Skip to main content Smithsonian Institution

Search Results

Collections Search Center
68 documents - page 2 of 4

Charles Donagh Maginnis papers, 1900-1980

Creator:
Maginnis, Charles Donagh, 1867-1955  Search this
Subject:
Leland, Joseph  Search this
Sturgis, R. Clipston (Richard Clipston)  Search this
Lamb, Aimée  Search this
Angel, John  Search this
Castano, Giovanni  Search this
Connick, Charles J.  Search this
Goodhue, Bertram Grosvenor  Search this
Gropius, Walter  Search this
Type:
Drawings
Interviews
Citation:
Charles Donagh Maginnis papers, 1900-1980. Archives of American Art, Smithsonian Institution.
Topic:
Architecture, Modern -- 20th century -- Massachusetts  Search this
Theme:
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9033
(DSI-AAA_SIRISBib)211222
AAA_collcode_magichar
Theme:
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211222

Dimitri Hadzi papers, 1910s-2007

Creator:
Hadzi, Dimitri, 1921-2006  Search this
Subject:
Foundry, Nicci  Search this
Harvard University  Search this
Type:
Drawings
Interviews
Sound recordings
Video recordings
Diaries
Motion picture film
Citation:
Dimitri Hadzi papers, 1910s-2007. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century  Search this
World War, 1939-1945  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9532
(DSI-AAA_SIRISBib)211731
AAA_collcode_hadzdimi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211731

Oral history interview with Olav Hammarstrom, 1982 October 21-1983 March 10

Interviewee:
Hammarstrom, Olav, 1906-2002  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Aalto, Alvar  Search this
Roche, Kevin  Search this
Saarinen, Eero  Search this
Saarinen, Eliel  Search this
Architects Collaborative, Inc.  Search this
Massachusetts Institute of Technology  Search this
Yale University  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Olav Hammarstrom, 1982 October 21-1983 March 10. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- Massachusetts -- Interviews  Search this
Architecture -- Massachusetts  Search this
Architecture -- Study and teaching  Search this
City planning -- Massachusetts  Search this
Designers -- Massachusetts -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)11706
(DSI-AAA_SIRISBib)211944
AAA_collcode_hammar82
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211944
Online Media:

Oral history interview with James Lawrence, 1978 Mar. 8

Interviewee:
Lawrence, James, 1906-1995  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with James Lawrence, 1978 Mar. 8. Archives of American Art, Smithsonian Institution.
Topic:
Architecture -- Massachusetts -- Boston  Search this
Architects -- Massachusetts -- Boston -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12056
(DSI-AAA_SIRISBib)211985
AAA_collcode_lawren78
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211985
Online Media:

Oral history interview with Thomas Adrian Fransioli, 1981 April 21

Interviewee:
Fransioli, Thomas Adrian, 1906-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Brown, Margaret E.  Search this
Eggers, O. R. (Otto Reinhold)  Search this
Feiss, Carl  Search this
Finley, David E. (David Edward)  Search this
Pope, John Russell  Search this
Klauder, Charles Z. (Charles Zeller)  Search this
Walker, John  Search this
Art Students League (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
University of Pennsylvania  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Thomas Adrian Fransioli, 1981 April 21. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- Massachusetts -- Interviews  Search this
Architecture -- Study and teaching  Search this
Interior decorators -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
World War, 1939-1945 -- Japan -- Hiroshima  Search this
World War, 1939-1945 -- Photography  Search this
Record number:
(DSI-AAA_CollID)13152
(DSI-AAA_SIRISBib)212087
AAA_collcode_fransi81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212087
Online Media:

Oral history interview with Andrew Dreselly, 1981 June 26

Interviewee:
Dreselly, Andrew, 1893-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Cascieri, Arcangelo  Search this
Krichmayer, Johann  Search this
Rockefeller, John D., Jr. (John Davison)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andrew Dreselly, 1981 June 26. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Interviews  Search this
Church decoration and ornament -- United States  Search this
Carving (Decorative arts) -- United States  Search this
Woodwork  Search this
Record number:
(DSI-AAA_CollID)13153
(DSI-AAA_SIRISBib)212229
AAA_collcode_dresel81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212229
Online Media:

Oral history interview with Pietro Belluschi, 1983 August 22-September 4

Interviewee:
Belluschi, Pietro, 1899-1994  Search this
Interviewer:
Clausen, Meredith L.  Search this
Subject:
Aalto, Alvar  Search this
Le Corbusier  Search this
Massachusetts Institute of Technology  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Pietro Belluschi, 1983 August 22-September 4. Archives of American Art, Smithsonian Institution.
Topic:
Architecture -- United States  Search this
Church architecture -- United States  Search this
Architects -- Oregon -- Portland -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11614
(DSI-AAA_SIRISBib)212557
AAA_collcode_bellus83
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212557
Online Media:

Oral history interview with Wilbur Herbert Burnham, 1981 September 11

Interviewee:
Burnham, Jr., Wilbur Herbert, 1913-1984  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Wilbur Herbert Burnham, 1981 September 11. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Glass art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12230
(DSI-AAA_SIRISBib)212568
AAA_collcode_burnha81
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212568

Oral history interview with Nelson W. Aldrich, 1985 April 4

Interviewee:
Aldrich, Nelson W.  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Nelson W. Aldrich, 1985 April 4. Archives of American Art, Smithsonian Institution.
Topic:
Trustees -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15743
(DSI-AAA_SIRISBib)212579
AAA_collcode_aldric85
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212579

Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24

Interviewee:
Cascieri, Arcangelo, 1902-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Gropius, Walter  Search this
Boston Architectural Center  Search this
Massachusetts College of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Philosophy  Search this
Church decoration and ornament  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11850
(DSI-AAA_SIRISBib)213369
AAA_collcode_cascie72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213369
Online Media:

Oral history interview with Lawrence Anderson, 1992 January 30-March 30

Interviewee:
Anderson, Lawrence B. (Lawrence Bernhart), 1906-1994  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Aalto, Alvar  Search this
Beckwith, Herbert  Search this
Belluschi, Pietro  Search this
Emerson, William Ralph, 1833-1917  Search this
Wurster, William Wilson  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Massachusetts Institute of Technology. School of Architecture and Planning  Search this
Massachusetts Institute of Technology. Dept. of Architecture  Search this
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lawrence Anderson, 1992 January 30-March 30. Archives of American Art, Smithsonian Institution.
Topic:
Architecture, American  Search this
Architecture, Modern -- 20th century -- United States  Search this
Architects -- Massachusetts -- Cambridge -- Interviews  Search this
Educators -- Massachusetts -- Cambridge -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)12388
(DSI-AAA_SIRISBib)214604
AAA_collcode_anders92
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214604
Online Media:

Oral history interview with Nelson Aldrich, 1982 January 22-1985 April 4

Interviewee:
Aldrich, Nelson W.  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Breuer, Marcel  Search this
Rockefeller, Abby Aldrich  Search this
Gropius, Walter  Search this
Boston Architectural Center  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Radcliffe College  Search this
Rhode Island School of Design  Search this
Boston Arts Festival  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Nelson Aldrich, 1982 January 22-1985 April 4. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13144
(DSI-AAA_SIRISBib)216259
AAA_collcode_aldric82
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216259
Online Media:

Oral history interview with Ralph Coburn, 1995 May 25-June 23

Interviewee:
Coburn, Ralph, 1923-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Kelly, Ellsworth  Search this
Nelson, Carl Gustaf  Search this
Netsch, Walter  Search this
Plaut, James S. (James Sachs)  Search this
Polonsky, Arthur  Search this
Saltonstall, Nathaniel  Search this
Swetzoff, Hyman Wulf  Search this
Wilson, John  Search this
Zerbe, Karl  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Massachusetts Institute of Technology  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ralph Coburn, 1995 May 25-June 23. Archives of American Art, Smithsonian Institution.
Topic:
Architecture -- Study and teaching  Search this
Designers -- Massachusetts -- Gloucester -- Interviews  Search this
Painters -- Massachusetts -- Gloucester -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)13209
(DSI-AAA_SIRISBib)216509
AAA_collcode_coburn95
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216509
Online Media:

Oral history interview with Tom Patti, 2010 January 18-19

Interviewee:
Patti, Tom, 1943-  Search this
Interviewer:
Warmus, William, 1953-  Search this
Subject:
Arnheim, Rudolf  Search this
Borowsky, Irvin J.  Search this
Buechner, Thomas S.  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gund, Ann  Search this
Gund, Graham  Search this
Heller, Doug  Search this
Hunter-Stiebel, Penelope  Search this
Kostellow, Rowena Reed  Search this
Moholy-Nagy, Sibyl  Search this
Parriott, Joseph  Search this
Pelli, Cesar  Search this
Rockwell, Norman  Search this
Rogers, Malcolm Jennings  Search this
Safdie, Moshe  Search this
Wagman, Laurie  Search this
Wood, Art  Search this
Corning Museum of Glass.  Search this
General Electric Company  Search this
George Walter Vincent Smith Museum  Search this
Haystack Mountain School of Crafts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norman Rockwell Museum at Stockbridge  Search this
Owens-Corning Fiberglas Corporation  Search this
Penland School of Crafts  Search this
Pratt Institute  Search this
Sienna Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Colombia -- description and travel
Europe -- description and travel
Israel -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tom Patti, 2010 January 18-19. Archives of American Art, Smithsonian Institution.
Topic:
Industrial design  Search this
Designers -- Massachusetts -- Interviews  Search this
Glass artists -- Massachusetts -- Interviews  Search this
Sculptors -- Massachusetts -- Interviews  Search this
Glass art  Search this
Record number:
(DSI-AAA_CollID)15780
(DSI-AAA_SIRISBib)287761
AAA_collcode_patti10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287761
Online Media:

Sidney Simon papers

Creator:
Simon, Sidney, 1917-1997  Search this
Names:
Budd (Firm : New York, N.Y.)  Search this
Century Association (New York, N.Y.)  Search this
Colby College  Search this
Graham Gallery  Search this
Pennsylvania Academy of the Fine Arts  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
United States. Army. Corps of Engineers  Search this
Emmerich, André  Search this
Gonzalez, Xavier, 1898-1993  Search this
Gotfryd, Bernard  Search this
Hélion, Jacqueline  Search this
Jencks, Penelope  Search this
Kelly, Ellsworth, 1923- -- Photographs  Search this
King, William, 1925-2015  Search this
Meredith, Burgess, 1907-1997  Search this
Motherwell, Robert -- Photographs  Search this
Nevelson, Louise, 1899-1988 -- Photographs  Search this
Pousette-Dart, Richard, 1916-1992  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
23.7 Linear feet
2.21 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Date:
circa 1917-2008
bulk 1940-1997
Summary:
The papers of sculptor, painter, and educator Sidney Simon measure 23.7 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

There is a 15.7 linear foot unprocessed addition to this collection donated in 2022 that includes exhibition files; commission files; project files; ledgers; photograph albums, slides, transparencies and glass plate negatives of works of art and installations and photographs of Simon, family and others; inventories of works of art; files relating to World War II including personal and professional photographs, blank postcards, sketches, printed material, and personnel information; unidentified CDs and a cassette with a letter from mother; journals with sketches and notes; biographical information including certificates and awards; printed material including catalogs and announcements and articles about Simon; appraisals; correspondence including posthumous letters of condolence; sketchbooks and drawings, including oversized student drawings and drawings for commissions and competitions; interviews with Simon on Hi8 tapes, mini DV; a scrapbook; and a zinc metal plate. Materials date from circa 1940-1997 and 2008.
Scope and Contents:
The papers of sculptor, painter, and educator Sidney Simon measure 23.7 linear feet and 2.21 GB and date from circa 1917-2002, with the bulk of the papers dating from 1940-1997. The collection documents Simon's career through biographical material, correspondence, writings and notes, subject files, sketches, sketchbooks, printed and digital material, and photographs.

Biographical material chronicles Simon's academic training and professional activities through curriculum vitae, biographical accounts, and awards. Included are letters and memoranda, many from Forbes Watson pertaining to Simon's service as a combat artist in World War II. Also found is a transcript of an interview with Simon recounting his experiences in the Southwest Pacific. Simon's personal correspondence with colleagues, friends, and family includes scattered letters from Jacqueline Helion, Penelope Jencks, William King, Burgess Meredith, among others. Many letters are illustrated by Sidney Simon and others. General correspondence includes letters from artists, galleries, museums, public and religious institutions primarily relating to Simon's exhibitions and commissioned projects. Among the correspondents are Castle Hill, Truro Center for the Arts, Colby College, André Emmerich, Eric Makler Gallery, Xavier Gonzalez, Graham Gallery, and the Pennsylvania Academy of the Fine Arts. Interspersed among the files are letters of a personal nature. Other correspondence relates to Simon's faculty positions and his activities in professional organizations, e.g., Century Association, National Academy of the Fine Arts, and the Skowhegan School of Painting and Sculpture.

Writings and notes include Simon's 1943 diary entries recording his activities in the Army Corps of Engineers, draft versions of writings and lectures, and notes. Included are digital audio recordings of Simon's lectures at the Skowhegan School of Painting and Sculpture. Subject files provide documentation on Simon's commissioned projects, select exhibitions and competitions, as well as his faculty positions and memberships in several arts organizations. Printed material consists of clippings, invitations, announcements, newsletters, and programs. Exhibition catalogs are of Simon's solo and group shows at galleries, museums, and art organizations from 1959-1966. Photographs are of Simon by Budd Brothers, Richard Pousette-Dart, and Bernard Gotfryd. There are a number of photographs of the artist in his studio and outdoors as well as of Simon's family and friends, including group photographs with Ellsworth Kelly, André Emmerich, Robert Motherwell, and Louise Nevelson. Also found are three personal and family albums and twenty-one photograph albums of Simon's paintings and sculptures.

There is a 15.7 linear foot unprocessed addition to this collection donated in 2022 that includes exhibition files; commission files; project files; ledgers; photograph albums, slides, transparencies and glass plate negatives of works of art and installations and photographs of Simon, family and others; inventories of works of art; files relating to World War II including personal and professional photographs, blank postcards, sketches, printed material, and personnel information; unidentified CDs and a cassette with a letter from mother; journals with sketches and notes; biographical information including certificates and awards; printed material including catalogs and announcements and articles about Simon; appraisals; correspondence including posthumous letters of condolence; sketchbooks and drawings, including oversized student drawings and for commissions and competitions; interviews with Simon on Hi8 tapes, mini DV; a scrapbook; and a zinc metal plate. Materials date from circa 1940-1997 and 2008.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1940-1998 (Boxes 1, 9; 0.7 linear feet)

Series 2: Correspondence, 1936-2002 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Notes, 1943, circa 1960-1997 (Box 2; 0.4 linear feet, ER01-ER03; 2.21 GB)

Series 4: Subject Files, 1940-1941, 1951-1997 (Boxes 2-4, 9; 1.8 linear feet)

Series 5: Sketches, 1937-1942 (Box 4; 1 folder)

Series 6: Sketchbooks, 1939-1995 (Boxes 4-5, 9; 0.5 linear feet)

Series 7: Printed Material, circa 1933, 1942-1998 (Box 5; 0.3 linear feet)

Series 8: Scrapbooks, 1978-1995 (Box 5; 0.1 linear feet)

Series 9: Photographs, circa 1917-1997 (Boxes 5-10; 3.0 linear feet)

Series 10: Unprocessed Addition, circa 1940-1997, 2008 (Boxes 11-27, OV 28-43; 15.7 linear feet)
Biographical / Historical:
Sidney Simon (1917-1997) was a sculptor, painter, and educator who worked primarily in New York City and Truro, Massachusetts. Simon was born in Pittsburgh, Pennsylvania. At the age of 14, he won a place as a special student at the Carnegie Institute of Technology. He received a Bachelor of Fine Arts degree from the University of Pennsylvania in 1934 and from the Pennsylvania Academy of the Fine Arts in 1936. Simon also studied at the Barnes Foundation from 1937-1940. Simon received professional recognition early in his career; he was awarded the Prix de Rome Collaborative Prize in 1939 and the Edwin Austin Abbey Fellowship in mural painting in 1945.

In 1941, Simon enlisted in the U.S. Army and served in the Army Corps of Engineers. Assigned to MacArthur's headquarters as an official war artist for the Southwest Pacific Theater, Simon was chosen to paint the signing of the peace treaty between the U.S. and Japan aboard the U.S.S. Missouri. He was discharged from the army with a Bronze Star and five presidential citations. In 1945, along with Bill Cummings and Henry Varnum Poor, Simon co-founded the Skowhegan School of Painting and Sculpture, where he later served as a director and a member of the Board of Governors. By the mid-1950s, Simon's interest shifted from painting to sculpture, creating works in wood, clay, and other media. Over the years, Simon collaborated with architects on a number of public and private commissions, including the doorway for the Downstate Medical Center, the Jewish Chapel at West Point, a playground sculpture for Prospect Park, and the totemic column for the Temple Beth Abraham. In addition to serving on the faculty at Skowhegan School of Painting and Sculpture, Simon also taught at the Art Students League, Brooklyn Museum, and Parsons School of Design. An active champion of artists' rights, Simon established the New York Artists Equity Association. He participated in solo and group shows at the Graham Gallery, Provincetown Art Association and Museum, and the Sculptors Guild, among other venues.

In 1997, Sidney Simon died at the age of 80 in Truro, Massachusetts. Simon was divorced from Joan Crowell in 1964. He is survived by his wife, Renee Adriance Simon and five children from his first and second marriages.
Related Materials:
The Archives has two oral history interviews with Sidney Simon conducted by Paul Cummings in October 17-November 8, 1973 and the Karl E. Fortress taped interviews with artists, [1963-1985].
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (reel D210) including biographical material, correspondence, sketchbooks, scrapbooks, and photographs of Sidney Simon. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Sidney Simon lent the Archives of American Art material for microfilming in 1965. Rene Simon, Simon's widow, donated the Sidney Simon papers in 2009. Additional material donated in 2022 by the Renee A. Simon Revocable Trust via trustees Barbara Sussman, Alexa Elam and Susanne Howard.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
War artists  Search this
Topic:
Art -- Study and teaching  Search this
World War, 1939-1945 -- Art and the war  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Function:
Artists' studios -- New York (State)
Genre/Form:
Sound recordings
Transcripts
Sketchbooks
Sketches
Interviews
Illustrated letters
Diaries
Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.simosidn
See more items in:
Sidney Simon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973588e01-af09-4ddf-ae4c-721c446d46c3
EDAN-URL:
ead_collection:sova-aaa-simosidn

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York, who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts  Search this
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9d7e11d-96d4-431a-b318-c86a9cf6dda6
EDAN-URL:
ead_collection:sova-aaa-hatcjohn
Online Media:

Nina Yankowitz papers

Creator:
Yankowitz, Nina  Search this
Names:
Heresies Collective, Inc.  Search this
Heresies Collective, Inc.  Search this
Kozloff, Joyce  Search this
LeWitt, Sol, 1928-2007  Search this
Strider, Marjorie  Search this
Extent:
5.6 Linear feet
0.689 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
circa 1950-2017
Summary:
The papers of feminist and new media artist, Nina Yankowitz measure 5.6 linear feet and 0.698 GB, and date from circa 1950-2017. Included in the collection is a small amount of biographical material; letters and postcards from artist colleagues and friends; writings by Yankowitz and others; project files pertaining to artwork, proposals, and Yankowitz's involvement in the Heresies Collective; a few exhibition files; printed material including booklets, catalogs, poetry chapbooks, and announcements, generated mostly by Yankowitz and her circle of Feminist, Minimalist, and New Media artists; as well as photographs of Yankowitz and documentation of her artwork through thousands of photographs and slides. The collection also contains a small amount of born-digital material including video and sound recordings pertaining to projects, and spreadsheets relating to an exhibition. Notable correspondents include Ross Bleckner, Joyce Kozloff, Frances Lewis, Sol LeWitt, Ree Morton, Miriam Shapiro, Peter Schjeldahl, Blythe Sonfist, Marjorie Strider, Robin Tewes, and Susan Yankowitz.
Scope and Contents:
The papers of feminist and new media artist, Nina Yankowitz measure 5.6 linear feet and 0.698 GB, and date from circa 1950-2017. Included in the collection is a small amount of biographical material; letters and postcards from artist colleagues and friends; writings by Yankowitz and others; project files pertaining to artwork, proposals, and Yankowitz's involvement in the Heresies Collective; a few exhibition files; printed material including booklets, catalogs, poetry chapbooks, and announcements, generated mostly by Yankowitz and her circle of Feminist, Minimalist, and New Media artists; as well as photographs of Yankowitz and documentation of her artwork through thousands of photographs and slides. The collection also contains a small amount of born-digital material including video and sound recordings pertaining to projects, and spreadsheets relating to an exhibition. Notable correspondents include Ross Bleckner, Joyce Kozloff, Frances Lewis, Sol LeWitt, Ree Morton, Miriam Shapiro, Peter Schjeldahl, Blythe Sonfist, Marjorie Strider, Robin Tewes, and Susan Yankowitz.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, 1957-2017 (Box 1; 5 folders)

Series 2: Correspondence, 1970-2012 (Box 1; 0.6 linear feet)

Series 3: Writings, circa 1968-2012 (Box 1; 0.4 linear feet)

Series 4: Reproductions of Illustrated Notebooks, circa 1967-2000 (Box 2; 0.4 linear feet)

Series 5: Project Files, 1970-2014 (Box 2, OV 7, 0.7 linear feet; ER01-ER03, 0.688 GB)

Series 6: Exhibition Files, 1972-circa 2009 (Box 3, 0.2 linear feet; ER04, 0.001 GB)

Series 7: Printed Material, 1969-2016 (Boxes 3-5; 2 linear feet)

Series 8: Photographic Material, circa 1950-2010 (Boxes 5-6, OV 8; 1.3 linear feet)
Biographical / Historical:
Nina Yankowitz (1946- ) is a feminist and new media artist in New York, New York. Born in New Jersey, Yankowitz attended Temple University in Philadelphia, Pennsylvania from 1964-1967, and completed her graduate studies at the School of Visual Arts in New York City in 1969. She began exhibiting her work in galleries in New York in the late 1960s, first at Kornblee Gallery and later at Deson-Zaks Gallery, Rosa Esman Gallery, and Stefanotti Gallery. In 1972 she was a resident at the MacDowell Colony. Yankowitz has worked in a variety of media over the decades including painting, sculpture, mosaic, installation, sound, and new media. She has completed numerous public and private commissions, including a sculpture for Central Park in 1969 and a tile mosaic for New York's Arts in Transit program in 1989. Yankowitz was a member of the Heresies Collective, a group of feminist political artists founded in 1976. She has held teaching positions at University of Massachusetts, Amherst, and her alma mater, the School of Visual Arts. Her husband, architect Barry Holden, is a frequent collaborator, especially for public works projects.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Nina Yankowitz conducted by Christopher Lyon in 2018.
Provenance:
Donated to the Archives of American Art in 2018 by Nina Yankowitz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Rights:
The donor has retained all intellectual property rights, including copyright, that he or she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Feminism and art  Search this
Citation:
Nina Yankowitz papers, circa 1950-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.yanknina
See more items in:
Nina Yankowitz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw985ae3dcd-1a81-4c6c-96f6-7e4dd83305ea
EDAN-URL:
ead_collection:sova-aaa-yanknina

M

Type:
Archival materials
Date:
1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1048, Item 4.1.3.5
See more items in:
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869
Records of the Assistant Commissioner for State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1869 / Series 4: Letters and Telegrams Received / 4.1: Registers of Communications Received / 4.1.3: Entered in Registers 5 – 7
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ca18ae20-667a-40c7-97a6-17f6c0fe9aa2
EDAN-URL:
ead_component:sova-nmaahc-fb-m1048-ref97
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View M digital asset number 1
Online Media:

Hans Namuth photographs and papers

Creator:
Namuth, Hans  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Jewish Museum (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Virginia Museum of Fine Arts  Search this
Yale University. School of Art and Architecture  Search this
Adams, Ansel, 1902-1984  Search this
Boynton, Jack, 1928-2010  Search this
Breuer, Marcel, 1902-  Search this
Cage, John, 1912-1992  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castelli, Leo  Search this
Copland, Aaron, 1900-1990  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Hartigan, Grace  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930- -- Photographs  Search this
Karpel, Bernard, 1911-1986  Search this
Koch, Kenneth, 1925-  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Navaretta, Cynthia  Search this
Newman, Arnold, 1918-2006  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Norman, Dorothy, 1905-1997  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rauschenberg, Robert, 1925-2008 -- Photographs  Search this
Rothko, Mark, 1903-1970 -- Photographs  Search this
Shaw, Elizabeth Roberts, 1921-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Wyeth, Andrew, 1917-2009 -- Photographs  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Place:
Massachusetts -- Boston
Date:
1945-1985
Summary:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.
Scope and Contents:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.

The first series contains materials related to the planning and production of Namuth's film Alfred Stieglitz, Photographer. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.

The second series contains various writings and papers relating to Namuth's professional activities, including Namuth's exhibition at the 1958 Brussels World Fair, business and financial records, papers on The Construction of Boston by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.

Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
Arrangement:
This collection is arranged as 3 series.

Missing Title

Series 1: Alfred Stieglitz Film Project, 1945-circa 1981 (Box 1, OV 11; 0.8 linear feet)

Series 2: Professional Files, 1953-1985 (Box 1; 0.3 linear feet)

Series 3: Photographs, 1945-1984 (Box 2-10; 3.4 linear feet)
Biographical / Historical:
Hans Namuth (1915-1990) was a German-American photographer and filmmaker who lived and worked in New York. He was primarily known for his work photographing prominent American artists in the 1950s and 1960s.

Namuth was born in Germany but left for France in 1933 after the rise of the Nazi Party. While in France, he struck up a friendship with fellow German Georg Reisner. From 1935 to 1939, Namuth and Reisner worked together as photographers primarily in Paris. His first works to catch the public's attention came from an assignment in Barcelona that accidentally coincided with the beginning of the Spanish Civil War in 1936. Following a short internment in Nazi-occupied France, Namuth left for the United States.

After taking photography classes with Alexey Brodovitch, art director of Harper's Bazaar, Namuth met Jackson Pollock at an exhibition in 1950 and asked to photograph the artist at work. His subsequent photographs of Pollock raised both artists' profiles. Namuth would spend the next three decades photographing major New York artists, architects, and art-related events for commission and for his own studio. He directed a number of films in collaboration with Paul Falkenberg and published several books of photographs. Namuth died in Long Island in 1990.
Related Materials:
Also at the Archives of American Art is an oral history interview with Hans Namuth, Aug. 12-Sept. 8, 1971. Additional Hans Namuth papers are located at the Center for Creative Photography, University of Arizona.
Provenance:
The collection was donated 1972-1985 by Hans Namuth.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
All Photographs by Hans Namuth: All requests for image reproductions are to be sent to: Assistant Registrar for Rights & Reproductions; Center for Creative Photography. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Musicians -- New York (State) -- New York  Search this
Topic:
Artists -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Citation:
Hans Namuth photographs and papers, 1945-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.namuhans
See more items in:
Hans Namuth photographs and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98657f618-8639-4278-8569-19240b164357
EDAN-URL:
ead_collection:sova-aaa-namuhans

Motherwell, Robert - Correspondence (Zurich File)

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 48
Type:
Archival materials
Date:
1976-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b22b43a7-6975-4111-bde2-eec155362cd9
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3008
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Motherwell, Robert - Correspondence (Zurich File) digital asset number 1
  • View Motherwell, Robert - Correspondence (Zurich File) digital asset number 2

Modify Your Search







or


Narrow By