Los Angeles Institute of Contemporary Art Search this
Container:
Box 6, Folder 34
Type:
Archival materials
Date:
September 1980-November 1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
Los Angeles Institute of Contemporary Art Search this
Container:
Box 6, Folder 32
Type:
Archival materials
Date:
September 1980-November 1980
Scope and Contents note:
Alice Adams
Marisa Alexander
Pat Acona
Siah Armajani
Alice Aycock
Peter Berg
Tony Berlant
Melvin Charney
Michael Davis
Donna Dennis
Rayomn Elozua
Harriet Feigenbaum
Jackie Ferrara
Richard Fleischner
Akiko Fujita
Cristos Gianakos
George Grant
Lloyd Hamrol
Suzanne Harris
Audrey Hemenway
Nancy Holt
Michael Hurson
Will Insley
Cletus Johnson
Don Johnson
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
Architectural Sculpture - Correspondence and Printed Material
Collection Creator:
Los Angeles Institute of Contemporary Art Search this
Container:
Box 6, Folder 33
Type:
Archival materials
Date:
September 1980-November 1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Competition in Architecture, Sculpture, and Painting
Collection Creator:
Whitney, Gertrude Vanderbilt, 1875-1942 Search this
Container:
Box 5, Folder 44
Type:
Archival materials
Date:
1914-1915
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Baxter Art Gallery records, 1962-1997. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the 2019 addition to the collection was provided by Gerald and Bente Buck.
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
1 Item (Photographic print : on mount 22.5 x 28.9 cm, image 21.3 x 27 cm.)
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia -- Japan
Kyoto (Japan)
Date:
ca. 1877
Scope and Contents:
Statue of Buddha with trees in background in outdoor setting at Konkaikomyoji. Title and date are based on inscription on the back. Originally part of the Benjamin Smith Lyman album. Lyman acquired this print while traveling in Kyoto in 1879.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
1 Item (Photographic print : on mount 34.3 x 26.7 cm, image 26.3 x 20.7 cm.)
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia
Japan
Kamakura-shi (Japan)
Date:
[1860 - ca. 1900]
Scope and Contents:
View of the Daibutsu in Kamakura. Five individuals stand on the Diabutsu's palms.
The great Kamakura Daibutsu stands 37 feet tall and was built in 1252. Kamakura, established by Minamoto Yoritomo in 1192, was the location of Japan's first military government, and is a short distance from Tokyo.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
View of stone pagoda at Kiyomizu Temple in Kyoto. Originally part of the Benjamin Smith Lyman album. Lyman purchased this print while traveling in Kyoto in 1879
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
1 Item (Photographic print : on mount 31.3 x 26.5 cm, hand coloring, image 25.7 x 20.5 cm.)
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia
Tokyo (Japan)
Date:
[1860 - ca. 1900]
Scope and Contents:
View of bronze Buddha in outdoor setting. Shiba (Zojoji) Temple, Tokyo.
Photographer unidentified.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried (Bennet, T. (1996) Early Japanese Images. Charles E. Tuttle Company: Rutland, Vermont and Tokyo, Japan.) Kusakabe managed a studio in Yokohama, first at Bentendori until 1881, then later at Honcho. His photo studio was well received by many, including foreigners.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
1 Item (Photographic print : on mount 20.6 x 26.3 cm, hand coloring, image 19.9 x 26.3 cm.)
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia
Japan
Nikko (Japan)
Date:
[1860 - ca. 1900]
Scope and Contents:
Close-up view of temple gate in Nikko.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried (Bennet, T. (1996) Early Japanese Images. Charles E. Tuttle Company: Rutland Vermont and Tokyo, Japan.) Kusakabe managed a studio in Yokohama, first at Bentendori until 1881, then later at Honcho. His photo studio was well received by many, including foreigners.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
1 Item (Photographic print : on mount 21.4 x 27 cm, hand coloring, image 20.2 x 25.6 cm.)
Type:
Archival materials
Photographs
Photographic prints
Place:
Asia
Japan
Date:
[1860 - ca. 1900]
Scope and Contents:
View of the 1001 Kannons at Sanjusangendo in Kyoto.
Built in 1164 AD, Sanjusangendo in Kyoto houses 1001 statues of Kannon Bosatsu. Sanjusangendo refers to thirty-three bays, for the number thirty-three is considered sacred in Buddhism. It is nearly a football field in length.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried (Bennet, T. (1996) Early Japanese Images. Charles E. Tuttle Company: Rutland Vermont and Tokyo, Japan.) Kusakabe managed a studio in Yokohama, first at Bentendori until 1881, then later at Honcho. His photo studio was well received by many, including foreigners.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Subseries 4.2 (Journals) is access restricted; written permission is required.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aleksandra Kasuba papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.
Subseries 4.2 (Journals) is access restricted; written permission is required.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aleksandra Kasuba papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.
1 Photographic print (Album 1, page 17, hand coloring, image 26.5 x 20.7 cm.; on mount 26 x 33.5 cm)
Type:
Archival materials
Photographic prints
Photographs
Place:
Asia
Japan
Kamakura-shi (Japan)
Date:
[1860 - ca. 1900]
Scope and Contents:
View of Kamakura Daibutsu (bronze statue of Buddha).
Photographer unidentified.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried (Bennet, T. (1996) Early Japanese Images. Charles E. Tuttle Company: Rutland, Vermont and Tokyo, Japan.) Kusakabe managed a studio in Yokohama, first at Bentendori until 1881, then later at Honcho. His photo studio was well received by many, including foreigners.
Local Numbers:
R309 (Rosin Number).
FSA A1999.35 309
General:
Forms part of Rosin album number 1. Page 17.
Title taken from label affixed to bottom of mount.
Short description detailing the dimensions of the Daibutsu is printed on label affixed to bottom of mount.
This album, with covers of lacquer and ivory, was produced by a shop which used photographs by Beato, Von Stillfried, Kimbei, and others, without including their descriptions or numbers. Each photograph is described by a label affixed below the print. The work is almost certainly by A. Farsari, who owned the stock of all of these photographs in the 1880s. Kimbei kept some stock he had purchased from Von Stillfried in his own shop. Confusion and uncertainty regarding attribution of 19th century Japanese photography is well-discussed in published material.
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
