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Oral history interview with John Gaw Meem, 1964 Dec. 3

Interviewee:
Meem, John Gaw, 1894-1983  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Arts administrators -- New Mexico -- Santa Fe -- Interviews  Search this
Architects -- New Mexico -- Santa Fe -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12968
(DSI-AAA_SIRISBib)213659
AAA_collcode_meem64
Theme:
Architecture & Design
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213659

Wilfred and Myrtle Stedman scrapbooks, 1928-1984

Creator:
Stedman, Wilfred Henry, 1892-1950  Search this
Steadman, Myrtle L., 1908-2007  Search this
Topic:
Women artists  Search this
Record number:
(DSI-AAA_CollID)8485
(DSI-AAA_SIRISBib)210661
AAA_collcode_stedwilf
Theme:
Women
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210661

John Gaw Meem correspondence, 1933-1934

Creator:
Meem, John Gaw, 1894-1983  Search this
Subject:
Nusbaum, Jesse L. (Jesse Logan)  Search this
Bisttram, Emil  Search this
Bruce, Edward  Search this
Watson, Forbes  Search this
Public Works of Art Project  Search this
Topic:
New Deal, 1933-1939 -- New Mexico  Search this
Federal aid to the arts -- New Mexico  Search this
Federal aid to the public welfare -- New Mexico  Search this
Art and state -- Arizona  Search this
Federal aid to the arts -- Arizona  Search this
Art and state -- New Mexico  Search this
Record number:
(DSI-AAA_CollID)9851
(DSI-AAA_SIRISBib)212346
AAA_collcode_meemjohn
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212346

William Penhallow Henderson papers, 1876-1987, bulk bulk 1876-1943

Creator:
Henderson, William Penhallow, 1877-1943  Search this
Subject:
Henderson, William Oliver  Search this
Henderson, Alice Corbin  Search this
Art in Embassies Program (U.S.)  Search this
Santa Fe Painters and Sculptors  Search this
Type:
Sketchbooks
Photographs
Topic:
Art -- Study and teaching  Search this
Architects -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
Works of art  Search this
Furniture designers -- New Mexico -- Santa Fe  Search this
Record number:
(DSI-AAA_CollID)9853
(DSI-AAA_SIRISBib)212351
AAA_collcode_hendwill
Theme:
Sketches & Sketchbooks
Lives of American Artists
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212351
Online Media:

Oral history interview with John Gaw Meem

Interviewee:
Meem, John Gaw, 1894-1983  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Dec. 3
Scope and Contents:
An interview of John Gaw Meem conducted 1964 Dec. 3, by Sylvia Loomis for the Archives of American Art.
Gaw speaks of his background; moving to New Mexico; deciding to become an architect; architectural commissions he worked on; becoming involved with the Public Works of Art Project; his architectural philosophy; and his appointment to historic committees.
Biographical / Historical:
John Gaw Meem (1894-1983) was an arts administrator in the Public Works of Art Project from Santa Fe, N.M.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 3 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Arts administrators -- New Mexico -- Santa Fe -- Interviews  Search this
Architects -- New Mexico -- Santa Fe -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.meem64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meem64

Wilfred and Myrtle Stedman scrapbooks

Creator:
Stedman, Wilfred, 1892-1950  Search this
Stedman, Myrtle  Search this
Extent:
6 Volumes ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1928-1984
Scope and Contents:
Resumes; letters and greeting cards; photographs of works of art; clippings and articles; illustrations from publications; pencil drawings; exhibition catalogs; and miscellany; photographs of adobe houses designed by the Stedmans; architectural writings; and articles about the Stedmans' architectural projects.
Biographical / Historical:
Painters, designers; Santa Fe, N.M. Wilfred Stedman was trained as an architect, and did freelance work as an illustrator, including WPA projects in New Mexico. The Stedmans often collaborated in designing, building, and remodeling New Mexican adobe houses, in addition to their separate painting projects.
Provenance:
Lent for microfilming 1984 by Myrtle Stedman.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Designers -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Women artists  Search this
Identifier:
AAA.stedwilf
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stedwilf

John Gaw Meem correspondence

Creator:
Meem, John Gaw, 1894-1983  Search this
Names:
Public Works of Art Project  Search this
Bisttram, Emil, 1895-1976  Search this
Bruce, Edward, 1879-1943  Search this
Nusbaum, Jesse L. (Jesse Logan)  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
20 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Date:
1933-1934
Scope and Contents:
Official correspondence of the Public Works of Art regional committee for New Mexico and Arizona. Correspondents include: Edward Bruce, Jesse L. Nusbaum, Forbes Watson, Emil Bisttram, and others.
Biographical / Historical:
Architect, committee member of Public Works of Art regional committee--Region 13; Santa Fe, New Mexico.
Provenance:
Lent for microfilming 1965 by John Gaw Meem.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Arts administrators  Search this
Topic:
New Deal, 1933-1939 -- New Mexico  Search this
Federal aid to the arts -- New Mexico  Search this
Federal aid to the public welfare -- New Mexico  Search this
Art and state -- Arizona  Search this
Federal aid to the arts -- Arizona  Search this
Art and state -- New Mexico  Search this
Identifier:
AAA.meemjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meemjohn

William Penhallow Henderson papers

Creator:
Henderson, William Penhallow, 1877-1943  Search this
Names:
Art in Embassies Program (U.S.)  Search this
Santa Fe Painters and Sculptors  Search this
Henderson, Alice Corbin, 1881-1949  Search this
Henderson, William Oliver  Search this
Extent:
10.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Date:
1876-1987
bulk 1876-1943
Summary:
The papers of Chicago and Santa Fe painter, muralist, architect, and furniture designer William Penhallow Henderson measure 10.5 linear feet and date from 1876 to 1987 (bulk dates 1876 to 1943). Found within the papers are scattered biographical material; correspondence with friends and colleagues; three diaries; personal business records; two files concerning the Santa Fe Painters and Sculptors and the Art in Embassies Program; architecture, furniture, and other design project files; exhibition files; notes and writings; artwork, including 64 sketchbooks by Henderson and others; miscellaneous printed material; and photographs of Henderson, his family and colleagues.
Scope and Content Note:
The papers of Chicago and Santa Fe painter, architect, and furniture designer William Penhallow Henderson measure 10.5 linear feet and date from 1876 to 1987 (bulk dates 1876-1943). Found within the collection are biographical material; a file concerning Henderson's father William Oliver Henderson; correspondence primarily with colleagues discussing art-related topics; two diaries describing his student days in Paris, 1902-1903, and one concerning the latter part of his life; personal business records; subject files for the Santa Fe Painters and Sculptors and the Art in Embassies Program; architecture and furniture files containing notes, designs, and photographs of Henderson's work in these areas; additional project files concerning other projects, including a play, architectural projects, and a mural; exhibition files; notes and writings; artwork, including 64 sketchbooks by Henderson; miscellaneous printed material; and photographs of Henderson, his family, colleagues, and artwork.
Arrangement:
The collection is arranged into 13 series primarily according to type of material; materials within series are arranged chronologically.

Series 1: Biographical Material, 1897-1984 (Boxes 1, 12; 14 folders)

Series 2: File on William Oliver Henderson, 1876-1906 (Box 1; 12 folders)

Series 3: Correspondence, 1883-1987 (Boxes 1-2; 1.9 linear feet)

Series 4: Diaries, 1902-1940 (Box 3; 4 folders)

Series 5: Personal Business Records, 1887-1984 (Box 3; 40 folders)

Series 6: Subject Files, 1921-1975 (Box 3; 2 folders)

Series 7: Architecture and Furniture Files, 1926-1983 (Boxes 3-4, 12, OV 14; 1.0 linear feet)

Series 8: Project Files, 1916-1942 (Boxes 4-5, 12, OV 14; 40 folders)

Series 9: Exhibition Files, 1927-1964 (Box 5; 25 folders)

Series 10: Notes and Writings, 1901-1985 (Boxes 5-6; 1.0 linear feet)

Series 11: Artwork, 1886-1929 (Boxes 6-8, OV 14; 1.9 linear feet)

Series 12: Printed Material, 1891-1988 (Boxes 8-9; 1.7 linear feet)

Series 13: Photographs, 1887-1985 (Boxes 9-11, 13; 1.6 linear feet)
Biographical Note:
Painter, architect, and furniture designer, William Penhallow Henderson was born in 1877 in Medford, Massachusetts. His father, William Oliver Henderson was a friend of painter William Edward Norton and an amateur painter himself. During Henderson's childhood, the family moved several times, settling in Turkey Creek, Texas, in 1879, and Clifton, Kansas, in 1886.

Returning to Boston in 1891, Henderson studied at the Massachusetts Normal Art School and, and in 1899, entered the School of the Boston Museum of Fine Arts, studying under Edmund C. Tarbell. In the following year, he won the Paige Traveling Scholarship for two years of study in Europe. His travels, from 1902-1903, included London, where he became acquainted with the family of John Singer Sargent. He also traveled to Paris, Berlin, Dresden, Madrid, and the Azores.

From 1904 to 1910, Henderson taught at the Academy of Fine Arts in Chicago. In 1904 he painted in Mexico and Arizona with colleague Carl N. Werntz. He married the poet-editor of Poetry magazine, Alice Corbin in 1905, and their only child, Alice Oliver Henderson, was born in 1907.

Between 1906 and 1907 Henderson completed ten murals for the Joliet Township High School. Mrs. Henderson's book Anderson's Best Fairy Tales, illustrated by her husband, provided the funds for a second trip to Europe from 1910-1911. In 1914, Henderson built a house and studio of his own design at Lake Bluff, Illinois, and in the same year he was commissioned by Frank Lloyd Wright to design murals for Midway Gardens, Chicago. Unfortunately, the murals were painted over shortly after completion. In the following year, he designed the scenery and costumes for the Chicago Fine Arts Theatre production of Alice in Wonderland.

Due to his wife's failing health, the family moved to Santa Fe, New Mexico in 1916, and in 1918, Henderson was employed by the U. S. Shipping Board Emergency Fleet Corporation in San Francisco to paint camouflage onto the hulls of ships during World War I.

In 1925, Henderson, with his first son-in-law John Evans, formed the Pueblo-Spanish Building Company, through which he designed and built many private homes and some public buildings, including the Railroad Ticket Office in Santa Fe. Henderson was also successful at designing carved wooden furniture. In the mid-1930s, he was appointed to the Federal Arts Project, for which he completed easel paintings and six murals for the Santa Fe Federal Court Building.

In 1937, Henderson completed the impressive Navajo House of Religion, built in the style of an American Indian hogan and later re-named the Museum of Navajo Ceremonial Art.

William Penhallow Henderson died in 1943 in Tesuque, New Mexico.
Provenance:
The William Penhallow Henderson papers were donated by Carlton Colquitt, on behalf of the estate of his late wife, Alice Henderson Rossin, the daughter of William Penhallow Henderson, in 1988.
Restrictions:
Open for research. Use requires an appointment.
Rights:
The William Penhallow Henderson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Architects -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
Works of art  Search this
Furniture designers -- New Mexico -- Santa Fe  Search this
Genre/Form:
Sketchbooks
Photographs
Citation:
William Penhallow Henderson papers, 1876-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hendwill
See more items in:
William Penhallow Henderson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hendwill

Sample

Designer:
Else Regensteiner (American, born Germany, 1906–2003)  Search this
Julia McVicker  Search this
Manufacturer:
reg/wick Hand Woven Originals  Search this
For:
Henry Glass, Architect  Search this
Medium:
Medium: cotton, leather, jute Technique: plain weave
Type:
woven textiles
Sample
Made in:
Santa Fe, New Mexico, USA
Date:
1949
Credit Line:
Gift of Helga Regensteiner Sinaiko
Accession Number:
2006-29-3
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© Estate of Else Regensteiner
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Textiles Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq48a666afc-3b32-4f9f-b6e9-1115783e2faf
EDAN-URL:
edanmdm:chndm_2006-29-3

For America : paintings from the National Academy of Design / edited by Jeremiah William McCarthy and Diana Thompson

Editor:
McCarthy, Jeremiah William http://id.loc.gov/authorities/names/no2019069264 http://viaf.org/viaf/27155830631533072649  Search this
Thompson, Diana http://id.loc.gov/authorities/names/n87103708 http://viaf.org/viaf/105439350  Search this
Subject:
National Academy of Design (U.S.)  Search this
Physical description:
303 pages : color illustrations ; 29 cm
Type:
Exhibitions
Exhibition catalogs
Place:
New York (State)
New York
Date:
2019
19th century
20th century
21st century
Topic:
Painting, American  Search this
Art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105563

Photographs

Collection Creator:
Henderson, William Penhallow, 1877-1943  Search this
Extent:
1.6 Linear feet (Boxes 9-11, 13)
Type:
Archival materials
Date:
1887-1985
Scope and Contents note:
Photographs are of Henderson, his family, and friends including American Indians Elias Suazo and Klah, stunt riders, an expedition by horseback through the mountains, and Henderson's trip to a mine. Photographs of Henderson's architectural projects, include his own homes in Lake Bluff, Illinois, and Santa Fe, New Mexico. Henderson also was the architect of the White Residence, McComb Garden, Railroad Ticket Office, and the Otis Residence, all in Santa Fe. There are also photographs of exhibitions and of artwork by Henderson and others. The albums of photographs of artwork were assembled by Henderson's daughter, Alice Henderson Rossin. Additional photographs may be found in the Project Files and Furniture Files.
Collection Restrictions:
Open for research. Use requires an appointment.
Collection Rights:
The William Penhallow Henderson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
William Penhallow Henderson papers, 1876-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hendwill, Series 13
See more items in:
William Penhallow Henderson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hendwill-ref246

Masters of the Building Arts

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
From the soaring skyscrapers of New York City to the adobe churches of New Mexico, from the sturdy stone walls of New England to the majestic monuments of the nation's capital, master craftworkers in the building arts have brought enduring beauty to our built environment. Working in wood, stone, brick, and metal, in plaster, paint, glass, and clay, they transform designs on paper into three-dimensional works of art. Much depends on their workmanship and skill: on their deep understanding of raw materials, their careful selection and use of tools, their mastery of technique. The final product is the result not only of their knowledge and abilities, but also their creativity and care - their will to excellence.

Artisans in the building trades share a deep appreciation for the aesthetic value and expressive power of technical perfection. They delight in skill and find meaning and pleasure in the poetic qualities of workmanship - in their ability to craft objects of beauty and strength through their special touch. Their great pride and creative spirit, their love for their work, and their commitment to excellence are manifested in a lasting legacy of architectural achievement left behind for generations to come.

The 2000 Festival program celebrated the extraordinary artistry of craftspeople in the building arts and explored the many challenges they face today as they work to preserve our nation's past and build for the future. The Festival brought together a selection of master artisans - stone carvers, masons, carpenters, terra cotta artisans, plasterers, blacksmiths, stained glass artisans, and adobe builders - who have enriched our world with the work of their hands, and who educated and informed Festival visitors not only with their skills but also with their knowledge and lore.

Marjorie Hunt was Curator and James Deutsch was Program Coordinator; Betty Belanus was Education Specialist and Family Activity Guide Coordinator. An Advisory Committee included: J. Bryan Blundell, Kurt Dewhurst, William Dupont, Cynthia Field, Henry Glassie, Norman Koonce, Betty Monkman, Peter Nabokov, Joanna Reagan, Rex Scouten, William Seale, Chris Sturbaum, John Michael Vlach, and Ed Worthy.

The program was produced in collaboration with the International Union of Bricklayers and Allied Craftworkers and the International Masonry Institute, the National Trust for Historic Preservation, the National Building Museum, the American Institute of Architects, and the Preservation Trades Network. Major funding was provided by Homestore.com, the Marble Institute of America, Allied Stone Industries, the Building Stone Institute, the Indiana Limestone Institute, and the National Building Granite Quarries Association. Major contributors included Target Stores, the Associated General Contractors of America, the National Association of Realtors, and the Smithsonian Women's Committee. Additional donors included the School of the Building Arts, Duron, Inc., the Brick Industry Association, the Laborers' International Union of North America, the Smithsonian Educational Outreach Fund, and the Copper Development Association, Inc.
Researchers:
Jane Beck, Betty Belanus, Ray Brassieur, Amanda Dargan, James Deutsch, Kurt Dewhurst, Karen Duffy, Lynn Martin Graton, Dwight Pauahi Kauahikaua, Winnie Lambrecht, Tim Lloyd, Gregory Sharrow, Gary Stanton, David Taylor, Elaine Thatcher, John Michael Vlach
Presenters:
Betty Belanus, Barry Bergey, Ray Brassieur, Olivia Cadaval, Amanda Dargan, William Dupont, Brian Finnegan, Lynn Martin Graton, Tim Lloyd, Philip "Pete" Pederson, Clift Seferlis, Peter Seitel, Gregory Sharrow, Angelo Simone, Nick Spitzer, Gary Stanton, David Taylor, Elaine Thatcher, Cynthia Vidaurri, John Michael Vlach
Participants:
David Adams, historic preservation specialist, Portsmouth, New Hampshire

Robert Alger, stone carver, sculptor, Spencerville, Maryland

Joseph Alonso, stone mason, Vienna, Virginia

Onofre Anguiano, terra cotta hand presser, mold maker, Lincoln, Calif.

Walter S. Arnold, stone carver, Skokie, Illinois

Sam Baca, program director, Cornerstones Community Partnerships, Santa Fe, New Mexico

Earl A. Barthe, 1932-2010, plasterer, historian and consultant, New Orleans, Louisiana

Hurchail Barthe, plasterer, New Orleans, Louisiana

Terry Barthe, plasterer, historic housing specialist, New Orleans, Louisiana

Nick Benson, stone carver, letterer, Newport, Rhode Island

Johan Bjurman, decorative painter, Cheshire, Connecticut

Anna Bowen, stone carver, letterer, Newport, Rhode Island

Dan Boyle, timber framer, Dover, New Hampshire

Rory Brennan, historic plaster specialist, Putney, Vermont

Ron Brooks, decorative painter, Rockville, Maryland

John Canning, decorative painter, Cheshire, Connecticut

Jacqueline Canning-Riccio, decorative painter, Cheshire, Connecticut

Jesus Cardenas, terra cotta modeler, mold maker, Lincoln, California

Charles Cardine, architectural blacksmith, Chantilly, Virginia

Patrick Cardine, architectural blacksmith, Chantilly, Virginia

Carson Christian, timber framer, Wooster, Ohio

Rudy Christian, timber framer, Burbank, Ohio

Peter "Billy" Cleland, 1921-2010, stone mason, Clinton, Maryland

William R. Cleland, Jr., stone mason, Dunkirk, Maryland

Rose Concha, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Brian Cox, carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

John Drew, carpenter, St. Leonard, Maryland

William Dupont, Graham Gund Architect of the National Trust, National Trust for Historic Preservation, Washington, D.C.

Cane Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

Billy Fields, Hawaiian dry stack mason, Kailua-Kana, Hawaii

David Flaharty, ornamental plasterer, sculptor, Green Lane, Pennsylvania

lsidoro Flaim, stone mason, Camp Springs, Maryland

Tom Glynn, timber framer, South Berwick, Maine

Dieter Goldkuhle, 1938-2011, stained glass artisan, Reston, Virginia

Giles Harper, preservation carpenter, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Adam Heller, stone carver, letterer, Newport, Rhode Island

Randy Herald, sheet metal craftsperson, Bethesda, Maryland

Randy Herald, Jr., sheet metal craftsperson, Bethesda, Maryland

Hans Herr, coppersmith, Holtwood, Pennsylvania

John Paul Huguley, president, School of the Building Arts, Charleston, South Carolina

Judy Jacob, architectural conservator, National Park Service, New York, New York

Raymond Johnson, terra cotta modeler, draftsman, Lincoln, California

Dean Kalomas, decorative painter, Washington, D.C.

Vikki Keys, deputy superintendent, National Park Service, Washington, D.C.

Rick King, dry stone wall mason, Holderness, New Hampshire

Scott King, dry stone wall mason, Holderness, New Hampshire

Naomi Kroll, architectural conservator, National Park Service, New York, New York

Wade Lawrence, assistant director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Elmo Leonardelli, scaffold erector, Baltimore, Maryland

Stephen Lorenzetti, chief of resource management, National Park Service, Washington, D.C.

Amber Lucero, -- enjarrodoro -- (adobe plasterer), Taos, New Mexico

Rick Lykins, restoration carpenter, Bloomington, Indiana

George McDaniel, director, Drayton Hall, National Trust for Historic Preservation, Charleston, South Carolina

Richard Marks, architectural conservator, Charleston, South Carolina

Antonio Martinez, community leader, Upper Rociada, New Mexico

David Martinez, terra cotta draftsman, Roseville, California

David Mason, dry stone wall mason, Starksboro, Vermont

Rick Mason, dry stone wall mason, Hinesburg, Vermont

John O'Connor, engineer, Universal Builders Supply, Cheverly, Maryland

David Overholt, restoration project manager, Lyndhurst, National Trust for Historic Preservation, Tarrytown, New York

Albert D. Parra, adobe builder, Albuquerque, New Mexico

Theodore Pierre, Jr., brick mason, New Orleans, Louisiana

Konstantinos Pilarinos, Byzantine-style woodcarver, Astoria, New York

Panagiota Pylarinos, architect, Astoria, New York

Dennis Playdon, program manager, Cornerstones Community Partnerships, Santa Fe, New Mexico

Patrick Plunkett, stone carver, Takoma Park, Maryland

Joseph Pringle, blacksmith, Charleston, South Carolina

Nol Putnam, artist blacksmith, The Plains, Virginia

Clay Raley, restoration carpenter, Norman, Indiana

Brad Robinson, architectural blacksmith, Chantilly, Virginia

Steve Roy, historic preservation specialist, Portsmouth, New Hampshire

Brett Rugo, president, Rugo & Carosi, Woodbridge, Virginia

Laura Saeger, timber framer, Burbank, Ohio

George Salvador, restoration crew leader, Pueblo of Acoma, New Mexico

Eduardo Seara, vice-president, Lorton Contracting Company, Lorton, Virginia

Manuel Seara, president, Lorton Contracting Company, Lorton, Virginia

Tony Segreti, architect, Bethesda, Maryland

Carlton Simmons, blacksmith, Charleston, South Carolina

Philip Simmons, 1912-2009, blacksmith, Charleston, South Carolina

Louis Soublet, plasterer, New Orleans, Louisiana

Larry E. Stearns, coppersmith, Westford, Vermont

Ben Sturbaum, restoration carpenter, Owensburg, Indiana

Chris Sturbaum, restoration carpenter, Bloomington, Indiana

Arran Sturgis, timber framer, Eliot, Maine

Daniel Szwed, construction manager, Waldorf, Maryland

Mark Tamara, structural engineer, James Madison Cutts, Washington, D.C.

Lonn Taylor, historian, National Museum of American History, Smithsonian Institution, Washington, D.C.

Lloyd Tortalita, Adult, Higher Education director, former governor, Pueblo of Acoma, New Mexico

Roman Troyer, timber framer, Wooster, Ohio

Dexter Trujillo, adobe builder, mud preserver, Abiquiu, New Mexico

Mark Tsirigos, president, Universal Builders Supply, Cheverly, Maryland

George Void, masonry crew, Washington National Cathedral, Washington, D.C.

Chuck Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Sheila Wagner, owner, Wagner Roofing Company, Hyattsville, Maryland

Tom Weddle, restoration carpenter, Bloomington, Indiana

Bob Wooldridge, slater, Mercersburg, Pennsylvania

Jeff Wooldridge, slater, project manager, Bethesda, Maryland

Bill Yeingst, curator, National Museum of American History, Smithsonian Institution, Washington, D.C.

Pauli Zmolek, decorative painter, Takoma Park, Maryland

INTERNATIONAL UNION OF BRICKLAYERS AND ALLIED CRAFTWORKERS (BAC), INTERNATIONAL MASONRY INSTITUTE (IMI)

Frank Baiocchi, marble mason, Mt. Airy, Maryland

Ed Bellucci, IMI deputy director of Apprenticeship and Training, Jefferson, Maryland

Robert Bernardon, marble mason, Suitland, Maryland

Lewis Carrara, mosaic worker, Fortville, Indiana

Raoul Cervantes, bricklayer, Claremont, California

Kurt Colo, bricklayer, New Baltimore, Michigan

Laird Donaldson, IMI regional director, Auburn, Washington

James Farris, stone mason, Stafford, Virginia

Richard Francescon, marble mason, South Easton, Massachusetts

Greg Hartseil, IMI Job Corps regional director, Lorida, Florida

Dennis Holloway, IMI Scola Training Center director, West Babylon, New York

Mike Kassman, IMI pointing, cleaning, and caulking instructor, Waynesboro, Pennsylvania

Tony Kassman, IMI National Safety, pointing, cleaning, and caulking coordinator, Tonawanda, New York

John Kitchen, bricklayer apprentice, Dryden, New York

Frank Koletar, refractory bricklayer, Orchard Park, New York

Annette Ludwig, tile layer, Bellevue, Washington

Nelson McMath, BAC Local 9 Michigan field representative, Saline, Michigan

Tom McQuaid, BAC Local 1 DC, MONA secretary, treasurer, Gettysburg, Pennsylvania

Steve Martini, IMI Strategic Programs director, Cascade, Maryland

Steve Mason, terrazzo apprentice, Washington, D.C.

Antoine Matthews, bricklayer, Baltimore, Maryland

Michael Menegazzi, IMI terrazzo instructor, South Gate, California

Bob Mion, IMI tile, marble, and terrazzo instructor, Binghamton, New York

Guillermo Moreno, stone mason, Hyattsville, Maryland

Colleen Muldoon, coordinator of Education Programs, bricklayer, Baltimore, Maryland

Clarence Nichols, IMI deputy director of Apprenticeship and Training, Cumberland, Maryland

Angela Olszewski, tile layer, Jersey City, New Jersey

Lester Parnell, bricklayer, Detroit, Michigan

Bob Perry, IMI regional director, Culver City, California

Darren Raines, tile layer, Chicago, Illinois

Matthew Redabaugh, IMI coordinator of Special Projects, Cascade, Maryland

Butch Rovder, BAC stone craft director, South Riding, Virginia

Joe Stewart, BAC pointing, cleaning, and caulking craft director, Pittsburgh, Pennsylvania

Gene Stinner, IMI director of Apprenticeship and Training, Cascade, Maryland

Dennis Studley, IMI Job Corps regional director, Yucaipa, California

Harold Sugg, refractory bricklayer, West Seneca, New York

Jimmy Ternent, marble mason, Westminster, Maryland

John Totten, IMI plaster instructor, Clintondale, New York

Drew Vecchione, IMI stone instructor, Flourtown, Pennsylvania

Battista Yon, bricklayer, Hyattsville, Maryland
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 3
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref26

(Mabry Hall Bas-Reliefs), (sculpture)

Sculptor:
Longley, William  Search this
Architect:
Krueger, Willard  Search this
Architectural firm:
Willard Krueger & Associates  Search this
Medium:
Terra cotta
Type:
Sculptures-Outdoor Sculpture
Sculptures-Architectural component
Sculptures-Relief
Sculptures
Owner/Location:
Administered by State of New Mexico General Services Department John F. Simms Building, 715 Alta Vista Santa Fe New Mexico 87501
Located Mabry Hall 300 Don Gaspar Avenue Santa Fe New Mexico
Date:
Ca. 1950
Topic:
Figure group  Search this
Occupation--Military--Conquistador  Search this
Occupation--Religion--Monk  Search this
Animal--Lion  Search this
Emblem--Cross  Search this
Control number:
IAS NM000271
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_327864

Immaculate Conception Church, (sculpture)

Title:
Tower and Relief of Christ, (sculpture)
Architect:
Schulte  Search this
Medium:
Relief: concrete; Tower: concrete; Globe: metal
Type:
Sculptures-Outdoor Sculpture
Sculptures-Architectural component
Sculptures-Relief
Sculptures
Owner/Location:
Administered by Archdiocese of Santa Fe St. Francis Cathedral 213 Cathedral Place Santa Fe New Mexico 87501
Located Immaculate Conception Church 6th & Copper Albuquerque New Mexico
Date:
1958
Topic:
Religion--New Testament--Christ  Search this
Religion--New Testament--Crucifixion  Search this
Figure group--Female  Search this
Allegory--Place--Earth  Search this
Landscape--Celestial--Star  Search this
Emblem--Cross  Search this
Emblem--Chi-rho Monogram  Search this
Control number:
IAS NM000529
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_336836

The Bodhi Stupa, (sculpture)

Title:
Stupa of Great Liberation, (sculpture)
Architect:
Morrelli, Jerry 1954-  Search this
Designer:
Dorje, Karma  Search this
Kloppenberg, Paul  Search this
Sculptor:
Mulder, Josh  Search this
Welder:
McDonnald, Ray  Search this
Medium:
Concrete, metal and wood, painted
Type:
Sculptures-Outdoor Sculpture
Sculptures-Architectural component
Sculptures
Owner/Location:
Kagyu Shenpen Kunchab 751 Airport Road Santa Fe New Mexico 87505
Date:
1983-1986. Dedicated Nov. 1986
Topic:
Architecture--Religious--Temple  Search this
Religion--Buddhism--Buddha  Search this
Control number:
IAS NM000580
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_337133

The New Art Scene Transforming Santa Fe

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 27 Dec 2016 16:19:39 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_210722eb7104f18b50e33362605884f6

New architecture on indigenous lands / Joy Monice Malnar and Frank Vodvarka

Author:
Malnar, Joy Monice  Search this
Vodvarka, Frank  Search this
Physical description:
xi, 259 pages : color illustrations ; 21 x 26 cm
Type:
Books
History
Place:
United States
Date:
2013
20th century
21st century
Topic:
Architecture and anthropology--History  Search this
Architecture and society--History  Search this
Indian architecture  Search this
Indian reservations  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1035167

The Santa Fe Fiesta, reinvented : staking ethno-nationalist claims to a disappearing homeland / Sarah Bronwen Horton

Author:
Horton, Sarah Bronwen  Search this
Subject:
Santa Fe Fiesta History  Search this
Physical description:
viii, 240 p. : col. ill. ; 26 cm
Type:
Books
Place:
New Mexico
Santa Fe
Santa Fe (N.M.)
Date:
2010
C2010
Topic:
Festivals--History  Search this
Fasts and feasts--History  Search this
Hispanic Americans--Ethnic identity  Search this
Hispanic Americans--Rites and ceremonies  Search this
Hispanic Americans--Social life and customs  Search this
Ethnic relations  Search this
Social life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_941398

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