Search Results

Landscape architect:

Hare & Hare  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Washington -- Pierce County -- Tacoma

Scope and Contents:

20 35mm slides and 1 folder. The folder includes a site appraisal, history, brochures, and newspaper articles.

General:

This 698 acre public park was established in 1888. It features a Japanese-styled garden with a Shinto Shrine and Torii Gate given to the city in 1961 from Sister City Kitakyushu, Japan and were relocated to the Japanese Garden on April 29, 1982. The Pagoda was designed by Luther Twitchwell and built in 1914. It is a replica of a 17th century Japanese lodge structure and not a true pagoda.

Persons associated with the property include Hare & Hare (landscape architect), Metropolitan Park District (owner), Luther Twitchwell (designer of the pagoda), 1914).

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Washington (State) -- Tacoma  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File WA019

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref32632

Creator:

Freer, Charles Lang, 1856-1919  Search this

Yue, Seaouke  Search this

Names:

Pang Yuanji, 1864-1949  Search this

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

6 Items (folders of correspondence)

Container:

Box 36, Folder 17-22

Type:

Archival materials

Letters (correspondence)

Date:

1917-1919

Scope and Contents:

Letters dated between 1917 and 1919, mostly discussing the offer of Chinese art objects by the Shanghai based dealer Seaouke Yue (You Xiaoxi)

游篠溪

Freer collection numbers: F1904.61

Letters between Charles Lang Freer and Seaouke Yue (You Xiaoxi)

Arrangement:

Organized chronologically under correspondent.

Biographical / Historical:

Charels Lang Freer first met Yue in 1917. Yue had travelled to New York with items from the collection of Pang Yuanji, an important Shanghai collector who met Freer in 1911. Over the next two years, Freer purchased a number of important works of Chinese painting, jades, pottery and bronzes from Yue.

Local Numbers:

FSA A.01 02.1Yue

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, Chinese  Search this

Genre/Form:

Letters (correspondence)

Collection Citation:

Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01, File FSA A.01 02.1Yue

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 2: Correspondence / 2.1: Charles Lang Freer Correspondence

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-01-ref634

Creator:

Pullman Palace Car Co.  Search this

Donor:

Pullman-Standard  Search this

Names:

Lincoln, Robert Todd  Search this

Pullman, George M., 1831-1897  Search this

Extent:

128.5 Cubic feet (147 boxes)

Type:

Collection descriptions

Archival materials

Glass plate negatives

Photographs

Date:

circa 1882-1955

Summary:

Collection consists of approximately 13,500 images (original photographs, copy prints, and film and glass plate negatives) for freight, passenger, private, and street and rapid transit cars manufactured by the Pullman Palace Car Company. The collection contains primarily early railroad Americana, including interior and exterior views of private and business cars as well as passenger and street cars. The collection is an important part of the historical record of the railroad car-building industry as well as the history of architecture and interior design.

Scope and Contents:

The collection consists of approximately 13,500 images (original photographs, copy prints, and film and glass plate negatives) for freight, passenger, private, and street and rapid transit cars manufactured by the Pullman Palace Car Company. The collection contains primarily interior and exterior views of private and business cars as well as passenger and street cars. The collection is an important part of the historical record of the railroad car-building industry as well as the history of architecture and interior design. Historians, designers, railroad enthusiasts, model railroad hobbyists, scholars, and others will find this collection useful.

The glass plate negatives in this collection were produced using the wet collodion process, which was introduced to the United States in 1855 and used into the 1880s. The plates were coated with chemicals, sensitized, exposed and developed, all while the plate was wet. Later, Pullman photographers used the dry collodion process. This process involved using glass plates with a photographic emulsion of silver halides suspended in gelatin. This process had shorter exposure times.

George Pullman assembled a variety of photographers to document his company's work. The photography was primarily used as a record of work, especially for the Operating Department and Manufacturing Department at Pullman, as well as for prospective corporate customers.

Before establishing an in-plant photographic department in 1888, Pullman relied on local photographers. Some of the photographers included John Jex Bardwell, Wylie Dennison, Henry R. Koopman, J. W. Taylor, Thomas S. Johnson, Wylie Dennison, John P. Van Vorst, Clayton Ford Smith, Joseph McAllister, Melvin C. Horn, Ernie Stutkus, and Donald J. O'Barski. Many of the photographers signed the glass plates using their initials. For example, John P. Van Vorst signed his J.P.V.V.

Photography of Pullman activities began in the Detroit Shops (property of the Detroit Car & Manufacturing Co. which was purchased by Pullman in 1873 and operated as the Detroit Shops of Pullman) in the 1870s and expanded to include photographing the town of Pullman, steel car construction, shop accidents, workers, panoramic views, and in some instances, for company publications. In-plant photography was started with Wylie Dennison in 1888. Dennison was the first full-time Pullman photographer, and he created the Pullman Photographic Department. Dennison instituted the practice of recording each photograph, noting the negative number, description of the car, the type of view (typically one interior view and one exterior view) and lot number. All of Dennison's photography was done outside in the daylight.

The negative numbers assigned to the glass plates were identified with a "lot" number. The lot number identified the production order, and in later years, the plan number was added, designating the layout of the car. Photographing one car out of each new lot was the intital practice, but over-time, the Photographic Department began taking six or more views of the interior and exterior as well as end views.

Lot numbers include:

Lots 1 - 500 (Pullman Car Works - Chicago)

Lots 1 - 500 (Detroit Car Works)

Lots 500 plus (can be freight and passenger mixed)

Lots 1000 to 4999 (Pullman passenger equipment)

Lots 5000 to 5999 (Pullman freight equipment)

Lots 5000 + Haskell and Barker (Pullman overlap)

Lots 6000 to 7000+ (Pullman and P-S passenger)

Lots 8000 to 9999 (Pullman freight equipment)

Lots 10000+ (Pullman freight equipment)

Series 1, Original prints, circa 1880-1949, are arranged numerically by Pullman numbers. The original prints begin with number 7343 and end with number 33091. The photographs document Pullman cars, including freight, passenger, private, and street railway/rapid transit. Many of the images depict interior views of the cars, and there are some views of porters and passengers. There is some documentation of the workmen constructing the cars. The prints are primarily 8" by 10" black-and-white and were originally bound into books and backed on linen. The prints were unbound at some time. Many of the original prints bear an embossed stamp "Built by Pullman Car and Manufacturing Corporation Chicago." Some photographs are sepia-tone and there are no negatives for these prints.

Series 2, Copy prints, 1885-1955, consists of prints made from the glass plate negatives by the Smithsonian photographic services office. The copy prints were originally stored in loose binders but were re-housed into folders and arranged numerically according to the original Pullman Company number. The number is typically found in the lower right corner of the image. The copy prints are black-and-white and are either 5" x 7" or 8" x 10".

Series 3, Film negatives, 1917-1955, consists of film negatives (4" x 5" and 8" x 10") that are arranged numerically by Pullman numbers. In some instances, information on the enclosure includes the type of car (e.g. sleeper, freight), the name of the car if applicable, name of railroad company, geographical information, and date(s). In some instances, "repro," or "broken glass" are recorded. For negatives that did not conform to the Pullman numbering system, the container list provides additional information. For example, Haskell and Barker Car Company (Haskell and Barker merged with the Pullman Company in 1922) machine shop views, or Pullman cars in St. Paul, Minnesota are recorded in the collection inventory listing.

Series 4, Glass plate negatives, [circa 1882-1948], is divided into two subseries, Subseries 1, 6" x 8" negatives and Subseries 2, 8" x 10" negatives. The series consists of approximately 13,500 glass plate negatives arranged by Pullman Company negative number. The negatives document primarily Pullman cars, including freight, passenger, private and street railway/rapid transit. Many of the images depict interior and exterior views of the cars and some views of porters and passengers. The interior views include details such as seating, window treatments, lighting fixtures, bathroom fixtures, wood paneling, marquetry work, fabrics, floor treatments, and other furnishings. There is some documentation of the construction of the cars by workmen in the factory.

The negative numbers and lot numbers are etched on the glass plates. Overall the series is in good condition, although there are some broken plates which have been separated. The negatives are not inclusive and some plates are missing, or there are two copies. If plates are missing or additional copies exist, this is noted in the collection inventory. In some instances, plates are labeled 3937 and then 3937-A. This numbering distinguished two different views/angles of the same car.

Many of the envelope enclosures contain the negative number, sometimes preceed by the letter "P" (e.g. P9597), lot number (L4700), and in some instances, text describing the negative. Text typically includes the type of car (sleeper, freight), the name of the car if applicable, name of railroad company, geographical information, and date(s). If a copy print was created from the negative plate, the enclosure is stamped "printed." However, this practice was not consistent. Plates that were not printed are occasionally noted, but not with any consistency.

The 6" by 8" glass plates numbered 82-4130 to 82-4167, represent numbers assigned by the Office of Photographic Services, Smithsonian Institution. Previously labeled "Pullman" on the enclosures, the plates primarily document engines and passenger cars for the New York, New Haven, & Hartford Railroad, 1870-1890 and undated. The plates do not have Pullman negative numbers etched in the lower left or right corners and it is unclear if these plates belong to this collection.

Series 5, Indices, 1990 and undated include bound, typescript indices to the Pullman negatives. Created by the National Museum of American History, Division of Transportation (now known as the Division of Work and Industry), the indices include listings by railroad, private cars, freight cars, street cars and rapid transit, and Pullman negatives. The indices provide the name of the railroad/railway (e.g. Chicago & Alton), type of car (e.g. coal car or box car), number, lot, remarks (e.g. baggage area), year, type of view (e.g. exterior or interior) and frame number (for the laser disc).

One index is a supplemental guide listing sepia tone prints for which no negative exists in our collection. The indices for the negative listings on laser discs one and two are available. However, the actual lasers discs are missing.

References

Horn, Don. "The Pullman Photographers," Railroad Heritage, No. 7, 2003, pp. 5-13.

Arnold, Rus. "This Negative File was a Sleeper." Technical Photography. May 1970, pp. 21-XX.

Pullman State Historic Site, http://www.pullman-museum.org/theCompany/timeline.html (last accessed April 18, 2011)

Arrangement:

The collection is arranged into five series.

Series 1, Original prints, 1904-1949

Series 2, Copy prints, 1885-1955

Series 3, Film negatives, undated

Series 4, Glass plate negatives, circa 1882-1948

Series 5, Indices, 1990 and undated

Biographical / Historical:

Recognizing a market for luxurious rail travel, George M. Pullman, who had earlier experimented with sleeping car construction and was wealthy from the provisioning and transporting of Colorado miners in the early 1860s, incorporated the Pullman's Palace Car Company in 1867. By the 1870s his operations were already national and included the operation of sleeping cars under contract with the nation's railroads, the manufacture of cars at the Detroit Works, and the creation of subsidiary firms serving Great Britain and Europe. In the three decades before the turn of the century, the prosperous company grew enormously and included a much heralded model company town adjacent to the new car works at Pullman, Illinois. Acclaim turned to condemnation following the nationwide strike that originated at the Pullman Car Works in 1894. Pullman died in 1897, two years before his company absorbed its last major competitor, the Wagner Palace Car Company, which had been financed by the Vanderbilts.

The Pullman's Palace Car Company entered the twentieth century with a new name, the Pullman Company, and a new president, Robert Todd Lincoln. An extremely profitable virtual monopoly, the Pullman Company began replacing its wood cars with safer all steel bodied models (heavyweights) in its newly segregated manufacturing department and at the same time (1906) came under the regulation of the Interstate Commerce Commission. From 1918 to 1920, the United States Railroad Administration, citing the war emergency, assumed control of the operating arm of the firm, renamed the Pullman Car Lines for the duration of federal control.

The Pullman Company reached its peak during the 1920s, manufacturing new heavyweight cars at a rapid pace. Seeking to expand its freight car production, Pullman merged with the Haskell and Barker Car Company in 1922. Edward F. Carry and his Haskell and Barker associates assumed the presidency and other executive positions in the enlarged Pullman Company. More reorganization took place in 1924, when the Pullman Company Manufacturing Department became a distinct firm, the Pullman Car and Manufacturing Corporation, and in 1927, when a parent or holding company, Pullman Incorporated, was created to oversee the two subsidiary firms. In 1929, following Carry's death, President David A. Crawford engineered the merger of the Pullman Car and Manufacturing Corporation with the Standard Steel Car Company, forming the Pullman-Standard Car Manufacturing Company.

During the first three decades of the twentieth century Pullman sought to impede the unionization of its workers by offering new benefits, including a pension plan in 1914, a death benefit plan in 1922, and a plan of group insurance in 1929. F. L. Simmons' Industrial Relations Department, created in 1920, also directed the formation of company-sponsored occupationally-based unions under the plan of employee representation. A. Philip Randolph's Brotherhood of Sleeping Car Porters and other unions would not successfully organize company workers until the New Deal Railway Labor Act of 1934 forbade corporate interference in union matters. The Depression marked the end of Pullman prosperity. Both the number of car orders and sleeping car passengers declined precipitously. The firm laid off car plant and service workers, reduced fares, and introduced such innovations as the single occupancy section in an effort to fill its cars. During this decade the firm built fewer new cars, but it added air conditioning to its existing heavyweights and remodeled many into compartment sleepers.

In 1940, just as orders for lightweight cars were increasing and sleeping car traffic was growing, the United States Department of Justice filed an anti-trust complaint against Pullman Incorporated in the U. S. District Court at Philadelphia (Civil Action No. 994). The government sought to separate the company's sleeping car operations from its manufacturing activities. In 1944 the court concurred, ordering Pullman Incorporated to divest itself of either the Pullman Company (operating) or the Pullman-Standard Car Manufacturing Company (manufacturing). After three years of negotiations, the Pullman Company was sold to a consortium of fifty-seven railroads for around forty million dollars. Carroll R. Harding was named president of this new Pullman Company. The new Pullman Company started out optimistically in 1947 with good passenger traffic figures, but the years following brought steady and marked decline. Regularly scheduled lines were cancelled; all shops except St. Louis and Chicago were closed; employees were furloughed, and major railroad owners such as the New York Central and Pennsylvania Railroad totally or partially withdrew from service. On January 1, 1969, at the age of 102, the Pullman Company ceased operation, though it maintained a small central office staff to wind up affairs and handle an equal pay-for-equal-work lawsuit (Denver Case) that continued in the courts until 1981.

John H. White (1933-), historian and curator, collected the Pullman photographs in 1969. White was born in Cincinnati, Ohio, and graduated with a bachelors of arts in history from Miami University Ohio in 1958. Shortly after receiving his degree, He joined the staff of the Smithsonian Institution as Assistant Curator of the Division of Transportation, Department of Science and Technology, Museum of History and Technology. White later became Associate Curator of the Division, 1961-1966, Curator, 1967-1985, and Senior Historian, 1986-1989. White specialized in land transportation, particularly the history of railroads.

White worked closely with Arthur Detmers Dubin (1923-) to acquire the Pullman photographs for the museum. Dubin was an avid train enthusiast and collector, and he frequently used the Pullman "archives" for his own research on railroads. Dubin was born in Chicago, Illinois and began his architectural education at the University of Michigan in 1941 but his education was interrupted by World War II, and he served with distinction in the United States Army until 1946. After completing his studies in 1949, Dubin joined his father's and uncle's architectural firm, Dubin and Dubin, as a second--eneration architect. The leadership of the firm soon passed to Arthur and his brother, Martin David, and in 1965 they were joined by John Black and in 1966 by John Moutoussamy. Arthur's life--ong interest in trains and transportation and their implications for architecture is evident in transit stations commissions and service on transportation--elated advisory boards (Dubin was a member of the Illinois Railroad Commission), as well as in his writings and personal collections.

In July, 1966, Dubin contacted then Vice President of Public Relations at Pullman-Standard E. Preston Calvert about the history and future of the photographic negative plates. Dubin appealed to Calvert to preserve these materials. Dubin and White were also in contact by correspondence and in June, 1967, White contacted Calvert also, stating that the Chicago Historical Society or Illinois State Historical Society should be offered the plates as a first option. Failing a local Illinois repository accepting the materials, White indicated that the Smithsonian would accept the negatives.

During the spring of 1968, White, working with Dubin and Nora Wilson, editor of the company's publications, coordinated a visit by White to Chicago to examine the photographic negatives at the Pullman Car Works factory in south Chicago. In April 1968, White examined the vast collection of glass plate negatives (approximately 20,000). From April, 1968 to August, 1969, Pullman-Standard and the Smithsonian negotiated acquisition details, including shipping and related costs. In August, 1969, White returned to complete the task of sorting the glass plates, discarding broken plates, and weeding repetitive views. He selected approximately 13,500 glass plates. Views of Pullman towns were donated to the Chicago Historical Society. Dubin appraised the photographic plates and film negatives, presumably on behalf of Pullman-Standard, and estimated the plates to be worth between $54,000 and $67,500 dollars.

References

Historical note courtesy Martha T. Briggs and Cynthia H. Peters, Guide to Pullman Company Archives, The Newberry Library, Chicago, 1995.

Art Institute of Chicago, Chicago Area Architects Oral History Project http://www.artic.edu/aic/resources/resource/734?search_id=1 (last accessed on February 23, 2011)

John H. White papers, 1959-1989, Record Unit 007384, Smithsonian Institution Archives, Washington, D.C.

Telephone conversation of Alison Oswald, archivist, with John H. White, April 14, 2011.

Related Materials:

Materials in the Archives Center

Pullman Palace Car Company Materials, 1867-1979 (AC0181)

John H. White, Jr. Railroad Reference Collection, 1880s-1990 (AC0523)

Materials in Other Organizations

•Art Institute of Chicago

•Bombardier Corporation

•California State Railroad Museum

•Chicago History Museum

•Arthur Dubin Collection at Lake Forest College

•Illinois Railway Museum

•Indiana University Northwest's Calumet Regional Archives

Pullman-Standard Railroad Car Manufacturing Company Personnel Records—Personnel Record Series CRA 314 This index of employee names was created from the original personnel cards housed at Indiana University Northwest's Calumet Regional Archives from the Indiana locations. Although the records are not complete from the Michigan City plant for the entire period from 1912 to the 1970's, there may be information that will assist researchers with finding key details of a family member. The Hammond Pullman plant was merged with the Haskell Barker Company of Michigan City in 1922.

•Newberry Library, Chicago

The Pullman Company archives at the Newberry Library consists of 2,500 cubic feet of records from the Pullman Company and Pullman heirs. The collection is comprised of business archives of the Pullman Palace Car Company from 1867 and includes records of the entire firm up to the 1924 split into operating (sleeping car operation, service, and repair) and manufacturing companies. From 1924 to 1981 the records chronicle the activities of the operating company only.

•Pennsylvania State Archives

•Pullman State Historic Site

•Pullman Technology (Harvey, Illinois)

•Smithsonian Institution Archives

•South Suburban Genealogical & Historical Society (South Holland, Illinois)

Provenance:

The collection was donated by Pullman-Standard Company, through Nora Wilson, editor of employee publications for the Department of Public Relations and Advertising, on October 8, 1969.

Restrictions:

The collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view original glass plate and film negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270. Unrestricted access to photographic prints and other portions of the collection.

Rights:

Copyright held by the Smithsonian Institution.

Topic:

Freight cars  Search this

Railroads -- Dining-car service  Search this

Roomette car  Search this

Hospital cars  Search this

Dining cars  Search this

Hotel car  Search this

Sleeping cars (Railroads)  Search this

Local transit  Search this

Genre/Form:

Glass plate negatives

Photographs -- Black-and-white negatives -- Acetate film -- 1890-1900

Photographs -- Black-and-white negatives -- Acetate film -- 1900-1950

Citation:

Pullman Palace Car Company Photographs, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

John and Ellen Thompson provided financial support for processing the collection.

Identifier:

NMAH.AC.1175

See more items in:

Pullman Palace Car Company Photographs

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-1175

Collection Creator:

Maertz, J.F., Department Store (Milwaukee, Wis.).  Search this

Stanley-Brown, Joseph, 1858-1941  Search this

Keystone View Company  Search this

Rau, William H.  Search this

Container:

Box 7, Box 15

Type:

Archival materials

Graphic Materials

Collection Restrictions:

Collection open for research on site by appointment. Unprotected lantern slides and stereographs must be handled with gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply.

Collection Citation:

Division of Cultural History Lantern Slides and Stereographs, dates, Archives Center, National Museum of American History

See more items in:

Division of Cultural History Lantern Slides and Stereographs

Division of Cultural History Lantern Slides and Stereographs / Series 1: Keystone View Company Lantern Slides and Stereographs / 1.2: H-1 to H-300

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0945-ref808

Collection Creator:

Science, Medicine and Society, Division of (NMAH, SI).  Search this

Container:

Box 2, Folder 7

Type:

Archival materials

Date:

October 26, 1988

Collection Restrictions:

The collection is open for research use. Some materials are currently unprocessed.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Superconducting Super Collider Collection, 1985-1992, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Superconducting Super Collider Collection

Superconducting Super Collider Collection / Series 3: Illinois / 3.3: Sharon Lough

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0538-ref67

Collection Creator:

Smithsonian Institution  Search this

Computerworld Magazine.  Search this

Collection Source:

Computers, Information and Society, Division of (NMAH, SI).  Search this

Container:

Box 19 (Series 13), Folder 11

Type:

Archival materials

Date:

2000

Collection Restrictions:

The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Collection Rights:

Copyright held by donor and/or heirs. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.] .

Collection Citation:

The Computer World Smithsonian Awards, Archives Center, National Museum of American History

See more items in:

Computer World Smithsonian Awards

Computer World Smithsonian Awards / Series 13: Awards / 13.4: Finance, Insurance and Real Estate

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0425-ref4862

Collection Author:

Harriman, Stephen (farmer)  Search this

Myers, Annamae Barlup (farmer)  Search this

Container:

Box 2

Type:

Archival materials

Date:

1951

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Annamae Barlup Myers & Stephen Harriman Diaries, 1883-1894, Archives Center, National Museum of American History.

See more items in:

Annamae Barlup Myers and Stephen Harriman Diaries

Annamae Barlup Myers and Stephen Harriman Diaries / Series 1: Annamae Barlup Myers Diaries

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0345-ref39

Collection Donor:

Moglie, Loretta  Search this

Collection Collector:

Moglie, Albert F., 1890-1988  Search this

Collection Photographer:

Rembrandt photo studio  Search this

Scavelli, Ramon  Search this

Harris & Ewing  Search this

Mishkin  Search this

Container:

Box 6, Folder 10

Type:

Archival materials

Date:

1979-1980

Scope and Contents:

Concerning Mr. Moglie's appraisal of Charles Stein III's instrument collection upon his death, 1979-80. Includes lists of instruments and their appraised value and notes on the valuation of the instruments; plus photocopy of information from the original folder at front.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.

See more items in:

Albert F. Moglie Violinists and Violin-Making Collection

Albert F. Moglie Violinists and Violin-Making Collection / Series 3: Business Papers

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0283-ref532

Collection Donor:

Moglie, Loretta  Search this

Collection Collector:

Moglie, Albert F., 1890-1988  Search this

Collection Photographer:

Rembrandt photo studio  Search this

Scavelli, Ramon  Search this

Harris & Ewing  Search this

Mishkin  Search this

Container:

Box 6, Folder 13

Type:

Archival materials

Date:

1961-1981

Scope and Contents:

Correspondence with Mr. Repko concerned the purchase of instruments, bows and various supplies. Correspondence with Mrs. Repko included a letter of sympathy on her husband's death and letters regarding the appraisal of her husband's collection for estate tax purposes.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.

See more items in:

Albert F. Moglie Violinists and Violin-Making Collection

Albert F. Moglie Violinists and Violin-Making Collection / Series 3: Business Papers

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0283-ref535

Collection Donor:

Moglie, Loretta  Search this

Collection Collector:

Moglie, Albert F., 1890-1988  Search this

Collection Photographer:

Rembrandt photo studio  Search this

Scavelli, Ramon  Search this

Harris & Ewing  Search this

Mishkin  Search this

Container:

Box 6, Folder 19

Type:

Archival materials

Date:

1941-1977

Scope and Contents:

Includes correspondence between Mr. Moglie and Mr. William Evatt regarding the sale of his Sanctus Lavazza violin and with Mr. Evatt's representative after his death; also correspondence and appraisals related to the collection of Hendrick Essers.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.

See more items in:

Albert F. Moglie Violinists and Violin-Making Collection

Albert F. Moglie Violinists and Violin-Making Collection / Series 3: Business Papers

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0283-ref541

Collection Creator:

Perls Galleries  Search this

Extent:

(Boxes 1-44, OV 81-83; 43.6 linear feet)

Type:

Archival materials

Date:

1937-1995

Scope and Contents note:

This series consists of original incoming correspondence and duplicate copies of outgoing correspondence documenting gallery exhibits, loans, sales, and routine maintenance activities. Correspondence is with artists, galleries, museums, collectors, dealers, publications, and staff while the Perls traveled. Also found is correspondence concerning routine business affairs such as framing, restoration, and shipping; gallery-related services such as locksmiths and window and drapery cleaners; and business-related services such as accounting, taxes, and legal representation. A handful of project files relating to the commission or installation of Calder sculptures in public spaces follows the Calder correspondence file.

Significant correspondents include artists Darrell Austin, Joan Mir, Pablo Picasso, and Karl Priebe; galleries such as the Corcoran Gallery, Fujikawa Galleries, Galerie Maeght, and the Pierre Matisse Gallery; museums such as the Art Institute of Chicago, the Museum of Modern Art, the National Gallery of Art, and the Whitney Museum of Modern Art; collectors such as Morris and Gwendolyn Cafritz, Adelaide de Mnil, Valentine Dudensing, and Henry Ford, II; and celebrity clients such as Greta Garbo, Alfred Hitchcock, Henry and Clare Booth Luce, and Barbra Streisand.

Many letters enclose photographs, negatives, or slides of artwork and contain requests for the artwork to be identified, authenticated, or appraised. Additional letters enclose clippings mentioning Perls or the gallery, or discussing artists collected by Perls, notable art world figures or trends, or exhibitions at Perls Galleries or other galleries including artwork loaned by Perls Galleries. A few letters include oversize architectural or engineering drawings, usually relating to the installation of Calder stabiles.

A small handful of letters from Carol Blanchard, Robert and Elodie Osborn, and Karl Priebe are illustrated, and original artwork can be found in the Adelaide Milton de Groot file.

Many of the correspondence files include copies of invoices for artwork sold and occasional provenance information, useful to supplement the relatively small amount of sales records in the collection.

Two color photographs of Calder painting one of his sculptures can be found in the Marcel Fleiss file, and a black and white photograph of Calder standing in front of the terrazzo sidewalk he designed for the Perls Galleries entrance can be found in the Newsweek Magazine file.

Court records and attorney correspondence regarding the 1969 World War II looted art case Menzel v. List can be found in the Ralph F. Colin, Allan D. Emil, and Albert A. List files.

Arrangement note:

Correspondence is arranged alphabetically by correspondent and thereunder approximately in reverse chronological order. Each alphabetical section is completed by miscellaneous files containing correspondence with individuals and organizations, also arrange alphabetically, with whom Perls Galleries exchanged fewer than five letters.

Many of the records in this series are brittle and require careful handling. Many of the records alphabetized under the letter G have suffered from previous water damage.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.perlgall, Series 1

See more items in:

Perls Galleries records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-perlgall-ref14

Collection Creator:

James Graham & Sons  Search this

Container:

Box 57, Folder 25

Type:

Archival materials

Date:

1988

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 3: Artists' Files / Thorne, Joan

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref1459

Collection Creator:

James Graham & Sons  Search this

Container:

Box 5, Folder 6

Type:

Archival materials

Date:

circa 1974-1980s

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref156

Collection Creator:

James Graham & Sons  Search this

Container:

Box 8, Folder 15

Type:

Archival materials

Date:

1975-1979

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref272

Collection Creator:

James Graham & Sons  Search this

Container:

Box 1, Folder 25-26

Type:

Archival materials

Date:

circa 1961-1970

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref30

Collection Creator:

James Graham & Sons  Search this

Container:

Box 1, Folder 27

Type:

Archival materials

Date:

1994-1997

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref31

Collection Creator:

James Graham & Sons  Search this

Container:

Box 1, Folder 28

Type:

Archival materials

Date:

1984

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref32

Collection Creator:

James Graham & Sons  Search this

Container:

Box 1, Folder 29

Type:

Archival materials

Date:

circa 1980s

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref33

Collection Creator:

James Graham & Sons  Search this

Container:

Box 1, Folder 30

Type:

Archival materials

Date:

1980-1987

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref34

Collection Creator:

Neiman, LeRoy, 1921-2012  Search this

Container:

Box 17, Folder 8

Type:

Archival materials

Collection Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

LeRoy Neiman papers, 1938-2005. Archives of American Art, Smithsonian Institution

See more items in:

LeRoy Neiman papers

LeRoy Neiman papers / Series 2: Correspondence / 2.4: Office Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-neimlero-ref215