forman School (Conn.) and Wabash College (Ind.), and the building of residential houses for Katherine Cornell, Barry Faukner, and Paul Manship. In the 1960s, he was selected to head memorial designs for the Franklin Delano Roosevelt and Theodore Roosevelt Memorials in Washington, D.C., and also spent considerable time and energy developing the "Hall of Our History" project. Gugler remained active designing and working on projects until his death in 1974.

Related Materials:

The White House Historical Association's Office of the Curator holds additional Eric Gugler Papers related to the expansion and redesign of the West Wing in 1934.

Provenance:

The papers were donated in 1977 by Gugler's wife, Anne Tonetti Gugler. Additional materials were donated between 1979 and 1980 by Gugler's business associate, Ferdinand Eiseman.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architects as artists -- New York (State) -- New York  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Architecture -- Designs and plans  Search this

Architecture, Modern -- 20th century  Search this

Architects -- New York (State) -- New York  Search this

Genre/Form:

Sketches

Watercolors

Glass plate negatives

Paintings

Photographs

Blueprints

Citation:

Eric Gugler papers, 1889-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.gugleric

See more items in:

Eric Gugler papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a729ea25-2ca9-4693-95a4-2f15b5651aab

EDAN-URL:

ead_collection:sova-aaa-gugleric

Creator:

Holt, Nancy, 1938-2014  Search this

Names:

James Cohan Gallery  Search this

John Weber Gallery  Search this

Smithson, Robert  Search this

Extent:

circa 42 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Date:

circa 1900-2014

Summary:

The Nancy Holt Estate records measure circa 42 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks, and incorporate some slides from the James Cohan Gallery. James Cohan worked for John Weber before establishing his own gallery in 2001.

Scope and Contents:

The Nancy Holt Estate records measure circa 42 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks. The records incorporate some slides from the James Cohan Gallery (1999-), an art gallery in Manhattan, New York, which represents the estate of Robert Smithson.

Arrangement:

The Nancy Holt Estate records are arranged as 4 series.

Series 1: Project Files, circa 1900-2014, bulk 1970-2000 (12.8 linear feet; Boxes 3-10, OVs 11-31, RDs 32-39)

Series 2: Calendars and Notebooks, circa 1970s-2013 (2 linear feet; Boxes 40-42, OVs 43-44)

Series 3: John Weber Gallery Records Concerning Robert Smithson, circa 1960-circa 2001 (2 linear feet; Boxes 1-2)

Series 4: Unprocessed Papers, circa 1960s-circa 2014 (25.2 linear feet; Boxes 45-69, OVs 70-71)

Biographical / Historical:

Nancy Holt (1938-2014) was an environmental and installation artist, sculptor, filmmaker, and photographer, based in New York, New York. She was best known for her large-scale public land art installations including her seminal work Sun Tunnels (1973-1976) located in the Great Basin Desert, Utah. Her work engaged with the natural environment and the celestial realm, tracing the rotation of the earth and the movement of the sun and stars. Holt was also fascinated by mechanical systems such as those used for heating, drainage, and ventilation, and her functional sculptural installations explored the relationship between architecture and the built environment.

Holt was born in Worcester, Massachusetts, grew up in New Jersey, and graduated from Tufts University in 1960 with a degree in biology. She moved to New York City later that year where she met the artist Robert Smithson, to whom she was married from 1963 until Smithson's death in 1973.

Holt's landmark work Sun Tunnels was executed in 1973-1976 in Utah's Great Basin Desert, where Holt and Smithson had purchased surrounding land specifically to ensure an unimpeded view of the horizon. Holt went on to produce many site-specific outdoor works including 30 Below (1980), Dark Star Park (1984), Solar Rotary (1995), and Up and Under (1998). Her exploration of what she termed Systems Works included Catch Basin (1982), Flow Ace Heating (1985), and Spinwinder (1991).

Holt's photography was essential in the development of her ideas. In Missouri Ranch Locators: Vision Encompassed (1972) she used photography in her development of "seeing devices," creating eye-level steel pipes to direct viewers to a specific site in the surrounding landscape, and developing a concept that was central to Sun Tunnels and other works. Her book Ransacked, Aunt Ethel: An Ending (1980) documented through text and photographs the abuse and theft her aunt was subjected to at the end of her life. In Time Outs (1985) Holt used photographs of football games taken from a television screen to create a book born out of her childhood love of TV sporting events.

Holt's work can be found in the collections of major institutions including the Museum of Modern Art and the Whitney Museum of American Art in New York, the Utah Museum of Fine Arts, and the Museum für Gegenswartkunst, Germany. Her permanent installations can be found at public institutions including Miami University Art Museum, Southern Connecticut State University, University of Massachusetts, Dartmouth, Western Washington University, and University of South Florida.

In 2012 Nancy Holt was made a Chevalier of the of the Ordre des Arts et des Lettres by the French Government. In 2013 she was presented with a Lifetime Achievement Award by the International Sculpture Center in New York. Holt received five National Endowment for the Arts Fellowships, two New York Creative Artist Fellowships, a Guggenheim Fellowship, and an Honorary Doctorate from the University of South Florida, Tampa.

Holt lived in Galisteo, New Mexico, from 1995-2013. She died in New York City in 2014.

Related Materials:

The Archives of American Art also holds the Robert Smithson and Nancy Holt papers, an interview with Nancy Holt conducted 1992 July 6 by Scott Gutterman for the Archives of American Art, and an interview with Nancy Holt conducted 1993 August 3 by Joyce Pomeroy Schwartz for the Archives of American Art.

Provenance:

Bequest of Nancy Holt, 2014.

Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Filmmakers -- New York (State) -- New York  Search this

Environmental artists -- New York (State) -- New York  Search this

Installation artists -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Sculptors -- New Mexico -- Galisteo  Search this

Installation artists -- New Mexico -- Galisteo  Search this

Environmental artists -- New Mexico -- Galisteo  Search this

Photographers -- New Mexico -- Galisteo  Search this

Filmmakers -- New Mexico -- Galisteo  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Earthworks (Art)  Search this

Women photographers  Search this

Women filmmakers  Search this

Genre/Form:

Interviews

Diaries

Sound recordings

Video recordings

Drawings

Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.holtnanc

See more items in:

Nancy Holt Estate records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95e0b7a8b-3fdb-4cd3-91fb-a6bec00cc668

EDAN-URL:

ead_collection:sova-aaa-holtnanc

Creator:

Cox, Allyn, 1896-1982  Search this

Names:

American Battle Monuments Commission  Search this

Art Commission of the City of New York  Search this

Art Students League (New York, N.Y.)  Search this

Century Association (New York, N.Y.)  Search this

Cosmos Club (Washington, D.C.)  Search this

Dumbarton Oaks  Search this

George Washington Masonic National Memorial (Alexandria, Va.)  Search this

National Society of Mural Painters (New York, N.Y.)  Search this

Park Club of Kalamazoo  Search this

Smithsonian Institution  Search this

United States Capitol Historical Society  Search this

Bayley, John Barrington, 1914-1981  Search this

Bishop, Warner  Search this

Cassio, Fabrizio  Search this

Conrad, Arthur  Search this

Cox, Ethel  Search this

Cox, Kenyon, 1856-1919  Search this

Cox, Louise Howland King, 1865-1945  Search this

DeWitt, Roscoe, 1894-1975  Search this

Frost, Stuart  Search this

Harbeson, John F. (John Frederick), 1888-1986  Search this

Keally, Francis, 1889-1978  Search this

Keller, Deane, 1901-1992  Search this

Lamb, Adrian  Search this

Laning, Edward, 1906-1981  Search this

Lay, Charles Downing, 1877-1956  Search this

MacDonald, Pirie, 1867-1942  Search this

Schwengel, Fred, 1907-1993  Search this

Shutze, Philip Trammell  Search this

Young, Clifford, 1905-  Search this

Extent:

11 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Diaries

Sketchbooks

Sketches

Date:

1856-1982

Summary:

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Scope and Contents:

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Biographical material includes family birth, death, and marriage certificates, and passports for Cox and his wife Ethel, whom he married in 1927; professional membership cards, awards and certificates; records related to sales of furnishings from the Cox family home in Essex, Massachusetts; and an untranscribed interview of Cox by Tony Janak of NBC TV.

Cox's family correspondence is primarily with his mother, Louise Cox. Also found is correspondence with Cox's sister, Caroline Cox Lansing, and his brother Leonard Cox and Leonard's wife, Sylvia, and letters from Ethel Cox to her mother. Additional correspondence relating to the disposition of Kenyon Cox''s artwork and archives to various institutions, can also be found here.

General correspondence documents Cox's career and professional relationships with artists and architects, including John Barrington Bayley, Fabrizio Cassio, Arthur Conrad, Roscoe DeWitt, Stuart Frost, John Harbeson, Francis Keally, Adrian Lamb, Edward Laning, Charles Downing Lay, Deane Keller, Philip Trammell Shutze, and Cliff Young; art institutions and organizations including the Art Commission of the City of New York, the Art Students League, Dumbarton Oaks, the National Society of Mural Painters, and the Smithsonian Institution; federal, state and local government agencies including the American Battle Monuments Commission, the Architect of the Capitol, and the General Grant National Memorial; members of Congress including founder of the United States Capitol Historical Society, Representative Fred Schwengel; and private social clubs in which Cox was active, including the Century Association, the Cosmopolitan Club and the Cosmos Club. Correspondence documents Cox's most well known commissions including work for the George Washington Masonic National Memorial and the United States Capitol, as well as work for many private clients including banks and residences.

Also found are typescripts, manuscripts and notes for Cox's lectures, as well as Ethel Cox's diary from 1923-1936 and her diary excerpt from 1955. Ten folders of research files, consisting primarily of clippings, comprise Cox's source material. Additional printed material provides scattered documentation of Cox's career through announcements and catalogs, and magazine and newspaper articles written by him or about his work. Also found is one folder of clippings about Kenyon Cox.

Four sketchbooks and circa twenty-two loose animal, figure, architectural and landscape sketches comprise Cox's artwork, in addition to two 1943 sketches Cox entered into a War Department mural competition. Also found is an 1873 sketchbook of Kenyon Cox, with sketches of people and scenes in Ohio.

Photographs are of Cox from childhood to the 1980s; his family, including parents, siblings, and grandparents; friends including Philip Trammell Shutze and Warner Bishop; family residences; artist models; events; and artwork, including many of Cox's commissions. In addition to photographic prints, slides, and negatives, the series includes vintage formats such as an ambrotype, 8 tintypes, 2 cyanotypes, and a platinum print. Of particular note are circa 16 photos of Kenyon Cox, one taken by Pirie MacDonald and three of him teaching a class at the Art Students League, and a series of circa 1906 photos taken in a garden, of Louise and Kenyon Cox with their children and others. Also found are 10 glass plate negatives of artwork by Cox.

Arrangement:

The collection is arranged as 7 series. Glass plate negatives are housed separately and are closed to researchers.

Missing Title

Series 1: Biographical Material, 1916-1982 (0.33 linear feet; Boxes 1, 12)

Series 2: Correspondence, 1878-1982 (6.74 linear feet; Boxes 1-7, 12)

Series 3: Writings and Notes, 1919-1982 (0.58 linear feet; Boxes 7-8)

Series 4: Research Files, circa 1950s-circa 1970s (0.25 linear feet; Box 8)

Series 5: Printed Material, 1920s-1982 (0.5 linear feet; Boxes 8-9)

Series 6: Sketchbooks and Sketches, 1873-circa 1978 (0.25 linear feet; Box 9, OVs 13-14)

Series 7: Photographs, 1856-circa 1980 (2.25 linear feet; Boxes 9-12, OV 13)

Biographical / Historical:

New York, N.Y. and Washington, D.C. painter and muralist, Allyn Cox (1896-1982), was born in New York City to artists Kenyon and Louise Cox. Cox first trained as his father's assistant, serving as an apprentice to Kenyon Cox during the painting of the murals at the Wisconsin State Capitol, circa 1912. He attended the National Academy of Design from 1910-1915, and the Art Student's League with George Bridgman in 1915. In 1916 he was awarded the Prix de Rome and subsequently studied at the American Academy in Rome for 2 years before returning to New York City to begin a career in mural painting.

Cox completed numerous murals and decorative paintings for private residences, businesses, churches, and public buildings. Some of his most famous commissions included murals for the Royal Arch Room and Memorial Hall of the George Washington Masonic National Memorial in Alexandria, Virginia; the Law School at the University of Virginia, Charlottesville; and the William A. Clark Memorial Library at the University of California, Los Angeles; panels for the National City Bank, the Continental Bank, and the Guaranty Trust Company in New York; and glass mosaics and inlaid stone maps for the United States Military Cemetery in Hamm, Luxembourg.

Cox is best known for his work in the United States Capitol, beginning in 1952 when he undertook a congressional commission to restore and complete the murals in in the Capitol rotunda begun by Constantino Brumidi and Filipo Costaggini in 1878. Over the course of the next two decades Cox, now residing in Washington, D.C., restored the Frieze of American History and the Apotheosis of Washington in the Rotunda, and designed murals for three first-floor corridors in the Capitol's House wing, now known as the Cox Corridors. Assisted by Cliff Young, Cox completed painting for two of these corridors before his death. In 1958 Cox also painted a portrait of Henry Clay for the Senate Reception Room and in 1975 completed a mural depicting the 1969 moon landing in the Brumidi Corridor.

Cox taught at the Art Students League in 1940 and 1941, and was active in professional organizations throughout his career. He served as President of the American Artists Professional League and the National Society of Mural Painters, and Vice President of both the Fine Arts Federation and the New York Architectural League. He was a member of the board of the New York Municipal Art Society and served on the the New York City Art Commission.

Cox retired in March 1982 at the age of 86 and died the following September.

Related Materials:

Also found in the Archives of American Art are the Allyn Cox papers relating to U.S. Capitol murals, 1970-1974, donated by the Committee on House Administration, via Cindy Szady in 1981. Papers include a resume; a cost estimate by Cox for designing and executing mural decorations in the U.S. Capitol, 1970; a letter, 1974, from the Office of the Architect of the Capitol to the Capitol Historical Society enclosing photocopies of printed material pertinent to the unveiling and dedication of the Capitol rotunda frieze in 1954; miscellaneous printed material, 1971-1974; and 15 photographs of the murals in the Capitol.

Provenance:

The bulk of the Allyn Cox papers was donated in 1977 and 1983 by the Estate of Allyn Cox, Stephen M. Pulsifer, Exectuor, including material that had been loaned for microfiliming in 1969. Two mural sketches were donated by the Essex County Greenbelt Association in 1984.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Muralists -- Washington (D.C.)  Search this

Muralists -- New York (State) -- New York  Search this

Genre/Form:

Interviews

Diaries

Sketchbooks

Sketches

Citation:

Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.coxally

See more items in:

Allyn Cox papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90c9efb57-6d34-4007-ad8a-8ce4b40537fd

EDAN-URL:

ead_collection:sova-aaa-coxally

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-2012  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-2014  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Creator:

Friedlander, Leo, 1890-1966  Search this

Names:

National Sculpture Society (U.S.)  Search this

DeFrancisci, Anthony, 1887-1964  Search this

Ewing, Upton Clary  Search this

Keally, Francis, 1889-1978  Search this

Montana, Pietro, 1890-1978  Search this

Pope, Arthur Upham, 1881-1969  Search this

Warneke, Heinz (Heinrich), 1895-1983  Search this

Extent:

17.3 Linear feet ((partially microfilmed on 2 reels))

9 Items (rolled docs)

Type:

Collection descriptions

Archival materials

Date:

1900-1990

Scope and Contents:

Correspondence, photographs, writings, printed material, and motion picture film.

REEL 145: Ca. 40 letters to Friedlander, mostly about his work, and his interests as president of the National Sculpture Society, including letters from Francis Keally, Pietro Montana, Heinz Warneke, Anthony de Francisci, Arthur Upham Pope, and Upton Clary Ewing. Also included are photographs of Friedlander's sculptures; biographical notes; writings; a speech; and miscellaneous printed material.

REEL 3890: Biographical material; writings by Friedlander; reproductions of drawings by Friedlander; miscellaneous printed material; photographs of Friedlander, and of his works of art.

UNMICROFILMED: A resume; correspondence; scrapbooks, 3 short home movie film reels, drafts and final copies of his articles and speeches; published articles by Friedlander; reproductions of his work; photographs and negatives of art work, glass plate negatives, copper plates, and drawings, greeting cards, blueprints, and miscellaneous personal papers (ca. 1930-1950).

Biographical / Historical:

Sculptor; New York, N.Y.

Provenance:

Material on reel 145 donated 1971 by Friedlander's widow. Material on reel 3890 donated 1984 by Syracuse University. The bulk of the papers were donated in 1996 material by Gordon Friedlander, Friedlander's son, and a small portion were transferred from the National Collection of Fine Arts, 1979.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Topic:

Sculpture, American -- New York (State) -- New York  Search this

Decoration and ornament, Architectural  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Identifier:

AAA.frieleo

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e9f03900-3cd4-4e77-8f8e-e7105578595e

EDAN-URL:

ead_collection:sova-aaa-frieleo

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 67, Folder 4

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Professional Activities

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95d368ecf-26a7-4200-96e9-ed33ea48fe45

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref1330

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 2, Folder 38

Type:

Archival materials

Date:

1985

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Series 1: Project Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93d264421-5378-4a75-878d-1c9ca38e150e

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref491

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 12, Folder 31

Type:

Archival materials

Date:

2005

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Series 1: Project Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98a9eabca-4f77-4e7c-8762-2736a7efbd5b

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref689

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Kaiser-Friedrich-Museum  Search this

Verlag Philipp von Zabern  Search this

Anistās Mārī, al-Karmilī, ab, 1866-1947  Search this

Becker, Carl Heinrich, 1876-1933  Search this

Bell, Gertrude Lowthian, 1868-1926  Search this

Berchem, Max van, 1863-1921  Search this

Herzfeld, Ernst, 1879-1948  Search this

Krefter, Friedrich, 1898-1995  Search this

Meyer, Eduard, 1855-1930  Search this

Sarre, Friedrich Paul Theodor, 1865-1945  Search this

Extent:

150 Linear feet (circa 30,000 items)

Type:

Collection descriptions

Archival materials

Blueprints

Journals (accounts)

Photographs

Clippings

Notebooks

Drawings

Sketchbooks

Articles

Paper squeezes

Correspondence

Diaries

Sketches

Rubbings

Place:

Turkey

Mesopotamia

Bakun, Tall-e (Iran)

Iran

Iraq

Lebanon

Persepolis (Iran)

Pasargadae (Extinct city)

Taq-e Bostan Site (Iran)

Sāmarrāʼ (Iraq)

Syria

Date:

1903-1947

Summary:

An outstanding scholar in the field of Iranian studies, Ernst Herzfeld (1879--1948) explored all phases of Near Eastern culture from the prehistoric period to Islamic times. This collection documents Herzfeld's excavations at Samarra, Persepolis, Pasargadae, and Aleppo and includes correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.

Scope and Contents:

Papers (1899--1962) of German born archaeologist Ernst Emil Herzfeld (1879--1948), a preeminent scholar of Near Eastern and Iranian studies. The collection measures 150 linear feet (circa 30,000 items) and documents Herzfeld's work as a pioneer in the field and sheds light on his excavations at Samarra, Persepolis, Pasargadae, and Aleppo. Formats include correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.

Arrangement:

This collection is organized into seven series.

Series 1: Travel journals

Series 2: Sketchbooks

Series 3: Notebooks

Series 4: Photographic files 1-42

Series 5: Drawings and maps

Series 6: Squeezes

Series 7: Samarra Expedition

Biographical / Historical:

The Ernst Herzfeld Papers document the career of Ernst Herzfeld (1879--1948), a German architect, archaeologist, and historian of Islamic and Pre-Islamic studies. After training as an architect he studied archaeology under Delitzch from 1903 to 1906 at the excavations at Assur in Mesopotamia. A student of Latin, Greek, Arabic, Persian, Turkish, and Hebrew, Herzfeld received a doctorate in Humanistic Studies at universities in Munich and Berlin in 1907. His work with Friedrich Sarre to survey the monuments of the Tigris-Euphrates valleys resulted in landmark studies in architectural history, published in 1911 and 1920.

In 1920 Herzfeld was appointed to the chair of Historical Geography in Berlin and began his excavation at Samarra. Herzfeld's work there led to a six-volume publication. He published widely throughout his life on the sources of Islamic architecture and ornament, including the Royal Palace at Persepolis.

From 1934 until the end of his life Herzfeld spent his time producing many books and articles, lecturing, and working at the Institute for Advanced Study at Princeton (1936--1945.) Many of his works continue to be published post-humously.

1879 July 23 -- Born in Celle, Germany.

1897 -- Received diploma from Joachimsthaler Gymnasium, Berlin.

1897-circa 1898 -- Fulfilled military service.

circa 1899 -- Studied architecture at the Technical University and Assyriology, art history, and philosophy at the Friedrich-Wilhems Universität in Berlin.

1903 -- Passed exam in structural engineering.

1903-1905 -- Assistant to Walter Andrae (1875-1956) in Assur.

1905-1906 -- Traveled throughout Iran and Iraq.

1907 -- Excavation in Cilicia. Passed oral exam in February. Awarded doctorate in Humanistic Studies by Friedrich-Wilhems Universtät zu Berlin. After receiving Ph.D. traveled extensively in Syria and Iraq with Friedrich Sarre, director of the Islamic Museum in Berlin.

1910 -- Herzfeld and Sarre jointly publish, Iranische Felsreliefs (Berlin, 1910).

1911-1913 -- Field Director under direction of Sarre during expedition to Samarra.

circa 1914 -- Drafted into service in France and Poland during World War I. Sent to Iraq where he functioned as a surveyor.

1916 -- Father died.

1917 -- Appointed associate professor for Historical Geography and Art History of the Ancient Orient at Berlin. Along with Friedrich Sarre and others, founded the German-Persian Society to increase cultural and economic exchange between Germany and Persia.

1920 -- Appointed world's first full professor of Near Eastern Archeology. Begins excavation at Samarra.

1922 -- Mother died.

1923-1934 -- In Persia, where he completed many excavations and studies.

1928 -- Excavation at Pasargadae.

1931-1934 -- Appointed director of the Oriental Institute of the University of Chicago and moved to Persepolis.

1934 -- As grandson of Jews, Nazi legislation expelling state employees of Jewish descent forced Herzfeld to retire as a professor employed by the state. Moved to London.

1936 -- Delivered Lowell Lectures. Moved to Boston. Lectured on Iranian history and appointed a member of the Princeton Institute for Advanced Study.

1944 -- Retired from Princeton University.

1948 January 20 -- Died.

Provenance:

Ernst Herzfeld donated his papers to the Freer Gallery of Art in 1946.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ayyubids  Search this

Art of the Islamic World  Search this

Antiquities  Search this

History  Search this

Excavations (Archaeology)  Search this

Pottery  Search this

Description and Travel  Search this

Decoration and ornament  Search this

Ancient Near Eastern Art  Search this

Aerial photography  Search this

Abbasids  Search this

Religious buildings  Search this

Numismatics  Search this

Inscriptions  Search this

Architectural drawing  Search this

Genre/Form:

Blueprints

Journals (accounts)

Photographs

Clippings

Notebooks

Drawings

Sketchbooks

Articles

Paper Squeezes

Correspondence

Diaries

Sketches

Rubbings

Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06

See more items in:

Ernst Herzfeld Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3d8456fbe-98f6-4159-bd2f-c485379b84a7

EDAN-URL:

ead_collection:sova-fsa-a-06

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (55.5 cm x 76 cm.)

Container:

Item D-3

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Syria -- Halab -- Aleppo

Date:

1908-1914

Scope and Contents:

Original caption in French reads, "Alep. Grande Mosquée."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-3

FSA A.06 05.0003

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Architecture  Search this

Religious buildings  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.0003

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-3: Aleppo. Plan of Great Mosque.Corpus, pl.LIII

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc33253c0f2-9c83-41ec-8dbb-1d7f23b9cecc

EDAN-URL:

ead_component:sova-fsa-a-06-ref24320

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (35.5 cm. x 28 cm.)

Container:

Item D-3

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Syria -- Halab -- Aleppo

Date:

1908-1914

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-3a

FSA A.06 05.0003a

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Architecture  Search this

Religious buildings  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.0003a

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-3: Aleppo. Plan of Great Mosque.Corpus, pl.LIII

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3dec79d7c-d0ce-41db-b067-703a67380e8a

EDAN-URL:

ead_component:sova-fsa-a-06-ref24321

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (77.5 cm. x 55.7 cm.)

Container:

Item D-13

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Turkey

Aleppo (Syria)

Syria -- Halab -- Aleppo

Date:

1903-1930

Scope and Contents:

Original caption in French reads, "Alep, mashhad al-Husain, Iwān; Alep, Shādhbaktiyya, miḥrāb; Alep, Sulṭāniyya, miḥrāb; Alep, Gr. Mosquée, porte; Qonia, Citadelle; Qonia, Qaratal madrasa; Alep, Firdaus, miḥrāb; Damas, Djaqmaqiyya."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-13

FSA A.06 05.0013.2

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Architecture  Search this

Religious buildings  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.0013.2

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-13: Aleppo. Eight interlaced arches. Corpus, pl.CIX

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3a1bdfbfe-9ff1-4b31-93e6-557686fb99fb

EDAN-URL:

ead_component:sova-fsa-a-06-ref24322

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (35.5 cm x 44.5 cm.)

Container:

Item D-49

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Date:

1908-1914

Scope and Contents:

Original caption on verso reads, "Alep, Bab Qinnasrin, face est de la tour ouest."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-49

FSA A.6 05.0049

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architecture  Search this

Architectural drawing  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.6 05.0049

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-49: Aleppo. Bab Qinnasrin, elevation of E face of W salient. Corpus, p1.XIXd. Photo, Corpus, p1.XVIIIb (Neg.3497)

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc399f5b3fe-97e9-41b9-b225-1a3bc8682486

EDAN-URL:

ead_component:sova-fsa-a-06-ref24323

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (36.6 cm x 45.5 cm.)

Container:

Item D-50

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Date:

1908-1914

Scope and Contents:

Original caption on verso reads, "Alep, tour, côté est des murailles."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-50

FSA A.6 05.0050

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Architecture  Search this

Animals in art  Search this

Inscriptions  Search this

Inscriptions, Arabic  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.6 05.0050

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-50: Aleppo. Salient between Bab al-Djinan and Bab Antakiya. Corpus, p1.XLb. Photo, Corpus, p1.Xa

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc37c221c3a-5caa-4fdb-83cf-580cb21c3476

EDAN-URL:

ead_component:sova-fsa-a-06-ref24324

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (29.5 cm x 22 cm.)

1 Drawings (visual works) (14 cm x 22.2 cm.)

1 Drawings (visual works) (14 cm x 22.2 cm.)

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Iran

Iṣfahān (Iran)

Iran -- Kermanshah -- Linjan

Iran -- Isfahan -- Isfahan

Date:

1923

Scope and Contents:

Original caption on verso reads, "Isfahan Grande mosquée, Cor. 2, 256. Lindjān, Pīr Bakrān."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-53

D-53a

D-54

D-54a

FSA A.06 05.0053

FSA A.06 05.0053a

FSA A.06 05.0054

FSA A.06 05.0054a

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Inscriptions  Search this

Inscriptions, Arabic  Search this

Religious buildings  Search this

Shrines  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.0053

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ed76a436-0770-4b3f-936d-4e94cfa65638

EDAN-URL:

ead_component:sova-fsa-a-06-ref24325

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (17.3 cm. x 21 cm.)

Container:

Item D-94

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Date:

1908-1914

Scope and Contents:

Original title on verso reads, "Inscriptions on sarcophaq of Shaikh 'Alī al-Harawī."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-94

FSA A.6 05.0094.1

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Inscriptions  Search this

Inscriptions, Arabic  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.6 05.0094.1

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-94: Aleppo. Cenotaph with inscription No.136. Corpus, fig.86

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc335b86173-75d0-400b-ab80-9d1bbc481459

EDAN-URL:

ead_component:sova-fsa-a-06-ref24326

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (17.2 cm. x 21 cm.)

Container:

Item D-94

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Syria

Aleppo (Syria)

Date:

1908-1914

Scope and Contents:

Original title on verso reads, "Inscriptions on sarcophaq of Shaikh 'Alī al-Harawī."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-94a

FSA A.06 05.0094a

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld original drawings'caption and Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

The monuments and inscriptions of Northern Syria were surveyed and collected between 1908 and 1914 by Moritz Sobernheim and Ernst Herzfeld as part of a broader project, sponsored by the Institut de France, that of Max van Berchem's "Matériaux pour un Corpus Inscriptionum Arabicarum." The drawings are related to this survey as well as additional expeditions to Aleppo (Syria) carried out by Ernst Herzfeld in 1907, 1908, 1910, 1914, 1916, 1917, 1918, and 1930.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Inscriptions  Search this

Inscriptions, Arabic  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.0094a

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-94: Aleppo. Cenotaph with inscription No.136. Corpus, fig.86

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc37adfe7e1-b7b2-4c25-8cce-e8b9470daf7d

EDAN-URL:

ead_component:sova-fsa-a-06-ref24327