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Donor Name:
Dr. William Wood  Search this
Culture:
Prehistoric  Search this
Object Type:
Point
Place:
East Windsor, Hartford County, Connecticut, United States, North America
Accession Date:
1868
Topic:
Archaeology  Search this
Accession Number:
001219
USNM Number:
A6084-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/39434d35e-727b-4e92-938a-f4333757b381
EDAN-URL:
edanmdm:nmnhanthropology_8305918
Online Media:

Cleve Gray papers

Creator:
Gray, Cleve  Search this
Names:
Berry-Hill Galleries  Search this
Betty Parsons Gallery  Search this
Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this
Jacques Seligmann & Co  Search this
Neuberger Museum of Art  Search this
Pratt Institute  Search this
Princeton University  Search this
Rhode Island School of Design  Search this
Barzun, Jacques, 1907-  Search this
Calder, Alexander, 1898-1976  Search this
Davis, Jim, 1901-1974  Search this
Dillenberger, Jane  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Jimmy, 1920-1984  Search this
Gabo, Naum, 1890-1977  Search this
Grace, Louise N.  Search this
Gray, Francine du Plessix  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marin, John, 1870-1953  Search this
Pollock, Jackson, 1912-1956  Search this
Richter, Hans, 1888-1976  Search this
Smith, David, 1906-1965  Search this
Villon, Jacques, 1875-1963  Search this
Weber, Nicholas Fox, 1947-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Date:
1933-2005
Summary:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.
Scope and Content Note:
The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

Among the biographical material are award and membership certificates, biographical notes, and personal documentation.

The alphabetical files contain Cleve Gray's personal and professional correspondence, as well as subject files relating to projects and interests. Correspondence is with friends and family, colleagues, publishers, museum curators and directors, art dealers, collectors, and fans. Among the correspondents of note are: Jacques Barzun, James E. Davis, Naum Gabo, Louise N. Grace, Hans and Fridel Richter, and Jacques and Gaby Villon. Other substantial correspondence includes: Berry-Hill Galleries, Betty Parsons Gallery, Connecticut Commission on the Arts, Jacques Seligmann and Co., Neuberger Museum of Art, Pratt Institute, Princeton University, and Rhode Island School of Design. Subject files mostly consist of correspondence, but include printed material and some photographs. Among the subject files are: Art Collection of Cleve and Francine Gray, Artist-Dealer Consignments and Visual Artists' Rights Act of 1989, Artists' Tax Equity Act of 1979, Promised Gifts to Museums, Threnody, Vestments, and Vietnam Protest. Of particular interest are files relating to the Estate of Hans Richter (Cleve Gray, executor), and Gray's research correspondence and illustrations for his Cosmopolitan article "Women-Leaders of Modern Art."

Writings are manuscripts and drafts, research materials, notes, and miscellaneous writings by Cleve Gray and other authors. Those by Gray include articles and catalog introductions on a wide range of art-related topics, as well as book and exhibition reviews. Also found are a book proposal, texts and notes for lectures and talks, miscellaneous notes, poems, political statements, and student papers. Of particular interest are autobiographical notes in the form of a chronology that his biographer, Nicholas Fox Weber, cited as an "autochronology."

Among the writings by other authors are pieces about Cleve Gray including Nicholas Fox Weber's manuscript Cleve Gray. A significant amount of material relates to three books edited by Gray: David Smith by David Smith: Sculpture and Writings, Hans Richter, and John Marin. Research material survives for an unpublished volume, Naum Gabo. Also included are notes relating to his translation of A l'Infinitif by Marcel Duchamp. Jane Daggett Dillenberger is represented by a lecture, "The Resurrection in Art." The remaining items by other authors are unsigned; of particular interest is a small notebook of reminiscences and notes about Jackson Pollock.

Artwork by Cleve Gray consists mostly drawings and sketches, and a small number of paintings, prints, and watercolors. Works by other artists consist are an unsigned mobile of paper cut-outs, possibly by Alexander Calder, and a pencil drawing signed Dick (probably Richard Avedon).

Audio recordings are a radio broadcast featuring Cleve Gray, several lectures by Gray on John Marin, and a lecture titled "Meaning in the Visual Arts." Other recordings are of Hans Richter and an interview with Jimmy Ernst conducted by Francine du Plessix Gray. Also found is a videocassette of "Glenville School Students at SUNY (Lincoln Center Activity)."

Artifacts are a Chinese scroll representative of those that hung in Cleve Gray's studio, two of his paintbrushes, Aberdeen-Angus Breeders' Association blue ribbon, and Neuberger Museum of Art Lifetime Achievement Award.

The vast majority of printed material - articles, clippings, exhibition catalogs and announcements, reproductions of art work, etc. - are about or by Cleve Gray. Miscellaneous items and publications mentioning Gray consist of annual reports, brochures, calendars, newsletters, programs, etc. Clippings about Vietnam and Vietnam protest memorabilia reflect his passionate involvement in the anti-war movement; a small number of these items mention Gray or were written by him.

Photographs are of artwork, events, people, places, and miscellaneous subjects. Most of the art work appearing in the photographs is by Cleve Gray and includes images of destroyed paintings. Also found is an original print of Photo Abstraction by Gray, circa 1934. Of particular note are photographs of Threnody, among them preparatory drawings and views of the work in progress. Photographs of artwork by other artists include Louise N. Grace, Jacques Lipchitz, John Marin, Hans Richter, and Jacques Villon.

Photographs of people are mainly portraits of Gray, and views of him with his wife and sons. Other individuals appearing in photographs are Hans Richter and some of Richter's descendants. Pictures of places consist of Gray's studio.

Events are an unidentified exhibition opening. Miscellaneous subjects are mostly exhibition installations. Illustrations consist of photographs published in David Smith by David Smith: Sculpture and Writings. Also found are small number of negatives and color transparencies.
Arrangement:
The collection is organized into 8 series:

Missing Title

Series 1: Biographical Material, 1943-circa 2001 (Box 1; 0.1 linear ft.)

Series 2: Alphabetical Files, 1936-2005 (Boxes 1-5, 9; 4.3 linear ft.)

Series 3: Writings, 1935-2000 (Boxes 5-6; 0.85 linear ft.)

Series 4: Artwork, circa 1933-1987 (Boxes 6, 9, OV 12; 0.45 linear ft.)

Series 5: Audio/Visual Records, 1971-1989 (Box 6; 0.25 linear ft.)

Series 6: Artifacts, 1957-1999 (Box 6, RD 11; 0.45 linear ft.)

Series 7: Printed Material, 1933-2005 (Boxes 7-8; 1.25 linear ft.)

Series 8: Photographs, circa 1934-2002 (Boxes 8-10; 1.15 linear ft.)
Biographical Note:
Abstract Expressionist painter, sculptor, and writer Cleve Gray (1918-2004) lived and worked in Connecticut where he was politically active in the Vietnam protest movement and other liberal causes.

Born Cleve Ginsberg in New York City (the family changed its name to Gray in 1936), he attended the Ethical Culture School and at a young age developed a fascination with color and paint. At the urging of friends, Cleve's parents allowed him to accompany a school friend for lessons with George Bellows' student Antonia Nell. She encouraged and inspired the young artist, and a still life he painted in her class was shown at the National Academy of Design's 1932 annual exhibition. Miss Nell also introduced him to Louise N. Grace, an artist who became a good friend and had a lasting influence on him. While a student at Phillips Academy, Cleve studied painting with Bartlett Hayes and aspired to paint in France. Upon his graduation in 1936, he was awarded the Samuel F. B. Morse Prize for most promising art student.

Gray's mother was always supportive of his career choice. His businessman father, who didn't understand his son's desire to be an artist, insisted on a college education. Cleve chose Princeton, where he majored in art and archaeology, and studied painting with James E. Davis. His senior thesis was on Chinese landscape painting; both Eastern philosophy and art were long-term influences on Gray's work and outlook. He graduated summa cum laude in 1940, and then spent several months painting while living at the farm of a family friend in Mendham, New Jersey.

When a doctor suggeted that a dry climate might relieve sinus and asthma problems, Gray moved to Tucson, Arizona. Once settled in the desert, he contacted Louise N. Grace, whom he had met as a young teenager through his art instructor. Miss Grace, an artist and daughter of the founder of W. R. Grace and Co., was a highly cultured and independent woman older than his parents. The summer before Gray entered Phillips Academy, she had hired him to brush ground color onto canvases for murals she was painting for "Eleven Arches," her home in Tuscon then under construction. Miss Grace invited Gray to visit "Eleven Arches" to see the completed murals, and despite the substantial age difference, their friendship deepened; Gray found in her intellectual and spiritual guidance that was lacking in his own family. He remained in Tucson until enlisting in the U. S. Army in 1942, and they corresponded frequently during the the war. When a stroke in 1948 prevented Miss Grace from participating in the extensive tour of Europe she was arranging for a small group of friends, including Gray, she provided sufficient funds and insisted he make the trip on his own. Another stroke, suffered while Gray was traveling, left her in a coma; he was not permitted to see her again. Upon her death in 1954, Gray inherited "Eleven Arches."

Between 1943 and 1946, Gray was stationed in England, France, and Germany, serving in Army Signal Intelligence. Most of his work was performed at night, and he spent his free time drawing. While in London, Gray produced many colored pencil drawings of buildings that had been bombed. In France, a Red Cross volunteered to introduce him to Jacques Villon; although unfamiliar with the artist, Gray knew of Villon's brother, Marcel Duchamp, and accepted the invitation. Jacques and Gaby Villon lived near Gray's billet and he became a frequent visitor. Their friendship was important to his development as an artist. After being discharged from the Army in 1946, Gray remained in France to work with Villon who introduced him to the study of color and the concept of intellectual quality in painting. Gray also studied informally with André Lhote, Villon's former teacher. "American Painters in Paris," an exhibition presented in 1946 at Galerie Durand-Ruel, included work by Cleve Gray.

He returned to New York City in 1946. In the tight post-war rental market Gray managed to find a small room upstairs from a grocery store on East 106th Street for use as a studio. He commenced painting the London Ruins series based on drawings he had made during the war, and began thinking about exhibiting in New York. Gray secured introductions to Pierre Matisse, Curt Valentin, and Dorothy Miller. They encouraged him, but no opportunities came his way until Germain Seligmann, whose gallery was expanding its scope to include contemporary art, followed the advice of Curt Valentin and looked at Gray's work. Gary's first solo exhibition, held at Jacques Seligmann and Co., included selections from the London Ruins series, paintings done in Maine and Arizona, and a few portraits. The New York Times called it "an auspicious first," and one of the London Ruins series was selected by Edward Alden Jewell for the "Critic's Exhibition" at Grand Central Gallery.

Gray found New York City too frenetic. In 1949 he bought a large, old house in Warren, Connecticut, and lived and worked at "Graystones" for the remainder of his life. Half of a 6-car garage was converted to a studio; many years later, his studio moved to a barn, its renovation and design planned by sculptor and architect Tony Smith.

He married Francine du Plessix in 1957. Always interested in literature and philosophy, in the 1960s Francine du Plessix Gray began contributing articles to The New Yorker and is still affiliated with the magazine. Her reviews and articles appeared in prominent publications, and she wrote several award-winning novels and biographies. Their sons, Thaddeus and Luke (now a painter), were born in 1959 and 1961. Francine's mother, Tatiana du Plessix (the hat designer Tatiana of Saks), and step-father, the sculptor Alexander Liberman (also former art director of Vogue and later editorial director of Condé Nast publications) became Cleve Gray's closest friends.

The paintings and drawings of Cleve Gray - first consisting of figures and portraits, and then abstract compositions - were often produced in series. The earliest series, London Ruins, grew from the colored pencil drawings made while stationed in London during World War II. Travels to France, Italy, Greece, Morocco, Hawaii, Spain, Egypt, Japan, and Czechoslovakia, inspired many series, among them: Etruscan, Augury, Ceres, Demeter Landscape, Hera, Morocco, Hawaii, Ramses, Perne, Hatshepsut, Roman Walls, Zen, and Prague. His hometown, the Holocaust, and musicians inspired other series: Warren, Sleepers Awake!, Bela Bartok, and Four Heads of Anton Bruckner. Some series were works on paper, others were collage canvases, and a few series later spawned prints. Gray began using acrylics in the 1940s. Although the medium offered many benefits, he did not always like its appearance and frequently returned to oils. Around 1966 Gray was painting almost exclusively with acrylic, and eventually developed a technique of thinning the paint and applying successive layers of color (sometimes by pouring or with a sponge) on cotton duck rather than traditional canvas.

Gray was attracted to sculpture, too, working in that medium at different points in his career. His first sculpture, in plaster, was completed in 1959. In the early 1960s he visited a commercial sand-casting foundry and became excited about learning to cast in bronze. He made about a dozen sculptures to cast in sand, but due to too much undercutting, their casting became too difficult a problem. Lava flows seen while in Hawaii during 1970 and 1971 inspired a return to sculpture. This time, he used wood, papier maché, and metal. Gray then decided these pieces should be cast in bronze, and he was determined to do it himself. Friends taught him the lost wax process and he began working at the Tallix Foundry in Peekskill, New York where, over the next year, he cast about forty bronzes.

Gray's best known work is Threnody, a lament for the dead of both sides in Vietnam. In 1972, Gray received a commission to fill a very large gallery of the soon-to-open Neuberger Museum of Art (State University of New York, College at Purchase) designed by Philip Johnson. Friends of the Neuberger Museum paid his expenses and Gray, who was enormously excited about the project he considered a once-in-a-lifetime opportunity, donated his time. Developing plans for the execution of Threnody consumed most of his time during 1972 and 1973. Composed of a series of fourteen panels, each approximately twenty feet square, the piece presented a number of technical challenges. It was constructed and painted in situ during the summer and early fall of 1973. Since then, Threnody has been reinstalled at the Neuberger Museum of Art on several occasions.

Gray was commissioned to design liturgical vestments for two Episcopal churches in Connecticut in the 1970s. A chasuble, stoles, and a mitre were commissioned by the Episcopal Diocese of Connecticut in 1984.

He won the "Outdoor Art at the Station Competition," for Union Station, Hartford, Connecticut. His very large porcelain enamel tile mural, Movement in Space, was installed on the façade of the transportation center in 1988.

Gray began writing occasional articles and exhibition reviews in the late 1940s. His concern with rational structure in art led him to question Abstract Expressionism and write "Narcissus in Chaos." This article, published in 1959 by The American Scholar, drew considerable attention. In 1960, Cosmopolitan published "Women - Leaders of Modern Art" that featured Nell Blaine, Joan Brown, Elaine de Kooning, Helen Frankenthaler, Sonia Gretchoff, Grace Hartigan, Ethel Magafan, Louise Nevelson, and Georgia O'Keeffe. Between 1960 and 1970, Gray was a contributing editor of Art In America, producing numerous articles (a few co-authored with Francine) and reviews for the periodical. He edited three books, David Smith by David Smith: Scupture and Writings, Hans Richter, and John Marin, all published by Holt, Rinehart, and Winston, and translated Marcel Duchamp's A l'Infinitif.

During the early 1960s, Gray became intensely focused on the situation in Vietnam. His first artistic response came in 1963 with Reverend Quan Duc, painted to commemorate a Buddhist monk who had immolated himself. Francine, too, felt strongly about the issue and over time the couple became increasingly active in the anti-war movement. They joined a number of organizations and helped to found a local chapter of Clergy and Laymen Concerned about Vietnam. The years 1968 and 1969 were an especially intense and active period for the Grays. They protested, wrote and spoke out against the war, raised funds to support anti-war political candidates, and on a few occasions were arrested and jailed. Writing for Art in America, editing the book series, and anti-war activities left little time for his art. In 1970 Gray refocused his attention on painting.

Beginning in 1947, Gray was always represented by a New York Gallery: Jacques Seligmann and Co. (1947-1959), Staempfli Gallery (1960-1965), Saidenberg Gallery (1965-1968), Betty Parsons Gallery (1968-1983), Armstrong Gallery (1984-1987), and Berry-Hill Galleries (1988-2003). He was represented by galleries in other cities, as well, but not as consistently or for such long periods.

He exhibited extensively in group and solo exhibitions throughout the United States and internationally. In addition to numerous solo exhibitions presented by the dealers who represented Gray, there were retrospective exhibitions at: Albright-Knox Art Gallery, Brooklyn Museum, Columbus Museum of Art, Krannert Art Museum (University of Illinois, Champaign), Princeton University Art Museum, Rhode Island School of Design, and Wadsworth Atheneum.

Many museums' permanent collections include the work of Cleve Gray, among them: Albright-Knox Art Gallery, Butler Institute of American Art, Columbus Museum of Art, Neuberger Museum of Art (SUNY, College at Purchase), the Museum of Modern Art (New York), Newark Museum, Oklahoma City Museum of Art, Phillips Collection, Sheldon Memorial Art Gallery (University of Nebraska, Lincoln), Smithsonian Institution, Solomon R. Guggenheim Museum, Whitney Museum of American Art, and Yale University Art Gallery.

Cleve Gray served as artist-in-residence at the Oklahoma City Museum of Art in 1963 and at the Honolulu Academy of Arts in 1970, both sponsored by Ford Foundation programs. In 1980, he was appointed an artist-in-residence at the American Academy in Rome, where Francine concurrently served as a writer-in-residence; they returned for shorter periods during each of the subsequent seven years. Cleve Gray was presented the Connecticut Arts Award in 1987, and the Neuberger Museum of Art Lifetime Achievement Award in 1999. He was awarded an honorary degree by the University of Hartford in 1992, and was elected a member of The American Academy of Arts and Letters in 1998. In addition, he was a trustee of the Neuberger Museum of Art, New York Studio School, Rhode Island School of Design, and Wadsworth Atheneum.

Cleve Gray hit his head and suffered a massive subdural hematoma after falling on ice outside of his home. He died the following day, December 8, 2004.
Separated Material:
Exhibition catalogs and announcements and two scrapbooks donated to the Archives in 1967 and 1968 were microfilmed on reels D314-D315. Items on reel D315, transferred to the Smithsonian American Art Museum Library in 1975, are not described in this finding aid.
Provenance:
The Cleve Gray papers were donated to the Archives of American Art by Mr. Gray in 1967 and 1968. The bulk of the collection was given by his widow, Francine du Plessix Gray, in 2007 and 2008.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Connecticut  Search this
Painters -- Connecticut  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Vietnam War, 1961-1975 -- Protest Movements -- United States  Search this
Designers  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Poems
Articles
Photographs
Reviews (documents)
Notes
Illustrations
Notebooks
Sketches
Drafts (documents)
Video recordings
Sound recordings
Interviews
Manuscripts
Paintings
Prints
Watercolors
Drawings
Lectures
Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grayclev
See more items in:
Cleve Gray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d3d47d0-baa3-4085-80f2-9b5d1730c052
EDAN-URL:
ead_collection:sova-aaa-grayclev
Online Media:

Delegate

Subject of:
MelPat Associates, American, 1965 - 1986  Search this
Lou Rawls, American, 1933 - 2006  Search this
United Negro College Fund, American, founded 1944  Search this
President Jimmy Carter, American, born 1924  Search this
Wilma Rudolph, American, 1940 - 1994  Search this
National Urban League, American, founded 1910  Search this
American Association of Blacks in Energy, American, founded 1977  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
American Bridge Association, American, founded 1932  Search this
African Methodist Episcopal Zion Church, American, founded 1821  Search this
National Association of Market Developers, American, founded 1953  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Prince Hall Freemasonry, founded 1784  Search this
Sears, Roebuck & Co., American, founded 1893  Search this
Morehouse College, American, founded 1867  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
National Pharmaceutical Association, American, founded 1947  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
National Association of Negro Musicians, Inc., founded 1919  Search this
The Links, Incorporated, American, founded 1946  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Republican Party, American, founded 1854  Search this
Charms, Inc., American, founded 1952  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Pharmaceutical Association, American, founded 1947  Search this
National Medical Association, American, founded 1895  Search this
National Association of Negro Musicians, Inc., founded 1919  Search this
National Association of University Women, American, founded 1910  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
American Tennis Association, American, founded 1916  Search this
Democratic Party, American, founded 1828  Search this
CBS Broadcasting, Inc., American, founded 1927  Search this
A. Philip Randolph, American, 1889 - 1979  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Congressional Black Caucus, American, founded 1971  Search this
369th Veterans Association, American  Search this
Benjamin Hooks, American, 1925 - 2010  Search this
National Bankers Association, American, founded 1927  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Alliance for Women in Media, American, founded 1951  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1980
Topic:
African American  Search this
Advertising  Search this
African Methodist Episcopal  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Methodist  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Television  Search this
The Black Church  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.14
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd533a4aa5f-52b1-4ee7-8dd0-1df51498bd61
EDAN-URL:
edanmdm:nmaahc_2012.167.14
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Archaeological Preservation and Archaeological Conservancies in Litchfield County, Connecticut

Creator:
Handsman, Russell G.  Search this
Extent:
1 Volume (x + 105)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Litchfield County (Connecticut) -- Archeology
Date:
December 1982
Scope and Contents:
Manuscript Series of the Research Department, American Indian Archaeological Institute
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3fabc9196-910c-4591-b68c-0e5db040b871
EDAN-URL:
ead_component:sova-naa-1976-028-ref553

Modern Patterns and Past Processes: A Study of North Canaan's Past

Creator:
Handsman, Russell G.  Search this
Extent:
1 Volume (50 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
North Canaan -- Connecticut -- Archeology
Date:
July 1980
Scope and Contents:
Research Manuscript Series, American Indian Archaeological Institute
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3df7bcd20-1219-4f02-be27-d1b3028ecfaf
EDAN-URL:
ead_component:sova-naa-1976-028-ref554

Bank Street Waterfront; New London, Connecticut

Creator:
Artemel, Janice G.  Search this
Heintzelman-Muego, Andrea  Search this
Orelup, Margaret  Search this
Extent:
1 Volume (3 chapters + bibliography and appendices)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Bank Street Waterfront (New London, Connecticut) -- Archeology
Date:
May 1984
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw31e80af64-84cc-42ff-bf61-aee9547a85e0
EDAN-URL:
ead_component:sova-naa-1976-028-ref555

Historic Properties Reconnaissance for Archaeological Potential of Selected Fort Devens Off-Base Facilities in Connecticut, Massachusetts, Rhode Island and Vermont

Creator:
Bourassa, Marie Lynn  Search this
Atwood, Kathleen A.  Search this
Extent:
1 Volume (ix + 462)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Massachusetts -- Antiquities
Rhode Island -- Antiquities
Vermont -- Antiquities
Connecticut -- Archeology
Massachusetts -- Archeology
Rhode Island -- Archeology
Vermont -- Archeology
Date:
October 1988
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3ef5562a4-df9c-4b46-93d3-061705216405
EDAN-URL:
ead_component:sova-naa-1976-028-ref556

An Archeological Overview and Management Plan for the Stratford Army Engine Plant

Creator:
Klein, Joel I.  Search this
Brenner, Elise M.  Search this
Extent:
1 Volume (x + 8 chapters)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Stratford Army Engine Plant -- Fairfield County -- Connecticut -- Archeology
Date:
February 1984
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39807ae18-385a-42ed-b0aa-71d0bc475280
EDAN-URL:
ead_component:sova-naa-1976-028-ref667

Archaeological Investigations on the Navy Family Housing Site, Groton, Connecticut

Creator:
Soulsby, Mary G.  Search this
Gradie, Robert R.  Search this
McBride, Kevin A.  Search this
Extent:
1 Volume (iii + 123)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
Groton (Connecticut) -- Archeology
Date:
November 1981
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3cb87a7aa-f975-43d6-8fac-79993c6c4638
EDAN-URL:
ead_component:sova-naa-1976-028-ref668

Bank Street Waterfront Project, New London, Connecticut

Creator:
De Leuw, Cather/Parsons  Search this
Extent:
1 Volume (81 pages)
Type:
Archival materials
Volumes
Printed material
Place:
Connecticut -- Antiquities
New London Historic District -- Connecticut -- Archeology
Date:
September 1981
Restrictions:
Item in off site storage. Contact archives for information on availability.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Printed material
Citation:
Cite as for book.
See more items in:
Archaeology reports and related material collection
Archaeology reports and related material collection / Reports and related material
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw307d7bcf6-1690-4d6f-87bd-c7cb91b2ff19
EDAN-URL:
ead_component:sova-naa-1976-028-ref669

C-1: Naqsh-i Rustam. Lines. 1--6, left

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Achaemenid dynasty, 559-330 B.C.  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 21 in.x 28 in. (53.3 cm. x 71 cm.))
Container:
Item C-1
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5053, bottom and 5038.
Scope and Contents:
- Original handwritten annotation reads, "Ni R I."
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 1. ([neg.] 5053, bottom, and [neg.] 5038) Naqsh-i Rustam. Lines 1-6, left."
- Additional information from staff reads, "Squeeze No. 1: Lines 1-6, top left edge."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-001

FSA A.6 06.C001
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Date/Time and Place of an Event Note:
Ernst Herzfeld first visited Naqsh-i Rustam in November 1905 during his expedition return from the Assur (Kalat Schergat, Iraq) excavation. During the two last months of 1923 as well as early March 1924, in addition of his work on the terrace of Persepolis, Herzfeld spent time at Naqsh-i Rustam checking the inscriptions. In 1928, the architect Friedrich Krefter joined Herzfeld in Persia, in an expedition funded by the Notgemeinschaft der Deutschen Wissenschaft, to complete various measured plans and drawings in Persepolis, Pasargadae, and Naqsh-i Rustam. On March 1, 1931, now under the auspices of the Oriental Institute of the University of Chicago, excavations at Persepolis were begun. Ultimately, in 1933, attention was directed to Naqsh-i Rustam, where Herzfeld traced the outer enclosure of the site and copied the inscription on the tomb of Darius I. Ernst Herzfeld left Persepolis permanently in Spring 1934.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Achaemenian inscriptions  Search this
Archaeology  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C001
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc35506a1ba-0deb-45f4-a0b5-c1697a3ed9f7
EDAN-URL:
ead_component:sova-fsa-a-06-ref10255

C-2: Naqsh-i Rustam. Lines 7--12, left

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Achaemenid dynasty, 559-330 B.C.  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 21 in.x 28 in. (53.3 cm. x 71 cm.))
Container:
Item C-2
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5058, top.
Scope and Contents:
- Original handwritten annotation reads, "5."
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 2. ([neg.] 5058, top) Naqsh-i Rustam. Lines 7-12, left."
- Additional information from staff reads, "Squeeze No. 2: Lines 7-12, second from top, left edge."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-002

FSA A.6 06.C002
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Date/Time and Place of an Event Note:
Ernst Herzfeld first visited Naqsh-i Rustam in November 1905 during his expedition return from the Assur (Kalat Schergat, Iraq) excavation. During the two last months of 1923 as well as early March 1924, in addition of his work on the terrace of Persepolis, Herzfeld spent time at Naqsh-i Rustam checking the inscriptions. In 1928, the architect Friedrich Krefter joined Herzfeld in Persia, in an expedition funded by the Notgemeinschaft der Deutschen Wissenschaft, to complete various measured plans and drawings in Persepolis, Pasargadae, and Naqsh-i Rustam. On March 1, 1931, now under the auspices of the Oriental Institute of the University of Chicago, excavations at Persepolis were begun. Ultimately, in 1933, attention was directed to Naqsh-i Rustam, where Herzfeld traced the outer enclosure of the site and copied the inscription on the tomb of Darius I. Ernst Herzfeld left Persepolis permanently in Spring 1934.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Achaemenian inscriptions  Search this
Archaeology  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C002
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc38c8d1fad-2513-4e85-b487-efa56cb01737
EDAN-URL:
ead_component:sova-fsa-a-06-ref10257

C-3: Naqsh-i Rustam. Lines 13--18, left

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Achaemenid dynasty, 559-330 B.C.  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 21 in.x 28 in. (53.3 cm. x 71 cm.))
Container:
Item C-3
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5049, bottom.
Scope and Contents:
- Original handwritten annotation reads, "7."
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 3. ([neg.] 5049, bottom) Naqsh-i Rustam. Lines 13-18, left."
- Additional information from staff reads, "Squeeze No. 3: Lines 13-18, third from top, left edge."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-003

FSA A.6 06.C003
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Date/Time and Place of an Event Note:
Ernst Herzfeld first visited Naqsh-i Rustam in November 1905 during his expedition return from the Assur (Kalat Schergat, Iraq) excavation. During the two last months of 1923 as well as early March 1924, in addition of his work on the terrace of Persepolis, Herzfeld spent time at Naqsh-i Rustam checking the inscriptions. In 1928, the architect Friedrich Krefter joined Herzfeld in Persia, in an expedition funded by the Notgemeinschaft der Deutschen Wissenschaft, to complete various measured plans and drawings in Persepolis, Pasargadae, and Naqsh-i Rustam. On March 1, 1931, now under the auspices of the Oriental Institute of the University of Chicago, excavations at Persepolis were begun. Ultimately, in 1933, attention was directed to Naqsh-i Rustam, where Herzfeld traced the outer enclosure of the site and copied the inscription on the tomb of Darius I. Ernst Herzfeld left Persepolis permanently in Spring 1934.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Achaemenian inscriptions  Search this
Archaeology  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C003
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc32efacf94-b482-4bd3-b67c-57b44f6aa063
EDAN-URL:
ead_component:sova-fsa-a-06-ref10259

C-4: Naqsh-i Rustam. Lines 21--26, right

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 21 in.x 28 in. (53.3 cm. x 71 cm.))
Container:
Item C-4
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5055, top.
Scope and Contents:
- Original handwritten annotation reads, "4."
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 4. ([neg.] 5055, top) Naqsh-i Rustam. Lines 21-26, right."
- Additional information from staff reads, "Squeeze No. 4: Lines 21-26, fourth from top, right edge."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-004

FSA A.6 06.C004
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C004
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3b619fdd2-f528-405f-baed-5cb806a85ef4
EDAN-URL:
ead_component:sova-fsa-a-06-ref10261

C-5: Naqsh-i Rustam. Lines 25--32, left

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 22 in.x 29 in. (55.9 cm. x 73.7 cm.))
Container:
Item C-5
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5063.
Scope and Contents:
- Original handwritten annotation reads, "13."
Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 5. ([neg.] 5063) Naqsh-i Rustam. Lines 25-32, left."
- Additional information from staff reads, "Squeeze No. 5: Lines 25-32, fifth from top, left edge."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-005

FSA A.6 06.C005
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C005
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c5736ade-d988-4a93-9f75-a892ff030ee4
EDAN-URL:
ead_component:sova-fsa-a-06-ref10263

C-6: Naqsh-i Rustam. Lines 1--7, middle

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 22 in.x 29 in. (55.9 cm. x 73.7 cm.))
Container:
Item C-6
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5054.
Scope and Contents:
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 6. ([neg.] 5054) Naqsh-i Rustam. Lines 1-7, middle."
- Additional information from staff reads, "Squeeze No. 6: Lines 1-7, top, middle."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-006

FSA A.6 06.C006
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C006
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3d5109a12-ba6d-41f2-b80d-5f478198e97d
EDAN-URL:
ead_component:sova-fsa-a-06-ref10265

C-7: Naqsh-i Rustam. Lines 8--13, middle

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 22 in.x 28 in. (55.9 cm. x 71 cm.))
Container:
Item C-7
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5052 and 5047.
Scope and Contents:
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Original handwritten annotation reads, "Ni R 4."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 7. ([neg.] 5052 and [neg.] 5047) Naqsh-i Rustam. Lines 8-13, middle."
- Additional information from staff reads, "Squeeze No. 7: Lines 8-13, second from top, middle."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-007

FSA A.6 06.C007
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C007
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3131c8562-4711-4ecf-ab3e-a0bbe8df0898
EDAN-URL:
ead_component:sova-fsa-a-06-ref10267

C-8: Naqsh-i Rustam. Lines 13--20, middle

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 26 in.x 27 in. (66 cm. x 68.6 cm.))
Container:
Item C-8
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5050, top.
Scope and Contents:
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Original handwritten annotation reads, "8."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 8. ([neg.] 5050, top) Naqsh-i Rustam. Lines 13-20, middle."
- Additional information from staff reads, "Squeeze No. 8: Lines 13-20, third from top, middle."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-008

FSA A.6 06.C008
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C008
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3fa297d0e-208b-41c3-901e-71f3560cbbfc
EDAN-URL:
ead_component:sova-fsa-a-06-ref10269

C-9: Naqsh-i Rustam. Lines 21--25, middle

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 16 in.x 24 in. (40.6 cm. x 61 cm.))
Container:
Item C-9
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5050, bottom.
Scope and Contents:
- Original handwritten annotation reads, "11."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 9. ([neg.] 5050, bottom) Naqsh-i Rustam. Lines 21-25, middle."
- Additional information from staff reads, "Squeeze No. 9: Lines 21-25, fourth from top, middle."
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-009

FSA A.6 06.C009
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and on Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C009
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f06ff353-deb4-488e-9a4c-113b237e0172
EDAN-URL:
ead_component:sova-fsa-a-06-ref10271

C-10: Naqsh-i Rustam. Lines 25--30

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (paper squeeze, b&w, 20 in.x 30 in. (50.8 cm. x 76.2 cm.))
Container:
Item C-10
Type:
Archival materials
Paper squeezes
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Iran -- Fars -- Naqsh-i Rustam -- Tomb of Darius I
Date:
1923-1934
Scope and Contents note:
Print corresponds to negative 5035, bottom, 5064, bottom.
Scope and Contents:
- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last panel to the right, the Akkadian version in 39 lines with the space of one line vacant between lines 31 and 32."
- Original handwritten annotation reads, "14."
- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 10. ([neg.] 5064, bottom) Naqsh-i Rustam. Lines 25-30."
- Additional information from staff reads, "Squeeze No. 10: Lines 25-30, fifth from top, middle."
- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tomb of Darius I, and bears inscriptions." [Roland Kent: Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953, p.109."]
Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Tomb of Darius I
Arrangement:
Papers squeezes are organized in sequential number following language scripts, which are housed in folders, and stored in metal flat files.
Local Numbers:
C-010

FSA A.6 06.C010
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Roland G. Kent's publication, "Old Persian. Grammar, Texts, Lexicon. 2nd Revised Edition. American Oriental Society, Vol. 33. American Oriental Society, New Haven, Connecticut, 1953," and Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Achaemenian inscriptions  Search this
Architecture  Search this
Cuneiform inscriptions  Search this
Old Persian inscriptions  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Genre/Form:
Paper Squeezes
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.6 06.C010
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 6: Paper Squeezes of Inscriptions / 6.3: Cuneiform Script
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3e316ff07-2d22-4e27-8963-db881e20f113
EDAN-URL:
ead_component:sova-fsa-a-06-ref10273

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